3x19 - Out of Light, Into the Darkness

[Prue Brianna Johnna Halliwell]

TEASER

OVER BLACK.

FADE IN:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

Melinda is walking from one side to another.

MELINDA

This is bad. This is really, really bad.

Chris and Bianca are also there. They exchange glances. Then, Chris approaches Melinda.

CHRIS

Can you calm down?

Melinda stops. She looks at Chris.

MELINDA

Calm down? Do you know what would happen if Prue gets infected with Darkness?

CHRIS

We don’t know that.

MELINDA

I saw her, Chris, when she was squeezing Charlotte’s throat. And you saw her setting her bedroom on fire.

CHRIS

We don’t know the whole story, Mel. Maybe ---

Chris doesn’t know what to say.

MELINDA

Maybe what?

CHRIS

Maybe she is suffering and depressing. I don’t know.

MELINDA

I really hope you’re right, because if she becomes evil ---

Melinda is worried. She covers her face with her hands. When she uncovers it, she has red eyes.

MELINDA (CONT'D)

There’s no Wyatt to bring her back.

Chris lowers his gaze.

BIANCA

Let’s try to stay positive.

At that moment, Cassandra and Charlotte BEAM in.

CHRIS

So?

CASSANDRA

She was not at P3 neither on the top of the bridge.

CHARLOTTE

At Cupid’s Temple, they know nothing.

CHRIS

Don’t they keep track on their cupids?

CHARLOTTE

They do. They lost track of her since last night.

Melinda gets even more nervous.

MELINDA

See? I’m saying. She’s evil.

CHRIS

Mel!

Melinda looks at Chris.

CHRIS (CONT'D)

Calm down.

CASSANDRA

Did Aunt Paige manage to take mom to New Orleans?

BIANCA

Yes. They decided to talk to Piper in person.

SOUND: FRONT DOOR OPENING AND CLOSING RIGHT AWAY.

Soon, Prue comes into the room.

PRUE

(cheerful)

Hey! What’s up?

They all shoot her a look.

MELINDA

What’s up?

(mad)

What’s up? We were worried about you.

PRUE

Why?

MELINDA

Where have you been?

CHRIS

Mel!

PRUE

Around. Why?

MELINDA

Prue, you left us worried last night.

PRUE

Why?

MELINDA

Because of what you said.

Prue looks serious at them.

PRUE

And what was that I said that left you worried?

MELINDA

That we cannot vanquish Darkness.

CHRIS

(aloud)

Mel!

Melinda looks at Chris.

PRUE

We can’t.

They look at Prue.

PRUE (CONT'D)

Think about it.

Prue seems different. Like she doesn’t care.

PRUE (CONT'D)

It’s Darkness.

(smiles)

It can’t be vanquished.

They all are astonished.

PRUE (CONT'D)

You shouldn’t worry about it. It may be something good after all.

CHRIS

(astonished)

What?

MELINDA

It has infected you.

(worried)

Oh, my God.

Prue smiles.

PRUE

No, honey, it hasn’t infected me. I like it, remember?

CHRIS

Prue, you don’t mean it.

PRUE

Don’t I?

She stares at them.

PRUE (CONT'D)

Look at me. I feel liberated from all that pain I was going through.

CHARLOTTE

That pain is part of you, Prue.

PRUE

What would you know, sis?

(approaches Charlotte)

You may wanna embrace it.

CHRIS

Prue ---

Chris looks at her. Prue turns to Chris.

CHRIS (CONT'D)

Prue, we’re gonna fix this. You just have to fight it.

PRUE

I don’t want to fight it, Chris.

BIANCA

Prue ---

Prue looks at Bianca.

BIANCA (CONT'D)

I’ve made some contacts and I believe we can rebuild P3 soon.

PRUE

No.

(pauses)

Don’t you dare touching P3. It stays the way it is.

BIANCA

But that’s a way to bring back your light, Prue.

PRUE

(aloud)

It’s dead. Both are.

(looks at all of them)

And they shall remind dead.

Prue stares at them. Then, she leaves the room.

MELINDA

She is evil.

CHRIS

No, she’s not evil. She’s just ---

(takes a deep breath)

--- Darkness is messing with her.

Chris turns to Bianca.

CHRIS (CONT'D)

Take care of P3.

BIANCA

But she said ---

CHRIS

It doesn’t matter what she said. We’re rebuilding that place.

(pauses)

We are not going to let Darkness take us. We will fight it. No matter how.

ON CHRIS. He has a decided look in his face.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Marisol Nichols as Bianca

Guest Starring

Daniel Di Tomasso as Gadreel / The Darkness

John Wesley Shipp as Ignatius

Shay Mitchell as Olivia

Alex Mauriello as Oracle

Dylan O'Brien as Tyree

Ignacio Serricchio as Marco Delgado

Tyler Poelle as Ted Larson

Jay Hoyt as Mr. Shawn

Unknown actors as Cops

Unknown actor as Demon

Unknown actors as People

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – DAY

Aerial footage all over the town at the sound of ‘We Can Hurt Together’ by Sia.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – DAY

MUSIC FADES OFF.

ON: WALL DOOR OPENING.

Gadreel walks through and WAVES his hand turning the door into a wall. He seems happy.

GADREEL

Good morning, my friend.

Wyatt is inside his cell, lying on the bed. Awaken. He gets into a sitting position. Gadreel stops in front of the cell.

GADREEL (CONT'D)

How have you been?

Wyatt shoots him a look.

WYATT

You seem happy.

GADREEL

(smiles)

I don’t seem, I am.

Wyatt is serious. Gadreel takes of a small potion bottle from inside his jacket.

ON: POTION BOTTLE. It’s empty.

Gadreel shows the bottle to Wyatt.

GADREEL (CONT'D)

It worked!

Wyatt stands.

WYATT

You’re lying.

GADREEL

No, I’m not.

Gadreel puts the bottle on the table. He turns to Wyatt.

GADREEL (CONT'D)

She’s amazing.

(smiles)

Of course, you know that.

WYATT

What did you do to her?

Gadreel goes to lie down on the bed. He laces his arms around the back of his neck.

GADREEL

I gave her freedom.

(pauses)

She’s got a lot inside, you know?

Gadreel gets into a sitting position.

GADREEL (CONT'D)

I’m gonna make her believe that she can be more.

Wyatt gets red with anger. He approaches the bars.

WYATT

Someday, I’m gonna get out of here and that day I’ll make you pay for this.

Gadreel smiles.

GADREEL

I don’t want to blow up your hope, but it won’t happen.

Gadreel stands.

GADREEL (CONT'D)

You’ll never get out of there.

WYATT

That, ---

(sarcastic)

--- My friend, ---

(serious)

--- We shall see.

Both stare seriously at each other.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – DAY

ON TAMORA. She is shocked.

TAMORA

Are you kidding me?

Charlotte and Pandora are there. Charlotte must have told her about Prue’s attitude.

CHARLOTTE

She showed up different.

PANDORA

Evilly different?

CHARLOTTE

No, it was not like the evil Prue we’ve seen. She was ---

(pauses)

--- like she doesn’t care. Like she agrees that it’s a good thing.

TAMORA

Isn’t that being evil?

PANDORA

Not exactly.

They look at Pandora.

PANDORA (CONT'D)

Do you two feel evil?

Charlotte and Tamora exchange glances.

TAMORA

No. Not evil. I feel ---

CHARLOTTE

Mad?

Tamora nods.

TAMORA

Like if I was living in a dark place.

CHARLOTTE

Well, Prue seemed happy.

PANDORA

It’s Prue.

Tamora and Charlotte stare at Pandora.

PANDORA (CONT'D)

She likes being in control. She likes powers. And she’s been through a lot, lately.

CHARLOTTE

Well, I don’t know. Even though I feel mad at her, like I want to punch her over and over again, ---

Tamora and Pandora exchange glances.

CHARLOTTE (CONT'D)

--- I’m worried.

TAMORA

I know the feeling. It’s weird actually.

PANDORA

But that’s good. Being aware of those feelings is what keeps you both sane. Despite it, you both know that the light that keeps you sane is right there. Now Prue ---

(takes a deep breath)

--- Her light was Wyatt.

CHARLOTTE

And he’s gone.

TAMORA

As well as P3.

Charlotte and Tamora sit on the couch.

CHARLOTTE

Chris wants to rebuild P3.

PANDORA

We don’t have time to rebuild it.

CHARLOTTE

But maybe the thought of it, will bring her back.

PANDORA

Let’s hope so.

Tamora stands.

TAMORA

I need to go.

PANDORA

Go where?

Tamora looks from Pandora to Charlotte.

TAMORA

Hunting.

Charlotte and Pandora exchange worried glances.

TAMORA (CONT'D)

Don’t worry.

(to Pandora)

I want you to come with me. You are in the light while I’m not, so you’re coming with me to keep me away from embracing the Darkness inside of me.

Pandora and Charlotte look at each other.

CHARLOTTE

Sounds good. I need to meet Eric and let him know what’s going on.

They all nod.

CHARLOTTE (CONT'D)

See ya.

Charlotte BEAMS out.

TAMORA

Let’s go.

Tamora and Pandora head out the room.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – DAY

Prue is there getting dressed. She looks herself in the mirror. She is wearing a beautiful jumpsuit on. Prue smiles and takes the jacket from the bed.

At that moment, Melinda comes in. She looks at Prue.

MELINDA

Going out?

Prue turns to look at her.

PRUE

(rude)

Are you here to lecture me?

MELINDA

No, Prue. I just want to talk.

Prue stares at her.

PRUE

Yes, I’m going out.

MELINDA

Dressing like that?

Prue turns to the mirror.

MELINDA (CONT'D)

Don’t tell me you’re going out on a date.

Prue turns to her.

PRUE

(smiles)

I am.

BEAT. Melinda is surprised. She swallows.

MELINDA

Really?

PRUE

Why? Don’t I have the right?

MELINDA

No, of course you have. It’s just because ---

Melinda tries to sound friendly.

MELINDA (CONT'D)

--- Wyatt.

PRUE

(rude)

He’s dead, Mel.

Prue turns around and takes her bag. She starts taking things out of it and putting them into another bag.

MELINDA 

I know. But he ---

PRUE

Enough.

Prue looks at Melinda.

PRUE (CONT'D)

He dared to leave me.

Prue lowers her gaze.

PRUE (CONT'D)

I’m moving on. That’s what he would want me to do.

Prue looks at Melinda.

MELINDA

Who is him?

(pauses)

The guy you're seeing. Do I know him?

PRUE

(smiles)

No. But you will.

(grabs her bag)

He’s gorgeous, Mel. 

(excited)

He has these blue eyes.

Melinda is serious. Prue looks at her wristwatch.

PRUE (CONT'D)

I need to go, now.

Prue heads towards the door.

MELINDA

But Prue ---

PRUE

Bye, Mel.

Prue leaves the bedroom. Melinda takes a deep breath and leaves as well.

CUT TO:

INT. HALLIWELL MANOR – FRONT HALL / STAIRCASE – DAY

Bianca comes in from the front door. Chris comes in from the dining room. He watches her wife entering the house. Bianca signs someone to come in. A man (MR. SHAWN, 50’s) comes in. Bianca sees Chris.

BIANCA

Is she still here?

Chris nods yes.

BIANCA (CONT'D)

(to Mr. Shawn)

Mr. Shawn, this is my husband, Chris Halliwell.

Mr. Shawn looks at Chris and reaches out his hand. Both shake hands.

MR. SHAWN

I got interested when your wife told me you’re thinking about rebuilding P3.

Chris smiles.

MR. SHAWN (CONT'D)

I was a customer back in my days.

Chris and Bianca smile.

MR. SHAWN (CONT'D)

Bianca told me that the owner doesn’t want to rebuild.

CHRIS

She doesn’t. That’s why we need you to talk to her.

Mr. Shawn looks at Bianca and then at Chris again.

CHRIS (CONT'D)

We need you to tell her that it is possible to raise that place again.

MR. SHAWN

Sure.

At that moment, Prue comes downstairs followed by Melinda. She sees Chris and Bianca. Then she sees Mr. Shawn.

PRUE

Hello! Didn’t know we had visitors.

Chris, Bianca and Mr. Shawn look at Prue.

CHRIS

Oh, Prue, I’m glad you’re here.

Prue and Melinda approach them.

CHRIS (CONT'D)

This is Mr. Shawn.

Mr. Shawn reaches out his hand. Prue looks at it seriously and doesn’t shake it. Mr. Shawn glances at Chris. Then Mr. Shawn takes off his hand.

CHRIS (CONT'D)

Prue, Mr. Shawn works for a construction company.

PRUE

Why is a construction foreman in this house, Chris?

Prue looks seriously at Chris and he looks at her.

CHRIS

Because we are rebuilding P3.

PRUE

(seriously)

I said that I don’t want to rebuild P3, Chris.

CHRIS

We have to, Prue.

PRUE

(rude)

No, we don’t. We need to move on.

CHRIS

Prue ---

Prue signs him to shut up. Chris rolls his eyes. Then Prue approaches Mr. Shawn. She smiles.

PRUE

Sorry, but your services are no longer requested.

Prue waves her hands and a jet of ICE come out of it and she throws it to Mr. Shawn. Chris, Bianca and Melinda are astonished. BEAT. Mr. Shawn has become an ice statue.

MELINDA

Prue, what the hell?!

Prue looks at them.

PRUE

I’ll do the same to any other construction foreman you bring here.

(to Chris)

You can take this statue to your home.

Prue turns around to leave, but stops. She turns to face Chris. Both look at each other.

PRUE (CONT'D)

Don’t ever do this again, Chris. You know me.

Prue smiles at him and then at Bianca and Melinda. Then, Prue turns around and heads to the front door. She opens it and walks out closing the door behind her.

BIANCA

(astonished)

So, that’s evil Prue.

MELINDA

No. That’s dark Prue. Evil Prue cared. This one is cold.

Melinda and Bianca are astonished. Now, Chris --- Chris is more than that. Chris is worried.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. HALLIWELL MANOR – FRONT HALL / LIVING ROOM – DAY (MOMENTS LATER)

ON MR. SHAWN AS AN ICE STATUE.

Bianca is staring at it.

BIANCA

How are we gonna undo this?

Bianca walks into the living room where Melinda and Chris are sitting.

CHRIS

We don’t.

Bianca sits beside Chris.

BIANCA

We can’t let Mr. Shawn that way.

CHRIS

He will melt eventually.

MELINDA

With this cold weather, it will take longer.

BIANCA

But he must be freezing in there.

(grimaces)

I think.

CHRIS

Bianca ---

(serious)

--- He’s dead.

ON BIANCA. She’s astonished.

BIANCA

What?

MELINDA

It’s ice, Bianca.

BIANCA

That ---

MELINDA

It’s bad, we know.

Melinda stands and walks towards the fireplace. Then she turns to face them.

MELINDA (CONT'D)

If she ever comes back from that Darkness she’s in ---

(pauses)

--- She won’t be able to forgive herself.

Bianca and Chris are thoughtful. At that moment, Junior ORBS in.

JUNIOR

I came as fast as I could.

Chris stands.

CHRIS

Good.

(to Junior)

Come with me.

Chris heads out the living room into the front hall. Junior follows him. Once there, Chris stops in front of the statue and looks at it. Junior looks at it as well.

CHRIS (CONT'D)

We need your help to cover this.

Junior is astonished.

JUNIOR

What the hell is this?

CHRIS

It’s the construction foreman Bianca hired to rebuild P3.

JUNIOR

How did he end up like that?

CHRIS

(serious)

Prue.

ON JUNIOR. He’s astonished.

JUNIOR

Chris, that man ---

CHRIS

(finishes the sentence)

It’s dead. I know.

Junior looks at the statue.

JUNIOR

I guess I’m not the only one that has killed a human being.

CHRIS

We’ll deal with regret later.

Melinda and Bianca show up.

MELINDA

There’ll be a lot around here if we finish Darkness.

JUNIOR

According to Prue, It can’t be vanquished.

CHRIS

Junior, please take care of Mr. Shawn.

JUNIOR

I’ll see what I can do. Do you know where he lives or something?

BIANCA

I’ve got his card.

JUNIOR

Good. Before coming up with a story, I need to know more.

Bianca nods. She signs him to follow her and both leave towards the living room. Melinda and Chris stare at each other.

MELINDA

What are we going to do?

Chris lowers his gaze. Then he looks at his sister, seriously.

CHRIS

I really don’t know.

They seem really lost.

CUT TO:

EXT. SAN FRANCISCO – STREETS – DAY

A fast view of some streets in the town. Most part of the shops seems abandoned. Most people seem unhappy. Police cars are being driven all over the town.

ON BUS STOP. A bus stops at the bus stop. Two women come out of it fighting. They fall down the ground. The others inside the bus watch them through the windows.

No far from that scene, Gadreel comes walking. He’s not alone. Prue is with him. They’re holding hands. Gadreel seems to be showing the chaos to Prue.

GADREEL

--- I know that destruction seems bad, but ---

PRUE

It really does.

Gadreel smiles.

GADREEL

In order to fix something, that something must be destroyed.

Prue stops and stares at the women fighting. Gadreel stops as well and looks at it.

GADREEL (CONT'D)

Do you want to stop that fight?

PRUE

They must have their reasons.

GADREEL

Exactly.

Gadreel looks at Prue.

GADREEL (CONT'D)

Honey, ---

Prue looks at him.

GADREEL (CONT'D)

--- Darkness exist in everyone. It’s a repressed feeling. This ---

Gadreel points at the scene.

GADREEL (CONT'D)

--- This is what humans are. This world is destroying itself little by little.

PRUE

And you’re happy with it.

Gadreel grabs her arms softly.

GADREEL

It’s needed.

(pauses)

In order to build a better place.

Prue looks him in the eyes.

PRUE

That’s what you want? A better place?

GADREEL

I wanted it then. I want it now.

(smiles)

A place where rules must be followed in order to keep the order.

(pauses)

A place where I can rule. And ---

(approaches her)

--- I want you with me.

Prue lowers her gaze. Then she looks at him.

PRUE

What would be my part on it?

Gadreel smiles.

GADREEL

You’ll be my equal.

(pauses)

You’ll have powers over everything.

A certain shine is seen in Prue’s eyes as she hears the word ‘powers’.

GADREEL (CONT'D)

You’ll be unstoppable.

Prue looks at the women still fighting.

PRUE

No regrets?

Gadreel nods no.

PRUE (CONT'D)

No pain?

Gadreel nods no again.

PRUE (CONT'D)

A place where I ---

Prue looks into his eyes.

PRUE (CONT'D)

--- Where I’ll have control over everything?

Gadreel smiles.

GADREEL

You’ll be their queen, my Love.

Prue smiles.

PRUE

I like that.

GADREEL

I know.

Prue looks at the women again.

PRUE

I always wanted that.

GADREEL

Marry me!

BEAT. Prue looks at Gadreel.

GADREEL (CONT'D)

Marry me, Prue.

PRUE

I just lost Wyatt.

GADREEL

(assures her)

He would want you to move on.

PRUE

He was always afraid of my desire for power.

GADREEL

I would never hold you back.

Prue deviates her eyes from his.

PRUE

He would think this is wrong.

GADREEL

I’m sure he would think this is right.

Prue looks at him.

GADREEL (CONT'D)

Trust me. He would want what’s best for you.

(smiles)

Wyatt would think this is right.

Prue lowers her gaze.

PRUE

I trust you.

Gadreel smiles. Then Prue looks him in the eyes.

PRUE (CONT'D)

Yes. I’ll marry you.

Gadreel smiles. He kisses her and she corresponds to his kiss. Both kiss passionately while the women keep fighting.

CUT TO:

EXT. SAN FRANCISCO TO NEW ORLEANS – DAY

Fast motions footage that takes us from San Francisco to New Orleans.

CUT TO:

EXT. NEW ORLEANS – DAY

Aerial footage of the Jazz Town.

CUT TO:

INT. PIPER / LEO’S FLAT – LIVING ROOM – DAY

ON PIPER. She’s serious.

PIPER

Why I’m hearing of this just now?

Piper is sitting on the couch. In front of her are Paige and Phoebe.

PHOEBE

C’mon, Piper. You knew the world is in chaos.

PIPER

I meant about P3, Phoebe.

Paige and Phoebe exchange glances. Piper stands.

PIPER (CONT'D)

And Prue becoming ---

Piper can’t finish the sentence.

PAIGE

She’s not evil. She just seems that she has given in into Darkness.

Piper shoots Paige a look. Phoebe seems worried.

PHOEBE

Prue is different, Paige. You saw it last night.

PIPER

(curious)

Saw what?

PHOEBE

The way she talked.

Phoebe stands.

PHOEBE (CONT'D)

While the others were aware of what they’re feeling, and feel bad about it, she didn’t.

PIPER

How so?

Phoebe looks serious at Piper.

PHOEBE

She didn’t care.

Piper and Paige exchange glances.

PIPER

Well, we all know how that she feels attracted by that.

PHOEBE

You can say the world, Piper.

(serious)

Evil.

Phoebe sits down desperate.

PHOEBE (CONT'D)

Why in the world did I have to have that child in the manor?

PAIGE

Because there was no time to take you to the hospital, Phoebe.

Piper sits before them.

PIPER

What about Charlotte? She was born in the manor as well.

PAIGE

It’s different with Charlotte.

PHOEBE

Charlotte was always different. She was always more connected to her Cupid side. While Prue ---

Phoebe takes a deep breath.

PHOEBE (CONT'D)

--- She has all these powers ---

PIPER

Just like Wyatt did.

Piper lowers her gaze.

PIPER (CONT'D)

At least she’s alive, Pheebs. There’s a chance to bring her back.

Phoebe and Paige look at Piper.

PIPER (CONT'D)

I would give anything to have Wyatt back.

A tear starts running down Piper’s face.

PHOEBE

Sweetie ---

Phoebe approaches Piper and tries to comfort her.

PAIGE

The question now is, how are we gonna bring Prue back?

Piper and Phoebe look at Paige.

PAIGE (CONT'D)

Before, Wyatt brought her back.

They all exchange glances. At that moment, Paige’s phone rings. She takes her from the center table and signs her sisters that she’s gonna answer it in another room. Paige heads out the living room.

CUT TO:

INT. PIPER / LEO’S FLAT – CORRIDOR – DAY

Paige comes in. She picks up the phone.

PAIGE

(on the phone)

Yes, Chris?

Paige listens.

PAIGE (CONT'D)

(on the phone; astonished)

She did what?

Paige seems worried.

PAIGE (CONT'D)

(on the phone)

Oh, my God.

(listens)

No, no. Don’t worry, I won’t tell them about what she did to that poor man.

(listens)

OK, be careful and keep me posted.

Paige hangs off the phone. She is really worried. Takes and deep breath and returns to the living room.

CUT TO:

INT. PIPER / LEO’S FLAT – LIVING ROOM – DAY

Piper and Phoebe are talking when Paige comes in. They look at Paige.

PHOEBE

Who was it?

PAIGE

It was Chris.

PHOEBE

Any news?

Paige thinks for a while.

PAIGE

Well, just that is happening.

PIPER

What’s happening?

PAIGE

Prue has crossed sides.

Piper and Phoebe stand.

PHOEBE

My daughter is evil?

PAIGE

More like darkness.

They all are serious. They look at one another.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. UNDERWORLD – IGNATIUS’ CAVE – DAY

Ignatius is there walking from one side to another. The Oracle and Tyree are also there. Ignatius seems nervous.

TYREE

Are you going to tell us what’s going on, boss?

Ignatius doesn’t stop.

IGNATIUS

He seems like he has lost his focus.

ORACLE

He hasn’t. Believe me.

Ignatius stops and stares at the Oracle.

IGNATIUS

What do you know?

The oracle smiles.

IGNATIUS (CONT'D)

(curious)

Why did he ask for you before?

The Oracle glances at Tyree. Then she looks back at Ignatius.

ORACLE

Can’t say.

IGNATIUS

(mad)

You work for me!

ORACLE

I work for him.

Ignatius is serious. He approaches the Oracle.

IGNATIUS

If it wasn’t for me, you wouldn’t be here.

Ignatius and the Oracle stare seriously at each other. Then the Oracle gives in.

ORACLE

He asked me to read him.

Ignatius steps back.

IGNATIUS

What did you see?

The Oracle thinks for moments. Then she answers.

ORACLE

What he wants.

IGNATIUS

And what is that he wants?

ORACLE

The destruction of the world.

Ignatius is serious.

ORACLE (CONT'D)

Us included.

TYREE

(nervous)

What do you mean us included?

ORACLE

I meant exactly that.

Ignatius is suspicious.

IGNATIUS

That’s not all.

The Oracle smiles.

IGNATIUS (CONT'D)

He’s out there and I believe that he is not just admiring his doings.

ORACLE

(smiles)

Of course, not.

(pauses)

He is Darkness and his doings will cost us everything.

Ignatius and the Oracle stare at each other seriously.

CUT TO:

INT. UNDERWORLD – CORRIDORS – DAY

ON ONE OF GADREEL’S ATHAME BEING THROWN TOWARDS THE BACK OF A DEMON.

The demon burns in flames. The athame falls down the ground.

ON PANDORA. The girl is astonished.

Tamora was the one who threw the athame.

PANDORA

Whoa, sis! You’re pretty good at it.

TAMORA

(smiles)

I know.

Tamora walks towards the athame on the floor and grabs it. She puts it on the back of her pants. They walk. Pandora stares at her sister. Tamora feels like Pandora wants to say something.

TAMORA (CONT'D)

Spit it out!

Both sisters exchange glances.

PANDORA

You’re training for it, aren’t you?

Tamora stares at Pandora and then deviates her eyes from her sister.

PANDORA (CONT'D)

Ignatius.

TAMORA

I’ll find that demon, sis. And once I’ll do, I’ll vanquish him.

PANDORA

No mercy?

TAMORA

No mercy.

Pandora stops and touches Tamora’s arm making her stop as well.

PANDORA

He’s alive.

Tamora lowers her gaze.

TAMORA

I know. I can’t explain it.

(looks at her sister)

I thought I could let go of it, but I can’t.

Tamora looks up. Her eyes are red. She’s trying to hold her tears inside.

TAMORA (CONT'D)

The darkest moment of my life was when I lost him, Pan.

(looks at Pandora)

I never thought I could feel such a pain. And I know I’ve got him back, but I still need to make him pay.

(pauses)

Call it Darkness. Call it whatever you want, but I need it.

PANDORA

That’s not a way to find your light, Tam.

TAMORA

I know.

PANDORA

But I’m with you, sis.

Pandora holds Tamora’s hand.

PANDORA (CONT'D)

I’m with you now as always.

A tear runs down Tamora’s face.

PANDORA (CONT'D)

And I’m gonna help you find the light.

Pandora smiles. Tamora smiles too.

ON THEIR HANDS. They SHINE.

The sisters look surprised at what’s happening. From their hands comes a shining light. Tamora and Pandora look at each other.

TAMORA

I think you already have.

Pandora smiles.

TAMORA (CONT'D)

You’re me light, sis!

Pandora smiles big. They hug each other. Moments later they break the hug.

PANDORA

Do you still want revenge?

Tamora thinks for seconds.

TAMORA

No.

Tamora smiles.

TAMORA (CONT'D)

I mean, I still want to find that demon, but I ---

(pauses)

--- I’m gonna need my family with me.

Pandora smiles.

TAMORA (CONT'D)

We all together will win.

PANDORA

(smiling)

Yes, we are.

Both sisters hug again.

SOUND: STEPS.

Some steps are heard. Tamora and Pandora break the hug.

PANDORA (CONT'D)

Someone’s coming.

TAMORA

Come.

Both sisters hide behind some rock's wall. BEAT. Ignatius, the Oracle and Tyree come walking.

IGNATIUS

I’m gonna talk to him.

ORACLE

He will kill you.

Tamora and Pandora look at them.

TAMORA

(surprised; whispering)

It’s him!

PANDORA

The ---?

Tamora nods.

IGNATIUS

I need to understand his plans.

They walk quickly. Once they are not seen, Pandora and Tamora come out from behind the rocks.

TAMORA

Let’s follow them.

Pandora grabs her sister’s arm.

PANDORA

Tam!

TAMORA

(smiles)

Don’t worry. Let’s just find out where that son of a bitch hides so we can find Darkness.

They stare at each other for seconds.

PANDORA

OK.

Tamora smiles. They both walks the same direction Ignatius, the Oracle and Tyler went.

CUT TO:

EXT. S.F. POLICE DEPARTMENT – DAY

Only one police car is parked outside. Another car arrives and the cops come out the car and take a couple of criminals from the inside. They take the criminals into the building.

CUT TO:

INT. S.F. POLICE DEPARTMENT – MAIN ROOM – DAY

Junior is on the phone when Marco comes in and walks towards him. Junior hangs off the phone.

MARCO

Five.

Junior shoots him a look like he didn’t understand what he meant.

MARCO (CONT'D)

Five cops were arrested today.

JUNIOR

Five?

MARCO

What’s wrong with this city, man?!

Some cops come in bringing the two criminals. Marco and Junior look at them. The criminals come laughing. Marco looks very serious to them.

JUNIOR

(to the cops)

What did they do?

COP #1

They broke into an elderly house.

Junior shakes his head in disapproval. Marco keeps staring at the robbers. Especially to one of them.

JUNIOR

An elderly house? Really?

COP #1

It looks like the father of this one ---

Cop #1 points to one of the robbers (Ted Larson, 30), the one Marco is staring at.

COP #1 (CONT'D)

--- Lives there and according to what he said he wanted revenge because he abandoned him for his whole life.

JUNIOR

(to Marco)

Have you seen this?

Marco doesn’t answer. The robber Marco is staring at, stares at Marco as well and smiles. Junior notices Marco is off.

JUNIOR (CONT'D)

Hey! Did you hear what I said?

Marco looks at Junior.

MARCO

Sorry.

Junior looks at the criminals. The cops take the criminals inside.

JUNIOR

(curious)

What’s going on? Did you know them?

Marco seems shaken.

MARCO

One of them was thr partner of ---

(closes his eyes)

--- The man that killed my family.

Junior didn’t see that coming.

JUNIOR

I didn’t know that your family were ---

Junior isn’t able to finish that sentence.

MARCO

Yeah, well, that happened five years ago, so ---

Marco heads towards his desk and sits on his chair. Junior stares at him. At that moment, Olivia comes in. Junior sees her coming in.

JUNIOR

(to Olivia)

Hey! What are you doing here?

Olivia approaches him and kisses him in the mouth. Marco looks at them and deviates his eyes from it straight away.

OLIVIA

You didn’t answer my calls.

JUNIOR

I’ve been working.

OLIVIA

I know. That’s why I came here.

(pauses)

Let’s have dinner tonight.

Junior seems caught by surprise at that.

JUNIOR

Tonight?

Olivia nods yes.

JUNIOR (CONT'D)

I can’t tonight.

OLIVIA

(curious)

Why?

JUNIOR

Well, because ---

OLIVIA

Because?

JUNIOR

My cousin ---

(pauses)

--- Prue. She’s having some problems and the family will try to help her.

OLIVIA

What problems?

JUNIOR

Personal problems, Olivia.

Olivia seems disappointed.

JUNIOR (CONT'D)

Look ---

Junior takes Olivia’s hand.

JUNIOR (CONT'D)

--- I’ll promise that when I’m finished I come and meet you, OK?

They stare at each other.

OLIVIA

You promise?

Junior nods yes.

OLIVIA (CONT'D)

Fine. But you owe me a dinner.

JUNIOR

Got it.

They kiss and then Olivia turns to leave. She heads out the room. Marco stares at Junior.

MARCO

Girlfriend?

Junior is surprised by the questions.

JUNIOR

What? Olivia? No.

Marco grimaces.

JUNIOR (CONT'D)

We’re just ---

(pauses)

--- you know, hanging out.

MARCO

If you say so.

Junior stares at Marco, seriously.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. UNDERWORLD – GADREEL’S CAVE – DAY

ON IGNATIUS, THE ORACLE AND TYLER COMING IN.

They stop. Surprised. Gadreel is there and so it’s Prue. Gadreel turns around and faces them.

GADREEL


(smiles)

Hey!

Prue turns around and looks at them. Prue looks seriously at Ignatius.

IGNATIUS

What is she doing here?

Gadreel looks at Prue and then at Ignatius.

GADREEL

(serious)

She’s my guess. Any problem with that?

IGNATIUS

(mad)

She’s one of them!

Prue approaches Gadreel. She keeps staring at Ignatius.

PRUE

You are Ignatius.

Prue looks at Gadreel. Gadreel nods yes. Prue smiles.

PRUE (CONT'D)

I know someone that is desperately looking for you.

Ignatius stares at Prue for seconds. Then he looks back at Gadreel.

IGNATIUS

We need to talk.

GADREEL

Be my guess!

IGNATIUS

Without her.

Ignatius points to Gadreel.

GADREEL

(serious)

Whatever you wanna say, you can say in front of her. 

(looks at Prue)

She’s with me.

Prue smiles.

ORACLE

(smiles)

She’s on our side?

Gadreel nods and smiles.

IGNATIUS

How is a Twice Blessed Witch in our side?

Ignatius seems to be reluctant to accept it. Gadreel starts getting mad.

GADREEL

You know, Ignatius ---

Prue cuts him off.

PRUE

Honey?

Gadreel looks at Prue.

PRUE (CONT'D)

I think it’s better if you talk to them quietly.

(pauses)

I’ll be outside.

Prue smiles at Gadreel. Then she kisses him and walks towards the exit. As she passes by Ignatius, she shoots him a look. Prue leaves.

Then, Ignatius looks at Gadreel.

IGNATIUS

This wasn’t part of the plans?

GADREEL

What do you know about my plans?

IGNATIUS

Very little as it seems. I thought your plans were to fill this world with Darkness.

GADREEL

Indeed. That’s what I’m doing.

IGNATIUS

Are you?

They stare at each other. The Oracle and Tyler look from Ignatius to Gadreel.

IGNATIUS (CONT'D)

Is the total destruction of the world part of that plan too?

Gadreel looks at the Oracle. She lowers her gaze.

IGNATIUS (CONT'D)

Demons included?

Gadreel looks at Ignatius.

GADREEL

Only those worthy will prevail. 

(pauses)

But yes, that’s the plan.

Ignatius is getting red.

IGNATIUS

What about her?

Ignatius points to the entrance of the cave.

IGNATIUS (CONT'D)

What’s her part in all this?

Gadreel smiles.

GADREEL

Every king needs a queen.

Ignatius smiles sarcastic.

IGNATIUS

They will do everything to get her back.

GADREEL

They can do whatever they want. There was only one way to change her back to what she was.

(pauses)

And I took care of it.

Ignatius starts to understand a lot of things.

IGNATIUS

That’s why you wanted him dead?

Ignatius and Gadreel stare at one another.

IGNATIUS (CONT'D)

But how?

Ignatius thinks.

IGNATIUS (CONT'D)

(serious)

You knew them.

That wasn’t a question.

GADREEL

You are clever, my friend.

Both stare at each other seriously. Ignatius seems like he’s not enjoying it.

IGNATIUS

She will be our undoing.

Then Gadreel RAISES his hand. Ignatius takes his hands towards his throat. Ignatius starts choking. Gadreel closes his wrist.

GADREEL

(evilly)

That’s exactly why I need her.

Ignatius keeps choking. The Oracle and Tyler look astonished at Ignatius.

GADREEL (CONT'D)

She’s meant to be by my side and she will.

Ignatius gets on his knees.

GADREEL (CONT'D)

So, if you’re clever, you’ll choose to stick by my side, otherwise, I’m afraid you won’t prevail.

Gadreel opens his wrist. Ignatius breaths relieved. He then looks up at Gadreel who’s serious.

CUT TO:

INT. UNDERWORLD – EXT. GADREEL’S CAVE – DAY

Prue is there just walking back and forward. She doesn’t notice that close by, hiding behind some rocks are Pandora and Tamora. The girls peek from behind the walls.

TAMORA

(whispering)

What is she doing here?

PANDORA

(whispering)

I don’t know. Maybe she decided to come after Darkness herself.

Tamora shoots Pandora a look.

TAMORA

(whispering)

Don’t be dreamy, Pan. You read Chris’ text. She has crossed sides.

PANDORA

(whispering)

I’m sorry if I’m trying to stay positive.

At that moment, Pandora’s phone rings. Prue stops. Tamora shoots her sister a look. Pandora shrugs.

PRUE

Who’s there?

Tamora and Pandora hide behind the wall. Pandora takes her phone from her back pocket and tries to shut it down.

PANDORA

(whispering)

What do we do?

PRUE

Who’s there?

Prue starts walking towards the rock.

TAMORA

We orb out.

Prue is approaching the rock wall. She’s very close. Tamora and Pandora ORB out. Prue looks the back of the rock wall and no one is there. Prue has a suspicious look on her face.

CUT TO:

INT. UNDERWORLD – GADREEL’S CAVE – DAY

Tyler helps Ignatius to stand. The Oracle stands there. Gadreel looks at Ignatius.

IGNATIUS

I hope you’re right.

GADREEL

I am.

Gadreel sits at his chair relaxed.

GADREEL (CONT'D)

Now, I need you to do something for me.

IGNATIUS

What’s that?

GADREEL

(smiles)

I need you to prepare my wedding ceremony.

ON IGNATIUS. He is astonished.

ORACLE

(astonished)

She said yes?

Gadreel smiles and nods yes. Ignatius shoots the Oracle a look. The Oracle deviates her eyes from Ignatius.

IGNATIUS

When?

GADREEL

As soon as possible.

ORACLE

I’m going to call a dark priest that’s one of my best friends.

The Oracle seems excited with the news.

GADREEL

It can’t be a dark priest.

Ignatius, the Oracle and Tyler look at him.

GADREEL (CONT'D)

I’m an Angel after all.

IGNATIUS

(open-eyed)

You want a priest?

GADREEL

A good one, yes.

IGNATIUS

But you are Darkness!

Gadreel stands. He is annoyed.

GADREEL

Yeah, I know. But I don’t make the rules here.

(pauses)

It has to be a priest of light because it needs to be a sacred union.

(sits)

It’s necessary.

IGNATIUS

Necessary for what?

GADREEL

Ignatius, you’re starting to piss me off. So, do as I said, please.

(points to Tyler)

Take that helper of yours.

Ignatius and Tyler exchange glances.

GADREEL (CONT'D)

Now, leave me, please.

Ignatius bows. Ignatius, Tyler and the Oracle get ready to leave, but ---

GADREEL (CONT'D)

You stay, Oracle.

The Oracle looks at Ignatius. Ignatius shoots her a look. Both Ignatius and Tyler leave the cave. Gadreel stands and approaches the Oracle.

GADREEL (CONT'D)

I asked you not to say anything.

ORACLE

Your Highness ---

Gadreel holds her by her neck. It cuts the air.

ORACLE (CONT'D)

I’m sorry.

GADREEL

Did you tell him about Wyatt?

She answers with difficulty.

ORACLE

I swear I didn’t.

GADREEL

Good.

Gadreel lets go of her.

GADREEL (CONT'D)

I need you to do something for me.

She tries to breathe in. She looks at him.

GADREEL (CONT'D)

Is there anything to help someone keep the darkness inside? Like a potion or so?

The Oracle thinks for seconds.

ORACLE

There is this tonic that an old mentor of mine showed me how to prepare.

(pauses)

It increases the evil side of the person while weakens the good inside.

Gadreel smiles.

GADREEL

Can you prepare some?

ORACLE

For Prue?

Gadreel nods yes.

ORACLE (CONT'D)

I thought she was on your side already.

GADREEL

She is. But Darkness is made of pure evil so ---

Gadreel smiles.

ORACLE

I get your point.

GADREEL

Good.

Gadreel turns around then faces her again.

GADREEL (CONT'D)

Also, get some beautiful dresses and jewels. Women like jewels, right?

The Oracle nods and smiles.

GADREEL (CONT'D)

She needs to dress like a queen.

ORACLE

Whatever you desire, Your Royal Darkness.

Gadreel smiles. He signs her to leave. She bows. As she is walking towards the exit, Prue comes in. The Oracle bows to Prue too.

ORACLE (CONT'D)

(to Prue)

Your Highness.

The Oracle leaves as Prue looks at her leaving. Then Prue approaches Gadreel and smiles.

PRUE

Your Highness?

GADREEL

You’ll be her queen, so ---

Prue smiles. Gadreel kisses her.

PRUE

I was thinking.

GADREEL

In what?

PRUE

Isn’t it time for you to meet my family?

Gadreel smiles. Prue smiles as well. He kisses her again, this time, passionately.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO – DAY TO NIGHT

Fast motion footage over the city as the sun goes down and the moon rises in the sky.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

The lights in the manor are on.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – NIGHT

Chris is there. Also, Tamora and Pandora are there. The twins have told Chris what they saw.

CHRIS

Are you guys sure she was there?

TAMORA

We saw her, Chris.

PANDORA

We also saw something else.

At that moment, Melinda, Charlotte and Cassandra come in.

PANDORA (CONT'D)

We saw that demon ---

Pandora looks at her sister.

PANDORA (CONT'D)

--- Ignatius.

Chris, Melinda, Charlotte and Cassandra are surprised.

CHRIS

You did?

Chris looks at Tamora.

TAMORA

We followed him to this cave.

MELINDA

What cave?

TAMORA

The cave where we saw Prue coming from.

CHRIS

Maybe his cave.

CHARLOTTE

Or someone else’s. Like Darkness.

Chris looks at Charlotte and agrees.

CHRIS

(to the twins)

Did she see you?

PANDORA

We orb out before she could.

CHRIS

Good.

SOUND: FRONT DOOR. SOMEONE COMES IN. DOOR CLOSES.

Soon, Bianca and Junior come in.

JUNIOR

It’s done.

MELINDA

Mr. Shawn ---?

BIANCA

Hypothermia.

(looks at Chris)

That was the cause of death.

JUNIOR

The best I could do.

CHRIS

Thanks.

Both Chris and Junior exchange glances.

SOUND: FRONT DOOR OPENING AGAIN. DOOR CLOSING.

Soon, Prue comes in, smiling. They all looks at her.

PRUE

Hey, guys!

Prue looks at them all.

PRUE (CONT'D)

Family reunion, huh?

No one answer. She keeps the smile on her face.

PRUE (CONT'D)

What is it about? A way to bring me back from Darkness?

Prue keeps smiling, but soon gets serious.

PRUE (CONT'D)

You better not try to.

MELINDA

Prue ---

Prue signs her to shut up.

PRUE

There’s someone I want you to meet.

Prue goes to the corridor and calls for someone.

PRUE (CONT'D)

Come.

BEAT. Gadreel shows up at the doorway. Prue and Gadreel hold hands. She comes into the conservatory room with him. The others exchange glances.

PRUE (CONT'D)

Everyone, meet Gadreel. My fiancé.

Prue smiles. Gadreel smiles as he looks at her.

ON EVERYONE. They are surprised.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – NIGHT (MOMENTS LATER)

Everyone is still there. They seem shocked looking at Prue and Gadreel.

PRUE

Well?

(smiles)

Aren’t you, guys, saying anything?

CHRIS

Prue, you brought Darkness into our home?

Prue looks at Chris.

PRUE

I was expecting a better reception.

CHARLOTTE

You brought the enemy to this house, Prue, and you were expecting a better reception?

Prue looks at Charlotte, seriously.

PRUE

This is my house and I’ll bring here whoever I want.

MELINDA

Did you say fiancé?

Prue looks at Melinda and smiles.

MELINDA (CONT'D)

(mad)

He killed Wyatt, Prue!

Prue gets serious. Then she looks at Gadreel as if for a moment, she doubts him. Gadreel smiles at her.

GADREEL

That’s not true, Love. It was Barbas.

(touches her face)

I wouldn’t kill Wyatt. I wouldn’t do anything to hurt you.

Prue lowers down her face.

GADREEL (CONT'D)

Trust me.

Prue looks at Gadreel.

PRUE

(to Gadreel)

You’re right.

Melinda rolls her eyes. Everyone is surprised with Prue’s attitude.

PRUE (CONT'D)

(to her family)

It was Barbas. We saw it.

CHRIS

(mad)

He sent Barbas!

Chris raises up his hands and a BURST OF SPEED WIND (AEROKINESIS) comes out of his hand and hits Gadreel, pushing him against the door that leads to the living room.
Everybody looks astonished at Chris. Prue waves her hands and using TELEKINESIS, she throws Chris against the table. Then she rushes to help Gadreel to stand. Bianca and Melinda run to Chris.

BIANCA

(to Chris)

Are you OK?

Chris nods.

MELINDA

(to Chris)

What was that?

Chris looks at his hands.

CHRIS

I don’t know.

Prue and Gadreel come into the conservatory room again.

PRUE

You never do that again, Chris.

CHRIS

(mad)

How can you defend him?

PRUE

He’s gonna be my husband.

CHRIS

(aloud)

Your husband is Wyatt, damn it!

PRUE

Well, Wyatt is dead.

(pauses)

Besides, he would want me to move on.

MELINDA

Not this way, Prue.

TAMORA

We should end him right now.

Tamora WAVES her hands, using MOLECULAR ACCELERATION, and Gadreel starts being surrounded by flames. Prue looks astonished at it. Pandora approaches Tamora.
Gadreel WAVES his hands and soon the flames turn off.

PRUE

(to Gadreel)

Are you OK?

Gadreel nods.

GADREEL

I’m an angel, remember?

Gadreel looks seriously at Tamora.

GADREEL (CONT'D)

(to Tamora)

You shouldn’t have done that.

Gadreel raises his hand and starts THREATENING Tamora’s throat. The girl falls down the floor. She’s suffocating. Pandora is desperate. They all are. Prue looks at Tamora suffering.

PANDORA

(looking at Gadreel)

Stop it!

CASSANDRA

Prue!

Junior and Melinda approach Tamora and Pandora. Tamora is getting green.

CASSANDRA (CONT'D)

(begging)

Prue, make him stop.

Prue looks at it, seriously. Melinda and Bianca look at Prue. Cassandra approaches Prue and holds her by her arms.

CASSANDRA (CONT'D)

(aloud)

Prue!

Prue looks at Cassandra.

CASSANDRA (CONT'D)

She’s dying!

Prue looks at Tamora. Cassandra lets go of Prue. Prue steps in front of Gadreel.

PRUE

Don’t!

Gadreel looks at her and opens his wrist. Tamora starts breathing normally. She sits on the floor.

PRUE (CONT'D)

She’s family.

Gadreel lowers down his arm.

PRUE (CONT'D)

We don’t kill family. We first give them the chance to join us.

GADREEL

Fine.

Prue turns to her family.

PRUE

You better think about it.

(pauses)

This is the new reality we leave in so you better think about what side you want to play in it.

Prue holds Gadreel’s hand.

PRUE (CONT'D)

We’ll talk soon.

Gadreel shoots them a victorious look. Then Gadreel SPARKLES out taking Prue with him.
Tamora starts gaining her colors back.

MELINDA

(to Tamora)

Are you OK?

TAMORA

I’ll live.

CHARLOTTE

Do you still want to save her?

They all look at Charlotte.

CHARLOTTE (CONT'D)

I want to vanquish her.

CASSANDRA

She’s our sisters, Charlie.

CHARLOTTE

She was letting him kill Tam.

CASSANDRA

(mad)

But she stopped him.

(to Chris)

And what that hell got into you to attack him?

JUNIOR

I’d said where the hell did that power came from?

MELINDA

Have you got a new power, Chris?

Chris sits down on a chair. Pandora helps her sister to stand.

CHRIS

Apparently.

BIANCA

You shouldn’t have use ---

Chris cuts her off.

CHRIS

But I did. It’s done.

MELINDA

She is completely under his ---

Melinda cuts herself off. They look at her.

MELINDA (CONT'D)

That’s it. He has used some spell on her.

PANDORA

What? How come?

MELINDA

Something she said. Huh ---

(thinks)

--- she said that Wyatt would want her to move on.

(looks at them)

She said it before.

TAMORA

So?

MELINDA

She's under an enchantment. An enchantment that makes her trust him.

Chris stands.

CHRIS

She doubted for seconds when you mentioned that he killed Wyatt.

MELINDA

Exactly.

Chris and Melinda stare at each other.

CHRIS

We need to find a way to break that enchantment.

Melinda nods. Both Melinda and Chris look at each other.

CUT TO:

INT. UNDERWORLD – ORACLE’S CAVE – NIGHT (MOMENTS LATER)

The Oracle’s cave is small and simple. It has a stone table in the middle where the Oracle is preparing the tonic. Prue is there looking around.

PRUE

Do you like it here?

ORACLE

(smiles)

Living here?

Prue nods. The Oracle pours the tonic into a glass.

ORACLE (CONT'D)

That’s what I’ve got.

The Oracle approaches Prue and hands her the tonic. Prue looks at it.

PRUE

What is it?

ORACLE

An especial drink.

PRUE

What will it make to me?

ORACLE

It will help you with the battle you hold inside.

Prue shoots her a look.

ORACLE (CONT'D)

Between good and evil. This will help you, Prue.

Prue takes the glass and keeps staring at it.

ORACLE (CONT'D)

Gadreel asked me to prepare it.

Prue looks at her.

ORACLE (CONT'D)

You trust him, don’t you?

Prue nods.

ORACLE (CONT'D)

Then, drink it.

Prue looks at the glass again and --- BEAT. She drinks it to the end. Prue grimaces. The Oracle smiles. Prue hands her the glass.

PRUE

It tastes horrible.

ORACLE

I know.

The Oracle smiles.

CUT TO:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – NIGHT

ON WYATT. He is sitting on the bed. At that moment, someone enters the cave. Wyatt stands and approaches the bars.

Gadreel comes into the secret cave followed by Prue. From outside the prison, the cell cannot be seen. Only the wall is seen.

ON WYATT. He is surprised to see Prue there.

WYATT

Prue?

Prue and Gadreel are holding hands. Gadreel signs her to get in. She walks in as she looks around. Gadreel watches her from the entrance.

WYATT (CONT'D)

(aloud)

Prue!

From outside the prison, Wyatt can’t be heard. Gadreel looks at the prison. Only he can see Wyatt.

Prue looks at Gadreel’s bed.

PRUE

This is where you sleep?

Gadreel smiles.

GADREEL

Angels don’t exactly sleep.

PRUE

So, why do you keep a bed?

Gadreel shoots her a look.

PRUE (CONT'D)

(smiles)

Got it.

Wyatt watches them astonished.

WYATT

(to Gadreel)

Did you turn her evil, your son of a bitch?

Gadreel smiles without looking at Wyatt.

GADREEL

You can stay here.

PRUE

What about you?

GADREEL

Like I said, I don’t sleep.

Prue looks around.

GADREEL (CONT'D)

I can make it more familiar if you prefer.

PRUE

Familiar how?

Gadreel WAVES his hand and suddenly, the whole cave becomes Prue and Wyatt’s bedroom at Halliwell Manor. Prue smiles and looks around.

PRUE (CONT'D)

(smiling)

My bedroom?

Gadreel walks over her.

GADREEL

Do you like it?

Wyatt is even more astonished.

PRUE

I love it.

Gadreel approaches her and kisses her as Wyatt looks at them astonished.

WYATT

Prue!

Gadreel kisses her passionately. They break the kiss.

GADREEL

I’m gonna let you rest.

Gadreel kisses her one last time. Then, he walks towards the exit and as he passes in front of Wyatt’s prison, he moves his lips to tell him something.

GADREEL (CONT'D)

I won!

Gadreel smiles and leaves the cave. Prue stays there. She sits on the bed and smiles admiring the place.

Wyatt looks astonished at her.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

Lights are on inside the manor.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Chris, Melinda, Bianca, Charlotte, Cassandra, Junior, Tamora and Pandora are there. Melinda is by the Book of Shadows.

PANDORA

Maybe we could find anything in one of those Book of Angels.

CHRIS

We can’t. Only Prue has access to them.

Melinda closes the Book of Shadows.

MELINDA

It’s useless. There’s nothing here.

CASSANDRA

What are we gonna do?

They all exchange glances. Chris heads towards one of the windows and looks through it.

PANDORA

We are doomed.

JUNIOR

Guys, we cannot give up. We have to find a way to bring Prue back.

MELINDA

The only known way able to do that is the one we can’t use.

Chris turns around and faces them.

CHRIS

We need to bring Wyatt back!

Chris has a decided look on his face. They all exchange glances.

ON CHRIS. He is serious and he seems to know what he’s talking about.

CUT TO BLACK.

END OF THE EPISODE