3x11 - Stand by You

[Prue Brianna Johnna Halliwell]

DESTINED

"STAND BY YOU"

TEASER

OVER BLACK.

FADE IN:

EXT. P3 - ENTRANCE - NIGHT

People entering the bar. The music is heard.

CUT TO:

INT. P3 - PRUE'S OFFICE - NIGHT

Music is heard in the background. Wyatt and Damon are there.

WYATT

(serious)

You're kidding me, right?

They seem like they're talking about something serious.

DAMON

No. She gave me an ultimatum, man.

Wyatt turns his back on Damon.

DAMON (CONT'D)

I'm telling you. You need to tell Prue.

WYATT

(lowers his gaze)

I tried.

Wyatt faces Damon.

WYATT (CONT'D)

(assuring)

I did.

DAMON

What happened?

WYATT

I saw her face and it suddenly hit me. I don't want to lose her.

Wyatt leans himself to the desk.

WYATT (CONT'D)

I can't lose her.

Damon approaches him and puts and hand on Wyatt's shoulder, supporting him.

DAMON

Then, you have to tell her. Otherwise, I will.

Wyatt and Damon look each other straight in the eyes.

DAMON (CONT'D)

If she finds out any other way, she won't forgive you, Wyatt.

(pauses)

You know her.

Yes, Wyatt knows Damon is right.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

The attic's light is on as some other lights in the house.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Melinda comes in the attic.

MELINDA

Prue?

She looks around and stops shocked as she sees someone. BEAT. Prue is sitting on the floor leaning against a wall. She holds her legs with her arms and her head is between her legs. She's trembling. The woman looks bad. Melinda gets worried as she sees Prue.

MELINDA (CONT'D)

Prue!

Melinda starts approaching her, but Prue lifts her head.

PRUE

Don't!

Melinda stops.

PRUE (CONT'D)

Don't get any closer.

Melinda looks around. The scenario shows that something is not right.

CLOSE UP: WHAT LOOKS LIKE A MOBILE PHONE TURNED INTO ICE.

Melinda is really worried. She looks at something else.

CLOSE UP: THE CARPET NEXT TO PRUE TURNED INTO ICE AS WELL.

MELINDA

(worried)

What happened?

PRUE

(disturbed)

I turn everything I touch into ice.

Prue is almost crying desperately.

PRUE (CONT'D)

I don't know what's wrong with me.

Melinda stares at Prue for seconds. Then, Melinda approaches the coach and grabs a blanket. She approaches Prue and covers hers with the blanket.

PRUE (CONT'D)

I tried to call Wyatt and ---

Melinda helps her to stand.

MELINDA

It's OK, honey. You are just cold.

Melinda helps her head to the sofa. Prue sits.

MELINDA (CONT'D)

You cryokinetic power must be growing. You told me that you had that power in that vision quest you took last year, remember?

Trembling, Prue nods.

MELINDA (CONT'D)

Do you wanna tell me how it happened?

Prue looks serious at Melinda.

PRUE

(trembling)

I had another dream.

Melinda is serious.

PRUE (CONT'D)

He is here.

MELINDA

He?

Prue nods, still trembling cold.

PRUE

Darkness!

Melinda has a worried look on her face. She hugs Prue and rubs her arms trying to warm her up. But there's the look, Melinda is worried.

CUT TO:

INT. UNDERWORLD - IGNATIUS'S CAVE - NIGHT

CLOSE UP: ORACLE HELPING THE DARK HAIR MAN PUT ON A BLACK ROBE.

The Oracle steps back. Ignatius and Tyree are also there. The mysterious man doesn't face them. Ignatius steps closer.

IGNATIUS

My Lord ---

DARKNESS

Who brought me?

The man doesn't face them.

IGNATIUS

I did.

The Oracle and Tyree look at Ignatius. Ignatius feels their look on him.

IGNATIUS (CONT'D)

With the help of these two.

The Oracle and Tyree exchange glances.

IGNATIUS (CONT'D)

I'm glad you here, my Lord. You can rule at last.

DARKNESS

How did you do it?

IGNATIUS

I just followed the ritual. Got the spell, the medallion and the blood.

BEAT. THE MAN, MOST KNOWN AS DARKNESS, TURNS AROUND AND FACES THEM. He looks straight at Ignatius. He may be dark, but is also attractive. He seems like 30 something, but he may be older than that.

DARKNESS

(interested)

What blood?

IGNATIUS

The blood of the one you hate the most and of the one you love the most.

DARKNESS

My name is Gadreel. 

(smiles; to Ignatius)

Thank you.

Gadreel smiles wickedly. Wickedly indeed.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Rick Cosnett as Conrad

Daniel Di Tomasso as Gadreel / The Darkness

John Wesley Shipp as Ignatius

Shay Mitchell as Olivia

Alex Mauriello as Oracle

Dylan O'Brien as Tyree

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Shots all over the town showing famous landmarks at the sound of 'The Fire' by Sons of Midnight.

CUT TO:

EXT. HALLIWELL MANOR - DAY

The facade of the Victorian House is seen.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

CLOSE UP: A CUP OF TEA IS HANDED TO PRUE.

After handing the cup of tea to Prue, Melinda sits beside her. Prue is covered with the blanket and seems calmer.

MELINDA

Feeling better?

PRUE

I'm not feeling cold anymore.

MELINDA

Good.

Melinda rubs Prue's hair.

MELINDA (CONT'D)

You need to take a shower and get some sleep.

PRUE

(serious)

I don't wanna sleep.

MELINDA

Honey, you must.

At that moment, Wyatt comes in a rush. He seems worried.

WYATT

Hey!

Prue and Melinda look at him. He looks at Prue and the way she looks: not 100% good.

WYATT (CONT'D)

What happened?

MELINDA

(rude)

You finally came!

Wyatt understands Melinda's tone.

WYATT

I couldn't come earlier.

MELINDA

You should have left anything you were doing to take care of your wife.

Melinda stands.

MELINDA (CONT'D)

That's the least you could do.

Prue is so shaken that she doesn't notice Melinda's tone towards Wyatt.

WYATT

(shoots Melinda a look)

I'm sorry, OK?

MELINDA

You should be.

Wyatt approaches Prue and hugs her.

WYATT

Honey, what's going on?

MELINDA

She had another dream.

At that moment, the doorbell rings.

MELINDA (CONT'D)

I'll get that.

(to Wyatt)

Just make sure she takes a warm bath and gets some sleep.

Melinda and Wyatt exchange a look.

MELINDA (CONT'D)

Just that.

Melinda turns around and leaves while Wyatt watches her leaving. Wyatt's eyes hit the mobile phone which seems wet and the wet carpet.

WYATT

(to Prue)

What happened, Love?

Prue looks at him.

PRUE

My powers got a little out of control.

Wyatt shoots her a look waiting for more.

PRUE (CONT'D)

I touched them ---

(points to the mobile phone and the carpet)

--- and they turned into ice.

WYATT

(admired)

What?

PRUE

I don't know how I did it, I just did.

WYATT

You need to rest.

Wyatt tries to help her stand. She looks at him. Her eyes seem tired.

PRUE

He's here.

Wyatt looks serious at her.

PRUE (CONT'D)

Darkness is here.

WYATT

You don't know that, honey.

PRUE

I do, Wyatt, I do. He wants to meet me.

Prue seems like she's not making any sense.

WYATT

Come on, honey. Come with me.

Wyatt helps Prue to stand and takes her out of the attic.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / FRONT HALL - DAY

CLOSE UP: FRONT DOOR IS OPEN.

Damon is there. Melinda stares at him.

DAMON

Mel ---

MELINDA

(cuts him off; serious)

It's not the right time. Something happened.

Damon doesn't know what to say.

DAMON

OK. Hmmm --- 

(looks straight at her)

--- What happened?

MELINDA

Prue had another dream and this one left her in a really bad shape.

DAMON

Is she OK?

MELINDA

She will be.

Both look at each other.

DAMON

Can I come in?

Melinda stares at him.

DAMON (CONT'D)

We need to talk.

MELINDA

I meant it, Damon. You and Wyatt need to tell Prue what you've been doing.

DAMON

I know ---

(comes in)

--- We will. But us ---

MELINDA

(cuts him off)

There won't be us until this whole situation is clarified.

Melinda closes the door.

MELINDA (CONT'D)

You've disappointed me, Damon.

DAMON

(lowers his gaze)

I know, honey.

(pauses)

What can I do to make it up to you?

Melinda takes a deep breath.

MELINDA

So far, you can help me search in those Books of Angels if there's something about that Darkness.

Damon nods. Melinda looks serious at him.

CUT TO:

EXT. CHRIS / BIANCA'S CONDO - DAY

Cars pass by.

CUT TO:

INT. CHRIS / BIANCA'S CONDO - LIVING ROOM - DAY

Chris, Bianca and Tamora are there. Conrad is also there.

CHRIS

(to Conrad)

Are you sure?

CONRAD

That's all I know. I tried to get as closer as I could and that's all I heard and saw.

Chris starts pacing the place.

CHRIS

If this is truth, it means that whatever it's coming ---

TAMORA

(completes)

Darkness!

CHRIS

--- Is here.

CONRAD

That's why I was heading to meet Prue. She needs to know.

Chris turns to face him.

CHRIS

Yeah, she needs to know. And Wyatt too.

(to Conrad)

You're coming with me and you're gonna tell them everything you told us.

Bianca shoots Chris a look. She grabs him and drags him to a corner.

CHRIS (CONT'D)

What?

BIANCA

You cannot take him there.

CHRIS

Why not? They need to know that ---

BIANCA

Because Wyatt will be mad, if you know what I mean.

CHRIS

Well, I truly hope he is there. Then, we end this once and for all.

BIANCA

Are you sure?

Chris approaches Tamora and Conrad. Bianca follows him.

CHRIS

We are going to the Manor.

CONRAD

Look, man, I'm not sure that's a good idea.

CHRIS

They need to know.

CONRAD

You can tell them.

CHRIS

No, you will.

Both Chris and Conrad stare at each other.

CHRIS (CONT'D)

Don't you want to help Prue?

Conrad turns his back on them. He thinks for seconds. Tamora and Bianca exchange glances. Conrad turns to face them.

CONRAD

(decided)

Fine.

Chris nods. Both stare at each other.

CUT TO:

INT. OLIVIA CLARK'S APARTMENT - BEDROOM - DAY

CLOSE UP: SOMEONE PICKING CLOTHES FROM THE FLOOR.

Junior picks his shirt from the floor. He's only wearing his pants.

OLIVIA (O.S.)

Sneaking away?

CAUGHT. Junior looks at Olivia who's in the bed. She shoots him a 'caught you' look. He is ashamed.

JUNIOR

You were sleeping well. I didn't want to wake you up.

Olivia stands taking the sheets to cover her body.

OLIVIA

Not even a kiss?

Junior smiles. She approaches him. He kisses her.

JUNIOR

Sorry.

OLIVIA

Don't.

He shoots her a look.

OLIVIA (CONT'D)

No obligations, remember?

Junior smiles. He lowers his gaze.

JUNIOR

(looks at her)

I need to head to work.

(kisses her)

Call you later?

OLIVIA

I'll be waiting for it.

Junior kisses her again.

JUNIOR

Don't. No obligations, remember?

Both smile. Junior kisses her again and then heads out. Olivia smiles.

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - DAY

Gadreel is there wearing normal clothes. He puts a jacket on.

GADREEL

Weird things humans use to cover themselves.

Ignatius is also there as well as the Oracle.

ORACLE

They're named clothes.

GADREEL

Clothes?

The Oracle nods. Gadreel smiles.

GADREEL (CONT'D)

Can't wait to learn more about this World.

ORACLE

So, you've never been here?

IGNATIUS

(mad)

Oracle!

The Oracle shrugs.

GADREEL

(smiles; to Ignatius)

No, let her.

(to the Oracle)

I was, before humans.

IGNATIUS

(commanding)

Oracle, please, leave us.

ORACLE

But ---

Ignatius shoots her a 'bossy' look. The Oracle rolls her eyes and leaves the cave.

IGNATIUS

Sorry, my Lord, but she's very curious.

GADREEL

What is she anyway? I don't feel humanity in her.

IGNATIUS

She's an Oracle. She decided to join us when she was still very young.

Gadreel smiles.

IGNATIUS (CONT'D)

Is there anything you need, My Lord? We need to start planning your return. The World needs to know you're back.

Gadreel gives his back on Ignatius.

GADREEL

The World didn't even know about me. I'm sure they made sure no one would ever know who I am.

IGNATIUS

That's not quite right, My Lord. Not much is known by humans, but your name is mentioned a few times in books.

GADREEL

(surprised)

Is it?

Ignatius nods.

GADREEL (CONT'D)

I'm surprised. And what about, huh demons ---

(pauses)

--- do you call yourself demons, right.

IGNATIUS

That's correct.

(pauses)

Ancient Wizards knew about you. One of them told me about you. I've dedicated my life to find the way to bring you back.

Gadreel smiles.

GADREEL

Using the Medallion and the spell in the book.

IGNATIUS

And the blood.

GADREEL

(serious)

Right.

(pauses)

Tell me, do you know what a mirror is?

IGNATIUS

Of course, I know.

GADREEL

Good. Can you get me one?

IGNATIUS

Why do you need a mirror, My Lord?

GADREEL

(smiles)

My business.

Ignatius vows and leaves the cave. Then, he gets serious.

GADREEL (CONT'D)

(to himself)

Their blood. It can't be.

Gadreel is serious.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

Wyatt prepares the bed for Prue. She comes out of the bathroom. Her hair is all wet and she's wearing a bathrobe.

WYATT

Hey! How are you feeling?

PRUE

Better.

WYATT

(smiles)

Good.

He approaches her.

WYATT (CONT'D)

Let's get you in bed.

Prue stares seriously at him.

PRUE

I don't want to sleep.

WYATT

Honey, you have to. You are tired.

Wyatt tries to convince her.

WYATT (CONT'D)

There are some dark circles under your eyes.

PRUE

(serious)

I don't want to sleep, Wyatt.

She sits on the bed.

PRUE (CONT'D)

I can't sleep until we find that ---

She thinks of a word to call it.

PRUE (CONT'D)

--- Evil being and vanquish him.

WYATT

Demon, honey, we call it demon.

Prue looks up at Wyatt.

PRUE

I'm not sure he's just a demon. Or if he is a demon at all. 

(remembers)

The place he was looked so white.

Wyatt lowers and looks at her.

WYATT

What else did you see?

Prue stares at him trying to remember her vision.

PRUE

When I was about to see his face I was pulled back.

(pauses)

I don't know how to explain it. I don't even know why I had that vision.

WYATT

Dream. It was a dream.

Prue looks seriously at Wyatt.

PRUE

You and I know that it was a vision.

WYATT

You don't know that, OK? Now ---

(stands)

--- bed.

He helps her stand.

PRUE

I don't want to sleep.

WYATT

You have to. I promise I'll stay with you until you wake up, OK?

PRUE

I don't ---

Wyatt shoots her a look.

PRUE (CONT'D)

(begging)

Wyatt!

WYATT

(bossy)

Bed!

Wyatt tries to get her into bed.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Melinda and Damon are there. Melinda is flipping through Vol. I of the Book of Angels while Damon holds Prue's phone, amazed.

MELINDA

(tired)

It's useless.

Damon puts the phone on the table.

MELINDA (CONT'D)

The language is so hard to read.

DAMON

How does Prue do it?

MELINDA

I have no idea. Maybe she speaks Anglican.

DAMON

Anglican?

MELINDA

Angels language?

DAMON

I see.

Melinda closes the book.

MELINDA

It's clearly English, but not the easy type. And I don't think we'll find something in here.

Melinda seems almost giving up. Damon approaches her.

DAMON

Honey, we will find a way to stop whatever is coming.

MELINDA

Don't 'honey' me, Damon. I'm still mad at you.

Melinda walks away from him.

MELINDA (CONT'D)

Besides, whatever that thing is, Prue believes is already here.

DAMON

We don't know that.

CHRIS (O.S.)

I do.

At that moment, Chris ORBS in bringing Bianca.

CHRIS (CONT'D)

(to Melinda and Damon)

Are you two here alone?

Melinda nods.

CHRIS (CONT'D)

(to something)

You, guys, can come in.

At that moment, Tamora ORBS in followed by Conrad who SHIMMERS in. BEAT. Melinda is open-mouthed.

MELINDA

What the hell is he doing here?

CHRIS

Where's Wyatt and Prue?

Melinda ignores Chris' question.

MELINDA

(mad)

What is he doing here, Chris?

CHRIS

He has something to tell us.

MELINDA

Are you out of your mind?

Damon realizes who Conrad is.

DAMON

Is that ---

CHRIS

(cuts him off)

Yeah, yeah. The demon you and my brother are trying to locate for months.

(pauses)

He has some information for us. I need Wyatt and Prue here.

MELINDA

You're kidding me, right?

Both Chris and Melinda stare at each other.

MELINDA (CONT'D)

She's resting. She had one of those nightmares and she not well.

CONRAD

(curious; worried)

Prue is not well?

MELINDA

(rude)

She would be better if you hadn't shown up in her life.

TAMORA

OK, cous, I get you, you're mad, fine. Where's Prue?

MELINDA

In her bedroom. Wyatt is with her.

(to Chris)

What's going on?

Chris looks at Conrad and nods.

CONRAD

Darkness is here.

BEAT. Melinda stares seriously at Conrad.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (MOMENTS LATER)

Melinda is placing the room. Chris, Bianca, Tamora, Damon and Conrad are still there.

MELINDA

This is not happening. I thought we could find that demon that took the medallion and the book first.

CHRIS

Well, we didn't. Your brother thought it was better to focus on something else.

Chris glances at Conrad and then at Damon. Damon lowers his gaze.

CHRIS (CONT'D)

Now, the thing is that we need to come up with anything to vanquish that Darkness.

TAMORA

I wonder if it can really be vanquished?

(makes a face)

I mean, who calls himself Darkness? Not just any demon.

CHRIS

We don't know if it's a demon.

BIANCA

What else would it be?

CONRAD

Whatever it is, I heard that it could unleash darkness upon Earth.

DAMON

What does that mean?

Conrad shrugs. At that moment, Prue walks into the attic already dressed up. She looks around as soon as she realizes everybody there. Her eyes stop as soon as she sees Conrad there. BEAT.

PRUE

(open-eyed)

You?

Conrad smiles shy.

CONRAD

Hi, Prue.

Prue smiles amazed.

PRUE

How ---?

She walks towards him.

PRUE (CONT'D)

You can't be here.

CONRAD

I know, but ---

Conrad is cut off by Wyatt who comes in fast looking for Prue.

WYATT

Honey, let's go back to the bedroom. You need to rest, otherwise ---

Wyatt stops as he sees Conrad there. They all turn to Wyatt. Prue faces Wyatt.

WYATT (CONT'D)

(to Conrad)

You?

Not thinking twice, Wyatt takes his hand to his pants pocket and takes a potion bottle from it. He throws it immediately towards Conrad. Prue WAVES her right hand fast and BLOWS the bottle up. Wyatt is astonished. Prue looks at Wyatt. She is incredulous.

PRUE

(to Wyatt)

What was that?

Damon, Melinda and Chris exchange glances.

WYATT

A potion.

PRUE

(suspicious)

What kind of potion was that?

Prue starts getting red. Wyatt and Prue stare at each other. Both are serious.

WYATT

A vanquishing potion.

Prue fakes a smile.

PRUE

That's ---

(stops smiling)

--- you know a simple vanquishing potion wouldn't harm him.

(serious)

It has to be ---

(she points to the BOS)

--- the one in the book.

Wyatt can't hide it any longer. His eyes give him away.

PRUE (CONT'D)

(amazed)

What did you do?

Wyatt decides to come forward.

WYATT

You know what? I did it. I created a vanquishing potion to destroy him.

(stares Prue in the eyes)

I've been looking for him all this time.

Prue is astonished.

PRUE

I asked you not to.

WYATT

I don't care. He tried to take you from me and I would never leave a demon to get away with that.

Prue is astonished. Melinda looks serious at Damon. Damon lowers his gaze.

PRUE

(to Wyatt)

How could you?

DAMON

I helped him.

They all look to Damon.

DAMON (CONT'D)

I knew all along and I helped him.

Prue shoots Damon an 'I can't believe you did this to me' look.

DAMON (CONT'D)

(sorry)

I'm sorry.

CHRIS

I knew too.

Prue looks at Chris.

CHRIS (CONT'D)

I just found out.

MELINDA

Me too.

Prue looks at Melinda. Suddenly, she feels like everybody is against her.

WYATT

Melinda and Chris only tried to make me talk to you.

Prue turns to Wyatt. She is red with rage.

WYATT (CONT'D)

And Damon ---

(looks straight to Prue's eyes)

--- they are not the ones to blame.

Both Wyatt and Prue stare at each other.

PRUE

(to Wyatt)

Leave!

WYATT

Honey ---

And so Prue raises her own voice using VOICE MANIPULATION.

PRUE

(angry)

LEAVE!

The whole Manor shakes with the tone of her voice. Wyatt lowers his gaze and leaves the attic. Damon tries to approach Prue, but ---

DAMON

Prue ---

PRUE

(serious)

You should leave too.

BEAT. Damon has no reaction. Prue seems disappointed. Damon looks at Melinda and she nods to him. Damon looks again at Prue. She's serious, really serious. Damon walks out of the attic.

Prue takes a deep breath.

PRUE (CONT'D)

Ask Wyatt?

Prue turns to Chris.

PRUE (CONT'D)

Ask Wyatt?

Chris lowers his gaze. She takes a deep breath again.

PRUE

Why didn't you tell me?

CHRIS

(looks at her)

Because it was not my thing to tell.

PRUE

You are my friend.

CHRIS

I'm also his brother.

Both stare at each other.

CHRIS (CONT'D)

I tried to change his mind.

Prue deviates her look from Chris. She turns to Conrad.

PRUE

(to Conrad)

What are you doing here?

CONRAD

Because there're some things I found out.

TAMORA

It's about the Darkness.

Prue glances from Tamora to Conrad.

CONRAD

(to Prue)

He is here.

Prue's fear becomes real. She swallows.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

Wyatt comes in. He's mad.

WYATT

Damn it!

Wyatt throws all the things on the dresser to the floor. Damon comes in.

DAMON

Wyatt, you need to calm down.

Wyatt turns to Damon. He's full of rage.

WYATT

Did you see how she stand for him?

DAMON

I did. But you acting like that won't solve anything.

Wyatt breathes in and out.

DAMON (CONT'D)

You need to stay focus to face what's coming.

Wyatt looks at Damon.

DAMON (CONT'D)

According to that demon you hate so much, Darkness is here. He saw it all.

Wyatt shoots Damon a look.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue is pacing the room. Chris, Melinda, Tamora, Bianca and Conrad are still there.

PRUE

I knew it.

MELINDA

Prue, you need to calm down.

TAMORA

Yeah, we need to focus on finding that thing and vanquish it.

(thinks)

You know what? I'd better tell the others. We should be prepared.

CHRIS

(to Tamora)

Do that.

BIANCA

(to Tamora)

I'll go with you.

Tamora nods. She ORBS out taking Bianca. Chris approaches Prue. She stops walking.

CHRIS

Have you found anything in the Books you've been reading?

Prue stares seriously at him.

PRUE

Nothing that would tell us what that is.

CONRAD

The demon Ignatius had a book. He used a spell from that book.

MELINDA

Good for him that he could read one of those books.

Chris shoots Melinda a look.

MELINDA (CONT'D)

It's a weird language for me.

(to Prue)

I don't know how you manage to read it.

PRUE

It's kind of a mix between English and Latin, I think.

MELINDA

That explains a lot.

CHRIS

Back to what matters now ---

(to Conrad)

--- Did you say Ignatius?

Conrad nods.

CHRIS (CONT'D)

Who's that?

CONRAD

A demon who apparently turned his back on the Source. The Source looked everywhere for him, but he wasn't able to find him.

CHRIS

So maybe he's behind this whole thing.

MELINDA

You mean the one who took the book and the Medallion?

Chris nods.

CHRIS

He may want to control Darkness and become the new leader of the Underworld now that Leah is gone.

PRUE

I don't think so.

They look at Prue.

PRUE (CONT'D)

(to Chris)

Do you really think that someone known by the Darkness is there to be controlled by others?

Chris stares at Prue.

PRUE (CONT'D)

I think Darkness has power enough to control whatever he wants.

MELINDA

I must update ---

(Chris shoots Melinda a look)

--- the guys about this.

Melinda leaves the attic in a rush.

CHRIS

Question is, what does he want?

Prue and Chris stare at each other.

CONRAD

I can find out more.

Prue and Chris look at Conrad.

CONRAD (CONT'D)

I can go back and keep sneaking.

Prue rushes to him.

PRUE

(worried)

No.

Prue and Conrad stare at each other.

PRUE (CONT'D)

It could be dangerous. If they find out ---

CONRAD

I'll do it for you, Prue. I'll stand by you in this fight.

Prue shoots him a sweet look.

PRUE

You don't need to.

CONRAD

You promised me to protect me from Wyatt. Let me do this for you.

Prue is not sure.

CHRIS

It could be helpful, Conrad.

Conrad looks at Chris and nods.

CONRAD

(to Prue)

I promise I'll be back.

PRUE

Be careful.

Conrad nods yes and smiles. Prue forces a smile. Then, Conrad SHIMMERS out. Prue stares at Chris. Chris feels her eyes on him.

CHRIS

He loves you. 

(pauses)

That's why he did it.

She knows what he's talking about: Wyatt. She looks at him. It is notorious that Prue is not pleased with it. She doesn't hide the rage that's growing inside.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

Melinda is there telling to Wyatt and Damon what Conrad told them. Wyatt is by the window while Damon is sitting on the bed.

MELINDA

And that's it. It looks like that evil thing has arrived.

DAMON

We need to know more.

MELINDA

(rude)

Tell me something I don't know.

(pauses)

You guys didn't see the way Prue was when I came in last night. She was trembling.

Wyatt looks at Melinda.

MELINDA (CONT'D)

If a dream can make that to her, I only can imagine what that Darkness can do to us.

DAMON

We are a big group, we'll find a way to vanquish it.

Damon and Melinda exchange a look. She's still mad at him. At that moment, Prue comes in. She keeps the door opened and looks seriously at Damon and Melinda. Her face is red.

PRUE

(to Damon and Melinda)

Leave!

She sounds bossy.

MELINDA

Prue ---

PRUE

Leave!

Melinda takes a deep breath. She signs Damon to follow her. They walk by Prue. As Damon passes by, he looks at Prue, but she doesn't look back to him. Melinda and Damon leave. Prue closes the door as soon as they're out. She looks straight to Wyatt. He stares at her fearless.

PRUE (CONT'D)

Why?

They keep staring at each other.

PRUE (CONT'D)

Why did you do it?

Rage is growing inside Wyatt as well.

WYATT

Because he wants to take something that belongs to me.

PRUE

I'm not your property.

WYATT

No, you're my wife. And that freaking demon tried to take you from me.

PRUE

So, jealousy? The most powerful witch has left jealousy take the best of him.

All the words that come out of her mouth, bring rage.

PRUE (CONT'D)

Instead of being worried about finding the demon we were looking for, you focused on finding someone who fancies your wife.

WYATT

He desires you.

PRUE

(aloud)

And again, you did it.

They stare deeply at each other.

PRUE (CONT'D)

You didn't trust me again.

WYATT

Have you seen yourself and the way you protect him?

Their voices louder and louder.

WYATT (CONT'D)

What would you do, huh? Tell me, Prue? What would you do?

Prue doesn't answer.

WYATT (CONT'D)

You'd do the same.

PRUE

(louder)

I LOVE YOU, DAMN IT!

They stare at each other.

PRUE (CONT'D)

(tears star running down her face)

I always have and I always will.

(pauses; dries her tears)

But it's over!

Wyatt swallows.

PRUE (CONT'D)

You and me it's over.

(pauses)

We will find this demon, this Darkness or whatever it is and then I want you out of my life.

Wyatt can barely believe what he's hearing.

PRUE (CONT'D)

I want you out of my sight.

Prue turns around and is about to leave, but Wyatt hasn't said the last of it.

WYATT

Fine!

Prue turns to face him. For moments, it can be seen that she doesn't believe what she heard, but her expression gets back to mad.

WYATT (CONT'D)

But first, I'll do what I should have done months ago.

(serious)

And it won't be pretty.

PRUE

(threatening)

Don't you dare hurting Conrad. Otherwise, I'll have to fight you.

WYATT

Fine. We would finally find out what happens when Wyatt and Prue fight on opposite sides.

(pauses)

And I have a feeling it won't end well.

PRUE

(serious)

We shall see!

She turns around immediately and leaves the bedroom, slamming the door behind her. As soon as she's out, Wyatt loses it. He rubs his hands over his face. He seems desperate.

CUT TO:

INT. HALLIWELL MANOR - EXT. WYATT / PRUE'S BEDROOM - CORRIDOR - DAY

Prue leans against the wall. She can stop the tears that come out of her eyes.

PRUE

Damn it, Wyatt. Why couldn't you just say you're sorry!

She cries hard.

The image then looks like if it is seen in a mirror.

CUT TO:

INT. UNDERWORLD - IGNATIUS'S CAVE - DAY

The mirror is hanging on the rock wall. Gadreel is just there looking at the mirror where Prue can be seen crying. He rubs his right hand through the glass.

GADREEL

Yes, he was always stubborn. But you always were the strongest-minded of all.

Gadreel smiles. At that moment, Ignatius comes in.

IGNATIUS

My Lord, I can see you found the mirror useful.

Gadreel turns to Ignatius.

GADREEL

Indeed, I have.

Ignatius sees the image in the mirror.

IGNATIUS

I can send someone to finish her.

Gadreel turns to the mirror. He WAVES his hand and the image fades off.

GADREEL

You don't touch her until I say so.

Ignatius nods.

GADREEL (CONT'D)

So, I'm curious. What made you think that their blood could free me?

IGNATIUS

Oh, well, those two are the most powerful witches that ever walked on Earth. They are known as the Twice Blessed.

Gadreel is interested.

GADREEL

Who granted them their powers?

IGNATIUS

They were born that way.

GADREEL

So magical beings are born?

IGNATIUS

They also are made, My Lord. Some humans choose to be part of this.

GADREEL

Become demons?

Ignatius nods.

GADREEL (CONT'D)

Interesting.

(thinking)

That would work for my plans.

IGNATIUS

Do you care to share those plans, My Lord?

Gadreel stares at him.

GADREEL

(smiles)

You didn't bring me here to play bossy on my, did you?

IGNATIUS

No. I did it because I believe you would create the perfect world. An evil world.

GADREEL

Good. Because I'm above any demon or any other being. If you studied me, you may know what I am, don't you?

Ignatius stares at Gadreel.

IGNATIUS

I do, My Lord.

GADREEL

Enough with that crap! Call me Gadreel.

Ignatius nods.

IGNATIUS

I think it's time for us to share with the word that you're here already.

GADREEL

No.

Ignatius shoots him a look.

GADREEL (CONT'D)

I never knew this world. Not in person. It was always for what I heard. 

(points up)

What they told me.

(smiles)

I want to know it. I couldn't stop this whole creation, but I can make it mine. And for that, I need to know what I'm buying.

Ignatius nods.

GADREEL (CONT'D)

Now, if you'd excuse, I have something to do.

IGNATIUS

Sure, my ---

(pauses)

--- Gadreel.

Gadreel smiles and signs him to leave. Ignatius FLAMES out.

GADREEL

It's time that I get back something they took from me. At least, one of the things they took from me.

Gadreel closes his eyes. He concentrates. He closes his fists as if he is waiting for something to appear on his hands. And then, it does. A sword, a shiny long sword, APPEARS on his hands. Gadreel opens his eyes and looks at the sword.

GADREEL (CONT'D)

Hello, beautiful! Missed me?

Gadreel runs his right hand through the blade.

GADREEL (CONT'D)

We fought many battles together when I was on the other side. But now, we'll get revenge on those who betrayed us. Everyone will pay.

(decided)

And I'll have everything that's mine.

(assuring)

Including her.

(smiles)

And they are not allowed to step into the middle of battles that are held on Earth so no one would ever know that you, my friend ---

(to the sword)

--- are the only thing that can end my life.

Gadreel smiles. This man is definitely not up to any good.

Hiding at the entrance, Conrad can be seen. He is serious as Gadreel smiles and runs his hand through the blade.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. MATTHEWS / MITCHELL MANOR - DAY

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Tamora, Pandora, Charlotte, Cassandra, Junior and Bianca are gathered there. They all look at Tamora.

JUNIOR

So, does that mean we trust a demon now?

TAMORA

No. It means that we should get ready to face whatever is coming.

JUNIOR

Just because a demon said?

CHARLOTTE

A demon that is in love with Prue.

BIANCA

Look, guys, I know that we don't trust demons, but Prue believes him.

PANDORA

Yeah, she let that demon go away. What were you expecting?

TAMORA

(mad)

You, guys, are missing the point here.

JUNIOR

Sorry, but it's a little complicated to believe this story.

TAMORA

(serious)

Oh yeah?

Tamora shoots Junior a look.

TAMORA (CONT'D)

Is it hard for you to believe that my boyfriend was killed by a demon?

Junior lowers his gaze.

TAMORA (CONT'D)

And that demon took something from him. Something he needed to do whatever he's doing.

JUNIOR

(stands)

I'm not saying that it isn't true, Tam. I'm just saying that Conrad Turned would say anything to get close to Prue.

TAMORA

And I'm not saying we should trust him. But we should get into this.

CASSANDRA

I agree. I don't know what's happening, but I've noticed that those nightmares have Prue scared. And she doesn't get scared easily, so, I don't know, maybe something is really happening.

CHARLOTTE

Cass is right.

PANDORA

(to Tamora)

What's the plan?

BIANCA

Chris called saying that Conrad has headed to the Underworld to find out more.

JUNIOR

Alone?

BIANCA

It's his place. He knows it better.

TAMORA

And he knows where's the cave where they are.

JUNIOR

Fine. I'm in. I don't run away from a fight anyway.

TAMORA

Me too. I'm also anxious to meet that freaking demon once and for all.

Tamora is serious. Charlotte and Cassandra exchange glances.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Chris, Melinda and Damon are there talking.

CHRIS

Is their thing, Mel.

MELINDA

Did you hear the way they were talking to each other inside their bedroom?

CHRIS

I could hear them perfectly from here. Just like you.

MELINDA

Exactly.

(pauses)

They are going to divorce, Chris.

CHRIS

We don't know that.

(takes a deep breath)

Besides, if they do, that's their business.

Melinda is shocked.

MELINDA

You don't believe that.

CHRIS

We should not get in the middle, Mel.

Melinda turns to Damon trying to look for some support, but he shrugs. At that moment, Prue comes in.

PRUE

Any news from Conrad?

CHRIS

No, nothing.

Prue heads to the Book of Angels Vol. I and starts flipping through it.

CHRIS (CONT'D)

Prue ---

PRUE

You just told your sister you shouldn't get into this, ---

(looks at him)

--- So?

CHRIS

It's not about that.

PRUE

Oh, so is this about the secret you, ---

(points to Melinda and Damon)

--- and the other two ---

(thinks)

--- well, three, because I'm sure Bianca knew about it.

CHRIS

I tried to talk to him. To make him see that what he was doing was wrong and that he should talk to you.

Prue stares at him.

DAMON

I'm not sorry for what I did.

Prue looks at him. Melinda shoots Damon a look.

DAMON (CONT'D)

I mean, I'm sorry we didn't tell you, but I'm not sorry for the rest.

Prue stares at him.

PRUE

I thought you were my friend.

(to Chris)

You too.

(to Melinda)

And you.

MELINDA

I just found out.

DAMON

Mel put me against a wall.

Prue keeps flipping the book.

DAMON (CONT'D)

He's my best friend, Prue. I couldn't say no.

Prue closes the book.

PRUE

I am your damn friend too.

(mad)

Why is everybody taking Wyatt's side?

CHRIS

We are not taking any sides.

Prue is about to say something, but Chris' mobile phone rings. She shoots them a look. Chris takes his mobile phone from his pants back pocket. He answers the call.

CHRIS (CONT'D)

(on the phone)

Yes? --- 

(surprised)

Conrad!

Prue approaches him and takes the phone.

PRUE

(on the phone)

Are you OK?

CONRAD (O.S.)

Prue?

PRUE

(on the phone)

Are you OK?

CONRAD (O.S.)

Just found out a few things.

PRUE

(on the phone)

What is it?

CONRAD (O.S.)

I can't tell you on the phone. Look, meet me in one hour on the cemetery.

PRUE

(on the phone)

On a cemetery? Why on a cemetery? 

CONRAD (O.S.)

Because it is harder to track me there.

PRUE

(on the phone)

Fine, I'll meet you there.

Prue hangs off the phone.

PRUE (CONT'D)

(to the others)

I have to go.

CHRIS

(stops her)

No, wait, Prue.

PRUE

Chris, I have nothing else to say.

CHRIS

I know. It's not about that.

Prue stares at him.

CHRIS (CONT'D)

Something else.

(pauses)

Conrad revealed last night that for the ritual that demon Ignatius used, he needed blood.

Prue gets serious.

PRUE

Blood?

CHRIS

Yeah. From what you've been reading, is there something that would tell us who that blood may belong to?

Prue thinks for seconds. She's clever and it doesn't take long for her to be reminded of what happened the day before.

PRUE

(realizing)

Damn it! It was a demon.

Chris, Melinda and Damon exchange glances. At that moment, Wyatt comes in and stops as soon as he sees them. Prue turns to him.

PRUE (CONT'D)

(to Wyatt)

I told you I felt a vibe from him.

WYATT

What are you talking about?

PRUE

It was a demon who took our blood yesterday.

WYATT

(shocked)

What?

CHRIS

(astonished)

A demon took your blood?

MELINDA

Why would a demon use Prue and Wyatt's blood to release Darkness?

PRUE

That's what I'll find out as soon as I find Conrad and he tells me everything.

WYATT

(angry)

Are you meeting him?

PRUE

I will.

Prue leaves the attic in a rush.

WYATT

Does someone know where is she meeting him?

DAMON

In the cemetery.

Melinda and Chris shoot a 'you weren't supposed to say anything' look. Damon shrugs. Wyatt leaves the attic fast.

CHRIS

This is not going to end well.

Melinda and Chris exchange glances.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

Wyatt comes in and heads straight to the dresser. It seems like he's looking for something.

WYATT

Where did I put it?!

He seems mad. He leaves the drawers a mess.

WYATT (CONT'D)

(desperate)

Where did I put it, damn it!

Chris comes in.

CHRIS

Wyatt ---

Chris sees the mess Wyatt is making.

CHRIS (CONT'D)

Are you looking for something?

WYATT

(to himself)

Think, Wyatt, think.

Wyatt tries to calm down. Chris tries to figure out what's going on with him.
Suddenly, Wyatt remembers.

WYATT (CONT'D)

Of course! The socks drawer.

Wyatt heads to the fitted wardrobe.

CHRIS

Wyatt, can you tell me what the hell are you looking for?

And Wyatt comes out holding a small potion bottle.

WYATT

(smiles)

Found it!

Chris is astonished looking at it.

CHRIS

You're kidding me, right? You prepared another?!

Wyatt looks at Chris.

WYATT

I'm going to vanquish him, Chris.

CHRIS

You'll lose her.

Wyatt stares seriously at Chris.

WYATT

I already did.

And Wyatt ORBS out. Chris is astonished looking at the place where Wyatt was just seconds before.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - DAY

Fast motion shots of the whole town.

CUT TO:

EXT. GOLDEN GATE NATIONAL CEMETERY - DAY

CLOSE UP: SIGN 'GOLDEN GATE NATIONAL CEMETERY'

CUT TO:

INT. GOLDEN GATE NATIONAL CEMETERY - DAY

Prue walks around the place. She's waiting for Conrad.

PRUE

C'mon!

She looks at her wristwatch. She looks around. No one else there. She keeps walking and suddenly ---

BEAT. Conrad SHIMMERS in front of her.

CONRAD

(smiles)

Prue!

Prue smiles.

PRUE

Finally. Are you OK? Did anyone see you?

CONRAD

Don't worry. No one saw me.

Prue smiles. Conrad smiles as well.

CONRAD (CONT'D)

I'm glad you care about me.

PRUE

You're my friend.

Conrad lowers his gaze.

CONRAD

Better than nothing.

PRUE

Conrad ---

CONRAD

It's OK, Prue.

(pauses)

Anyway, I need to tell you what I've found.

WYATT (O.S.)

Your son of a ---

Wyatt cuts himself off. He comes walking and approaches them. Prue turns around.

PRUE

Wyatt, what are you doing here?

WYATT

I told you, love, I'm not going out without a fight.

CONRAD

Look, man, I just want to tell you what I've found out about that Darkness, OK?

WYATT

(mad)

It's not OK. You messed with the wrong witch and it's time for you to pay for it.

Wyatt is holding the potion with his right hand. He raises his hand and is ready to throw the potion. Prue sees it.

PRUE

NO!

She walks towards Wyatt.

PRUE (CONT'D)

Please!

Wyatt stops. His hand raised. Ready to throw it, but stops.

PRUE (CONT'D)

(begging)

I'm begging you. Don't do it. If you love me, don't do it.

Both stare seriously at each other.

CUT TO:

INT. UNDERWORLD - IGNATIUS' CAVE - DAY

Gadreel watches it all through the mirror. Ignatius is also there.

GADREEL

(mad)

How did he find out about me?

IGNATIUS

I don't know. He must have been spying on us.

Gadreel turns to Ignatius.

GADREEL

How could you let that happen?

IGNATIUS

I'm sorry, My Lord.

Gadreel shoots him a look.

IGNATIUS (CONT'D)

I mean, Gadreel.

Gadreel turns to the mirror.

GADREEL

Something must be done before he reveals what he knows.

IGNATIUS

I can get some Bounty Hunter's demon.

Ignatius is about to leave, but Gadreel stops him.

GADREEL

No. I take care of this myself. After all, I never killed a demon before. Or anyone on this Earth. I may enjoy it.

IGNATIUS

But they'll see you.

GADREEL

I know how to cover myself.

And before Ignatius could say anything, Gadreel disappears in swirling white and golden bright lights. This power is called SPARKLING, and this one in its brightest form. The bright of the light almost blinds Ignatius. He blinks a few times to recover from the effect the way Gadreel used to disappear had on him.

CUT TO:

INT. GOLDEN GATE NATIONAL CEMETERY - DAY

Prue is still in front of Wyatt. They stare at each other. Conrad stands there too.

PRUE

Please.

Both Wyatt and Prue look into each other's eyes. Wyatt closes his eyes. He lowers down his arm. Prue breath relieved.

PRUE (CONT'D)

Thank you.

WYATT

Let's see what he has to say.

Prue turns to Conrad.

PRUE

(to Conrad)

You can tell us what you know now.

Conrad nods.

CONRAD

This man is not up to nothing good.

(pauses)

I know his name and I know the way to vanquish him.

WYATT

Tell us.

Conrad swallows.

PRUE

What's his name?

Conrad is about to answer, but suddenly, time stops, or at least Wyatt and Prue seem frozen. Conrad notices something wrong with them.

CONRAD

Prue?

Prue and Wyatt's eyes move and they can see everything, but they cannot move or talk. Conrad is about to approaches them, but that's when Gadreel SPARKLES in front of him. Conrad is astonished.

CONRAD (CONT'D)

You?

Gadreel smiles.

GADREEL

I make his words ---

(points to Wyatt)

--- mine.

CONRAD

They can see you.

Gadreel smiles again. He's enjoying.

GADREEL

Oh, don't worry. One of my powers is being able to reveal my truth face when I decide so. All they can see is you talking to a golden white light.

And indeed, what Prue and Wyatt are able to see is a bright golden and white light in front of them. And somehow Prue manages to sense that it's not good. Her eyes show that she's in pain.

GADREEL (CONT'D)

You won't tell them anything.

That's when Gadreel SUMMONS his sword. Conrad looks at it.

CONRAD

You may kill me, but they'll find you and they'll vanquish you.

Gadreel approaches Conrad and smiles ---

GADREEL

I cannot be vanquished.

And he does it. Gadreel stabs Conrad. Prue and Wyatt see Conrad being stabbed, but they can't see the sword or the owner. Conrad falls down on the ground, bleeding. Then Gadreel walks towards Wyatt and Prue. Obviously, they keep seeing the golden and white light and no voice at all.

GADREEL (CONT'D)

(to Wyatt)

You and I will meet again.

(to Prue)

I'll see you soon.

And the golden and white light disappear. Wyatt and Prue get back to normal. Conrad is bleeding a lot.

PRUE

(desperate)

Conrad!

Prue rushes to him and lowers on the floor.

PRUE (CONT'D)

No!

CONRAD

Prue ---

PRUE

You'll be fine.

CONRAD

I ---

Prue starts crying. Blood is coming out Conrad's mouth. Wyatt is astonished looking at him.

CONRAD (CONT'D)

--- Love ---

PRUE

Don't.

CONRAD

--- You.

(pauses; with difficulties)

Thank you, for standing by me.

And he stops. Conrad's eyes are wide open, but no life is seen in them.

PRUE

No.

(to Wyatt)

Please. Heal him.

Wyatt has no reaction. He is astonished.

PRUE (CONT'D)

Wyatt!

Wyatt looks at her.

PRUE (CONT'D)

Please.

Not thinking twice, Wyatt approaches Conrad's body and places his hand over the wound. Wyatt's hands GLOW, but nothing happens.

PRUE (CONT'D)

What is wrong?

WYATT

It's not working.

PRUE

Why?

WYATT

I don't know. Maybe because he's a demon.

Both Prue and Wyatt look at each other. Prue cries harder. She looks at Conrad's face.

PRUE

Conrad ---

Wyatt approaches his hand to Conrad's eyes and closes them. Prue cries harder. Wyatt suffers to see her that way.

And out of nowhere, Conrad's body disappears. Prue and Wyatt look astonished at it. Prue keeps crying.

PRUE (CONT'D)

No!

Wyatt approaches her and hugs her strongly while she keeps crying. The girl is in real pain.

CUT TO:

EXT. SAN FRANCISCO - NEXT DAY - DAY

Shots of the town are shown. The day seems to be cloudy. No rain, no sun. people are seen wearing heavy coats. A surreal cold has covered the whole town.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

CLOSE UP: PRUE'S FACE.

A desolated Prue is sitting on the bed. Her eyes are red. It seems like she's been crying a lot lately. She's wearing pajamas. Phoebe is there with her.

PHOEBE

Honey, I know it's not easy, but you have to overcome this.

Prue says nothing.

PHOEBE (CONT'D)

I know that losing someone we love leaves a big whole inside of us. But you are Prue Halliwell. There's nothing that can take you down, remember?

Prue looks to her mother.

PRUE

I didn't love him, mom. Not like that.

PHOEBE

Honey, I know how a Turner brother can make you fell.

PRUE

And I know that I didn't fall for him, mom.

(assuring)

I love Wyatt. You know that.

PHOEBE

Then, why are you like this, Prue?

A tear runs down Prue's face.

PRUE

Because he was there when nobody else was. When my own family thought I was dark. 

Phoebe lowers her gaze.

PRUE (CONT'D)

He was there when I needed to hear that I come first. He changed because of me. And the only thing I promised to him was protection and I failed him.

Phoebe rubs her fingers through Prue's face.

PHOEBE

You didn't fail him, honey. It was his choice. Believe, I know the type.

Phoebe hugs her daughter.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Wyatt, Chris, Melinda, Damon, Bianca, Tamora, Pandora, Junior, Charlotte and Cassandra are there.

DAMON

That was the only thing you could see? A golden and white light?

Wyatt nods.

WYATT

It was very weird actually. It almost seemed like ---

Wyatt cuts himself off.

CHRIS

(curious)

Like what?

WYATT

Like a good think. But we saw it killing him.

MELINDA

Someone who calls himself Darkness can't be good.

PANDORA

Agree.

TAMORA

Guys, maybe Darkness is not a he. Maybe it is something that Ignatius used to improve his power.

CHARLOTTE

It may be a possibility. Being a thing and not a someone.

CHRIS

It may, but I don't know.

JUNIOR

The thing is, that the thing we are fighting against is a white and golden light.

BIANCA

It may be the way it shows himself.

MELINDA

Yeah, but Prue saw his eyes.

CASSANDRA

On a vision. A dream vision.

WYATT

Whatever it is, it's here.

MELINDA

And it took your blood and Prue's.

CHRIS

Which we don't know why.

BIANCA

They are Twice Blessed.

DAMON

Let's not forget that he also killed Conrad just when he was about to say something important. Otherwise, he wouldn't.

CHRIS

That also means that he knows what happens.

WYATT

Yeah. It's harder to track demons on cemeteries.

DAMON

Indeed.

JUNIOR

Anyway, we need to design a plan to fight this thing.

WYATT

We just have those book to move on.

(pauses)

We don't even have a name.

MELINDA

Well, those books will have to be enough. As soon as Prue gets better, I'll help her on that.

TAMORA

Count me in.

Pandora shoots her sister a look.

PANDORA

You're not the reading type.

TAMORA

I am now.

At that moment, Phoebe comes in.

MELINDA

(to Phoebe)

How is she?

PHOEBE

Not well. She thinks she's failed.

(to Wyatt)

Honey, you should go upstairs.

WYATT

I don't think she wants to see me, Aunt Phoebe.

Phoebe approaches Wyatt and touches his face gently.

PHOEBE

She needs you more than she needs anyone else in this family.

Wyatt lowers his gaze.

PHOEBE (CONT'D)

So, go and be with your wife.

Wyatt looks Phoebe in the eyes. He turns to Chris and Melinda. Both nod to him. Wyatt looks back at Phoebe and nods. Phoebe smiles. Wyatt leaves the attic. Phoebe takes a deep breath.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

MUSIC: 'You and Me' by Lifehouse.

The camera shows from toe to head Prue lying on her side of the bed. Open-eyed, looking at nothing. She's sad.

Wyatt opens the door carefully and comes in closing the door carefully again behind him. He looks at her. Then, softly he approaches the bed and lies down on his side close to Prue. He puts an arm around her.

MUSIC KEEPS PLAYING.

WYATT

I promise you that no matter how, where or when.

(pauses)

We'll get a payback.

Prue holds Wyatt's hand and approaches it more to her chest.

PRUE

That's all I need to hear.

Both remain that way, while music keeps playing and the image suddenly turns into a mirror image ---

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - DAY

MUSIC FADES OFF.

The image of Prue and Wyatt hugging in the bed is seen in the mirror. Gadreel is seriously looking at it. He's alone there. He seems furious.

Ignatius comes in.

IGNATIUS

Did you called for me?

Gadreel keeps looking at the mirror. Ignatius sees the image in the mirror.

IGNATIUS (CONT'D)

Why them?

(pauses)

Why did their blood could free you?

GADREEL

(turns to him)

That's a long story that I'm not willing to share yet.

IGNATIUS

(curious)

Did you know them?

GADREEL

(mysterious)

I just got here and I never met any human before.

IGNATIUS

But the way you look at them ---

GADREEL

(cuts him off; mad)

I said that I'll share when and if I think I should share.

Ignatius lowers his gaze.

GADREEL (CONT'D)

It's time for you gather a few demons. I have an army to built.

Ignatius bows and leaves the cave. Gadreel turns to the image where Wyatt and Prue still can be seen.

GADREEL (CONT'D)

Enjoy while you can, because I just came to stay and I'll have what it's rightfully mine.

Gadreel means it. He is serious. He smiles wickedly.

CUT TO BLACK.

END OF THE EPISODE