3x21 - Darkness vs. Light

[Prue Brianna Johnna Halliwell]

DESTINED

"DARKNESS VS. LIGHT"

TEASER

OVER BLACK.

FADE IN:

EXT. HALLIWELL MANOR – NIGHT

Only the porch light is on.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – NIGHT

Both Wyatt and Prue are sleeping in each other’s arms. Slowly the camera approaches Prue’s face.

FLASHES TO:

EXT. PRESCOTT STREET – NIGHT (INSIDE A DREAM)

The street is dark. No one is there to be seen but one single person: a woman. Prue walks down the dark street. She looks around as she doesn’t understand what’s happening.

PRUE

Hello!

Prue tries to call for someone. But no one is seen in the dark street. She keeps walking.

PRUE (CONT'D)

Someone!

Prue feels cold. She grabs her own arms trying to get warmer.

PRUE (CONT'D)

Hello!

She breathes cold. Someone approaches her and stops right behind her. She feels his presence. Prue closes her eyes and turns around little by little.

ON GADREEL.

BEAT. Gadreel stands in front of her. He smiles.

PRUE (CONT'D)

You!

GADREEL

Hello, Love!

PRUE

Don’t call me that.

(serious)

What are you doing here?

GADREEL

It was the only way to reach to you.

PRUE

I want you out of my dreams.

Gadreel steps towards her, but she steps back. Gadreel shoots her a serious look.

GADREEL

Don’t make it harder, Love. You’ll return to me sooner or later.

PRUE

No, I won’t. I will find a way to vanquish you.

GADREEL

No, you won’t. There’s no way to vanquish me.

PRUE

There has to be.

Gadreel smiles sarcastic.

GADREEL

No, you won’t. And listen to me, Prue, you will return to me whether you want it or not.

Gadreel is serious.

PRUE

Or ---?

Gadreel smiles.

GADREEL

I’ll take everything from you until all that is, is darkness.

Gadreel looks around.

GADREEL (CONT'D)

And this dream of yours turns into real and then, after losing everything, you won’t have another option but to give into darkness.

(pauses)

And then you’ll be mine.

A tear starts running down Prue’s face.

GADREEL (CONT'D)

So, don’t make it worse. Be mine willingly or I’ll make you.

Gadreel approaches her and touches her face softly.

GADREEL (CONT'D)

I love you, Adriel. Don’t make me hurt you.

Prue is getting red with anger.

PRUE

NO!

Gadreel pulls back his hand. ON GADREEL. His eyes change to black. Prue feels scared and ---

FLASHES BACK TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – NIGHT

ON PRUE. Her eyes pop open. She gets into a sitting position breathing fast. Wyatt wakes up and looks at a nervous Prue.

WYATT

Love, what’s wrong?

Wyatt holds her face between her hands.

WYATT (CONT'D)

You’re cold.

Wyatt hugs her and tries to warm her and calm her down.

WYATT (CONT'D)

What happened?

Prue is getting calmer.

PRUE

I had a dream.

Wyatt looks at her.

PRUE (CONT'D)

Again.

Wyatt rubs her arms.

WYATT

Calm down. It was just a dream.

PRUE

(serious)

No, it wasn’t.

Prue looks Wyatt in the eyes. Wyatt stops rubbing her arms.

PRUE (CONT'D)

It was real.

(pauses)

He threatened to take everything from me if I don’t give into darkness.

WYATT

Prue ---

PRUE

I said no.

Wyatt takes a deep breath.

WYATT

We’ll find a way to vanquish him.

PRUE

What if there’s not?

WYATT

There’s has to.

Wyatt hugs Prue again.

PRUE

I don’t want to lose you, Wyatt. Not again.

WYATT

You won’t.

Wyatt is thoughtful. And then, something pops into his mind.

WYATT (CONT'D)

There’s a way to vanquish him.

Prue and Wyatt look at each other.

PRUE

What?

WYATT

I had forgotten that because of everything that happened so far.

PRUE

What is it?

WYATT

Conrad Turner.

BEAT. Prue is surprised.

WYATT (CONT'D)

Remember the day he died?

Prue nods yes.

WYATT (CONT'D)

He was about to tell us something.

(serious)

He said he knew how to vanquish him.

Prue thinks for seconds.

PRUE

Indeed. He never got to tell us because Gadreel killed him.

Wyatt nods.

PRUE (CONT'D)

But Conrad is dead. There’s no way to know what he was about to tell us.

WYATT

As hard as it is for me to somehow get that man back into our lives, I must say, that there’s a way to talk to him.

Prue doesn’t understand.

WYATT (CONT'D)

We have to find a way to enter the Demonic Wasteland.

Wyatt seems serious. ON PRUE. She looks seriously at Wyatt.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Matt Bomer as Damon

Marisol Nichols as Bianca

Special Guest Starring

Shannen Doherty as Prudence Halliwell


Guest Starring

Daniel Di Tomasso as Gadreel / The Darkness

Jesen Ackles as Eric

Rick Cosnett as Conrad Turner

Peter Facinelli as Sebastian Whitmore

Alex Mauriello as Oracle

John Barrowman as Christopher Mercer

Shay Mitchell as Olivia Clark

Demi Lovato as Demetria Parker

William Petersen as Handreel

Robbie Kay as Alex Trudeau

Unknown actors as Demons

Unknown actors as Firemen

Unknown actor as Man #1

Unknown actors and actresses as people

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – DAY

Aerial footage all over the town at the sound of ‘Don’t Let Me Down’ by The Chainsmokers ft. Daya.

Some famous places all over the town are shown as The Golden Gate, Pier 39, Union Square, Lombard Street, the Coit Tower, Twin Peaks, etc.

CUT TO:

EXT. HALLIWELL MANOR – DAY

The newspaper boy is not running his bike today. He throws the newspapers towards the house front door with anger and walks away.

CUT TO:

INT. HALLIWELL MANOR – DINING ROOM – DAY

MUSIC FADES OFF.

Chris, Bianca and Melinda are taking breakfast. Melinda and Bianca are sitting on one side while Chris is sitting across them. They seem to be talking about something serious.

MELINDA

(to Chris)

Have you taken a decision?

Chris looks at his sister.

CHRIS

No yet.

MELINDA

I think you should take it.

CHRIS

Mel, I’m not gonna think about it till we vanquish Darkness.

Melinda and Bianca exchange glances.

CHRIS (CONT'D)

If we ever do.

MELINDA

Chris, we need to be positive. You can’t doubt that we’re gonna find a way of vanquishing that evil.

CHRIS

It’s not doubting, Mel. We don’t know how to vanquish him.

BIANCA

But the gang is back together, babe.

MELINDA

Exactly.

BIANCA

I’m sure we are going to find a way to vanquish him.

Chris takes a deep breath.

CHRIS

I know.

Melinda and Bianca smile at Chris. At that moment, Wyatt and Prue come in. Chris, Melinda and Bianca look at them.

BIANCA

Morning!

PRUE

Morning!

MELINDA

How did you guys sleep?

WYATT

I didn’t know I missed my bed that much. Slept like a baby.

Prue and Wyatt sit.

CHRIS

So, what are the plans for today?

Wyatt and Prue exchange glances.

MELINDA

(to Wyatt)

Have you learned something from the time you spend being a prisoner of Darkness? Something that can help us to vanquish him?

WYATT

No, but ---

Wyatt looks at Prue.

WYATT (CONT'D)

Something popped into my mind last night. Something I had forgotten.

CHRIS

(curious)

What is it?

Wyatt and Prue exchange glances.

WYATT

We know who knows how to vanquish Gadreel.

BIANCA

Who?

PRUE

Conrad.

Chris, Melinda and Bianca exchange glances.

MELINDA

You mean like Conrad as in Cole’s brother?

Prue nods. Chris looks at Wyatt.

CHRIS

How come?

WYATT

Conrad was about to tell us how to vanquish Gadreel before Gadreel himself killed Conrad.

BIANCA

But Conrad is dead.

PRUE

Yes, he is.

CHRIS

So how are we going to contact him?

WYATT

He must be in the Demonic Wasteland.

MELINDA

And we are gonna bring him back?

PRUE

No.

They look at Prue.

PRUE (CONT'D)

I’m gonna go to him.

Wyatt looks at Prue.

WYATT

Honey, we already talked about it and I’m going.

Prue grabs Wyatt’s right hand and holds him softly.

PRUE

Honey, you’ve been out for a while and I’m so happy you’re back, but I’m me!

(assuring)

Which means that I’m going.

Wyatt takes a deep breath.

WYATT

Fine.

Chris and Melinda exchange surprised glances.

MELINDA

I remember from Magic School classes, they told us that there was a beast guarding the place.

CHRIS

Cole killed the beast.

WYATT

And there’s probably others.

MELINDA

Yeah, but how could Conrad still be there? Demons are destroyed once they enter the realm.

PRUE

Not Conrad. He’s half demon just like Cole was.

CHRIS

Then, what are we waiting for? I can’t wait to vanquish Darkness.

Prue and Wyatt exchange glances. Chris is serious. Melinda and Bianca exchange glances.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – DAY

The cave still looks like Prue and Wyatt’s bedroom. Gadreel is there by the table. Vol VII of the Book of Angels and the Medallion are over the table. He looks at the items. Little by little, he approaches his right hand to the Medallion and grabs it. He holds the Medallion on his hand. Gadreel is serious.

ON THE MEDALLION.

FLASHES TO:

INT. SOMEWHERE OUTSIDE TIME AND SPACE (A LONG, LONG TIME AGO) - FLASHBACK

Battle sounds are heard. Adriel is on the ground. Fearful. Her sword is next to her. A scary dark shadow is over her.

ADRIEL

(begging)

No, please.

DARKNESS

Surrender to me.

Darkness’ voice sounds terrifying.

ADRIEL

NO!

The dark shadow gets closer to Adriel. At that moment, Gadreel steps in between Adriel and Darkness. He’s holding his sword.

GADREEL

(to the shadow)

Don’t hurt her, please.

(pauses)

Do whatever you want with me, but don’t hurt Adriel.

DARKNESS

You love her.

GADREEL

Yes, I do. I will do anything to protect her.

Adrien reminds on the ground looking at Gadreel.

DARKNESS

Surrender to me.

ON GADREEL.

GADREEL

Won’t you hurt her?

DARKNESS

No.

GADREEL

Then, I do.

BEAT. The dark shadow approaches Gadreel and gets into his body through his nose. Adriel faints. The shadows disappear. Gadreel drops the sword and gets on his knees. He closes his eyes. When he opens them, they are black. He looks at Adriel on the floor. He approaches her.

GADREEL (CONT'D)

My love.

Gadreel takes Adriel on his arms and gets up holding her. Gadreel eyes get back to his normal color.

FLASHES BACK TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – DAY

Gadreel keeps holding the Medallion. He puts the Medallion on the table.

GADREEL

I did everything for you. You have to be mine, Adriel.

At that moment, the Oracle comes into the cave.

ORACLE

Your Highness.

Gadreel turns to face her. He is serious.

GADREEL

Finally! I thought you had deserted.

The Oracle looks down.

ORACLE

I’m sorry. When I saw your rage ---

GADREEL

You thought I would kill you as I did to the others?

The Oracle nods yes.

ORACLE

I’m sorry, I didn’t want to end as Tyree.

GADREEL

I’m not sorry about that. That minion was worthless.

The Oracle lowers her gaze.

ON ASHES ON THE GROUND.

The Oracle notices Ignatius’ ashes.

ORACLE

Who ---?

GADREEL

Ignatius.

Gadreel approaches the Oracle.

GADREEL (CONT'D)

Probably vanquished when they came for Wyatt.

ORACLE

I can’t say that I’m sorry. He was pissing me off lately.

The Oracle looks Gadreel in the eyes.

ORACLE (CONT'D)

How did they find out he was alive?

GADREEL

It doesn’t matter anymore. Nothing matters anymore.

ORACLE

Are you giving up on everything?

Gadreel smiles sarcastic.

GADREEL

No. I’m gonna do things in a terrible way.

The Oracle swallows.

GADREEL (CONT'D)

What the World has seen so far is nothing compared to what’s to come.

He stares at the Oracle.

GADREEL (CONT'D)

Are you ready to stand by my side?

They stare at each other for seconds.

ORACLE

You know I am.

GADREEL

Good. Get the demons ready.

Gadreel turns around giving his back on her.

GADREEL (CONT'D)

It’s time for them to know what Darkness is really capable of!

ON GADREEL. He means it.

CUT TO:

EXT. HALLIWELL / COOP MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL / COOP MANOR – CASSANDRA’S BEDROOM – DAY

Cassandra is on the bed talking on the phone.

CASSANDRA

(on the phone)

No, Ben, I miss you too, but I think it’s better if you stay there.

Someone knocks the door.

CASSANDRA (CONT'D)

(on the phone)

I know.

Someone opens the door. Charlotte peeks inside. Cassandra motions her to come in.

CASSANDRA (CONT'D)

(on the phone)

Yes, take care. I’ll talk to you soon.

(pauses)

I love you too.

Cassandra hangs off the phone. Charlotte sits on the bed. Cassandra seems down.

CHARLOTTE

I didn’t know you were using the L word already.

Cassandra forces a smile.

CHARLOTTE (CONT'D)

Is Ben OK?

CASSANDRA

Yes, he is. His family hasn’t been caught by this mess. But they haven’t left home for the past days.

CHARLOTTE

That’s good news.

Cassandra nods.

CHARLOTTE (CONT'D)

Wyatt and Prue have figured out a way to find out how to vanquish Darkness.

Cassandra gets excited.

CASSANDRA

Really?

Charlotte nods.

CASSANDRA (CONT'D)

That’s good news as well.

CHARLOTTE

Indeed.

(pauses)

They asked us to be prepared.

CASSANDRA

OK.

CHARLOTTE

I’m gonna take Eric away from here.

CASSANDRA

Is he agree with that?

Charlotte smiles.

CHARLOTTE

No, he is not, but I have to try. Something tells me that after what happened last night, things will get worse.

CASSANDRA

I have the same feeling.

Cassandra grabs Charlotte’s hand.

CASSANDRA (CONT'D)

Thank God, we are all together again.

Both sisters smile at each other.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – DAY

Prue comes in quickly. Chris, Melinda, Bianca and Wyatt are already there. Melinda is by the Book of Shadows.

PRUE

So, I spoke to mom and she confirmed it.

(looks at them)

It’s the ‘To Find a Lost Love’ spell.

WYATT

Hey, wait. He’s not your lost love.

PRUE

I know, honey. I’m counting on my powers and my will to take me there.

Chris shoots Wyatt a look.

BIANCA

What if it doesn’t work?

PRUE

It will work. Now help me.

Prue heads towards the shelves and takes some candles. Melinda and Bianca take some candles too. They place the candles on the floor forming a circle.

WYATT

Are you really sure you don’t want me to do it?

Prue shoots Wyatt a look. Melinda and Bianca light up the candles.

PRUE

To find a lost love? Really?

Wyatt shrugs.

PRUE (CONT'D)

It would take you somewhere else but to Conrad.

WYATT

You just promise me that you leave as fast as you get the information.

PRUE

Honey, I’m sure it won’t be a romantic place so, Conrad won’t try to seduce me.

WYATT

I’m just saying.

Once the candles are placed on the floor, Prue goes to the Book of Shadows and looks at the page where it’s opened.

ON: TO FIND A LOST LOVE SPELL

PRUE

Here goes nothing.

Prue approaches Wyatt and both kiss.

CHRIS

So, this spell is just going to astral project you there, right?

PRUE

Yes, my body will stay here.

Prue sits on the floor inside the circle of candles.

PRUE (CONT'D)

You’d better take care of it.

She shoots Wyatt a look.

WYATT

I won’t ever take it off my sight.

Wyatt blinks. Prue smiles. Then she looks at the spell and takes a deep breath.

PRUE

(chanting)

‘Whither my Love,

Wherever you Be,

Through Time and Space

Take my Heart

Nearer to Thee’

Prue collapses on the floor. Wyatt and Chris exchange glances.

CUT TO:

INT. DEMONIC WASTELAND – DAY

This plane looks just like hell with fire, jagged rocks, dark sky, and loud scary noises. It hasn’t changed a bit ever since Phoebe Halliwell herself went there. Prue appears. She looks at what’s in front of her. She's horrified.

PRUE

So, this is hell!

CONRAD (O.S.)

Prue?

Prue turns around and on the top of a rock is the one she’s looking for: CONRAD TURNER, Cole’s little brother.

CONRAD (CONT'D)

What are you doing here?

PRUE

(smiles)

Conrad?

Conrad comes down and approaches her fast. He grabs her hand and takes her towards the rocks.

PRUE (CONT'D)

(confused)

What’s going on?

CONRAD

The beast!

PRUE

Oh, so it really exists.

They climb up the rock. Conrad stops and looks at her.

CONRAD

What are you doing here, Prue?

Prue jumps into his neck and hugs him. Conrad is surprised.

PRUE

I’m so glad you are OK.

Conrad smiles. A loud growl is heard. They break the hug.

PRUE (CONT'D)

What was that?

They look around. At that moment, a demon falls out of the sky screaming. He is zapped and his powers hit the ground. Blue lights swirl around. And so, the beast pokes out of the ground and sucks up the blue lights. It goes back underground. Prue looks at it astonished.

PRUE (CONT'D)

So, I guess that was the beast.

Conrad nods.

PRUE (CONT'D)

I’m so glad you are OK.

CONRAD

It’s not easy. That beast tried to get me a thousand times.

(curious)

So, why would a good witch like you come to this place, Prue?

PRUE

I needed to talk to you and this was the only way I could think of.

Conrad smiles.

PRUE (CONT'D)

I’m glad you kept holding on. For a moment, when I arrived here I thought that you may have given up.

CONRAD

I thought about it.

PRUE

What stopped you?

CONRAD

You.

Conrad approaches her and touches her face softly.

CONRAD (CONT'D)

How are you?

Prue lowers her gaze.

PRUE

After all I went through since we last saw each other, I must say that I’m alive.

Conrad takes off his hand.

PRUE (CONT'D)

Short version. Wyatt died, Darkness started taking over people, I almost became the Queen of the entire dark world and we just got Wyatt back.

Conrad is open-eyed.

CONRAD

Wyatt died?

PRUE

Oh, Gadreel made us think he had when he was actually being held a prisoner of that freaked.

Conrad is surprised.

CONRAD

I can’t imagine what you felt.

Prue lowers her gaze.

PRUE

I almost gave into Darkness.

(pauses)

It made sense.

She keeps looking down. Somehow, Conrad knows that there’s more.

CONRAD

What else?

She looks at him. Her eyes are wet.

PRUE

Having Wyatt back made me forget for a while what happened to P3.

(pauses)

It’s destroyed.

Conrad is sad.

CONRAD

I can’t believe it.

PRUE

That’s why I’m here, Conrad.

She approaches him.

PRUE (CONT'D)

You were about to tell us how to vanquish Gadreel.

They stare at each other.

PRUE (CONT'D)

(pleading)

I need you to tell me how do I do that?

Conrad is serious.

PRUE (CONT'D)

How do I end Gadreel?

Both look seriously into each other’s eyes.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. HALLIWELL MANOR – ATTIC – DAY

ON WYATT. He is astonished.

WYATT

Prue killed a man?

Chris, Bianca and Melinda are there. Chris nods. Wyatt walks towards the circle of candles where Prue’s body lies still.

CHRIS

Cryokinesis, man.

BIANCA

He died as the icy blast hit him.

Wyatt is shocked.

CHRIS

It wasn’t her.

MELINDA

It was Darkness.

WYATT

She hasn’t mentioned it.

MELINDA

Maybe she doesn’t remember.

CHRIS

Or maybe she’s trying not to.

At that moment, the light outside starts disappearing. And so, the day is becoming night. They notice it.

MELINDA

What the heck?!

They approach the window and look through it. Bianca looks at her wristwatch.

BIANCA

It’s only eleven.

CHRIS

And it’s not an eclipse.

MELINDA

So, what is it?

Wyatt and Chris are serious.

WYATT

It’s Darkness.

They keep looking through the window.

CUT TO:

EXT. SAN FRANCISCO – DAY

The clouds turn dark and all the daylight fades off. People all over the town look up at the sky. They don’t know what’s going on.

CUT TO:

EXT. SAN FRANCISCO – TOP OF THE GOLDEN GATE BRIDGE – DAY

Gadreel is standing there. Hands raised to the sky. ON HIS EYES. They are black. Daylight fades off completely, leaving the entire town in complete shadows.

The Oracle stands behind him. She looks around. Gadreel puts his hands down. His eyes turn to normal.

ORACLE

What’s next?

Gadreel smiles.

GADREEL

Chaos.

Gadreel has a victorious look on his face.

GADREEL (CONT'D)

Tell them to take the city.

The Oracle bows.

GADREEL (CONT'D)

Actually ---

The Oracle looks at him.

GADREEL (CONT'D)

Tell them to take the World.

Gadreel smiles. The Oracle bows again. ON GADREEL.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – APPARENT NIGHT

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – ENTRANCE HALL - APPARENT NIGHT

Sebastian is there walking from a side to another. He seems to be waiting for someone.
At that moment, the entrance door opens. Tamora and Pandora come in.

TAMORA

We should get ready. Things are getting bad.

PANDORA

Huh huh.

The sisters see Sebastian there.

TAMORA

(surprised)

Hi!

Tamora jumps into Sebastian’s neck.

SEBASTIAN

Hey, honey.

TAMORA

What are you doing here?

They break the hug.

TAMORA (CONT'D)

I thought the Elders had closed down the place.

SEBASTIAN

They did. But they let me come.

TAMORA

Why?

SEBASTIAN

I asked them.

(pauses)

I have to take Melissa to a safer place.

TAMORA

Last time I checked on her she was OK.

SEBASTIAN

I know, but I want to make sure she stays that way.

PANDORA

Things are getting bad, aren’t they?

Sebastian lowers his gaze. Tamora and Pandora exchange glances.

SEBASTIAN

I’m afraid so.

Tamora and Sebastian hug each other. Pandora lowers her gaze and without saying anything else, she goes upstairs.

SEBASTIAN (CONT'D)

Promise me you will take care.

Tamora nods. Tamora and Sebastian keep hugging.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – TWINS’ BEDROOM - APPARENT NIGHT

Pandora comes in and takes off her jacket. She puts it on her bed.

SOUND: PHONE RINGING.

Pandora approaches her jacket and takes her phone from one of its pockets. She looks at the screen.

PANDORA

Oh boy!

She answers the phone.

PANDORA (CONT'D)

(speaks without breaks)

Mr. Landon, hi. I’m so sorry. I said that I would show up more often, but I’ve got some family urgency that I needed to deal with and well you now, it’s night outside so not a good time to go to work and ---

She’s cut off. Her expression changes. She seems shocked.

PANDORA (CONT'D)

Wait, what?

(listens)

When?

Apart from the shock, sadness starts showing up on her face.

PANDORA (CONT'D)

I’m so sorry. Please let me know when the funeral happens. 

A tear starts running down her face.

PANDORA (CONT'D)

Thank you for letting me know, Mr. Landon.

(pauses)

I’m so sorry for your lost.

Pandora hangs off the phone. She sits on the bed and more tears run down her face.
At that moment, Tamora comes in.

TAMORA

Sebastian left already. He’s gonna take Melissa to a safer place.

Tamora realizes that her sister is crying.

TAMORA (CONT'D)

(worried)

Pan, what’s going on?

Pandora looks at Tamora. Her eyes are red.

PANDORA

We really need to put an end on that son of a bitch!

Both sisters stare at each other.

CUT TO:

INT. CHRISTOPHER MERCER’S FLAT – LIVING ROOM - APPARENT NIGHT

ON CHRISTOPHER.

CHRISTOPHER

Stay here?

Junior and Olivia are in front of him.

CHRISTOPHER (CONT'D)

But why?

JUNIOR

Well, because it’s a whole mess outside. Haven’t you noticed it?

CHRISTOPHER

I have, but we can’t stop living.

OLIVIA

I agree with your father, Junior. Only God knows when the rebellion will stop.

JUNIOR

I hope it ends today.

CHRISTOPHER

Son ---

Christopher approaches Junior.

CHRISTOPHER (CONT'D)

I’m sure you and all the cops in town are doing the best to stop these people from destroying the town, but ---

JUNIOR

No buts, Christopher.

Junior looks at Olivia.

JUNIOR (CONT'D)

The orders come from high authorities. 

Christopher and Olivia exchange glances.

OLIVIA

I didn’t know.

JUNIOR

Well, it does. And with this apparent eclipse ---

Junior seems really worried.

OLIVIA

Yeah, that’s weird. I didn’t even know that an eclipse was taking place today.

JUNIOR

Yeah.

(pauses)

Anyway, promise me you too will stay here until it’s safer outside.

Olivia and Christopher exchange glances.

OLIVIA

What about you?

CHRISTOPHER

Yes, son. If it’s safer for us, it’s also not safer for you.

JUNIOR

I’ll be fine.

Junior hugs Christopher.

CHRISTOPHER

But son ---

Junior nods to Christopher. Then he approaches Olivia and kisses her.

JUNIOR

(to Olivia)

Take care of him.

Olivia nods.

OLIVIA

Come back to me.

Junior smiles. He kisses Olivia again.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - APPARENT NIGHT

The lights are on the manor.

CUT TO:

INT. HALLIWELL MANOR – ATTIC - APPARENT NIGHT

ON WINDOW: IT’S DARK OUTSIDE.

Melinda looks through the window.

MELINDA

Even with streets lights on ---

(turns to them)

--- It’s really dark outside.

Wyatt, Chris, Bianca and Damon are there. Prue’s body is still in the middle of the circle of candles. Wyatt stands looking at Prue.

WYATT

Why is taking her so long?

Bianca is near the Book of Shadows searching. Melinda approaches her. Damon approaches Wyatt.

DAMON

I’m sure she’s fine.

CHRIS

Yeah, she’ll be back soon.

WYATT

I don’t know. That place must be horrible.

(to Bianca)

Have you found it?

Bianca looks at Wyatt and nods no.

BIANCA

Still looking for it.

CHRIS

Wyatt, we cannot pull her back.

WYATT

Yes, we can.

At that moment, Charlotte BEAMS in bringing Eric who is wearing a doctor’s white coat.

ERIC

(mad)

Charlotte, what the hell?!

Wyatt, Chris, Bianca, Melinda and Damon look at them.

CHARLOTTE

Here you’ll be safer.

ERIC

There are people there that need me.

CHARLOTTE

And I need you to be safe. The world is ending outside.

ERIC

Well, if that’s what’s happening, then I want to help.

WYATT

Guys?

Eric and Charlotte look at the others.

WYATT (CONT'D)

What’s going on?

ERIC

She took me here.

CHARLOTTE

To be safer.

ERIC

Charlie ---

At that moment, Cassandra comes in followed by Alex.

CASSANDRA

Look who I found outside.

They look at Cassandra and Alex.

ALEX

I want to help.

MELINDA

It looks like we have a hand full of helpers.

DEMETRIA (O.S.)

Not quite yet!

In the doorway, Demetria is standing. She smiles.

DEMETRIA (CONT'D)

(to Wyatt)

Nice to see my favorite half Whitelighter back.

WYATT

Nice to see you too.

Demetria looks at Prue on the floor.

DEMETRIA

What’s she doing on the floor?

They all look at Prue’s body. The camera approaches her face and ---

CUT TO:

INT. DEMONIC WASTELAND – APPARENT NIGHT

Conrad and Prue are still in the top of the rock. Conrad gives his back on Prue.

PRUE

(begging)

I need to know.

Conrad lowers his gaze. Prue looks at him waiting for an answer.

CONRAD

(turning to her)

Are you really going up against him?

PRUE

I have to.

(pauses)

We ---

(pauses)

--- We have to.

Prue steps forward towards him.

PRUE (CONT'D)

It’s the fate of the world that it’s at stake.

CONRAD

He can harm you.

PRUE

He only wants two things: The World and Me.

(pauses)

I can’t let him have any of it.

Both Conrad and Prue stare at each other. Conrad takes a deep breath.

CONRAD

His sword.

PRUE

What sword?

CONRAD

He possesses a sword.

Prue is surprised.

PRUE

Of course, he’s an angel.

CONRAD

That sword, according to him, is the only thing that can end him.

PRUE

Thank you.

CONRAD

Just promise me you’ll be careful.

Prue smiles.

PRUE

I will.

(approaches him)

I should go now. Will you be OK?

Conrad looks around.

CONRAD

Now that I did what I was supposed to, I will.

(looks at Prue)

I might leave.

PRUE

Conrad ---

CONRAD

I can’t stay here for eternity, Prue.

They stare at each other.

CONRAD (CONT'D)

Running away from the beast is not how I plan to live the afterlife.

Prue gets closer and hugs him. Conrad puts his arm around her waist.

PRUE

I’m sorry I couldn’t protect you.

CONRAD

It’s OK. This is my destiny.

PRUE

Be safe.

They keep hugging until Prue disappears just like that. Conrad looks sad at the empty space she was in.

CONRAD

Goodbye, Prue.

Conrad lowers his gaze.

CUT TO:

INT. HALLIWELL MANOR – ATTIC - APPARENT NIGHT

ON PRUE. Her eyes pop open. She gets into a sitting position.

PRUE

Who pulled me back?!

She looks around. STOPS. Wyatt is in front of her holding the Book of Shadows.

WYATT

I did.

They stare at each other. Chris, Bianca, Melinda, Damon, Charlotte, Eric, Cassandra, Alex, Demetria, Junior, Tamora and Pandora are there.

WYATT (CONT'D)

Do you get what we need?

Prue nods.

PRUE

I hadn’t completed my goodbyes.

WYATT

I’m sorry, honey, but we need to move.

Wyatt points to one of the windows. Prue looks at it and all she sees it’s Darkness.

ON PRUE’S FACE. She seems terrified.

CUT TO:

INT. HALLIWELL MANOR – ATTIC - APPARENT NIGHT (MOMENTS LATER)

Everyone is still there: Wyatt, Prue, Chris, Bianca, Melinda, Damon, Charlotte, Eric, Cassandra, Pandora, Tamora, Junior, Alex and Demetria.

Prue is looking through the window. Everyone is there looking at her.

PRUE

It has started.

Prue looks at them.

WYATT

Did you get what we need from Conrad?

PRUE

I did.

CHRIS

So, how?

(pauses)

How do we vanquish him?

PRUE

With his own weapon.

MELINDA

What weapon?

PRUE

A sword.

Prue looks at Wyatt.

PRUE (CONT'D)

He has a sword just like we do.

WYATT

An angelic sword.

MELINDA

Do you know where it is?

Prue nods no.

CHRIS

(to Wyatt)

Did he ever show it to you?

WYATT

No, Chris, he didn’t.

Wyatt turns around and approaches one of the windows and looks through it.

JUNIOR

So, how do we find that sword?

TAMORA

We look for it.

PANDORA

Yeah. It must be inside his cave, right?

CHRIS

Yeah.

BIANCA

But it must be hidden.

CHARLOTTE

Yeah, just like Prue and Wyatt’s sword. They are the only ones that can summon them.

PRUE

Exactly.

DAMON

So, how are we going to find that sword?

PRUE

I’ll do it.

Prue looks at Wyatt, but he seems thoughtful. Prue looks back at the others.

PRUE

I’m the only one that can get close enough to him.

CASSANDRA

But Prue ---

PRUE

That’s the only way.

ERIC

Don’t get me wrong, but taking you back from that Darkness wasn’t an easy task. How do we know that you won’t go down that path again?

CHARLOTTE

Eric is right. It’s too dangerous.

PRUE

I know now that my light is still alive.

Prue looks at Wyatt. He doesn’t look her back.

PRUE (CONT'D)

So, we’ll do that.

Prue turns to the others.

WYATT

We can’t.

Wyatt turns to the others. They look at him.

WYATT (CONT'D)

We can’t kill Gadreel.

CHRIS

What?

BIANCA

Isn’t that exactly what we are trying to do?

WYATT

Yeah, but we can’t.

CASSANDRA

OK, did he brain-washed you, Wyatt?

WYATT

No.

MELINDA

Then, why can’t we kill him?

Wyatt looks at them all.

WYATT

Because we won’t be ending Darkness.

DEMETRIA

Wait, isn’t Darkness and Gadreel the same?

WYATT

No.

They all are shocked.

ALEX

How come?

WYATT

Darkness possessed Gadreel, but he wasn’t going for Gadreel.

Wyatt looks at Prue.

PRUE

He was going for Adriel.

That was not a question. That was a statement. Wyatt nods. Wyatt looks at the others.

WYATT

If we kill Gadreel, Darkness would have to find another vessel.

PRUE

Me.

They all look at Prue.

PRUE (CONT'D)

He wanted me back them. He wants me now.

Wyatt nods.

WYATT

Gadreel only said yes to Darkness to protect Adriel. And so, Darkness saw that Gadreel was the best way to get to her.

MELINDA

So, it isn’t exactly Gadreel who wants Prue. It’s Darkness.

WYATT

Both do. Gadreel’s love is only amplified because of Darkness. Because Darkness wants her too.

JUNIOR

So, if we kill Gadreel, Darkness would possess ---

PRUE

(cuts him off)

Me.

Prue lowers her gaze.

MELINDA

There must be another way. We can’t let it have you.

PRUE

It will anyway. If we don’t stop him, he will destroy the world.

Prue looks at Wyatt.

PRUE (CONT'D)

And he would have won anyway.

Prue and Wyatt stare at each other.

BIANCA

So, no matter what, we lose anyway.

Prue and Wyatt keep staring at each other.

PRUE

There’s another way.

WYATT

We lock him down.

PRUE

Again.

WYATT

Just like we did before.

Prue nods. Prue and Wyatt turn to them.

WYATT (CONT'D)

Prue and I will head to Gadreel’s cave. We need to find the spell to lock Gadreel back in his cage.

PRUE

And the Medallion.

MELINDA

What do we do in the meanwhile?

WYATT

Save the world. People must be crazy with all this.

CHRIS

(to the others)

We overcame our darkest side, so we can do it.

Cassandra and Demetria exchange glances. Melinda and Damon exchange glances. Alex and Junior exchange glances.

TAMORA

We’ll go to the streets and we’ll do our best to help everybody.

BIANCA

And then, what?!

PRUE

Then, ---

Prue and Wyatt look at each other.

PRUE (CONT'D)

--- We do what we did before.

WYATT

It’s time for Excalibur and Hadhafang.

BEAT. At that moment, Excalibur is summoned by Wyatt while Hadhafang appears in Prue’s right hand.

WYATT (CONT'D)

Time to take Darkness down.

ON WYATT. He has a decided look in his face. Wyatt and Prue head out the attic. The others follow them out.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO – STREETS - APPARENT NIGHT

The whole town is a mess. People are seen running away from inside buildings. Lots of cars in the streets trying to leave town. A few buildings are on fire and lots of people wreaking havoc. Lots of desperate people.

The camera shows a woman holding his son. She’s crying hard.

Some buildings in the Fisherman’s Wharf area are on fire.

A view from the Twin Peaks shows a town covered by Darkness and fire.

It looks like hell has taken San Francisco and the world.

CUT TO:

EXT. PARIS – EIFFEL TOWER – APPARENT NIGHT

Aerial view over the town.

Some buildings around the famous tower are on fire.

CUT TO:

EXT. RIO DE JANEIRO – STATUE CHRIST THE REDEEMER – APPARENT NIGHT

Aerial view over the town.

Some buildings are on fire.

CUT TO:

EXT. LONDON – BIG BEN – APPARENT NIGHT

Aerial view over the town.

Some buildings around the famous tower are on fire.

CUT TO:

EXT. NEW YORK – ONE WORLD TRADE CENTER – APPARENT NIGHT

Aerial view over the town.

Some buildings are on fire.

CUT TO:

EXT. SAN FRANCISCO – INT. PALACE OF FINE ARTS – APPARENT NIGHT

Gadreel is next to a column. He looks at the water of the lagoon.

ORACLE (O.S.)

A romantic, I see.

The Oracle stands behind him. Gadreel turns around.

ORACLE (CONT'D)

You hope to meet her here?

Gadreel turns around.

ORACLE (CONT'D)

Do you believe she’ll come?

GADREEL

She will.

The Oracle approaches him.

ORACLE

You can have everything you want. You can rebuild the world in your own image.

(looks at him)

And all you do is in order to have her.

GADREEL

I’m just half of me without her. The perfect scenario is the two of us as King and Queen of Darkness.

Gadreel stares at the water. The Oracle looks at the water as well.

ORACLE

Demons are doing what they’ve been asked to. The whole World has fallen into chaos. Thousands are terrified.

GADREEL

Good. Keep it that way. We stop at nothing.

The Oracle bows and walks away. Gadreel raises up his arms and lightning show up in the dark sky.

CUT TO:

INT. UNDERWORLD – GADREEL’S CAVE – APPARENT NIGHT

Wyatt ORBS in while Prue Beams in. Both are holding their swords. Prue and Wyatt look around. Prue’s eyes stop at the entrance of the secret cave. The door isn’t there.

WYATT

How do we get in?

PRUE

He made it possible for me to get in.

Prue approaches the wall where the door used to be. Wyatt approaches it too. Prue WAVES her hand and ---

BEAT. The door appears. Prue looks at Wyatt and smiles. Prue opens the door and both Prue and Wyatt head inside.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – APPARENT NIGHT

The cave still looks as Wyatt/Prue’s bedroom. Prue and Wyatt come in. they both look around.

WYATT

Freaky.

Prue heads towards the round table and looks at what’s on.

PRUE

Wyatt?

Wyatt approaches Prue. She signs him to look at what's on the table. Prue and Wyatt exchange glances.

WYATT

He left them here.

Prue nods.

ON THE MEDALLION AND VOL VII. OF THE BOOK OF ANGELS – THE SPELL OF ANGELS.

PRUE

He knew I could come in. Why leave them in plain sight?

WYATT

I don’t know.

PRUE

(looks at Wyatt)

Are we walking into a trap?

WYATT

Probably.

PRUE

What do we do?

Wyatt takes the Medallion.

WYATT

We move on we the plan.

Prue touches the book.

PRUE

If we fail ---

WYATT

(cuts her off)

We’ll be together.

Wyatt approaches her.

WYATT (CONT'D)

We’ll win because he doesn’t have what we have.

Prue’s eyes get wet.

WYATT (CONT'D)

(grabs her hand)

What we feel for each other, that’s something that belongs to us. And no matter what, he won’t ever have it.

(smiles)

And that’s why no matter what, we’ll win.

A tear runs down Prue’s face.

PRUE

We’ll win.

Wyatt smiles.

PRUE (CONT'D)

I love you.

WYATT

I love you too.

Prue and Wyatt kiss passionately.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL – EMERGENCY ROOM – APPARENT NIGHT

The Hospital is also in chaos. Lots of injuries lie down in hospital beds. Doctors and nurses walk from a side to another.

Eric comes in wearing his doctor’s white coat. Charlotte and Alex come with him. They stop and look around.

ERIC

Hell is on Earth.

CHARLOTTE

We need to help these people.

ERIC

Come with me. Let’s see what we can do.

Eric walks away. Charlotte signs Alex for them to follow Eric.

CUT TO:

EXT. SAN FRANCISCO – STREETS – APPARENT NIGHT

A building is on fire. The Firemen are there trying to turn off the flames. Chris, Melinda, Bianca and Damon come running. They stop in front of the building. Chris approaches one of the Firemen.

CHRIS

(to Fireman #1)

Someone inside?

FIREMAN #1

Two kids. The old one was taking care of the baby while the father was going for the car to take them out of town when the explosion happened. The father tried to save them and died in the process.

(worried)

We can’t get to them.

The Fireman walks away.

DAMON

We need to do something, Chris.

CHRIS

Let’s orb in.

BIANCA

(to Chris)

It can be dangerous, honey.

CHRIS

There are kids inside, Babe. I have to.

Melinda looks to Damon.

MELINDA

Be careful.

Then, she looks at Chris.

MELINDA (CONT'D)

You too.

Damon and Chris nod yes. They hide behind the fire truck. Chris ORBS out while Damon SHIMMERS out.

BIANCA

What do we do?

Melinda looks around.

ON A MAN OF A TOP OF A BUILDING.

MELINDA

Look.

Melinda points to the top of a building where a man is. He is on the edge and it seems like he is going to jump. Bianca looks at it.

BIANCA

He’s going to jump.

MELINDA

Take care of me.

Bianca doesn’t understand. Soon, Melinda ASTRAL PROJECTS herself while her body reminds there, eyes closed. Bianca looks at her.

BIANCA

Mel?

Bianca looks up at the man on the top of the building and sees Melinda appearing beside him.

BIANCA (CONT'D)

Good luck.

CUT TO:

EXT. BUILDING – ROOFTOP – APPARENT NIGHT

Melinda is next to the man who’s trying to jump.

MELINDA

Don’t do it.

The man is surprised.

MAN #1

How did you get here?

MELINDA

It doesn’t matter.

The man looks at the street down there.

MAN #1

I have nothing left in my life.

MELINDA

That’s not true.

(looks down the street)

If you jump then you’ll have nothing left in your life.

MAN #1

I’ve lost my family. I’ve failed them. It is my fault.

MELINDA

Look, I don’t know what happened, but I’m sure that isn’t truth.

Melinda tries to approach him. He stops her.

MAN #1

DON’T!

Melinda stops. The man starts crying.

MAN #1 (CONT'D)

The accident ---

(cries)

--- I was driving the car.

The man covers his face with his hands.

MAN #1 (CONT'D)

It’s my fault.

Melinda looks at the man.

CUT TO:

INT. BUILDING IN FLAMES – LIVING ROOM – APPARENT NIGHT

The room is taken by flames. Chris ORBS in while Damon SHIMMERS in. They look around. They barely can see anything.

DAMON

Where are they?

CHRIS

I don’t know.

The smoke and flames stop them from seeing anything. Some cries are heard from another room.

CHRIS (CONT'D)

Let’s go!

Damon and Chris try to walk inside the apartment. They try to deviate themselves from the flames.

ON AN BEAM. It’s giving in. The beam falls down hitting Damon.

CHRIS (CONT'D)

(aloud)

Damon!

Damon is on the floor. Chris approaches him and tries to help him.

CHRIS (CONT'D)

Are you OK?

Damon feels pain in his back.

DAMON

I’m resistant, man.

Chris tries to help Damon to walk, but Damon is injured.

CHRIS

You need to leave.

DAMON

I’m OK.

CHRIS

No, you’re not. Shimmer out. I’ll save the kids.

DAMON

But ---

CHRIS

(bossy)

Go!

Damon SHIMMERS out. Chris walks in.

CUT TO:

EXT. SAN FRANCISCO – STREETS – APPARENT NIGHT

Bianca still waits next to the fire truck. Melinda’s body is still there. Bianca looks from the building in fire to the top of the building Melinda is in.

BIANCA

(worried)

C’mon!

Damon SHIMMERS in behind the fire truck.

DAMON

Bianca!

Bianca turns around and sees him. He falls down the floor with pain.

BIANCA

(worried)

Damon!

(rushes to him)

Oh my God! What happened?

DAMON

A beam.

Bianca helps him to stand.

BIANCA

C’mon.

Damon looks at Melinda.

DAMON

Where’s she?

Bianca points to the top of the building Melinda is in.

ON MELINDA AND MAN #1.

DAMON (CONT'D)

What is she doing there?

Damon and Bianca exchange glances.

CUT TO:

EXT. BUILDING – ROOFTOP – APPARENT NIGHT

Melinda is still there with the man. He cries hard.

MELINDA

I’m sure there must be something worth living for.

MAN #1

Not for me. I’ve lost everything.

The man steps forward.

MELINDA

(nervous)

No, please. Let me help you.

The man nods no. He seems really desperate. Melinda looks at the building in flames.

MELINDA’S POV: The Firemen keep trying to turn off the flames. Bianca and Damon look at the building. Everybody down there seems desperate and then ---

CUT TO:

EXT. SAN FRANCISCO – STREETS – APPARENT NIGHT

Bianca, Damon and Melinda’s body are still next to the fire truck.

BIANCA

Why is it taking so long?

A harmed Damon is next to Melinda.

DAMON

I don’t know. He should be here already.

At that moment, the Firemen start walking fast toward the building. It appears that someone is coming from inside the building. Bianca looks closely.

BEAT. Chris comes out the building holding hands with a little girl, who shouldn’t be more than 7 years old, and carrying a baby.

The firemen approach him and take the kids towards the ambulance. Bianca walks fast towards Chris and jumps into his neck.

BIANCA

(relieved)

You’re OK!

CHRIS

I am, babe.

Chris kisses Bianca.

CHRIS (CONT'D)

I couldn’t orb without exposing magic.

BIANCA

This world is so freaked out, Chris, that I believe no one would care.

They kiss again.

CUT TO:

EXT. BUILDING – ROOFTOP – APPARENT NIGHT

Melinda is still looking at the building in fire and her brother coming out the building with the kids and an idea pops into her mind. She turns to the man.

MELINDA

Look!

Melinda points to down there.

MELINDA (CONT'D)

There is hope.

The man looks at the scenario down there.

MELINDA (CONT'D)

See those girls?

The man watches them.

MELINDA (CONT'D)

They’ve probably lost their father. They’ve probably alone in this world.

Melinda approaches the man.

MELINDA (CONT'D)

You’ve lost your family.

The man looks at Melinda.

MELINDA (CONT'D)

It doesn’t mean you cannot get a new one.

The man looks down the street.

MAN’S POV: The little girls and the baby are being taken inside the ambulance.

Melinda gets close enough to grab the man’s hand.

MAN #1

There’s still hope for me.

ON MELINDA AND THE MAN’S HAND. A white light comes out of it. Melinda smiles.

MELINDA

There’s always hope.

The man smiles.

CUT TO:

EXT. SAN FRANCISCO – STREETS – APPARENT NIGHT

Bianca and Chris approach Damon and Melinda’s body.

CHRIS

What happened to my sister?

Soon, they see Melinda coming out of the other building with the man. The man walks fast towards the ambulance and starts talking with the paramedics. Melinda smiles as she walks towards Chris, Bianca, Damon and herself.

MELINDA

Mission accomplished.

And Melinda ASTRAL PROJECTS herself back into her body.

CHRIS

(to Melinda)

Good job!

MELINDA

You too.

DAMON

Chris, can you please heal me?

CHRIS

You’re half demon.

DAMON

I’m one of the good guys so, I don’t care.

Chris shrugs and approaches Damon.

MELINDA

(to Damon)

What happened to you?

DAMON

I got hurt inside that building.

Chris places his hands over Damon’s back and Chris’ hands glow. He HEALS Damon.

BIANCA

We should keep moving. There’s lots to do.

The others nod. They walk away.

CUT TO:

EXT. SAN FRANCISCO – ANOTHER STREET – APPARENT NIGHT

Here, the scenario is the same: chaos. Lots of people on the streets.

Tamora is helping a woman that is bleeding. She’s got a big cut in her head. Next to them are Pandora and Demetria. Both are standing in front of what appears to be two demons.

DEMETRIA

Do you really think that was pretty?

The demons exchange glances.

DEMONS #1

You witches have lost. The world belongs to us now.

DEMONS #2

Darkness rules.

PANDORA

Yeah, well, Darkness reign will last no longer and you should better surrender.

DEMON #2

Never!

Demetria and Pandora exchange glances.

DEMETRIA

(to Pandora)

Do you want to kick some asses?

PANDORA

Always.

Pandora and Demetria approach the demons and they start fighting. The four of them fight hard when ---

BEAT. Both demons start combusting. They BLOW UP out of a sudden. Demetria and Pandora look at each other astonished. Then, they look at Tamora who’s standing in front of them. She used her MOLECULAR COMBUSTION power on them.

TAMORA

We have no time to play games.

PANDORA

Tam, you just used your powers.

TAMORA

I know.

Pandora points to the woman on the ground who’s bleeding from her head. Tamora looks at the woman.

TAMORA (CONT'D)

She probably has a concussion. She won’t remember any of it.

(pauses)

That in case we all survive.

Tamora turns around and approaches the woman. Demetria and Pandora exchange glances.

CUT TO:

EXT. SAN FRANCISCO – SOUTH OF MARKET AREA – APPARENT NIGHT

A long line of cars is seen heading out of town. Junior and Cassandra are walking through the cars. Some drivers are arguing with each other. Some women are desperate inside the cars. Kids are crying. Junior and Cassandra look at it all as they walk by.

CASSANDRA

I’ve never seen anything like this.

JUNIOR

Me neither.

Junior seems off. Cassandra notices it.

CASSANDRA

Are you OK?

Junior glances at her.

JUNIOR

Yeah. Why?

CASSANDRA

You seem blue.

Junior forces a smile.

JUNIOR

I’m just worried.

CASSANDRA

Who isn’t?!

JUNIOR

(smiles)

True.

(pauses)

It’s just that I’m worried about Christopher.

CASSANDRA

Why?

JUNIOR

He’s been through a lot and ---

CASSANDRA

He has gone into Darkness years ago, cous. I think you should not worry about him. He's a different man now.

JUNIOR

You think?

Cassandra nods yes.

CASSANDRA

Soon, this will be over and we can move on with our lives.

JUNIOR

Do you really think we are going to end Darkness?

Cassandra takes a deep breath.

CASSANDRA

We won’t.

Junior looks at Cassandra.

CASSANDRA (CONT'D)

Wyatt and Prue will. It’s up to them.

Cassandra looks at Junior.

CASSANDRA (CONT'D)

Just like before.

JUNIOR

It’s crazy to think of them as angels.

CASSANDRA

Tell me about it!

Cassandra and Junior smile. A SCREAM is HEARD. Junior and Cassandra look away and see a woman being attacked.

The woman is holding her son and a man is trying to take her son from her.

JUNIOR

Let’s go!

Cassandra and Junior approach them.

WOMAN

(aloud)

No, please. It’s my son!

The man keeps trying to take the kid from her arms. The kid is no more than 2 years old.

JUNIOR

Hey!

The man stops and looks at Junior and Cassandra. The man smiles and looks at them.

DEMON #3

Witches!

Cassandra and Junior exchange glances. Then they turn to the demon.

JUNIOR / CASSANDRA

Demon!

Junior and Cassandra rush to the demon.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO – EXT. PALACE OF FINE ARTS - APPARENT NIGHT

A view at the place.

CUT TO:

EXT. SAN FRANCISCO – INT. PALACE OF FINE ARTS – INT. ROTUNDA - APPARENT NIGHT

Gadreel is next to a column inside the rotunda looking at the outside.

GADREEL’S POV: FIRE ALL OVER THE TOWN.

Gadreel smiles. He turns around and heads towards the Rotunda’s lit.

SOUND: BEAMS.

Gadreel STOPS. He smiles.

GADREEL

I was waiting for you.

Gadreel turns around and ---

BEAT. Prue stands there in front of him. She’s holding her sword, HADHAFANG. Gadreel keeps the smile on his face.

PRUE

Are you happy?

GADREEL

Of seeing you here?

(exults happy)

Of course, I am!

PRUE

No.

Prue is very serious.

PRUE (CONT'D)

Of all the destruction you’ve caused.

Gadreel controls his happiness.

GADREEL

I told you. I can make it stop. You just have to say the word.

PRUE

Never!

GADREEL

Then I’ll keep going until you do.

Gadreel looks at the sword. He smiles. Then he looks at her.

GADREEL (CONT'D)

Did you get what you wanted?

They stare at each other. Prue understands what he means.

PRUE

You knew I would go to your cave.

GADREEL

Love, I can read your mind. Always.

(pauses)

I could back them.

PRUE

You knew Adriel was betraying you?

Gadreel nods.

GADREEL

I just didn’t want to believe you were capable of doing that.

PRUE

I’m not her.

Gadreel ignores her.

GADREEL

And I know now what you’re up to.

Prue swallows.

GADREEL (CONT'D)

He is behind me, isn’t he?

Gadreel turns around little by little and ---

BEAT. Wyatt stands there holding Excalibur. Both Gadreel and Wyatt stare at each other. Gadreel looks at the sword and smiles.

GADREEL (CONT'D)

He had to find a way to get them back to their owners.

(points to Excalibur)

The swords.

Gadreel raises his hands.

GADREEL (CONT'D)

You’ve shown me yours. I’ll show your mine.

Gadreel SUMMONS his own sword. Then Wyatt and Gadreel stare at each other.

GADREEL (CONT'D)

Are you really sure you want to do this?

WYATT

I would do it to anyone who attempts to take my wife from me.

Wyatt holds his sword strongly. He waves it and steps forward Gadreel. Gadreel raises his sword and both blades meet in-between. Wyatt slashes downwards with the sword.
Both walk in circle still staring each other and holding their swords ready to attack. Gadreel rushes fast to Wyatt and both fight using their swords.

Only the blades sound hitting each other’s is heard. Prue stands there watching the whole scene incredulous.

Wyatt pushes Gadreel. Both stand in front of each other holding their swords strongly by the hilt. Each waiting for his opponent’s attack.

GADREEL

So, the legendary Excalibur was never a match to my sword.

WYATT

We’ll see about that!

Wyatt attacks and both keep fighting pacing the place. Prue is forced to step backward.

They FIGHT and FIGHT. The BLADES meet over and over again. The rage in their faces is more and more notorious and the feeling is notorious by the way their swords hit each other’s.

And it happens!

Gadreel DISARMS Wyatt. Excalibur falls down the ground with a TREMENDOUS sound. Gadreel approaches his sword’s blade to Wyatt’s neck. Wyatt is frozen.
ON PRUE: she open-mouthed.

Gadreel lowers his sword and steps forwards Wyatt. He grabs Wyatt’s throat cutting his air.

GADREEL

I should have killed you when I had the chance.

WYATT

What are you waiting for?

Both stare at each other. And then ---

Gadreel STABS Wyatt with his sword.

PRUE

NOOOO!

Prue screams aloud. The sound is muffled.

SLOW MOTION MOMENTS: Gadreel pulls back his sword. Wyatt is in pain. Gadreel throws Wyatt towards a column.

PRUE (CONT'D)

(desperate)

Wyatt!

Wyatt is on the floor.

PRUE (CONT'D)

No, Wyatt!

Tears start running down her face. Wyatt looks at her. For some reason, she isn’t able to run towards him. Gadreel turns to face Prue.

GADREEL

(to Prue)

I told you I would take everything from you.

Prue keeps looking at Wyatt while Gadreel doesn’t take his eyes from Prue. She’s suffering.

Wyatt’s WOUND bleeds. Wyatt touches his wound with difficulties while he keeps looking at her. He touches his own blood.

GADREEL (CONT'D)

This pain you’re feeling was unnecessary.

Gadreel starts stepping towards Prue.

GADREEL (CONT'D)

You just had to say it.

Prue cries.

GADREEL (CONT'D)

You just had to choose me.

Wyatt, still with difficulty, takes his hand, wet with blood, towards his jacket's pocket. Slowly. Gadreel keeps stepping towards Prue.

BEAT. Wyatt takes the AMULET from the pocket. With difficulty, he motions to Prue to take the amulet. Gadreel doesn’t notice it.

Not able to hold on for longer, Wyatt closes his eyes. Prue closes her eyes and cries hard.

GADREEL (CONT'D)

I could give you anything.

Prue’s eyes pop open. She looks at Gadreel.

PRUE

You won’t win.

Gadreel stops. Both stare at each other.

GADREEL

Adriel, please. Don’t make it any harder.

(steps forward)

I can make you feel better.

PRUE

Don’t!

Gadreel stops.

PRUE (CONT'D)

I would never choose you willingly.

(pauses)

I never did.

(pauses)

Not even back then.

GADREEL

You were forced to betray me.

PRUE

(still crying)

No.

Gadreel is serious.

PRUE (CONT'D)

I always chose him. I did it then. I’m doing it now.

(pauses)

It was always him. Always.

Gadreel is getting red. Prue holds Hadhafang strongly and approaches it towards her hand.

GADREEL

What are you doing?

She cuts the palm of her hand. Then, she looks at Gadreel again.

PRUE

I’m choosing him.

And before Gadreel realizes what she’s going to do, Prue is faster and extends her hand.

The MEDALLION BEAMS from Wyatt’s dead hand to Prue’s right hand. And as fast as she beamed the Medallion she touches Gadreel’s chest with it.

BEAT. Gadreel is frozen. He can’t move. He looks at his chest. Prue keeps crying.

GADREEL

Adriel, please.

PRUE

I wanted to help you.

She cries.

PRUE (CONT'D)

I would do anything to take that Darkness out of you.

GADREEL

Please!

A tear starts running down Gadreel’s face.

PRUE

I just didn’t find a way. Not yet.

(swallows)

I’m so sorry, but this is the right thing to do.

Gadreel swallows. And Prue starts chanting.

PRUE (CONT'D)

(chants)

‘Ex Tempore.

Ex Spacio.

Tui, qui venerunt de lumine,

Incarcerem vobis, ---'

GADREEL

Adriel!

PRUE

My name is Prue.

(chants)

‘Tenebris, in carcerem te.’

A white light comes from the Medallion. Prue takes off her hand.

GADREEL

(aloud)

NO!

Prue cries.

PRUE

I’m so sorry.

GADREEL

I love you.

The white light surrounds Gadreel and soon he disappears. The Medallion falls down the ground. Prue lowers her gaze and cries.

CUT TO:

EXT. SAN FRANCISCO – APPARENT NIGHT

The night becomes day.

CUT TO:

EXT. SAN FRANCISCO – STREETS – DAY

All over the town people look up. Those who are creating chaos stop confused.

Chris, Bianca, Melinda and Damon look up. They exchange glances and smile.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL – ERIC’S OFFICE – DAY

Eric, Charlotte and Alex look through the window. They smile as they see that things have changed.

CUT TO:

EXT. SAN FRANCISCO – ANOTHER STREET – DAY

Tamora, Pandora and Demetria meet Junior and Cassandra. They hug each other.

CUT TO:

EXT. NEW ORLEANS – STREET – DAY

Piper, Phoebe, Paige and Prudence are on the street looking up. They exchange glances and smile.

CUT TO:

EXT. SAN FRANCISCO – INT. PALACE OF FINE ARTS – INT. ROTUNDA - APPARENT NIGHT

Prue rushes to Wyatt. She cries over his death body.

PRUE

No, Wyatt, please don’t leave me. Please, Love.

She kisses him, but he doesn’t wake up. She cries hard.

At that moment, a bright white light appears. HANDREEL SPARKLES in. Prue looks up at him. With tears in her eyes, she begs.

PRUE (CONT'D)

Please ---

(swallows)

--- I can’t lose him.

Handreel is serious. He raises his hands and a shiny white light comes from them and towards Wyatt. Prue looks at Wyatt’s body.

Soon, the blood DISAPPEARS. Wyatt’s eyes POP OPEN. Prue smiles. He gets into a sitting position. Prue hugs him.

PRUE (CONT'D)

You’re back! You’re back!

She’s happy.

PRUE (CONT'D)

You’re back.

WYATT

Yeah, but how?

Prue kisses Wyatt. Then Prue looks at Handreel. Wyatt notices his presence. Prue stands and helps Wyatt to stand.

PRUE

(to Handreel)

Thank you.

Prue smiles.

WYATT

(to Handreel)

Who are you?

PRUE

This is Handreel.

Handreel smiles.

HANDREEL

Your story wasn’t never supposed to end that way.

Handreel approaches Prue.

HANDREEL (CONT'D)

You were very brave.

(he looks at Wyatt)

Both of you.

WYATT

Where is he?

HANDREEL

Back in his prison.

PRUE

Is there a way to take Darkness out of him?

Handreel lowers his gaze.

HANDREEL

Let’s have faith that one day we’ll be able to bring him back.

Handreel touches Prue’s face.

HANDREEL (CONT'D)

Now, take your swords and head back home. There’s someone there waiting for you.

WYATT

Who?

HANDREEL

A friend that deserved another chance.

PRUE

What about all this mess?

HANDREEL

It’ll be fixed.

PRUE

And ---

Prue wants to ask something, but she doesn’t know how. Somehow Handreel knows what she wants to know.

HANDREEL

It wasn’t your fault.

PRUE

I killed a man.

Wyatt looks at Prue.

HANDREEL

You were under Darkness control.

PRUE

But I could have chosen not to.

Handreel takes Prue’s hands. She looks him in the eyes.

HANDREEL

Child, there has and there will always be a battle between Darkness and Light.

(looks at Wyatt)

To heal that ancient battle, we may find that it’s less about defeating one or the other and more about choosing our relationship to both.

Prue hugs Handreel for seconds. He smiles. Then, they break the hug.

PRUE

Will we ever see you again?

Handreel smiles.

HANDREEL

I know I will. I’ve always kept an eye on you two anyway.

Prue and Wyatt exchange glances and smile. Then, Handreel SPARKLES out. Wyatt and Prue hug and kiss each other.

CUT TO:

EXT. SAN FRANCISCO – DAY

Aerial view all over the town at the sound of Chained to the Rhythm by Katy Perry ft. Marley.

The town is still a chaos, but the fires have started to being extinct.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

Chris ORBS in bring Melinda and Bianca. Damon SHIMMERS in. Charlotte BEAMS in bring in Eric. Alex ORBS in. Tamora, Pandora and Junior BEAM in. Cassandra BEAMS in. Demetria FLAMES in.

They all are smiling happily. Their smiles disappear from their faces as soon as they realize they’re not alone there.

Someone is there. Only his back is seen. The person has blond hair and is a man.

MUSIC FADES OFF.

In front of them, Wyatt ORBS in bringing Prue.

WYATT

Hey, guys!

PRUE

He’s gone. Darkness is gone.

WYATT

Back in his prison!

Wyatt and Prue realize they all are serious.

PRUE

What’s going on?

Cassandra points to the someone. Wyatt and Prue turn around and ---

BEAT. CONRAD TURNER himself is there.

Prue and Wyatt, as well as the others, are astonished.

PRUE (CONT'D)

Conrad? What are you doing here?

Conrad smiles.

CONRAD

I ---

(speechless)

--- He gave another chance.

Prue and Wyatt look at each other.

PRUE

He was talking about Conrad.

CONRAD

He didn’t tell me his name.

PRUE

(smiles)

It was an angel.

CHRIS

(to Conrad)

Wait. So, an angel brought you back?

CONRAD

It appears so.

CASSANDRA

Just like that?

Conrad looks at them all.

PRUE

He helped us.

Prue keeps staring at Conrad while Conrad smiles at her.

WYATT

So, you’re gonna be back to our lives?

Conrad smiles.

CONRAD

I’m a human now. I won’t dare to step between the two of you.

Prue approaches him and hugs him.

PRUE

I’m glad you’re back.

They break the hug.

WYATT

What are you going to do now?

CONRAD

I don’t know. I guess I’ll have to find a place to stay and a job.

(shrugs)

You know, ordinary things a human does.

Conrad approaches Wyatt and raises his hand.

CONRAD (CONT'D)

No hard feelings.

Wyatt looks at Conrad’s hand and then decides to shake it. Both shake hands.

WYATT

As long as you stay away from her.

Conrad smiles.

CONRAD

She loves you, man. She must come first.

Both smile at each other.

CONRAD (CONT'D)

I guess I’ll see you guys around.

Conrad smiles one last time to Prue.

PRUE

Be safe.

Conrad nods. Then, he heads out the room and leaves.

CHRIS

(to Wyatt and Prue)

So, tell us. How was it?

Wyatt and Prue exchange glances and smile. Both hold hands.

PRUE

We are together. That’s all that matters.

MELINDA

Tell us everything.

Wyatt and Prue smile. Wyatt puts an arm over Prue’s shoulder and they all start heading towards the living room.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – GADREEL’S CAGE

The white room that has been Gadreel’s prison for ions. The room is still the same, apart from one change. In one of the walls, there’s what looks like a TV.

Gadreel is sitting on the floor, wearing white shirt and pants. He is barefoot. Gadreel has his head down.

One of the walls turns into bars. Handreel stands outside the bars. Gadreel keeps his head down.

HANDREEL

And here you are again.

Gadreel keeps his head down.

HANDREEL (CONT'D)

Your plans didn’t work. She didn’t even care bout you.

(pauses)

Not to Darkness to you the angel.

Gadreel raises his head.

GADREEL

I’m not finished.

HANDREEL

Oh, no, I know. But one day we’ll find a way to take out the Darkness inside of you.

GADREEL

You haven’t accomplished it after all this time.

HANDREEL

But we will.

Handreel approaches, even more, the bars.

HANDREEL (CONT'D)

Gadreel, I know that deep down, the angel I met and cared about is there.

Gadreel looks away.

HANDREEL (CONT'D)

Darkness can’t be stronger than you.

GADREEL

Cut that crap.

Handreel shakes his head.

HANDREEL

Anyway, I came to tell you that my visits won’t happen that often.

Gadreel looks at Handreel.

HANDREEL (CONT'D)

That’s why I got you that.

Handreel points to the TV.

HANDREEL (CONT'D)

It’s called TV and it’s a way to keep you entertained, once I won’t come often to tell you the news about the World bellow.

GADREEL

I will get out of here someday, you know?

HANDREEL

Well, while you don’t, I suggest you watch National Geographic or even the History Chanel.

(pauses)

Oh, and there’re some good TV shows as well.

Handreel smiles.

HANDREEL (CONT'D)

See you, Gadreel.

The bars become WALL again. Gadreel is serious. A tear runs down his face.

GADREEL

I will have you, Adriel. I will.

(pauses)

Your soul, your heart. Everything.

Gadreel’s eyes turn to black as the image ---

CUT TO BLACK.

END OF THE EPISODE