2x22 - My Sister's Keeper

[Prue Brianna Johnna Halliwell]

DESTINED

'MY SISTER'S KEEPER'

TEASER

OVER BLACK.

FADE IN:

EXT. CUPID'S TEMPLE - DAY

View of the Temple over the Mediterranean Coast.

CUT TO:

INT. CUPID'S TEMPLE - SQUARE - DAY

Alyssa and others Head Cupids are next the Fountain. In front of them is Prue. The Head Cupids are serious.

ALYSSA

--- We can't let this go without a punishment, Prue.

PRUE

What are you gonna do? Take my powers?

(daring)

Go ahead. I want to see you guys succeeding without me.

Prue turns around to leave. Alyssa glances at the others Head Cupids. Then looks at Prue.

ALYSSA

Wait.

Prue smiles and then turns around but takes back her serious face.

ALYSSA (CONT'D)

Maybe we don't need to be that severe. After all, you had a good reason. You were trying to protect your sister.

PRUE

(smiles)

Thank you. Now, if you'd excuse, I have a life to live, a club to run and a husband to take care of. Oh, and a sister to protect.

ALYSSA

Go. Just don't take drastic decisions without consulting us.

PRUE

Don't worry.

(pauses; smiles)

No. You actually you should worry. You know I don't really care.

Prue shoots them a roguish smile and BEAMS out. Alyssa turns to the others. She feels their looks on her.

ALYSSA

What? He doesn't want her powerless.

Alyssa turns around and leaves while the others exchange glances.

CUT TO:

INT. UNDERWORLD - CORRIDOR - DAY

Corbin comes walking followed by J.D.

CORBIN

It feels so good to have the world back to normal.

J.D.

Tell me about it. I lost my free will.

CORBIN

I managed to get away, but saw some of my friends changing.

They keep walking.

J.D.

Where are we anyway?

CORBIN

(smiles wickedly)

We call it home, but it's best known as the Underworld.

J.D.

(surprised)

The Underworld?

Corbin nods.

J.D. (CONT'D)

So, this place really exists?

CORBIN

Yes, it does.

J.D.

So, are you gonna give me more powers?

CORBIN

The information you gave me was good. So you deserve it. My boss wants to meet you.

J.D.

(smiles)

Is he bad?

CORBIN

Yeah, but he has an agenda. I'm not sure what it is, but he is sure that this time we will win.

J.D.

Mom keeps asking me to stay away from evil.

CORBIN

She's a good witch. And she's on the losers team.

J.D.

I don't want anything to happen to her.

CORBIN

You are on our side. You have to leave your humanity aside.

J.D.

I know, but she's my mom.

CORBIN

As long as she stays out of our path, she'll be OK.

Both enter into a cave.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

A demon, IGNATIUS (40's), is there. Corbin and J.D. come in. Ignatius is just there looking at an ancient book.

CORBIN

Here we are, boss. I brought the man.

Ignatius turns around and looks at them. He looks at J.D. upside down.

IGNATIUS

J.D., what a nice pleasure to finally meet you.

Corbin signs to J.D. to vow. J.D. vows.

IGNATIUS (CONT'D)

(smiles)

I was informed that you are dating a Destined One. The youngest?

J.D. glances at Corbin. Corbin signs him to answer.

J.D.

That's right --- Sir.

IGNATIUS

Oh, my boy, no need to call me that. You should save that one for another.

Corbin and J.D. exchange glances.

IGNATIUS (CONT'D)

(to J.D.)

So, you want more powers?

J.D.

Yes.

IGNATIUS

I can give you more. Many more. I'm just gonna need something from you.

J.D.

What is it?

IGNATIUS

Keep doing what you're doing. Being close of little Halliwell.

Ignatius approaches J.D.

IGNATIUS (CONT'D)

And if the opportunity arrives, don't miss the chance to hurt the eldest girl.

J.D.

Prue?

IGNATIUS

(smiles)

Yes, that one.

J.D.

(smiles)

That would be my pleasure. That one made me lost my free will, so I would gladly get a payback.

Ignatius smiles.

IGNATIUS

Good boy. I guess you deserve more than just another power.

Ignatius smiles wickedly.

CLOSE UP: IGNATIUS WICKED FACE.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Rose McGowan as Paige Matthews

Matt Bomer as Damon

Guest Starring

Marisol Nichols as Bianca

Brian White as Michael Morris

Jensen Ackles as Eric

Katie Cassidy as Melissa

Cody Christian as J.D.

Ethan Peck as Drew

Michael Raymond-James as William Landon

Erica Durance as Alyssa

Cassidy Freeman as Fiona

John Barrowman as Christopher Mercer

Dustin Milligan as Corbin

John Wesley Shipp as Ignatius

Isabella Hofmann as Mrs. Appleton

Robert Roldan as Minister

Unknown actors as J.D.'s family

Unknown actor as Prison Guard

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

MUSIC: 'DANCING WITH THE DEVIL' by Marina Kaye.

Various shoots of San Francisco: Alcatraz Island, fog covering the town, the Golden Gate Bridge, a cable car full of people, the Coit Tower, Twin Peaks, the Palace of Fine Arts Theater and the Painted Ladies in Alamo Square.

The image runs fast towards the sky as we are ---

CUT TO:

INT. UP THERE - HEAVENS - DAY

MUSIC FADES OFF.

Tamora is there walking from one side to another. She seems nervous. Paige is near her, watching her daughter.

PAIGE

Can you stop it? You'll make a whole in ---

TAMORA

(stops)

The ground? Mom, our feet are on clouds.

PAIGE

Still, you're gonna drive me crazy.

Tamora keeps walking from one side to another.

TAMORA

What if they take my powers?

PAIGE

You deserve it. You got the fate of the world in your hands.

Tamora stops again.

TAMORA

Thank you, mom, for making me feel guilty. I have enough problems in my life right now ---- If I lose my powers I ---

FIONA (O.S.)

You won't.

Fiona, the Elder, approaches them.

FIONA (CONT'D)

You won't lose your powers.

Tamora and Paige exchange glances.

PAIGE

What's her punishment, then?

TAMORA

(to Paige)

You really want to see me suffering, mom, huh?

Paige grimaces.

FIONA

We have decided Tamora needs a chance to prove herself.

TAMORA

What do you mean?

PAIGE

Oh please tell me you are not thinking in ---

Fiona nods yes.

PAIGE (CONT'D)

She's not ready for that.

TAMORA

Ready for what?

Fiona and Paige exchange glances.

TAMORA (CONT'D)

Can you please explain?

FIONA

You will get a charge.

Tamora is open-mouthed.

TAMORA

(astonished)

A what, sorry?

FIONA

A charge.

TAMORA

You're kidding me, right?

Fiona nods no.

TAMORA (CONT'D)

I have enough problems in my life right now. I can't think of taking care of someone if I can't take care of my own life.

FIONA

Think of it has a way to get your head away from other things.

TAMORA

I can't do that.

FIONA

Tamora, you just got the fate of the world in your hands. Why wouldn't you be able to take care of someone?

TAMORA

Because I messed it up and I will do it again.

FIONA

You have here a chance to prove that you're capable of doing what's right.

Tamora looks at her mother. Paige nods yes.

TAMORA

(to Fiona)

Fine. Who's that person?

FIONA

His name is Sebastian Whitmore.

TAMORA

How do I find him?

FIONA

You will know it at the right time.

Tamora takes a deep breath.

TAMORA

Well, it seems like a good plan to me.

Paige smiles. Tamora sighs.

CUT TO:

EXT. HALLIWELL MANOR - DAY

The facade of the house is shown.

CUT TO:

INT. HALLIWELL MANOR - BATHROOM - DAY

Wyatt and Prue are inside the bath. The foam covers their bodies. Both kiss passionately.

WYATT

(kissing her neck)

How do you manage them to be afraid of you?

PRUE

(smiles)

I have my tricks.

Both smile.

WYATT

You have to show me those tricks.

Prue stops kissing him and looks serious at him.

WYATT (CONT'D)

I know I am the most powerful witch that ever walked on Earth ---

PRUE

(cuts him off)

One of the most powerful witches.

WYATT

(smiles)

Fine. One of the most powerful.

PRUE

Honey, you are just a good person and friendly.

WYATT

Still, I need to start getting a little harder on them.

Both smile. They kiss again.

PRUE

I love to be here, but ---

WYATT

Don't even try to finish that sentence.

PRUE

Honey ---

They look each other.

PRUE (CONT'D)

I need to go. 

WYATT

Cass?

Prue nods yes.

PRUE

I need to find out what that J.D. is up to.

WYATT

You really think he's not up to something good?

PRUE

Honey, the Shadows took him to their place.

WYATT

They took me too.

PRUE

Exactly. You didn't change and neither he did.

WYATT

But I didn't change because I could go either way. Good or Evil.

PRUE

Exactly. J.D. didn't change so maybe he's not that good.

WYATT

I hope you're right, otherwise, Cass would be mad at you.

PRUE

I know I'm right.

Both kiss.

PRUE (CONT'D)

I need to go.

(stops)

Oh, by the way, I asked Melissa to stay away from you, but now that things went back to normal she won't probably do what I asked.

WYATT

Don't worry about her.

PRUE

(smiles)

Now, I really need to go.

Prue tries to leave the bath, but Wyatt stops her.

WYATT

Just fifteen minutes.

Prue smiles. They kiss again.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES - DAY

Some people go in and out the building.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - MAIN ROOM - DAY

Pandora is on her computer. She is very concentrated in what she's doing. Drew comes in and looks around. Pandora raises her eyes from her computer and sees Drew at the entrance. As soon as she sees him, her reaction is to hide under her desk. She seems concerned. She tries to stay very quite under the desk.

PANDORA

Oh, crap, crap, crap!

And then, BEAT - Drew's face shows up. He smiles at her.

DREW

Please tell me that the reason why you are there is because you lost an earring which is very important to you because it belonged to your grandmother.

Pandora forces a smile.

PANDORA

Can it be a ring?

Drew grimaces. He throws out his hand and helps her stand.

DREW

Why are you running away from me?

PANDORA

(disguises)

Running away? 

Drew nods yes.

PANDORA (CONT'D)

Me?

Drew nods again.

PANDORA (CONT'D)

I wasn't running away.

DREW

Then why aren't you picking up my calls or answering my texts?

PANDORA

(stutters)

Well - I - I was - just ---

DREW

You were just ---?

Pandora sighs.

PANDORA

(giving up)

Fine. I was running away from you.

DREW

Why?

PANDORA

Because of what happened.

DREW

You mean because we slept together.

That came out a little louder. Pandora looks around. No one's looking at them.

PANDORA

(to Drew)

Do you want everybody to find out?

DREW

Well, I want you to talk to me.

Pandora drags Drew towards the copy's room.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - COPY'S ROOM - DAY

Pandora drags Drew inside.

PANDORA

Fine. Let's talk. What do you want to talk about?

DREW

(hands on his hips)

Well, first, why don't you want to talk to me?

PANDORA

Oh, do you want me to make you a drawing?

DREW

I just think it's normal for grown ups to do what we did.

PANDORA

(whispers)

Not when we are told to.

DREW

What did you say?

PANDORA

(disguises)

Nothing. I just think we went to fast.

DREW

Well, I don't.

(pauses)

I liked it.

Both look each other deeply. Pandora takes a deep breath.

PANDORA

I liked it too. But ---

DREW

But what?

PANDORA

Can we go slowly from now on?

DREW

Really? 

(sarcastic)

You want to go slowly now?

Both look at each other. Pandora moves fast at the windows and closes the blinds and locks the door. She turns to Drew and takes a deep breath.

PANDORA

Screw it!

She approaches Drew fast and kisses him. Actually, both kiss passionately. Drew leans her against the copy machine and both keep kissing.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. BERKELEY - CAMPUS - DORMS - CASSANDRA'S DORMS - DAY

The door opens. Cassandra comes in. As she comes in she sees D.J. there.

J.D.

Hi, babe.

CASSANDRA

J.D.? How did you get in?

J.D.

I have my tricks.

He approaches her and both kiss each other.

J.D. (CONT'D)

I have something great to tell you.

CASSANDRA

What is it?

J.D.

(smiles big)

I've got a new power.

CASSANDRA

(surprised)

You did? Well, I guess your parents should be very powerful.

J.D.

It doesn't matter. If something like what happened, happens again, I would be able to fight it.

CASSANDRA

I'm sorry for what happened. And I'm sorry I said I would get away from you.

J.D.

It's not your fault. It's Prue's fault. She hates me and I don't even know why.

(pauses)

But next time I'm gonna be prepared. I won't let your sister get between us.

Cassandra looks him seriously.

CASSANDRA

She's my sister, J.D., no matter what she's done, she's my sister.

J.D.

I know, babe, but I'm not gonna let her get between us again. 

(serious)

I won't.

J.D. smiles and then kisses Cassandra.

CUT TO:

INT. HALLIWELL MANOR - STAIRCASE / MAIN HALL / ENTRANCE - DAY

Prue comes running downstairs as Melinda comes out from the dining room.

MELINDA

Hey, why the rush?

PRUE

Problems to solve.

MELINDA

What was the punishment?

PRUE

None. I got away without one.

MELINDA

You should teach Tamora how to do it.

PRUE

What did they say?

MELINDA

She's gonna have a charge.

PRUE

That doesn't seem that bad.

MELINDA

She never had one.

PRUE

Well, in that case, she better focus on it. It will keep her mind away from Mike.

MELINDA

(sad)

I'm sorry for them, you know? I think they look good together.

PRUE

Me too, but it was Mike's decision. 

MELINDA

I wish she could tell us how we can help her.

PRUE

Indeed.

(pauses)

How was it for you?

MELINDA

(smiles)

I got the publicist to help mom with the opening.

PRUE

That's great.

MELINDA

Yes.

Melinda gets serious out of a sudden.

PRUE

What?

MELINDA

Oh, it's nothing. It's just --

(pauses; deep breaths)

Mom is leaving the Halliwell's entirely up to me.

PRUE

And that's bad because why?

MELINDA

Well, because I almost screwed the world. Who said I won't do the same with the restaurant?

PRUE

Oh, c'mon, Mel. Get over it. Now let me go. I have a sister to save.

At that moment, Charlotte BEAMS in.

CHARLOTTE

(to Prue)

Sorry, it took me so long. I was teaching.

PRUE

Right on time.

MELINDA

Do you, guys, need help?

PRUE

This is our sister's problem. We handle it.

MELINDA

Well, good luck with that. Let me know if you need me to talk to her.

Prue and Charlotte nod yes.

PRUE

(to Charlotte)

Let's go.

Both Prue and Charlotte BEAM out.

MELINDA

(grimaces)

Why do they have to do it in front of me?!

Melinda sighs and leaves.

CUT TO:

EXT. SAN QUENTIN STATE PRISON - DAY

STOCK

CUT TO:

INT. SAN QUENTIN STATE PRISON - VISITING ROOM - DAY

Junior is at a table. No one else is on the room. The door opens and a guard comes in.

GUARD

I'm sorry, inspector, but I'm afraid he won't be able to see you today.

JUNIOR

(serious; stands)

Why?

GUARD

He felt hill and the doctor is keeping him in the prison's hospital.

JUNIOR

(worried)

What? Can I see him?

GUARD

You'll need an authorization.

JUNIOR

Fine. I'll get one.

Junior takes his phone from his pocket and dials a number.

CUT TO:

EXT. BERKELEY - CAMPUS - DAY

Prue and Charlotte come walking and talking.

CHARLOTTE

-- I'm really glad you two are OK.

Prue smiles.

PRUE

How are you and Eric?

Prue shoots her sisters a look. Charlotte smiles.

CHARLOTTE

We are OK.

PRUE

At least one of my sister has made a good choice.

Charlotte smiles.

CHARLOTTE

I'm glad you forgave me.

Prue stops walking. Charlotte stops too.

PRUE

(smiles)

There was nothing to forgive.

At that moment, Cassandra approaches them.

CASSANDRA

What the hell are you two doing here?

CHARLOTTE

(reproachful)

Cassandra! Is that a way to talk to your sisters?

CASSANDRA

Sorry, Charlie. You don't deserve it.

(looking at Prue)

But she does.

Prue lowers her gaze.

PRUE

Look, Cass, we are here to talk to you.

CASSANDRA

I thought I made myself clear. I don't want to talk to you.

PRUE

You know what, I've been patient. You ignored my calls and texts, fine. I gave you time. But now I'm done.

CASSANDRA

You're done? How dare you, after what you did?

PRUE

I said I was sorry, but that boy is not good.

CASSANDRA

That's why you asked your friends to take care of him, huh?

PRUE

(surprised)

How do you know that?

CASSANDRA

He told me.

PRUE

He wasn't supposed to remember. Only family and friends do because it was the price we had to pay.

CASSANDRA

Well, I guess J.D. fits in. Now, if you'd excuse me, I have better things to do than looking at that face of yours, sis.

Cassandra turns around and walks away. Charlotte is about to follow her, but Prue holds her arm.

PRUE

Wait.

CHARLOTTE

Prue, she can't talk to you like that.

PRUE

J.D. wasn't supposed to remember.

CHARLOTTE

(not understanding)

What?

PRUE

Apart from family, only Damon, Bianca, Eric and Mike would remember. And apart from them, also the Elders, Cupids and ---

(strange pause)

Demons or evil beings would remember.

CHARLOTTE

Please tell me that J.D. fits in the friends category.

Prue looks serious at Charlotte.

PRUE

I bet my powers on the last category.

Both look serious at each other.

CUT TO:

EXT. BAY MIRROR - DAY

People getting in and out the building.

CUT TO:

INT. MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

Wyatt comes in followed by Chris.

CHRIS

You didn't like it.

WYATT

Chris, I didn't say that.

Wyatt grabs some documents from his desk.

WYATT (CONT'D)

I just said that mom will freak out.

CHRIS

I know. But that's something I want to do.

Wyatt takes a deep breath.

WYATT

If that makes you happy, go ahead.

Chris smiles. At that moment, Melissa comes in.

MELISSA

Hi, guys.

WYATT

Hi.

Chris and Wyatt stare at Melissa.

MELISSA

I swear I haven't said anything.

Wyatt and Chris exchange glances.

WYATT

You said you would need our help, but you didn't say on what.

MELISSA

Because I'm not sure yet.

Wyatt and Chris exchange glances again.

MELISSA (CONT'D)

Look, I'll keep your secret OK? And I promise that when I need you, I'll ask for your help. But please stop giving those looks. You can trust me. I'm not a Succubus.

CHRIS

I bet Prue would think different.

WYATT

(reproachful)

Chris!

CHRIS

I couldn't hold it.

Chris smiles and leaves the room.

WYATT

Make sure you don't cross Prue's path for the next century.

MELISSA

Do you guys live that much?

WYATT

We ---

Wyatt takes a deep breath.

WYATT (CONT'D)

We have a meeting to attend.

Melissa smiles. Both head out of the office.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. SOUTH BAY SOCIAL SERVICES - COPY'S ROOM - DAY

CLOSE UP: PANDORA IS BUTTONING HER SHIRT.

Pandora is giving her back on Drew. Drew puts his jacket on.

DREW

What we just did ---

PANDORA

(cuts him off)

Don't. I don't know what came into me.

DREW

Probably the same thing that came into me.

Pandora turns to face him.

PANDORA

This ---

DREW

(cuts her off)

Don't say that what happened can't happen again.

PANDORA

But it can't. You are Mr. Landon's nephew.

DREW

So what? I like you, Pandora.

Drew approaches her.

PANDORA

I like you too, but ---

DREW

Why do you have to complicate things?

PANDORA

(serious)

Look, Drew, it cost me a lot to be accepted by Mr. Landon. I don't want him to think I'm with you because --- 

DREW

He won't think anything. He doesn't even have to know.

At that moment, someone knocks the door.

WILLIAM (O.S.)

Miss Mitchell, are you there?

Pandora and Drew glance at the door. Then they look each other.

PANDORA

How would you explain that to him?

Drew takes a deep breath and heads towards the door. He opens the door. William Landon is there and he seems surprised to see Drew there.

WILLIAM

Drew?

He then looks at Pandora.

WILLIAM (CONT'D)

(to Drew)

What are you doing here?

DREW

I had something important to talk to your assistant, but I'm off to go.

Drew seems mad. He leaves the room fast. William watches him leave. Then, he looks at Pandora.

WILLIAM

Do I want to know?

Pandora nods no.

CUT TO:

EXT. SOMEWHERE IN CALIFORNIA - EXT. J.D.'S FAMILY HOUSE - DAY

A small blue house with a well-maintained garden is shown.

CUT TO:

INT. J.D.'S FAMILY HOUSE - KITCHEN - DAY

MRS. APPLETON (late 40's) is cooking something. A noise is heard from inside the house. She turns off the stove and leaves the kitchen.

CUT TO:

INT. J.D.'S FAMILY HOUSE - J.D.'S BEDROOM - DAY

J.D. is playing with an ENERGY BALL in his hands. His mother, Mrs. Appleton comes in.

MRS. APPLETON

J.D. what's ---

She cuts herself off when she sees the energy ball. J.D. makes it disappear.

MRS. APPLETON (CONT'D)

Where did that come from?

J.D.

Mom ---

MRS. APPLETON

(worried)

What are you doing, J.D.?

J.D.

Nothing, mom.

MRS. APPLETON

Who is giving you those powers?

J.D.

C'mon, mom, they're mines.

MRS. APPLETON

There's no way that those powers were granted to you.

J.D.

Why not? I'm a witch.

MRS. APPLETON

(aloud)

From my side. And no one in my family had those kind powers.

J.D.

Well, maybe I'm the most powerful of the family.

Mrs. Appleton is about to answer, but in that moment Corbin FADES in.

CORBIN

Hey, man!

MRS. APPLETON

Who are you?

Corbin sees J.D.'s mom.

J.D.

(approaching Corbin)

Corbin, take us out of here.

MRS. APPLETON

J.D.!

Corbin touches J.D.'s shoulder and FADES out. The woman looks at it astonished. At that moment, the doorbell is heard. She leaves the bedroom.

CUT TO:

INT. J.D.'S FAMILY HOUSE - LIVING ROOM - DAY (MOMENTS LATER)

Mrs. Appleton comes in followed by Prue and Charlotte.

CHARLOTTE

I'm sorry, we got your address from Magic School.

Mrs. Appleton signs them to sit.

MRS. APPLETON

It's actually surprising because J.D. left Magic Scholl a long time ago.

The girls sit and Mrs. Appleton sits in front of them.

PRUE

Why did he leave?

MRS. APPLETON

He thought he had no powers.

CHARLOTTE

But he has powers.

MRS. APPLETON

He received them when he turned 18.

Prue and Charlotte exchange glances.

MRS. APPLETON (CONT'D)

What did he do?

The woman stares at the girls.

MRS. APPLETON (CONT'D)

He must have done something for you to be here. I mean it's an honor, but weird.

PRUE

He's dating our baby sister.

CHARLOTTE

Cassandra.

MRS. APPLETON

And I guess your baby sister started behaving differently?

CHARLOTTE

How do you know?

MRS. APPLETON

He is my son, but he has become different himself. Since he got those weird powers.

Prue and Charlotte exchange glances.

PRUE

What do you mean? Wasn't he supposed to get those powers?

MRS. APPLETON

(forces a smile)

I am an ordinary witch. There's nothing special about me. I was born with a weak version of Telekinesis. How would my son get numerous powers?

(pauses)

A moment ago, I found him fingering an energy ball.

PRUE

And energy ball?

The woman nods.

MRS. APPLETON

A friend of him also showed up. Corbin, I guess that's what he called him. He teleported him inside the bedroom.

CHARLOTTE

What kind of teleportation he used?

MRS. APPLETON

Like fading.

Prue and Charlotte exchange worried glances.

PRUE

Mrs. Appleton, we need to find your soon and in order for us to do that, we're gonna need something that belongs to him.

MRS. APPLETON

(nervous)

I'll get you whatever you need.

Mrs. Appleton stands.

MRS. APPLETON (CONT'D)

Just save my son. He used to be a good boy.

Prue and Charlotte stand.

PRUE

We'll try.

Mrs. Appleton smiles and leaves the room as Prue and Charlotte look at her leaving.

CUT TO:

EXT. SAN QUENTIN STATE PRISON - DAY

STOCK

CUT TO:

INT. SAN QUENTIN STATE PRISON - PRISON'S HOSPITAL - DAY

There're a few beds there and one of them is surrounded by hospital curtains. Junior is outside of it, with a guard. Moments later, Eric comes in followed by another doctor. Junior approaches them.

JUNIOR

So?

Eric and the doctor exchange glances.

ERIC

It's not my field, but based on the results, I --

Eric pauses.

JUNIOR

You what?

ERIC

I have to say that you should prepare for the worse.

Junior seems to be shaken at the news.

ERIC (CONT'D)

Junior, I'm sorry.

Junior looks at Eric.

JUNIOR

Can I see him?

Eric exchanges glances with the doctor who nods yes. Junior opens the curtains and gets in.

Once he's in, he sees Christopher lying on the bed with a machine connected to him. Junior approaches his bed. Christopher is awake and seems weak.

CHRISTOPHER

Son.

JUNIOR

How are you feeling?

CHRISTOPHER

(forces a smile)

Better now.

Christopher extends a hand so Junior can hold it. He does.

CHRISTOPHER (CONT'D)

I'm glad I could meet you before I leave for good.

JUNIOR

Don't say that.

CHRISTOPHER

You are the best thing that I ever did.

A tear starts running down Junior's face.

CHRISTOPHER (CONT'D)

Don't cry. You have good parents. I can only thank them for making of you someone I never was.

(smiles)

I can die in peace now. I regret of all my mistakes and I paid some of them. But I only saw how life was good with me when I first saw your face.

JUNIOR

Please, stay quiet. You'll need your strength to get out of here.

CHRISTOPHER

You and I know that won't happen, son.

A tear starts running down Christopher's face.

CHRISTOPHER (CONT'D)

But I can die happy because I finally know that you don't hate me.

JUNIOR

I never did.

CHRISTOPHER

(smiles)

You really have you mother's heart. I'll tell Mia about you when I meet her again.

(smiles again)

I don't even know if I'm going to the same place, but I'll ask for a favor up there.

Junior holds tied Christopher's hand.

JUNIOR

I'm sorry. I'm sorry I couldn't save you.

CHRISTOPHER

Oh, but you saved me the best way possible, son.

JUNIOR

Dad, please.

Junior's tears run faster. Christopher smiles bigger.

CHRISTOPHER

Thank you for that. The melody of what you called me makes my heart feel no pain. Only joy.

Christopher's eyes start closing. Junior looks at him.

JUNIOR

Dad!

Christopher's eyes close entirely. Junior tries to wake him up not letting go of his hand.

JUNIOR (CONT'D)

Christopher, wake up. C'mon.

(desperate)

C'mon!

Eric and the other doctor come in. They stop as they see them.

JUNIOR (CONT'D)

(nervous)

C'mon!

CLOSE UP: JUNIOR'S HANDS GLOW YELLOW.

Junior's hands start glowing. The HEALING POWER. Eric sees it and tries to get the other doctor out of there before he sees something. The other doctor leaves. Eric watches them.

ERIC

Junior --

Junior looks at Eric. Eric signs him to look at his hand. Junior is surprised as he sees it glowing.

JUNIOR

(surprised; confused)

What?!

His hands glow even more and then... BEAT! Christopher wakes up. At first, he seems confused. Christopher coughs.

CHRISTOPHER

(confused)

What happened?

Junior and Eric exchanged amazed glances.

JUNIOR

(astonished; to Christopher)

I think you're gonna be OK.

Christopher doesn't understand anything. Junior and Eric look at each other.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. BERKELEY - CAMPUS - DAY

People walking around the campus.

CUT TO:

INT. CAMPUS - DORMS - CASSANDRA'S DORM - DAY

Cassandra is putting some books on a bag. Corbin FADES in bringing J.D.

J.D.

Cass!

Cassandra gets scared. She turns around and is surprised to see them there.

CASSANDRA

J.D.! How did you both get in?

J.D.

My friend has a wonderful teleporting power.

CASSANDRA

Really? What power?

CORBIN

Why do you want to know? It's just a power.

J.D.

A cool one.

Cassandra shoots Corbin a suspicious look.

J.D. (CONT'D)

Cass, come with us. There's a place I need to show you.

CASSANDRA

What place?

J.D.

Somewhere where we can do what we want and get away from our families.

CASSANDRA

But ---

J.D.

(approaches her)

No buts. Come with me and you'll see.

Cassandra is not convinced.

CASSANDRA

Is he coming too?

CORBIN

C'mon, dear. I was the one who showed him the place.

Cassandra looks from Corbin to J.D.

CORBIN (CONT'D)

It's just a small tour. If you don't like it, you can beam back here.

J.D.

Yeah, Cass. C'mon. Let's have fun, babe.

J.D. kisses her.

CASSANDRA

Fine.

J.D. holds Cassandra's hand. Corbin touches J.D.'s shoulder and FADES out taking them.

CUT TO:

INT. UNDERWORLD - CORRIDOR - DAY

Corbin FADES in bringing Cassandra and J.D. Cassandra seems astonished.

CASSANDRA

(to Corbin)

You faded out!

CORBIN

What were you expecting?

Cassandra looks from Corbin to J.D.

CASSANDRA

(to J.D.)

Is he a demon?

CORBIN

Oh, don't tell me you're racist!

CASSANDRA

J.D., do you want to explain what this means?

J.D.

C'mon, Cass. Corbin is my friend.

Cassandra is astonished.

CASSANDRA

He is a demon. Don't you understand?

J.D.

I know what he is. But he's been my friend.

Somehow, Cassandra starts figuring out some things.

CASSANDRA

All the powers you've got ---

(joins the dots)

He gave them to you. You are just an ordinary witch and you couldn't have all those powers.

J.D.

C'mon, Cass. Now you're hurting me.

CASSANDRA

I was so blind.

J.D.

No, honey. Look, these powers are cool. All the things we can do.

CASSANDRA

Crap, J.D. Prue was right all along. You were not up to anything good.

J.D. and Corbin laugh.

J.D.

Yeah, you know, and I thought you were on this with me.

CASSANDRA

(pointing to Corbin)

I vanquish his species.

J.D.

May I remind you that you wanted a life away from it?

CASSANDRA

Exactly. But I never mentioned that I wanted to socialize with them. And neither
should you.

J.D. and Corbin exchange glances.

CASSANDRA (CONT'D)

I'm out.

Cassandra, mad, BEAMS out.

J.D.

(mad)

You know? I hate that Prue. I want to make her pay.

CORBIN

(smiles wickedly)

Good. I know someone who may help.

Corbin keeps the wicked smile on his face as J.D. shows a raging one.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Some shoots of the town are shown in fast motion.

CUT TO:

INT. PRUE'S CONDO - ROOF - NIGHT

The roof's door opens. Chris and Bianca come in. Bianca is blindfolded.

BIANCA

(anxious)

Chris, what's going on?

CHRIS

You'll see.

Chris drives her. Then, he stops.

CHRIS (CONT'D)

Let's take this off.

Chris takes the blindfold off. And as Bianca opens her eyes she seems surprised at something in front of her.

BEAT. A well-decorated dining table with candles. Bianca is surprised.

BIANCA

(smiles)

Chris, what's all this?

CHRIS

This is for you, babe.

Bianca smiles big. She looks at him.

BIANCA

Are we celebrating something special?

CHRIS

You and me. Our love.

Bianca and Chris kiss. Then Chris gets on his knees. Bianca starts getting nervous.

BIANCA

What are you doing?

CHRIS

I have something to ask.

Chris clears his throat. Takes something from his jacket's pocket, extends his hands and an engagement ring is shown.

CLOSE UP: ENGAGEMENT RING. The very same Phoebe gave him months before.

CHRIS (CONT'D)

Would you marry me?

Bianca smiles big.

BIANCA

(nods yes; happy)

Yes.

Chris smiles. He stands and takes Bianca's hand. He puts the ring on the finger.

CHRIS

(smiles)

I love you.

BIANCA

(smiles)

I love you too.

Both kiss.

CUT TO:

INT. UNDERWORLD - CORRIDORS - NIGHT

Prue and Charlotte come walking. Charlotte seems annoyed.

CHARLOTTE

How many more demons are we gonna vanquish before we find that Corbin?

PRUE

No idea. But I'm not leaving till I find him.

CHARLOTTE

Shouldn't we call the others? Wyatt could help.

Prue stops. Charlotte stops.

PRUE

Wyatt had some business at the magazine to take care of.

CHARLOTTE

Chris?

PRUE

Wyatt said he was up to some important things.

CHARLOTTE

There's still Mel and Damon, the twins ---

Prue shoots Charlotte a look.

CHARLOTTE (CONT'D)

(resignedly)

Fine. She's our sister. We deal with her.

PRUE

Exactly.

Both keep walking. They head deeper into the corridors. They almost run into Corbin. The demon freezes as he sees them.

CORBIN

Hi?

PRUE

(smiles)

Hi.

Prue approaches him.

CORBIN

Do I know you?

PRUE

You will. You see, I had a vision earlier when I touched an object of someone I was looking for. And guess what? You appeared in that vision too.

CORBIN

Witches!

PRUE

Oh, yeah.

Corbin WAVES his hands fast and throws them again a wall. He is about to disappear, but Prue is faster as well and WAVES her hand throwing him against a wall. Prue and Charlotte get up.

PRUE (CONT'D)

Where is J.D. and what the hell are you doing with him?

CORBIN

(stands)

He is on our side now. And he'll take your baby sister along.

Prue TIGHTENS her fist and Corbin gasps. He grabs his chest in pain and falls to the floor. Prue walks over to him.

PRUE

Where. Is. Him?

CORBIN

Go to hell.

PRUE

(smiles)

You first.

Prue tightens her fist strongly. Prue CRUSHES Corbin's heart. Corbin soon burns in flames.

CHARLOTTE

(swallows)

That was ---

Prue shoots Charlotte a look.

CHARLOTTE (CONT'D)

--- I hope never to forget that you are my sister.

Prue is about to answer, but her mobile phone rings.

CHARLOTTE (CONT'D)

Nice network!

Prue picks it up.

PRUE

Haley? What's happening?

(listens)

What?

(worried)

Is everybody OK?

(listens)

You did well.

(listens)

No, don't call the police. Keep everybody away from the club. I'm coming.

Prue hangs off the phone. She looks at Charlotte.

CHARLOTTE

What happened?

PRUE

It was Haley. Someone has entered P3 and started creating chaos. Haley doesn't know exactly how.

(pauses)

Luckily, there were just a few people in and they didn't realize what was exactly happening. She is managing to keep everybody away from the club.

CHARLOTTE

J.D.?

PRUE

I bet all my money on him.

CHARLOTTE

Let's go, then.

Both girls BEAM out.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. P3 - DANCE FLOOR / COUNTER / STAGE - NIGHT

CLOSE UP: AN ENERGY BALL HITS A CHAIR. IT EXPLODES.

J.D. stands in front of it. He smiles. Then he creates another ENERGY BALL and throws it against the drums on the stage. It explodes.

Prue and Charlotte BEAM in.

PRUE

Stop it!

J.D. turns to face them.

J.D.

(mad; to Prue)

You damn witch!

J.D. waves his hand, but Prue is faster and WAVES her hand too. She throws him against the wall. J.D. stands and looks at them.

PRUE

Your problem is with me, not my club.

J.D.

(sarcastic)

Oh, I’m sorry, let me fix your beer machine.

J.D. creates another ENERGY BALL and throws it at the Beer Machine.

CHARLOTTE

Stop it, J.D. Think of your mother.

J.D. looks at them.

J.D.

My mother has nothing to do with it.

CHARLOTTE

She´s suffering to see you getting into bad ways.

J.D. realizes they’ve been talking to his mother.

J.D.

Have you talk to her?

Charlotte nods.

J.D. (CONT'D)

You had no right to do that.

CHARLOTTE

We are worried about our sister.

J.D.

You stupid witches.

J.D. WAVES his hands and throws both Prue and Charlotte against the stairs. Prue stands fast while Charlotte is still on the floor. J.D. is about to attack again, but Prue WAVES her hands and throws him against the wall. She rushes to Charlotte fast and tries to wake her up. At that moment, Cassandra enters by the entrance stairs and watches it all. J.D. stands and creates an ENERGY BALL. Cassandra sees him aiming to Prue. Prue doesn’t notice it. Cassandra realizes what J.D. is about to do and realizes also that Prue is not aware of it. She looks from J.D. to Prue.

CASSANDRA

(aloud)

J.D., NO!

Not thinking twice, Cassandra runs towards Prue and pushes her away at the same time as J.D. throws the ENERGY BALL who’s now coming straight towards Cassandra. The girl concentrates and CHANNELS J.D.’s power. She deviates the ENERGY BALL, using only her eyes, back to its owner. Prue watches it as Charlotte starts waking up. The ENERGY BALL hits J.D. The boy is thrown against the wall and lies on the floor unconscious. Cassandra looks at him astonished.

CASSANDRA (CONT'D)

(screams)

J.D.!

Cassandra is about to run towards J.D., but Prue runs towards her and holds her. Cassandra gets down on her knees crying as Prue holds her. Charlotte gets up and approaches J.D.’s body. Both Prue and Charlotte have no reaction to what happened. Cassandra cries aloud. Charlotte gets down and touches J.D.’s throat. Charlotte looks at Prue, who’s still holding her baby sister, and nods no. Prue loses her color. Cassandra cries even more. Prue tries to comfort Cassandra.

PRUE

(holding Cassandra)

It’s OK. It’s gonna be OK. You’re are gonna be OK.

Charlotte has a worried look. Prue and Charlotte exchange glances as the image fades away and we are ---

CUT TO:

EXT. SAN FRANCISCO – DAY

MUSIC: 'STAND BY YOU' by Rachel Platten.

A rainy day in town. Some places are shown as the rain falls.

CUT TO:

INT. SAN FRANCISCO NATIONAL CEMETERY – DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Some people are reunited at J.D.’s funeral. Prue and Wyatt are there holding hands while Prue hugs Cassandra. Charlotte and Eric are there too. J.D.’s mom and dad are also there. A little boy is with them, probably J.D.’s brother. Mrs. Appleton cries a lot while her husband comforts her. Tears also run down Cassandra’s face.

MINISTER

We are here to celebrate the joy of J.D.’s life ---

The Minister keeps talking, but his voice is covered by the music that keeps playing. Cassandra and Mrs. Appleton cry harder at every word of him.

CUT TO:

INT. SAN FRANCISCO NATIONAL CEMETERY – DAY (MOMENTS LATER)

As the funeral finishes, people starts leaving. Cassandra approaches Mrs. And Mr. Appleton and says goodbye to them. Charlotte and Eric take her away. Prue looks serious at Wyatt and Wyatt looks at her. Wyatt nods yes. Prue approaches Mrs. Appleton.

PRUE

(to Mrs. Appleton)

I’m so sorry for you lost.

Mrs. Appleton hugs Prue.

PRUE (CONT'D)

I’m sorry I couldn’t save him.

Mrs. Appleton lowers her gaze.

MRS. APPLETON

At least, you tried.

PRUE

Maybe I can stop by your place in a couple of days and tell you how it happened.

MRS. APPLETON

Mrs. Halliwell, I know how it happened.

They stare at each other.

MRS. APPLETON (CONT'D)

A demon was responsible for this. The one thing need to know is, did you take care of him?

PRUE

(sighs)

He won’t be bothering anyone anymore.

MRS. APPLETON

(takes a deep breath)

Thank you.

Mrs. Appleton smiles. Prue smiles back. Then Prue walks away from her and joins Wyatt.

WYATT

Are you OK?

PRUE

I am. I wish I could say the same of Cass.

WYATT

She’ll be OK. She has us.

Prue smiles. Both hold hands and walk away.

CUT TO:

EXT. SAN FRANCISCO – DAY / NIGHT

MUSIC: ‘LET IT ALL GO’ by Birdy and Rhodes.

Some shoots of the city showing some famous places as the days pass by.

CUT TO:

EXT. PRISON – DAY

MUSIC FADES OFF.

Some prisoners are seen from the outside.

CUT TO:

INT. PRISON – VISITING ROOM – DAY

Christopher is there and across the table is Junior. Christopher seems healthy.

CHRISTOPHER

Doctors can’t explain. Your friend told them they were probably mistaken.

JUNIOR

Eric is a good doctor. If he says so.

CHRISTOPHER

Son, I was dying. You saved me.

Junior shoots him a confused look.

JUNIOR

What do you mean I saved you?

CHRISTOPHER

When you called me dad. I think that it was a miracle.

JUNIOR

Do you believe in miracles now?

CHRISTOPHER

Why not? It was the will to keep being part of your life that save me. You saved me, son.

JUNIOR

Yeah, if you say so.

Christopher smiles.

CHRISTOPHER

I want to have another chance with you.

Junior looks him serious.

CHRISTOPHER (CONT'D)

I’m applying for parole.

JUNIOR

(surprised)

You what?

CHRISTOPHER

Son, this was a chance life gave me and I’m willing to take it.

JUNIOR

But ---

CHRISTOPHER

(holds Junior’s hand)

Please, son, I need your support.

Junior looks at Christopher’s hands holding his.

CLOSE UP: CHRISTOPHER’S HANDS HOLDING JUNIOR’S.

Junior looks at him.

JUNIOR

You can count on that.

Christopher smiles. Junior forces a smile.

CUT TO:

EXT. GOLDEN GATE PARK – DAY

Tamora, Pandora and Melinda come walking and talking.

MELINDA

(to Tamora)

--- So they gave you the name and you haven’t heard the bells?

TAMORA

Not a little bit. I wonder why is taking so long for me to know my charge.

PANDORA

Be patient, sis.

The girls keep walking. Pandora stops as she sees something or someone. Melinda and Tamora realize it.

MELINDA

(to Pandora)

What’s wrong?

PANDORA

He’s here!

MELINDA

(looks around)

Who’s here?

Tamora also looks around and sees him: DREW. The man is sitting next to the shore looking at the lake.

TAMORA

Pan’s crush.

PANDORA

He’s not my crush.

Pandora looks at him.

MELINDA

Why don’t you go and talk to him?

PANDORA

Because he wants a relationship.

TAMORA

Pan, go ahead, if you like him, go ahead.

PANDORA

You let Mike go away.

TAMORA

Don’t follow my steps and go.

Pandora smiles at Tamora. Then she looks at Melinda who nods yes. Pandora walks over Drew.

MELINDA

(to Tamora)

Do you regret?

Tamora looks serious at Melinda.

TAMORA

Sometimes, but I got what I asked for.

Tamora keeps walking. Melinda follows her. While that, Pandora approaches Drew.

PANDORA

Hi!

Drew looks at her and stands.

DREW

(surprised)

Hey!

PANDORA

Can we talk?

DREW

Are you going to dump me?

Pandora nods no.

DREW (CONT'D)

Then, I think we can talk.

Pandora smiles. Both sit side by side.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – DAY

Paige is sitting on the couch. The sound of the front door opening is heard. She stands. Junior comes in. He seems blue and gets surprised as he sees his mother there.

JUNIOR

Mom, what are you doing here? I thought you were in New Orleans helping Aunt Piper.

PAIGE

I can orb, remember?

Junior smiles.

PAIGE (CONT'D)

Henry told me.

Junior doesn’t understand.

PAIGE (CONT'D)

About your birth father.

Junior gets it. He is about to answer, but Paige cuts him off.

PAIGE (CONT'D)

It’s OK. I understand that you want to know where you come from.

JUNIOR

Mom, you and dad are my real parents.

PAIGE

I know that. And I don’t mind that you want to know Christopher better. 

(approaches Junior)

Honey, I’ve been there. I was adopted too and I know how it feels to be divided by two families, but I want you to know that you can have both.

(pauses)

I and Henry will always be your parents. No matter what. We love you.

JUNIOR

I love you too, mom.

Paige smiles. Both hug each other.

PAIGE

Now, let me go. Otherwise, Piper would kill me. Oh, and tell Tamora I’ll be waiting for her to start our Whitelighter classes.

JUNIOR

I will.

Junior smiles. Paige ORBS out.

CUT TO:

EXT. HALLIWELL MANOR – DAY

The facade of the house is shown.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

CLOSE UP: BIANCA’S LEFT HAND. AN ENGAGEMENT RING ON HER RING FINGER.

Bianca is showing the ring to Prue.

PRUE

(smiles)

Absolutely gorgeous.

Bianca smiles. Melinda, Damon, Wyatt, Chris, Tamora and Pandora are also there. Melinda approaches Bianca and hugs her.

MELINDA

I’m gonna have another sister-in-law. How cool is that?!

CHRIS

You didn’t like her at first.

Melinda shoots Chris a look.

MELINDA

I like her now. Is that OK for you?

Chris laughs. Pandora also approaches Bianca.

PANDORA

Congratulations, Bianca.

Both hug. Tamora also approaches Bianca.

TAMORA

Welcome to the family.

Bianca and Tamora smile.

CHRIS

Hey, what about me? I’m the groom.

DAMON

(to Wyatt)

Right, let's hug him.

Both Wyatt and Damon hug Chris making fun of him.

WYATT

Oh, brother, you’ll have a bachelor's party that you’ll never forget.

CHRIS

Hey, there’s no need.

WYATT

Oh, but you shall have it.

Wyatt and Damon exchange accomplished looks. Charlotte comes in followed by Eric and Cassandra.

CHARLOTTE

Hey, we heard that someone is getting married.

Charlotte and Eric approach Bianca. Prue approaches Cassandra. Cassandra seems a little down, but with her colors back.

PRUE

Hey! How are you feeling?

CASSANDRA

Better. In a manner of speak.

Prue smiles.

PRUE

If you need something ---

CASSANDRA

I know I can count on you.

Prue hugs Cassandra.

PRUE

Thank you.

Both look at each other.

CASSANDRA

No. Thank you, sis.

Prue and Cassandra smile. Prue’s phone rings. She picks it off.

PRUE

(on the phone)

Yes ---

(listens)

--- I’ll be right there.

Prue hangs off the phone. She signs to Wyatt to follow her. Both head out of the room as the others keep talking about Bianca and Chris engagement.

CUT TO:

EXT. HALLIWELL MANOR – PORCH'S STAIRS – DAY

Michael and Junior are next to Michael's car. Prue and Wyatt come out of the house and go downstairs to join them.

PRUE

Hi, guys!

MICHAEL

Hi.

WYATT

What's up?

MICHAEL

I came to tell you that P3 was released. You can reopen the club.

PRUE

What about what happened?

MICHAEL

The Medical Examiner said the cause of death was a heart attack caused by an electrical gadget. They have no suspects, but with Haley's testimonial, they seem to believe that there was more than one person that night causing troubles inside P3. Sooner or later the case will be closed.

JUNIOR

(to Prue)

For the record, you and your sisters never were there on that night.

Prue breaths relieved.

PRUE

(to Michael)

Thank you.

WYATT

Well, now that is all good, why don't you guys come in? Chris proposed to Bianca.

Prue nudges Wyatt. He shoots her a look. Michael lowers his gaze. Junior looks at Wyatt and Prue. Weird moment. Chris comes out of the manor.

CHRIS

Hey, guys! What are you doing here? Come inside.

MICHAEL

I'm afraid I won't be able to join you, but congratulations, Chris.

(pauses)

I'm leaving.

Wyatt, Prue, Chris and Junior look at Michael.

MICHAEL (CONT'D)

I'm going back to Philly.

They all exchange surprised glances.

WYATT

(surprised)

Why?

MICHAEL

Well, my sister-in-law is having another baby soon and I want to be there with them. Besides ---

(takes a deep breath)

There's nothing else holding me here.

WYATT

You know we are your family, right?

Michael smiles.

MICHAEL

I know.

CHRIS

You are always welcome here, Mike.

JUNIOR

Always.

PRUE

Will you come back?

MICHAEL

You are the clairvoyant here. You tell me.

Prue approaches him and hugs him tightly. Then they separate.

PRUE

(smiles)

You will.

Both smile.

MICHAEL

Say goodbye to the others for me.

Michael heads inside the car. They watch him starting the car and driving away.

JUNIOR

Well, I'll congratulate the bride.

Junior goes upstairs and enters the house. Wyatt, Prue and Chris start going upstairs.

CHRIS

What a year, huh?

WYATT

Yeah. 

CHRIS

(to Prue and Wyatt)

Hey, isn't today your first month anniversary?

PRUE

It is.

CHRIS

Then, we must celebrate before our next demons' hunting.

WYATT

I couldn't agree more with you, brother.

The three of them smile. Chris gets into the house. Wyatt looks at Prue.

WYATT (CONT'D)

Happy first month.

PRUE

Happy first month of many.

Wyatt smiles. Both kiss. Then, Wyatt gets into the manor and Prue follows him. Prue stops. Glances at the door up and down. And then, she WAVES her right hand closing the door. And we ---

CUT TO BLACK.

END OF EPISODE

END OF SEASON TWO