3x12 - Darkness is Here

[Prue Brianna Johnna Halliwell]

DESTINED

'DARKNESS IS HERE'

TEASER

OVER BLACK.

FADE IN:

EXT. GOLDEN GATE NATIONAL CEMETERY - DAY

CLOSE UP: SIGN 'GOLDEN GATE NATIONAL CEMETERY'

CUT TO:

INT. GOLDEN GATE NATIONAL CEMETERY - DAY

The camera shows a female feet walking. Black high heels. The camera moves up slowly. The woman holds a bunch of flowers. White and yellow Daisies. The woman stops by a tree. The camera reaches her face: PRUE. She lowers down and puts the flowers by the tree and remins on her knees. Smiles.

PRUE

Hi, Conrad!

(pauses)

It's me, again.

(lowers her gaze)

I'm sorry, I didn't come last week. It was New Years and my baby sister's birthday. It was a crazy week. You know, the celebrations took all of us.

(smiles)

Anyway, it went well. We gathered at P3 for both occasions.

Prue looks around.

PRUE (CONT'D)

Whoever sees me, must be thinking that I'm crazy for talking to a tree. But I don't have a graveyard where to find you. I don't even know if you can listen. After all, demons don't go to heaven, unless they are forgiven.

(takes a deep breath)

We haven't found him. Yet. Wyatt is doing everything he can to find him. The others too. Tam has become a demon hunter. She's obsessed with finding Ignatius. She saw Sebastian a few weeks ago. You know, the Elders are keeping him in training and his charges are from the other side of the world.

(serious)

Stupid Elders.

(remembers)

Oh, by the way, I forgot to tell you. They knew nothing about him. They said that they received higher orders to assign Tam as Sebastian's Whitelighter, but they didn't question the superior orders.

(pauses)

Go figure. You're lucky you never met one of them. Creepy creatures. Elders.

(lowers her gaze)

Mel and Damon are still not talking to each other. Well, it's more like she's not talking to him. It's been a month and she can't forgive him.

(smiles)

I have.

(pauses)

I and Wyatt are OK. We're working on it. He's been patient and caring and he's has been the husband I wished for. But I still am mad at him, because of you know what. We've been attending couples therapy with Dr. Morrison and we went to a few meeting of a group for people who likes to be in control of everything.

(smiles)

Yeah, I didn't even know that something like that could exist. It's a kind of AA for people like me and Wyatt. But it's helping. I mean, I still like to be in control of everything, but I ---

(takes a deep breath)

--- I know that sometimes it's not up to us. I've been calmer at least.

(serious)

But I'm not gonna lie to you. There's times I want to go back. When I was a Shadow I just had to want and I got it. Things were under control. But it's wrong, right?

Prue stares at the tree.

PRUE (CONT'D)

Anyway, I hope you're OK.

(stands)

I need to get going.

(smiles)

I have a band playing tomorrow at P3 and they are rehearsing this afternoon. I need to be there. I'm the boss.

Prue touches the tree.

PRUE (CONT'D)

Bye.

Prue turns around and walks away. The camera moves to the beautiful bunch of Daisies.

CLOSE UP: BUNCH OF FLOWERS.

And then the camera focus on a tree nearby. There's someone that was probably looking at Prue all the time she was there. That someone is not other than GADREEL. He is serious. He walks towards the tree where Prue put the flowers. Once there, he looks at the flowers. Smiles wickedly and WAVES his right hand. And then, the flowers burn.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Ivan Sergei as Henry Mitchell

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Daniel Di Tomasso as Gadreel / The Darkness

John Wesley Shipp as Ignatius

Timothy Olyphant as Beggar

Naya Rivera as Sienna (Harpy)

Sela Ward as Ashley Morrison

Jim Caviezel as Murderer

Unknown actor as Inspector

Unknown actors as Demons

Unknown actor as Politician

Unknown actor as Thief

Unknown actresses as P3 customers

Billy Drago as Barbas

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Shots of the entire town at the sound of 'What I've Done' by Linkin Park.

Lots of places all over the city are shown.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

CLOSE UP: BIG EXPLOSION.

The demon burns entirely. Wyatt, Chris, Damon and Tamora hide behind a rock wall while the demon burns. Once the demon is gone, they come out.

TAMORA

(amazed)

WOW, that was ---

(speechless)

--- WOW!

Wyatt, Chris and Damon shoot her a look.

DAMON

You really are enjoying it, aren't you?

TAMORA

(smiling)

Yeah, you know, I have a lot inside.

CHRIS

Is it because of the demon we are trying to locate or because of the Elders?

TAMORA

Both!

(mad)

Can you believe they've sent Sebastian to Singapore? 

Wyatt and Chris exchange glances.

TAMORA (CONT'D)

He has like a dozen charges there! It's crazy.

CHRIS

Talking about charges, ---

(to Tamora)

--- Shouldn't you be with yours?

TAMORA

Oh, the Elders put me out of it. I prefer to be focused on this.

WYATT

Anyway, guys, I should be going.

(pauses)

I have an appointment with Dr. Morrison.

DAMON

Oh, right, couples therapy. I should try that one.

TAMORA

Oh! You and Mel are still not talking, huh?

DAMON

No, she's not talking to me.

WYATT

And all this is my fault. I'm sorry.

DAMON

Don't excuse yourself. I did it because I wanted. I knew the risks.

CHRIS

(to Wyatt)

You go. We take care of this.

WYATT

Thank you. If you guys find something, let me know.

Chris nods. Wyatt ORBS out.

CHRIS

And there are three of us.

DAMON

Who's picking the next turn?

TAMORA

Oh, that would be me, my sister and brother.

DAMON

(surprised)

You again?

TAMORA

What's the surprise? I already know this place.

CHRIS

And I never thought it was that big. I mean, we've been doing this for a month and we've found nothing yet.

DAMON

We knew it wouldn't be easy.

CHRIS

Everything is so quiet, man. No major demons attack. No one knows about the Darkness here. It's all weird.

TAMORA

Yeah, whatever they're planning, it's big.

The three of them keep walking.

CUT TO:

EXT. DR. ASHLEY MORRISON'S OFFICE - ENTRANCE - DAY

Wyatt stands there. He looks at his wristwatch. It looks like he's waiting for someone. Cassandra comes out of the building and runs into Wyatt.

CASSANDRA

Hey, Wyatt!

WYATT

Cass, hi! Didn't knew you were here. I thought you had stopped the therapy.

CASSANDRA

Oh, I just come here every once in a while.

(smiles)

Are you waiting for Prue?

WYATT

(looks at his wristwatch)

Yeah, she was supposed to be here already.

PRUE (O.S.)

Sorry!

Prue walks towards them.

PRUE (CONT'D)

I got stuck at P3.

(smiles)

Hi.

Prue and Wyatt look at each other.

WYATT

Hi.

PRUE

Should we go in?

WYATT

Sure.

PRUE

Bye, Cass.

CASSANDRA

Bye!

Prue and Wyatt head into the building. Cassandra watches them entering and smiles.

BEGGAR (O.S.)

Beware!

Nearby, a man speaking out loud is heard and seen. He wears dirty clothes. It seems like he is a beggar.

BEGGAR (CONT'D)

It's coming, you guys!

Cassandra approaches the man carefully. He has got her attention.

BEGGAR (CONT'D)

The one who was made from light is here.

(serious)

But he's up to no good.

Cassandra is serious.

BEGGAR (CONT'D)

Beg for forgiveness.

(pauses)

He will make you all step into a living hell. He who used to be one of them.

(points up)

Has become their most terrible enemy.

People just walk, but Cassandra is interested in what the man is saying. Suddenly, the man stops and looks at Cassandra.

BEGGAR (CONT'D)

Darkness is coming, miss. And none of us are safe.

Cassandra and the man stare at each other. Then the man runs fast out of there. Cassandra watches him leave. She's serious.

CUT TO:

EXT. SAN FRANCISCO - ALLEY - DAY

The beggar comes in and approaches a spot next to the garbage container. It seems like that's the place he sleeps in. Behind him, Gadreel SPARKLES in his white and golden light. He looks at the beggar. The man suddenly gets serious. Slowly, he turns around and faces Gadreel right there in front of him.

GADREEL

You know, prophets are not my favorite people. I guess we are gonna have to find you a new profession. 

Fast, Gadreel takes his hand to the man's throat and for moments it seems like he's tightening the beggar's throat, but soon, we realize he's not. What looks like the beggar's veins, become black and it's kinda like his blood is running all the way up towards the beggar's eyes. The eyes become black. Seconds later the veins go back to normal as well as his eyes. Then Gadreel let's go of him. He smiles.

GADREEL (CONT'D)

(evilly)

One thing for sure. Darkness is not coming. It's already here and it will cover this world.

Gadreel smiles. The beggar looks at him seriously.

CUT TO:

INT. UNDERWORLD - HEAD QUARTER - DAY

This place is different from all that we've seen in the Underworld. It's like a big cave with corridors. Like a dozen demons are there... working. They are making weapons, athames more specifically.

Ignatius walks between them as he watches their work. Gadreel SPARKLES in. Ignatius approaches him.

IGNATIUS

Have you gone up there again?

GADREEL

I don't like to be controlled, my demonic friend. I'm the boss here, remember?

IGNATIUS

Sure. I'm just worried that if you keep going up there, the ones who once trapped you find a way to trap you again.

Gadreel laughs. They walk between the demons that are working.

IGNATIUS (CONT'D)

What's so funny?

GADREEL

It's been a long time since they stopped interfering with the life on Earth. That's why Whitelighters, Cupids and even Angels of Destiny exist for.

IGNATIUS

If you say so.

Gadreel watches the workers.

GADREEL

How is it going?

IGNATIUS

More demons have joined our cause. It was a good idea to use your blood in the athames' making process.

GADREEL

(stops)

Yes, I had a long time to think about my plan.

(pauses)

Did you get that demon we talked about?

IGNATIUS

I did. The Halliwells will have their hands busy for a while.

GADREEL

And that other one you told me about?

IGNATIUS

I'm trying to locate him. Last time he suffered a great damage. But I'll bring him.

Gadreel smiles. He keeps walking.

IGNATIUS (CONT'D)

I've got a few more.

Gadreel stops and looks at Ignatius.

IGNATIUS (CONT'D)

Humans.

GADREEL

Where are they?

Ignatius points at a corner.

CLOSE UP: THREE MAN TIED UP WITH CHAINS.

They walk towards them.

IGNATIUS

A thief, a murderer and a ---

(makes a face)

--- a politician.

Gadreel smiles.

GADREEL

Which one is the murderer?

Ignatius points to the man in the middle. Gadreel approaches him.

GADREEL (CONT'D)

Tell me, who did you kill?

All three men seem terrified.

MURDERER

My wife.

GADREEL

Why did you kill your wife?

MURDERER

She betrayed me.

(lowers his gaze)

With my best friend.

Gadreel is serious.

GADREEL

Did you kill your best friend as well?

The Murderer nods no.

GADREEL (CONT'D)

You should have. But I'm gonna give you that opportunity, huh?

The Murderer and Gadreel stare at each other.

GADREEL (CONT'D)

I hate when our best friends take what's ours.

Gadreel takes his hand towards the murderer's throat and does the same he did with the beggar. The murderer's veins turn black and soon disappears. His eyes turn black as well, but soon they get back to normal.

GADREEL (CONT'D)

Now, you can go and kill your friend.

The Murderer is serious. Gadreel smiles evilly.

CUT TO:

EXT. DR. ASHLEY MORRISON'S OFFICE - DAY

STOCK.

CUT TO:

INT. DR. ASHLEY MORRISON'S OFFICE - OFFICE - DAY

Prue and Wyatt are sitting on the couch. Dr. Ashley Morrison is sitting on the couch in front of them.

ASHLEY

(smiles)

So, Wyatt ---

(looks at Wyatt)

--- Prue.

(looks at Prue)

How are you today?

Wyatt and Prue are both serious. They exchange glances.

ASHLEY (CONT'D)

Have you done the exercises?

PRUE

We have.

WYATT

We haven't gone to bed without talking about our day.

PRUE

And we start every day with a hug.

WYATT

Not to mention that we have pointed out each other's qualities.

PRUE

And talked about our defects.

ASHLEY

(smiles)

That's really good.

Wyatt and Prue smile.

ASHLEY (CONT'D)

How is your intimacy going?

Wyatt glances at Prue.

WYATT

We are certainly working on that. We've been having a lot of work lately, but we always find a little time to work on that.

ASHLEY

That's good. You should not forget about that. What about a dinner for two where you two talk about only the two of you?

(looks at Prue)

Is it OK for you, Prue?

Prue looks at Ashley. She doesn't answer.

ASHLEY (CONT'D)

Prue, is there anything you want to say?

PRUE

I just ---

(pauses)

--- I think I haven't said this yet ---

(looks at Wyatt)

--- To you.

Wyatt looks at Prue.

PRUE (CONT'D)

I ---

(takes a deep breath)

--- I forgive you.

Wyatt smiles.

PRUE (CONT'D)

But I still need you to prove that you believe in us.

WYATT

Prue ---

(holds her hand)

--- I'll prove you that I've changed.

Prue smiles. They hold hands strongly.

ASHLEY

I can see the other exercises worked too.

(pauses)

You've been telling to yourself that you need to be patient ---

(looks to Wyatt)

--- and to forgive.

(looks to Prue)

That's very important.

(smiles)

Share. You are a couple. Share your things. Your feelings. Your problems. Your joys. And the bed, of course.

Wyatt and Prue smile.

ASHLEY (CONT'D)

You are heading the right way.

Ashley smiles as she looks at them. Prue and Wyatt exchange glances.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. MAGIC SCHOOL - MAIN HALL - DAY

Some students are there as well as Charlotte who's next to a bookcase. She's on her mobile phone.

CHARLOTTE

(on the phone)

No, that's awesome. I'm happy for you, honey.

Cassandra comes in and looks around for someone.

CHARLOTTE (CONT'D)

(on the phone)

No, I'm OK. What's a month, right?

(smiles)

OK. Talk to you later.

(listens)

Love you too.

Charlotte hangs off the phone. Cassandra sees her. Charlotte takes a deep breath. Cassandra approaches her.

CASSANDRA

Hey, sis!

CHARLOTTE

(surprised)

Hey! What are you doing here? I thought you were done with Magic School!

CASSANDRA

(sarcastic laugh)

You're so funny!

Charlotte smiles. Charlotte puts her mobile phone in the back pocket of her pants.

CASSANDRA (CONT'D)

Who were you talking to?

CHARLOTTE

It was Eric.

CASSANDRA

Is he OK?

CHARLOTTE

Yes, he was offered an extra month in the hospital.

CASSANDRA

That's good, right?

CHARLOTTE

It is. I'm sad because I want him here, but knowing how things are going I actually prefer him being away.

(pauses)

Are we on the next shift?

CASSANDRA

No, that's the twins and Junior.

Cassandra gets serious out of a sudden. Charlotte notices it.

CHARLOTTE

What's wrong with you?

CASSANDRA

I need to tell this to someone.

Cassandra signs Charlotte for them to sit. They head to the couch.

CHARLOTTE

Are you and your boyfriend doing OK?

CASSANDRA

(surprised)

My what?

They sit. Charlotte smiles.

CHARLOTTE

I saw you going out with a guy last night.

Cassandra shoots her a look.

CHARLOTTE (CONT'D)

Oh, and Dad saw it too.

CASSANDRA

Charlie!

CHARLOTTE

He made me spy on you.

Cassandra is wrathful.

CHARLOTTE (CONT'D)

He's cute.

Charlotte smiles. Cassandra ends up smiling too.

CASSANDRA

Yes, he is, but no, it's not about him that I want to talk about.

CHARLOTTE

So?

CASSANDRA

Before, when I went out Dr. Morrison's office, I saw a man. 

Charlotte listens carefully.

CASSANDRA (CONT'D)

He was saying things. He said ---

Cassandra interrupts herself.

CHARLOTTE

He said what?

CASSANDRA

(serious)

Darkness is coming!

CHARLOTTE

(surprised)

He said that?

Cassandra nods.

CHARLOTTE (CONT'D)

Do you think people notice it?

CASSANDRA

It's been too quiet. What's his plan?

CHARLOTTE

I wish I knew.

Both sisters stare at each other.

CUT TO:

INT. UNDERWORLD - GADREEL'S CAVE - DAY

This cave has nothing to do with Ignatius' cave. It almost looks like the living room of a big apartment. A very sophisticated living room.

Ignatius and Gadreel are there as well as a woman, a demon (30's) better saying. An Harpy (SIENNA) Gadreel walks around the demon, looking her up and down.

GADREEL

An Harpy.

(to Ignatius)

Excellent job finding her.

IGNATIUS

(bowing)

Thank you.

Gadreel stops walking. He stands in from of the Harpy demon.

GADREEL

Did you understand my instructions?

The Harpy nods.

SIENNA

Can I kill?

GADREEL

(smiles)

Whoever you want, but you cannot harm those I mentioned.

SIENNA

As you wish, My Lord.

GADREEL

(annoyed)

Why is everybody calling me Lord? I said I don't like it.

SIENNA

(shoots a try)

Your Evil Majesty?

Gadreel shoots her a look.

GADREEL

I like the Majesty. I don't like the evil.

Gadreel approaches Ignatius.

GADREEL (CONT'D)

(to Ignatius)

What about 'Your Royal Darkness'?

(smiles)

King of all Darkness on Earth.

Ignatius smiles.

IGNATIUS

It's certainly new around here.

GADREEL

I've been a prince my entire life. It's time for me to be king.

(to the Harpy)

Now, go.

SIENNA

(bowing)

Yes, Your Royal Darkness.

Gadreel smiles. Sienna SMOKES out.

GADREEL

Good idea, Harpies.

IGNATIUS

It was about time we added a little spice.

GADREEL

Indeed, my friend.

Gadreel takes a deep breath.

GADREEL (CONT'D)

My army is almost ready.

(looks at nothing special)

Soon, this world will be a chaos.

(smiles)

And I'll have my revenge.

(looks at Ignatius)

The demon you were looking for?

IGNATIUS

I think I just located him, Gadreel.

GADREEL

Good. That's an important piece in my plan. He is famous in Heavens, you knew that?

Ignatius is surprised.

GADREEL (CONT'D)

(smiles)

Yeah, I was in prison, but they came visit me. I think they enjoyed keeping me updated. Go figure!

IGNATIUS

Do you need anything else from me?

GADREEL

Oh, no. You may go. I need a moment alone.

Ignatius bows and leaves the cave. The mirror is hanging on a rock wall. Gadreel approaches the mirror. He WAVES his hand and the image of Prue appears. She's walking alone on the street. She's seen crossing the street.

GADREEL (CONT'D)

Soon.

Gadreel smiles.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

Fast motion images of the town as the day ends and the night arrives.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

A few lights on.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Melinda is there sitting on the couch. A big book on her legs. One of the Books of Angels. A dictionary is by her. A Latin-English dictionary. She takes the dictionary and searches for a word. Soon, she finds it.

MELINDA

(to herself)

So, this is what it means?!

She takes a deep breath.

MELINDA (CONT'D)

(to herself)

I should use the internet to translate this whole book.

And keeps reading. The Harpy Sienna SMOKES in the entrance of the room. Melinda sees her. Melinda closes the book immediately and stands.

MELINDA (CONT'D)

Who're you?

Sienna raises her hand and POINTS a finger to where Melinda is. Melinda jumps fast behind the sofa at the same time as Sienna THROWS a LASER BOLT that hits the part of the sofa where Melinda was sitting. The couch combusts and the dictionary gets destroyed. Melinda stands still holding the book and WAVES her hand. She FREEZES the Harpy, but it has little effect on her. She starts moving.

MELINDA (CONT'D)

Damn!

(calls)

PRUE!

Sienna THROWS another LASER BOLT towards Melinda, but it ends hitting the console behind her because Melinda lowers down. Then she stands. Prue BEAMS in.

PRUE

What?

Prue realizes the mess and sees Melinda on the floor. Then, Prue sees the Harpy. The Harpy raises her hand, but sees Prue. Prue is about to use her powers on her, but the Harpy SMOKES out. Melinda is surprised.

MELINDA

Why didn't she attacked you?

PRUE

No idea!

Prue shrugs. Melinda still holds the book. She glances at the whole mess.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - NIGHT (MOMENTS LATER)

STOCK.

CUT TO:

INT. HALLIWELL - ATTIC - NIGHT

Prue and Melinda are there. Melinda is flipping through the Book of Shadows. Prue places the room.

MELINDA

It was too quiet! Too quiet!

PRUE

Yeah.

MELINDA

(stops; looks at Prue)

And why didn't she attacked you?

PRUE

(annoyed)

I don't know.

Melinda gets back to the book.

MELINDA

I need to get myself an offensive power.

PRUE

Why didn't you freeze her?

MELINDA

I did!

Prue shrugs. At that moment, Wyatt ORBS in and Damon SHIMMERS in. Damon walks fast towards Melinda.

DAMON

(to Melinda)

Honey, are you OK?

MELINDA

(mad; to Damon)

What are you doing here?

DAMON

I was worried about you.

MELINDA

I don't need you to be worried about me.

(to Wyatt)

Why did you tell him?

WYATT

Well, because ---

MELINDA

(cuts him off)

Don't care.

Wyatt and Prue exchange glances.

PRUE

(whispers; to Wyatt)

You need to talk to her.

WYATT

(whispers)

I've tried.

PRUE

(whispers)

Try again.

Prue shoots him a look.

WYATT

(to Prue)

What about you? Are you OK?

Prue is about to answer, but Melinda does it for her.

MELINDA

Oh, she's fine. As soon as the demon saw her, she smoked out.

Wyatt looks at Prue. He's surprised.

WYATT

Really?

Prue nods.

WYATT (CONT'D)

Why?

PRUE

Oh, I don't know.

(sarcastic)

Maybe I'm evil and she fears me.

Prue and Wyatt stare at each serious for seconds and then they smile.

WYATT

(smiles)

I bet she did.

(approaches Prue and kisses her)

You're scary when you play the evil part.

Prue smiles.

PRUE

Thank you. Same to you.

Both kiss. Melinda and Damon look at them. Damon smiles. Melinda makes a sick expression.

MELINDA

Oh, please, I'm gonna be sick.

Wyatt and Prue look at Melinda.

MELINDA (CONT'D)

I think I preferred when you two were apart.

PRUE

No, you don't.

DAMON

(to Melinda)

So, what demon was it?

Melinda pretends not listening to Damon. Wyatt and Prue exchange glances.

WYATT

(to Melinda)

What demon was it, Mel?

MELINDA

I'm still looking for it.

Damon shoots Wyatt a look. Wyatt shrugs.

DAMON

(furious; to Melinda)

Why don't you answer me?

Melinda keeps flipping the book and doesn't answer.

DAMON (CONT'D)

(serious; to Melinda)

You know what? I'm done!

Without saying anything else, Damon SHIMMERS out. Melinda looks at Wyatt and Prue.

MELINDA

What did he mean?

PRUE

He meant that he's done, honey.

(assuring)

Over.

Melinda stares at them for seconds and then pretends not to care. She gets back to the book and ---

MELINDA

Found it.

(looks at them)

An Harpy!

WYATT

Are you sure?

Melinda nods. She gets back to the book.

MELINDA

And we are gonna need the Power of Three.

PRUE

I'll get Tam.

(to Wyatt)

Talk to her.

Wyatt nods. Prue walks out the attic. Wyatt stares at Melinda and takes a deep breath.

CUT TO:

EXT. SAN FRANCISCO POLICE DEPARTMENT - NIGHT

There seems to be a lot of agitation in there.

CUT TO:

INT. SAN FRANCISCO POLICE DEPARTMENT - MAIN ROOM - NIGHT

Two cops come in with a man. The man is not other than the Murderer that Ignatius took to the Underworld. Junior comes after. Henry comes out of his office. Junior approaches Henry.

HENRY

Good job, son!

Junior forces a smile.

JUNIOR

The other guy is at the hospital. Between life and death.

HENRY

He got revenge on him.

JUNIOR

Yeah, Dad, but why now?

(pauses)

It's been five years since he killed his wife and disappeared. Why he came back now?

HENRY

I wish I had all the answers to why people do what they do. My life would be easy.

JUNIOR

Tell me about it.

HENRY

We have a case of disturb. 

Junior listens.

HENRY (CONT'D)

A man is causing disturbs in a neighborhood.

JUNIOR

Have you sent someone there?

HENRY

Yeah. I'm just waiting for them to bringing him here.

(pauses)

Your sisters?

Junior shoots his father a look.

HENRY (CONT'D)

Did they go anyway?

Junior nods.

HENRY (CONT'D)

Without you?

JUNIOR

They took Bianca with them.

HENRY

Bianca has not powers.

JUNIOR

Well, she's really good with ---

(whispers)

--- You know, potions.

Henry shoots Junior a look. The Murderer starts acting agitated. The cops try to control him. Henry and Junior look at him.

MURDERER

You all will get down to your knees. He has come to rule.

(laughs crazily)

He has come to rule!

The Murderer has a maniac laugh. Henry and Junior exchange glances.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Melinda is sitting at the table writing something on a piece of paper. Wyatt places the place while glancing at her.

WYATT

What are you doing?

MELINDA

(not friendly)

Writing a spell. What does it look like I'm doing?

Wyatt looks at her and then he decides to approach her. He walks towards her and sits across the table.

WYATT

Mel, why don't you go and talk to Damon?

MELINDA

I have nothing to say to him.

WYATT

You don't?

MELINDA

No, Wyatt. What's wrong with you? Don't you hear me?

WYATT

Mel, he's your boyfriend.

Melinda keeps writing.

WYATT (CONT'D)

I think I know what your problem is.

Melinda keeps writing. Wyatt stares at her and once she doesn't look at him, Wyatt puts a hand on the paper so she can stop writing.

WYATT (CONT'D)

Look at me.

Melinda lands the pen. Then she looks straight to Wyatt.

WYATT (CONT'D)

You're mad at me.

Melinda stares at him.

WYATT (CONT'D)

You're mad at me because I put him in the middle of this.

MELINDA

He got in the middle because he wanted to. It was his choice.

WYATT

Yeah, but I asked him to keep secret from you.

MELINDA

And it was his choice to agree with it.

WYATT

Still, it was because of me. And the only person who had the right to be mad, has forgiven me already.

(serious)

Why don't you forgive him?

Melinda stands.

MELINDA

Look, Wyatt, I might be just a witch, but I don't like people making a fool of me.

WYATT

You are not just a witch, Mel.

MELINDA

Yes, I am. I also am the comprehensive one. The shoulder person. And the only thing I asked for was honesty. I think I have the right to get that from those who are my family.

(pauses)

He betrayed that.

WYATT

(stands)

You love him. Why can't you forgive him?

MELINDA

I just can't.

(lowers her gaze)

He said he was done, right?

(looks at Wyatt)

I'm glad he took that decision.

Melinda turns around and walks out the attic. Wyatt stands and takes his hands to his hips and takes a deep breath.

CUT TO:

INT. UNDERWORLD - CORRIDORS - NIGHT

Tamora is fighting with a demon. She kicks the demon on the belly.

DEMON #1

Your damn witch!

TAMORA

Language!

Demon #1 approaches her and throws her against a rock wall. Pandora and Bianca are there just watching.

BIANCA

(to Pandora)

Should we help her?

PANDORA

She said 'I handle this' remember?

Bianca agrees. Tamora is on the ground. The demon laughs.

DEMON #1

What happened, witch? Too much for you?

Tamora stands and it seems like she's about to make a move on the demon, but suddenly, the demon is hit by ICE and turns entirely into a big statue of ice. Tamora, Pandora and Bianca look at where the ice came from. Prue stands there with her right hand raised.

TAMORA

(to Prue; annoyed)

Why did you do that?

PRUE

Oh, well it seemed to me like you needed a hand.

TAMORA

I didn't. I had it covered.

PRUE

Clearly. You were playing with the food.

Tamora shoots her a look. Tamora approaches the demon and kicks him. The big ice statue becomes small ice cubes.

PRUE (CONT'D)

(smiles)

See? You vanquished the demon after all!

TAMORA

(serious)

Not funny.

(to Prue)

See why I don't like to make shifts with you? You take down all the demons.

PRUE

It's not my fault that my powers are growing up and I need to practice.

Both Prue and Tamora stare at each other. Prue is smiling, Tamora is serious.

BIANCA

So, Prue what are you doing here?

PRUE

I need the Power of Three.

TAMORA

What for?

PRUE

Melinda just got attacked by an Harpy ---

(pauses)

--- at home.

PANDORA

(surprised)

A demon attacked at the manor?

Prue nods.

PANDORA (CONT'D)

Fasting is over, I guess.

PRUE

(to Tamora; sarcastic)

Can we go or do you have another demon you want to take care of?

TAMORA

Let's go.

Tamora ORBS out. Prue BEAMS out.

BIANCA

Are we gonna stay here?

PANDORA

You're kidding me? Let's go.

Pandora takes Bianca's hand and ORBS out.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO POLICE DEPARTMENT - NIGHT

The agitation goes on.

CUT TO:

INT. SAN FRANCISCO POLICE DEPARTMENT - MAIN ROOM - NIGHT

Junior is at his desk writing at his computer. It's full of cops and detectives there. One of the inspectors approaches Junior.

INSPECTOR

What's wrong with this day, man? It's been crazy for the last weeks, but today ---

(sighs)

--- Jeez.

Junior stands.

JUNIOR

Tell me about it!

At that moment, a pair of cops come in with the Beggar. The man is agitated.

BEGGAR

You don't understand. Chaos is upon us.

Junior and his colleague look at him. Henry comes out of his office.

HENRY

Junior, have you finished the report.

JUNIOR

I'm working on it.

Henry sees the Beggar and all the agitation he is in.

BEGGAR

The time has come. The time has come.

INSPECTOR

Another crazy one, huh?

BEGGAR

(aloud)

He has come to rule.

Junior and Henry exchange glances. The beggar gets out of control. The Inspector goes help the cops.

JUNIOR

He has come to rule?!

HENRY

Coincidence?

Both stare at each other. At that moment, Cassandra comes in. she looks around the whole agitation in there. With difficulties, she manages to approach Junior and Henry.

HENRY (CONT'D)

Cass, what are you doing here? This is not a good place for you.

CASSANDRA

Oh, please, Uncle Henry. I've seen worse.

JUNIOR

What bring you here?

CASSANDRA

I need to find someone.

The beggar keeps yelling.

CASSANDRA (CONT'D)

I need to find a beggar who probably stays around ---

The whole agitation calls Cassandra's attention. She looks at the scene. The cops are trying to control the man.

BEGGAR

He has come to rule and we all will kneel before him.

Cassandra realizes he is the beggar she saw that afternoon.

CASSANDRA

(surprised)

That's him!

HENRY

Do you know him?

CASSANDRA

That's the person I was looking for.

JUNIOR

Why are you looking for him?

CASSANDRA

Because he said something before. It got me thinking.

The beggar sees Cassandra. He gets calmer as he sees her.

BEGGAR

Miss!

Cassandra turns to him.

BEGGAR (CONT'D)

You know that, right?

(pauses)

Darkness is here.

Henry and Junior exchange worried glances.

BEGGAR (CONT'D)

He has come to rule. To be the highest one.

(smiles big)

Our king.

Cassandra is serious.

BEGGAR (CONT'D)

We should do as he says!

The Beggar is grabbed by the cops and they drag him out of the room. Cassandra is astonished.

JUNIOR

What was that?

CASSANDRA

That, cous, it's a warning. A warning that things will change around here.

JUNIOR

(whispers)

Darkness?

CASSANDRA

(turns to Junior)

He is really here.

Both Junior and Cassandra stare seriously at each other.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Fast motion aerial images of the town.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Melinda comes in followed by Tamora.

TAMORA

Are we sure that thing is gonna show up?

MELINDA

I hope so.

Melinda looks at the destroyed sofa.

MELINDA (CONT'D)

She destroyed my favorite sofa.

Tamora looks at it. Prue and Wyatt come in.

WYATT

(to Prue)

Are you sure you don't need me?

PRUE

No, honey. It requires the Power of Three on this.

WYATT

OK. I'll be at P3 if you need me.

Prue smiles. He kisses her. Melinda and Tamora look at it. Wyatt walks out.

TAMORA

I'm happy you two are doing OK.

Prue smiles.

MELINDA

It makes me sick.

Tamora shoots Melinda a look.

TAMORA

Don't be like that. You and Damon will be fine.

MELINDA

No, we won't.

Tamora shoots Melinda a look.

MELINDA (CONT'D)

He ended things.

TAMORA

(surprised)

He what?

PRUE

No, he didn't. He's just tired.

MELINDA

You heard him, Prue.

PRUE

You just need to talk to him. You could do therapy.

Melinda shoots Prue a look.

PRUE (CONT'D)

It has worked for me and Wyatt.

MELINDA

Thanks, but no, thanks.

(pauses)

I've made up my mind.

Prue and Tamora exchange glances. Melinda looks at the destroyed couch. She's thoughtful. Something comes into her mind.

MELINDA (CONT'D)

You know what?

(turns to them)

I know what to do.

(to Prue)

You should leave.

PRUE

(not understands)

And that would help you and Damon how?

MELINDA

Oh, no, no. It has nothing to do with that.

Prue and Tamora exchange glances.

MELINDA (CONT'D)

The Harpy. 

(to Prue)

She'll show up once you're gone.

PRUE

What?

MELINDA

Yeah, remember, she didn't attack you.

TAMORA

(surprised, to Prue)

She didn't?!

Prue shrugs.

MELINDA

C'mon, Prue. Leave.

PRUE

But ---

MELINDA

No, buts. We call you once she's here.

Prue tries to object, but Melinda is decided.

MELINDA (CONT'D)

Just go.

Tamora shrugs at Prue. Prue grimaces and BEAMS out.

TAMORA

What if it doesn't work?

MELINDA

Well, at least I won't have to hear her talking about Damon.

Melinda sits on another couch.

CUT TO:

EXT. P3 - NIGHT

A long line of people tries to get into the club. The music is heard from the outside.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

Wyatt comes into the bar. Damon is sitting at the bar.

WYATT

I tried, man, I did. But she won't listen.

DAMON

It doesn't matter, anyway.

(has a sip of his drink)

I've stopped counting the time I said I'm sorry to her.

Chris approaches them.

CHRIS

Have you try a weekend out. Just the two of you?

DAMON

I have. But she said no.

Wyatt and Chris exchange glances.

DAMON (CONT'D)

I've lost her.

WYATT

It's all my fault.

DAMON

OK, Wyatt, stop it. You didn't make me do anything.

WYATT

I should never ask you to hide it from her.

CHRIS

I still think that Mel will realize she's wrong and forgive you.

DAMON

Well, I don't believe that anymore.

CHRIS

C'mon, man. You can't lose hope yet.

Chris pats Damon's shoulder. Something is happening inside the club. Some agitation. Two women are being hard on each other.

WOMAN #1

I told you to stay away.

WOMAN #2

I came here first.

WOMAN #1

This is my zone.

WOMAN #2

You wish.

Wyatt, Chris and Damon look at it.

WYATT

What the hell is going on?

Woman #2 takes a bottle from one of the tables and without thinking twice breaks the bottle on Woman #1's head. Woman #1 starts bleeding. The music stops. Wyatt, Chris and Damon walk fast toward them. Woman #1 is about to attack Woman #2, but Wyatt grabs her.

WYATT (CONT'D)

Hey, hey, hey. It's enough.

WOMAN #1

That bitch!

Chris and Damon try to control Woman #2 as well. She's has gone out of control.

WOMAN #2

You are the bitch, here!

Wyatt steps in the middle of them.

WYATT

Stop it, you both.

He glances at both women.

WYATT (CONT'D)

You wanna fight? Do it outside.

The women look with anger to each other.

WYATT (CONT'D)

What's wrong with you?

Woman #1 approaches Wyatt. She looks serious at him.

WOMAN #1

He has come to rule!

Wyatt shoots her a look. The security guys approach them.

WYATT

(to the security guys)

Take them out of here.

They nods. Both security men drag the women out of there. Damon and Chris approach Wyatt.

WYATT (CONT'D)

(to the DJ)

You can continue.

The DJ nods and the music starts again.

CHRIS

(serious)

What was that?

WYATT

I don't know.

DAMON

He has come to rule?

WYATT

(serious)

I have a bad feeling.

Damon and Chris look seriously at Wyatt.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY - NIGHT

Melinda and Tamora walk from one side to another.

TAMORA

Well, this is boring.

MELINDA

I really thought she would show up if Prue was gone.

TAMORA

I could be hunting demons.

MELINDA

And I could be reading.

TAMORA

Found anything new yet?

MELINDA

Counting that I take a whole day to read one page, no I haven't.

Tamora shoots her a 'sorry' look.

MELINDA (CONT'D)

How about you guys down there?

TAMORA

Same. The demons we've encountered know nothing or pretend not to.

MELINDA

This whole thing is getting nowhere.

That's when the Harpy Sienna SMOKES in.

SIENNA

Waiting for me?

Melinda and Tamora turn to her.

MELINDA

Indeed, we were.

Sienna raises her hand and throws a LASER BOLT towards Melinda. Melinda deviates herself and it hits the table.

MELINDA (CONT'D)

(mad)

That table has been in my family for years!

Melinda runs towards the Harpy and pounces on her taking her down to the floor. Tamora looks at it amazed.

TAMORA

There you go, cous. Hit her with all you've got.

Melinda and the Harpy roll on the floor. Tamora enjoys watching it. The Harpy gets off Melinda and stands. Sienna looks at Tamora. Tamora realizes what she's about to do. Sienna throws a LASER BOLT against Tamora who ORBS out. It hits the console which combusts. Tamora ORBS back in.

TAMORA (CONT'D)

Yeah, I guess that was a family relic.

Tamora waves her hands and hits the Harpy with MOLECULAR ACCELERATION. Sienna starts being surrounded by flames, but then the flames disappears.

TAMORA (CONT'D)

(surprised)

It didn't work!

MELINDA

(aloud)

Prue!

Prue BEAMS in behind Tamora. Sienna throws another LASER BOLT towards Tamora again. Tamora gets down on the floor. As fast as she can, Prue gets down on the floor. The LASER BLOT hits the windows who break. Broken glasses fall down on Prue. Tamora stands up. Prue stands. She's hurt. Sienna looks at it. Prue looks at Sienna. Sienna realizes Prue is hurt in the shoulder.

PRUE

The Spell.

They start chanting.

PRUE / MELINDA / TAMORA

'Claws of pain,

We have to sever,

Demon, you are gone forever'.

The Harpy blows up. Melinda and Tamora approach Prue.

MELINDA

Are you OK?

Melinda points to the cut on Prue's shoulder.

PRUE

It was nothing.

TAMORA

I should call Wyatt.

PRUE

No need. Let him get home.

TAMORA

Then, I should take first aids.

Tamora walks out the room. Melinda looks around.

MELINDA

Do you think I can use magic to fix all this?

Prue looks around.

PRUE

What about personal gain?

MELINDA

Screw personal gain.

Both stare at each other.

CUT TO:

INT. UNDERWORLD - GADREEL'S CAVE - NIGHT

Gadreel is mad. He throws some LIGHTNING BOLTS (ELECTROKINESIS) toward some objects in the cave. Destroying them.

IGNATIUS

Gadreel!

GADREEL

(angry)

I asked just one single thing. Just one.

He is really furious. Ignatius stares seriously at him. Gadreel looks at Ignatius.

GADREEL (CONT'D)

She has to pay.

Gadreel WAVES his hand and BEAT. In front of him, the Harpy Sienna appears surrounded by flames. The flames turn off. Sienna breathes relieved.

SIENNA

Thank you, Your Royal Darkness!

Gadreel looks seriously at her.

GADREEL

What did I ask you?

SIENNA

To attacked the Halliwells.

GADREEL

And?

SIENNA

I'm sorry, I failed. I can try again.

Gadreel approaches her.

GADREEL

I asked you not. To. Hurt. Her!

SIENNA

(justifying herself)

I didn't saw her coming in.

(pauses)

I can try again.

GADREEL

You'll try in hell!

Gadreel WAVES his hand and Sienna turns into dust. Ignatius is amazed at the whole scene. Gadreel is full of rage.

IGNATIUS

Can I ask you why are you so mad? She's alive.

Gadreel looks seriously at Ignatius.

GADREEL

(furious)

She is part of my plans!

(pauses)

If something happens to her, everybody will wish to be dead.

Gadreel SPARKLES out. Ignatius is serious.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Shots of the town at the sound of 'Closer' by The Chainsmokers ft. Halsey.

Music keeps playing has we see some important landmarks of the city at night.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - NIGHT

The table lamps are on. Prue is wearing a nightgown. She has a plaster covering her cut. She sits on the bed. Wyatt comes in.

MUSIC FADES OFF.

WYATT

Hey!

PRUE

Hi.

Wyatt seems tired.

PRUE (CONT'D)

Long night?

WYATT

You can say that.

Wyatt notices she's hurt.

WYATT (CONT'D)

What happened to you?

Prue glances at the cut.

PRUE

(natural)

Oh, you know, an Harpy!

(smiles)

It hurts a little bit. Can you --- ?

He smiles.

WYATT

(walks towards her)

Of course.

He takes off the plaster and places his hands over her cut. Wyatt hands GLOW and he HEALS her. Prue smiles.

PRUE

Thanks.

Wyatt smiles.

WYATT

Is the Harpy gone?

PRUE

For good. And how was P3?

WYATT

Weird.

Wyatt takes off his jacket. Prue stands.

PRUE

(interested)

What happened?

WYATT

Two women fought. One even broke a glass on the other's head.

PRUE

(astonished)

What?

WYATT

And that wasn't even the worst of it.

PRUE

What was it?

WYATT

Something one of them said.

Wyatt stares seriously as Prue awaits.

WYATT (CONT'D)

'He has come to rule'.

Prue squints her eyes.

PRUE

What?

WYATT

She said 'He has come to rule'.

PRUE

Who's he?

WYATT

Don't you know?

Prue gets nervous.

PRUE

He's getting into people's mind.

WYATT

(tries to calm her down)

It might have nothing to do with that, Prue.

PRUE

He got into my mind, Wyatt. For months I dreamed of him.

WYATT

Yeah, but those dreams are over, right?

Prue doesn't answer.

WYATT (CONT'D)

Prue?

PRUE

They are.

(pauses)

But maybe they are gone because he's here. He's not coming. He's here.

WYATT

OK, honey, calm down.

(assures)

We will find him and we'll vanquish him.

PRUE

We don't even know who he is.

WYATT

We will find out sooner or later.

PRUE

What if we do and it's too late?

WYATT

It won't, OK?

Wyatt hugs Prue. She thoughtful.

CUT TO:

INT. DAMON'S APARTMENT - ENTRANCE

Damon heads to the door, he is shirtless. He opens the door. BEAT. Melinda is there. Damon is surprised.

DAMON

Mel?!

MELINDA

Hi.

She looks him up and down.

DAMON

What are you doing here?

MELINDA

I guess we really need to talk.

Damon signs her to come in.

MELINDA (CONT'D)

(refuses it)

No need. What I have to say is fast.

(she takes a deep breath)

It hasn't been easy. But I can't do this anymore.

She tries to hold her tears.

MELINDA (CONT'D)

I love you, but I can't forgive you.

Damon is sad.

MELINDA (CONT'D)

I hate lies. I know I've been there always trying that Prue forgives Wyatt for lying to her, but I realize that what he did wasn't lying. It was lack of trust. And I can't do that.

(a tear runs down her face)

I can't be that person.

(swallows)

I'm sorry.

Melinda is about to leave, but Damon stops her.

DAMON

I just hope you don't regret it. Because I do love you. 

(assures)

I always will.

Melinda approaches him and kisses him quickly.

MELINDA

That was it.

Melinda turns around and leaves fast. Damon watches her leave. A tear also runs down his face.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TO DAY

A new day has started in town. People is seeing leaving for work. Shops opening.

CUT TO:

EXT. COFFEE SHOP - DAY

Prue comes out of the coffee shop holding a takeaway coffee cup. She walks down the street. The street is crowded. She runs into someone, a man.

PRUE

Oh, I'm sorry.

GADREEL

It's OK.

BEAT. The man is no other than Gadreel, Darkness himself. He wears glances. Both stare at each other. Gadreel smiles.

GADREEL (CONT'D)

It's OK.

Gadreel turns around and keeps walking. Prue watches him for a moment. Then, she looks around and keeps walking. Gadreel smiles as he walks down the street.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY - DAY

The whole room looks clean. It seems like magic was really used to clean the room. Wyatt, Chris, Bianca, Melinda, Tamora, Junior, Pandora, Charlotte and Cassandra are there.

TAMORA

(to Melinda)

You really did a good job, huh?

BIANCA

Let's hope for personal gain not to hit us.

Melinda shoots Bianca a look.

CHRIS

(to Wyatt)

Did you call Damon?

WYATT

He said he had to work.

Melinda listens. Wyatt shoots Melinda a look. She turns around. The front door is heard. Soon, Prue comes into the room.

PRUE

Sorry, guys. I had to authorize my employees' payment at the bank.

BIANCA

Thank you, boss.

Prue smiles.

PANDORA

So, why are we here?

WYATT

Because yesterday at P3 something happened.

They listen to Wyatt.

WYATT (CONT'D)

Short version, two women started a fight and one of them looked at me and said something that got into my mind.

(pauses)

'He has come to rule'.

Junior and Cassandra exchange glances.

JUNIOR

Funny you that because I have something to say too.

CHRIS

What is it?

JUNIOR

Those have been crazy days. There's been disturbs all around the city, but yesterday things got really complicated.

(pauses)

We've got a few people in and they said the same thing.

CASSANDRA

'He has come to rule'.

(nods)

I was there.

CHARLOTTE

(surprised)

You were?

CASSANDRA

(to Charlotte)

Remember the beggar I told you about?

Charlotte nods.

CASSANDRA (CONT'D)

He was one of the guys the police arrested. And he said the same thing.

PRUE

(to Cassandra)

What were you doing at the Police Station?

CASSANDRA

I was looking for that beggar.

PANDORA

Why?

CASSANDRA

Because I met him yesterday afternoon and he was saying to all those who wanted to hear that Darkness was coming.

Prue and Wyatt exchange glances.

CHRIS

It's been too quiet.

MELINDA

Until yesterday when the Harpy attacked.

WYATT

We need to be open-eyed. Now more than ever. We don't know who he is or what he wants.

PRUE

But we need to find out fast.

They all exchange glances. Worried glances.

CUT TO:

INT. UNDERWORLD - GADREEL'S CAVE - DAY

Gadreel is there. He takes off his glasses and smiles. Ignatius comes in.

IGNATIUS

I've found him.

Ignatius smiles victoriously. Gadreel turns to him.

GADREEL

You mean the ---

Ignatius nods.

GADREEL (CONT'D)

Where is he?

Ignatius signs someone who's outside the cave to come in.

CLOSE UP: A PAIR OF BLACK MAN SHOES WALKING IN THE CAVE. THE CAMERA MOVES SLOWLY UP AND IT SHOWS THAT THIS SOMEONE WEARS A LONG BLACK TUNICA. THE CAMERA MOVES UP TO HIS FACE.

BEAT. BEAT. BEAT. That someone is not other than - wait for it - BARBAS, The Demon of Fear.

GADREEL (CONT'D)

(smiles)

Barbas! It's a pleasure to finally meet you.

BARBAS

Likewise. I'm ready to wreak havoc.

His voice sounds the same as always. Old same Barbas. Barbas smiles.

CLOSE UP: BARBAS' FACE, SMILING.

CUT TO BLACK.

END OF EPISODE