2x21 - The Heart Brings You Back

[Prue Brianna Johnna Halliwell]

DESTINED

"THE HEART BRINGS YOU BACK"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

A new day has started. Some shots of the city. People leaving home to work. Harmony reigns. Everything seems right.

CUT TO:

EXT. HALLIWELL MANOR - DAY

The newspaper's guy throws a newspaper to the Halliwell manor's door.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - DAY

Chris opens the door and grabs the newspaper. He unfolds it and glances at the first page. He smiles. Then, Chris gets in.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

CLOSE UP: PRUE OPENS HER EYES.

She's still lying on the bed only wearing night clothes and covered by the sheets. She turns to the other side of the bed and no one is there. She sits on the bed.

PRUE

(calling)

Wyatt!

No one answers. Prue takes a deep breath.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Chris is cooking something as he drinks a cup of coffee. Prue, only wearing night clothes and a robe, comes in.

PRUE

Good morning.

CHRIS

Hey, Prue. Morning.

Prue sits at the island.

CHRIS (CONT'D)

Want breakfast?

PRUE

Please.

Chris puts some mixed eggs on a dish and hands it to Prue.

CHRIS

Did you have a good night sleep?

PRUE

(Prue has some eggs)

I did, but waking up was not so nice. Have you seen Wyatt?

CHRIS

No. No one here when I woke up. Did he sleep at home?

PRUE

Right by my side.

CHRIS

Don't need details.

Chris puts some coffee on a cup and hands it to Prue.

PRUE

What are you doing here anyway? I thought you would be staying at Bianca's.

Prue has a sip of coffee.

CHRIS

We stayed here last night. So, back to Wyatt, is he better now?

Prue shoots him a look.

PRUE

What do you mean?

CHRIS

He seemed a little reticent in accepting the changes.

PRUE

He'll be OK. I'm sure of it.

CHRIS

I hope so.

Chris smiles as Prue has another sip of coffee.

PRUE

Now, tell me, Chris, where can I find Melissa?

Chris looks serious at her.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

CLOSE UP: DEMON #1 BLOWS UP.

Wyatt has his hands raised.

WYATT

One demon less.

Davina and Moriah BLACK SMOKE in.

DAVINA

That one could have been useful.

Wyatt looks at them.

WYATT

(sarcastic)

Sorry, if I'm blowing up your plans.

DAVINA

We actually have a way to fix it.

WYATT

Good luck with that.

Davina and Moriah start walking towards Wyatt. He tries to orb out, but Davina uses POWER NEGATION to stop him.

WYATT (CONT'D)

What are you doing?

DAVINA

I'm afraid you have to come with us.

WYATT

Never.

MORIAH

You have no other options.

Wyatt waves his hands, but the Shadows use again POWER NEGATION on him. They approach Wyatt and touch him.

DAVINA

I wish we hadn't come to this.

Both Davina and Moriah BLACK SMOKE out taking Wyatt.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Matt Bomer as Damon

Guest Starring

Marisol Nichols as Bianca

Lana Parilla as Raina

Rebecca Mader as Davina

Brian White as Michael Morris

Jensen Ackles as Eric

Katie Cassidy as Melissa

Megalyn Echikunwoke as Delilah

Mekia Cox as Moriah

John Barrowman as Christopher

Ethan Peck as Drew Landon

Lauren Meley as Jasmine

Unknown actresses as Shadow Witches

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Fast motion shots of the city at the sound of "What Went Down" by Foals.

CUT TO:

INT. BUILDING - EXT. APARTMENT 207 - ENTRANCE - DAY

CLOSE UP: MELISSA OPENS THE DOOR. She's already dressed to leave and is surprised as she sees an all in black Prue there.

MELISSA

Prue? What are you doing here?

PRUE

(smiles)

Can we talk?

Melissa glances at her up and down and then nods yes. She signs Prue to get in. Prue enters.

CUT TO:

INT. MELISSA'S APARTMENT - LIVING ROOM - DAY

Prue comes in followed by Melissa.

PRUE

Sorry, I had to come here, but I thought it was better for us to have this conversation in a more private place than the magazine.

MELISSA

It must be really important.

PRUE

It is.

(pauses)

It's about what happened in Wyatt bachelor's party.

Caught!

MELISSA

(surprised)

He told you?

PRUE

Everything, yes. Especially what you saw.

MELISSA

And you came here to talk about what I saw?

PRUE

I just came to tell you that whatever you're planning to do with that information, don't. It's just an advice.

MELISSA

OK. I wasn't planning to do anything with it.

PRUE

I don't believe you, Melissa.

MELISSA

But I'm telling you, Prue, if you think it's better that I forget about it, I will.

Prue smiles.

PRUE

Thank you.

Prue turns to leave, but stops and faces Melissa again.

PRUE (CONT'D)

By the way, you should better know that Wyatt is my husband. Don't forget that.

Melissa nods. Prue turns around and leaves as Melissa looks at her.

CUT TO:

EXT. BAY MIRROR – DAY

Some people are going in and out the building.

CUT TO:

INT. BAY MIRROR – MIRROR’S MAGAZINE – REDACTION ROOM – DAY

Chris comes in followed by Jasmine.

JASMINE

-- I never saw such a tiny newspaper, boss.

CHRIS

Jasmine, I’m not your boss.

JASMINE

In the absence of Wyatt, you’re my boss.

CHRIS

(stops walking)

Wyatt is not here?

JASMINE

No.

CHRIS

Did he have any job outside?

JASMINE

No.

CHRIS

So, where is he?

JASMINE

You’re his brother. You should know. But anyway, with such a tiny newspaper we are gonna have to close the newspaper soon.

(desperate)

Oh, my! We are going to start looking for another job.

CHRIS

Jasmine, good news are important too.

At that moment, Melinda comes in.

CHRIS (CONT'D)

Sister, I’m glad you’re here. Can you please tell Jasmine that no one is losing their jobs?

Melinda stops and looks at Jasmine.

MELINDA

Sure. Jasmine, no one is losing their jobs.

Jasmine smiles relieved.

JASMINE

Oh, well, I’m calmer now. Good to know.

The girl keeps smiling as she heads to her desk and sits in front of her computer.

MELINDA

(to Chris)

Why would she lose her job?

Chris smiles and signs her to follow him into his office.

CUT TO:

INT. MIRROR’S MAGAZINE – CHRIS’ OFFICE – DAY

Chris comes in followed by Melinda.

CHRIS

The newspaper is so tiny that they think that with the lack of bad news the Bay Mirror and, therefore, Mirror’s Magazine would close.

MELINDA

Good news are also news.

CHRIS

Exactly what I told her.

Chris turns on his computer.

CHRIS (CONT'D)

Have you heard about Wyatt?

MELINDA

That’s why I’m here. Did Prue talk to him?

CHRIS

I think so. They slept together, so ---

MELINDA

They did?

(smiles)

I’m so glad. I was so worried of Wyatt not being OK with the new rules.

CHRIS

He will be fine. Also, I think the Shadows will take care of him.

Melinda doesn’t understand.

MELINDA

What do you mean?

CHRIS

(relaxed)

Oh, you know. He wasn’t having a good reaction to it and we had to talk with the Shadows.

MELINDA

(serious)

Why didn’t you talk to us?

CHRIS

Because you three are family and that may be not so right.

MELINDA

What did they say?

CHRIS

That they will take care of that.

MELINDA

How?

CHRIS

C’mon, Mel, you are a Shadow. You must know the methods. I guess they will talk to him.

Melinda’s face express worried.

CHRIS (CONT'D)

Sister, this is a new world and Wyatt needs to accept it.

MELINDA

Yeah, I guess he has.

Chris stares at his computer while Melinda keeps the worried look on her face.

CUT TO:

EXT. SAN FRANCISCO – GOLDEN GATE PARK – DAY

Pandora and Drew come walking and having ice cream.

DREW

So, I don’t know. I guess that’s why I came here. To find myself.

PANDORA

(smiles at him)

I’m glad you did.

Both smile at each other. Then Drew starts approaching Pandora. Soon their lips are touching each other’s. Both kiss. Tamora and Michael come walking and find them. Both stop as they see Pandora and Drew kissing.

MICHAEL

I’m so glad she has a different hair color than yours. Otherwise, it would be like seen you kissing another man.

Tamora smiles. Both approach them.

TAMORA

Hey, guys!

Pandora and Drew stop kissing and look at them.

TAMORA (CONT'D)

You should get a room. This is a family show.

Pandora and Drew look around.

DREW

(to Tamora)

You know, I think you’re right.

Pandora and Drew exchange glances.

PANDORA

Agree.

Pandora takes Drew’s hand and drags him out of there. Tamora and Michael watch them walking away.

MICHAEL

They are ---

TAMORA

Yes.

Michael looks at Tamora. She looks him back.

MICHAEL

You know, we should do the same.

Both kiss.

TAMORA

I would love to, but I have work to do.

MICHAEL

At the museum?

TAMORA

No, Shadows’ work.

MICHAEL

I see.

Tamora kisses him.

MICHAEL (CONT'D)

Diner tonight?

TAMORA

Sure.

Both kiss again.

CUT TO:

EXT. SKY – DAY

The image goes fast to...

CUT TO:

INT. SHADOWS TEMPLE – EXT. DARK ROOM - CORRIDOR – DAY

Davina comes out of a room. Raina comes walking and stops as she sees Davina.

RAINA

Davina, how are things going?

DAVINA

We are just getting started, but I know it’s not going to be easy.

RAINA

No one said it would be.

DAVINA

I’m concerned. What if she finds out?

RAINA

She won’t. Now let’s see him.

Davina nods yes. Both women get into the Dark Room.

CUT TO:

INT. SHADOWS TEMPLE – DARK ROOM – DAY

ClLOSE UP: MORIAH’S HANDS ON WYATT’S HEAD. Wyatt’s eyes are white. He is in pain. Screams.

Davina and Raina come in. Wyatt is on his knees. Moriah’s eyes are white. She stops as  Raina and Davina come in. Wyatt stays on the floor, tired. Delilah is on a corner. Moriah's eyes turn to normal.

MORIAH

It’s harder than I though.

RAINA

He’s a Twice Blessed and Destined One.

Raina approaches Wyatt. She lowers to his level.

RAINA (CONT'D)

Hello, Wyatt.

Wyatt looks serious at her.

RAINA (CONT'D)

I’m sorry we had to come to this. I really like you.

WYATT

(mad)

Really?

RAINA

Yes, Wyatt.

(Raina touches his face)

I’ve been close to every life you lived so far. Waiting for the moment we meet. And now that we finally did, I wished for things to go right.

WYATT

Tell me, does Prue know you’re doing this with me?

Raina stands.

RAINA

This is for the best, Wyatt.

WYATT

So, she doesn’t know.

RAINA

I hope you put a lot from you to make this work. It hurts me to see any of you in pain.

Wyatt has fury on his eyes. Raina approaches Delilah.

RAINA (CONT'D)

Your turn.

Delilah nods and approaches Wyatt. She puts her hands on his head and both Wyatt and Delilah’s eyes turn white. Wyatt screams.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. HALLIWELL MANOR – DAY

A car passes in front of it.

CUT TO:

INT. HALLIWELL MANOR – STAIRCASE / FRONT HALL – DAY

Melinda comes downstairs with Bianca.

MELINDA

I can’t believe you didn’t come to me first.

BIANCA

I’m sorry.

Prue BLACK SMOKES in.

MELINDA

Oh, hi, Prue.

PRUE

(straight to the point)

Have you seen Wyatt?

Melinda and Bianca exchange glances.

MELINDA

No, we haven’t.

PRUE

I wonder where he is.

MELINDA

Don’t worry, he’ll show up.

At that moment, Prue feels a strong pain in her chest. Prue holds herself to her chest. Melinda and Bianca rush to her.

BIANCA

Prue, are you OK?

Prue tries to stand straight.

PRUE

I don’t know. Never felt like this before.

Melinda and Bianca exchange glances. And then again, Prue feels the same pain. She screams aloud.

CUT TO:

EXT. SAN QUENTIN STATE PRISON – DAY

Prue scream is heard in the background fading away.

CUT TO:

INT. SAN QUENTIN STATE PRISON - VISITING ROOM – DAY

Some prisoners are there with visitors. Junior is at a table. A door opens and a guard signs to Christopher to go in. Christopher approaches Junior.

CHRISTOPHER

Son, you came.

JUNIOR

I’ve been doing this for the past months. Why wouldn’t I come now?

Christopher sits across the table.

CHRISTOPHER

I’m glad you’re here.

JUNIOR

What the doctor said?

Christopher lowers his gaze.

JUNIOR (CONT'D)

Yes, I know it was today. What did he say?

Christopher looks Junior straight in the eyes.

CHRISTOPHER

I’ll be OK, son.

JUNIOR

How long?

Christopher doesn’t answer.

JUNIOR (CONT'D)

How long?

CHRISTOPHER

Not too long. Days, weeks. Who knows?!

Junior deviates his eyes from Christopher’s.

CHRISTOPHER (CONT'D)

Just think that soon you’ll get rid of me.

Junior looks at him.

JUNIOR

Why are you so relaxed?

CHRISTOPHER

I’ve learned to accept that I’m sick. And to be honest, with you I will die in peace because I got the chance to met my son.

JUNIOR

I’m not your ---

Junior pauses.

CHRISTOPHER

You have her eyes.

(takes a deep breath)

She was so young when I met her. Damn! I was so young, but I still remember her eyes. I wish I could have more time with you.

Christopher touches Junior’s hand. Junior looks at it.

CHRISTOPHER (CONT'D)

But I guess I’m gonna see your mother. Well, in case I go to heaven.

Junior pushes away his hand.

JUNIOR

I need to go now.

Junior stands.

CHRISTOPHER

Does she know?

Junior looks at him wondering who’s he asking about?

CHRISTOPHER (CONT'D)

Your mom? I know you told your father, but what about your mother? Does she know I’m part of your life?

JUNIOR

What she doesn’t know can’t hurt her.

Christopher nods.

CHRISTOPHER

Yes, you really are like her. Mia was a caring person and always worried with the ones she loved.

JUNIOR

Her name was Mia?

Christopher nods.

CHRISTOPHER

A name as sweet as the owner.

Junior lowers his gaze and without looking back at Christopher, walks away as Christopher watches him leave.

CUT TO:

INT. MATTHEWS / MITCHELL’S MANOR – PANDORA’S BEDROOM – DAY

The door opens. Pandora and Drew come kissing very passionately.

DREW

Are you sure no one would find us here?

PANDORA

Pretty sure.

DREW

OK.

Pandora takes off Drews’ jacket. Both head to the bed.

DREW (CONT'D)

Don’t you think we are going a little too fast?

They stop kissing.

PANDORA

My sister asked us to do it, so we do.

DREW

Makes sense to me.

Pandora nods and both keep kissing each other. Drew takes off Pandora’s shirt both get on the bed kissing. Pandora takes off Drew’s shirt and throws it on the floor.

CLOSE UP: DREWS T-SHIRT ON THE FLOOR as some laughs are heard.

CUT TO:

INT. HALLIWELL MANOR – SITTING ROOM – DAY

Prue is sitting on the couch, Melinda is beside her.

MELINDA

Feeling better?

Prue nods yes. Bianca comes in with a cup of tea and hands it to Prue.

BIANCA

Have a sip of it. It’ll make you feel better.

PRUE

Thanks.

Prue has a sip of tea.

BIANCA

What was that?

PRUE

I don’t know. It seemed like my heart was burning.

MELINDA

Don’t you think we should call a Whitelighter here?

PRUE

Are you kidding me?

MELINDA

I meant Chris or Wyatt.

PRUE

Well, Wyatt is nowhere to be found and I don’t think whitelighters can fix this.

MELINDA

Why not?

PRUE

Because I don’t even know what this is.

Prue puts the cup on the center table and stands.

PRUE (CONT'D)

Besides, I don’t have time for this. I need to find my husband.

Melinda and Bianca exchange glances again. Prue notices it.

PRUE (CONT'D)

Can you both please stop exchanging glances. What’s wrong?

Melinda and Bianca exchange glances again.

PRUE (CONT'D)

(to Bianca; commanding)

Tell me what’s going on.

BIANCA

Oh, well, it’s just ---

MELINDA

(cuts her off)

It’s Wyatt.

Melinda stands. Prue glances from Melinda to Bianca.

MELINDA (CONT'D)

They did something without telling us.

PRUE

They who?

BIANCA

We all.

Prue looks serious at Bianca.

CUT TO:

INT. SHADOWS TEMPLE – EXT. DARK ROOM - CORRIDOR – DAY

Tamora comes walking. As she walks in front of the Dark Room, she hears something or better someone´s screams. She stops.

TAMORA

(to herself)

What the hell is this?

She approaches the room’s door and tries to listen. Silence. Then, she opens the door little by little and sneaks inside.

CUT TO:

INT. SHADOWS’ TEMPLE – DARK ROOM – DAY

Wyatt is on the floor. He seems tired and in pain. Moriah, Delilah and Davina are there looking at him.

DAVINA

He’s in pain.

DELILAH

I never thought it could be so hard.

DAVINA

Raina said he has darkness and light inside him. That’s why is not that easy.

MORIAH

Still. I never knew someone like him.

DELILAH

Yeah, it’s like he’s fighting against it.

DAVINA

Let’s keep doing this.

Davina approaches Wyatt and makes him get on his knees. She touches his head and both their eyes turn white. Wyatt starts screaming. From the door, Tamora’s head is seen. She watches the scene. No one notices she is there.

TAMORA

(whispering; surprised)

Wyatt?!

Tamora closes the door.

CUT TO:

INT. SHADOWS’ TEMPLE – EXT. DARK ROOM – CORRIDOR – DAY

Tamora stands in front of the door. Raina comes walking and sees her. She approaches her.

RAINA

Tam! What are you doing here?

TAMORA

(disguises)

Oh, hi, Raina. I wanted to know if you have a job for me.

Raina glances at the door.

RAINA

Come, let’s walk and talk.

Raina signs to Tamora to follow her. Both walk away from there.

TAMORA

What’s happening on that room?

RAINA

The girls are just working on someone. He’s not being easy.

TAMORA

Who is it?

RAINA

Just someone.

And she’s lying.

RAINA (CONT'D)

So, I was thinking why don’t you spend the day with Michael? Take a little time to yourself.

TAMORA

Yeah, I might do that.

Tamora forces a smile. Raina smiles. Then, she BLACK SMOKES out. Raina’s smile fades off her face. She walks fast towards the Dark Room.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. SHADOWS’ TEMPLE – DARK ROOM – DAY

Davina still has her hands on Wyatt’s head while the other two watch. Raina comes in.

RAINA

Take him out of here.

Davina stops.

DAVINA

What happened?

RAINA

Just take him out of here. Tamora was just here and she heard his screams. Take him to another room.

Davina, Moriah and Delilah nod. Raina is serious.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

Prue is mad walking from a side to another. Melinda and Bianca are there too.

PRUE

(to Bianca)

Why didn’t you came to me first? I was taking care of Wyatt.

BIANCA

Because Chris thought it was better to call Davina here.

PRUE

Chris has a lot to explain to me.

At that moment, Prue feels the strong pain in her chest again. Melinda rushes to her.

MELINDA

Prue –-

PRUE

Don’t Prue me.

Prue holds herself to her chest. She gets calmer. Then, a thought crosses her mind.

PRUE (CONT'D)

Wyatt.

Melinda and Bianca exchange glances.

PRUE (CONT'D)

Something is happening to Wyatt.

MELINDA

And you know that because --

PRUE

Because of this stupid pain.

Tamora BLACK SMOKES in.

TAMORA

Guys, you need to see what I saw.

MELINDA

What did you see?

TAMORA

Wyatt.

The girls look at Tamora.

PRUE

Do you know where he is?

TAMORA

(nods yes)

He’s in the Shadows’ Temple.

MELINDA

Why?

TAMORA

No idea, but whatever is happening is not good or he wouldn’t be screaming in pain.

Prue and Melinda look at each other.

PRUE

Let’s go get my husband.

TAMORA

There’s more.

(pauses)

Raina lied to me. She didn’t say it was Wyatt.

PRUE

Let’s go.

(to Bianca)

Tell Chris.

Bianca nods. Prue, Melinda and Tamora BLACK SMOKE out. Bianca takes a deep breath.

CUT TO:

EXT. SAN FRANCISCO – DAY

Fast motion shoots of the town. The image of the town fades away as we are…

CUT TO:

INT. SHADOWS’ TEMPLE – CORRIDORS – DAY

Prue, Melinda and Tamora come walking fast. Prue feels the pain again. Melinda holds her.

MELINDA

They must be torturing him.

TAMORA

That’s what it looked like.

Prue starts feeling better and kepps walking.

CUT TO:

INT. SHADOWS’ TEMPLE – DARK ROOM – DAY

Raina is standing there like if she’s waiting for somebody. Prue comes in followed by Melinda and Tamora.

PRUE

(rude)

Where is he?

Raina turns around and faces them.

RAINA

Not here.

PRUE

Then where?

RAINA

Prue, you need to understand that is for his own good.

PRUE

(mad)

His own good? Then, why are you keeping him from me?

RAINA

Because you are his wife. You wouldn’t see it clearly.

PRUE

Try me.

RAINA

(approaching her)

Dear, this is for the best.

PRUE

Where is my husband?

RAINA

I can’t say. He needs to be fixed.

PRUE

I don’t care. I want to know where he is and now!

Raina steps back.

RAINA

I’m sorry, Prue, but I won’t say.

PRUE

Then, I'll find him.

Prue, Melinda and Tamora turn around, but Raina stops them.

RAINA

You can't, Prue. The temple has places you can even imagine.

Prue and Raina look serious at each other.

MELINDA

You can't keep my brother here.

RAINA

I don't intend too. I just want to help him accepting this new world.

PRUE

Well, I am the one who doesn't care about this new world anymore. Now, if you'd excuse us, we need to find my husband.

Prue, Melinda and Tamora turn around and leave the room as Raina watches them serious.

CUT TO:

INT. MATTHEWS / MITCHELL'S MANOR - PANDORA'S BEDROOM - DAY

Clothes all over the floor. Pandora and Drew kiss each other. Both are covered with the sheet.

PANDORA

I can't believe we did this.

DREW

Me neither.

PANDORA

But it was so good.

DREW

(kisses her)

So good indeed.

Both keep kissing. Charlotte comes in. She looks at them and is ashamed.

CHARLOTTE

Goodness!

Pandora and Drew look at her.

PANDORA

Charlie! What are you doing here?

CHARLOTTE

(turns around)

I came for you. I didn't know you were busy.

PANDORA

I was.

CHARLOTTE

Well, sorry to interrupt, but we kinda have a situation at the manor if you don't mind.

Charlotte turns around to look at them.

CHARLOTTE (CONT'D)

And I was thinking in coming in another way.

PANDORA

I'm glad you didn't.

DREW

(confused)

What other way?

CHARLOTTE

Not of your business.

(to Pandora)

Get dressed!

Charlotte leaves the bedroom fast.

DREW

Do people get in without knocking?

PANDORA

In this family yes. Be glad it wasn't dad.

Pandora kisses him.

PANDORA (CONT'D)

I'm sorry, I need to go. But you can, you know, take your time. Just close the door when you leave.

Pandora kisses him again and gets up. She rushes to the bathroom.

DREW

(to himself)

Now I feel used.

Drew lies down.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris walks from a side to another. Cassandra, Junior, Damon and Bianca are there.

BIANCA

Chris, we all did it.

CHRIS

But I called Davina here. And now Prue is mad at me.

CASSANDRA

Chris, we are supposed to let them know when someone is not accepting things.

CHRIS

But Wyatt is not just someone. He's my brother.

Prue, Melinda and Tamora BLACK SMOKE in.

PRUE

(to Chris; rude)

And I am your damn sister-in-law. Why did you call them?

MELINDA

Prue, calm down. He just did what he was supposed to.

Prue feels the pain in her chest again.

CHRIS

Prue, I am so sorry.

CASSANDRA

(to Prue)

Are you OK?

Prue looks at her.

PRUE

I'll be.

Charlotte BEAMS in.

CHARLOTTE

You won't believe what I saw.

They all look at them.

CHARLOTTE (CONT'D)

Pan was in the middle of it when I got in.

JUNIOR

In the middle of what?

CHARLOTTE

(blushing)

In the middle of that.

TAMORA

(smiles)

So my sister did what I told her to.

MELINDA

(to Tamora)

Did you tell your sister to get laid?

TAMORA

Why not? Don't you like it too?

Melinda is about to answer, but Prue cuts her off.

PRUE

Stop it, please.

Prue has to sit down. She feels the pain again.

DAMON

So, he's being tortured?

MELINDA

Yes. But Shadows are not supposed to torture anybody.

TAMORA

Yeah, just make them understand what's right.

Pandora ORBS in.

PANDORA

What's the problem?

BIANCA

Wyatt is being tortured by the Shadows.

PANDORA

Why?

CHRIS

It's my fault.

BIANCA

They are trying to ---

Prue cuts Bianca off.

PRUE

(stands)

Change his mind.

They all look at her.

PRUE (CONT'D)

They are trying to change his mind so he will be open to accepting what we say.

Melinda and Tamora exchange glances.

PRUE (CONT'D)

This is wrong.

TAMORA

No, it's not wrong. We try to make people understand what's best for them. We guide them.

PRUE

You told your sister to get laid and she did.

TAMORA

Well, and she feels good.

(to Pandora)

Don't you?

PANDORA

Yeah, but to be honest, I did it because you told me.

TAMORA

Oh, c'mon, don't tell me you didn't want to.

PANDORA

I did, but I wanted to know him better.

They all look at Tamora.

PRUE

We're gonna undo what we did.

TAMORA

No. I don't want to.

MELINDA

Maybe is the for the best, Tam.

TAMORA

(serious)

I'm sorry, but no. I like the way it is now. I don't want it to change back to what it was.

Tamora BLACK SMOKES out. Prue feels the strong pain in the chest again. Charlotte and Cassandra help Prue to sit. The girl is in real pain.

CHRIS

What do we do?

MELINDA

I don't know, but we're gonna have to think fast.

Melinda looks at Damon. He nods.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO - NIGHT

A dark night is already covering the town.

CUT TO:

EXT. SAN FRANCISCO P.D. - NIGHT

Police cars are parked outside. Some cops are there just talking.

CUT TO:

INT. SAN FRANCISCO P.D. - CAPTAIN'S OFFICE - NIGHT

The lights are turned off. Someone opens the door and turns the light on. Michael comes in with some documents. He puts the documents on the desk. Turns around and as he does Tamora BLACK SMOKES in front of him. Michael gets scared.

MICHAEL

Tam, you scared me.

TAMORA

(serious)

I'm sorry.

Michael notices she is not OK.

MICHAEL

What's wrong?

TAMORA

Wyatt is being kept by the Shadows.

MICHAEL

Why are you keeping him?

TAMORA

It's not us. It's them.

MICHAEL

Why would they do that?

Tamora lowers her gaze.

TAMORA

Because he doesn't want to accept this new world and they are trying to make him accept it.

MICHAEL

Is it bad?

Tamora looks him in the eyes.

TAMORA

Maybe.

A tear runs down her face.

MICHAEL

Babe, why are you crying?

He dries her tear.

TAMORA

It's wrong, Mike. This is wrong.

MICHAEL

No, babe, nothing is wrong.

TAMORA

Wyatt is suffering because of something we did.

MICHAEL

He will be fixed and then everything will be OK. OK?

Both look each other deeply. Michael kisses her.

TAMORA

Promise me that no matter what, you won't hate me.

MICHAEL

Why would I hate you, Tam?

TAMORA

Just promise me.

Michael kisses her again.

MICHAEL

I promise.

Tamora forces a smile and then hugs Michael. He hugs her tight.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Charlotte, Cassandra and Pandora are there. Charlotte is flipping through the Book of Shadows.

CHARLOTTE

There's nothing here about how to vanquish the Shadow Witches.

CASSANDRA

Maybe they can't be vanquished.

PANDORA

There has to be a way to undo this.

CHARLOTTE

Maybe, who knows, if Wyatt comes back changed and we could live happily ever after.

MELINDA

(coming in)

That's not an option.

They look at her.

CASSANDRA

How's Prue?

MELINDA

Not good. Bianca is with her.

CHARLOTTE

Mel, there's nothing here about Shadow Witches.

MELINDA

I know.

(takes a deep breath)

I can't believe I didn't realize this was wrong.

PANDORA

Your intentions were good.

MELINDA

No, they were not. I wanted to have more powers. I was helping myself and no one else. I was selfish.

Melinda closes her eyes. She cries.

MELINDA (CONT'D)

If something happens to my brother.

CHARLOTTE

He will be fine.

PRUE (O.S.)

Agree.

Prue stands in the doorway. Bianca is beside her. They come in. Chris, Damon and Junior come in too.

PRUE (CONT'D)

We're gonna go back there and we are going to undo what we did.

MELINDA

How?

TAMORA (O.S.)

Same way we started it.

They all look at Tamora. Tamora comes in.

TAMORA (CONT'D)

I'm sorry, I left. I just needed to see the reason I accepted to get into this. And I realized that I was only thinking in myself. In what I wanted.

(pauses)

We all did.

Prue and Melinda exchange glances.

PRUE

Let's go to fix this then.

MELINDA

How?

PRUE

By threatening the heart of the Shadows. Just like they are threatening mine.

Melinda stands.

MELINDA

What are we waiting for?

Prue and Tamora nods.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Various shoots of the town as the image is driven too far away to ---

CUT TO:

INT. SHADOWS TEMPLE - STONE ROOM - NIGHT

The room is lighted. Raina and Davina are next to the stone.

DAVINA

I think we are almost there.

RAINA

You think?

DAVINA

(mad)

Damn, Raina, I never met someone as strong as him. It's not easy.

RAINA

When you want something well done, do it yourself right?

Raina starts heading at the door, but the door opens and Prue followed by Melinda and Tamora come in.

RAINA (CONT'D)

(surprised)

Girls! What are you doing here?

PRUE

We came for my husband.

RAINA

You will see him soon.

PRUE

(serious)

No, you don't understand.

(pauses)

I want my husband now.

She's not asking. She's commanding. Raina and Davina exchange glances.

DAVINA

(smiles)

C'mon, girls, Wyatt will be OK once we finish.

MELINDA

(serious)

You won't finish anything. Actually, you will undo everything.

RAINA

What is done is done, Melinda.

MELINDA

I simply don't care, Raina.

TAMORA

You will undo all this and give us back Wyatt.

Tamora sounds threatening. Raina and Davina exchange glances.

RAINA

Or what?

PRUE

See that stone?

Raina glances at the Stone.

PRUE (CONT'D)

If you don't, we will destroy it.

RAINA

You have no powers to do that.

PRUE

I might only have one match, but I can make an explosion.

Prue and Raina stare at each other.

PRUE (CONT'D)

Your choice. Release the Power into the Universe and have a chance to bring it back in the future, in case you find someone willing to do it, or lose the Power for good.

Raina and Davina exchange glances.

PRUE (CONT'D)

You know, the Source was able to take the Power. We destroyed the Source. Are you really willing to take that risk?

Raina thinks for a while.

RAINA

Fine.

DAVINA

Raina, no.

RAINA

(to Davina)

Go get the others. We're gonna undo it.

DAVINA

But ---

RAINA

(cuts her off)

No buts. I'm still the leader. Do it.

Davina doesn't agree. She leaves them room mad.

RAINA (CONT'D)

We'll wait for a future generation.

PRUE

I'll make sure they know how to keep distance from you.

Both stare seriously at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. SHADOWS' TEMPLE - STONE ROOM - NIGHT (MOMENTS LATER)

They all hold hands. Close their eyes and start chanting.

SHADOWS WITCHES / CHARMED ONES

'essentia
potentia maximum
nostra essentia
nos nunc absolvo vos.
Audi sermonem umbris.'

As the Shadows say the spell, some golden rays come from the stone. They say the spell once again.

SHADOWS WITCHES / CHARMED ONES (CONT'D)

'essentia
potentia maximum
nostra essentia
nos nunc absolvo vos.
Audi sermonem umbris.'

Soon, the stone is turned off.

CUT TO:

EXT. UNIVERSE

CLOSE UP: OUR WORLD

A golden light leaves the entire world.

CUT TO:

INT. SHADOWS' TEMPLE - STONE ROOM - NIGHT

Raina approaches the stone and touches it. Davina, Moriah and Delilah approach her. The other Shadows too. Prue, Melinda and Tamora exchange glances.

RAINA

It wasn't the right time.

Raina turns around and faces Prue, Melinda and Tamora.

RAINA (CONT'D)

I thought you three were ready.

(to Prue)

I've watching you for centuries. I could never imagine this could end this way.

PRUE

You shouldn't have messed up with my husband.

(pauses)

Now, we don't want this powers anymore.

DAVINA

Once a Shadow, forever a Shadow.

MELINDA

But there is a way to leave.

RAINA

There is indeed. Those necklaces. We can give them back to the Font.

MELINDA

Why don't destroy it?

RAINA

There's no need for that.

MELINDA

But in that case, we'll keep linked to you.

RAINA

You are not just any Shadows. You brought back the Power. No even If I wanted. They can't be destroyed.

PRUE

So?

RAINA

They would be returned to the Font and it'll keep them until the day you want them again.

PRUE

That day won't come.

RAINA

Then, the font itself will destroy them when the time comes.

Prue, Melinda and Tamora exchange glances. Raina signs to Moriah, Delilah and Davina. All three approach the Charmed Ones. Delilah takes off Tamora's necklace as Moriah takes off Melinda's and Davina takes off Prue's. As soon as the necklaces leave their neck, they turn gray.

PRUE

(to Raina)

Now can you please take me to my husband?

Raina signs to Davina. The woman leaves the room. Raina and Prue stare at each other.

CUT TO:

INT. SHADOWS' TEMPLE - EXT. STONE ROOM - NIGHT

Prue, Melinda and Tamora come out of the room. Prue stops. Davina comes closer followed by Wyatt. They stop as they see the girls. Prue rushes towards Wyatt. Both hug.

PRUE

I'm so sorry, honey. I'm so sorry.

Both kiss.

PRUE (CONT'D)

I should have listened to you.

WYATT

It's OK. You're back now.

(smiles)

But please, next time open your eyes sooner, OK?

Prue smiles. Both kiss again. Raina, followed by Moriah and Delilah as well as the rest of the Shadows comes out from the Stone Room. Wyatt, Prue, Melinda and Tamora look at them.

RAINA

It was a shame this didn't work.

(to Wyatt)

I was saying the truth.

(to both Wyatt and Prue)

You two were my favorites. In every life you lived.

WYATT

(to Prue)

Let's go home.

Prue nods. They look at Melinda and Tamora. They nod yes.

PRUE

Goodbye.

Wyatt ORBS out taking Prue.

MELINDA

(to Tamora)

I need help to teleport myself again.

Tamora takes Melinda's hand and ORBS out too. Raina and Davina look at each other.

RAINA

There's still hope.

(pauses)

A prophecy arose on the day they got married. So, there's still hope.

Davina forces a smile.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TO DAY TO NIGHT

Various shoots of the town at the sound of 'Fight Song' by Rachel Platten.

The world seems like it got back to normal.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

Music fades off.

Lights inside the house are on.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Everybody is reunited there: Piper, Leo, Phoebe, Coop, Paige, Henry, Chris, Bianca, Charlotte, Eric, Cassandra, Junior, Pandora, Damon, Michael and Wyatt. They all look at the girls in front of them: Prue, Melinda and Tamora.

In their faces, there is a mix of anger and comprehension.

PRUE

So, those were our reasons to do what we did.

COOP

How come we remember everything that happened? Even Eric and Michael.

MELINDA

That's the price we have to pay for what we did.

PRUE

Personal gain.

TAMORA

We were thinking in us.

PRUE

And every magic comes at with price. That's ours. Live with the fact that you remember what we did.

They all exchange glances. Cassandra, who was sitting in a corner of the room, gets up and approaches Prue. Cassandra is serious. She obviously is not happy. Both look at each other.

CASSANDRA

(to Prue)

Well, I'm glad I remember cause I wouldn't want to forget what you did. And no, I don't forgive you.

Prue looks straight to her. Cassandra leaves the room.

PHOEBE

(calling)

Cass!

PRUE

Leave her, mom.

PHOEBE

Honey, you did it to protect your sister. I would do the same.

PIPER

Actually, we did. All those years ago.

PAIGE

With the Avatars.

LEO

(to the Charmed Ones)

We won't judge. We kinda understand.

MELINDA

Thanks, dad.

Tamora looks at Michael. As soon as their eyes meet half way, Michael heads out of the room. Tamora lowers her gaze and takes a deep breath. She looks at Pandora and her sister smiles and signs her to go after Michael. Tamora leaves the room.

PAIGE

Is there something wrong with them?

PANDORA

You don't want to know.

CHRIS

Well, I don't agree with what you did, but it's OK.

(to Wyatt)

I'm just sorry I reported you with them.

WYATT

So, it was you?

CHRIS

C'mon, in the end, the heart brought her back.

Chris points to Prue. Wyatt and Prue exchange a smile.

HENRY

Well, things ended well so I think I should get back to what I was doing.

PIPER

Yeah. And I have a new restaurant to open.

PHOEBE

Well, I have to get back to my vacations.

They all look to Phoebe.

PHOEBE (CONT'D)

Sorry, but Prue was right about that.

Phoebe holds Coop's hand.

PHOEBE (CONT'D)

(to Prue)

I trust you to take care of your sister.

Prue nods yes. Phoebe signs Coop to beam out. Coop BEAMS out taking Phoebe. Charlotte gets up and approaches Prue and Melinda. She hugs her.

CHARLOTTE

I'm so glad you two are back.

They all smile and approach Prue and Melinda to hug them.

CUT TO:

EXT. HALLIWELL MANOR - STREET - NIGHT

Michael is there. Standing. His face shows disappointment. Tamora approaches him from behind.

TAMORA

Mike ---

MICHAEL

(turns around)

You could have talked to me, you know? Be honest.

TAMORA

I'm sorry, but I tried. You didn't listen.

MICHAEL

But what you did, Tam --- Just to have control over me.

TAMORA

I didn't want to lose myself.

MICHAEL

And in the meantime, you lost me.

TAMORA

Mike ---

MICHAEL

It's over.

Tamora doesn't know what to say.

MICHAEL (CONT'D)

We clearly are not in the same page.

Tamora lowers her gaze.

MICHAEL (CONT'D)

I need stability in my life and not someone who takes the easy way to get out of problems.

(pauses)

I love you. But now, we are not looking for the same.

Michael turns around and gets into his car without looking back. He drives the car out of there. Once he's gone, Tamora raises her face which is covered in tears. Then she ORBS out.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

MUSIC STARTS PLAYING: 'Fire Meet Gasoline' by Sia.

Various shoots of the city at night.

CUT TO:

INT. DAMON'S FLAT - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Damon is looking through the window. Melinda hugs him from behind. He smiles. He turns around, puts his arms around her and kisses her.

MELINDA

I don't know what came into me.

DAMON

Honey, it's OK. In the end, you did what was right.

MELINDA

Yeah, but every time I think of the reason why I ---

DAMON

(cuts her off)

Hey, it's OK. You're back. And I'm so glad to have you here in my arms.

MELINDA

And I'm so glad I'm here.

He kisses her again. Their kisses get intense.

DAMON

Should I shimmer us into the bedroom?

MELINDA

No. No teleporting power. I miss the one I had, so no. let's walk in.

Melinda takes his hands and both walk towards the bedroom, kissing each other.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE'S TOP - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Tamora is sitting on the top of the bridge. She's crying desperately. Really desperately.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Wyatt is there looking through the window. Prue comes into the bedroom and closes the door behind her. Wyatt looks at her.

PRUE

Thank you for not being mad at me.

Both start walking towards each other.

WYATT

Thank you for coming back.

Wyatt puts his arms around her waist and Prue put hers around his neck. Both kiss.

WYATT (CONT'D)

And please, don't make me go through all that suffering again.

PRUE

(smiles)

Oh, well, as Chris said, the heart brought me back, so if that happens again, I can count on my heart to bring me back.

Wyatt smiles. Both kiss again.

WYATT

I love you.

PRUE

And I love you.

They kiss again.

THE SONG GETS LOUDER.

Both keep kissing. The kisses get more and more intense and what comes next is not for kids to see. Wyatt takes out his shirt and her top. He is shirtless and so is she. He kisses her neck and she loves it. They touch each other. Both head to the bed and lay down. And keep kissing each other. Both can barely breath while the image starts getting away through the bedroom's window.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

MUSIC KEEPS PLAYING.

The image gets away little by little showing a view of the manor as the music ends and we ---

CUT TO BLACK.

END OF THE EPISODE