3x22 - Life Goes On

[Prue Brianna Johnna Halliwell]

DESTINED

"LIFE GOES ON"

TEASER

OVER BLACK.

FADE IN:

EXT. HALLIWELL’S – DAY

STOCK.

CUT TO:

INT. HALLIWELL’S – DINING ROOM – DAY

Melinda and Christopher are there cleaning up the place. Melinda is cleaning the tables while Christopher sweeps the floor.

MELINDA

Thank you, so much, Christopher for being here helping me.

Christopher smiles.

CHRISTOPHER

It was the least I could do. You gave me this job after all.

Melinda smiles at him.

CHRISTOPHER (CONT'D)

Besides, I’m excited with the re-opening. After the mad time we went through, we deserve a celebration.

Melinda forces a smile.

MELINDA

(disguises)

Yeah, mad indeed.

At that moment, Damon comes in from the front door.

DAMON

Morning!

Melinda and Christopher look at him.

MELINDA

(surprised)

Damon! What are you doing here?

DAMON

I came to help.

CHRISTOPHER

Oh, Good. Another pair of hands may come in handy.

Damon smiles.

CHRISTOPHER (CONT'D)

I’m going to get the mop from the storeroom.

Damon nods. Christopher heads out the dining room. Melinda and Damon watch him leave. Then, Melinda turns to Damon.

MELINDA

You didn’t have to.

DAMON

Yes, I do. Mel, ---

Damon steps towards her.

DAMON (CONT'D)

You may not want me by your side, but I’m determined to have you back.

They stare at each other. Then Christopher comes in bringing the mop.

CHRISTOPHER

Here it is.

Damon looks at him.

DAMON

Good! Let me help you with that.

Damon heads towards Christopher. ON MELINDA. She smiles.

CUT TO:

EXT. HALLIWELL MANOR – DAY

Chris’ car is parked outside.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – DAY

Wyatt and Chris come in.

CHRIS

Nice to see things getting back to normal.

WYATT

Indeed. I’m glad the Cleaners agreed to fix some things.

CHRIS

I was surprised, I must confess.

Wyatt smiles and sits on the sofa.

CHRIS (CONT'D)

But I’m really glad our contacts made it possible for you to come back to life for the World outside.

WYATT

Thanks to mom and her connections to Agent Murphy.

Chris smiles. Then, Chris gets serious. He sits in front of his brother.

CHRIS

I was actually waiting for things to get back to normal so I could take a decision.

Wyatt looks seriously at Chris.

WYATT

A decision about what?

Chris has some difficulties in looking straight at Wyatt.

WYATT (CONT'D)

Chris, what is it?

Chris looks at Wyatt. He takes a deep breath.

CHRIS

I’ve got a job proposition.

(pauses)

They want me to publish a photography book.

Wyatt smiles.

WYATT

(excited)

Brother, that’s amazing!

Chris forces a smile.

CHRIS

Yeah, I know.

Chris doesn’t seem that happy and Wyatt notices it.

WYATT

Chris, what’s wrong?

Chris looks at Wyatt.

CHRIS

I’ll be traveling.

BEAT. Wyatt gets serious.

WYATT

Travelling ---

CHRIS

(cuts him off)

I won’t be able to come back home every night.

Wyatt gets it. He takes a deep breath and stands. Chris stares at Wyatt who walks towards the fireplace and looks at the fireplace which is off.

WYATT

(not looking at Chris)

Are you taking it?

Chris stands. Wyatt turns to Chris. Both stare at each other.

CHRIS

I want to.

Wyatt looks away.

CHRIS (CONT'D)

Wyatt, it’s my chance to do something for myself.

Wyatt can’t believe it.

CHRIS (CONT'D)

For once, I want to do something apart from saving yours and our Prue from the dark side.

WYATT

Chris ---

CHRIS

I need you to support me on this.

(takes a deep breath)

I would take it whether you want it or not, but it’ll be easier if you support me on this.

Both brothers stare at one another.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Jesen Ackles as Eric

Peter Facinelli as Sebastian Whitmore

Katie Cassidy as Melissa

Ignacio Serricchio as Marco Delgado

Alex Mauriello as Oracle

John Barrowman as Christopher Mercer

Shay Mitchell as Olivia Clark

Michael Raymond-James as William Landon

Evangeline Lilly as Siobhan

Tyler Poelle as Ted Larson

Joel Rush as Wally Losano

Floriana Lima as Leticia Delgado

Alison Fernandez as Mayra Delgado

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Matt Lanter as Matthew

Unknown actors and actresses as people

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

INT. MELISSA’S APARTMENT – ENTRANCE – DAY

ON: MELLISSA OPENS THE FRONT DOOR.

BEAT. Prue is there. Melissa is surprised.

MELISSA

Prue! What a surprise!

Prue smiles.

PRUE

Sorry, I show up like this, but ---

At that moment, behind Melissa, Sebastian ORBS in.

SEBASTIAN

Hi!

Melissa turns to Sebastian.

MELISSA

(surprised)

Hi!

SEBASTIAN

(to Prue)

I came as soon as I got your text.

MELISSA

Can you guys explain?

Prue waits for Melissa to invite her in. Melissa motions Prue to come in. She does. Then Melissa walks into the living room and Prue and Sebastian follow her.

CUT TO:

INT. MELISSA’S APARTMENT – LIVING ROOM – DAY

Melissa comes in followed by Prue and Sebastian.

MELISSA

So, Prue, I’m curious.

Prue smiles.

MELISSA (CONT'D)

Is the World ending again?

PRUE

No, I hope.

MELISSA

By the way, Sebastian, why are my memories fading away?

Prue and Melissa look at Sebastian.

SEBASTIAN

Oh, that’s normal. Humans aren’t supposed to be Up There. And you stayed for a couple of days.

PRUE

(to Melissa)

Elders rules. Tricky.

MELISSA

I see.

PRUE

About the thing that brought me here ---

Prue takes something from her bag. Then she puts the bag in the sofa and approaches Melissa.

PRUE (CONT'D)

Now, that it’s over, I think you should keep this.

Prue extends her hand towards Melissa.

ON PRUE’S HAND. She opens it and the Medallion is there. Melissa looks at it astonished.

MELISSA

The Medallion!

Melissa looks at Prue.

MELISSA (CONT'D)

I failed in protecting it, Prue. I can’t ---

PRUE

Yes, you can.

(pauses)

It was handed to your ancestors for a reason, so ---

Melissa looks at the Medallion. She hesitates.

PRUE (CONT'D)

Besides, ---

Melissa looks at Prue.

PRUE (CONT'D)

--- Your father would want you to have it.

Melissa smiles. Then, she takes the Medallion.

MELISSA

Thank you, Prue.

Prue smiles. Then she turns to Sebastian.

PRUE

(to Sebastian)

About the books ---

(pauses)

--- I reunited the seven.

Sebastian smiles.

PRUE (CONT'D)

You should take them with you.

SEBASTIAN

Prue, my life is different now.

PRUE

You are not dead for the rest of the World. For some reason, the Elders stop the news of your death from spreading.

SEBASTIAN

But ---

PRUE

I can’t keep them, Sebastian.

(pauses)

They should return to you until your descendants are ready to take care of them.

SEBASTIAN

My descendants?

PRUE

Like I said, for some reason, you’re not dead to the World.

Both Prue and Sebastian stare at each other.

PRUE (CONT'D)

Besides, I can’t keep them.

Somehow Sebastian knows why.

SEBASTIAN

The spell to freed Darkness.

Prue nods.

PRUE

I must accept my inner darkness, but let’s not tempt it.

Sebastian agrees.

SEBASTIAN

As you wish, but you should hand them to Tamora. As the rest of my collection, she should keep the books too.

PRUE

Fine for me.

Sebastian and Prue smile.

MELISSA

Tea to celebrate?

Prue and Sebastian smile.

CUT TO:

EXT. HALLIWELL / COOP MANOR – FRONT HALL / DINING ROOM – DAY

The dining table is set. Lunch for two. Eric is sitting at the dining room table. Charlotte comes from the kitchen with a tray.

CHARLOTTE

Lasagna is ready.

Eric smiles.

ERIC

Good, I’m hungry.

CHARLOTTE

Be grateful I didn’t get my cooking skills from mom.

Eric smiles. Charlottes puts the tray on the table.

ERIC

After the hard times we had, a bad lasagna is the less of my problems.

Charlotte smiles.

CHARLOTTE

Let’s hope it stays quite for a while. I’m just tired of fighting against the end of the World.

Eric pours some wine into their glasses.

ERIC

It’s part of who you are.

CHARLOTTE

I know. I won’t give up, but the past months made me want some vacations.

Eric has an idea.

ERIC

Let’s do it.

Both stare at each other. Eric is serious.

CHARLOTTE

Do what?

ERIC

Go on vacations.

Charlotte smiles not believing.

CHARLOTTE

Vacations?

Eric nods yes.

ERIC

We could go to Italy or Greece.

CHARLOTTE

Are you serious?

Eric nods. Charlotte thinks for a while.

CHARLOTTE (CONT'D)

Well, I think a couple of weeks out won’t do any harm.

Eric smiles.

CHARLOTTE (CONT'D)

Let’s do it.

Both smile. Charlotte starts serving the lasagna. At that moment, the front door opens and Cassandra comes in. She is serious. Charlotte and Eric look at her. Cassandra enters the dining room.

CHARLOTTE (CONT'D)

Cass, do you want to join us?

Cassandra seems like something is wrong.

CASSANDRA

No, I ---

Charlotte and Eric exchange glances.

ERIC

What’s wrong?

Cassandra takes a deep breath.

CASSANDRA

I did something I should’ve done a while ago, but I don’t know if you, guys are going to be OK with it.

Charlotte and Eric exchange glances.

CHARLOTTE

Cass, you’re scaring me.

Cassandra searches in her bag and takes out a paper. Cassandra hands it to Charlotte who reads what’s in it. Charlotte is serious. Then she stares at Cassandra, surprised.

CHARLOTTE (CONT'D)

You’re going to New York!

ON CHARLOTTE. She is serious.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – FRONT HALL – DAY

Prue comes in the manor.

PRUE

Family!

WYATT (O.S.)

In the living room.

Prue walks into the living room.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – DAY

Wyatt and Chris stare at one another. Prue walks into the living room.

PRUE

What’s up?

WYATT

(serious)

Can you believe that Chris wants to leave?

CHRIS

I don’t want to leave, Wyatt.

PRUE

Leave to where?

Chris turns to Prue.

CHRIS

I had a job proposal.

PRUE

Good.

Chris smiles.

PRUE (CONT'D)

Wait, what kind of job proposal?

WYATT

He would have to travel a lot.

Prue looks from Chris to Wyatt.

PRUE

What?

WYATT

(sarcastic)

Oh, and the best part, he won’t be coming home every night.

PRUE

(astonished)

What?

Chris rolls his eyes.

PRUE (CONT'D)

(to Chris)

Are you taking it?

CHRIS

(decided)

I am.

Prue is serious.

PRUE

But you can’t.

CHRIS

Why not?

PRUE

Chris, the gang ---

CHRIS

I need to live my life, Prue.

Prue is wordless.

WYATT

Is Bianca OK with this?

Chris looks at Wyatt.

CHRIS

She supports me.

PRUE

Of course, she does! She’s has lost her job, so what else?!

CHRIS

Prue ---

Prue turns around and leaves the living room. Chris and Wyatt exchange glances.

CUT TO:

INT. HALLIWELL MANOR – FRONT HALL – DAY

Prue is heading towards the staircase when the doorbell rings.

PRUE

(annoyed)

Oh, what now?!

She turns around and heads towards the front door. Wyatt and Chris come from the living room. Prue opens the door and ---

BEAT. Inspector Marco Delgado is there.

MARCO

Mrs. Halliwell. Just the person I wanted to see.

ON PRUE. She is not happy to see him there.

CUT TO:

INT. HALLIWELL MANOR – FRONT HALL – DAY (MOMENTS LATER)

ON PRUE.

PRUE

(surprised)

Inspector Delgado?! What can I do for you?

Marco walks in without permission. Prue glances at him. Marco looks at Chris and then at Wyatt. He stares at Wyatt.

MARCO

Mr. Halliwell!

Marco extends his hand for Wyatt to shake it.

MARCO (CONT'D)

Nice to meet you ---

(pauses)

--- alive.

Wyatt and Chris exchange glances. Then, Wyatt shakes hands with Marco.

MARCO (CONT'D)

Didn’t know you had connections in the FBI.

WYATT

I was being protected. My life was being threatened. 

MARCO

(ironic)

Right! Because of that article which ---

(pauses)

--- wasn’t actually written by you, but by that reporter Melissa Cooper.

WYATT

But I gave the green light to do that.

MARCO

Right!

CHRIS

Inspector Delgado, what can we do for you?

MARCO

(to Chris)

You, nothing. But I definitely hope that ---

Marco turns to Prue.

MARCO (CONT'D)

(looking at Prue)

--- she can.

Wyatt and Chris exchange glances. Prue is astonished.

PRUE

Me?

MARCO

Well, I hope so. I’ve been watching you, Mrs. Halliwell and I’m sure you’ll find a way to help me.

PRUE

Help you with what?

MARCO

I know you are a witch!

BEAT. Prue is open-mouthed. Actually, Wyatt and Chris also are.

PRUE

What?

Marco smiles.

MARCO

When one is trying to figure out a way to solve one’s problem and magic turns out to be the only solution possible ---

(pauses)

--- well, you notice every single detail.

PRUE

What are you talking about?

MARCO

Every crime scene I found you in ---

Prue disguises. She walks away from Marco.

MARCO (CONT'D)

--- Every excuse. And your husband is alive.

WYATT

We already told you the why.

CHRIS

It doesn’t make her a witch.

MARCO

Oh, no, I know you all are witches.

Wyatt and Chris exchange glances.

WYATT

It doesn’t make sense, Inspector Delgado. There’s not such a thing as magic.

MARCO

Don’t deny it, Mr. Halliwell.

(looks at Prue)

Anyway, I need help and I know you’ll help me.

CHRIS

Otherwise?

MARCO

(smiles)

I’ll expose you.

Prue turns to Marco.

MARCO (CONT'D)

I need to save my family. So, I need to get back in time.

Prue is serious.

MARCO (CONT'D)

I’ll give you two hours to think.

Marco turns around and heads towards the front door.

PRUE

Messing with time is a tricky thing to do, Inspector.

Marco turns to Prue.

MARCO

I’ll take my chances.

Marco turns around and leaves the house. Prue stares and Wyatt and Chris. They seem worried.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. GOLDEN GATE NATIONAL CEMETERY – DAY

MUSIC: TAKE ON THE WORLD by You Me at Six.

ON: GOLDEN GATE NATIONAL CEMETERY ENTRANCE

CUT TO:

INT. GOLDEN GATE NATIONAL CEMETERY – DAY

MUSIC KEEPS PLAYING.

Some people are gathered. A funeral is being held.

Next to the priest is the photo of the person who’s being buried: DREW LANDON.

Pandora is among the mourners. She’s dressed all in black. People seem really sad. Some of them are really crying. Drew’s mother and father are hugging one another. The woman cries hard. William Landon is next to Drew’s mother.

The priest is speaking.

CUT TO:

INT. GOLDEN GATE NATIONAL CEMETERY – DAY (MOMENTS LATER)

MUSIC KEEPS PLAYING.

The funeral seems to be over. People are walking away. Drew’s mother and father walk away with a young girl next to them. Pandora approaches the coffin. William Landon is next to it. Pandora places a white rose on the coffin. A tear runs down her face.

MUSIC FADES OFF.

PANDORA

Goodbye.

She lowers her gaze. Then Pandora approaches William.

PANDORA (CONT'D)

Mr. Landon, I’m so sorry for your lost.

William forces a smile.

WILLIAM

Thank you for coming, Pandora.

PANDORA

It was the least I could do.

She looks at the coffin.

WILLIAM

He died as a hero. Trying to save all those people from that building.

Pandora smiles.

PANDORA

He was just like that.

Both of them start walking away.

WILLIAM

I know is not the time to talk about this, but ---

PANDORA

(curious)

What is it?

WILLIAM

In a couple of months, he was going to go on a mission.

PANDORA

A mission?

WILLIAM

Like you said, he was just like that. He cared about humanity.

PANDORA

Where was he going to?

WILLIAM

Africa.

(pauses)

Anyway, I need you to help me find someone to replace him. Someone that may honor him.

PANDORA

I see.

WILLIAM

Can you help me with that?

Pandora is thoughtful. She takes a deep breath.

PANDORA

(serious)

I think I already know who’ll be pleased to carry on his mission.

William smiles. ON PANDORA. She seems decided.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

ON JUNIOR.

JUNIOR

What?

Wyatt, Chris, Prue and Bianca are there as well.

JUNIOR (CONT'D)

He knows about us?

WYATT

Yeah, and he’s threatening to expose us if Prue doesn’t help him.

PRUE

He said something about saving his family.

JUNIOR

Yeah, he lost them five years ago.

CHRIS

How?

JUNIOR

From what I’ve heard, it was in a supermarket. His wife and daughter were there when two guys came in holding guns. One of them killed his wife and daughter.

BIANCA

That’s awful.

JUNIOR

Yeah. Well, the one who killed them was found dead so he never got to pay for his crime.

CHRIS

Who killed him?

JUNIOR

Maybe his partner. We don’t know.

(pauses)

The thing is that Marco only knew their faces because of the camera in the supermarket, but they never found the second guy ---

(pauses)

--- till now.

CHRIS

The one he tried to kill the other day?

Junior nods yes.

JUNIOR

Ted Larson.

PRUE

That doesn’t explain the how he found about us.

JUNIOR

I told you once, he suspects even his own shadow.

WYATT

Clearly.

CHRIS

The thing is what do we do?

BIANCA

He wants to change the past.

WYATT

That’s not even an option.

PRUE

Yeah, but if we don’t do it, he’ll expose us.

WYATT

Yeah, but we can’t change what happened, Prue.

PRUE

We’ll try. I’m not gonna let this family being exposed.

WYATT

Prue ---

PRUE

Decision taken, Love.

Wyatt and Prue stare at one another. Wyatt takes a deep breath.

PRUE (CONT'D)

Thank you.

JUNIOR

I’ll go with you.

PRUE

Junior ---

JUNIOR

(cuts her off)

I know him, OK?

Prue and Junior stare at one another.

PRUE

Fine. Tell him to come.

Junior nods and leaves the room.

PRUE (CONT'D)

(to Chris)

When we get back, we’ll have to talk about you know what.

CHRIS

There’s nothing to talk about, Prue. I’ve taken my decision.

PRUE

Well, I’m not OK with it.

WYATT

Neither do I.

Chris shoots a look at his brother.

CHRIS

Of course, you would side with one another.

BIANCA

I think Chris has all the right to follow his dreams.

PRUE

We’re talking about leaving the gang.

CHRIS

No one is leaving, Prue. I’ll be away, but reachable.

PRUE

Yeah, right.

At that moment, Cassandra BEAMS in.

CASSANDRA

Hey, guys!

WYATT

Hi, Cass.

CASSANDRA

(to Prue)

I need to talk to you.

PRUE

Sorry, Cass. We’re in the middle of something here.

CASSANDRA

But it’s important.

PRUE

As important as Chris' decision to leave?

Cassandra looks at Chris.

CASSANDRA

You too?

Wyatt, Chris, Prue and Bianca look at Cassandra.

WYATT

What do you mean with you too?

Cassandra looks at them all.

CASSANDRA

Yeah, well ---

(smiles)

--- I’m following my dream of graduating in Psychology.

PRUE

That’s great ---

(pauses)

--- I guess.

CASSANDRA

Yeah, well, I ---

(lowers her gaze)

--- Ben has decided to stay in New York with his family.

Cassandra looks at them all.

CASSANDRA (CONT'D)

His parents thought that living apart wasn’t doing any good to their relationship and so Ben is staying there as well.

PRUE

Oh, please don’t tell me that you’re going to move.

CASSANDRA

I am.

BEAT. Prue rolls her eyes.

PRUE

Why is everybody thinking in leaving?

CASSANDRA

I’ll be a beam away, Prue.

PRUE

It won’t be the same.

CASSANDRA

It’s my life. I’m counting in my eldest sister to support me on this.

Prue looks at Wyatt looking for support. Wyatt turns to Cassandra.

WYATT

It won’t be the same, Cass.

CASSANDRA

So, what? Am I forced to stop my life because of magic?

WYATT

It’s what we are.

CASSANDRA

No.

Cassandra seems mad.

CASSANDRA (CONT'D)

Magic doesn’t define what I am.

Cassandra looks at Prue.

CASSANDRA (CONT'D)

I’m going.

(serious)

Period.

And Cassandra BEAMS out.

CHRIS

I’m taking that job too.

Bianca approaches Chris and hugs him. Wyatt and Prue look at one another. Junior comes in.

JUNIOR

He’s coming.

Prue looks at Junior. She takes a deep breath.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – DAY

Tamora is sitting on the sofa reading some documents. She seems very into the matter. Someone comes into the manor. Soon, Pandora shows up at the doorstep. Tamora looks up at her.

TAMORA

Hey, how was it?

PANDORA

Sad!

TAMORA

Of course.

Pandora sits on the sofa beside Tamora.

PANDORA

He was a hero. He managed to take out all the people in the building. And he died in the process.

TAMORA

Well, that’s how you should remember him.

Pandora and Tamora exchange glances. Pandora smile.

PANDORA

If only I knew what was happening, I could have saved him.

TAMORA

Sis, there was a lot going on. We couldn’t save all people.

Tamora takes Pandora' hands.

TAMORA (CONT'D)

We are not superheroes. We are witches. We do our best, but we cannot save them all.

PANDORA

I know.

Pandora stands.

PANDORA (CONT'D)

Anyway, I took a decision.

Tamora looks at her.

PANDORA (CONT'D)

In a couple of months, he was going on a mission.

(pauses)

I’m taking his place.

Tamora takes a deep breath. She stands.

TAMORA

If that’s what you think you should do, I’m with you.

PANDORA

(surprised)

You are OK with that?

Tamora nods.

TAMORA

I also have some decisions to make and ---

Tamora takes the documents from the sofa.

TAMORA (CONT'D)

I think I should take this opportunity.

Pandora looks at the documents.

PANDORA

What is it?

TAMORA

I’m going to take Sebastian collection to a tour in Europe.

Pandora is open-eyed, but happy.

PANDORA

That’s fantastic.

(pauses)

You love Europe. I remember the summer you spend in Amsterdam studying art.

TAMORA

(smiles)

So, you support me on this?

Pandora smiles.

PANDORA

Of course, I do.

Both sisters smile.

TAMORA

Besides, Sebastian may be able to join me and we’ll spend a time together as a normal couple.

Pandora smiles.

PANDORA

I’m so happy for you.

They hug one another.

CUT TO:

EXT. SAN FRANCISCO – DAY

Aerial view all over the town.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY – DAY

Wyatt, Chris, Prue, Junior and Bianca are there as well as Marco. They all stare at Marco.

MARCO

So, how does it work?

Prue approaches Marco. Junior approaches him too.

MARCO (CONT'D)

(to Prue)

Will you cast a spell to send us there?

PRUE

I have my own mean of transportation to the past.

Prue reaches out her right hand towards Marco. Marco looks at it and then he holds Prue’s hand.

ON MARCO AND PRUE’S HANDS HOLDING.

PRUE (CONT'D)

(to Junior)

You too.

Junior grab Prue’s hand. Prue looks at Wyatt.

WYATT

Take care.

Prue smiles and turns to Marco.

PRUE

(to Marco)

I want you to think on that day.

Marco nods. He closes his eyes. Then, Prue just BEAMS out taking Junior and Marco. Wyatt and Chris look at one another.

WYATT

About the other subject ---

CHRIS

(cuts him off)

I’m not changing my decision.

Chris turns around and leaves the room. Bianca glances at Wyatt and then leaves as well.

CUT TO:

EXT. MARCO DELGADO’S HOME – DAY (5 YEARS BEFORE)

STOCK.

CUT TO:

INT. MARCO DELGADO’S HOME – LIVING ROOM – DAY (5 YEARS AGO)

Prue BEAMS in the middle of the room bringing Marco and Junior. They look around. Marco is astonished.

MARCO

Wow!

PRUE

Where are we?

MARCO

My house.

(looks around)

We really traveled in time. It looks much clean.

JUNIOR

What now?

Marco looks at his wristwatch.

MARCO

She must be heading to the supermarket by now.

PRUE

Good. Then, let’s go.

(to Marco)

Lead the way.

Marco nods. He leaves the room followed by Prue and Junior.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL’S – DAY (PRESENT DAY)

STOCK.

CUT TO:

INT. HALLIWELL’S – DINING ROOM – DAY

ON MELINDA: She’s open-mouthed.

Tamora and Pandora are there. Pandora is not wearing black anymore.

MELINDA

Are you serious?

Tamora and Pandora nod. Damon is also there. The restaurant is already cleaned up.

DAMON

The both of you? Leaving?

PANDORA

We are not leaving. We’ll be back.

TAMORA

Yes, it’s just a season out.

PANDORA

I’ll be like 7 months in the mission.

TAMORA

And the tour will last a year maximum.

Melinda glances at Damon and then looks at the twins.

MELINDA

If that’s what you want ---

Tamora and Pandora smile. They hug Melinda.

TAMORA

Thank you for supporting us, cous.

MELINDA

It’s the least I can do.

DAMON

Do the others know?

PANDORA

We came here first.

MELINDA

Well, you must tell the others, after all, this interferes with the Destined Ones.

TAMORA

We can orb if needed, Mel.

MELINDA

I know. But still, it won’t be the same. Everyone leaving ---

TAMORA

Everyone?

(pauses)

Who else is leaving?

Melinda glances at them.

MELINDA

Chris got a job proposal.

They stare at Melinda, seriously.

CUT TO:

EXT. HALLIWELL / COOP MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL / COOP MANOR – CASSANDRA’S BEDROOM – DAY

Cassandra comes in the bedroom. She seems mad and slams the door behind her. She lies down her bed, furiously. Charlotte comes in.

CHARLOTTE

Hey!

Cassandra gets into a sitting position.

CHARLOTTE (CONT'D)

So, it didn’t go well, huh?

CASSANDRA

Mom and dad are OK with it. Now Prue ---

CHARLOTTE

Let me guess ---

Cassandra looks at Charlotte.

CHARLOTTE (CONT'D)

She forbade you?

CASSANDRA

Almost.

Charlotte sits beside Cassandra.

CASSANDRA (CONT'D)

She only thinks of the Destined Ones.

CHARLOTTE

Well, we must think of it. If you leave, it won’t be the same.

CASSANDRA

Not if, Charlie. I’m going. And I’m not the only one.

Charlotte and Cassandra look at one another.

CASSANDRA (CONT'D)

Chris is taking a new job and will have to travel a lot.

CHARLOTTE

(sarcastic)

I should better forget about my vacations.

Both sisters look at one another. Then they both smile.

CHARLOTTE (CONT'D)

I’m sure Prue will come to herself and support you on it.

CASSANDRA

I hope so.

They hug.

CASSANDRA (CONT'D)

Where are you going on vacations anyway?

They break the hug.

CHARLOTTE

I was thinking in Bali.

CASSANDRA

Good choice, sis.

CHARLOTTE

After the past year, some place where I could meditate would be nice.

CASSANDRA

And Eric will love it.

Charlotte smiles. Both sisters hold hands.

CUT TO:

EXT. SUPERMARKET – DAY (5 YEARS BEFORE)

Marco, Junior and Marco arrive.

JUNIOR

Is it here?

MARCO

Yes.

PRUE

Let’s go in.

All three of them head into the supermarket.

CUT TO:

INT. SUPERMARKET – CORRIDORS – DAY (5 YEARS BEFORE)

They walk between corridors.

PRUE

(to Marco)

Have you seen her?

Marco looks around and then he sees a woman by the cereals shelve. Marco’s look stops on her.

MARCO

There she is.

Marco motions them to look at a brunette woman, LETICIA (27).

PRUE

She’s beautiful.

MARCO

The most beautiful woman I’ve ever seen. I miss her so much.

Soon, a girl approaches Leticia. This girl is not older than 10, MAYRA.

MARCO (CONT'D)

My baby girl.

Prue looks at Marco and lowers her gaze. At that moment, some noises are heard and soon, people inside the place start running from one side to another.

JUNIOR

What’s going on?

Marco swallows.

MARCO

It has started.

Leticia looks around and sees Marco.

LETICIA

Marco?

Marco, Prue and Junior look at her.

LETICIA (CONT'D)

What are you doing here?

Not thinking twice, Prue approaches the woman and child.

PRUE

Mrs. Delgado, a robbery is in motion. We need to take you two out of here.

Junior walks down the corridor.

LETICIA

But ---

MARCO

Honey, we should go.

Marco grabs his daughter’s hand.

MARCO (CONT'D)

Let’s go.

Junior approaches them.

JUNIOR

They’re blocking the exit.

PRUE

We leave from the back door.

MARCO

We can’t.

JUNIOR

Why not?

MARCO

Because they locked it from the outside.

PRUE

They did what?

MARCO

(to Prue)

Take us out of here using your powers.

Prue looks at Leticia.

LETICIA

(scared)

Marco, what’s going on?

MAYRA

(to Marco)

Daddy, I'm scared.

Marco takes Mayra on his arms.

MARCO

It'll be OK, honey.

(to Prue)

Use your powers.

PRUE

Fine!

But they are stopped by Ted Larson, one of the robberies, who shows up down the corridor.

TED

Hey, Wally?

Prue, Chris, Marco, Leticia and Mayra look at Ted.

TED (CONT'D)

There’s more here!

Ted smiles as he points his gun towards them.

CUT TO:

INT. UNDERWORLD – INT. ORACLE’S CAVE – DAY (PRESENT DAYS)

The Oracle is by her rock table waving her right hand over her crystal ball. She seems very concentrated in what she’s doing.

ORACLE

To what do I owe the honor of your visit to my humble cave?

The Oracle raises her eyes to look at someone there.

BEAT. ON SIOBHAN, the leader of the Phoenix Witches. Siobhan is wearing a brown leather jumpsuit.

ORACLE (CONT'D)

What can I do for you?

Siobhan smiles.

SIOBHAN

Aren’t you the Oracle here?

The Oracle smiles. Then, she concentrates in the crystal ball.

ORACLE

You want to know if you’ll get what you want.

The Oracle glances at Siobhan. Siobhan is serious.

SIOBHAN

Will I?

The Oracle smiles and looks at her crystal ball.

ORACLE

You will, but ---

(looks at Siobhan)

--- It will take time.

SIOBHAN

How long?

ORACLE

Patient, my dear. Be patient.

SIOBHAN

I’ve been patient.

ORACLE

You need to wait a little bit longer. You’ll fail a few times before succeeding.

SIOBHAN

Fail? I cannot fail.

The Oracle approaches Siobhan.

ORACLE

But you will.

They stare at each other.

ORACLE (CONT'D)

And then, when you least expect it, you’ll have your revenge.

SIOBHAN

Patient?

The Oracle nods yes.

SIOBHAN (CONT'D)

Fine.

The Oracle smiles.

SIOBHAN (CONT'D)

I can be patient.

ORACLE

Good.

The Oracle turns around and heads towards her rock table.

ORACLE (CONT'D)

You know where to find me, if you need me, dear.

Siobhan nods and turns around leaving the cave. The Oracle looks at the exit.

ORACLE (CONT'D)

Just be careful, Siobhan. Your revenge will be your undoing.

The Oracle smiles and gets back to her crystal ball.

CUT TO:

INT. SUPERMARKET – CASH REGISTERS’ AREA – DAY (5 YEARS BEFORE)

The ones who weren’t able to escape from the supermarket are sitting on the floor against the cash registers. Prue, Junior, Marco, Leticia and Mayra are among the hostages. Some employees are also there. The two robbers walk between them, Ted and the second one WALLY LOSANO (28).

Prue is between Marco and Junior. Marco whispers something to her.

MARCO

(whispering)

Why don’t you use your powers?

PRUE

I can’t.

MARCO

Why not?

PRUE

Because we are in public!

Ted realizes there’s someone talking.

TED

Shut up!

Marco and Prue look at the robbers.

WALLY

Here is the thing, guys. We want everything you have. Jewels, cell phones, money ---

As he speaks, Wally walks in front of them and stops in front of Prue. He looks at her, but she keeps her gaze lowered.

ON: PRUE’S CUPID AND WEDDING RING.

WALLY (CONT'D)

Lovely!

Marco and Junior exchange glances.

WALLY (CONT'D)

It must be expensive.

Prue raises her eyes to look at Wally in the eyes.

PRUE

(serious)

They worth nothing.

Wally gets on his knees.

WALLY

They seem expensive to me.

PRUE

They are trinkets.

WALLY

Give them to me!

That was an order. Junior looks at Prue. Wally and Prue stare at each other. Wally extends his hand. Prue looks at Wally’s hand and then, she looks him straight in the eyes.

PRUE

(daring)

Come and take them.

Wally smiles. He glances at Ted and then looks at Prue. Suddenly, he grabs her and stands.

JUNIOR

(mad)

Leave her!

Junior stands mad. Ted points the gun to Junior.

TED

Get back to your place.

Wally holds Prue and points his own gun at her head. Ted and Junior stare at each other.

SOUND: Prue’s speaks without opening her mind.

PRUE

(telepathic)

Cous ---

Prue and Junior look at each other.

PRUE (CONT'D)

(telepathic)

--- Can you hear me?

SOUND: JUNIOR’S VOICE.

JUNIOR

(telepathic)

I’m a telepath, remember?

PRUE

Good.

TED

(commanding; to Junior)

Sit!

Prue and Junior stare at each other.

JUNIOR

(telepathic)

A distraction?

PRUE

(telepathic)

Yes. We need to take them out of here. Tell Marco to take them out of here.

Junior looks at Marco.

JUNIOR

(telepathic)

Marco?

BEAT. Marco looks around.

JUNIOR (CONT'D)

(telepathic)

It’s me, Junior.

Marco looks at Junior.

JUNIOR (CONT'D)

(telepathic)

Escape!

Marco doesn’t understand. At that moment, Junior looks at Ted and both fight. Wally grabs Prue strongly.

WALLY

Ted!

Marco looks around. Prue looks at him and signs him. Prue starts struggling with Wally to make him look in the opposite direction Marco and his family are. Marco takes Leticia’s hand.

MARCO

(whispering)

It’s our chance.

LETICIA

But them ---

MARCO

They can manage it!

Carefully, Marco and Leticia stand. Marco helps Mayra stand as well and both start heading out. Ted kicks Junior who falls down the floor. Ted realizes Marco and his family and running away and points his gun towards them. Prue sees it.

PRUE

NO!

Wally throws Prue on the floor.

SLOW MOTION IMAGES: Marco, Leticia and Mayra turn around. Ted shoots. ON BULLET. The bullet heads towards Leticia. Prue and Junior watch it all. Prue looks at the bullet and the bullet slows down until it stops and changes it course to hit a wall. Prue had used her TELEKINESIS power to change the course of the bullet.

THE IMAGES GET BACK TO NORMAL.

Ted is incredulous. Junior looks at Prue. Then, she looks at Wally and throws him against some shelves. The man falls unconscious on the floor. Meanwhile, Junior kicks Ted and he falls down the floor dropping his gun. Fast, Junior takes Ted’s gun and points to them.

JUNIOR

(to one of the hostages)

Call the cops!

The man takes his phone and dials a number. Junior approaches Ted and kicks his belly. The man stays on the floor holding to his belly in pain. Marco approaches them.

MARCO

(to Prue)

Thanks!

PRUE

You’re welcome.

Junior approaches another hostage and hands him the gun.

JUNIOR

(to hostage #2)

If he moves, shoot him.

The man nods yes. Junior approaches Prue and Marco.

JUNIOR (CONT'D)

What now?

MARCO

The cops will come and find a different scene. I’ll find a different scene.

PRUE

You?

MARCO

(serious)

I was the first to arrive.

Prue and Junior exchange glances.

PRUE

We need to leave.

MARCO

Why?

JUNIOR

Because it won’t be good if you arrive here and meet yourself.

The three of them exchange glances. Then Marco looks at Leticia and Mayra.

MARCO

Will they be safe now?

PRUE

She won’t die here, at least. Let’s go.

Prue and Junior start walking away. Marco looks at Leticia and Mayra. They look at him too. Marco signs her to stay where she is. Prue and Junior look at Marco.

JUNIOR

Marco!

Marco glances at Prue and Junior. Then he looks one last time to Leticia and Mayra and turns around. The three of them walk out. Leticia doesn’t understand and hugs Mayra.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – DAY

Chris is there standing in front of the Book of Shadows. He is serious. The book is closed. Bianca walks in and stares at him.

BIANCA

Babe?

Chris glances at her.

BIANCA (CONT'D)

Are you having second thoughts?

Chris nods no.

CHRIS

I’m just thinking about what Cass said.

Chris lowers his gaze.

CHRIS (CONT'D)

Magic is not what we are.

BIANCA

She was right.

Bianca approaches him.

BIANCA (CONT'D)

You don’t have to give up on your projects just because of magic.

CHRIS

But we are the Destined Ones. The protectors of the innocents.

BIANCA

And you still will be no matter where you are.

CHRIS

But can it be possible?

They stare at each other.

CHRIS (CONT'D)

Doing what we do no matter where we are?

BIANCA

Of course, we can.

Bianca touches Chris’ face softly.

BIANCA (CONT'D)

Honey, don’t give up on what you want. They’ll understand.

Both Chris and Bianca hug each other.

CHRIS

I’m glad I have you in my life. I don’t know what I would do without you.

Bianca smiles.

BIANCA

You’ll never find out.

Both kiss softly.

CUT TO:

EXT. SAN FRANCISCO – DAY

Fast motion images all over the town.

CUT TO:

EXT. SUPERMARKET – DAY (5 YEARS BEFORE)

Prue, Junior and Marco are across the street watching what’s happening.

Some cops come out the place bringing Ted and Wally from inside the supermarket. The cops get them into a police car. Soon, Marco comes out the supermarket with Leticia and Mayra. Marco looks at them.

MARCO

I remember that.

Prue and Junior exchange glances.

PRUE

Your memories of the past five years will be replaced by new memories.

MARCO

Will I still have the old ones?

Prue looks at Marco.

PRUE

Probably not. To be honest I don’t know how it works.

MARCO

But those are your powers.

PRUE

There’re some things, inspector, that we don’t know.

JUNIOR

This kind of magic is unpredictable.

MARCO

But still, I knew you could save them.

PRUE

And this will have consequences.

Marco looks at Prue while Prue stares at Marco’s family.

PRUE (CONT'D)

Take my word for it.

(looks at Marco)

How did you know?

Marco looks at Prue.

PRUE (CONT'D)

Of us?

MARCO

(looks at Prue)

Lucky guess. I has my suspicions. A while ago I started thinking that magic who'd be the soluction and then the Halliwells showed up.

They look again at those in the supermarket's area. They see Marco helping Leticia and Mayra getting into a car. Marco gets into the car as well and starts the car. Marco drives out of there.

PRUE

(to Junior and Marco)

Time for us to leave as well.

Marco and Junior hold Prue’s hand. And ---

SOUND: CAR CRASH.

The three of them look around and ---

On a crossing next to the supermarket, an accident just happened.

Prue, Junior and Marco look at both cars. Most certainly, those who were in the car, died.

MARCO

That was ---

Both cars explode.

ON MARCO: HIS EYES REFLECT THE FIRE.

MARCO (CONT'D)

No!

One of the cars was the car Marco was driving with his family inside. Marco runs fast towards them.

JUNIOR

Marco, wait!

PRUE

Inspector!

Marco runs as fast as he can towards the place where both cars burn and he can see it ---

Those who were there are no longer alive. Prue and Junior approach the place. Prue and Junior stop. Marco stands there trying to approach the cars, but he is unable to. Marco looks at Prue and Junior.

MARCO

Do something!

Junior is about to approach him, but Prue holds his hand. Junior looks at Prue.

JUNIOR

Prue ---

PRUE

They’re dead.

Prue keeps looking at the fire.

JUNIOR

But ---

PRUE

We tried to save them and this happened.

Prue looks at Junior.

PRUE (CONT'D)

Some fates are not to be changed, Junior.

Both stare at one another.

MARCO

NO!!!

JUNIOR

But Marco?

PRUE

He is with his family now.

Prue looks at Marco. Marco looks at them. And that’s when Marco starts disappearing. Junior looks at him.

PRUE (CONT'D)

That’s all he wanted.

ON PRUE. A tear runs down her face. Marco image FADES AWAY completely. People start approaching the scene. Fire trucks start approaching the local.

JUNIOR

We need to go.

Prue glances at Junior and nods. Both walk away and hide behind a tree. Prue focuses and soon, she BEAMS out of there back to their present.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY

Prue BEAMS in bringing Junior.

PRUE

We are back.

Wyatt comes in followed by Chris and Bianca. Prue and Junior look at them.

PRUE (CONT'D)

Hi!

Prue approaches Wyatt and kisses him.

WYATT

How did it go?

Prue and Junior exchange glances.

JUNIOR

We couldn’t save Marco.

CHRIS

Marco? Who’s Marco?

JUNIOR

Inspector Delgado?

Wyatt, Chris and Bianca exchange glances.

WYATT

Guys, you left to help ---

Wyatt glances at Chris.

WYATT (CONT'D)

What was his name?

CHRIS

Can’t remember.

Prue and Junior exchange glances.

PRUE

You don’t remember Inspector Delgado?

Wyatt, Chris and Bianca nod no.

JUNIOR

He died five years ago, Prue.

BIANCA

Who died five years ago, guys?

Prue and Junior look at one another.

PRUE

We never really met him?

Junior nods no.

WYATT

Guys, can you explain what are you all talking about?

Prue and Junior look at them.

CUT TO:

EXT. SAN FRANCISCO – DAY TO NIGHT

Aerial view over the town as the day turns into night.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

Lights are on the manor.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

Wyatt, Prue, Chris and Bianca are sitting there. It seems like Prue has told them what happened.

CHRIS

So, you guys went to the past to save his family and you ended up losing them all?

WYATT

Messing with the past is tricky, Chris.

CHRIS

True.

PRUE

I told him. But he threatened to expose us.

BIANCA

But in the end, he got what he wanted.

They look at Bianca.

BIANCA (CONT'D)

He stayed with his family.

PRUE

Yeah.

At that moment, Junior ORBS in.

JUNIOR

He died, indeed.

Junior sits beside Chris.

JUNIOR (CONT'D)

According to the records, he was driving the car when another car hit them. All of them died immediately. 

They exchange glances.

PRUE

What happened with the robbers?

JUNIOR

Wally died in prison and Ted is still in.

BIANCA

But apart from that, nothing else changed, right?

PRUE

You tell us!

(looks at Wyatt)

Did we vanquish Darkness?

Wyatt smiles.

WYATT

We locked him down in his prison.

Prue smiles. Then she turns to Chris.

PRUE

(serious now)

Are you still willing to leave?

Chris and Bianca exchange glances. Then Chris looks at Prue and Wyatt.

CHRIS

I am.

PRUE

Then, no. Nothing else changed.

Prue stands. Chris stands as well. He is mad.

CHRIS

I won’t change my mind.

Prue turns to Chris.

CHRIS (CONT'D)

I need to do this for me.

Wyatt, Junior and Bianca stand.

JUNIOR

Guys, can you explain what’s going on?

WYATT

Chris wants to take a job proposition he got.

Junior glances at Wyatt.

WYATT (CONT'D)

He would be traveling ---

(pauses)

--- a lot.

Junior stares at Wyatt.

JUNIOR

What?

PRUE

Exactly! And the hell with the Destined Ones.

CHRIS

Guys, that’s not how things should be.

PRUE

(mad)

Oh, what? Would you be available every time a demon needs to be vanquished?

CHRIS

Not every time, but ---

PRUE

See?!

CHRIS

But, I’ll try, Prue.

Prue takes her hands to her hips.

PRUE

It won’t work, Chris.

SOUND: FRONT DOOR. SOMEONE COMES IN.

Melinda comes in followed by Charlotte.

CHRIS

(mad)

We’ll make it work, Prue.

BIANCA

Guys ---

PRUE

I don’t agree. Period.

CHRIS

I don’t need your authorization.

WYATT

C’mon, Chris. That’s not exactly true.

Chris turns to Wyatt.

WYATT (CONT'D)

If you leave, things won’t work as they used to.

CHRIS

Oh, what?

Both brothers stare at one another.

CHRIS (CONT'D)

I won’t be here to save you and your wife every time you decide to side with evil?

BEAT. That wasn’t pretty.

MELINDA

Chris ---

Chris turns to Melinda.

CHRIS

What? Tell me you don’t agree with me.

Melinda lowers her gaze. Bianca holds Chris’ hand.

BIANCA

I think we should go home and we better talk about it tomorrow when everybody is calmer.

Chris nods to Bianca. He stares at his brother. Wyatt is serious. Chris ORBS out taking Bianca.

JUNIOR

(sarcastic)

Fighting against Darkness wasn’t that hard, after all, huh?!

They all are serious.

CUT TO:

EXT. TOP OF THE GOLDEN GATE BUILDING – NIGHT

Tamora is standing there. She looks at the town from there. She smiles. Sebastian ORBS in behind her. He approaches her from behind and hugs her.

SEBASTIAN

It’s good to see that it’s getting back to normal, huh?

Tamora smiles.

TAMORA

Indeed, it is. I love this city. I don’t know why.

SEBASTIAN

It’s home. That’s why.

TAMORA

I’ll miss it.

Tamora turns to him and puts her arms around his neck.

SEBASTIAN

Does that mean that ---

TAMORA

That I’ll say yes.

(smiles)

I’m taking your collection on a tour in Europe ---

Sebastian smiles.

TAMORA (CONT'D)

--- With one condition.

SEBASTIAN

Ask what you want.

TAMORA

You’ll have some time off to stay with me.

Sebastian smiles. He kisses her.

SEBASTIAN

Done.

Tamora smiles. They kiss again.

TAMORA

It’s a deal.

They kiss again, this time passionately.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES – NIGHT

STOCK.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES – WILLIAM LANDON’S OFFICE – NIGHT

ON LAMP'S LIGHT. That’s the only light in the room. William is at his desk looking at some documents.

SOUND: SOMEONE KNOCKS THE DOOR.

William raises his eyes towards the door which is opened. Pandora is standing there. She smiles.

WILLIAM

Mrs. Mitchell?

Pandora comes in.

WILLIAM (CONT'D)

What are you doing here this late?

PANDORA

What about you, Mr. Landon? Shouldn’t you be with your family?

William lowers his gaze. Then, he looks at her.

WILLIAM

I couldn’t stay there. Everybody is sad and I wouldn’t know what else to say or do.

Pandora smiles sympathetic.

WILLIAM (CONT'D)

I’m sad too. He was my nephew.

PANDORA

I know you are.

WILLIAM

What’s your excuse?

PANDORA

I came to tell you something that may leave you a little happier.

William is listening.

PANDORA (CONT'D)

I’m going on that mission in Drew’s place.

William is caught by surprise.

WILLIAM

Are you serious?

Pandora nods.

PANDORA

So, will I have my job when I get back?

William smiles and stands.

WILLIAM

You sure will.

Pandora smiles.

PANDORA

Thank you, Mr. Landon.

WILLIAM

No. Thank you, Pandora.

Pandora smiles big. William smiles as well.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR – NIGHT

The porch’s light is on. The living room’s light is also on.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

Wyatt, Prue, Junior, Melinda and Charlotte are there. They all are sitting on the couches.

WYATT

(to Melinda)

So, you knew?

Melinda nods.

MELINDA

Guys, he has all the right to take that job. It’s his life.

(pauses)

Actually, it’s their life. Chris, Cass, and the twins have that right.

JUNIOR

Wait, the Twins?

Melinda and Charlotte exchange glances.

PRUE

What do you mean with the Twins?

Melinda and Charlotte exchange glances again.

MELINDA

Tam is going to take Sebastian’s collection on a tour in Europe.

JUNIOR

And Pan?

Melinda takes a deep breath.

MELINDA

She’s taking Drew’s place on a mission in Africa.

Wyatt and Prue exchange glances.

PRUE

Them all at the same time?

CHARLOTTE

Well, Cass will leave next semester.

MELINDA

And Tam will still be here for the next three months. Now Pan will leave in a couple of months.

WYATT

And Chris as soon as he says yes.

PRUE

So, what? Do we agree with this?

Prue stands. She is not happy with it.

MELINDA

It’s their dreams. Their lives, Prue.

Prue turns to them.

PRUE

Yeah, well, dreams burn with fire. I know mine did.

She turns to the fireplace and stares at it.

CHARLOTTE

But it can be rebuilt, Prue.

Charlotte is now talking about something else.

WYATT

About that ---

Wyatt stands and approaches Prue.

WYATT (CONT'D)

(to Prue)

--- I think I need to take you somewhere.

Prue looks at him. Both stare at one another.

CUT TO:

INT. P3 – WHERE ONCE WAS THE DANCING FLOOR – NIGHT

There is rubble everywhere.

Wyatt ORBS in taking Prue. She looks around. Sadness can be seen on her face.

PRUE

What are we doing here?

WYATT

You had to come here sooner or later.

Prue looks at Wyatt.

PRUE

Why?

(looks around)

This is just a rubbish heap.

WYATT

No.

Wyatt holds Prue’s shoulders.

WYATT (CONT'D)

This is P3.

They stare at each other.

WYATT (CONT'D)

It’s your dream, remember?

Prue’s eyes are wet.

PRUE

It’s gone.

WYATT

No, it’s not.

(pauses)

You got me back, OK? So, we will rise this place together.

(pauses)

It’s you and me, remember?

Prue smiles.

WYATT (CONT'D)

We’ll bring P3 back.

Wyatt hugs Prue.

WYATT (CONT'D)

We should let them go, Love. Live their life.

Prue looks at Wyatt.

PRUE

What about the Destined Ones?

WYATT

We’ll keep the ship afloat. And they can orb.

PRUE

And beam.

Wyatt smiles.

WYATT

And beam.

Prue smiles.

PRUE

I’m glad you are here.

WYATT

I love you.

Prue smiles. They kiss passionately.

CUT TO:

EXT. SAN FRANCISCO – NIGHT TO DAY

Footage from all over the town is shown at the sound of ‘Just Something Like This’ by The Chainsmokers ft. Coldplay.

Many places all over the town are being shown, including The Golden Gate Bridge, the Palace of Fine Arts, etc.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – ENTRANCE HALL / STAIRCASE / DINING ROOM – DAY

Sitting at the table are Chris, Bianca, Cassandra, Tamora and Pandora. Standing on a corner are Damon, Eric and Sebastian. Those who are sitting exchange glances.

MUSIC FADES OFF.

CASSANDRA

Does someone know why we were called here?

They all nod no. At that moment, Wyatt comes downstairs followed by Prue, Melinda, Junior and Charlotte. They head into the dining room as the others look at them. Wyatt, Prue, Melinda, Junior and Charlotte stand in front of them.

CHRIS

Can you, guys, tell us what are we doing here?

Wyatt and Prue exchange glances.

PRUE

We’ve been talking ---

CHRIS

(cuts her off)

We won’t change our minds.

Chris glances at Prue. Bianca holds Chris hand supporting him.

PRUE

We won’t ask you that.

Chris looks at Prue and then at Wyatt who nods yes. Bianca, Cassandra and the twins exchange glances.

WYATT

We believe you have the right to live your lives the way you want to.

MELINDA

Yes. Besides, it’s not like you’re leaving. You’ll just be in a different country.

CASSANDRA

State.

Melinda nods.

CHARLOTTE

We can make this work.

TAMORA

We’ll be back. You, guys, now that, right?

Charlotte, Melinda and Junior nod.

WYATT

We know that, Tam.

PRUE

You better do. It won’t be the same without you.

Chris stands and approaches his brother. They stare at one another.

CHRIS

Thank you.

Wyatt nods yes. They hug. Then, Chris turns to Prue.

CHRIS (CONT'D)

Promise me that you will rebuild it.

Prue smiles. She looks at Chris.

PRUE

You promise that you all ---

(looks at the others)

--- will be here for the reopening.

Chris smiles.

CHRIS

I do.

Chris and Prue hug.

CHRIS (CONT'D)

I hate being mad at you, little cous.

PRUE

Yeah, me too.

They break the hug. Prue looks at Cassandra.

PRUE (CONT'D)

And you, little sis ---

Prue approaches Cassandra who stands. Prue extends her right hand towards Cassandra.

PRUE (CONT'D)

--- I think it’s time for you to have this back.

Prue opens her hand and ---

BEAT. CASSANDRA’S CUPID RING IS THERE. Cassandra looks at it and then looks at Prue.

CASSANDRA

My ring?

Prue smiles. Cassandra smiles.

CASSANDRA (CONT'D)

Are you sure? I didn’t ask for it.

PRUE

I believe that you are more than prepared to be a cupid.

CASSANDRA

What if I fail again?

PRUE

(smiles funny)

Well, then I’ll be there to clean up your mess.

Both sisters smile big. Prue and Cassandra hug. They all smile.

PANDORA

Well, then, this is good.

Tamora and Pandora stand and approach Junior. They hug. Charlotte approaches Prue and Cassandra and the three of them hug. Chris, Melinda and Wyatt hug as well. Bianca, Damon, Eric and Sebastian look at them and smile. Melinda looks at Damon and both smile at one another.

CUT TO:

INT. HALLIWELL MANOR – KITCHEN – DAY (MOMENTS LATER)

Melinda comes in and heads to the fridge. She opens it. Damon comes into the kitchen. Pandora takes a bottle of champagne from the fridge and closes the fridge. She sees Damon there looking at her.

MELINDA

Hey!

Melinda puts the bottle on the table.

MELINDA (CONT'D)

What’s up?

Damon takes a deep breath.

DAMON

I just want you to know that I won’t give up, Mel.

Melinda looks away. She then walks towards the glasses' shelve and takes out some champagne glasses.

DAMON (CONT'D)

I love you and I won’t rest until I have you back.

(pauses)

No matter how long it takes.

Melinda puts the glasses on the table. She doesn’t answer. Then, Damon approaches her and kisses her passionately. She doesn’t push him away. Then, they look at one another very closely.

DAMON (CONT'D)

That was just for you to know that I’m serious about it.

She says nothing. Damon then turns around and leaves. Once he’s out the kitchen, Melinda smiles.

CUT TO:

INT. OLIVIA CLARK’S APARTMENT – ENTRANCE – DAY

ON OLIVIA OPENING THE DOOR. Junior is there.

OLIVIA

(surprised)

Hi!

Junior comes in and kisses her passionately.

JUNIOR

(smiles)

Hi!

OLIVIA

What was that?

JUNIOR

A kiss.

OLIVIA

I know it was a kiss, but ---

JUNIOR

But nothing.

(pauses)

I want to ask you something.

Olivia is curious.

OLIVIA

What is it?

Junior takes a deep breath.

JUNIOR

Do you want to be my girlfriend?

Olivia’s eyes pop open. She’s surprised.

OLIVIA

Your ---

JUNIOR

For real. A serious relationship.

She is open-mouthed.

OLIVIA

I ---

She doesn’t know what to say. She looks at Junior and takes a deep breath.

OLIVIA (CONT'D)

I do.

Junior smiles. Olivia smiles. Then they both kiss again.

CUT TO:

INT. UNDERWORLD – ORACLE’S CAVE – NIGHT

The Oracle approaches the rock table. She places a hand over the crystal ball. Her eyes turn into white immediately and remind that way for moments. Then, they change to normal. The Oracle smiles.

ORACLE

I thought you were just a legend, but ---

The Oracle looks at the entrance of the cave.

ORACLE (CONT'D)

--- Here you are.

The Oracle smiles. BEAT. A WOMAN stands at the entrance. She’s wearing a long red cape.

ORACLE (CONT'D)

The Red Witch!

ON THE WOMAN. She removes the hood and her face can be seen. She’s pale as snow and has green eyes and red lips. She smiles.

RED WITCH

You’ve heard of me?

ORACLE

I have. But I thought you were just a legend. It appears you are not.

The Oracle approaches her.

ORACLE (CONT'D)

The legend said that you hide powerless.

The Red Witch smiles.

RED WITCH

I did. I was defeated then.

They stare at each other.

ORACLE

I saw what you want.

(pauses)

Why now?

RED WITCH

Because Darkness made me a favor. He showed me that not only magic of light walks on Earth. His short time on Earth gave me the strength I needed.

ORACLE

It won’t be easy. Many have tried. Many have failed.

RED WITCH

I am patient. I’ve waited a long time. I can wait a little bit longer.

The Oracle smiles and turns around.

ORACLE

One thing I don’t understand.

The Oracle turns to the Red Witch.

ORACLE (CONT'D)

You don’t want to rule the World. What is that you want?

ON THE RED WITCH. She smiles.

RED WITCH

I only seek for revenge!

ON THE RED WITCH. She has an evil smile on her face.

CUT TO:

EXT. HALLIWELL MANOR – PORCH – DAY

Prue is sitting in the stairs thoughtful. She looks up at the sky and ---

ON THE SCREEN: 28 YEARS LATER

CUT TO:

EXT. HALLIWELL MANOR – DAY (28 YEARS LATER)

ON THE SKY. AN EXPLOSION IS SEEN.

It all seems different. Darker.

A BLONDE WOMAN (JO, 25) comes out the Halliwell Manor followed by a MAN (MATTHEW, 25). Jo seems to be in a rush.

MATTHEW

Jo, wait!

Jo turns around and faces Matthew.

JO

I have to go, Matt. That’s the only way.

MATTHEW

Surrendering yourself to them?

JO

Maybe I can make them stop with all this evil.

MATTHEW

They won’t stop, Jo.

The girl seems desperate.

JO

I have to try something. I’m so tired of fighting against them.

Matthew lowers his gaze. Then he looks at her.

MATTHEW

Maybe we can try something else.

JO

(curious)

What? We’ve tried everything. Our family tried everything.

MATTHEW

You’ll go back in time and you’ll stop them before it’s too late.

JO

You know I’ve tried. My aunts tried.

(pauses)

Nothing worked.

MATTHEW

I may have a spell.

Jo is suspicious.

JO

What spell?

MATTHEW

I can’t explain, but maybe we can try it.

Jo seems reluctant. Matthew approaches her and takes her hand.

MATTHEW (CONT'D)

Please, cous. Let’s just try it.

Jo agrees.

JO

Fine.

Matthew smiles and they both head towards the Halliwell Manor while the camera shows the sky.

ON THE SKY.

CUT TO:

EXT. HALLIWELL MANOR – PORCH – DAY (PRESENT DAY)

ON THE SKY.

A taxi stops in front the manor. Prue is called back from her thoughts. Wyatt comes out the manor.

PRUE

They’re here.

Chris and Bianca come out from the taxi.

BIANCA

We came to say goodbye.

Bianca and Chris head upstairs. Bianca hugs Prue.

PRUE

Do you really need to take that flight?

CHRIS

The publisher is paying for it, Prue.

BIANCA

Besides, I never went into a plane.

PRUE

You never needed to.

BIANCA

True.

CHRIS

We need to go, guys. It won’t wait for us.

Chris and Wyatt hug.

WYATT

You both take care.

CHRIS

We will.

Then Chris and Prue hug. While Bianca says goodbye to Wyatt.

CHRIS (CONT'D)

You do the same.

Chris and Bianca finish their goodbyes and head downstairs towards the taxi.

PRUE

I’m counting on you for P3’s reopening!

CHRIS

Let us know when the works are done!

Chris and Bianca wave goodbye and get into the taxi. Wyatt puts an arm around Prue’s shoulder. They wave goodbye. Then, the taxi is driven out of there. Prue and Wyatt stare at it as it is driven away from it.

WYATT

Well, I guess is the two of us now.

Prue looks at Wyatt.

PRUE

(smiles)

There’s not only the two of us now.

WYATT

Oh no, I mean right now in this house.

(roguish)

Mel is at the restaurant and she told me she won’t probably sleep in tonight.

PRUE

Oh, really?

Wyatt nods yes. He puts his arms around her waist.

PRUE (CONT'D)

So, just the two of us, huh?

Wyatt nods.

WYATT

It would be a good moment for us to think of making this family grow.

He kisses her passionately. Then, he looks at her. Prue smiles nervously.

PRUE

What?

Wyatt blinks and heads inside the manor. Prue smiles incredulously. She shakes her head and heads inside the manor. She looks at the door up and down and then, waves her hand closing the door TELEKINETICALLY.

CUT TO BLACK.

END OF EPISODE 

END OF SEASON THREE