3x10 - From This Forgotten Prison

[Prue Brianna Johnna Halliwell]

DESTINED

'FROM THIS FORGOTTEN PRISON'

TEASER

OVER BLACK.

FADE IN:

INT. SOMEWHERE - NIGHT

Darkness. All that can be seen is darkness. Prue's voice is heard.

PRUE (O.S.)

Hello!

The same mysterious voice is heard answering Prue's call.

VOICE

Prue!

Suddenly, darkness starts vanishing. Something is seen.

CLOSE UP: SOMEONE'S CLOSED EYES.

This entity's eyes are closed. The camera approaches, even more, the eyes. Suddenly, they POP OPEN.

CLOSE UP: A PAIR OF BLUE EYES.

The camera approaches more at the same time the pupils start spreading a deep dark all over the iris until the iris becomes from blue to black. At the same time, the voice is heard again.

VOICE (CONT'D)

I'm coming!

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue wakes up suddenly.

She's sitting on a couch in the attic. She wakes up sweating nervously. On her lap is one of the Books of Angels, open. She holds it. She breathes fasts.

Prue looks around. As soon as she realizes she's in the attic, she starts calming down.

Wyatt comes in a rush and stops as he sees her there.

WYATT

Hey!

Prue looks at Wyatt. He notices she's nervous.

WYATT (CONT'D)

Are you OK?

Prue is calmer.

PRUE

I just had another dream.

WYATT

Did you fall asleep there?

PRUE

I was reading. This book is written in heavy English.

Prue closes the book and stands.

WYATT

Have you found anything new?

PRUE

No. It's just history. And very complicated, by the way.

(takes a deep breath)

Like I said, it's heavy.

Prue places the book on the couch.

PRUE (CONT'D)

This one is about the beginning of the Angels.

WYATT

Something interesting?

PRUE

A lot of things, actually.

Wyatt shoots her a look.

PRUE (CONT'D)

Did you know that there were three dedicated angels named Gadreel, Uzriel and Adriel? They were very loyal to the cause.

WYATT

What cause?

PRUE

Keeping the order Up There.

Wyatt smiles. Prue smiles.

PRUE (CONT'D)

It's just history.

WYATT

I see. And about the dream you just had?

Prue lowers her gaze.

PRUE

It was different this time.

WYATT

You didn't see the darkness this time?

PRUE

I think I saw his eyes.

WYATT

His?

Prue nods.

WYATT (CONT'D)

A man?

PRUE

I think.

(pauses)

He had blue eyes that turned into dark.

WYATT

(making fun)

So we are looking for some evil being with blue eyes.

PRUE

Wyatt!

WYATT

Fine.

Wyatt approaches her.

WYATT (CONT'D)

Why don't you go to bed? I'll be right there.

PRUE

You're not coming?

WYATT

I need to do something first.

PRUE

Does that something have something to do with the demon we are looking for?

Wyatt disguises.

WYATT

Yes, of course. What else?

PRUE

So, let me help you.

WYATT

(fast)

No.

Prue shots him a look. She doesn't understand his reaction.

WYATT (CONT'D)

I mean, you need to rest and I won't take long.

He approaches her and kisses her forehead softly.

PRUE

(smiles)

Fine. Be fast!

WYATT

OK.

They smile. Prue turns to leave. Wyatt watches her leaving. Once she's out the attic, he turns serious.

WYATT (CONT'D)

I'm sorry, Prue, but you can't ever find out what I'm doing.

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - NIGHT

CLOSE UP: MEDALLION AND VOL. VII SPELLS OF ANGELS.

Ignatius is at his altar looking at a closed book. The Oracle and Tyree are at the entrance of the cave looking at Ignatius.

ORACLE

(to Tyree)

I still can't believe he got them.

TYREE

I don't understand why he keeps looking at them. Shouldn't he act?

The Oracle and Tyree approach Ignatius little by little.

TYREE (CONT'D)

Boss?

Ignatius gives no answer. The Oracle and Tyree exchange glances. Then Ignatius approaches the book and starts flipping the book.

ORACLE

(to Ignatius)

Have you found the spell?

Still no answers. Ignatius stops at a page. Suddenly he turns to face the Oracle and Tyree.

IGNATIUS

Oracle, tell me, what do you see?

The Oracle glances at Tyree and then looks at Ignatius.

ORACLE

I see you concentrated.

IGNATIUS

Very clever. But I mean, in that.

Ignatius points to the pages where the book is open in. The Oracle hesitates, but then approaches the book and stares at the pages.

CLOSE UP: TWO PAGES WITH THE FOLLOWING TITLES:

LEFT PAGE:

'BLOOD RITUAL TO LOCK AWAY THE DARKNESS'

RIGHT PAGE:

'BLOOD RITUAL TO RELEASE THE DARKNESS'

Each page contains two rituals. The Oracle stares at them.

IGNATIUS (CONT'D)

So?

The Oracle looks at Ignatius.

ORACLES

You found the spells or ritual. Whatever you wanna call it.

IGNATIUS

Indeed, I have.

Ignatius puts his fingers together like if he's trying to think.

IGNATIUS (CONT'D)

Now, tell me, can you read the last sentence of the ritual in both pages?

The Oracle stares at the pages again and reads loud.

ORACLE

'Chant the spell while you drop the blood in the medallion'.

(pauses)

What blood?

Ignatius stares at the Oracle.

IGNATIUS

Read the small letters in the bottom of the second page.

ORACLE

(reading)

'For this ritual to work, sacred blood is needed. The same blood to lock him away. The Blood of the One he loves the most and the Blood of the One he hates the most'

The Oracle looks at Ignatius astonished.

ORACLE (CONT'D)

This won't ever work. Who the hell are those he loves and hates the most?

TYREE

If the book is ancient ---

(to Ignatius)

--- Does that means I have to start looking for those people, boss?

Ignatius stares at Tyree.

TYREE (CONT'D)

Should I find a way to go back in time?

Ignatius is serious.

IGNATIUS

The ones who trapped him were very smart. But if that ritual exists, it means that those people or whatever being they are, exist as well.

ORACLE

Maybe the other books have the answer.

IGNATIUS

They certainly do, but I have no time to get them.

ORACLE

So, what are you gonna do?

Ignatius starts pacing the cave.

IGNATIUS

For the past days, I've been thinking and thinking, and only one thing crossed my mind.

Ignatius stops and stares at them.

IGNATIUS (CONT'D)

It may just be a hint, but history has taught me that things don't happen just because. They have a reason to be. 

(pauses)

And there are only two people I can think of.

ORACLE

Who?

IGNATIUS

(smiles)

You'll see, Oracle. Now get ready cause you're coming with me to collect some blood.

Ignatius leaves the cave fast. The Oracle and Tyree exchange confused glances.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Guest Starring

Katie Cassidy as Melissa

Rick Cosnett as Conrad

Daniel Di Tomasso as Gadreel / The Darkness

John Wesley Shipp as Ignatius

Shay Mitchell as Olivia

John Barrowman as Christopher

Alex Mauriello as Oracle

Dylan O'Brien as Tyree

Lauren Meley as Jasmine

Carl R. as Glamoured Ignatius

Rick S. as Demon #1

Yianni D. as Demon #2

Aaron I. as Demon #3

Tome Jo T. as Demon Bartender

Unknown actresses as Kieran Demon

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Various shots of the town at the sound of 'Kill Em With Kindness' by Selena Gomez.

CUT TO:

INT. DAMON'S APARTMENT - LIVING ROOM - DAY

MUSIC FADES OFF.

Damon is there. Chris is there also. Chris seems to be confronting Damon. Chris seems mad.

CHRIS

I can't believe you were helping him!

DAMON

What did you want me to do, Chris? He's my friend. I couldn't say no.

(pauses)

And to be honest, Chris, I agree with him. I wouldn't like a demon kidnapping Melinda and she letting him run away.

CHRIS

He is not just a demon.

DAMON

He is the brother of another demon. A demon who caused damaged to this family.

CHRIS

He was forgiven.

Chris is really mad.

CHRIS (CONT'D)

Does Melinda know that you're helping Wyatt to find Conrad?

DAMON

She cannot know.

Both stare at each other.

MELINDA (O.S.)

What is that I cannot know about?

Melinda stands at the entrance of the living room. They both stare at her.

MELINDA (CONT'D)

So? What is that I cannot know about?

DAMON

Mel ---

CHRIS

Did you know your boyfriend has been helping Wyatt tracking Conrad?

Damon shoots Chris a look. Melinda looks at Damon. She's astonished.

MELINDA

What?

Damon looks at Melinda.

DAMON

Honey, I can explain.

MELINDA

Don't honey me! What's wrong with you?

DAMON

You know I think Wyatt is right.

MELINDA

It doesn't give you the right to help him on that.

DAMON

That man is a demon.

MELINDA

(mad)

A demon that cannot be vanquished by us. Do you wanna buy a fight with Prue?

DAMON

No, I don't, but ---

MELINDA

Then? Are you taking sides in the whole Wyatt vs. Prue fight?

Damon looks at Chris. Chris shoots Damon an 'I told you so' look.

MELINDA (CONT'D)

(mad)

Be thankful I'm not her. And I hope you and Wyatt realize this terrible mistake in time, otherwise, you'll be unleashing Tsunami Prue.

Melinda turns to leave.

DAMON

Mel ---

MELINDA

I've gotta go.

Melinda leaves the room. Damon turns to Chris.

DAMON

Are you happy now?

CHRIS

No, Damon, I'm not.

Both men look seriously at each other.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR - DAY

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

Tamora is there cooking. All the kitchen looks like she's preparing food for a group of 20 people. Pandora and Junior come in and stop surprised as they see Tamora cooking. Tamora seems happy.

PANDORA

What's going on?

Tamora looks at them.

TAMORA

Oh, hi! I'm cooking.

JUNIOR

We can see that.

PANDORA

Yeah, you don't cook.

TAMORA

I woke up in the mood.

Tamora takes some pancakes to the table.

TAMORA (CONT'D)

Come. Sit and have breakfast.

Pandora takes her hand to her chest like if she's feeling something. Junior notices.

JUNIOR

(to Pandora)

Are you OK?

PANDORA

I won't be OK until she stops with it.

Junior and Pandora look at Tamora.

TAMORA

You complained that I felt sad, now you complain that I'm happy.

PANDORA

You're not just happy. You're in love.

TAMORA

Is that bad?

PANDORA

It is bad because you can't control it. I even want to fall in love just because I can feel all your love.

TAMORA

Sorry, if that bothers you.

PANDORA

You just need to control yourself while you're around me.

TAMORA

Sorry, sister I never felt this way before. I'm still trying to deal with it.

(pauses)

The solution would be to see Sebastian again, but he can't.

Junior and Pandora sit at the table.

PANDORA

I'm actually glad, you didn't become the demon's hunting witch after what happened.

Tamora turns to Pandora and Junior.

TAMORA

Says who?

Junior and Pandora exchange glances.

TAMORA (CONT'D)

Sebastian may be alive, but that demon still owes me the pain I went through. And I'm not willing to let that go without its rightful payment.

JUNIOR

But you promised Sebastian that you wouldn't look for revenge yourself.

TAMORA

(serious)

And I'll keep my promise. But we vanquish demons, and that one is for me.

Junior and Pandora stare at Tamora. Tamora is serious, but then her expression softens. She looks at Junior.

TAMORA (CONT'D)

(to Junior)

By the way, while you were in the shower, your phone rang.

Junior starts eating a pancake.

TAMORA (CONT'D)

It was Olivia.

Junior shoots Tamora a look.

PANDORA

Who's Olivia?

JUNIOR

No one.

TAMORA

Yeah, well, that no one said, and I'm quoting, 'hello, tiger!'

PANDORA

What?

TAMORA

Yeah, she spoke before hearing my voice.

Tamora smiles. Junior is serious.

TAMORA (CONT'D)

She felt ashamed when she knew I was your sister. Also, she left a message. 

(to Junior)

Call her back.

JUNIOR

(stands; to Tamora)

You don't answer my phone again.

TAMORA

As you wish ---

(smiles)

--- Tiger!

Tamora and Pandora laugh. Junior leaves the kitchen.

CUT TO:

INT. UNDERWORLD - NIGHT CLUB - DAY

Some demons are in the club having drinks. The demon bartender is preparing some drinks. By the counter are two demons drinking and talking. Close to them is another demon who's face can't be seen.

DEMON #1

Have you heard the news?

DEMON #2

What news?

The demon bartender joins the conversation.

DEMON #1

Ignatius, that freaking demon that is anti-social.

BARTENDER

Never like him. When he comes here, looks at this place as if he's superior.

DEMON #2

What's with him?

DEMON #1

I heard that he's planning to break havoc.

BARTENDER

He refused to join the Source back in his time. Had to leave in secret. I remember that story.

(pauses)

The Source tried to find him, but he had a Master. Most demons said it was one of the Ancient Wizards. He learned everything from him.

DEMON #2

An ancient Wizard? It's been centuries since I heard of them.

BARTENDER

They're extinguished or so it's said.

They try to whisper, but the other demon who's face can't be seen, seems to listen to them.

CLOSE UP: DEMON IN THE CORNER'S MOUTH. HE HAS A SIP OF HIS DRINK.

DEMON #1

Anyway, he's planning to take control of everything. I also heard that if he succeeds, he'll be unleashing Darkness upon Earth.

DEMON #2

Darkness?

Demon #1 nods yes.

BARTENDER

Who told you that? And what does it means?

DEMON #1

What it means I have no idea, but who told me was the Oracle that hangs out with him.

Demon #1 blinks.

DEMON #1 (CONT'D)

We are close friends, if you know what I mean.

Demon #2 and the Bartender laugh.

DEMON #2

Well, I'll be happy if that Darkness is good for us.

They toast. The demon in the corner gets out of there fast. The others notice.

DEMON #2 (CONT'D)

What happened to him?

BARTENDER

He is very weird. No one knows who he is. Some said he used to live here, but I only knew him when he started coming here a few weeks ago.

They shrug.

CUT TO:

INT. UNDERWORLD - EXT. NIGHT CLUB - DAY

The mysterious demon comes out of the club. BEAT. That demon is no other than Conrad Turner, Cole's little brother.

CONRAD

I have to find out what the hell is going on.

He walks fast out of there.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. HALLIWELL MANOR - DAY

A pair of cars pass in front the house. Prue's car is parked outside.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue is sitting ont the couch, again reading Vol I. of the Books of Angels - The First Creation. She seems to be very into the reading. She turns a page and reads.

Tamora comes in a rush.

TAMORA

Oh, you're here!

Prue is pulled back from the reading.

TAMORA (CONT'D)

It seems like you do nothing else than reading.

PRUE

Well, you gave me those books for some reason, right?

TAMORA

I didn't know they were that interesting.

PRUE

They are. And I have to find the reason why that demon took one of the books.

TAMORA

Don't you prefer finding the demon and asking him?

Prue shoots her a look.

PRUE

That's up to Wyatt. He's in charge now.

TAMORA

You're kidding me, right?

PRUE

Not exactly.

Prue closes the book and stands.

PRUE (CONT'D)

I just think that we need to understand why he wants those books.

TAMORA

(serious)

Prue, whatever he wants with the book, he's close to accomplishing. We need to find him and stop him.

Prue lowers her gaze.

PRUE

I'm sorry, Tam.

TAMORA

(mad)

I need to get revenge, Prue.

PRUE

Sebastian is not dead. Well, not exactly.

TAMORA

But he was killed.

Tamora takes a deep breath.

TAMORA (CONT'D)

I know I promised him I would take it slowly, but ---

PRUE

You just have too much inside.

Tamora nods.

TAMORA

Let's just hunt some demons.

Tamora has a pleading look on her face.

CHRIS (O.S.)

I can go with you.

Both Prue and Tamora turn to Chris who's standing at the attic's entrance.

CHRIS (CONT'D)

I need to kick some demons' asses as well.

Chris approaches them.

CHRIS (CONT'D)

(to Tamora)

So, what do you say, cous, wanna join me?

Tamora smiles.

TAMORA

(smiles big)

It would be an honor.

PRUE

Wait a second.

(to Chris)

What happened to you? Did you fight with Bianca?

CHRIS

No, I didn't.

PRUE

So, who's the reason for your madness?

CHRIS

I'm not mad, Prue.

PRUE

But you wanna go on a demon hunt. You do that when you're mad or when you're trying to escape from something.

Both Prue and Chris stare at each other. Prue shoots him that 'spill it' look.

CHRIS

You know what? Yes, I'm mad. If you wanna know why I'm mad, ask your husband.

Chris turns to leave.

PRUE

Wyatt?

Chris turns to face her.

CHRIS

Do you have any other?

PRUE

Did you fight?

CHRIS

Ask him!

(to Tamora)

Let's go.

Tamora nods and signs goodbye to Prue. They head out.

PRUE

Wait!

They leave. Prue doesn't know what to think.

PRUE (CONT'D)

You're damn right I'm gonna ask him.

She heads towards the attic's exit, but before leaving, she turns around.

CLOSE UP: BOOK OF ANGELS VOL I. ON THE COUCH.

Prue WAVES her right hand and the book disappears. Then she leaves the attic.

CUT TO:

EXT. OLIVIA CLARK'S APARTMENT - DAY

Some cars pass by. SOUND: DOORBELL RINGING.

CUT TO:

INT. OLIVIA CLARK'S APARTMENT - ENTRANCE - DAY

Olivia heads to the door and opens it. Junior is there. He looks serious at her. Olivia smiles.

OLIVIA

Hi.

JUNIOR

Hey!

OLIVIA

I thought you had forgotten about me.

JUNIOR

I could not.

Olivia signs him to come in.

OLIVIA

Well, we haven't spoken since ---

(smiles sexily)

--- You know when.

Junior smiles.

JUNIOR

It's been crazy days. And you had to leave in a rush to New York.

OLIVIA

Yeah, my sister got in troubles and I had to help her.

JUNIOR

Is she OK?

OLIVIA

Yes.

Both stare at each other seriously.

OLIVIA (CONT'D)

But you didn't come here to talk about my sister.

(approaches him)

But about us.

Junior is clearly nervous.

JUNIOR

Yeah, you see, what happened ---

OLIVIA

(cuts him off)

Was great!

Junior smiles.

JUNIOR

Yeah, it was, but ---

Olivia kisses him fast.

OLIVIA

(smiles)

I'm not in the mood of serious commitment either.

Junior shoots her a look.

JUNIOR

(surprised)

You're not?

Olivia nods no.

OLIVIA

There's something I haven't told you yet.

Olivia turns around for seconds and then faces him.

OLIVIA (CONT'D)

I just got out of a divorce.

Junior is surprised.

OLIVIA (CONT'D)

It was a mistake. I've been single for the past six months and I like it this way.

Junior seems really surprised.

JUNIOR

I had no idea you've been married.

OLIVIA

Well, yes.

Olivia approaches him.

OLIVIA (CONT'D)

We don't need to be exclusive if you don't want to.

Olivia looks at him sexily. She's seducing him.

JUNIOR

We don't?

Olivia nods. Then she approaches him even more and both kiss passionately.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - DAY

The restaurant is full of people. Christopher and other employees serve the customers. Melinda comes from the kitchen bringing some wine bottles. Following after, comes Damon. Melinda seems annoyed. She puts the bottles on the counter.

DAMON

Mel, please, listen to me.

She turns to him. She's really mad.

MELINDA

Have you realized that I'm working?

She sounds really mad. Things don't seem good for Damon.

DAMON

But I need to explain to you why I did it.

MELINDA

You don't need to. You are taking Wyatt's side. That's clear.

DAMON

Well, you're taking Prue's.

MELINDA

No, I'm not. I'm just respecting her decision. I'm on their side.

She shoots him a look.

MELINDA (CONT'D)

And now, if you'd excuse me, I have to work.

Melinda turns around.

DAMON

Honey ---

MELINDA

(turns to him; mad)

Don't 'honey' me.

Melinda turns around again and opens the bottles. Christopher approaches the counter.

CHRISTOPHER

Melinda, can I take the bottles to the customers.

MELINDA

Yes, please.

Melinda puts a bottle inside an ice bucket and puts it on a tray. She hands the tray to Christopher. Christopher takes it and walks away.

DAMON

Mel?

Melinda turns to Damon. She is extremely serious.

MELINDA

You know what? I don't want to talk to you, Damon. I don't even want to see you. Not until you and Wyatt come forward and tell Prue what you're up to.

DAMON

But ---

MELINDA

Now, if you'd excuse me, I have to work.

Melinda walks inside the kitchen. Damon takes his hands to his hips and signs desperate.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. BAY MIRROR - DAY

CLOSE UP: BAY MIRROR SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - REDACTION ROOM - DAY

Reporters are at their desks. Melissa is there as well. Wyatt comes out of his office followed by Jasmine. Jasmine holds a notebook.

JASMINE

--- Oh, and by the way, today is blood testing day.

Wyatt stops and looks at Jasmine. He's serious.

WYATT

It's what?

JASMINE

Mr. Dean's orders. He wants all his employees having their blood tested.

WYATT

And I'm knowing of this now because --- ?

JASMINE

Because we received the order today. I was just informed by Phoebe.

WYATT

Fine.

At that moment, Prue comes in. Jasmine sees her coming in. Melissa sees her as well. Prue stops and glances around. Melissa stands and approaches Prue.

MELISSA

Hi, Prue.

Prue stares at Melissa. Jasmine is seriously looking at both. Wyatt realizes Jasmine is serious.

WYATT

(to Jasmine)

What?

Jasmine signs up at them. Wyatt turns around and sees Melissa and Prue.

MELISSA

How are you?

Prue finds weird Melissa's friendly attitude.

PRUE

I'm -- good. Thank you. You?

Melissa smiles and nods.

MELISSA

I wanted to thank you --- you know, for what you guys did.

PRUE

I did nothing.

(pauses)

I hope you're OK.

MELISSA

I am.

PRUE

Well, if you need something ---

MELISSA

You guys are an Orb away.

Prue smiles. Wyatt is astonished looking at them. Jasmine is astonished as well.

PRUE

Actually, I am a Beam away.

MELISSA

I'm still getting used to those terms.

Prue smiles. Prue sees Wyatt.

PRUE

I have to ---

Prue signs up to Wyatt. Melissa turns and sees Wyatt. Then she turns to Prue.

MELISSA

Sure.

Melissa smiles and heads back to her desk. Prue approaches Wyatt.

JASMINE

Hi, Prue. Bye, Prue.

Jasmine heads to her desk fast.

WYATT

(to Prue)

What are you doing here?

PRUE

Hello to you too. We need to talk.

WYATT

I have to work, Prue.

PRUE

You can do both.

Both stare at each other seriously.

CUT TO:

INT. BAY MIRROR - EXT. MIRROR'S MAGAZINE - EXT. REDACTION ROOM - CORRIDOR - DAY

A woman dressed like a nurse comes in followed by a man dressed in a white robe. BEAT. The woman is the Oracle. Now the man is unknown. They approach the redaction's room entrance door. They stop.

ORACLE

Are you sure this is a good plan, Ignatius?

BEAT. The man is no other that Ignatius. He has glamoured into someone.

IGNATIUS

I'm completely sure. We collect his blood and then I'll find a way to collect hers.

ORACLE

(sighs)

If you say so.

Ignatius heads in the redaction room followed by the Oracle.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

CLOSE UP: WYATT'S FACE. He's serious.

WYATT

I don't know what you're talking about.

Prue stands seriously at him.

PRUE

Oh, really?

(pauses)

Then why did he told me to ask you?

WYATT

(stands)

Why should I know?

He walks towards her.

WYATT (CONT'D)

Maybe it's just his inferiority complex.

PRUE

I don't think is that.

WYATT

You know Chris. He's paranoiac.

PRUE

I don't know, Wyatt.

WYATT

Then, ask him.

Wyatt tries to seem relaxed, but Prue is not convinced.

PRUE

I'm asking you. I've noticed that you both have been acting weird lately.

WYATT

No, we haven't.

Prue is about to say something, but is interrupted by Jasmine who comes in.

JASMINE

Sorry, Wyatt. They're here.

Wyatt turns around. Both Wyatt and Prue looks at Jasmine. Jasmine signs someone to come in. The Oracle and glamoured Ignatius come in.

PRUE

Who are they?

WYATT

Blood testing day.

Prue looks at glamured Ignatius and the Oracle.

PRUE

Well, we are a little busy here now.

Ignatius and the Oracle exchange glances.

IGNATIUS

I'm sorry, Miss, but we are following orders.

Prue shoots Wyatt a look. He shrugs.

WYATT

(to Ignatius)

Be my guest.

Ignatius and the Oracle come in and start preparing things. Jasmine leaves.

WYATT (CONT'D)

Prue, you should go. We talk at home.

PRUE

I'm not going until we talk.

WYATT

Prue ---

IGNATIUS

(to Wyatt)

I'm sorry, but I agree with the lady. She has to stay.

Prue and Wyatt exchange glances.

IGNATIUS (CONT'D)

(to Prue)

We were ordered to take blood from everyone in this building.

PRUE

But I don't work here.

IGNATIUS

But you're here.

PRUE

(mad)

Yes, because I'm his wife ---

(points to Wyatt)

--- And the daughter of the woman who rules this place.

IGNATIUS

Reason enough to have your blood tested.

Prue can't believe it. She looks at Wyatt looking for some support, but he shrugs.

WYATT

(smiles)

What's wrong, honey, afraid of some needles?

PRUE

You're kidding me, right?

Wyatt smiles roguishly. Ignatius signs Prue to sit. Prue does. Wyatt smiles looking at her. Prue rolls her eyes.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

CLOSE UP: DEMON BLOWING UP.

Tamora is standing, hands raised. Chris approaches her from behind.

CHRIS

(amazed)

That was absolutely amazing!

TAMORA

(smiles)

Thanks. Like Prue said, I have a lot inside.

CHRIS

I can see that.

Both smile at each other.

TAMORA

It's nice to go hunting with you, Chris. I don't know why we don't do it more often.

CHRIS

I don't know.

They start walking.

TAMORA

So, what's bothering you?

CHRIS

What makes you think that there's something bothering me?

TAMORA

I don't know. You seem mad, disappointed. I don't know. The 'ask Wyatt' didn't sound that good.

CHRIS

Yeah, well, I'm just, I don't know. It's just ---

TAMORA

You don't wanna tell me.

Tamora shoots him a look. Chris tries to disguise, but he know she's right.

CHRIS

It's just that it's not my thing to tell.

TAMORA

So, there is really something.

Chris nods.

TAMORA (CONT'D)

Can that something break havoc?

CHRIS

It certainly can.

TAMORA

Then, I say we should better go hunt a few more demons before chaos gets unleashed upon us.

CHRIS

I agree.

Both smile and keep walking.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

CLOSE UP: TWO BLOOD CONTAINER EACH ONE WITH A NAME ON IT: WYATT AND PRUE'S.

Ignatius puts the containers on his bag. Then he turns to Wyatt and Prue.

IGNATIUS

(to Prue)

So, it wasn't so bad, was it?

Prue shoots him a look. She stands. Ignatius signs the Oracle for them to leave.

IGNATIUS (CONT'D)

(to Wyatt and Prue)

It was a pleasure.

Prue grimaces. Ignatius and the Oracle head towards the door and leave while Prue looks at them as if she's sensing something weird from them. Wyatt notices the look on her face.

WYATT

What is it?

PRUE

I don't know. That guy gave me bad vibes.

WYATT

(stands)

He used a needle on you, that's why.

Wyatt heads towards his desk.

PRUE

You are not funny.

WYATT

Not trying to.

PRUE

We still have something to talk about.

WYATT

No, we don't. I already said I don't know what's going on with Chris. So, if you'd excuse me, I have a meeting to attend to.

PRUE

You are not leaving me here without answers.

WYATT

Honey, this meeting is important, so, go home, don't stay here.

PRUE

(wrathful)

Wyatt!

Wyatt blinks to her. He takes some papers and leaves the office. Prue is wrathful indeed. She takes her hands to her hips.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. UNDERWORLD - IGNATIUS CAVE - DAY

Ignatius FLAMES in bringing the Oracle. He is already himself, but still wearing white robes.

ORACLE

That was too easy.

Ignatius approaches his altar where the book and the medallion are. He takes the blood containers out of his bag.

ORACLE (CONT'D)

Are you sure this is going to work?

Ignatius looks very serious at the blood containers.

IGNATIUS

I don't know, but I'm counting on that.

ORACLE

I just think it is too easy. The Twice Blessed Witches?

Ignatius turns to her.

IGNATIUS

Do I pay you to think?

ORACLE

You don't pay me, that's it.

IGNATIUS

Well, my dear, I think that talking about how helpful you were would please the Darkness. He might, I don't know, give you a better position than just guessing what's going to happen. 

They both stare at each other for seconds.

ORACLE

I hope this plan of yours is right. I wouldn't want them to coming after me.

Ignatius smiles wickedly. Then he puts the containers on the table. Tyree comes in.

TYREE

So, how it went?

IGNATIUS

It went well, my boy.

He turns to them.

IGNATIUS (CONT'D)

You better get yourself ready, because tonight we'll unleash Darkness.

Ignatius smiles wickedly. The Oracle and Tyree exchange glances.

CUT TO:

EXT. HALLIWELL'S - DAY

STOCK.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - DAY

The restaurant has no customers in it. Only Melinda and Pandora are by the counter. Both are having drinks.

MELINDA

I'm glad you came, cous.

PANDORA

So, what was the fight about?

MELINDA

Oh, you know, he didn't tell me an important thing.

PANDORA

What was it?

MELINDA

I can't tell. It's not my thing to tell.

PANDORA

Do you think you're gonna be OK?

MELINDA

I don't know. I hate lying.

Both have a sip of their drinks. Junior ORBS in front of them.

PANDORA

Are you crazy? Someone could see you.

MELINDA

Yes, your father is on the back.

JUNIOR

He went to put the trash outside. I saw him.

Junior takes a glass and puts some alcohol inside.

PANDORA

(to Junior)

What's wrong with you?

JUNIOR

Nothing is wrong with me. I just need some of this.

MELINDA

What happened to P3 that we are drinking in Halliwell's now?

PANDORA

I was asking myself the same.

JUNIOR

In P3's defense, a band is rehearsing there. I tried that before coming here.

In that moment, Christopher comes in. He smiles as he sees Junior there.

CHRISTOPHER

Son, didn't know you were here!

JUNIOR

Oh, hi!

PANDORA

He just came in.

Christopher smiles.

PANDORA (CONT'D)

(to Christopher)

I think we haven't been properly introduced yet.

Pandora reaches out her right hand towards Christopher.

PANDORA (CONT'D)

I'm Junior's sister. Pandora.

They shake hands. Christopher smiles.

CHRISTOPHER

One of the twins.

PANDORA

The good one.

Both smile.

MELINDA

(stands)

OK, I can feel good vibes around here and I'm in bad mood so I'll go home.

PANDORA

I'm going with you.

(to Christopher)

It was nice to meet you.

CHRISTOPHER

You too.

Pandora and Melinda head out of there. Christopher approaches Junior.

CHRISTOPHER (CONT'D)

Nice girl, your sister.

JUNIOR

Yes, she is. A little crazy, but a good girl.

Christopher smiles. Junior has a sip of his drink. He seems a little off and Christopher notices it.

CHRISTOPHER

Are you OK, son?

JUNIOR

Couldn't be better.

CHRISTOPHER

You know if you wanna talk ---

JUNIOR

(rude)

I'm OK.

Christopher understands the message. He lowers his gaze and is about to leave, but Junior realizes he was a little hard on him and stops Christopher from leaving.

JUNIOR (CONT'D)

Wait.

Christopher turns to face Junior.

JUNIOR (CONT'D)

I'm sorry. I just don't know what's going on with me.

CHRISTOPHER

Want to talk about it?

Junior takes a deep breath.

JUNIOR

Hell, why not?!

Christopher signs him to head to one of the tables. Junior takes the bottle and his glass and both sit.

CHRISTOPHER

So, what's bothering you?

JUNIOR

Women's problems.

CHRISTOPHER

Oh! Let me guess, one of those women goes by Olivia Clark?

Junior shoots him a look.

JUNIOR

How do you know?

CHRISTOPHER

I felt there was something between the two of you. And she called me yesterday and asked for you.

Junior has a sip of his drink.

CHRISTOPHER (CONT'D)

So, what happened?

JUNIOR

Well, she wants an open relationship.

Christopher's eyes pop open.

CHRISTOPHER

And you don't?

JUNIOR

No, I do. I'm just not used to the fact that the other person is the one who proposes that. It's normally me doing that.

CHRISTOPHER

Oh!

JUNIOR

Yeah. I was prepared for the whole drama thing and she hit me with the 'we don't need to be exclusive' thing.

CHRISTOPHER

OK. So, I see that what's bothering you is that she took the initiative, not you.

Junior stares at Christopher.

JUNIOR

Yeah.

CHRISTOPHER

But she wants the same thing you want.

JUNIOR

Yeah.

CHRISTOPHER

So, why are you making a big deal out of this?

Junior stares at him, not knowing what to say.

JUNIOR

You're right! For the first time in my live someone wants the same thing I want.

Christopher smiles.

JUNIOR (CONT'D)

Thank you, dad.

Christopher smiles as he hears Junior calling him 'dad'. Junior just realizes what he said.

JUNIOR (CONT'D)

I mean ---

CHRISTOPHER

It's OK, son. I'm glad I could help you seeing it through.

JUNIOR

(smiles)

Thanks.

Christopher smiles again. Junior has another sip of his drink.

CUT TO:

INT. DAMON'S APARTMENT - LIVING ROOM - DAY

Damon comes in followed by Wyatt.

WYATT

(incredulous)

You told my sister?!

DAMON

No, I didn't. She heard me and Chris talking.

WYATT

Chris?

DAMON

Yeah. He confronted me and I couldn't deny it.

Wyatt is annoyed.

WYATT

Do you think she's gonna tell Prue?

DAMON

I don't think so. At least, I hope she won't.

(pauses)

Shouldn't you come forward with Prue?

WYATT

No. She would kill me.

DAMON

Yeah, but if you tell her and she kills you, she would also bring you back from the death. Now, if she finds out any other way, she would kill you and leave you dead.

WYATT

No, she wouldn't.

DAMON

Really? Don't you know the woman you're married with? Even I am afraid of Tsunami Prue.

WYATT

Tsunami Prue? Is that what we're calling her now?

DAMON

That's how Mel called her this morning.

They stare at each other.

DAMON (CONT'D)

The point is, Wyatt, that she should know.

Wyatt rolls her eyes.

DAMON (CONT'D)

I agree with you, man. I would do the same. Actually, I'm helping you on that and at the same time, I'm risking my relationship with your sister. But I hate lying to her. Don't you hate lying to Prue?

Wyatt looks straight to Damon.

WYATT

I do, but ---

(takes a deep breath)

I need to vanquish that demon. He tried to take my wife from me.

DAMON

Then, tell her that. Be honest with her.

(pauses)

She may forgive you.

Both men stare at each other.

WYATT

I don't know.

DAMON

Just think about it.

Wyatt is thoughtful. Damon looks at him.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - DAY TO NIGHT

Fast motion images of the town as the sun sets and the moon appears in the sky.

CUT TO:

INT. UNDERWORLD - EXT. IGNATIUS CAVE - NIGHT

A demon approaches Ignatius's cave entrance. Someone follows him. That someone is not other than Conrad. They stop as they approach the entrance.

CONRAD

Is it here?

DEMON #3

It is.

Demon #3 stares at Conrad.

DEMON #3 (CONT'D)

What do you want from him?

CONRAD

My business.

Conrad CONJURES an athame and stabs the Demon. As simple as that.

CONRAD (CONT'D)

Sorry, but I can't take any risks.

Conrad approaches the entrance of the cave even more and tries to hear. Slowly he steps inside.

CUT TO:

INT. UNDERWORLD - IGNATIUS' CAVE - NIGHT

The cave is darker. Some candles are placed on the ground in a circle. A couple of candles are on the altar. The Oracle and Tyree are there lightening the candles on the floor. Ignatius is by the altar. He's wearing a long brown robe. He takes the Medallion from the altar and heads towards the circle of candles. He puts the Medallion in the middle of the circle.

TYREE

It's almost everything ready, boss.

Ignatius smiles.

IGNATIUS

We are pretty close to bring him from his forgotten prison.

Ignatius approaches the altar again. Tyree whispers to the Oracle.

TYREE

(whispering)

Do you really think this is going to work?

ORACLE

I hope so.

(to Ignatius)

Do we have a backup plan?

Ignatius turns to face Tyree and the Oracle.

IGNATIUS

Somehow I have a feeling that tonight is the night we unleash Darkness upon Earth.

ORACLE

What if their blood is not the blood the ritual tells about?

IGNATIUS

I believe there's no coincidences, Oracle. Those Twice Blessed Witches are special. Their power is great. There must be a reason for that.

ORACLE

To free Darkness?

IGNATIUS

Why not? Their blood freed Doom.

ORACLE

Doom was trapped by a man with magical powers. Darkness was locked away by ---

(pauses)

--- I can't even spell their name.

IGNATIUS

Angels. It's simple.

ORACLE

Fine.

(pauses)

I don't know, I just think they are not that special that their blood can free Darkness.

IGNATIUS

Well, I have hope.

TYREE

I though hope was a human thing.

IGNATIUS

Well, my boy, I have spent a lot of years in this world. I've learned something.

(serious)

Now, you should better be with me on this, because tomorrow the Underworld will have a new leader. Actually, the World will have a new leader.

ORACLE

You?

IGNATIUS

(smiles)

I'll be just his right hand.

Tyree and the Oracle exchange glances.

IGNATIUS (CONT'D)

Now, get ready, because we're about to unleash Darkness.

Ignatius smiles wickedly. He approaches the Vol. VII of the Books of Angels and opens it.

IGNATIUS (CONT'D)

It's time, My Lord.

Ignatius flips through the book.

From the entrance of the cave, Conrad can be seen peeking. He is serious.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

The attic's light is on.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue is sitting on the couch. She's reading Vol. I of the Books of Angels. She seems very concentrated. Wyatt comes in.

WYATT

You're here!

(sarcastic)

What a surprise.

PRUE

I'm reading.

WYATT

I can see.

Wyatt approaches her and sits beside her.

WYATT (CONT'D)

Anything new?

PRUE

Still, just history.

(pauses)

Interesting beings they were.

WYATT

Were?

PRUE

Are?

(shakes her head)

Whatever!

Wyatt forces a smile then he lowers his gaze.

PRUE (CONT'D)

What?

Wyatt looks her straight in the eyes.

WYATT

I need to tell you something.

PRUE

(smiles)

Oh, are you going to tell me why Chris is mad at you?

He stares at her for seconds. Prue stares at him as well waiting for an answer.

WYATT

I just ---

He pauses. Thinks.

WYATT (CONT'D)

I'm just happy we are doing OK.

And he changes his mind. Prue smiles.

WYATT (CONT'D)

That we are doing therapy and we are working on solving things between the two of us.

Prue shoots him a look. She puts the book on the couch and stands.

PRUE

I'm happy too, honey.

Wyatt smiles. He approaches her and kisses her softly on her lips.

WYATT

I'm heading to P3 now.

PRUE

(surprised)

You are?

WYATT

Of course. Don't you fall asleep without me, OK?

PRUE

I'll try.

Wyatt smiles and leaves the attic. Prue smiles. Then she looks at the book and takes a deep breath.

PRUE (CONT'D)

Let's get back to my book.

Prue sits and takes the book and continues reading.

CUT TO:

INT. OLIVIA CLARK'S APARTMENT - LIVING ROOM - NIGHT

Only a few lights in the room are on. Olivia and Junior are sitting on the couch and drinking wine.

JUNIOR

So, tell me a little bit more about you being married.

Olivia smiles. She has a sip of her wine.

OLIVIA

We were young and crazy.

JUNIOR

Tell me.

Olivia puts her glass on the center table. She kisses Junior and then sits straight.

OLIVIA

We were in college. We both were very responsible and hard working. We had to hand some paperwork and we rocked at it.

(pauses)

To celebrated it, we decided to spend a weekend in Las Vegas.

JUNIOR

Ahh, the City of Sins.

OLIVIA

And weddings!

Junior has a sip of his wine.

OLIVIA (CONT'D)

Then, well, we drunk ---

(looks at Junior)

--- A lot. And the next morning we were married.

JUNIOR

And it ended six months ago.

OLIVIA

Exactly.

Olivia takes her glass again.

JUNIOR

Why?

OLIVIA

We tried, we did. But we reached the conclusion that the only thing that kept us together was the same thing that threw us apart.

JUNIOR

Your career.

OLIVIA

Two lawyers married to each other. It simply doesn't work.

(pauses)

We went on different ways.

Both look each other.

OLIVIA (CONT'D)

Happy now?

Junior smiles.

JUNIOR

It's nice to know a bit more about you.

OLIVIA

Your turn.

JUNIOR

What?

OLIVIA

Tell me something about you.

JUNIOR

I've never been married.

Olivia smiles.

JUNIOR (CONT'D)

Actually, I never had a girlfriend that I could introduce to my parents.

OLIVIA

Something I don't know, I meant.

Junior smiles.

OLIVIA (CONT'D)

As for example, what do you feel now that you're building a relationship with your father?

JUNIOR

You mean Christopher?

Olivia nods. Junior puts his glass on the table. He stands.

JUNIOR (CONT'D)

Do we really need to talk about him?

OLIVIA

Why not?

JUNIOR

You know, I thought we were far away from the 'boyfriend - girlfriend' business. Talking about my feelings towards my parents are something that couples do.

Olivia puts her glass on the table.

OLIVIA

I didn't know there were forbidden subjects for nonexclusives.

Junior takes a deep breath.

OLIVIA (CONT'D)

I'm new to this.

He sits beside her.

JUNIOR

There's not. I just don't like to talk about that and let's be honest, I didn't come here to talk.

OLIVIA

Then, why did you come here, Mr. Mitchell?

JUNIOR

Mr. Mitchell is my father.

Olivia smiles sexily to him. He approaches her and both kiss passionately.

CUT TO:

EXT. DAMON'S APARTMENT - NIGTH

SOUND: DOORBELL.

CUT TO:

INT. DAMON'S APARTMENT - ENTRANCE - NIGHT

Damon opens the door. Melinda is there. She's serious.

DAMON

(surprised)

Mel?!

MELINDA

(serious)

Here's the deal, tomorrow you'll tell Prue everything.

DAMON

What?

MELINDA

She needs to know.

DAMON

Wyatt will kill me.

MELINDA

Well, yes. But if you don't, then we'll have no future together.

Damon was caught by surprised.

MELINDA (CONT'D)

Your choice.

Damon stares at her.

MELINDA (CONT'D)

I'll be waiting for you tomorrow morning.

Melinda turns around and leaves fast. Damon is astonished.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

CLOSE UP: VOL. I OF THE BOOK OF ANGELS.

The camera moves up slowly from the book to Prue's face. BEAT. She's asleep. And by the looking on her face, she's not having nice dreams.

CUT TO:

INT. SOMEWHERE

The room is white. There are no doors there. Only a bed. Prue is there. She looks around.

PRUE

Where am I?

VOICE (O.S.)

In my prison. The prison that has kept me for a very long time.

The voice sounds deep. Prue looks around, but sees no one there.

PRUE

Who are you? What do you want?

The girl seems desperate.

VOICE (O.S.)

I want to leave.

Prue looks around. Still, no one.

VOICE (O.S.) (CONT'D)

It's been too long, Prue. Everybody has forgotten me here.

(pauses)

But, it's close now. I'm about to be free again. I'm about to leave this forgotten place.

Prue is even more desperate.

VOICE (O.S.) (CONT'D)

And then we'll meet.

PRUE

(voiceless)

Who are you?

VOICE (O.S.)

Look at me!

Prue turns around and someone's there, but the dream ends.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue wakes up abruptly. She's sweating cold. She breathes fast. She seems really desperate and it's hard for her to calm down. She feels like her heart wants to come out of her chest.

CUT TO:

INT. UNDERWORLD - IGNATIUS' CAVE - NIGHT

CLOSE UP: MEDALLION ON THE FLOOR.

Ignatius is in front of the Medallion, but outside the circle of candles. Ignatius holds the book.

IGNATIUS

It's time for you, my Lord, to rise again and fulfill the path you were destined for.

Ignatius steps inside the circle of candles. He reaches out his right hand. Tyree hands him the blood containers. Ignatius pours the blood on the Medallion.

CLOSE UP: BLOOD DROPS IN THE MEDALLION

Then, he steps out of the circle and starts chanting from the book.

IGNATIUS (CONT'D)

(chanting)

'Ex Tempore,

Ex Spatio.

Tui, qui venerunt de lumine,

Liberum vobis.

Tenebris, libero te.'

Ignatius holds the book on his hands. The three of them look down at the Medallion with the blood on it. For seconds, nothing happens, but then ---

The blood starts boiling. Tyree and the Oracle look at each other. The blood boils fast. Soon, it causes a small explosion. The whole cave is filled with white smoke.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue is still very nervous. She is cold. It's hard for her to calm down. She tries to breathe, but it doesn't help.

CUT TO:

INT. UNDERWORLD - IGNATIUS' CAVE - NIGHT

Slowly the white smoke fades off. Tyree and the Oracle look at whatever is in the center of the circle of candles. Ignatius stares at it seriously.

As soon as the smoke disappears, a figure with human's form is seen on his knees. A man. He is naked and has dark hair.

Tyree and the Oracle exchange glances.

CUT TO:

INT. UNDERWORLD - EXT. IGNATIUS'S CAVE - NIGHT

Conrad walks fast out of the cave. He seems worried.

CONRAD

I have to tell her about this.

He walks fast out of there.

CUT TO:

INT. UNDERWORLD - CORRIDOR - NIGHT

CLOSE UP: SOMEONE STABBING A FEMALE DEMON. DEMON BLOWS UP.

TAMORA

(to Chris)

Well done, cous. That Kieran Demon had it coming.

Chris holds the athame and smiles.

CHRIS

She was not my kind.

Tamora smiles.

TAMORA

Oh, this day has been amazing. We really should do this often.

CHRIS

Agree with you. But what about going home, now?

TAMORA

Yeah, I need my beauty sleep.

They smile. At that moment, Conrad runs into them. Conrad looks at them. Chris and Tamora stare at him. Tamora is about to wave her hand, but Chris stops her.

CHRIS

No!

TAMORA

He's a demon.

CHRIS

And the one we cannot vanquish.

Conrad and Chris stare at each other.

CHRIS (CONT'D)

Conrad Turner!

Tamora is surprised.

TAMORA

Oh, he is ---?

Chris nods.

CHRIS

(to Conrad)

I though Prue told you to stay away.

CONRAD

She did, but I'm honestly glad I ran into you. There's something big happening and you need to be prepared for it.

Chris and Tamora exchange glances.

CONRAD (CONT'D)

I think Darkness has arrived.

Both Chris and Conrad stare at each other seriously.

CUT TO:

INT. UNDERWORLD - IGNATIUS' CAVE - NIGHT

The man figure is still on his knees. Tyree and the Oracle step back. Ignatius looks serious at the man.

IGNATIUS

My Lord?

The camera only shows his back. The man stands slowly. He keeps his head down. The camera moves slowly from his back towards his face and in a flash towards his eyes. BLUE EYES with darkness inside.

Now we are ---

CUT TO BLACK.

END OF THE EPISODE