3x18 - The World Has Turned and Left Me Here

[Prue Brianna Johnna Halliwell]

DESTINED

"THE WORLD HAS TURNED AND LEFT ME HERE"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – NIGHT

SOUND: POLICE CARS’ SIRENS ARE HEARD.

SHOOTS OF SOME PLACES ALL OVER THE TOWN.

The whole town is a mess. People act crazily. Some are running, others are breaking into shops and homes. Some shops are on fire. Men and women are breaking the shops’ glasses. Violence is happening all over the town.

It can also be seen, people fighting one another. We can see street riots, looting, arson. Police cars are being driven all over the city with emergency lights flashing. People are rioting.

Well, it looks like hell has taken over the entire town.

CUT TO:

EXT. SAN FRANCISCO – RANDOM AVENUE – NIGHT

Chris pulls over his car. Chris, Prue, Charlotte and Melinda get out of the car.

CHARLOTTE

What the hell is wrong with this people?

They start walking through the crowd.

CHRIS

Darkness happened.

MELINDA

Can I freeze them now?

PRUE

No. Look around, first. He must be here.

CHRIS

(to Prue)

Are you sure we’re gonna find Darkness here?

PRUE

I hope so. He was in the restaurant. He may be here.

CHARLOTTE

How will we know who he is?

PRUE

I’ve got a feeling that if I see him, I’ll know him.

MELINDA

The same feeling you had when you recognized the name?

PRUE

Sort of.

They all keep walking and looking around. A radio is thrown in Melinda’s direction. Not thinking twice, the girl WAVES her hand and freezes the radio. Prue, Chris and Charlotte look at it. Then Melinda takes the radio and throws it into the ground.

CHARLOTTE

(to Melinda)

Nice reflexes.

MELINDA

Thank you.

CHRIS

Keep focused, girls.

They all keep walking. Not far from them, Gadreel is watching the whole mess. He sees Prue and the others. Gadreel smiles and then SPARKLES out.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Daniel Di Tomasso as Gadreel / The Darkness

Jesen Ackles as Eric

John Wesley Shipp as Ignatius

Shay Mitchell as Olivia

Alex Mauriello as Oracle

Josh Ford as Gabe

Unknown actors as Cops

Unknown actor as Journalist

Unknown actor as Young Man

Unknown actor as Demon #1, #2 and #3

Unknown actors as Firefighters

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – NIGHT

Shoots from all over the town at the sound of ‘Chaos’ by Like a Storm.

The whole town is in chaos. There are firefighters all over the town as well as the police. People is really acting like crazy.

CUT TO:

EXT. SAN FRANCISCO – STREET – DAY

MUSIC FADES OFF.

Prue, Chris, Melinda and Charlotte keep walking among the riots.

MELINDA

We’ve been walking for an hour and nothing.

PRUE

We should split up.

(to Melinda and Charlotte)

Call us if you need us.

Prue signs Chris and they walk out. Melinda and Charlotte exchange glances.

MELINDA

Those two are the most powerful witches of the gang and they leave us alone?!

CHARLOTTE

I’ll beam us out if needed.

Melinda shrugs. Both walk out.

CUT TO:

EXT. CHRIS / BIANCA’S CONDO – NIGHT

STOCK.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – LIVING ROOM – NIGHT

ON: TV. The news. On the TV, we can see a journalist in the middle of some riots.

JOURNALIST

People is going crazy. More than a hundred shops have been vandalized at Westfield San Francisco Center. Chaos is installed all over the city.

Both Pandora and Cassandra are watching the TV. Bianca approaches the sofa with a tray with three cups of tea. Bianca puts the tray on the center table.

PANDORA

Chamomile?

Bianca nods yes.

PANDORA (CONT'D)

Good.

(takes one cup)

I need to calm down fast.

CASSANDRA

This is horrible, guys.

Pandora has a sip of her tea. Bianca hands another cup to Cassandra.

BIANCA

I still think they shouldn’t have gone out there.

PANDORA

At least they are together. Tam has decided to get the job done by herself.

CASSANDRA

Don’t you, guys, think that she has changed?

Bianca takes the last cup and sits on the couch.

CASSANDRA (CONT'D)

I know she suffered when Sebastian died, but he’s back.

PANDORA

I’ve been thinking the same. And after what happened the other day.

BIANCA

Yes, pretty bad. Pushing Junior to ---

Bianca nods. She has a sip of her tea. They stare at nothing.

PANDORA

Don’t you think it's affecting everybody?

Bianca and Cassandra look at Pandora.

PANDORA (CONT'D)

I mean, Darkness. Don’t you think that somehow it is affecting us all?

BIANCA

I haven’t felt any different.

CASSANDRA

Yeah, me neither.

PANDORA

I know. I haven’t either, but maybe it affects us in different ways.

The three of them have a sip of their tea.

SOUND: PHONE RINGING.

BIANCA

Oh, it’s mine.

Bianca puts the cup on the center table and stands. She heads towards the bedroom.

PANDORA

(to Cassandra)

How’s Ben?

CASSANDRA

He’s good. Out of town. Her mother had a congress of psychiatry in New York.

PANDORA

Good for him.

CASSANDRA

Yeah.

Both of them have a sip of their tea and stare at the TV.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – BEDROOM – NIGHT

Bianca is on the phone. She seems worried.

BIANCA

(on the phone)

Are you sure?

(listens)

That’s terrible. --- No, no. I’ll do that. Thank you for letting me know. I’ll be there as soon as possible.

Bianca hangs off the phone. She is really worried. She sits on the bed trying to think calmly.

BIANCA (CONT'D)

Oh, my God.

Bianca tries to calm down. She looks up at the roof still thinking. Then she looks down again. She looks at the night table and something calls her attention.

ON: AN ENVELOPE ON THE NIGHT TABLE.

Bianca takes the envelope and takes out the letter inside. As she reads, she seems incredulous about the content of the letter. Bianca closes her eyes. She opens them again and puts the letter back in the envelope and puts the envelope on the night table. She stands and leaves the room.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – LIVING ROOM – NIGHT

Bianca comes in.

BIANCA

Girls, we need to go.

PANDORA

What happened?

BIANCA

It’s P3.

CASSANDRA

Today is Monday, it’s close.

BIANCA

(worried)

Yes, but ---

(pauses)

--- Something is happening.

Cassandra and Pandora exchange glances. They get worried.

CASSANDRA

What is it?

Bianca takes a deep breath.

BIANCA

Gabe was passing by and saw people entering the club.

Pandora and Cassandra exchange glances.

BIANCA (CONT'D)

Let’s hope I’m wrong, but I think chaos has arrived at P3.

PANDORA

Oh, my God.

BIANCA

Yeah, let’s go.

PANDORA

I’ll orb us there.

Pandora and Cassandra stand. Pandora touches Cassandra and Bianca and ORBS out taking them.

CUT TO:

EXT. SAN FRANCISCO – STREET – NIGHT

The riots keep going. What looks like some teenagers, come out of a shop with some electronic devices. Chris and Prue come walking and look at them.

CHRIS

(glances at Prue)

How have you been?

Prue glances at Chris.

PRUE

How have you been?

Both exchange glances and smile.

PRUE (CONT'D)

I’ve seen better days.

CHRIS

Yeah, me too.

Chris wants to say more.

CHRIS (CONT'D)

I’m sorry if I have been distant.

Prue looks at him.

PRUE

You haven’t, honey. We all have.

Both stop. They look at each other.

CHRIS

We are going to find this Darkness.

PRUE

I know.

Prue lowers her gaze.

CHRIS

We’ll vanquish him.

Prue looks at Chris.

PRUE

It won’t bring him back.

CHRIS

But we’ll make justice.

Chris and Prue hug each other tightly.

CHRIS (CONT'D)

I miss him.

They break the hug. Prue lowers her gaze. She seems like she’s hiding something and Chris nods.

CHRIS (CONT'D)

What is it?

Prue looks around and takes a deep breath.

PRUE

I know that it’s impossible. Or at least Mel and Aunt Piper think it is.

CHRIS

(curious)

What is impossible?

Prue stares at Chris.

PRUE

I had a vision.

(pauses)

It was Wyatt, I know it.

CHRIS

What vision?

PRUE

The same I ---

(pauses)

--- The same I had on the day I broke up with Jackson.

BEAT. Chris is surprised.

CHRIS

You mean ---?

Prue nods yes. Chris is open-mouthed.

CHRIS (CONT'D)

You wouldn’t have a vision of him if ---

PRUE

Maybe vanquishing Darkness won’t bring Wyatt back, but I need to believe that something will.

Chris is astonished. Prue looks at him as if she’s waiting for some sort of support from him.

PRUE (CONT'D)

You don’t think I’m crazy or ---

Chris looks at her.

PRUE (CONT'D)

--- That the man I saw was someone else? Do you?

Chris takes Prue’s hands.

CHRIS

If there’s something I never doubt about was the love you two had for each other.

Prue’s eyes get wet.

CHRIS (CONT'D)

So, if there’s a chance, a tiny little chance, of bringing my brother back ---

Chris holds Prue’s face between his hands.

CHRIS (CONT'D)

--- We’ll bring him back.

Prue cries.

CHRIS (CONT'D)

Of course, I believe you.

Prue smiles. She hugs him.

PRUE

Thank you, Chris.

A MAN’S SCREAM IS HEARD.

Chris and Prue break the hug. Prue dries her tears.

PRUE (CONT'D)

Right now, we are needed.

Chris nods. They walk down the street and stop as they see something.

CHRIS AND PRUE’S POV: A YOUNG MAN IS BEING THREATENED BY ANOTHER MAN HOLDING WHAT SEEMS LIKE A KNIFE.

CHRIS

Is that ---?

PRUE

An athame?

Chris nods.

PRUE (CONT'D)

We’ve got a demon to vanquish.

They walk towards them.

The demon approaches the young man.

YOUNG MAN

No, please!

The demon laughs. He kneels beside the young man.

DEMON #1

Oh, yes!

PRUE (O.S.)

Hey, you!

The demon looks up at Prue. Prue is standing there. Chris is not there to be seen.

PRUE (CONT'D)

Let him go!

Demon #1 stands. He keeps laughing.

DEMON #1

You can’t harm me, witch!

Demon #1 waves his athame making fun of Prue.

PRUE

Yeah, but he can.

Prue points to someone behind the demon. The demon turns around and Chris is there holding a pipe. Chris hits the demon with the pipe. The demon falls down the ground and drops the athame.

PRUE (CONT'D)

(to the young man)

RUN!

The young man stands as fast as he can. Prue walks towards them. The demon gets up. Chris reaches out his hand.

CHRIS

“Heart”

Prue looks at Chris. The demon falls down on his knees holding onto his chest. He feels great pain. Chris stands with his hand raised. He is serious. Prue looks at the demon. He keeps holding onto his chest. Some ORBS start appearing in the demon’s chest. The demon looks at them. Blood starts running out his mouth. Soon, the ORBS disappear from the demon’s chest and re-appear into Chris’s hand.

ON: DEMON’S HEART ON CHRIS’ HAND.

Prue looks at it surprised. The demon falls down to the ground dead. Chris looks at the heart in his hand. Flames start surrounding the demon. Chris throws the heart to the flames and soon all that’s there are demon’s ashes.

Both Prue and Chris stare at it.

CHRIS (CONT'D)

That was something I never thought I could do.

PRUE

Darkness had been unleashed on Earth.

Prue looks at Chris.

PRUE (CONT'D)

No matter how, but we’ll take him, and all those demons who follow him, down.

At that moment, Melinda and Charlotte come running.

CHARLOTTE

(worried)

Guys, something happened.

MELINDA

(to Prue)

It’s P3.

ON MELINDA. She seems worried. Very worried.

CUT TO:

EXT. P3 – NIGHT

ON: FIRE.

The chaos is set. Firefighters are there. The most horrible scenario. P3 is on fire. The police try to keep people away. The firefighters do the best they can to turn off the flames.

There, looking at the club on flames, are Bianca, Cassandra and Pandora. All three women are astonished and sad at the same time. Gabe is beside them. Gabe himself tries to hold the tears inside, but he’s unable to.

GABE

It happened so fast.

(pauses)

I couldn’t stop them.

Bianca looks at Gabe.

GABE (CONT'D)

It was like they came prepared for it. And soon, the fire was all over the place.

Bianca stares at the club. Chris pulls over the car. Prue comes out of the car fast. Chris, Melinda and Charlotte are astonished as they look at it. They get out of the car. Some cops try to stop Prue from approaching the club. Prue is desperate.

PRUE

Let me in.

She tries to get rid of them. Junior approaches them.

JUNIOR

(to the cops)

Let her.

Bianca, Cassandra, Pandora and Gabe see Prue. Chris, Melinda and Charlotte approach Junior. Prue stops and looks at the club.

MELINDA

That’s something you don’t see every day.

Chris approaches Prue. Tears start running down her face. Tamora and Damon arrive. Both head towards the others. All of them have tears in their faces.

PRUE

(aloud)

No!

Prue is about to run into the club, but Chris grabs her.

PRUE (CONT'D)

(aloud)

Let me go, Chris.

CHRIS

No, Prue.

PRUE

I can turn it off.

CHRIS

No, Prue. There are people here.

PRUE

I don’t care.

(cries hard)

It’s my club.

Prue cries desperately. Desolated.

PRUE (CONT'D)

It’s Wyatt's!

(aloud)

NO!

Chris is crying as well. They all are. Prue lets’ herself fall down to the ground while Chris keeps grabbing her. She cries hard in Chris’ arms.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. UNDERWORLD – GADREEL’S SECRET CAVE – NIGHT

ON WYATT. He’s astonished. Gadreel is in front of the mirror where the images of the fire at P3 are shown. Gadreel WAVES his hand and the image fades off.

Wyatt is desolated.

GADREEL

(serious)

I had to do it.

Wyatt grabs the bars and he seems like if he could, he would punch Gadreel’s face.

WYATT

(mad)

You said you loved her, your son of a bitch!

Gadreel looks at him.

WYATT (CONT'D)

Is that your way of loving her?

GADREEL

That place reminded her of you. She needs to forget you.

WYATT

You’ve made her believe I’m dead. Why destroying the one thing that she had left from me?

GADREEL

That’s why. I don’t want her having any ties with you.

WYATT

You’re insane.

Gadreel approaches the bars.

GADREEL

No, my friend, I’m not. She won’t need that place once I’ll make her my queen.

WYATT

Do you really think this is the first time someone tries to take her to the dark side?

Gadreel smiles.

GADREEL

No, I don’t. But that’s the thing. While you were alive, there was light for her. But now, all that is, is Darkness.

Wyatt stares at Gadreel.

GADREEL (CONT'D)

That club was the last thing that she had left from you. And now, there’s no P3.

(pauses)

I just pushed her a little bit closer to me.

Both stare at each other.

GADREEL (CONT'D)

You know she has darkness inside, Wyatt. You know it because you are her light as she is yours. Or at least that’s what Handreel said. So, that club represented a little bit of your light. Now the club is gone. So, will be her light soon.

WYATT

She won’t ---

GADREEL

(cuts him off)

She will.

Wyatt breathes fast.

GADREEL (CONT'D)

You feel the same, Wyatt. All those powers you were born with ---

(sighs)

--- You are afraid of her dark side because you are afraid of yours.

Gadreel smiles.

GADREEL (CONT'D)

I’m just making it easy for her ---

(turns around)

--- And for me too, yes, I admit it. You see, there were many lives that you both lived. And Handreel kept me posted all the time. I’ve got a lot to learn and I had time for it.

Gadreel puts his jacket on.

GADREEL (CONT'D)

Now, let me go. I have a heart to win or ---

(smiles)

--- re-win.

Gadreel smiles one last time at Wyatt. Then he heads out through the secret door. Wyatt doesn’t know what to do. Wyatt sits on the bed.

WYATT

(desperate)

Oh, Prue, please. Don’t let him break you down, love.

He is worried.

CUT TO:

EXT. SAN FRANCISCO – DAY

Rain. A rainy and cloudy day. No sun to dry the town’s tears.

CUT TO:

EXT. P3 – DAY

Some firefighters are still there. The flames are over. The club seems pretty damaged. Some paramedics are there too. A paramedic puts a thermal blanket on Prue. Chris approaches them and signs the paramedic to leave them. Chris sits beside Prue.

CHRIS

Prue?

Prue stares at nothing special. She’s off.

CHRIS (CONT'D)

Let me take you home.

PRUE

I don’t want to.

Chris lowers his gaze.

CHRIS

But you have to.

Chris tries to help her stand.

PRUE

It’s over, Chris.

Chris looks at her.
 

PRUE (CONT'D)

It’s over.

Chris helps her walk. He takes her towards the car. The others are still there. They all look at the club.

DAMON

This picture is so wrong. In so many ways.

BIANCA

We can rebuild it.

CHARLOTTE

Of course, we can.

MELINDA

Prue was devastated.

JUNIOR

If there weren’t so many people in here last night, me and Prue together we could ---

Junior takes a deep breath.

PANDORA

We know, bro.

MELINDA

We should all go home and have some sleep.

TAMORA

Agree.

They all start walking away.

CUT TO:

EXT. SAN FRANCISCO – DAY

MUSIC: ‘UNTIL WE GO DOWN’ BY RUELLE.

A rainy and cloudy day. The rain falls heavily on the city. There’s smoke everywhere. the town seems empty. It’s like people are afraid of going out and face the storm outside.

CUT TO:

INT. OLIVIA CLARK’S APARTMENT – BEDROOM – DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Both Junior and Olivia are in bed doing their business. They kiss each other passionately. Olivia stares at him.

OLIVIA

Are you OK?

Junior kisses her passionately.

JUNIOR

I will be. I just need you right now and I’ll be fine.

Both keep kissing.

Outside the rain falls down heavily.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

ON: BEDROOM’S WINDOW.

Tamora is inside looking at the rain falling. She’s playing with one of the athames on her hand while looking through the window.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – DAY

ON: FIREPLACE – The wood is burning.

Chris, Melinda, Charlotte, Cassandra and Damon are there. All of them looking at the fireplace. Bianca and Pandora come in bringing coffee to all. They hand a cup to each and take one for themselves. All of them keep staring at the fireplace.

MUSIC FADES OFF.

CHARLOTTE

I can’t believe it's really gone.

MELINDA

None of us can.

CASSANDRA

I feel like I’ve lost another family member again.

DAMON

Has someone thought in telling Aunt Piper?

PANDORA

I called Ella before. She said it’s better to wait because there have been troubles in New Orleans as well.

DAMON

Did they break into the New Orleans’ restaurant?

PANDORA

No. But Ella’s shop has suffered some damages.

BIANCA

People is getting crazy all over the world and we know who’s the responsible for this.

MELINDA

We need to find him and put an end on this.

Chris stands. He puts his cup on the center table.

CHRIS

(rude)

And do what?

They stare at Chris.

CHRIS (CONT'D)

Fight against an angel?

MELINDA

There must be a way.

Melinda stands.

MELINDA (CONT'D)

Chris, you can’t lose faith now. Not after all we went through. 

Chris lowers his gaze.

CHRIS

I’m not.

He looks at them.

CHRIS (CONT'D)

I’m just tired.

BIANCA

We all are.

CHARLOTTE

We should go home and have some rest.

CHRIS

I’m gonna check on Prue first.

Chris heads out the living room. They all look at one another.

CHARLOTTE

I must confess, I’m worried about my sister. She seemed ---

(takes a deep breath)

--- She seemed powerless.

CASSANDRA

She wanted to get it and stop the flames, but there were some many people there that it would risk our secret.

DAMON

I think that protecting our secret is not our big problem right now. If Darkness wins, ---

They all look at Damon.

DAMON (CONT'D)

--- We are screwed.

They all look at one another.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM – DAY

All the curtains are closed, so there’s not much light inside the bedroom.

Prue is lying on the bed and she seems sound asleep. Chris stands at the doorway just watching her sleep. He seems sad as he looks at her.

ON PRUE’S FACE: her eyes are closed. She breaths in and out. In and out.

The camera approaches her eyes and ---

CUT TO:

INT. P3 – DANCE FLOOR – UNKNOWN TIME OF THE DAY (DREAM)

ON PRUE’S EYES: Prue’s eyes pop open.

She looks around. BEAT. She’s in the middle of P3. Flames are all over the place.

THIS IS A DREAM.

Prue looks desperate as she sees the flames.

PRUE

(aloud)

NO! STOP!

Tears start running down her face.

PRUE (CONT'D)

STOP! PLEASE!

She tries to use her powers to turn the flames off, but they don’t work.

PRUE (CONT'D)

No.

Prue cries. She covers her face with both her hands.

GADREEL (O.S.)

Prue?

Prue uncovers her face. She turns around. There’s someone there. BEAT. It’s Gadreel. Prue looks at him.

PRUE

You?

Gadreel smiles.

GADREEL

I’m sorry I haven’t come to you since your last dream about me.

PRUE

You’re him.

Gadreel approaches her. Prue steps back.

GADREEL

Don’t be afraid of me, Prue.

Prue stops.

GADREEL (CONT'D)

I don’t want to harm you.

PRUE

You’ve done this.

GADREEL

No, honey. You have to understand. I just want what’s best for you.

Gadreel approaches her. He stands behind her and whispers to her ears.

GADREEL (CONT'D)

You have powers inside of you, honey.

Prue closes her eyes.

GADREEL (CONT'D)

Use them.

PRUE

I can’t.

GADREEL

Yes, you can.

PRUE

No, I’ve lost everything. Including my powers.

GADREEL

No. Your lost is your strength.

Gadreel touches Prue’s neck softly.

GADREEL (CONT'D)

You know you like it. Darkness.

PRUE

No, I don’t. It turns me into someone I am not.

GADREEL

Yes, you are. You always were.

He breaths to Prue’s neck. She feels a chill.

GADREEL (CONT'D)

You always were made for Darkness. You just have to let it in.

PRUE

No.

GADREEL

Yes. Trust me.

Gadreel holds Prue’s right hand.

GADREEL (CONT'D)

Do it. Turn out the flames. It will stop the pain.

Prue opens her eyes. She raises her hand and uses her CRYOKINETIC power to turn off the flames that surround her. The Cryokinesis power comes out her hands in a way never seen before. Powerful.

GADREEL (CONT'D)

(whispering)

See? I’m the one you need.

PRUE

You’re the one I need.

GADREEL

Yes, and you’ll let me in.

Gadreel kisses Prue’s neck softly. She feels a chill.

CHRIS (O.S.)

(desperately)

Prue, wake up!

The dream ends.

CUT TO:

INT. HALLIWELL MANOR – WYATT / PRUE’S BEDROOM / CORRIDOR – DAY

Prue wakes up out of a sudden. She looks around. BEAT. The sofa by the window is on fire as well as everything next to it: a small shelve, the plant, the curtains. Chris takes Prue from the bed and takes her out the bedroom. Melinda comes in fast and is astonished. Damon comes into the bedroom with an extinguisher.

Chris brings Prue to the corridor. He puts her in the armchair. She seems shaken. Pandora, Charlotte, Cassandra and Bianca come in running.

BIANCA

What happened?

CHRIS

Take care of her.

Prue is just sitting in the armchair. Charlotte sits beside her and hugs her.

CHARLOTTE

She’s trembling.

BIANCA

I’ll go get a blanket.

Bianca heads to one of the others bedrooms. Cassandra and Pandora look at her.

Inside the bedroom, Damon manages to turn off the flames. Melinda is astonished looking at it. Chris approaches Damon.

DAMON

How did this happen?

Chris looks to all the things that got burnt.

CHRIS

I don’t know, she was just sleeping and then, it started.

Chris and Damon exchange glances. Chris heads out the bedroom.

In the corridor, Bianca puts a blanket over Prue’s shoulders. Chris comes out the bedroom and approaches Prue. Chris sits beside Prue. He holds her face between his hands.

CHRIS (CONT'D)

Prue, are you OK?

PRUE

(seems off)

What happened?

CHRIS

What were you dreaming of?

They all look at one another. Prue and Chris stare at each other. Damon and Melinda come out the bedroom.

PRUE

I ---

Prue is about to talk, but changes her mind. She remembers her dream, but for some reason, she believes she shouldn’t tell them about it.

PRUE (CONT'D)

I don’t know.

CHRIS

(intrigued)

Are you sure?

Prue deviates her eyes from Chris. Chris lets go of her face.

PRUE

Yeah, I’m sure.

(looks at the others)

What happened?

MELINDA

Your bedroom was on fire.

PRUE

(surprised)

What?

Prue looks at them all and then she lowers her gaze. Chris and Melinda exchange glances.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

 
FADE IN:

INT. OLIVIA CLARK’S APARTMENT – BEDROOM – DAY

ON: JUNIOR IS PUTTING HE’S SHIRT ON.

He is serious. Olivia is standing in the bathroom’s doorway and stares at Junior. Junior realizes she’s staring at him.

JUNIOR

What?

OLIVIA

What’s going on?

Junior stands.

JUNIOR

What do you mean?

OLIVIA

You seem different.

Junior gives his back on her.

OLIVIA (CONT'D)

What’s happening to you?

JUNIOR

(facing her)

I thought we were not in that kind of relationship.

He sounds rude. He turns around.

OLIVIA

It doesn’t mean that we can’t share our problems.

Junior turns to face her again.

JUNIOR

(rude)

I killed a man, OK?

Junior sits on the bed. Olivia stares at him for seconds. Then, she approaches him and sits beside him.

OLIVIA

OK. That’s what you do. I mean, you chase criminals. When needed, cops kill criminals.

JUNIOR

He was immobilized.

Olivia looks at him.

JUNIOR (CONT'D)

He threatened my father’s life.

OLIVIA

You’re talking about Jones?

Junior nods.

OLIVIA (CONT'D)

He was a bad guy, Junior.

JUNIOR

Like I said, he was immobilized. I didn’t have to kill him. I chose to do it.

OLIVIA

Honey ---

Junior stands.

JUNIOR

I’ve got to go.

OLIVIA

Junior ---

He takes his jacket and leaves the room. Olivia takes a deep breath.

CUT TO:

EXT. SAN FRANCISCO – DAY TO NIGHT

A night view all over the town. Things seem calmer.

CUT TO:

EXT. SAN FRANCISCO – ALLEY – NIGHT

ON: WOMAN’S LEGS OPEN.

A man --- demon better saying comes walking. Demon #2 stops as he sees the woman. BEAT. That woman is Tamora herself. She smiles.

DEMON #2

Witch!

TAMORA

Hi!

The demon takes his athame from his jacket pocket.

DEMON #2

Your powers won’t work on me, Witch!

TAMORA

Oh, I know. But this will.

ON: TAMORA’S ARM. An athame slides from her jacket sleeve to her hand. Tamora throws it at the demon quickly. The demon is hit in the chest.

TAMORA (CONT'D)

It wasn’t a loss of time watching Junior playing darts.

Tamora walks towards the demon. Once close, Tamora kicks the demon’s athame away. She lowers down to his level. He is still alive.

TAMORA (CONT'D)

So, tell me, where can I find him?

DEMON #2

You don’t find Darkness. He’ll find you.

TAMORA

Oh, no. Darkness has already found me as he has found any one of us. I mean Ignatius.

Tamora presses the athame to the demon’s chest. He cries aloud.

TAMORA (CONT'D)

Where is him?

DEMON #2

Go to hell, Witch.

Tamora grimaces. She shrugs and takes the athame off the demon’s chest. She stands and WAVES her hand. She uses her MOLECULAR ACCELERATION power on the demon. She smiles. Moments later, all that’s left is ashes. Tamora smiles. She turns around and --- BEAT. Paige is there. Tamora’s mother seems all but happy.

PAIGE

What are you doing?

TAMORA

(surprised)

Mom!

PAIGE

You father asked me not to come, but I had to see it for myself. What are you doing, Tam?

TAMORA

(mad)

Oh, so you spent weeks out and when you come back the first thing you do is lecturing me?

PAIGE

I was helping people.

TAMORA

Well, me too.

PAIGE

No. You vanquished a demon out of revenge.

TAMORA

I have to find that demon, mom.

PAIGE

Sebastian is alive!

TAMORA

(aloud)

I can’t stop it!

Both stare at each other.

TAMORA (CONT'D)

I have to take it out.

PAIGE

Take it out?

TAMORA

It’s Darkness, mom. It’s making me hungry for revenge.

PAIGE

Tam ---

TAMORA

I will stop when I find and vanquish him.

PAIGE

Honey ---

Tamora ORBS out. Paige sighs.

CUT TO:

EXT. HALLIWELL / COOP MANOR – CHARLOTTE’S BEDROOM – NIGHT

Both Eric and Charlotte are sitting on the bed watching TV. Eric has an arm over Charlotte’s shoulder. Charlotte smiles.

CHARLOTTE

I’m glad you brought this movie.

ERIC

I think we deserve a moment of peace.

CHARLOTTE

Yes, after that horrible night we had.

(looks at Eric)

How was it in the hospital?

Eric looks at her and kisses her forehead.

ERIC

Awful. Lots of injured.

(lowers his gaze)

I’m so sorry I couldn’t be there for you and Prue.

Charlotte looks at him.

CHARLOTTE

You had your own issues to deal with.

Both get back to stare at the TV.

ERIC

How is she?

CHARLOTTE

Who?

ERIC

Prue.

Suddenly, Charlotte’s expression changes. As if she doesn’t like to hear that name coming from Eric’s mouth.

CHARLOTTE

Fine. Prue is always fine. She’s Prue.

Charlotte sounds weird.

ERIC

She must be devastated. First losing Wyatt ---

Charlotte is not enjoying his words.

ERIC (CONT'D)

--- Now P3.

Charlotte gets up out of a sudden.

CHARLOTTE

(mad)

Enough!

Eric is astonished.

ERIC

What?

CHARLOTTE

You, talking about Prue. Will it end?

ERIC

Charlie, I thought you were done with that attitude.

Charlotte is mad.

CHARLOTTE

I’m so, so tired.

Eric stands.

ERIC

I think you should calm down.

CHARLOTTE

(aloud)

I don’t want to calm down.

She’s losing it.

CHARLOTTE (CONT'D)

You have to forget about her!

ERIC

That’s enough for me.

Eric takes his jacket and is about to leave.

ERIC (CONT'D)

When you calm down, call me.

CHARLOTTE

Where are you going?

Eric leaves the bedroom.

CHARLOTTE (CONT'D)

Eric!

Charlotte stares at the door Eric just slammed. Then Charlotte looks at the dresser mirror. She stares at her own image on it.

CHARLOTTE (CONT'D)

What have I done?!

She is sorry.

CUT TO:

EXT. P3 – NIGHT

The horrible image of the club’s ruins is seen.

CUT TO:

INT. P3 – DANCING FLOOR – NIGHT

Inside, the scenario is not better. It seems like part of the roof fell down. The bar, the tables --- it’s all burnt.

Prue BEAMS in. She looks around. She’s sad.

ON: P3 SIGN.

Prue walks towards the P3 sign on the floor. She lowers down and touches it.

PRUE

It’s over.

A sound of someone approaching is heard. Prue stands and turns around. A man has entered the bar.

PRUE (CONT'D)

Who’s there?

The man comes into the short light and his face can be seen. BEAT. No other than Gadreel.

GADREEL

I’m sorry. Did I scare you?

Prue stares at him.

PRUE

You?

Gadreel approaches her.

PRUE (CONT'D)

Do I know you?

GADREEL

(lying)

Well, I came here a few times. Maybe you saw me once.

Prue shoots him a suspicious look.

GADREEL (CONT'D)

Look, I know I shouldn’t be here, but I loved this place and I couldn’t believe when they told me what happened.

Prue keeps staring at him.

GADREEL (CONT'D)

You can trust me. I’m one of the good guys.

Gadreel reaches out his hand.

GADREEL (CONT'D)

I’m Gabriel.

Prue stares at his hand. Then, she reaches out her hand to shake Gadreel’s and both touch each other. Prue feels something weird.

PRUE

Gabriel.

(she looks him in the eyes)

Like the Archangel?

Gadreel smiles.

GADREEL

One of my favorites, may I say.

Prue smiles.

GADREEL (CONT'D)

I can help you.

Prue gets serious.

PRUE

On what?

GADREEL

Rebuilding this place.

Prue smiles sarcastic.

PRUE

There won’t be a rebuild. I have no reasons to do it.

GADREEL

I’m sorry to hear that. May I ask why?

Prue looks around and takes a deep breath.

PRUE

My husband also owned P3. And he died.

GADREEL

And you are gonna stop fighting because of that?

Prue looks at him.

PRUE

I’ve lost everything.

GADREEL

No.

Gadreel approaches her.

GADREEL (CONT'D)

Who said Wyatt was everything, Prue?

Prue shoots him a look. He knows her name and Wyatt’s.

PRUE

You know my name.

GADREEL

I told you, I came here a few times.

Prue lowers her gaze.

GADREEL (CONT'D)

You are powerful, Prue. A powerful woman.

Prue looks at Gadreel.

PRUE

I need to go.

Prue starts walking towards the exit. Gadreel watches her. Then Prue stops and turns around.

PRUE (CONT'D)

Gabriel?

Gadreel looks at her.

PRUE (CONT'D)

I could swear I knew you.

GADREEL

Maybe from another life.

Prue smiles.

PRUE

Maybe. It was nice to meet you.

Gadreel smiles. Prue turns around and leaves.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

Chris and Melinda are there standing and looking at someone in front of them. BEAT. Phoebe is there. She seems everything, but happy.

PHOEBE

I can’t believe you didn’t call me earlier. If it wasn't for Henry who told Paige!

MELINDA

We didn’t want to worry you, Aunt Phoebe.

PHOEBE

Worry me? Honey, I’m always worried.

CHRIS

Does mom know?

PHOEBE

No, Paige and I agreed it was better for her not to know now. When things get calmer we talk to her.

Someone comes in from the front door. Soon, Prue passes by and looks at them inside the living room. Prue stops as she sees her mother.

PRUE

(surprised)

Mom? What are you doing here? I thought you were busy with meetings in Tokyo.

Phoebe runs towards Prue and hugs her.

PHOEBE

Oh, honey. I’m so sorry.

Phoebe is almost suffocating Prue.

PRUE

Mom?

Phoebe keeps hugging Prue.

PRUE (CONT'D)

Mom!

Phoebe breaks the hug.

PRUE (CONT'D)

I’m OK.

PHOEBE

No, you’re not. I can tell by the look on your face.

Prue glances at Chris and Melinda.

PRUE

Did you call her?

CHRIS

Uncle Henry did.

Prue gets it.

PRUE

I’m fine, mom. It was just a place.

Phoebe glances at Chris and Melinda. The three of them find Prue’s answer weird.

PRUE (CONT'D)

You should get back to Tokyo. Send my love to dad.

Prue kisses Phoebe’s face and leaves. Phoebe is astonished.

PHOEBE

She’s not OK.

MELINDA

It’s probably the shock.

PHOEBE

I should call Piper and Paige. We should get back home.

CHRIS

No, Aunt Phoebe, we can deal with it.

PHOEBE

(serious)

Can you?

Phoebe sits on the couch.

PHOEBE (CONT'D)

So, tell me, who are we facing?

Melinda and Chris exchange glances.

CHRIS

Darkness.

MELINDA

She already knows that, Chris.

CHRIS

(grimaces)

It’s an angel.

Phoebe stands.

PHOEBE

(surprised)

A what?

Chris approaches Phoebe.

CHRIS

Look, Aunt Phoebe, we’ll figure out a way to vanquish him.

PHOEBE

How?

CHRIS

I don’t know, but we will.

Melinda approaches Phoebe.

MELINDA

Yes, Aunt Phoebe. You should go back to Tokyo. If we need you, we call.

Phoebe takes a deep breath.

PHOEBE

It’s crazy there too.

Melinda and Chris exchange glances.

PHOEBE (CONT'D)

In Tokyo. Coop has been trying to protect his charges the best way he can while I ---

(looks at them)

--- Well, I do what I can as well.

Melinda and Chris hold Phoebe’s hand.

PHOEBE (CONT'D)

I’ll go, but first I need to see my other daughters. I have to wait for Paige anyway.

MELINDA

Where’s she?

PHOEBE

Oh, she’s dealing with Tam and Junior. It looks like they are not well either.

They look at one another.

PHOEBE (CONT'D)

(to Chris)

Have you thought about the proposal, honey?

Chris disguises.

CHRIS

Oh, huh ---

Melinda doesn’t understand.

CHRIS (CONT'D)

No yet.

PHOEBE

(touches Chris’ face)

Think about it, honey.

CHRIS

Yes, once we end this.

Phoebe forces a smile. She stands and walks out the living room. Melinda stares at Chris.

MELINDA

(curious)

What was she talking about?

Chris lowers his gaze and takes a deep breath.

CHRIS

I’ve got a proposal from a publishing company.

MELINDA

A publishing company?

CHRIS

They want me to work on a book. A photography book.

Melinda smiles and hugs Chris.

MELINDA

That’s so amazing.

CHRIS

Yeah.

Chris doesn’t seem that happy.

MELINDA

What’s wrong?

CHRIS

They want to publish a collection of books about emotions. They want me to travel the world taking photos that represent emotions.

MELINDA

Travel the world?

CHRIS

(lowers his gaze)

Yeah.

MELINDA

Meaning?

Chris takes a deep breath.

CHRIS

Meaning that I would have to travel the world on a way that coming home every night won’t be possible.

MELINDA

You would have to leave.

CHRIS

Indeed. It wouldn’t be possible for me doing my job while vanquishing demons.

Melinda was not waiting for that new.

MELINDA

Are you taking that job?

CHRIS

I don’t know.

MELINDA

Does Bianca know?

CHRIS

No. And you can’t tell her. I want to tell her myself.

MELINDA

Don’t worry.

Melinda takes Chris’ hands.

MELINDA (CONT'D)

Whatever you decide, I’ll support you.

CHRIS

As for now, my decision is to stay here and find a way to end Darkness once and for all.

Melinda and Chris hug.

CUT TO:

INT. UNDERWORLD – GADREEL’S CAVE – NIGHT

ON: DEMON #3’S FACE

He is serious. Ignatius stands in front of him. Gadreel comes in smiling. Ignatius turns to him. Gadreel stops as he sees both there. The smile vanishes from his face.

GADREEL

What are you both doing here?

Demon #3 bows.

DEMON #2

My Lord!

Gadreel grimaces. He waves his hand and BLOWS up the demon. Ignatius is surprised by his master’s attitude.

IGNATIUS

Why did you do that?

GADREEL

I’ve said so many times that I don’t want to be called Lord.

IGNATIUS

He worked for you.

GADREEL

Exactly. He should know how to address to me.

Ignatius looks astonished at his master.

GADREEL (CONT'D)

So, tell me, what’s wrong?

Gadreel takes off his jacket.

IGNATIUS

That witch is hunting demons.

GADREEL

Do you care to elaborate?

IGNATIUS

One of the twins.

Gadreel stares seriously at Ignatius.

IGNATIUS (CONT'D)

That one you vanquished saw her using an athame against a demon.

GADREEL

How did she get that athame?

IGNATIUS

Maybe from one of the others that were vanquished.

Gadreel sits on his chair.

IGNATIUS (CONT'D)

Maybe she knows about the athames.

GADREEL

That’s impossible.

IGNATIUS

Don’t underestimate them my ---

Gadreel shoots him a look.

IGNATIUS (CONT'D)

--- Your Royal Darkness.

Gadreel stands.

GADREEL

I don’t. Whatever they know, they can’t fight against me. I can’t be vanquished.

IGNATIUS

Is that true?

Gadreel stares at Ignatius.

IGNATIUS (CONT'D)

Isn’t there any way to end you?

GADREEL

I am Darkness. You don’t vanquish Darkness.

IGNATIUS

If you say so.

Gadreel turns around.

GADREEL

Go find me the Oracle.

IGNATIUS

(bows)

As you wish.

Ignatius leaves the cave. Gadreel is serious.

GADREEL

Darkness can’t be vanquished.

Gadreel’s eyes turn to black.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

Some lights are on.

CUT TO:

INT. HALLIWELL MANOR – FIRST FLOOR CORRIDOR – NIGHT

Prue comes out her bedroom and stops. BEAT. Charlotte is there, still and looking at her.

PRUE

Charlie? What’s wrong?

Charlotte is serious.

CHARLOTTE

I was at home and I swear I tried to, but I can’t.

PRUE

You can’t what?

CHARLOTTE

Hold it.

PRUE

Hold what?

They stare at one another.

CHARLOTTE

I’m so tired of Prue.

(pauses)

And I don’t know why, but I can hold it.

PRUE

Do you care to elaborate, please?

CHARLOTTE

It’s always you.

Charlotte is getting angrier.

PRUE

Charlie, I don’t know what you ---

Prue is cut off. Charlotte runs towards her throwing her on the floor. Prue tries to get off her sister who is over her.

PRUE (CONT'D)

Charlotte, what the hell?!

CHARLOTTE

You need to get out of my way, Prue.

Prue fights to get rid of Charlotte.

CHARLOTTE (CONT'D)

He is mine!

Charlotte seems crazy. Then, out of a sudden, Charlotte FLIES across the corridor and hits a wall. Prue had used her powers on her sister. She has her hand raised.

PRUE

(angry)

Enough!

Charlotte looks at Prue. Her face shows she’s really mad. Charlotte stands. Prue stands.

CHARLOTTE

You’re not taken him from me.

PRUE

I don’t want to take anything from you.

CHARLOTTE

(aloud)

I’ll end you!

Charlotte starts running towards Prue, but the last one raises her hand again and tries to use TELEKINESIS on her sister, but Charlotte DEFLECTS her sister’s power. Charlotte stops. Both sisters stare at one another.

PRUE

You can’t defeat me.

CHARLOTTE

We shall see.

They stare at each other seriously and madly. Then, Prue raises her right hand and a blast of FIRE comes out of it. Charlotte DEFLECTS in immediately. It hits the wall.

CHARLOTTE (CONT'D)

I can deflect any power of yours.

PRUE

Let’s see.

Then, Prue starts waving her hand throwing FIRE and ICE towards Charlotte, the girl DEFLECTS every one of them. Then as fast as she can, Prue uses TELEKINESIS and manages to throw Charlotte against a wall again.

Charlotte stands fast. She looks at Prue. Prue is mad. BEAT. Prue raises her hand. Charlotte takes her hands towards her throat.

Prue is squeezing her sister’s throat, TELEKINETICALLY. Charlotte is shocking.

CHARLOTTE

(hardly)

Prue ---

At that moment, Melinda comes in. She stops astonished looking at the whole scene.

MELINDA

What’s happening?

Prue keeps squeezing Charlotte’s throat. Charlotte is almost fainting. Melinda looks from Charlotte to Prue.

MELINDA (CONT'D)

Prue, stop it!

Prue is almost closing her fist entirely while she looks madly at Charlotte.

MELINDA (CONT'D)

(aloud)

She’s your sister!

CLOSE UP: PRUE’S FIST. She opens it.

Charlotte is able to breathe normally. Melinda lowers down to Charlotte.

MELINDA (CONT'D)

Are you OK?

Charlotte nods yes. Melinda stands and looks seriously at Prue.

MELINDA (CONT'D)

What the hell is wrong with you?

Prue looks at Melinda. In Prue’s eye is seen that she doesn’t care.

PRUE

She started.

Prue walks out of there fast while Melinda watches her leaving. Melinda seems surprised. She helps Charlotte to stand.

MELINDA

What happened here?

Charlotte looks at Melinda. Charlotte seems ashamed.

CHARLOTTE

It was me. I don’t know what came into me. I just felt angry.

MELINDA

(surprised)

You attacked her?

Charlotte nods yes.

CHARLOTTE

It’s Darkness, Mel. Is taking control of me. I couldn’t help it. I feel angry.

(nervous)

I want to go after Prue and finish what we started.

MELINDA

You won’t. You have to fight it.

CHARLOTTE

What would you know?

Melinda lowers her gaze.

MELINDA

I do know how it feels.

Charlotte looks at her. Melinda looks straight to Melinda.

MELINDA (CONT'D)

I’m fighting an inside battle against what I want.

CHARLOTTE

Which is?

MELINDA

Powers.

(takes a deep breath)

I want powers. All the time.

CHARLOTTE

How do you manage not to break down?

MELINDA

(forces a smile)

I remember the way I felt when I had all those powers that one of those athames gave me and realize that’s not who I am. That’s not who I want to be.

CHARLOTTE

It requires a strong inner strength.

(lowers her gaze)

I don’t have it.

MELINDA

Yes, you do.

Charlotte looks at Melinda.

MELINDA (CONT'D)

You are a Halliwell. We just need to know where to find our light.

Charlotte smiles. They both hug. While they hug, Melinda is serious.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. UNDERWORLD – GADREEL’S CAVE – NIGHT

Gadreel is standing. The Oracle is standing before him. Ignatius is next to them. The Oracle and Gadreel look straight to each other.

GADREEL

(to Ignatius)

You can leave.

Gadreel looks at Ignatius who seems surprised at his master’s request.

GADREEL (CONT'D)

(looking at Ignatius)

Now.

Ignatius bows and leaves disappointed. Then Gadreel turns to the Oracle.

ORACLE

You requested my services.

GADREEL

What can you see about me?

The Oracle is surprised.

ORACLE

You know I can’t read you.

GADREEL

You can’t because I don’t let you.

(approaches her)

But I want you to read me now.

The Oracle sneers. She reaches out her right hand asking for his hand. Gadreel raises his hand and she grabs it. Then, her eyes turn to white and they remin that way for moments while Gadreel stares at her. Then, her eyes turn to normal. She looks straight at him.

GADREEL (CONT'D)

So, what did you see?

ORACLE

A revenge is what drives you.

GADREEL

I am Darkness, revenge is not what drives me.

ORACLE

I don’t mean Darkness. I mean, your other you. The angel.

Gadreel turns around giving his back on her.

ORACLE (CONT'D)

Darkness only amplifies what’s inside of the angel. It became part of you.

Gadreel turns to her.

GADREEL

That’s all you saw?

The Oracle smiles.

ORACLE

I saw her.

Gadreel is serious.

ORACLE (CONT'D)

You also want her.

(pauses)

And when I say you, I mean both Darkness and the angel.

GADREEL

Will I get what I want?

The Oracle smiles again.

ORACLE

You will.

(gets serious)

But you’ll have to be smart because is not that easy to separate her from her light.

Gadreel gets serious.

GADREEL

He’s dead.

ORACLE

Is he?

Gadreel approaches her and grabs her by her arms.

GADREEL

What else did you see?

ORACLE

Like I said, revenge drives you. You can’t have revenge on a dead man, can you?

Gadreel lets go of her. She smiles.

GADREEL

Everybody thinks he’s dead so he has to remain that way.

ORACLE

Don’t worry. I’m loyal to you.

GADREEL

Good.

Gadreel turns around.

ORACLE

Do you need anything else from me?

GADREEL

You can leave.

The Oracle bows. Gadreel turns to face her.

GADREEL (CONT'D)

Ask Ignatius to come here.

The Oracle nods. She bows again and leaves. Gadreel smiles.

CUT TO:

EXT. SAN FRANCISCO – NIGHT

A night view of the town.

CUT TO:

EXT. SAN FRANCISCO – TOP OF THE GOLDEN GATE - NIGHT

Tamora is there, sitting and looking at nothing special. Just thinking. She seems lost in her thoughts. Junior ORBS in behind her.

JUNIOR

I knew I would find you here.

Tamora looks at her brother over her shoulder.

TAMORA

I guess this is a Halliwell / Mitchell spot.

Junior smiles and approaches her.

TAMORA (CONT'D)

I guess you’re here for the same reasons I am.

Junior sits beside her.

JUNIOR

Oh, if you mean the way we are acting lately.

TAMORA

Sorry I pushed you.

JUNIOR

I would do it anyway, Tam.

Tamora looks at him.

JUNIOR (CONT'D)

He messed with my father.

Junior takes a deep breath.

JUNIOR (CONT'D)

I can’t help it. It’s my family, damn it!

Tamora lowers her gaze.

JUNIOR (CONT'D)

Mom and dad, they took me as if I had come from them. I am a Destined Ones because of them. 

TAMORA

It couldn’t be any other way. You showed you had powers since you were a baby.

JUNIOR

I know, but I wasn’t a Halliwell. But mom went to the Elders and they made me part of the gang.

TAMORA

It was your destiny, bro.

Junior looks at Tamora.

JUNIOR

That’s why I got that mad, Tam.

Tamora looks at him.

JUNIOR (CONT'D)

I can’t lose them.

A tear runs down Junior’s face.

JUNIOR (CONT'D)

I can’t lose any of you.

Tamora holds Junior’s hand.

TAMORA

He is using our weaknesses against us.

JUNIOR

I know.

TAMORA

It’s hard to control it.

JUNIOR

I know. I almost hit an unarmed man. It was a killer, but still.

TAMORA

I can’t stop hunting demons.

(pauses)

I know I’ve got Sebastian back, but I can’t help it.

(lowers her gaze)

It’s bad to admit it, but Darkness is taking me and I’m letting it.

JUNIOR

We have to fight it, sis.

TAMORA

What if we can’t win?

Junior lowers his gaze.

JUNIOR

We will.

Both hug.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – NIGHT

A few lights are on.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – NIGHT

ON PHOEBE. She’s serious.

In the living room are Paige, Phoebe, Chris, Bianca, Melinda, Charlotte, Pandora and Cassandra. Phoebe is standing in front of Charlotte who’s sitting on the couch, head down.

PHOEBE

(angry)

How could this happen?

CHARLOTTE

I didn’t mean to. I don’t know what came into me.

Charlotte looks up at Phoebe.

CHARLOTTE (CONT'D)

I’m sorry.

MELINDA

Aunt Phoebe, it’s Darkness.

CHARLOTTE

It won’t happen again.

PHOEBE

Are you sure about that?

Charlotte glances at Melinda, then she looks back to Phoebe.

CHARLOTTE

No, I’m not.

PAIGE

This Darkness is getting to all of us.

PHOEBE

We have to do something.

PAIGE

The question is what. It’s bringing out the worst in people.

At that moment, Junior and Tamora ORB in.

PAIGE (CONT'D)

Where were you two? I tried to reach you unsuccessfully.

JUNIOR

Sorry, mom.

PHOEBE

Where’s Prue?

SOUND: FRONT DOOR OPENING.

Moments later, Prue comes into the living room. Her eyes and Charlotte’s crossed. They stare at each other.

PHOEBE (CONT'D)

(to Prue and Charlotte)

You won’t start a fight, will you?

Prue looks at her mother.

PRUE

I won’t if she won’t.

CHARLOTTE

(looks at Phoebe)

I’m OK.

Phoebe takes a deep breath.

PAIGE

Kids, we need to figure out a way to stop this.

TAMORA

I feel like I’ll only stop once I find Ignatius.

PAIGE

It’s Darkness taking control of your actions, honey.

TAMORA

I know it, but I can stop it.

PANDORA

You have to, sis.

TAMORA

Easy for you to talk.

Chris speaks.

CHRIS

OK, I think first we need to figure out how Darkness is affecting any one of us.

Chris lowers his gaze.

CHRIS (CONT'D)

(ashamed)

I orbed out a heart.

They all look to Chris astonished.

CHRIS (CONT'D)

A demon’s heart.

BIANCA

Honey, you didn’t tell me that.

CHRIS

I was ashamed.

Bianca touches Chris’ arm.

CHRIS (CONT'D)

It was the first time.

Paige and Phoebe exchange glances.

CASSANDRA

I haven’t felt anything different. On the contrary, I feel that there’s light.

PANDORA

I haven’t felt any different as well.

BIANCA

Well, to be honest, I haven’t either.

(thinks)

I guess is because I lived in the darkness for so long. I was trained to be dark.

They all look to Bianca.

BIANCA (CONT'D)

Does it make any sense?

CHRIS

It actually does.

(looks at Cassandra)

Cass, you went through dark times for the past year.

CASSANDRA

And I’m moving on.

CHRIS

Exactly.

PHOEBE

So, it doesn’t affect who has gone through dark moments.

PANDORA

That can’t be the explanation. I haven’t gone through dark moments.

They all look at each other.

CHRIS

But Tam has.

TAMORA

So?

CHRIS

You’re mirrors of each other.

PANDORA

We are?

CHRIS

The twin thing.

Tamora and Pandora exchange glances.

PAIGE

It makes sense.

(pauses)

And it got to Junior went Henry was in danger.

CHARLOTTE

And to me when ---

Charlotte looks at Prue. Prue looks her back.

CHARLOTTE (CONT'D)

--- I was jealous.

MELINDA

And it got to me when I gained those powers from the athame.

PHOEBE

(surprised)

You what?

MELINDA

It was when we first found an athame.

PAIGE

What athame?

TAMORA

It's actually athames.

Paige and Phoebe seem surprised.

CHRIS

We believe Darkness is handing Power-Sucking athames to demons.

PHOEBE

What?

CHRIS

Oh, they also work as amulets.

PAIGE

Come again.

PHOEBE

Why haven’t you tell us that?

MELINDA

We didn’t want to worry you.

(looks at Chris)

We’ll figure out a way to vanquish Darkness.

CHARLOTTE

I think is good that we had realized what makes us feel that way.

Phoebe stares at Prue. Prue seems thoughtful.

PHOEBE

Honey?

Prue seems off.

PHOEBE (CONT'D)

Prue?

Prue looks at her mother.

PHOEBE (CONT'D)

How have you felt lately?

(pauses)

Is Darkness using anything to make you feel ---

Phoebe glances at Paige. Then she looks at Prue.

PHOEBE (CONT'D)

--- Any different?

Prue is serious. She stands.

PRUE

We can’t vanquish Darkness.

They all look to her.

PRUE (CONT'D)

We just can’t.

They all didn’t see that coming. Prue walks out of the living room.

PANDORA

What did she mean?

Chris and Melinda look at each other.

CHRIS

Darkness has got to her.

PHOEBE

(astonished)

What?

CASSANDRA

It can be, Chris.

CHRIS

She set the fire in her bedroom earlier.

They all are surprised.

CHRIS (CONT'D)

I saw it.

MELINDA

That’s not good.

CASSANDRA

She can fight it. We need to pull out the light inside of her.

MELINDA

Her light is dead, Cass.

PHOEBE

We cannot let that happen.

(swallows)

Darkness can’t have my child.

CHRIS

It really can.

Paige, Phoebe, Chris and Melinda seem really worried.

TAMORA

The worse that can happen is Prue going out like crazy trying to find this guy, huh? I mean, he was responsible for Wyatt’s death. He sent Barbas.

CHRIS

No with Prue.

They all exchange glances.

MELINDA

Prue loves it.

PHOEBE

Don’t, Mel.

MELINDA

It’s true. She loves power and being dark will give her the reason to use them without thinking about the consequences.

PHOEBE

No.

CHRIS

Worse. She can join him.

CHARLOTTE

Join Darkness?

Chris nods yes.

CHARLOTTE (CONT'D)

That would be ---

Charlotte isn’t able to finish the sentence.

PHOEBE

We have to save my daughter from that path.

(looks at Chris)

There must be a way.

Chris is serious. They all are.

CUT TO:

INT. P3 – NIGHT

The whole place is still destroyed. Is dark in there. Prue comes in carefully coming from the entrance downstairs. There’re wreckages all over the place. She heads towards the bar who is still standing. Prue looks around.

BEAT. Someone is there. Prue feels a presence. She turns around and ---

ON GADREEL. He smiles.

PRUE

You.

Gadreel smiles.

PRUE (CONT'D)

I know who you are.

GADREEL

I know you do.

Gadreel approaches her. Prue steps back.

GADREEL (CONT'D)

You don’t need to be afraid of me, Prue.

Prue stops. He keeps walking towards her.

GADREEL (CONT'D)

I won’t harm you.

Gadreel gets really closer to her.

PRUE

What do you want from me?

Gadreel smiles.

GADREEL

I don’t want anything from you.

Gadreel takes Prue’s left hand and kisses her. He looks at Prue’s wedding ring.

GADREEL (CONT'D)

I want you.

Gadreel looks to her.

PRUE

You won’t have me.

GADREEL

Don’t resist to me, Prue.

He gets even closer.

GADREEL (CONT'D)

You can trust me, Prue.

PRUE

You are Darkness.

Their faces are really close to each other’s.

PRUE (CONT'D)

You are ---

GADREEL

You can trust me.

And he kisses her. Prue corresponds to the kiss. Seconds later, Gadreel stops kissing her. Gadreel grabs her chin and makes her look into his eyes.

GADREEL (CONT'D)

You can trust me.

PRUE

I can trust you.

Gadreel smiles. He kisses her again.

The camera moves away while the scenario is getting darker and ---

CUT TO BLACK.

END OF THE EPISODE