2x12 - Roaring Twenties

[Prue Brianna Johnna Halliwell]

DESTINED

"ROARING TWENTIES"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET - (THE 20'S / DREAM)

The 20's, the Jazz age, the crazy era. The era of music, fancy dresses, sophisticated hairstyles... Anyway... The 20's!

The street is full of people walking back and forward. The cars on the street.

Isabelle (Prue´s past life) and William (Wyatt´s past life) walk down the street. The couple looks very in love and happy. They walk holding each other's hand.

ISABELLE

Allen. His name will be Allen.

WILLIAM

Are you sure you want to name our first son Allen? Wait, are you sure it is a boy?

ISABELLE

(smiles)

Completely sure. And Allen is the perfect name for him.

WILLIAM

If you say so.

William kisses his wife.

WILLIAM (CONT'D)

See you at lunch time.

Isabelle smiles to her husband. He starts crossing the street. Isabelle approaches a shop and stares at the window display. As William crosses the street, a car approaches fast to him. The next thing that's seen, it's the car hitting William. Isabelle sees it all through the reflection on the window display of the shop. Isabelle turns around and sees her husband lying on the floor. She runs towards him fast. The car that hit William is driven out of there fast.

ISABELLE

(screams)

William!

Isabelle cries hard over an inanimate William.

ISABELLE (CONT'D)

Wake up, honey!

William doesn't wake up. Isabelle cries desperately.

ISABELLE (CONT'D)

NO!

Isabelle leans over William´s body crying.

ISABELLE (CONT'D)

I love you. Please don´t leave me!

She looks at his face. BEAT. It´s not William anymore. The man lying on the floor is not other than William´s brother: Matthew.

ISABELLE (CONT'D)

Matthew?

(cries)

No! Matthew! NO! Come back to me. Come back to me. Matthew!

Isabelle leans over Matthew´s body crying.

CUT TO:

INT. PRUE´S FLAT - PRUE'S BEDROOM - NIGHT

Prue´s eyes fly open. She springs up into a sitting position. She´s all sweaty and breathless. Someone turns the lights on. It´s Bianca.

BIANCA

Prue? Are you OK?

Prue looks at Bianca.

PRUE

It was just a dream.

BIANCA

A dream? 

Bianca approaches Prue´s bed.

BIANCA (CONT'D)

You were screaming.

PRUE

I was?

Bianca nods.

BIANCA

Who´s Matthew?

PRUE

(confused)

Matthew?

BIANCA

You were saying that name.

Prue seems confused.

PRUE

(looks at Bianca)

I guess he´s someone I used to know.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell and William Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell and Isabelle Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell and Priscilla Baxter

Alyssa Milano as Phoebe Halliwell and Pearl Russell

Special Guest

Shannen Doherty as Prudence Halliwell and Phoebe Bowen 

Guest Starring

Marisol Nichols as Bianca

Eric Winter as Matthew Halliwell and Nate Halliwell

Travis Aaron Wade as Voss

Lyssa Roberts as Haley

Rebecca Mader as Davina

Uncredited actor as Airport employee

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Shoots all over the city at the sound of 'It Had To Be You' by Isham Jones / Marion Harris.

CUT TO:

EXT. SAN FRANCISCO - ALLEY - DAY

MUSIC FADES OFF

VOSS (looks 30), walks into the alley. He´s is wearing a long gray coat. He approaches a wall. Stares at it for seconds. Then, he waves his hands and opens a portal.

VOSS

(to himself)

Here I go!

He gets into the portal.

CUT TO:

EXT. SAN FRANCISCO - ALLEY - DAY (1923)

The alley looks different. It´s the 20's. Voss comes out from the portal. He looks around. Smiles.

VOSS

Let´s find me!

He walks out of the alley.

CUT TO:

EXT. HALLIWELL MANOR - DAY

Prue´s car is parked there.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue is sitting on the floor next to the bookcase. She has lots of documents and books on the floor next to her: files, books, journals... etc. She seems to be looking for something. Prue looks tired. Wyatt comes in and looks around. Then, he sees her by the bookcase.

WYATT

What are you doing here?

Prue glances at him and keeps looking at the papers.

PRUE

Looking for something.

WYATT

Something old or something blue?

Prue looks at Wyatt confused.

PRUE

What?

WYATT

You´re working on the wedding, right?

PRUE

No. It´s in a month from now. Still got time.

She gets back to her stuff.

WYATT

Bianca called desperate because she didn´t know about you. She woke up and you weren´t there.

PRUE

I left home because I don´t like people controlling me.

WYATT

She was worried. She said you had a nightmare last night.

Prue pauses. She takes a deep breath and then gets up.

PRUE

It was just a dream.

WYATT

Just a dream?

Prue nods. Charlotte BEAMS in.

CHARLOTTE

Sorry it took me so long, but I was already at Magic School.

Charlotte looks from Prue to Wyatt.

CHARLOTTE (CONT'D)

What is it?

PRUE

William Halliwell. Where do I find information about him?

Charlotte doesn´t understand and neither does Wyatt.

CHARLOTTE

Who?

WYATT

Who is William Halliwell?

PRUE

(to Wyatt)

Your past life.

WYATT

(surprised)

What?

CHARLOTTE

(to Prue)

Why do you want to know?

PRUE

Do you know anything about him? About Allen Halliwell´s father?

WYATT

(surprised)

Wait. I was Allen Halliwell´s father.

PRUE

Yes, Wyatt. And I, his mother.

WYATT

What?

CHARLOTTE

Prue, why are you messing with that?

PRUE

Do you know anything?

Charlotte nods no.

CHARLOTTE

I don´t.

PRUE

Then, I keep looking at this.

Prue sits back on the floor and gets back to the papers. Wyatt and Charlotte exchange glances.

WYATT

I don´t understand, why do you want to know about him?

PRUE

Because I had a dream. 

Prue glances at them.

PRUE (CONT'D)

Nightmare. Whatever.

WYATT

About William Halliwell?

PRUE

(mad)

Yes!

Prue gets up again.

PRUE (CONT'D)

I saw him dying.

Wyatt and Charlotte exchange glances.

PRUE (CONT'D)

And then, I saw someone else in his place.

CHARLOTTE (CONT'D)

Who?

PRUE

(to Charlotte)

The man that was with Isabelle at the cemetery.

CHARLOTTE

The good looking one?

Prue nods.

WYATT

Wait. Get back to the part where you said that you saw me dying.

PRUE

It wasn´t you. It was William.

WYATT

Do you care to elaborate?

Prue takes a deep breath.

PRUE

Remember our birthday last year?

Wyatt nods yes.

PRUE (CONT'D)

Charlie took me to see my past life. Isabelle had just lost her husband: William Halliwell.

WYATT

(astonished)

He died?

Prue nods.

PRUE

She was pregnant. 

Wyatt is shocked.

WYATT

I saw them. She was telling me -- him -- about the pregnancy.

(pauses)

So he died.

PRUE

Yes. And I saw how. And then I saw the other guy dead.

Prue gets back to the bookcase.

PRUE (CONT'D)

What I had was a vision.

CHARLOTTE

And what death do you have to stop?

PRUE

My trip to the past tells me it is not the first one.

Wyatt and Charlotte exchange glances.

CUT TO:

INT. HALLIWELL MANOR - MELINDA´S BEDROOM - DAY

Melinda and Tamora are there looking at something on Melinda´s bed.

MELINDA

(admired)

Really?

TAMORA

(smiles)

It´s a nice color.

MELINDA

Purple?

TAMORA

She´s a cupid. Purple and love combine.

MELINDA

Pink and love combine. And she's the black type. 

TAMORA

That´s because she works on a night club. She has a lot of other colors on her closet.

MELINDA

Yeah, but purple?

Tamora looks at Melinda.

TAMORA

It´s a nice color.

Melinda approaches the bed and it´s finally seen what´s there: a purple fabric.

MELINDA

Prue won´t like it.

TAMORA

Should I remind you that the dresses will be worn by us?

MELINDA

I can´t see myself in purple.

Tamora sighs.

TAMORA

Fine. But it´s only a month for the wedding and we still have that to decided. Actually, I don´t really know why we didn´t take care of that 5 months ago when they booked the date.

MELINDA

Relax, Tam. We have time. We are witches, remember?

Tamora shrugs. She looks at the wristwatch and it´s surprised by the hours.

TAMORA

Holly crap! My boss is gonna kill me! I´ve been arriving late lately.

MELINDA

Stop worrying about the dresses. I´ll take care of that. Get to work.

TAMORA

Thank you, cous!

Tamora ORBS out. Melinda smiles and shakes her head.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue, Wyatt and Charlotte are looking at the pile of stuff. Wyatt is looking at the Warren family tree.

WYATT

Their names are not here.

CHARLOTTE

They were not part of the Warren line.

WYATT

Yeah. Got it!

Wyatt scrolls the family tree. Prue puts a book apart and takes another one. She looks at the cover. It has a big 'I' on the cover. Prue opens it.

CLOSE UP: FIRST PAGE

Isabelle Halliwell (née Drummond)

1922

The name is written on the center of the page.

PRUE

Guys...

Wyatt and Charlotte look at her.

PRUE (CONT'D)

Isabelle´s journal. Or at least one of them. It has a date. 1922.

CHARLOTTE

1922 was the year we went to. I remember.

Prue nods. Charlotte approaches the bookcase.

CHARLOTTE (CONT'D)

Do you know when your dream happened?

Prue nods no. She starts flipping through the journal. Stops in a page.

PRUE

Listen to this:

(reading from the journal)

"I woke up desperate. The dream I had last night was the worse."

Prue looks at Wyatt.

PRUE (CONT'D)

(reading)

"He was lying on the floor. Dead. White. Gone. He was right by my side when I woke up, sleeping. But I couldn´t take the dream out of my mind."

Prue pauses.

PRUE (CONT'D)

She dreamt about a death.

CHARLOTTE

Yeah, but who´s?

WYATT

1922. William´s death.

PRUE

(reading)

"I warn him. He never listens. William is so stubborn."

(pauses)

Hum!

Prue looks at Wyatt.

PRUE (CONT'D)

(to Wyatt)

Sounds familiar?

Wyatt grimaces. Prue gets back to the journal. Prue keeps flipping through the book and stops at another page.

PRUE (CONT'D)

(reading)

"I can´t live without him. He´s gone. He´ll never return to me. I lost my William."

Prue closes her eyes. Charlotte looks at the bookcase. She grabs another journal and looks at the cover.

CHARLOTTE

There´s another journal.

Prue lands the first journal on the bookcase and takes the other. She starts flipping through it.

PRUE

1923.

Prue reads the first page.

PRUE (CONT'D)

(reading)

"Matthew and I took baby Allen to the park today to celebrate new year's. Allen loved it. I never thought I could smile again. I will always love William, but Matthew is being so perfect to me. Next week we are going to make it official. I know my William will accept it. Matthew, Allen and I will be a happy family."

Prue stops reading.

WYATT

He knew.

Prue and Charlotte look at him.

WYATT (CONT'D)

William knew that something would happen to him. He asked his brother to take care of his wife and son for him.

CHARLOTTE

So, Matthew is William´s brother?

WYATT

Yes. I just remember I heard William calling him that.

Prue flips through the journal again and gets surprised by something.

PRUE

Something is wrong.

CHARLOTTE

What?

PRUE

It´s disappearing.

Wyatt and Charlotte approach her.

PRUE (CONT'D)

What she wrote. It´s disappearing.

CLOSE UP: JOURNAL - WORDS DISAPPEAR LITTLE BY LITTLE.

Prue looks at Wyatt.

PRUE (CONT'D)

It was a vision. Like the ones I used to have when I was younger.

WYATT

You don´t have visions in dreams since...

CHARLOTTE

...She was a teenager.

WYATT

Exactly.

Prue closes the journal. She closes her eyes and thinks for seconds. She opens her eyes. Prue has taken a decision.

PRUE

(to Wyatt)

Go. Up There. 

WYATT

(serious)

Are you sure?

PRUE

I need to know what´s going on.

Wyatt nods and then, ORBS out.

CUT TO:

EXT. P3 - DAY (STOCK)

CUT TO:

INT. P3 - PRUE´S OFFICE - DAY

Chris and Bianca come in kissing very passionately. Chris leans Bianca to the wall.

BIANCA

We shouldn´t be doing this here.

CHRIS

We have no better options.

BIANCA

Prue is OK with you sleeping there. She already told you that.

CHRIS

Yeah, but I don´t know how´s gonna be after the wedding.

They keep kissing. Then Chris leans Bianca to the desk and sits her there.

CHRIS (CONT'D)

She´ll hate if she knows we are doing this here.

Bianca smiles.

BIANCA

She will.

They keep kissing. Haley comes in without knocking.

HALEY

Bian...

She sees them and feels ashamed. Chris and Bianca separate.

HALEY (CONT'D)

Oh, boy! I am so sorry!

Chris and Bianca look at Haley.

HALEY (CONT'D)

Guys, is the third time this month I catch you like this. And the month is just starting.

CHRIS

Sorry, Haley.

Haley shrugs.

HALEY

You should get a room.

Chris and Bianca exchange glances.

HALEY (CONT'D)

Anyway, Chris. There´s a woman outside. She said she had a meeting with you.

CHRIS

Yes, right. She wants Mirror´s Magazine to cover his first social party in San Francisco.

BIANCA

Mirror´s Magazine covers celebrities' parties?

CHRIS

Orders from above.

Chris leaves the office. Bianca and Haley follow him.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. SMALL FLAT - ENTRANCE / LIVING ROOM - DAY (1923)

Small flat. 20's decoration. The flat looks a mess. Voss comes in. This Voss looks a little bit different. Clothes that fit the age and longer hair. The demon looks a mess. The other Voss who traveled through the portal is there.

VOSS

(future)

Shame on you.

Voss (from the 20's) looks at his future self.

VOSS

(20's self; surprised)

Who are you?

VOSS

(future)

I am you.

(walks around)

Came from the future. 

VOSS

(20's self)

How?

VOSS

(future)

I look for years for a power that could allowed me to archive my goal. Change the future.

Voss (20's self), is confused.

VOSS (CONT'D)

(future)

Remember a killing you did last year? One you were hired to do.

VOSS

(20's self)

I did a few.

VOSS

(future)

Yeah. Back then we did everything for higher demons.

VOSS

(20's self)

Huh! Don´t tell me that in the future I become more than I am.

VOSS

(future)

I collected a few powers. Well, actually more than a few. Went I saw that the killing we did last year didn´t have it purpose fulfilled.

(pauses)

But now I am here to do that and change the future. 

VOSS

(20's self)

What can I do?

VOSS

(future)

You are gonna work with me.

Voss (future) smiles.

CUT TO:

EXT. P3 - DAY

STOCK

CUT TO:

INT. P3 - BAR / DANCE FLOOR - DAY

A very elegant and smart redhead woman stands by the bar. Only her back is seen. Chris comes from the storeroom and approaches the woman.

CHRIS

Mrs. Stables!

Chris and the woman shake hands. BEAT. The woman is no other than Davina, one of the Shadow Witches.

DAVINA

Mr. Halliwell. Please call me Davina.

CHRIS

Sure.

DAVINA

Thank you for meeting me here, Mr. Halliwell. 

CHRIS

I was surprised you wanted to meet here.

DAVINA

The house is a mess with the preparations for the party and your office seemed very formal to me. Well, I knew the editor of the magazine is one of the owners.

Chris smiles.

CHRIS

Whatever you want Mrs. Stables.

Davina smiles. Chris signs her to sit on one of the tables.

CHRIS (CONT'D)

So, tell me. What do you expect from us?

DAVINA

Well, I just moved in with my sister and we want to throw a party. It´s like welcoming ourselves. We´ve spent so much time abroad and now that we are back home, we want to make it worth.

CHRIS

Why us to cover the party?

DAVINA

I and Mrs. Dean are friends and I heard some good things about this new magazine.

CHRIS

Well, let me thank you for your choice.

Chris smiles.

CHRIS (CONT'D)

I will gather my staff to cover the party.

DAVINA

But you´ll be there, right? I mean, I know you are the director of photography, but I would prefer if you were there.

CHRIS

Well, if you want it that much, I´ll be there.

Bianca comes in from the storeroom. Davina looks at her.

DAVINA

Oh, hi.

BIANCA

Hi.

Chris gets up.

CHRIS

Mrs. Stable...

DAVINA

Davina.

CHRIS

Sorry. Davina. This is Bianca.

Davina gets up.

DAVINA

Nice to meet you, Bianca.

Both shake hands. Davina stares at Bianca.

DAVINA (CONT'D)

(to Chris)

You know what, Mr. Halliwell. Why don´t you bring your girlfriend to the party?

BIANCA

Me?

Davina nods yes.

DAVINA

Actually, you could tell the owners of P3 to come to.

CHRIS

That´s not necessary, Davina. Really.

DAVINA

I´d be glad. Really. Actually, bring your family. It´s gonna be a party with lots of people. So...

Davina has a big smile on her face. Chris and Bianca exchange glances.

CHRIS

Well, if you say so.

DAVINA

My sister and I will be glad to have you and your family there.

CHRIS

We´ll be there, then.

Davina smiles.

DAVINA

Well, we´ll talk later to set the last details.

CHRIS

Sure.

Both Chris and Davina shake hands. Then Davina and Bianca shake hands. Davina turns to leave.

BIANCA

She´s such a nice woman.

CHRIS

Yeah.

BIANCA

I´m not complaining, but why does she wants us at the party?

CHRIS

She and her sister left the country very young. I think she just wants to know people.

BIANCA

Well, I don´t mind. 

Bianca kisses Chris' cheek.

BIANCA (CONT'D)

What if we get back to what we were doing?

Chris smiles roguishly.

CHRIS

Don´t you have to work?

BIANCA

The boss is not around.

CHRIS

So her office is empty.

Bianca smiles shy and nods.

CHRIS (CONT'D)

I´m game.

Both kiss. Then, Bianca drags Chris into the storehouse.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue and Charlotte are still there. Melinda is also there. While Prue walks back and forward, Melinda is flipping through Isabelle's journals.

MELINDA

It has stopped. 

PRUE

(nervous)

Where?

MELINDA

November. Listen to this:

(reads from the journal)

"I can´t believe it's happening again. The dream. Not today when I´m about to tell Matthew the news. I can´t lose my husband again."

Prue stops and stares at Melinda.

PRUE

What news?

Melinda stares at Prue.

MELINDA

She was pregnant. Again.

Prue feels something inside. Like a pain in the heart. Charlotte notices and approaches her.

CHARLOTTE

Prue, are you OK?

Prue nods.

PRUE

Why it´s taking so long. Wyatt should have come back already.

At that moment, Wyatt ORBS in. He looks serious.

PRUE (CONT'D)

Good. You´re back. What did they say?

Wyatt glances at them.

WYATT

Matthew can´t die. He is not supposed to die.

PRUE

So I had that dream to stop it.

WYATT

You had that vision to stop it indeed. It took me so long because they were trying to figure out who or what is doing this.

(pauses)

Someone opened a portal to the past.

PRUE

To kill Matthew? Why would someone kill him? 

Prue and Wyatt stare at each other.

PRUE (CONT'D)

A demon! Why Matthew?

WYATT

William was supposed to die. It was his time. But not Matthew. It appears that Matthew will have...

(pauses)

... Had a big good influence in Allen. William's son. And changing that could alter our present.

MELINDA

It could change our present? It could screw our present better saying! Screwing Allen's life could change everything.

CHARLOTTE

What do we do?

WYATT

(to Charlotte)

You and me nothing.

Wyatt glances from Prue to Melinda and from Melinda to Prue.

WYATT (CONT'D)

But the Charmed Ones need to go back and stop the demon from killing Matthew.

Prue and Melinda exchange glances.

WYATT (CONT'D)

They´ll send you back in time. 

Melinda lands the journal on the bookcase.

MELINDA

I´ll get Tam here. 

Melinda leaves the attic. Wyatt and Prue stare at each other. Charlotte feels she´s in the wrong place and leaves. Wyatt approaches Prue.

WYATT

You won't have powers there.

PRUE

What? How do I vanquish the demon without powers? Why the power of three then?

WYATT

You'll have to figure that out. Use your basic knowledge about magic and vanquish the freaking demon. Then, get back to me.

They look each other deep in the eyes.

WYATT (CONT'D)

You may be saving your past life's husband, but you´re marrying me.

Prue kisses Wyatt.

WYATT (CONT'D)

Why didn´t you mention he died?

PRUE

Because you are alive. And it´s the here and now that matters for us.

WYATT

But you´re going back to the twenties. 

PRUE

To save the life of the man who had a good influence on our great grandfather.

WYATT

And our son.

Both smile. They kiss again.

WYATT (CONT'D)

Be careful.

PRUE

I will.

Melinda, Charlotte and Tamora come in.

MELINDA

Here she is.

TAMORA

(to Prue)

If my boss fires me you´ll give me my job at P3 back.

PRUE

Done! Let´s go.

WYATT

Remember, you won't have powers there.

MELINDA

(surprised)

What? Crap!

TAMORA

How are we going there? 

WYATT

No idea.

TAMORA

That´s very clearing.

PRUE

Girls, let's just do this.

Melinda and Tamora approach Prue and the three of them hold hands.

PRUE (CONT'D)

(looking up)

You guys Up There! We´re ready.

Wyatt and Prue stare at each other. They smile at each other. Sweet. Bright white lights surround Prue, Melinda and Tamora. Both Melinda and Tamora disappear while Prue faints on the floor. Wyatt runs fast towards an unconscious Prue.

WYATT

(tries to wake her up)

Prue! Prue, c'mon!

Charlotte approaches them.

CHARLOTTE

What happened to her? Why didn´t she go?

WYATT

I don´t know. Prue, wake up.

Prue starts opening her eyes. She has some difficulties opening them.

PRUE

What... what happened?

The girl looks dizzy.

PRUE (CONT'D)

Where... 

She opens her eyes as she´s helped by Wyatt to sit. She looks around.

WYATT

Prue, are you OK?

Prue looks at Wyatt. As she does, she jumps back, scared. Wyatt and Charlotte exchange glances.

WYATT (CONT'D)

Prue?

PRUE

(surprised)

William?

BEAT. That´s not Prue. It´s no other than Isabelle Halliwell, Prue´s past life. Wyatt stares confused at her.

CUT TO:

EXT. HALLIWELL / DRUMMOND HOUSE - DAY (1923)

STOCK.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Bright lights appear and soon Melinda and Tamora are there. They stare at each other.

MELINDA

Where´s Prue?

They look around. On the floor, there´s Prue. Lying unconscious. Well, she´s not Prue's body actually... That´s Isabelle's body. She wears 20's clothes. Tamora and Melinda approach her.

MELINDA (CONT'D)

Prue?

TAMORA

What is she wearing?

MELINDA

Welcome to the 20's! Prue? Wake up!

Prue starts waking up. She´s dizzy.

PRUE

Where am I?

MELINDA

At your home, I guess.

Prue looks around. Tamora and Melinda help her to stand.

PRUE

It worked?

TAMORA

Question is, why are you already dressed to the party?

Prue doesn´t understand. Tamora points at Prue´s outfit. Prue looks at herself.

PRUE

I came to my old body?

MELINDA

Apparently.

TAMORA

Why didn´t we?

MELINDA

Well, maybe because we don´t have a body here where to come to.

Prue walks around. She takes a portrait from the coffee table. She looks at it and smiles.

PRUE

Me and Matthew. I mean Isabelle and Matthew.

Melinda and Tamora look at the picture.

TAMORA

Gorgeous.

Prue lands the portrait back to its place.

MELINDA

What do we do now?

Prue looks at her cousins.

PRUE

First, you need to change. We can´t go further with the two of you wearing that.

(grimaces)

It´s out of time.

Melinda and Tamora exchange glances.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Isabelle is on a corner. She´s scared. Wyatt and Charlotte try to reason with her.

WYATT

Prue?

Wyatt steps forward.

ISABELLE

How can you be alive? I saw you... I saw you... You died.

Wyatt and Charlotte exchange glances.

WYATT

Isabelle?

Isabelle steps back.

ISABELLE

(almost crying)

You died.

WYATT

No. Isabelle. Listen to me. I´m not William. My name is Wyatt.

ISABELLE

What?

Wyatt glances at Charlotte.

ISABELLE (CONT'D)

No. You died.

Isabelle approaches Wyatt little by little. Once she´s close enough, she touches his face and pulls her hand back straight away.

ISABELLE (CONT'D)

You´re real.

Isabelle looks Wyatt up and down and then Charlotte the same way. Then she looks herself.

ISABELLE (CONT'D)

What am I wearing?

CHARLOTTE

Isabelle, if you calm down we can explain.

ISABELLE

(to Wyatt)

How are you alive?

WYATT

Because I´m not William. I am his future life.

ISABELLE

(shocked)

What?

Wyatt takes a deep breath.

WYATT

My name is Wyatt and you´re in the body of my girlfriend, Prue.

CHARLOTTE

Fiancée.

WYATT

That.

CHARLOTTE

You came more than 100 into the future.

ISABELLE

How?

WYATT

Magic.

ISABELLE

Magic is real?

Wyatt nods. Isabelle is astonished. She sits down on the couch.

ISABELLE (CONT'D)

I never saw this kind of magic before. The cousins were right.

Wyatt and Charlotte exchange glances.

CHARLOTTE

What cousins?

Isabelle is about to answer, but then she sees the Book of Shadows.

ISABELLE

The ones that own that book.

Isabelle gets up and walks towards the book.

WYATT

Have you seen the Book of Shadows before?

ISABELLE

Pearl showed it to me.

She looks at Wyatt.

ISABELLE (CONT'D)

She said magic was real. I only have visions. In dreams.

Isabelle closes her eyes. When she opens them, they are red.

ISABELLE

(to Wyatt)

That´s how I knew you'd die.

WYATT

I know.

CHARLOTTE

We have your journals.

ISABELLE

You do? How?

CHARLOTTE

We are your descendants.

ISABELLE

(confused)

What?

Isabelle shakes her head.

ISABELLE (CONT'D)

How did I ended here?

WYATT

Because Prue had a vision. In a dream. She saw Matthew dying. 

CHARLOTTE

And she went there to save him.

WYATT

And you ended up here. In her body.

At that moment, Chris ORBS in.

CHRIS

(to Wyatt)

Finally I find you. You won't believe what I´m gonna tell you.

ISABELLE

(confused)

Father?

They all look to Isabelle as she looks shocked at Chris.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - MAIN BEDROOM - DAY (1923)

Melinda and Tamora are already wearing 20's outfit. Prue looks at them.

MELINDA

(to Prue)

So, how do we look?

PRUE

Perfect. Now, let´s move.

Prue is about to leave the bedroom.

TAMORA

Move to where? Do you know where to find Matthew?

Prue thinks for seconds.

PRUE

Not actually. But we came here to stop him from being killed.

MELINDA

Yeah, Prue but we need a plan. 

TAMORA

No. We should have talked about a plan before leaving 2032.

PRUE

Yeah, but...

Prue is cut off by a sound coming from the ground floor.

PRUE (CONT'D)

Listen...

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Matthew comes in the living room. He puts his briefcase on the sofa.

MATTHEW

(calling)

Darling!

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - MAIN BEDROOM - DAY (1923)

Prue, Melinda and Tamora listen behind the door.

PRUE

That´s him.

MELINDA

What do we do?

PRUE

(decided)

We save him.

Prue leaves the bedroom. Melinda and Tamora exchange glances and then they follow Prue.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Matthew is about to leave the living room when Prue comes in.

MATTHEW

Darling!

He smiles and kisses Prue. Prue looks astonished at him.

PRUE

(speechless)

Hi. I mean Hello.

Matthew looks her deep in the eyes.

MATTHEW

I promised you I´d come for lunch.

Prue forces a smile. Melinda and Tamora come in. Matthew glances at them and as he does he sees Melinda. He stares at her.

MELINDA

Hi. Hello.

Melinda smiles.

MATTHEW

Alice?

Melinda and Tamora exchange glances.

MATTHEW (CONT'D)

Alice, is that you?

PRUE

Matthew, who is Alice?

Matthew looks at Prue.

MATTHEW

Honey, Alice is my sister. My dead sister.

Prue is as surprised as well as Melinda and Tamora.

PRUE

Sister?

Matthew nods.

MELINDA

My name is Melinda. Not Alice.

PRUE

Yeah, Matthew. These are Melinda and Tamora. They are my friends.

Matthew keeps looking at Melinda.

MATTHEW

You look so like her.

(smiles)

Only that she had dark hair. And she´s dead.

MELINDA

I´m sorry.

MATTHEW

It happened a long time ago.

Matthew looks at Prue.

MATTHEW (CONT'D)

You never told me about your friends.

PRUE

I must have forgotten.

She smiles. Matthew kisses her again. Melinda and Tamora exchange glances.

MATTHEW

Where´s Allen?

PRUE

(confused)

Who?

MATTHEW

Our son.

PRUE

Oh, Allen, right. He´s... he is...

TAMORA

Up there. In the nursery.

MATTHEW

(smiles)

I´ll be right back.

Matthew leaves the living room.

MELINDA

(whispering)

How many times do you have to kiss him?

PRUE

(whispering)

He kissed me, remember?

TAMORA

(smiles)

And you´re enjoying it.

PRUE

(whispering)

He thinks I´m his wife.

MELINDA

What are we gonna do?

Prue takes a deep breath.

PRUE

Tell him the truth.

TAMORA

Are you sure?

PRUE

He knows Isabelle has visions.

MELINDA

But if we tell him who we are we´ll have to tell him about the future.

PRUE

Not exactly. We can keep some things for ourselves.

(to Tamora)

And how did you know about the baby?

TAMORA

The nursery's door was open and I saw the baby.

At that moment, Matthew comes in holding a year old baby.

MATTHEW

Here´s the little man of this house.

The girls look at the baby. Matthew smiles.

MATTHEW (CONT'D)

(to the baby)

Look at mummy. 

Matthew looks at Prue. The baby kinda looks at her too.

MATTHEW (CONT'D)

(to the baby)

Isn´t she beautiful?

Prue smiles as she looks at the baby.

PRUE

Can I hold him?

MATTHEW

What kind of question is that? You´re his mother.

Prue smiles as she approaches Matthew and holds the baby. The baby smiles at her.

PRUE

Hi, Allen. How are ya?

Matthew looks at them. He finds weird Prue's expressions. Tamora approaches Prue.

TAMORA

OK. Give me the baby. We need to move.

Tamora takes the baby. Matthew finds the whole thing weird.

MATTHEW

What´s going on?

Prue takes a deep breath.

PRUE

(to Matthew)

We need to talk.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Isabelle is looking astonished at Chris.

ISABELLE

Father?

CHRIS

What? Prue, what the hell happened to you?

WYATT

This is not Prue. It´s Isabelle...

Chris looks from Wyatt to Charlotte and then to Prue.

CHRIS

A spell that went wrong?

WYATT

Nothing like that. Isabelle is Prue´s past life. 

CHRIS

And what is she doing here?

WYATT

Prue has gone to the 20's to save Isabelle's husband.

Chris looks at Charlotte. She nods.

CHRIS

Right.

(to Isabelle)

Why did you call me father?

ISABELLE

You look like my father.

CHRIS

So in my past life I was your father.

(sarcastic)

Great. Wait. She knows about magic.

ISABELLE

I´ve heard of. 

CHRIS

Great. You know what? I don´t really care.

(to Wyatt)

Can we talk about work?

Wyatt looks at Charlotte.

CHARLOTTE

I stay here.

WYATT

(to Isabelle)

I´ll be right back.

Isabelle smiles at him.

Wyatt and Chris leave the attic.

CUT TO:

INT. HALLIWELL MANOR - 1º FLOOR HALL - DAY

Chris comes from the attic followed by Wyatt.

CHRIS

Why is Prue in the past?

WYATT

She had a dream, a vision. Whatever you want to name it. The Elders sent her, Mel and Tam back to the 20's.

CHRIS

I was her father.

WYATT

Focus in the present, Chris. What do you want to talk about?

CHRIS

I had the meeting with Mrs. Stables at P3.

WYATT

At P3? I thought you were going to meet her at the magazine.

CHRIS

She called me asking if it could be at P3. It was less formal.

WYATT

OK. So? 

CHRIS

She invited us to the party. Me, Bianca, you... All of us.

WYATT

I know.

CHRIS

You know?

WYATT

Aunt Phoebe told me that the owners told her.

CHRIS

Is she going?

WYATT

No. She has a lot of promotions to do, because of the book. Mom and Aunt Paige will be with her.

CHRIS

And we? Are we going?

WYATT

Chris, Aunt Phoebe said that this woman and her sister could be generous with the Bay Mirror. We better say yes to the invitation.

CHRIS

Right. But she doesn´t even know us and she invites the whole family?

WYATT

She probably wants to be nice. Just that.

CHRIS

(thoughtful)

Yeah. You´re probably right. I´m just not used to this kind of invitations.

WYATT

Get used, brother. We run a magazine now.

Both brothers smile.

CHRIS

Get back to her. Isabelle.

Wyatt smiles. He turns and goes upstairs to the attic. Chris ORBS out.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - ATTIC - DAY

Isabelle is sitting beside Charlotte. Wyatt comes in. Isabelle gets up. She stares at Wyatt.

WYATT

(sweet)

Are you OK?

Isabelle nods yes. Charlotte gets up.

CHARLOTTE

Isabelle wanted to know more about us. I told her that it´s better not to know about the future.

WYATT

Yeah, that´s true.

ISABELLE

William used to say that too.

Isabelle smiles.

ISABELLE (CONT'D)

He used to say that life was better if we live the now.

CHARLOTTE

He was right.

Isabelle and Wyatt look at each other. Charlotte feels like she needs to get out of there.

CHARLOTTE (CONT'D)

I... I´ll pretend I have something better to do.

Charlotte smiles at Wyatt and heads to the attic's exit. As she walks there she touches Wyatt's shoulder. Then, she leaves.

WYATT

How did you meet? You and William.

ISABELLE

(smiles)

Do you want to know how?

WYATT

Hey, you cannot know about the future, but I can about the past.

Isabelle smiles big. She sits on the couch. Wyatt joins her.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY

Prue and Matthew are there as well as Melinda and Tamora who´s holding baby Allen. Prue and Matthew are sitting on the sofa.

MATTHEW

Isabelle, if this is about the dream you had last night, I told you I´ll be fine.

PRUE

It´s not about the dream. It´s about me.

Matthew glances at Tamora and Melinda.

PRUE (CONT'D)

Matthew, do you believe in magic?

Matthew looks serious at her.

MATTHEW

It´s this about the cousins?

Prue, Melinda and Tamora exchange glances.

PRUE

What cousins?

MATTHEW

From the Speakeasy.

PRUE

Speakeasy?

Matthew nods.

MELINDA

Where is that?

MATTHEW

Prescott Street.

Prue, Melinda and Tamora exchange glances once again.

PRUE

1329?

Matthew nods.

PRUE (CONT'D)

(to Melinda and Tamora)

The cousins from the 20's.

Matthew looks at them confused. He gets up.

MATTHEW

What are you talking about?

Prue gets up.

PRUE

Matthew...

MATTHEW

(interrupts her)

Isabelle, darling...

PRUE

My name is Prue. I am Isabelle's future life and obviously, I came from the future.

Matthew is astonished.

MATTHEW

What?

Matthew shakes his head.

MATTHEW (CONT'D)

What are you talking about? This is insane. 

PRUE

Isabelle told you about her visions, right?

Matthew looks serious at Prue.

MATTHEW

You did. Why do you talk of yourself in the third person?

PRUE

Because I´m not Isabelle.

Matthew takes a deep breath and approaches Prue.

MATTHEW

Look, darling, I believe in your dreams, but time travel? That´s too much.

PRUE

No, Matthew. You need to believe me. Look at Melinda. She is the future life of your sister. 

Matthew looks at Melinda. She nods yes.

PRUE (CONT'D)

You recognized her soul. That´s why you saw your sister. It´s her soul.

MATTHEW

Isabelle...

PRUE

We three came from the future to save you.

MATTHEW

Darling, I don´t need to be saved. What happened to William won't happen to me.

PRUE

Matthew...

Matthew takes her briefcase.

MATTHEW

I need to get back to work.

He kisses Isabelle and turns to leave.

MATTHEW (CONT'D)

See you later.

Matthew leaves. They heard the front door opening and then closing.

TAMORA

(holding Allen)

What do we do?

PRUE

What we came for.

(pauses)

Protect him.

(to Tamora)

Stay here with my son. Melinda and I go for him.

Both Melinda and Prue leave the living room. Tamora hears the front door. Tamora looks at baby Allen.

TAMORA

Hey, grandpa! How are ya?

She smiles.

TAMORA (CONT'D)

Weird!

She grimaces funny at the baby.

CUT TO:

EXT. SAN FRANCISCO - STREET - DAY (1923)

Last century's car are driven. Prue and Melinda walk fast on the sidewalk.

MELINDA

We are not going to find him in this town.

PRUE

We have to. And fast.

They keep walking fast and looking everywhere. Prue sees something.

PRUE (CONT'D)

(pointing)

Over there.

Melinda follows Prue's finger. Matthew can be seen a few meters ahead. He's about to cross the street. Prue and Melinda walk towards him.

A car is parked close to them. When Matthew starts crossing the street, the car is driven fast towards him. Prue turns to see the car approaching fast. She is scared.

PRUE (CONT'D)

No!

(screaming)

Matthew!!!

Everything happens in slow motion. Matthew turns around. Prue and Matthew look at each other. Prue runs fast towards him. The car is close to Matthew. Prue pulls Matthew away from the street. Both fall down the ground as the car passes by missing its target. Prue is lying over a surprised Matthew.

MATTHEW

Hi.

PRUE

Are you OK?

Matthew nods. Melinda approaches them.

MELINDA

Are you guys OK?

Melinda helps Prue and Matthew to stand.

MELINDA (CONT'D)

That car...

PRUE

Did you see who was it?

MELINDA

No. It happened so fast.

MATTHEW

(shocked)

What just happened here?

Prue takes a deep breath.

PRUE

I just save your life. Do you believe me now?

Matthew nods.

PRUE (CONT'D)

Then, let´s go home so I can tell you the whole story.

CUT TO:

EXT. SAN FRANCISCO - DAY (1923)

Photographic shots of the town in the twenties.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY

Matthew walks from a side to another. Prue and Melinda are there.

PRUE

And that's the whole story.

Matthew stops. He looks at the girls.

MATTHEW

My brother was killed by a demon?

Prue and Melinda nod.

PRUE

But it was his time. But you -- You are not supposed to die yet.

MELINDA

That's why we are here.

Matthew approaches Prue. They look each other deeply.

MATTHEW

You came back from the future to save me?

Prue nods. She smiles. Matthew touches her face softly. Melinda leaves the living room without them noticing her.

PRUE

How did you two meet?

MATTHEW

We? I and Isabelle?

PRUE

Yeah.

Matthew smiles. He sits on the sofa. Prue sits beside him.

MATTHEW

It was a few years ago. She was the craziest woman that ever entered in my drugstore.

PRUE

You own a drugstore?

MATTHEW

My father left it to me and William. We learned the craft with him.

Prue smiles.

MATTHEW (CONT'D)

One day, Isabelle came in asking for something to heal her father. The crazy thing was that apparently her father was OK.

Prue doesn't understand.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (2032)

Isabelle and Wyatt are sitting on the sofa. She is telling him the same story Matthew is telling Prue.

ISABELLE

--- He didn't believe that my father was going to fall sick. Because he wasn't when I left home. But I had a dream and my dreams were to warn me about things.

(pauses)

So he asked to see my father. I took him home and when we got there, father was OK, but when Matthew was leaving, my father started feeling sick. But he was there and he save my father.

Wyatt listens carefully.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Prue listens carefully at what Matthew is saying.

MATTHEW

---She was right.

(pauses)

At that time, I didn't believe it, but she was right.

PRUE

What happened next?

MATTHEW

Then, I saw her a few times, outside the drugstore.

They look at each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (2032)

Isabelle keeps telling the story as Wyatt listens to her.

ISABELLE

--- I wanted to see him. I was dying to see him again. And to explain that I wasn't crazy.

Wyatt smiles.

ISABELLE (CONT'D)

And I finally got the courage to do it. I went into the store and ---

WYATT

And?

Isabelle stares at Wyatt. She smiles.

ISABELLE

You were there. I saw you for the first time. 

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Prue and Matthew are still there.

MATTHEW

--- They fell in love. I told my brother that I had met this girl and I was in love. And he told me the same thing. When he introduced her to me, I felt ---

Matthew is speechless. Prue puts a hand on his hands.

MATTHEW (CONT'D)

--- But he knew. He knew she was the one I was talking about. And he never said a word, till the day he made me promise I would take care of Isabelle and marry her if something happened to him.

PRUE

He did that?

Matthew nods.

MATTHEW

I kept that promise and we are together now.

Prue smiles.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (2032)

Isabelle keeps telling the story.

ISABELLE

And we were together until the day he died.

Wyatt gets up.

WYATT

He asked Matthew to take care of you.

Isabelle gets up too.

ISABELLE

How do you know?

WYATT

I saw it.

ISABELLE

At first I didn´t know how William would fell about me marrying his brother. 

WYATT

That's what he wanted. He knew he loved you.

Isabelle smiles.

ISABELLE

If you say so, I believe you.

Wyatt smiles. He hugs her.

CUT TO:

INT. HALLIWELL / DRUMMOND HOUSE - LIVING ROOM - DAY (1923)

Matthew gets up. Prue gets up too.

MATTHEW

And we got married. That's the story. She probably doesn't love me, but we are happy together.

PRUE

She loves you.

They stare at each other. Melinda and Tamora come in.

TAMORA

The baby is asleep.

MELINDA

What do we do now? We need to find that demon.

Matthew and Prue exchange glances.

MATTHEW

The cousins. Isabelle told me they have magic. One of them has been helping Isabelle with her visions. Pearl Russell.

PRUE

Can you take us there?

Matthew nods.

MELINDA

But Prue---

PRUE

We don't have powers here. They do.

The girls look at one another.

CUT TO:

EXT. PRESCOTT STREET - DAY

The demon Voss, both versions of him, walk on Prescott Street.

VOSS

(from the 20's)

We've failed!

VOSS

(future)

The witches are here.

VOSS

(from the 20's)

Who are those witches?

VOSS

(future)

The Charmed Ones.

VOSS

(from the 20's)

The Charmed Ones?

Voss (future) nods.

VOSS (CONT'D)

(from the 20's)

What do we do now?

VOSS

(future)

They probably don´t have powers here.

(smiles)

They'll need powers. 

Voss (future) stops. He looks at the house: The Halliwell Manor.

VOSS (CONT'D)

(future)

That's why we are here.

They stare at the Halliwell Manor.

VOSS (CONT'D)

(future)

They'll come here and we'll be waiting for them.

Voss (future) smiles wicked.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. HALLIWELL MANOR / SPEAKEASY - ENTRANCE / MAIN HALL - DAY (1923)

The house / club looks exactly as it looked in the Charmed episode: Pardon My Past.

PRISCILLA BAXTER (Piper's past life) comes downstairs. She goes straight to the door and opens it. There are Matthew, holding baby Allen, Prue, Melinda and Tamora. Prue, Melinda and Tamora stare at Priscilla.

PRISCILLA

(surprised)

Isabelle? Matthew? What are you doing here?

PRUE

We need your help.

They stare at one another.

CUT TO:

EXT. HALLIWELL MANOR / SPEAKEASY - DAY (1923; MOMENTS LATER)

A last century's car passes by.

CUT TO:

INT. HALLIWELL MANOR / SPEAKEASY - ENTRANCE / MAIN HALL / DINING ROOM - DAY (1923)

Prue, Melinda, Tamora and Matthew stand in front of Priscilla and PEARL RUSSELL (Phoebe's past life).

PRISCILLA

So, what's going on?

The Charmed Ones exchange glances. PHOEBE BOWEN (Prudence's past life) comes downstairs.

PHOEBE B.

Baby Allen is with Gordon.

MATTHEW

Thank you.

PEARL

Now please tell us what's happening.

PRUE

Well, hum --- We need help vanquishing a demon.

Priscilla, Phoebe B. and Pearl exchange glances.

PHOEBE B.

A what?

PRUE

A demon. Yes, we know about demons.

PRISCILLA

(to Pearl)

What have you been telling her?

PEARL

I never mentioned demons.

PRUE

We are from the future.

The cousins look at them.

PHOEBE B.

You what?

TAMORA

No time to explain.

MELINDA

A demon is after---

Melinda isn't able to finish what she's about to say because Voos (from the 20's) SHIMMERS in. He throws the cousins against the stairs. Prue stands in front of Matthew.

VOSS

(from the 20's)

Now us.

Pearl stands fast and runs towards the demon. She throws him to the floor. Then, Tamora approaches them and kicks Voss in the face. The demon is knocked off. Then, Voss (future) SHIMMERS in behind Matthew. He grabs Matthew and throws him all the way down to the dining room.

PRUE

(scream)

Matthew!!

Priscilla stands and waves her hands. She uses her MOLECULAR DECELERATION to slow down the demon. But it also slows down the Charmed Ones too. Phoebe B. stands fast and uses her CRYOKINESIS. She throws a blast of ice breath towards Voss (future) turning him into ice. The Charmed Ones get back to normal and see Voss (future) turned into ice.

MELINDA

What happened?

TAMORA

We were frozen. 

MELINDA

(to Priscilla)

Did you froze us?

PRISCILLA

How do you---?

MELINDA

We are the Charmed Ones.

The cousins look at one another. Prue runs fast towards Matthew.

PRUE

Matthew?

She reaches him and tries to wake him up.

PRUE (CONT'D)

Matt, wake up.

MELINDA

Is he OK?

Prue takes Matthew's vital signs.

PRUE

He's alive.

PEARL

Who are these demons?

TAMORA

Singular. Just one demon.

PEARL

I see two of them.

TAMORA

One of them came from the future. Our future.

PRISCILLA

You´re really serious?

MELINDA

We are.

PRUE

Can someone help me here?

Phoebe B. approaches Prue and tries to help her wake up Matthew.

PRUE (CONT'D)

C'mon, Matt.

PRISCILLA

Isabelle, this is nonsense.

PRUE

Nonsense?

Prue stands.

PRUE (CONT'D)

(mad)

I am a Charmed One. We are the Charmed Ones.

(points to Melinda and Tamora)

We came from the future because I had a vision of him dying.

(points to Matthew)

And we three were send by the Elders here to stop it from happening.

PHOEBE B.

The Elders?

PRUE

Yeah. We know about that too.

PEARL

Well, to be honest, I never mentioned the Elders or demons, or even the prophecy of the Charmed Ones, to Isabelle.

PRUE

Yeah, and I know it because I'm not Isabelle.

Phoebe B. finally can make Matthew wake up. He's dizzy.

PEARL

OK. Enough for me. I believe them.

TAMORA

Thank you. Now can you three help us vanquishing them?

MELINDA

Him. Vanquish the past one and you'll be vanquishing the future one.

PRISCILLA

Let's search in the Book of Shadows.

Priscilla heads upstairs.

PEARL

(to Tamora)

Keep him knocked off.

Tamora nods yes. Pearl heads upstairs too. Prue and Phoebe B. help Matthew to stand.

MATTHEW

What happened?

PRUE

You're gonna be OK.

Prue smiles at Matthew.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (2032)

Wyatt, Isabelle and Charlotte are still there. Chris comes in. Isabelle stares at him.

CHRIS

(to Isabelle)

Prue?

Isabelle nods no.

CHRIS (CONT'D)

OK. No news?

WYATT

No. This is taking too long. Prue should be back by now. How are things at the magazine?

CHRIS

Good. The staff is preparing things for the event.

WYATT

Good.

ISABELLE

Magazine? 

WYATT

We run a magazine.

Isabelle smiles.

ISABELLE

(to Wyatt)

You used to run a drugstore.

Wyatt smiles.

ISABELLE (CONT'D)

You were good at it.

Wyatt and Isabelle stare at each other. Chris and Charlotte exchange glances.

CUT TO:

INT. HALLIWELL MANOR / SPEAKEASY - MAIN HALL / ENTRANCE / DINING ROOM - NIGHT (1923)

Voss (future) is still frozen, but the ice has started melting. Voss (from the 20's) is still on the floor. Tamora is close to him. Prue, Melinda and Phoebe B. are there. Priscilla and Pearl come downstairs.

PRISCILLA

We got it. Where's Matthew?

PHOEBE B.

Gordon took him upstairs.

PRUE

So, how do we vanquish him?

PRISCILLA

We prepared a potion, but---

MELINDA

But?

PEARL

He's a low-level demon, but The Power of Three is needed to bless it.

Prue, Melinda and Tamora exchange glances.

PRUE

Well, here we are.

PRISCILLA

But you don't have powers here.

PRUE

We are still the Charmed Ones.

Priscilla, Phoebe B. and Pearl exchange glances. Then, Pearl hands a dagger to Prue. She cuts herself, then she hands the dagger to Melinda and Tamora who do the same. Priscilla opens the bottle and all three Charmed Ones put a drop of their blood inside. Voss (from the 20's) starts waking up.

PRUE (CONT'D)

It´s now or never.

The demon gets up. He looks at the witches.

VOSS

(from the 20's)

It will be a pleasure to vanquish you all.

PRUE

You wish.

Prue throws the potion towards the demon. He is surrounded by flames.

VOSS

(from the 20's)

Only the Charmed Ones can vanquish me and they haven't been born yet.

MELINDA

Not exactly.

The flames consume Voss completely. The six girls look at the place where the demon was. Then, they see Voss (future) melting completely and then, being consumed by flames.

PRISCILLA

So that's how The Power of Three works?

Prue, Melinda and Tamora exchange glances and smile.

CUT TO:

INT. HALLIWELL MANOR / SPEAKEASY - LIVING ROOM - NIGHT (1923; MOMENTS LATER)

Priscilla, Phoebe B., Pearl, Prue, Melinda, Tamora and Matthew who's holding Allen, are there.

PRUE

Thank you again for helping us.

PRISCILLA

That's what we do for family.

Prue, Melinda and Tamora exchange glances.

PRUE

How do you know we are relatives?

PRISCILLA

The Charmed Ones will be born in the Warren line.

PRUE

(smiles)

Right.

MELINDA

We better get going now.

Prue and Tamora nod yes.

PRUE

(to Matthew)

Can we talk first?

Matthew nods. He hands the baby to Tamora. Both Prue and Matthew leave the living room.

TAMORA

Do I look like a babysitter?

The others look at Tamora.

CUT TO:

INT. HALLIWELL MANOR / SPEAKEASY - CONSERVATORY ROOM - DAY (1923)

Prue and Matthew come in. They stare at each other. Prue approaches him.

PRUE

Thank you.

MATTHEW

What for?

PRUE

Believing me.

Matthew smiles.

MATTHEW

No matter what life, I'll always believe in you.

Prue touches his face softly.

MATTHEW (CONT'D)

Do we find each other again? Do I have a future life?

PRUE

If you do, we never met.

They look each other deeply.

PRUE (CONT'D)

She loves you, you know? She's happy with you. The four of you will be happy.

Prue kisses him softly close to his mouth. She turns to leave. Matthew watches her leaving the room.

MATTHEW

Wait. The four of us?

Matthew follows Prue.

CUT TO:

INT. HALLIWELL MANOR / SPEAKEASY - LIVING ROOM - NIGHT (1923)

The others are there. Prue comes in.

PRUE

Time for us to go, girls.

Matthew comes in.

MATTHEW

Wait. Did you said the four of us?

Prue smiles at Matthew.

PRUE

Bye.

Prue kisses Allen softly. Then she approaches Melinda and Tamora.

PRUE (CONT'D)

(to Baxter, Russell and Bowen)

See ya!

(while looking at Matthew)

We are ready to get back.

White lights surround the girls. While Melinda and Tamora disappear, Isabelle's body falls on the couch. Matthew approaches his wife's body.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (2032)

Wyatt, Chris, Charlotte and Isabelle are still there. Isabelle walks from a side to another.

ISABELLE

Why is it taking so long?

Wyatt approaches her.

WYATT

I don't know.

At that moment, Isabelle faints. Wyatt holds her. Melinda and Tamora appear surrounded by white lights.

WYATT (CONT'D)

Isabelle?

The girl is unconscious on Wyatt's arms.

CUT TO:

INT. INT. HALLIWELL MANOR / SPEAKEASY - LIVING ROOM - NIGHT (1923)

Matthew tries to wake up his wife. Isabelle starts waking up. She looks at Matthew.

ISABELLE

Matthew?

Matthew nods. Both hug each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (2032)

Wyatt tries to wake up Prue. Little by little, the girl starts waking up.

WYATT

Prue?

She opens her eyes and looks at Wyatt's face. She's smiles and kisses Wyatt.

WYATT (CONT'D)

(smiles)

Prue!

She smiles.

CHRIS

(to Prue)

Is it really you?

PRUE

What kind of question is that, Chris? Of course, it´s me.

CHRIS

Yeah, she's back.

Charlotte and Melinda check Isabelle's journals.

CHARLOTTE

Everything is here. What disappeared is now back again.

Prue smiles.

PRUE

Good.

TAMORA

Great, everything is done. And we are back.

CHRIS

(to Melinda and Tamora)

And what the hell are you two wearing?

TAMORA

Oh, crap! We forgot to change!

They all smile.

PRUE

I think we all need a rest.

Prue and Wyatt are about to leave the attic, but...

TAMORA

Hey, Prue.

Prue and Wyatt turn to face Tamora.

TAMORA (CONT'D)

What's your favorite color?

PRUE

Black.

TAMORA

Pretend black doesn't exist? What's your favorite color?

PRUE

Red.

MELINDA

I thought it was pink.

PRUE

Pink is on the third position. But why?

TAMORA

Our business.

Tamora drags Melinda and Charlotte out of the attic. Wyatt, Prue and Chris exchange glances and shrug. Then, the three of them leave the attic.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Shoots all over the city at the sound of 'Somewhere Over the Rainbow' by Israel Kamakawiwo'Ole.

CUT TO:

EXT. PRUE'S FLAT - NIGHT

MUSIC FADES OFF

CUT TO:

INT. PRUE'S FLAT - MAIN BEDROOM - NIGHT

Prue is sitting on the bed reading one of Isabelle's journals. A few journals are on the bed beside Prue.

PRUE

(reading)

--- "And that's how I know I'll find William again. Never mentioned to anyone what happened there, but in my journals my story is written. I'll find him, but as for now I'm here. Living my present with Matthew, Allen and our future son or daughter. Matthew wants a girl. Who knows and a Janice will come soon. Yes, Janice. In honor to Matthew and William's mother."

(pauses)

"From now on, I'm living the here and now."

Prue closes the journal. She stares at it and smiles.

PRUE (CONT'D)

The here and now.

Wyatt comes in.

WYATT

Hey.

PRUE

(smiles)

Hey.

WYATT

Still reading?

PRUE

I'm done for now. Got to leave some journals for tomorrow. 

Wyatt sits on the bed.

PRUE (CONT'D)

How was she? Isabelle?

WYATT

I didn't have much time with her, but she was a great woman.

PRUE

She was pregnant. I could feel the baby when I was there.

WYATT

(surprised)

Really?

Prue nods. They look each other deeply. He kisses Prue softly. Then he takes the journals and puts them on the bedside table.

WYATT (CONT'D)

Now, what if we forget about the past and live in the present for tonight?

PRUE

(smiles sexyly)

What if we do that for the rest of our lives?

Wyatt smiles. They kiss each other passionately.

CUT TO:

INT. SAN FRANCISCO INTERNATIONAL AIRPORT - ARRIVALS - NIGHT

An employee hands a passport to a man.

AIRPORT EMPLOYEE

Welcome to San Francisco, Mr. Halliwell.

ON NATHANIEL HALLIWELL (30). Not other that the present life of Matthew Halliwell. He takes the passport.

NATHANIEL

Thank you.

Nathaniel smiles and walks away.

The camera moves away.

FADES TO BLACK.

END OF THE EPISODE