4x21 - The Tales of Red and White

[Prue Brianna Johnna Halliwell]

DESTINED

'THE TALES OF RED AND WHITE'

TEASER

OVER BLACK.

FADE IN:

INT. LANDLORD’S HOUSE - LIVING ROOM - NIGHT - 937 A.D. - FLASHBACK

ON THE SCREEN IT READS:

‘NORTH FRANCE, 937 A.D.’

THE CAMERA slowly moves all over the house. It’s a house from the 10th century where a wealthy family lives. The living room is clean, not a single piece out of place.

SOUND - A woman screaming.

THE CAMERA keeps moving slowly until it shows a little girl sitting on the couch. She should be no older than four years old. The girl with long dark hair beautifully combed into two braids on the sides of the head and wears a long red tunic. Her eyes are green and her lips are red.

The little girl plays with a cloth doll and seems to be nonchalant towards the screams that come from another room.

Near the girl, pacing the room, worried, it is an elegant man (BALIAN, 30’s), a wealthy landlord and father of this little girl.

Soon, the woman’s screams are replaced by a baby’s cry. As soon as it’s heard, the man’s expression lightens up with joy and then, he leaves the room quickly.

The girl seems to not care and keeps playing with the doll.

OFF TO A SERVANT - She comes into the living room and walks immediately towards the girl.

SERVANT

Lady Ruby.

BEAT. The little girl is no other than Ruby when a child.

SERVANT (CONT'D)

Your baby sister has been born.

ON RUBY’S FACE - Her expression hardens. Like she wasn’t given a good new.

SERVANT (CONT'D)

Let’s go.

The servant takes little Ruby’s hand and drags her out. As she’s leaving, Ruby keeps the serious expression in her face.

CUT TO:

INT. LANDLORD’S HOUSE - MAIN BEDROOM - NIGHT - 937 - FLASHBACK

On the bed is a beautiful woman (ROSCELINE, 30’s) who just gave birth. Beside her, in the edge of the bed, is Balian, her husband. The MIDWIFE walks towards the bed and hands Rosceline the baby already wrapped with a white blanket.

OFF TO THE DOOR - It opens and the servant comes in holding Ruby’s hands.

Balian and Rosceline look at their eldest daughter and smile.

ROSCELINE

Come, Ruby, come to me your sister.

Ruby stares at her parents in silence. The girl is serious. The servant drags her close to the bed.

BALIAN

(to little Ruby)

Meet your sister; Blanche.

Balian and Rosceline couldn’t be happier. Now Ruby ---

Her eyes fix the little baby who rests peacefully in her mother’s lap.

ON RUBY’S FACE - Her greens eyes are fulfilled with a dark shadow.

FLASHES TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT - PRESENT

ON RUBY’S FACE - Her eyes. Now a grown-up woman, but the same darkness that fulfilled her eyes when she was a little girl, can still be seen now.

RUBY

It is official now.

Wyatt and Prue are sitting on the throne chairs. They are listening to Ruby. Also, Aisling is there.

RUBY (CONT'D)

Prescott Group belongs to the both of you now.

AISLING 

(sarcastic)

How generous!

Ruby shoots Aisling a look. Then she turns to Wyatt and Prue.

RUBY

Most of the important companies in San Francisco are now under your commands.

WYATT

Very well. What about the rest?

RUBY

Every ruler of every nation of the world has made their decisions known to their people.

(pauses)

They support the single government that now begins.

PRUE

Yeah, but how is that? I mean, one doesn’t hand the power to another just like that.

RUBY

Your Majesty must understand that the energy emanating from both of you is too strong. They now are under your will. They don’t want to lose their heads.

AISLING

Let’s not forget that we are talking about politicians, the army, etc. There’s not a single good bone in most of them.

Ruby shoots Aisling another look. Aisling rolls her eyes. Ruby turns to Wyatt and Prue again.

RUBY

What she said.

WYATT

But that doesn’t work for everybody. There’s still good filling some people’s heart.

RUBY

And that must be eradicated. 

PRUE

What do you mean?

RUBY

We must put an end on that.

Wyatt and Prue exchange glances.

OFF TO THE DOUBLE DOORS - They are opened. Two servants motion to Peri and Patience to come in. Following them is Jordan, using his normal face.

Ruby and Aisling turn to look at them and then Ruby turns back to Wyatt and Prue.

RUBY (CONT'D)

Here comes someone that has been helping me since I started this quest.

Wyatt looks at Jordan who approaches them as well as the twins. Jordan bows before Wyatt and Prue.

WYATT

Didn’t we vanquish you once?

RUBY

Your Majesty ---

Wyatt looks at Ruby.

RUBY (CONT'D)

--- I brought him back.

PRUE

Brought him back? How?

WYATT

I didn’t know you had powers to resurrect demons, Ruby.

RUBY

I don’t. But Jordan was created by me. He is what I call a Clay Demon.

PRUE

Clay Demon! That’s a new one!

AISLING

Always a surprise this Red Witch!

Ruby chooses to ignore Aisling’s comments now.

RUBY

It’s limited and there’s a whole ritual to be performed, but yes. I created them from clay.

PRUE

How many of those Clay Demons did you send to fight us?

RUBY

They had strict orders not to hurt you, Your Majesty.

PRUE

(sarcastic)

How noble of you!

WYATT

Let’s get back to important matters.

RUBY

Right. Jordan is under your commands.

WYATT

Very well. If Ruby trusts you, I trust you too.

Prue looks at Wyatt. She clearly didn’t like what he said.

WYATT (CONT'D)

You’ll be the head of security here in the United States. All heads of security around the world should report to you and therefore you report to me.

JORDAN

That sounds good for me, Your Majesty.

PRUE

Head of security? Wyatt, that’s too much for someone who tried to kill us.

JORDAN

In my defense, Queen Prudence ---

PRUE

Prue. Queen Prue.

JORDAN

Queen Prue.

Prue nods.

JORDAN (CONT'D)

I didn’t try to kill you.

RUBY

He was just following my instructions.

PRUE

What instructions? He killed a woman who was accused of murdering the last owner of this manor.

RUBY

Are you pity of it, Prue?

Prue stands. Her expression is hard. If she could, she would probably kill Ruby just by looking at her.

RUBY (CONT'D)

I’m sorry, Your Majesty.

PRUE

I don’t pity anything, Red Witch. I’m just stating some facts.

RUBY

Sure.

Both women stare at each other for seconds. Wyatt looks at them both and decides to change the subject.

WYATT

About the good people out there.

Ruby looks at Wyatt. Prue sits again.

RUBY

Well, I’ve learned from very trustable sources that ---

Ruby glances at Peri and Patience.

RUBY (CONT'D)

--- those good people, and that includes witches and all other beings from the magical community, will hide in places they call shelters of the rebels.

WYATT

Rebels?

Wyatt looks at Peri and Patience who nods.

RUBY

There are, or there will be some of them who keep protecting those rebels without fearing the consequences.

WYATT

Who?

RUBY

I think you know who, Your Majesty.

Wyatt and Ruby stare at each other for seconds.

WYATT

My family.

Ruby nods.

PERI

They are always trying to stop us from taking down a shelter.

PATIENCE

Yeah, and always working to protect the innocents and those who don’t want to accept the single World Government.

RUBY

We must eradicate them.

PRUE

You mean kill them?

RUBY

I didn’t say to kill, Your Majesty. I think we should make them understand what are the consequences for those who refuse to accept this new world. Otherwise, they won’t stop and we’ll end up having to deal with them trying to change what’s done.

(pauses)

If they join us, the others would follow. Not to mention your eldest daughter.

Prue stands again.

PRUE

I won’t move a finger to hurt my own blood.

Ruby and Prue stare at each other.

WYATT

Me neither, Ruby. It is my own blood. No matter what.

RUBY

Some punishments won’t kill them. At least think about it.

Prue and Wyatt exchange glances. Then Wyatt looks at Ruby.

WYATT

I will.

Prue shoots an incredulous look at Wyatt. Wyatt looks at her.

WYATT (CONT'D)

It’s punishment, not killing. They must understand, Prue.

Prue is serious.

PRUE

We’ll make them understand without hurting them. We’ll find a way.

Wyatt takes a deep breath and stands. He approaches Prue.

WYATT

We’ll find a way.

Prue smiles.

PRUE

Thank you.

Ruby looks at them. It’s clear the hate she feels inside.

ON RUBY’S FACE - Her green eyes filled with darkness.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Brian Krause as Leo

Victor Webster as Coop

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Peter Facinelli as Sebastian

Alex Mauriello as Aisling (Oracle)

Matt Lanter as Matt

Nina Dobrev as Patience

Alexandra Chando as Peri

Andrew J. West as David

Elliot Villar as Jordan

Candice King as Rosceline

Tyler Hoechlin as Balian

Camille Marty as 4 years old Ruby

Mackenzie Foy as 17 years old Ruby

Kylie Rogers as 13 years old Blanche

Dawn Greenidge as Servant

Ian Somerhalder as Liam

Kelly Ann Woods as Molly Johnson

Unknown actress as Injured Woman

Unknown actress as Lady

Unknown actor as Dead Man

Unknown actors and actresses as Cupids

Unknown actors and actresses as Demons

Unknown babies as Baby Christina and Baby Matt

Unknown actors and actresses as Hospital Staff

Unknown actors as Leprechauns

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. BUILDING - ENTRANCE - DAY

Blanche comes out of the building and stops to glance around. She puts her sunglasses on and glances around again. Everything seems calmer. She keeps her way. Someone approaches her; Charlotte. Blanche looks over her shoulder and sees Charlotte walking a step behind. Blanche stops as so does Charlotte. Blanche grimaces.

BLANCHE

I said I don’t need bodyguards.

Charlotte shrugs.

BLANCHE (CONT'D)

If my sister ever gets to put hands on me, none of you would be able to stop it.

CHARLOTTE

Dr. Dubois ---

BLANCHE

Blanche.

CHARLOTTE

Sorry, but I don’t want to do the first names' basis with you.

Blanche doesn’t understand why Charlotte is so cold.

CHARLOTTE (CONT'D)

I was saying that it’s not a matter of if, but a matter of when. Ruby will come to you and sorry, but we won’t give you that easily. We’ll find out a way to bring back Prue and Wyatt to the good side and we’re gonna need you to defeat your sister.

BLANCHE

Still, I don’t need protection. With this World the way it is, nothing we do could stop them from winning.

CHARLOTTE

Still. I’m walking you to the hospital. Or we could ---

BLANCHE

Beam out?

Charlotte nods.

BLANCHE (CONT'D)

I have my own mean of transportation.

CHARLOTTE

Then why don’t you use it?

BLANCHE

Because it leaves a mark. I don’t want her to find where I live and well, I want to make it difficult for her to find me.

(pauses)

Besides, I like to walk. And well, lately I’ve found people that needed my help.

CHARLOTTE

I heard. You are some sort of a healer.

BLANCHE

My healing power is not as good as the healing powers whitelighters possess, but it allows me to help people. That’s why I became a doctor.

Blanche motions Charlotte to keep walking. They walk side by side.

CHARLOTTE

Eric told me that you are very old.

Blanche smiles.

BLANCHE

A few centuries, yes.

They remain silent for a few seconds.

BLANCHE (CONT'D)

Eric told me about your future.

Charlotte looks at her.

CHARLOTTE

He did?!

BLANCHE

Don’t be mad at him.

CHARLOTTE

How can I be mad at him? I should be mad at me. I won’t be able to give him a child and if it wasn’t enough, I’ll take the easy path not to suffer.

BLANCHE

You don’t have to hold onto that future. It hasn’t happened yet. If you want, I can run some tests on you and see if anything is wrong.

CHARLOTTE

Would you do that?

Blanche nods. Charlotte smiles.

CHARLOTTE (CONT'D)

Can we do that today?

BLANCHE

Of course.

Charlotte smiles.

SOUND - A Woman’s crying is heard.

Both Charlotte and Blanche turn around to see where the crying is coming from.

OFF TO A WOMAN - She’s on the ground screaming for help. She has been stabbed in her stomach and is covered in blood. People walk towards her and do nothing. They seem not to care.

Charlotte and Blanche run towards her. As soon as they reach them, Blanche lowers down.

BLANCHE (CONT'D)

It’s okay. We can help you.

WOMAN

(in pain)

They’ve been ignoring me all this time.

CHARLOTTE

Who did this to you?

WOMAN

A man. I was just coming back from the manifestation downtown and he was following me and stabbed me.

CHARLOTTE

Manifestation?

The woman points at a poster right next to her in the ground. It reads:

‘WE DON’T WANT A WORLD GOVERNMENT; WE MUST FIGHT EVIL’.

Blanche and Charlotte look at each other.

CHARLOTTE (CONT'D)

Should we beam now?

BLANCHE

In plain sight?

CHARLOTTE

This is all screwed, so ---

Charlotte lowers down and touches the woman and Blanche’s shoulders. Then she BEAMS out.

To the passing people, it just seems like normal.

CUT TO:

INT. THE LANDLORD’S HOUSE - MAIN BEDROOM - DAY - 937 A.D. - FLASHBACK

ON BABY - Baby Blanche is wide awake in her crib.

Standing right next to the crib is four years old Ruby. She stares at her sister. No emotion can be seen in her eyes as the newborn baby makes some funny faces. She just stands there and looks at her.

OFF TO THE ENTRANCE - Rosceline comes in followed by the servant.

ROSCELINE

That’s all I need from the épicerie.

TRANSLATION TO: Grocery Store.

SERVANT

Oui, Madame.

Rosceline walks towards her daughters.

SERVANT (CONT'D)

Lady Ruby, your mother has authorized me to take you with me to the épicerie.

Little Ruby turns to them. Rosceline approaches the crib and looks at the baby.

ROSCELINE

My little dove has awakened already.

Rosceline looks at Ruby and smiles at her. Then she takes little Blanche from the crib.

ROSCELINE (CONT'D)

(to Ruby)

Go with the servant, Ruby. You need to take some fresh air.

Little Ruby turns around and approaches the servant who smiles at her. The servant takes Ruby’s hand but before leaving the room, Ruby turns to her mother.

RUBY

Am I your little dove too, mummy?

Rosceline looks at her daughter and smiles.

ROSCELINE

You are my grown-up dove, Ruby. your little sister needs us more now, my darling. And I need you to be a woman and help me take care of her.

Rosceline smiles again. Then, Ruby and the servant leave the room while Rosceline sits on the bed still holding little Blanche in her arms.

CUT TO:

EXT. VILLAGE - MAIN SQUARE - DAY - 937 A.D. - FLASHBACK

This is a normal village in northern France. There is a fountain in the middle of the square. Lots of people are there.

OFF TO LITTLE RUBY - She comes hand-with-hands with the servant. Walking beside them is a black cat.

SERVANT

You stay here, Ruby, playing with your cat. I’ll take what I need from the épicerie and I’ll be right back.

The servant leaves Ruby by the fountain and starts heading towards the groceries shop when a Lady and her servant approach her.

LADY

How is Rosceline going?

SERVANT

My Lady is going well.

LADY

I’ve heard that her baby is so beautiful. Like a beautiful white rose in the middle of the winter.

Ruby sits on the edge of the fountain and takes the cat in her lap.

SERVANT

It is beautiful indeed.

LADY

Tell her I would come to visit later.

SERVANT

Of course, my lady.

The woman signs goodbye to the servant and walks away followed by her own servant. Rosceline’s servant walks away too.

Ruby remains serious caressing her cat.

RUBY

Everybody likes her. The beautiful white rose in the middle of the winter.

Ruby puts the cat on the ground. The cat wonders between her foot.

RUBY (CONT'D)

My little sister has come to take them from me. Everybody likes her.

Ruby looks down at the cat.

RUBY (CONT'D)

Tell me, Mau, do you like Blanche too?

The cat meows.

RUBY (CONT'D)

I won’t let you love her, Mau.

Ruby keeps her glance on the cat. Suddenly the cat starts acting weirdly. It walks in circles like crazy and then out of nowhere it falls aside. Dead.

Ruby keeps staring at it.

OFF TO THE SERVANT - She approaches Ruby carrying a basket with groceries.

SERVANT

Lady Rub ---

The servant stops as she sees the cat on the ground.

SERVANT (CONT'D)

What happened to him?

RUBY

He is dead.

Ruby stands and takes the servant's hands.

RUBY (CONT'D)

Have you taken all you need from the épicerie?

The servant nods.

RUBY (CONT'D)

Then we should go home. I want to see mummy.

Ruby drives the servant away as the last one keeps staring at the dead cat.

ON DEAD CAT.

FLASHES BACK TO:

EXT. HALLIWELL / COOP MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

ON SOMEONE POURING COFFEE INTO A CUP - It almost reaches the edge of the cup before the person stops pouring.

ON CASSANDRA’S FACE - She seems thoughtful.

Cassandra is by the island. She takes the cup of coffee between her hands and looks at the black liquid inside. Takes a deep breath and then puts the coffee back on the counter.

ON HER CELLPHONE - It is right on the counter.

Cassandra looks down at the phone for a few seconds and then takes it and starts typing something.

ON CELLPHONE’S SCREEN - A text message. It reads:

To: Ben

Message: I hope you are okay…

ON CELLPHONE’S SCREEN - She presses send.

Cassandra puts the phone back on the counter and takes a deep breath.

OFF TO COOP - He comes into the kitchen. His face shows that he feels tired.

Cassandra looks at her father.

CASSANDRA

Is she finally asleep?

Coop nods yes.

COOP

I do believe that it won’t take her to long to wake up again. But at least for now she’s asleep.

CASSANDRA

Still want to head there and talk some sense into Her Majesty’s head, huh?!

Coop sits across his daughter in the island’s seats. Cassandra hands him the cup of coffee.

CASSANDRA (CONT'D)

You need this more than I do.

Coop takes it and has a sip of it before he puts the cup on the counter again.

COOP

I never thought we would reach this point, Cass.

(pauses)

Your sister, the Queen of All Evil.

CASSANDRA

I’m so glad we were able to hide our rings before she was able to control us.

COOP

But at least you and your sister kept most of your powers. The same cannot be told about me.

CASSANDRA

That’s because we are cupids since we were born.

Coop lowers his gaze. Cassandra smartphone receives a text and makes a sound and she takes it straight away. She looks at it for a few seconds and smiles.

ON SCREEN; IT READS:

Ben

We are okay. Away from confusion. Thanks for worrying. Is your sister seriously the Queen?!

Cassandra types something and then puts the phone back on the counter.

COOP

Good news, I hope.

CASSANDRA

Not everything needs to be bad, dad.

Cassandra touches her father’s hand.

CASSANDRA (CONT'D)

We’ll find a way to fix it, I promise.

Both share a sympathetic smile at each other while still holding hands.

CUT TO:

EXT. CUPID TEMPLE - OVER THE MEDITERRANEAN SEA - DAY

STOCK.

CUT TO:

INT. CUPID TEMPLE - MAIN SQUARE - DAY

A group of cupids, or how they are now known, Angels of Hate or even Black Cupids, are gathered in the main square. Before them, are no other than Prue and her daughter Patience. The Dark Cupids are listening to Prue.

PRUE

Our mission remains the same. Spread love.

CUPID #1

I don’t feel the love as I used to.

PRUE

Of course, you don’t. What’s the fun in that all pinky love we used to spread all over the world?

CUPID #2

Then?

Prue smirks.

PRUE

A little bit of jealousy. Control over the person we love. Mistrust. Fear of losing the one we want to share the rest of our lives with. Hate against those who even think of taking them from us.

(pauses)

Love cannot be stopped. But we can give it a twist.

All Dark Cupids start whispering among each other.

PRUE (CONT'D)

Go, my darlings and do that.

CUPID #1

What if some of the others cross our paths?

PRUE

Make sure you find where they hide their rings and we can bring them to our side.

CUPID #1

What if it is your father our sisters?

PRUE

Those are for me. I forbid you to even touch them. Are we clear?

CUPID #1

Yes, Your Majesty.

PRUE

Good. Now go.

All Dark Cupids start DARK ORBING out, leaving Prue and Patience alone. Patience approaches Prue.

PATIENCE

You did well, mum.

Prue turns to her.

PRUE

Tell me about the future. Will the do what is asked from them?

PATIENCE

They sure will. You are the most feared women in the world, mum.

Prue smirks.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

The entrance is full of ambulances and people (both hospital staff and people who need treatment).

CUT TO:

INT. EMERGENCY ROOM - DAY

The big emergency room seems a mess. Doctors are all over treating people. Blanche is in the middle of the confusion as she is having a big discussion with the person in charge of the ER. This person (Dr. MOLLY JOHNSON, 45) is a woman with short dark brown hair and white skin.

BLANCHE

(mad)

Are you kidding me, right?

MOLLY JOHNSON

Dr. Blanche, our orders are strict. Rebels have no place in this hospital. They should be left to die unless they sign the papers supporting the One Government.

BLANCHE

That’s ridiculous. We made an oath when we took this profession.

MOLLY JOHNSON

Orders are orders, Dr. Blanche, and if you don’t agree with them it means that you don’t agree with the One Government so, I must call security and take you to suffer the consequences.

BLANCHE

What?

Blanche is more and more irritated.

OFF TO ERIC AND CHARLOTTE - They come in and look at all the mess around and spot Blanche right away. They head towards there.

ERIC

What’s going on?

MOLLY JOHNSON

Dr. Dubois is having some issues accepting the new rules. Therefore, I should call the security team. They would know what to do.

CHARLOTTE

No, you can’t.

Dr. Johnson looks at Charlotte with an inquisitive look, finding weird her presence there.

MOLLY JOHNSON

Who the hell are you?

CHARLOTTE

I’m the Queen’s sister.

ERIC

Char!

CHARLOTTE

And I order you not to say anything about Dr. Dubois.

Charlotte sounds authoritarian.

MOLLY JOHNSON

You are a witch.

CHARLOTTE

With pleasure, thank you, and a very evil one. My sister will certainly find bad to know that the person in charge is mistreating one of her best friends.

MOLLY JOHNSON

Dr. Dubois is trying to take a rebel into the hospital.

CHARLOTTE

We shall call some sense into Dr. Dubois’ mind. Now, if you please get back to your duties.

Dr. Johnson shots a look at Blanche and then turns around.

CHARLOTTE (CONT'D)

We shouldn’t haven’t brought the woman here.

BLANCHE

An evil one, seriously?

CHARLOTTE

I kinda remember how I was last time.

ERIC

We must be careful. I’ve taken the woman to a room, but it won’t be easy to save her.

BLANCHE

Unless ---

CHARLOTTE

--- We take her to one of the whitelighters we know.

ERIC

That seems like a very good idea, let’s go.

(to Blanche)

Can you tell me again why you can’t heal her?

BLANCHE

Because I don’t want my sister to find me easily.

The three of them head out of the room.

OFF TO DR. JOHNSON - She looks at them as they leave.

MOLLY JOHNSON

Evil my ass. I should report this.

And Dr. Johnson leaves the room.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. WOODS - DAY - 950 A.D. - FLASHBACK

A thirteen years old Blanche is wondering the woods calling out her sister’s name.

BLANCHE

Ruby? Ruby, where are you? Mum is like crazy looking for you.

She looks around and some figure with a red cape can be seen not too far away from where Blanche is. Blanche smiles.

BLANCHE (CONT'D)

There you are.

Blanche runs towards Ruby and stops astonished as soon as she sees what’s in front of her.

BLANCHE’S POV: SOME GOATS LYING DEATH IN THE GROUND AND IN THE CENTER AN MIDDLE AGE MAN LYING DEAD TOO.

Blanche is horrified with the vision ahead of her.

BLANCHE (CONT'D)

What happened here?

Ruby, with a cold look in her eyes, stares at the goats and the man. Then she turns to her sisters with the same cold attitude and with some darkness in her eyes.

RUBY

He said I was a weird girl and then he just felt down on the floor, dead. The same happened to his goats.

Blanche remains horrified.

BLANCHE

You killed them, didn’t you? Like you did with the rabbits that dad kept bringing me.

RUBY

I was not fond of those rabbits, Blanche. That’s all. I didn’t mean to kill them. But this man ---

Ruby points to the dead man on the ground.

RUBY (CONT'D)

--- He called me weird.

BLANCHE

Mum and dad asked us not to use our powers, Ruby.

RUBY

Why not? I know I can do great things with them.

BLANCHE

Evil things you mean.

Ruby expression gets serious and colder.

BLANCHE (CONT'D)

This is evil, Ruby. and I’ve got to tell mum and dad.

RUBY

Do that and you will regret it, little sister.

BLANCHE

You are evil, Ruby, and you must be stopped.

Blanche runs out of there as fast as she can. Ruby smirks and then she looks at the dead man and goats on the floor.

RUBY

If you only knew what I’m capable of, beautiful rose in the winter.

Ruby smirks again.

RUBY (CONT'D)

One day, you’ll be the one who will be stopped and I am the one to stop you and your kindness.

ON RUBY’S SMIRK.

FLASHES BACK TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY

ON RUBY'S SMIRKS.

Before her, is Jordan.

JORDAN

--- So, she said she was the Queen’s sister and took Dr. Dubois out of there. But she didn’t buy it.

Jordan notices the smirk in Ruby’s face.

RUBY

Dr. Dubois.

JORDAN

Do you know her?

RUBY

I believe so. Only one person would take our family name and use it to this day.

JORDAN

Your family name?

RUBY

My real name is Ruby Dubois, Jordan. I chose to be called Ruby LaFontaine because it was in a fountain in my home village that I killed for the first time.

Jordan seems surprised.

RUBY (CONT'D)

Don’t seem so surprised, Jordan.

JORDAN

You never shared that part of your past with me, that’s all.

Ruby turns around.

RUBY

She must be with them and using her powers as less as she can.

JORDAN

What do you want me to do?

RUBY

(turns around)

I want you to do what you were hired for. My sister is my problem. I’ll deal with her.

JORDAN

Would you need backup?

Ruby smirks as if what he said was a joke.

RUBY

The world is evil now, Jordan. The only backup I need is myself because this time I and my sister’s confrontation will have a different winner.

(smirks big)

Me.

ON RUBY - Her expression is of happiness, but her eyes show the darkness that she has inside.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Piper is by the Book of Shadows flipping pages after pages as if she was desperately looking for something.

OFF TO MELINDA - She comes into the attic with a cup of tea.

MELINDA

Please don’t blow this on me as you granddaughter did last time.

Piper shots her daughter a look.

MELINDA (CONT'D)

Yeah, she has it inside.

PIPER

Has Jo and Matt returned yet?

MELINDA

No. Wherever they’re hiding little Tina, Prue, and Wyatt haven’t found her yet.

PIPER

Good. That gives us time to find a way to bring your brother and cousin back to our side.

MELINDA

That won’t happen, mum.

Melinda approaches her and hands her the cup of tea. Piper has a look at it and then she gets back on the book.

PIPER

I won’t let them stay like this forever, Mel.

MELINDA

We won’t. But looking through that book won’t solve our current problem.

Piper takes a few moments to stare at the book and then takes a deep breath and closes the book.

PIPER

You’re right. I must get straight to the source.

Piper starts heading towards the exit.

MELINDA

What do you mean, mum?

PIPER

Leo!

Piper shouts out Leo’s name as she heads out the attic.

ON MELINDA - She’s serious.

MELINDA

And here I stand, being pressured to give an answer to a wedding proposition I wasn’t even waiting for and all this while the hell has become our living place.

And Melinda has a sip of the tea.

CUT TO:

INT. UNDERWORLD - DARK WIZARD’S CAVE - DAY

Matt is holding little Tina in his arms. Jo and Jannes are there as well talking.

JANNES

I believe is safe now for you to return home.

He looks at Jo.

JANNES (CONT'D)

You said that Wyatt finds me and ends me?

Jo nods her head.

JO

I don’t know when and how it happens.

JANNES

It's okay, I don’t want to know. But you two should take the baby back home. I don’t think they would try to take her now.

MATT

They tried a few times in our time, but something always blew it up.

JANNES

Prue.

JO

You think too that the good inside of her is trying to come out?

JANNES

I don’t know about that, but you should know she cares about you.

JO

I don’t believe that.

MATT

Jo, c’mon!

Jo rolls her eyes. Jannes approaches to Jo.

JANNES

She was the one who sent you to me, didn’t she?

Jo nods yes.

JANNES (CONT'D)

Then, I do think that every time they tried to take your baby or child self, she was the one behind the unsuccessful attempt.

JO

But ---

MATT

I’m starting to believe that too.

JANNES

You should go. 

JO

But the twins. They are probably convincing my father about looking for baby Tina. I mean, me.

JANNES

They probably are.

JO

All these years they wanted to reconstitute the Power of Three and add some more powers to all they all have.

JANNES

I don’t disagree, but ---

Jannes looks from Jo to Matt.

JANNES (CONT'D)

The twins are not Prue Halliwell.

Jo and Matt look at each other.

MATT

He’s right.

(pauses)

Let’s go back home.

Jo finally agrees with them and nods yes.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Piper, Leo, Chris, and Melinda are there.

CHRIS

(to Piper)

Are you insane?

PIPER

Careful, boy, I’m still your mother.

CHRIS

Yes, who’s insanely risking her own life by going to talk to the Source.

PIPER

Don’t call him that!

Piper sounds mad.

CHRIS

I didn’t give him that name, mum. He is the Source and so is Prue.

PIPER

But I’m still his mother.

LEO

Piper ---

PIPER

(to Leo)

Are you coming or what?

Leo looks at Chris and Melinda who shrugs.

LEO

(to Piper)

I wouldn’t leave you alone in this.

PIPER

Good, let’s go.

Piper looks at Chris.

PIPER (CONT'D)

Can you orb us there please, son?

Chris nods yes before WAVING his hand and ORBING them out of there.

OFF TO - Jo and Matt, ORBING in bringing baby Tina in their arms. Matt carries baby Tina.

Chris and Melinda are surprised.

MELINDA

(smiles)

You guys are back.

MATT

It was time.

CHRIS

Wyatt will try again.

MATT

And I’m sure we'll be warned again.

Matt shots Jo a look. Jo rolls her eyes. Melinda approaches them and takes Tina out of Matt’s arms.

CHRIS

Where have you been hiding?

JO

With Jannes.

CHRIS

(surprised)

Jannes?

JO

Despite all, he had some tricks to hide us.

CHRIS

Why coming back now?

MATT

Because we are part of this fight too. We want to help in whatever we should do to undo what’s done.

MELINDA

We are not closer to find a solution. Mum and Dad have gone talk to Wyatt.

JO

(surprised)

They what?

MELINDA

What you heard. Now let me put this baby in her own bed.

JO

Is the house secured?

MELINDA

As secure as it can be.

Melinda walks out of the room carrying baby Tina.

MATT

(to Chris)

How’s mum?

CHRIS

She is at the condo with baby you.

MATT

It is safe for her to be alone?

JO

Matt ---

MATT

I’m just worried about mum.

Jo and Matt exchange glances.

CHRIS

She’s safe. Don’t worry.

MATT

I’m gonna stay with her.

Matt ORBS out.

JO

Where’s David?

CHRIS

He and Sebastian have gone looking for some shelters to hide some of the ones who remain good.

JO

They are going to destroy lots of those shelters and with the people inside, uncle Chris.

CHRIS

Not if we can stop them.

JO

Nothing can stop them.

Chris and Jo look at each other. The concern is notorious in both their faces.

CUT TO:

EXT. PRESCOTT MANOR - DAY

Lots of Security Demons are outside.

OFF TO - Piper and Leo APPEAR surrounded by ORBS in front of the gates.

Piper walks straight to the gates and grabs the bars.

PIPER

Hey, you, demon. Tell my son his parents want to have a chat with him!

Two of the demons exchange glances.

OFF TO A WINDOW - Prue is peaking through it. She is serious as she stares at the scene outside.

CUT TO:

INT. PRESCOTT MANOR - MAIN BEDROOM - DAY

Prue is by the window.

OFF TO THE DOORS - They are opened from the outside by some servants. Aisling comes in and them signs them to close the door.

AISLING

Your Majesty?

Prue turns around and looks at Aisling.

PRUE

Oracle!

Prue looks through the window again.

PRUE (CONT'D)

Aunt Piper and uncle Leo are outside.

AISLING

Let your husband deal with them.

Prue walks away from the window and sits on the edge of the bed.

PRUE

Tina is back on the surface. I can feel it.

AISLING

I know. I’ve seen it.

PRUE

(annoyed)

How can you know that? You are just an Oracle.

AISLING

I’m more than that and I’ve told you so.

PRUE

(stands)

Yes, but you haven’t said anything else.

AISLING

That’s why I’m here.

Prue stares seriously at her.

AISLING (CONT'D)

I’m the only ally you have inside this manor and I want you to trust me as much as I trust you.

Prue smirks sarcastically.

AISLING (CONT'D)

I’m serious, Prue.

Prue looks at her.

PRUE

You said you can’t tell me your story.

AISLING

But I can show you.

Aisling reaches out both her hands for Prue to take them. Prue looks at her hands and then looks back at Aisling who signs her to take them.

Prue walks towards her and puts her hands over Aisling hands.

ON AISLING’S EYES - They turn white.

Prue looks at it and she is about to say something when her own eyes TURN white and Prue’s mind is taken by Aisling away from there. They remain like that for a few seconds and then both get back to normal. Prue seems amazed. It seems like she saw a lot in the few minutes her mind was taken into Aisling’s.

Prue looks at Aisling with an amazed look.

PRUE

You ---

AISLING

My life is in your hands, Prue. If they find me ---

PRUE

Not even your name.

AISLING

They know my name.

Prue stands normal. She has a decided look on her face.

PRUE

Don’t worry. You’ve shown me loyalty and you’ll have no less from me.

Aisling smiles.

AISLING

I thought that the best way to remain alive was to be on my own side, but I was wrong.

(smiles)

I am on your side, Prue Halliwell.

PRUE

And not evil should come to you while you are on my side.

AISLING

Thank you.

Prue smiles.

PRUE

I need to see my daughter now.

AISLING

Go. I cover for you.

Prue smiles and DARK BEAMS out.

AISLING (CONT'D)

Go, Prue, because that daughter of yours is the only way out of this mess we are in.

ON AISLING - She is serious.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. PRESCOTT MANOR - THRONE ROOM - DAY

Wyatt is at his seat while Ruby stands next to him.

RUBY

Are you sure this is a good idea, Your Majesty?

WYATT

They are my parents, Ruby.

(looks up at her)

Who knows and they want to join us?!

Ruby rolls her eyes. Wyatt smiles.

OFF TO THE THRONE ROOM’S DOOR - They are opened by the outside by the servants. Jordan comes in followed by Piper and Leo. They look around the room.

JORDAN

They are here, Your Majesty.

Wyatt nods and signs him to leave. Piper and Leo exchange glances. Jordan leaves and the heavy doors close after him.

WYATT

Mum, dad!

Wyatt stands.

WYATT (CONT'D)

What a pleasure to receive you both in my humble house.

PIPER

(sarcastic)

Do you call this humble?

WYATT

My sarcastic mum. I thought that side of yours was in the past.

Wyatt greets both of them with a kiss in their cheeks.

PIPER

I guess it’s back now.

WYATT

Do you want anything to drink or eat?

PIPER

What do you have? A serum to turns us evil?

Wyatt smiles sarcastically. He looks at Leo and then at Piper again.

WYATT

I have something like that, but it doesn’t turn anyone evil unless evil is already inside.

Wyatt turns his back on his parents.

LEO

You are good, son.

WYATT

(turns around)

Am I?

Piper tries to approach him.

PIPER

We just want to reason with you, Wy.

WYATT

It’s Your Majesty for you, mother.

PIPER

I am your mother, boy.

WYATT

(mad)

I’m not a boy. I am a man and I know exactly what I’m doing.

Piper steps back.

WYATT (CONT'D)

So, if you haven’t come here to say you support me and are on my side, I invite you to leave.

Piper and Leo exchange glances.

PIPER

I can’t believe you’ve become this.

RUBY

He has, Piper. And you should see the Queen. It suits them well.

For the first time they arrived, Piper and Leo look at Ruby.

PIPER

You, the Red Witch. The one who created all this mess.

RUBY

I didn’t create anything. It was destined to be like this.

PIPER

(to Ruby)

We’ll find a way to destroy you.

RUBY

(smirks)

Sorry, but it won’t happen. Your son and niece are the Source and Queen of All Evil. What’s done, can never be undone.

PIPER

We’ll see.

(to Leo)

Let’s go.

Piper turns to leaves. Leo has a last look at Wyatt and then follows Piper.

WYATT

Come visit more often. Bye.

Wyatt smiles. Piper turns around and for moments, both her and Wyatt look at each other. Then both Piper and Leo open the doors and leave.

Ruby walks towards Wyatt and stands behind him.

RUBY

I told you, your family would be a problem.

WYATT

What do you suggest?

RUBY

I have something planned for your sister; Mel.

Wyatt turns to Ruby.

RUBY (CONT'D)

Have you met Liam?

WYATT

My sister’s boyfriend.

RUBY

What do you think about a black wedding?

Wyatt thinks for a few seconds.

WYATT

Do whatever it takes, I don’t want them against me.

RUBY

As you wish Your Majesty, but first, if you don’t mind, I have a little family business to take care off.

WYATT

Family?

RUBY

Let’s say like you, I have a sister who doesn’t agree with my methods.

Both stare at each other as a wicked smile appears on Ruby’s face.

CUT TO:

INT. PRESCOTT MANOR - CORRIDOR - DAY

Aisling comes walking in, but stops abruptly and hides behind a wall as she sees the twins, Peri, and Patience, talking in a low voice.

PATIENCE

She gave them orders to spread jealousy and hate in couples’ relationships.

PERI

That’s what she does. What’s the surprise on that?

PATIENCE

No surprise, but it gave me pleasure to see the old mum.

PERI

Mum is dead in our time, Pat.

PATIENCE

But I’m sure Ruby kept her word and didn’t make them take the Unbreakable Promise.

PERI

What if she did?

PATIENCE

Are you doubting Ruby?

PERI

Ruby taught us a lot, but she never said what she did to prevent mum to turn against her.

PATIENCE

(looks around)

We shouldn’t be talking about this in the middle of the corridor. Let’s go.

Both sisters head out of there. Once their gone, Aisling comes out from her hiding place.

AISLING

Unbreakable Promise?!

Aisling is thoughtful.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON THE CRIB - Tina sleeps tightly in the crib. Badly she knows that her own mother is watching her sleep.

ON PRUE - She smiles as she caresses her daughters head.

PRUE

I love you so much, my dear Tina.

Prue keeps smiling.

PRUE (CONT'D)

Mummy will find a way. I don’t know how, but I’ll find a way to get us out of this mess. Someday. I promise.

OFF TO THE ENTRANCE - The door is badly open and Phoebe is peeking through it. She smiles. Then she opens the door entirely and comes in.

PHOEBE

Prue ---

Prue turns around abruptly and stares at her mother with a serious look.

PHOEBE (CONT'D)

I knew there was some good in you.

PRUE

(rude)

I don’t know what the hell are you talking about.

Phoebe walks towards her.

PHOEBE

I’ve listened to what you said to your daughter and that makes me believe my little Ladybug is still in there.

Prue walks pass Phoebe.

PRUE

Your little Ladybug is gone, mother.

(turns to Phoebe)

I am now the Queen of All Evil.

PHOEBE

I don’t believe that.

PRUE

You better start believing it because that’s how's going to be from now on.

Prue turns around and as she does Coop comes in.

COOP

(surprised)

Prue?!

PRUE

It is Your Majesty now, father.

Prue turns to Phoebe and then looks again at Coop.

PRUE (CONT'D)

You and my sisters better get your rings and get under my commands. The era of Cupids is gone.

COOP

I won’t become an Angel of Hate, Prue.

PRUE

We’ll see about that, ---

(pauses)

--- dad.

And just like that Prue DARK BEAMS out. Phoebe and Coop look at each other. The concern is notorious on their faces.

CUT TO:

EXT. ABANDONED WAREHOUSE - DAY

STOCK.

CUT TO:

INT. ABANDONED WAREHOUSE - MAIN BIG ROOM - DAY

The place seems abandoned. Only a few boxes there.

A few people are there while David and Sebastian give them some things to eat and drink. Among them are leprechauns, gremlins, fairies and some other beings from the magical community as well as a few mortals who seem scary.

OFF TO CHARLOTTE - Who BEAMS in bringing Eric and Blanche who brings the injured women.

CHARLOTTE

We need a whitelighter here!

David and Sebastian, as well as the others, look at them. The mortals seem surprised. Blanche helps the woman sitting on the floor.

BLANCHE

She needs healing.

SEBASTIAN

I can do that.

BLANCHE

I would do it myself, but the more I use my powers the biggest chances my sister has to find me.

SEBASTIAN

Don’t worry. I’ll take care of that.

Blanche remains by the woman’s side while Sebastian puts his hands over her stomach. they GLOW. Eric and Charlotte look around.

CHARLOTTE

So, this is one of those shelters you told us about.

DAVID

It’s more than that.

Eric and Charlotte look at him.

DAVID (CONT'D)

It’s the first they find out about and destroy.

CHARLOTTE

(astonished)

And you brought those people here?

ERIC

We must take them out.

DAVID

Tam and Pan are on it. Apparently we'll be able to take them to Ethan’s family home for some time, but first, they need his parents to agree with it.

They look at Sebastian and the woman. It seems it’s not working.

BLANCHE

Why is it taking so long?

WOMAN

I’m feeling cold.

BLANCHE

Stay awake, please.

Sebastian looks at Eric, Charlotte, and David.

CHARLOTTE

I feel my healing power limited now.

Blanche looks at the woman and then looks up at them.

BLANCHE

I can save her.

CHARLOTTE

If you use your powers ---

BLANCHE

I don’t care what happens to me. I know you won’t let that horrible future unfold.

(pauses)

I need to save her.

Sebastian’s hands stop GLOWING. Blanche puts her hands over the woman’s stomach and they GLOW WHITE.

BLANCHE (CONT'D)

You must take these people out of here fast.

Sebastian stands and takes his smartphone.

SEBASTIAN

I’ll see what Tam and the others got.

Sebastian walks away.

ON THE WOMAN’S INJURY - It starts healing.

The woman starts regaining some colors. Blanche smiles.

WOMAN

There’s good magic after all.

CHARLOTTE

Yet.

Eric glances at Charlotte.

ON THE WOMAN’S INJURY - It is healed.

Blanche’s hand stop worrying. The woman touches her stomach. There’s no more pain. She looks at Blanche.

WOMAN

Thank you.

Blanche smiles. Both women stand. Sebastian approaches them.

SEBASTIAN

Tam and Pan are coming.

OFF TO - Tamora and Pandora ORB in front of them.

PANDORA

Ethan’s parents own a place we can use to hide them for some time.

OFF TO - A Leprechaun approaches them.

LEPRECHAUN #1

Sorry, miss.

They look at them.

LEPRECHAUN #1 (CONT'D)

Will it be enough to hide from the Source and Queen of All Evil?

They exchange glances.

TAMORA

It has to be for now.

They all exchange glances.

CUT TO:

INT. PRESCOTT MANOR - CORRIDOR - DAY

Ruby comes from the Throne Room and suddenly stops. It’s like she felt something.

RUBY

Jordan!

And just like that, Jordan SHIMMERS in.

RUBY (CONT'D)

Get some demons. We are about to take down a shelter.

JORDAN

Where ---

RUBY

I’ll just go. My instincts will take me to her. Don’t take too long in gathering some demons.

JORDAN

What about the Source? Shouldn’t he be informed?

RUBY

We’ll let him know later.

(serious)

Be fast.

Jordan nods and walks away.

ON RUBY’S FACE - She smirks wickedly.

RUBY (CONT'D)

I’ve got you, baby sis.

She smirks again.

FLASHES TO:

EXT. LANDLORD’S HOUSE - 950 A.D - DAY - FLASHBACK

STOCK.

CUT TO:

INT. LANDLORD’S HOUSE - LIVING ROOM - 950 A.D - DAY - FLASHBACK

Thirteen years old Blanche is in front of her mother and father telling them what she saw in the woods.

BALIAN

What do you mean your sister killed a man and his herd of goats?

BLANCHE

I’m telling you, father. She used her powers to kill them. Ruby is evil and must be stopped.

ROSCELINE

You can accuse your sister of something like that without proof, Blanche, dear.

OFF TO RUBY - She comes in smiling.

RUBY

No proof needed.

They all look at Ruby. She shrugs.

RUBY (CONT'D)

He called me weird and I wished him and all the things he loved dead.

Balian and Rosceline exchange glances. Then they turn to Ruby.

ROSCELINE

Why, Ruby? We thought you we agreed that you both should keep those powers hiding until we know for sure what they mean.

RUBY

(mad)

They mean we are not just mortals, mother. We can do more than that. We can get out of this village and see the world.

BALIAN

(disappointed)

You can’t be serious.

Ruby smiles sarcastically.

RUBY

What, father? Did you want me to be more like your perfect daughter?

BALIAN

We never made distinction between the two of you.

RUBY

Of course, you did.

Ruby looks at Blanche.

RUBY (CONT'D)

She was always the favorite one. She didn’t have to spend the first years of her life hiding in this house because you were afraid of her powers.

ROSCELINE

Blanche never gave us reasons to, Ruby.

Ruby looks at her mother.

RUBY

See? There’s distinction there. She was your little dove, mum. I became the one who should have never been born.

ROSCELINE

We always loved you, Ruby. You know that.

RUBY

(rude)

I know nothing. I just know that since the day she was born the little rose in the middle of the winter became the perfect one. The one you loved the most.

BALIAN

That’s not true.

Some tears start rolling down Rosceline’s face.

ROSCELINE

It hurts my heart listening to you, Ruby.

RUBY

Well, I guess I can say that it hurt me more the day she was born.

Ruby looks at Blanche who remains silent.

BALIAN

(to Rosceline)

We must let the village know what happened.

ROSCELINE

But Balian ---

BALIAN

Our daughter murdered a person. He had a family, Rosceline.

Balian looks at Ruby.

BALIAN (CONT'D)

I’m sorry, Ruby, but you must deal with the consequences of your actions.

RUBY

I would love to see them trying to stop me, father.

BALIAN

(to Rosceline)

Come.

Both Rosceline and Balian leave the room. Ruby turns to Blanche and smiles.

RUBY

Now that we are finally alone, we must put an end in our fight.

BLANCHE

I don’t want to fight you, Ruby. You are my sister.

RUBY

I don’t need you as my sister.

Blanche swallows.

BLANCHE

Don’t do anything you might regret after.

RUBY

I won’t. I just want mother and father for myself as should have always been.

Both sisters stare at each other.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO - DAY TO NIGHT

The sun hides in the sky as the day is quickly reaching its end.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Phoebe is there carrying baby Tina who is partially awakened.

PHOEBE

Mummy used to spend lots of time here studying the Book of Shadows. She knows every page of it.

Phoebe looks down at her grandaughter.

JO (O.S.)

It’s a shame the same won’t happen to me.

Phoebe turns around and sees Jo standing in the attic’s entrance. Phoebe smiles at her.

PHOEBE

Can I ask why or is something about the future you can’t reveal, granddaughter?

She says this last word sounding in a way that makes Jo feel guilty. Jo comes in.

JO

I’m sorry, I didn’t reveal who I was.

PHOEBE

Don’t worry. Chris did the same.

Jo smiles sarcastically.

JO

Yeah, but Chris did what he was supposed to.

(pauses)

I didn’t.

Phoebe looks down at baby Tina again as ---

OFF TO THE ENTRANCE - Piper comes in and stops as she sees them there.

Phoebe looks at Piper and Jo notices and turns around to look at her too. Piper and Jo look at each other.

JO (CONT'D)

(to Piper)

Grandmother!

Piper smirks sarcastically.

PIPER

Grandmother?!

Piper rushes to Jo and hugs her.

PIPER (CONT'D)

We need to bring your father and mother back.

Some tears run down Piper’s face. They break the hug.

JO

We’ll find a way.

Piper looks at Phoebe.

PHOEBE

She was here.

Piper shoots Phoebe a look.

PHOEBE (CONT'D)

Prue.

JO

(surprised)

What? Why didn’t you say?

PHOEBE

(takes a deep breath)

She was staring at baby Tina.

PIPER

We cannot let them take Tina.

PHOEBE

She wasn’t here for that. And as Melinda and Chris told us, she stopped Wyatt in doing so.

JO

Yeah, also she was the one who asked me to take her out of here.

PHOEBE

There’s some good inside of Prue. I felt it.

PIPER

There’s not good inside of Wyatt. I’ve seen it.

Jo turns to Piper surprised.

JO

What?

PIPER

I was there. I saw my son and it was ---

Piper is overwhelmed.

PHOEBE

Piper, we’ll fix it.

Tears keep running down Piper’s face.

PIPER

He is the Source, Phoebe. They are.

PHOEBE

And we’ll fix it as we always do.

The three of them look at one another.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - NIGHT

SOUND - THE DOORBELL.

Melinda comes down the staircase and walks straight to the entrance door. She opens it and ---

BEAT - Liam is there carrying a small bag.

LIAM

Hi, fiancee!

Melinda is astonished to see him there.

MELINDA

(surprised)

Liam?!

(pauses)

What are you doing here?

LIAM

Can I ---?

Liam signs if he can come in which she motions him to do so. She motions him to walk into the living room.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Liam comes in followed by Melinda. She seems a little wordless.

MELINDA

So ---

LIAM

Don’t say I should have stayed at home because things seem calmer out there now. Have you seen al the cops and security guys with this kind of powers?

MELINDA

Demons, Warlocks ---

Melinda stops as she realizes she has said more than she should have.

LIAM

Demons, Warlocks ---

(pauses)

You seem very understood about this matter.

MELINDA

I’ve just watched the news.

LIAM

Yeah, some people seem to be reticent in accepting what the world has become.

MELINDA

Do you agree with it?

Liam approaches Melinda and touches her arms.

LIAM

Well, what bad can come from a Single Government? Maybe that’s what the world needs.

Melinda lets go of his arms.

MELINDA

I’m not so sure about that.

LIAM

Well, why don’t we forget this and spend some time together?

MELINDA

I don’t think that ---

LIAM

I won’t take a no for an answer. You still owe me an answer, Mel.

MELINDA

True.

LIAM

Why don’t we have dinner later? I know this restaurant new in town.

MELINDA

A restaurant new in town?

Liam nods yes.

LIAM

Please.

OFF TO THE ENTRANCE - Damon comes in covered in some sort of GREEN SUBSTANCE.

DAMON

Mel ---

Melinda and Liam turn to him, both shocked with his aspect. Damon doesn’t know how to react to Liam’s presence.

DAMON (CONT'D)

That thing is fixed.

LIAM

What thing? What is he doing here?

MELINDA

Huh, well ---

Melinda is speechless.

MELINDA (CONT'D)

Well, he ---

OFF TO THE ENTRANCE - Leo comes in.

LEO

Was working on something for me.

Liam looks at Leo.

LIAM

Mr. Wyatt, I’ve heard about you.

Leo nods. Liam turns to Melinda.

LIAM (CONT'D)

Anyway, I’ll come for you in an hour. Meanwhile, wear this for me.

Liam hands her the small bag and kisses her cheek softly. Then Liam turns around and leaves.

SOUND - The Front door closing.

Melinda turns to Damon and Liam.

MELINDA

Is that ---?

DAMON

Manticores’ blood. I’ve found a few walking freely on the streets.

LEO

So, that’s Liam?

Melinda nods yes.

MELINDA

He wants an answer from me.

LEO

Do you know what answer will you give him?

Melinda looks at Damon.

MELINDA

I guess I always knew what destiny has reserved for me.

Damon smiles.

MELINDA (CONT'D)

He deserves an answer anyway. Tell the other I won’t be able to be part of the plan, please.

Damon and Leo nod. Melinda walks out of the living room. Leo looks at Damon.

LEO

Hum --- You should ---

Damon looks himself up and down.

DAMON

Yeah.

Damon shrugs.

CUT TO:

INT. CHRIS & BIANCA’S CONDO - LIVING ROOM - NIGHT

Chris and Matt are sitting on the living room.

OFF TO BIANCA - She comes from the bedroom.

MATT

I still think you guys should have stayed at the Manor.

CHRIS

Wyatt and Prue won’t do anything to us, son.

MATT

I know, but ---

BIANCA

This is our home and this is where we'll be staying.

She takes a seat beside Chris.

BIANCA (CONT'D)

(to Matt)

I just put you to sleep.

Matt smiles.

CHRIS

I should be going. We need all fire power we have.

BIANCA

So, Blanche is really waiting for Ruby in the shelter?

Chris nods.

CHRIS

They took everyone from there and now they’ll be waiting for Ruby.

BIANCA

I wish I could fight, but ---

CHRIS

You should stay and take care of Matt.

(to Matt; stands)

Let’s go?

Matt stands.

MATT

I should stay, dad.

Chris and Bianca exchange glances.

MATT (CONT'D)

And take care of mum.

BIANCA

(stands)

I can take care of myself, Matt. Please, go with Chris.

MATT

But ---

BIANCA

Mum is asking you.

Matt is wordless.

MATT

Fine. But I want to spend some time with you soon.

BIANCA

Fine.

Bianca smiles. Then, both Chris and Matt ORB out.

ON BIANCA - She is serious.

BIANCA (CONT'D)

What happens in the future of this kid for him to want to spend time with me. What if ---

Bianca shakes his head and walks out of the living room.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - NIGHT

ON WOMAN’S FEET - The purple robe drags on the floor as she comes downstairs. The camera goes up slowly to reveal who the owner of these feet is; Aisling.

She looks around.

AISLING

Unbreakable Promise.

(repeating)

Unbreakable Promise.

(pauses)

I’ve heard that before.

Aisling thinks for a while.

AISLING (CONT'D)

A long time ago, but I do remember this ---

Her eyes suddenly turn white and remain like that for a few seconds. Then, she opens it and seems amazed.

AISLING (CONT'D)

Promissio insolubilia! Of course. That Red Bitch made them do it. That’s what stops Prue’s good side. If she breaks it ---

(pauses)

--- She dies.

Aisling looks around.

AISLING (CONT'D)

But she must have it hidden somewhere. I need to find a way to break that promise.

Aisling turns around and walks upstairs.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

The front porch’s light is on.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - NIGHT

She’s staring at herself in the mirror. She wears a yellow jumpsuit.

MELINDA

Yellow. Happy color for a breakout.

OFF THE DOOR - It opens. Jo comes in and looks Melinda up and down.

JO

You are not joining us?

Melinda turns around.

MELINDA

Sorry, darling, but I won’t.

(takes a deep breath)

I will finally give my answer to Liam.

JO

Wearing yellow?

MELINDA

Better than black, isn’t it?

Jo smiles. Then Melinda goes towards her bed where the bag Liam gave her is. She starts to open it.

JO

What’s that?

MELINDA

I don’t know. Liam gave it to me and asked me to wear it.

She opens it and it is a lipstick.

MELINDA (CONT'D)

A lipstick?!

JO

Red lipstick. Yeah, just to make it a little bit happier when you say no.

MELINDA

(looks at Jo)

How do you know I will ---?

(cuts herself up)

Yeah, don’t bother.

JO

I’ll be joining the others. Good luck to you.

MELINDA

Thanks.

Jo leaves the room closing the door behind her. Melinda takes a deep breath. She walks towards the mirror and puts the red lipstick on. She looks herself in the mirror and ---

BEAT - She feels something and it’s about to faint, but recovers pretty fast and looks herself at the mirror. She smiles.

MELINDA (CONT'D)

Yeah, I’m beautiful.

Melinda kinda feels more confident than before and smiles as she looks herself in the mirror.

CUT TO:

INT. ABANDONED WAREHOUSE - MAIN BIG ROOM - NIGHT

No one of the beings they were hiding are there. Only Blanche, Tamora, Pandora, Charlotte and Cassandra are there.

CASSANDRA

(to Charlotte)

I don’t know how you convinced Eric to stay at Magic School.

CHARLOTTE

Neither do I.

BLANCHE

You guys shouldn’t be here also. No one would be able to stop her.

TAMORA

We won’t let her take you.

PANDORA

Yes, you are the key to stop her.

BLANCHE

First, we must make Prue and Wyatt get back to normal.

TAMORA

We will.

OFF TO - Chris and Matt ORBING in. Jo PURPLE ORBS in. Damon SHIMMERS in.

CHRIS

Here we are.

DAMON

What now.

BLANCHE

We wait.

ON BLANCHE - She is serious.

FLASHES TO:

INT. LANDLORD’S HOUSE - LIVING ROOM - 950 A.D - DAY - FLASHBACK

Seventeen years old Ruby and thirteen years old Blanche are in front of each other.

BLANCHE

(seems scared)

You are so evil, Ruby.

RUBY

You are wrong, sister.

(smiles)

I am pure evil. Period.

BLANCHE

You need to be stopped. The village already fears you because of the way you look at them.

RUBY

I don’t care about the village, little sister. I don’t care about anything. Because from now on there will only be me.

BLANCHE

(confident)

I won’t let you.

RUBY

(smirks)

We’ll see about that.

And at that moment, Ruby reaches out her hands and some RED RAYS come out of it straight to Blanche who in an attempt to protect herself reaches out her own hands and some WHITE RAYS come from it. Both rays meet halfway creating small rays all over the place which destroy every piece of the small living room.

OFF TO THE ENTRANCE - BALIAN AND ROSCELINE come in and look at the scene in front of them. Both girls don’t realize their parents are in there.

BLANCHE

Give up, Ruby.

RUBY

Never!

The rays become stronger and stronger at the moment. Both Balian and Rosceline get down, but the rays hit everything in the room. The own house starts giving up.

ROSCELINE

Stop, girls.

RUBY

She needs to die.

Balian stands fast and approaches Ruby and grabs her by the shoulders as both sisters keep fighting each other.

BALIAN

Ruby stop.

RUBY

It was supposed to be just me. She must die.

Rosceline also stands and looks at both sisters not caring about the wreckage of the house falling on them all.

BLANCHE

Mum, dad. You should leave now.

RUBY

This time it’s me or her.

And then, the unthinkable happens. Both rays from both sisters create a big explosion and all four of them are sent flying across the room. The house seems destroyed.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. LANDLORDS HOUSE - LIVING ROOM - 950 A.D - DAY - FLASHBACK - (SHORTLY AFTER)

The remains of what’s left of the house. It’s all destroyed.

ON THE FLOOR - Are lying down the bodies of Balian and Rosceline, covered in blood, as well as Ruby and Blanche. They, on the other side, look unharmed. They seem like sleeping.

OFF TO WHAT’S LEFT OF THE ENTRANCE - The servant comes in.

SERVANT

Mon Dieu!

She approaches the body of Balian and lowers down. She realizes he is dead. Then she walks towards Rosceline and confirms she’s dead as well. Then, she looks at Ruby on the floor and then at Blanche.

SERVANT (CONT'D)

Little Blanche wasn’t ready to face her sister now.

She walks towards little Blanche and with some difficulties, she carries the girl on her arms.

SERVANT(CONT'D)

You must be trained, girl, so you can stop your sister.

The servant walks as fast as she can out of there.

ON RUBY’S FACE - Her eyes pop open.

Ruby gets on a sitting position. She looks around. She’s breathing fast.

RUBY

Is she dead?

Ruby stands as fast as she can and her eyes spot her mother and father covered in blood.

RUBY (CONT'D)

(fearful)

Mum? Dad?

Tears start running down her face.

RUBY (CONT'D)

It can’t be.

Ruby gets on her knees.

RUBY (CONT'D)

NOOOOOO!!!!

She cries out loud in pain.

FLASHES BACK TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT

Prue and Wyatt are sitting at their throne chair. Ruby is standing in front of them.

RUBY

I will be back as soon as possible.

PRUE

But you cannot tell us where you’re going?!

Ruby shots Prue a look.

RUBY

Don’t worry, my Queen. Everything I’m doing it’s for the greater good.

PRUE

(sarcastic)

Good?

Both stare at each other. Wyatt feels the tension in the air.

WYATT

Leave, Ruby. Tomorrow we’ll have a hard day so I need you to do whatever you need to and come back so we can take care of our business.

Ruby bows and nods yes. She turns around and walks out the Throne Room. Once she is gone, Prue stands.

PRUE

You are too soft with her.

WYATT

She made us what we are now.

PRUE

Yeah, right. I’m going to our bedroom. I’m tired.

WYATT

We’re having dinner with our daughters.

PRUE

Yeah, I’m not hungry.

Prue starts heading out of the room.

PRUE (CONT'D)

See you in a bit, Your Majesty.

OFF THE HEAVY DOORS - The servants open it and Prue walks out of there.

ON WYATT - He is serious.

CUT TO:

INT. ABANDONED WAREHOUSE - MAIN BIG ROOM - DAY

They all are still there. With Blanche in the middle, Tamora, Pandora, and Junior at her right and Charlotte, Cassandra and Chris at her left. Jo and Matt are behind them.

BLANCHE

She’s close.

CHRIS

(looks at Blanche)

How do you know?

BLANCHE

I can feel her.

OFF TO - Ruby RED SMOKES in as some demons SHIMMER in.

ON RUBY - She smirks.

RUBY

Finally, little sis, we meet again.

BLANCHE

You should have never left the tower I put you in, big sis.

RUBY

Blame Jannes for that. Actually, blame Jannes for everything.

(to the demons)

No one dies tonight. My sister is mine.

And so, the battle begins, while the demons head toward the Halliwells, Blanche and Ruby stare at each other.

RUBY (CONT'D)

The third is the charmed!

(smiles wickedly)

You know this time the end will be different, don’t you?

BLANCHE

What I know is that you are pure evil and evil won’t ever win.

RUBY

It will this time.

Both Ruby and Blanche reach out her hands and RED and WHITE RAYS come from each of them respectively.

FLASHES TO:

INT. LANDLORD’S HOUSE - NIGHT - 993 A.C - FLASHBACK

The house which was destroyed when the sisters confronted each other remains destroyed.

OFF TO BLANCHE - Now, a grown-up woman, wearing a blank robe, comes him.

She looks around as if she was remembering all the good and bad times she spent in that house.

BLANCHE

Mum, dad ---

Blanche closes her eyes and breathes in. Then she opens it.

BLANCHE (CONT'D)

This will end today.

OFF TO RUBY - She, now a grown-up woman too, wearing a red ruby robe, comes in and looks at Blanche.

RUBY

You’ve grown up.

Blanche turns around and looks her sister up and down.

BLANCHE

So, do you, Red Witch.

Ruby smiles.

RUBY

Never could I imagine that the so fearful White Witch could be my own sister.

BLANCHE

I’ve learned a lot all these years, Ruby.

RUBY

That is funny because I have too.

BLANCHE

The village ---

(pauses)

--- Destroyed!

RUBY

They were bothering me.

BLANCHE

They were fearing you.

Ruby smiles.

RUBY

I did my job well.

BLANCHE

But it will end, Ruby.

RUBY

Oh, Blanche, Blanche! Evil cannot be destroyed.

BLANCHE

But it can be contained. I’ve learned that.

RUBY

And so, can good.

Both sisters reach out their hands at the same time and both RED and WHITE RAYS come from them, but this time, the WHITE RAYS send Ruby flying across the room. She falls down the floor surprised. Blanche walks towards her.

BLANCHE

Evil cannot win while there’s still good in human’s heart.

Blanche reaches out her hands and sends WHITE RAYS towards Ruby, who is unable to react.

BLANCHE (CONT'D)

Don’t worry, sister. I have a good place for you to live for the rest of your long life.

Ruby screams in pain.

FLASHES BACK TO:

INT. ABANDONED WAREHOUSE - MAIN BIG ROOM - DAY - PRESENT

Both RED and WHITE RAYS meet each other halfway, but this time it is Blanche who flies across the room.

JO

Blanche!

The others keep fighting the demons and vanquishing some others. A demon is about to stab Jo with an ATHAME, but Chris warns her.

CHRIS

Jo, behind you.

Jo turns around and WAVES her hand, using TELEKINETIC MOLECULAR COMBUSTION, to destroy him.

Blanche is on the floor. Ruby walks towards her.

JO

We must help her.

CHRIS

She said that no matter what we wouldn’t.

JUNIOR

But she’s gonna beat her. We can’t lose our key.

Blanche looks up at Ruby. Ruby smirks.

RUBY

I guess the third is the charmed.

BLANCHE

You won’t win, Ruby. 

RUBY

I guess I will.

Ruby reaches out her hands again and RED RAYS comes from them and hit Blanche who cries out loud in pain.

TAMORA

We should help her.

Ruby turns around and looks at them as with her right hand she keeps the RED RAYS against her sister.

RUBY

None of you can do anything against me.

Ruby WAVES her hands and Chris, Jo, Matt, Tamora, Pandora, Charlotte and Cassandra faint on the floor. They are unconscious.

BLANCHE

(in pain)

Don’t arm them.

RUBY

I don’t plan to. Not now.

The RED RAYS stop. Ruby lowers down.

RUBY (CONT'D)

How do you feel, little sis?

Blanche looks at Ruby.

RUBY (CONT'D)

Powerless?

(smirks)

I know the feeling.

Ruby turns to the demons.

RUBY (CONT'D)

Get back to your places. I’ll take it from here.

All the remain demons SHIMMER out. Ruby turns to Blanche.

RUBY (CONT'D)

I have the perfect place for you, little sis.

Both sisters stare at each other.

CUT TO:

EXT. LOCAL RESTAURANT - DAY

STOCK.

CUT TO:

INT. LOCAL RESTAURANT - DINING ROOM - DAY

Melinda and Liam are at one of the tables. The restaurant is full despite all the events, people try to live their lives.

Liam looks at Melinda very in love. Melinda feels uncomfortable.

LIAM

You look beautiful.

MELINDA

(smiles shy)

Thank you.

LIAM

Do you like the lipstick?

MELINDA

I must confess that red is not my favorite color, but I like it.

Liam smiles.

LIAM

Good, because it looks magnificent in your mouth. It makes me want to kiss it right
now.

MELINDA

Liam, we should talk about your proposal.

LIAM

I want to kiss you so badly.

Liam stands and walks towards Melinda. He reaches out his hand for her to take her. She looks at it.

ON LIAM’S HAND.

Then Melinda looks up at him. Then she takes his hand. Once she is standing, Liam grabs her strongly and kisses her passionately. Almost taking all her air out.
Then, he breaks the kiss. Melinda feels breathless.

MELINDA

Liam, ---

(tries to breathe in)

--- That was ---

LIAM

Yeah.

Liam motions her to seat. She does. Then, Liam takes his seat. The others in the restaurant seem not to notice what just happened.

Liam takes Melinda’s hand.

LIAM (CONT'D)

So, would you marry me?

Liam takes the box with the ring out his jacket pocket and places it open on the table.

ON - RING.

Melinda looks at it and then looks back at Liam.

MELINDA

Of course, I’ll marry you, my love.

Liam smirks wickedly. Now, Melinda seems like in a trance. Both of them stare at each other while holding hands. Then, Liam takes the ring out of the box and places on Melinda’s left ring finger. She looks at it.

LIAM

You are all mine, now, Mel.

Melinda looks at Liam.

MELINDA

I’m all yours.

ON MELINDA - Something is different in her eyes.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

Some security demons are standing outside the manor.

CUT TO:

INT. PRESCOTT MANOR - DINING ROOM - NIGHT

The long and imponent table is set for three. At the head of the table is Wyatt while Peri is at his right and Patience at his left. Both look at Wyatt while he has his meal.

PERI

Where is mum?

WYATT

She wasn’t hungry.

PATIENCE

You must have seen her. She was strong while talking to the cupids.

PERI

Dark Cupids.

PATIENCE

Dark Cupids, Angels of Hate ---

(pauses)

All the same.

Wyatt keeps having his meal, but it seems like Peri and Patience want to keep the conversation.

PATIENCE (CONT'D)

Dad?

Wyatt looks at her.

PATIENCE (CONT'D)

There, the place you and mum were with Ruby, what happened?

WYATT

Why do you want to know?

PERI

We are just curious, dad.

WYATT

We defeated our good side. That’s all that happened.

PERI

Are you sure?

WYATT

Of course, I am sure.

(mad)

What the hell is this about, girls?

Peri and Patience exchange glances.

PERI

Nothing, dad.

PATIENCE

We were just curious.

Wyatt stands.

WYATT

Just like your mother, I've lost my appetite.

Wyatt leaves the room. Peri and Patience look at each other.

PERI

We must find out.

PATIENCE

Maybe asking mum.

Both stare at each other seriously.

CUT TO:

INT. PRESCOTT MANOR - MAIN BEDROOM - NIGHT

Prue is lying on her bed thoughtfully. The doors open and Aisling comes in. Prue gets into a sitting position.

PRUE

What brings you here at this hour, Aisling?

AISLING

Remain silent if I’m right.

Prue shots her a look.

AISLING (CONT'D)

Unbreakable Promise.

Prue says nothing. She swallows. Aisling and Prue stare at each other, then Aisling smiles.

AISLING (CONT'D)

Right.

Wyatt comes in and shots Aisling a look.

WYATT

Oracle!

Aisling bows.

AISLING

I will leave you both to your sleep, Your Majesties.

Aisling bows again and leaves. Prue is serious. Wyatt looks at her.

WYATT

What did she want?

PRUE

To wish us a good night.

Wyatt sits on the edge of the bed.

WYATT

We must talk.

PRUE

Not again about Jo, I hope.

WYATT

No.

He takes Prue’s hand.

WYATT (CONT'D)

About the rest of our family and how we should deal with them.

PRUE

I’m not torturing them.

WYATT

Ruby had a plan to get Mel on our side.

Prue is interested now.

WYATT (CONT'D)

Liam is a Warlock.

Prue is surprised.

WYATT (CONT'D)

And she will marry him in a dark wedding.

Wyatt smiles.

WYATT (CONT'D)

No torture, huh?!

Wyatt kisses Prue’s hand. Then, he stands.

WYATT (CONT'D)

I’ll take a shower.

Wyatt heads into the bathroom. Prue is serious.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Piper, Leo, Phoebe, and Coop are there as well as David.

Phoebe is walking from one side to the other.

PHOEBE

They should be here by now.

PIPER

This was a very risky plan. Why didn’t we asked some of our supposed friends to hide Blanche?

COOP

Because every realm in the Upper Regions is closed down.

PIPER

Yeah, cowards.

LEO

Piper, please.

PIPER

(mad)

Please?

Leo and the other exchange glances.

PIPER (CONT'D)

How come no one ever knew about this Red Witch and her sister.

At that moment, Chris, Tamora, Pandora, Junior, and Matt ORB in as Jo PURPLE ORBS in and Charlotte and Cassandra BEAM in.

Piper, Leo, Phoebe, Coop, and David look at them.

PIPER (CONT'D)

Well?

CHRIS

She took Blanche.

Damon SHIMMERS in.

DAMON

I stood outside for a while. She disappeared with her.

SOUND - Front door opening.

Soon, Melinda comes in smiling big. Everybody turns her eyes to her.

JO

Well? How did it go?

MELINDA

(smiling big)

I’m getting married!

She keeps smiling, then she turns around and leaves. Everybody exchanges glances.

DAMON

I thought she was going to say no.

Jo and Matt look at each other.

JO

There is something wrong about her.

MATT

She is supposed to marry ---

Matt looks at Damon.

MATT (CONT'D)

Uncle Damon.

LEO

Yeah, and she told us she wasn’t ---

Everybody is kinda shocked.

PIPER

Maybe she changed her mind.

JO

Grandmamma, that’s impossible. She loves Damon.

PHOEBE

But ---

JO

Something is wrong about her.

They all exchange glances.

CUT TO:

EXT. WOODS - NIGHT

ON WOMAN FEET - They are barefoot. The camera goes in slowly. She is no other than Ruby. She is wearing her red cape.

Ruby is standing in front of the tower where she lived for centuries.

SOUND - TEXT MESSAGE.

RUBY

Good signal, here.

She takes her smartphone from her cape pocket and reads.

It reads:

From: Liam

‘It’s done. Whatever magic was in that lipstick, she said yes. You can start preparing Melinda’s Halliwell wedding.’

Ruby takes her eyes from the phone and puts it back on the pocket.

RUBY (CONT'D)

Yeah, I’m winning.

She walks into the tower.

CUT TO:

INT. DARK TOWER - ROOM - NIGHT

Blanche is lying on the floor, unconscious, wearing a white cape which seems dirty.

ON THE HEAVY STEEL DOOR - It opens.

Ruby comes in and looks at her sister.

RUBY

Now is my turn to mocking with you, little sis.

She walks towards Blanche’s body.

RUBY (CONT'D)

I hope you spend the rest of your long life here.

She lowers down.

RUBY (CONT'D)

It wasn’t me.

A tear starts running down Ruby’s face.

RUBY (CONT'D)

I didn’t kill them. It was you. You took them from me since the day you were born.

(swallows)

If you never existed, I would live happily with them. I was happy with them before you came.

Ruby stands and wipes out the tear.

RUBY (CONT'D)

But you’ll pay now for what happened. What you did to me and to them. I wouldn’t do what I did if you weren’t there. So, you are the one to blame.

Ruby stands wickedly looking at her.

RUBY (CONT'D)

You’ll have a long time to think about that in here. And once I finish Jannes once and for all, no one would know of this place.

Ruby keeps the wickedly smirk on her face.

CUT TO BLACK.

END OF THE EPISODE