3x04 - Whatever You Do, Don't. Turn. Dark!

[Prue Brianna Johnna Halliwell]

DESTINED

"WHATEVER YOU DO, DON'T. TURN. DARK!"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET / BLIND ALLEY - NIGHT

Dark night.

A young blond woman (TANYA, 22) comes running fast. It seems like she's running from something. She's tired. She reaches a blind alley. Dead end. She looks around. No escape. The young woman is desperate. She turns around.

A man (ALEC, looks 30's), comes in the alley.

ALEC

There's no way out, Love.

TANYA

Alec, please.

The man is no other than a demon.

ALEC

Where is him, Love?

TANYA

You'll never find him.

ALEC

(mad)

Where is my son, Tanya?

TANYA

You lied to me.

She cries hard.

TANYA (CONT'D)

You never said you were a ---

She sobs. She's really nervous and desperate.

ALEC

A demon?

Alec laughs. He seems to be enjoying her pain.

TANYA

You'll never find my son.

ALEC

He is my son too. And he will be like his father.

TANYA

(dries her tears)

Never. You'll never find him.

Alec approaches her.

ALEC

I will, Love. With or without your help, I will.

They stare at each other.

ALEC (CONT'D)

And I guess it'll have to be without it.

Alec waves his hand and creates a THERMAL BALL. He waves the purple ball on his hands while Tanya looks at him.

ALEC (CONT'D)

Last chance, Love.

TANYA

(decided)

I prefer to die instead of telling you where my son is.

ALEC

May your wish come true.

Alec smiles wickedly. He waves the ball on his hand one last time and then throws it against Tanya. The woman is hit by the ball. She screams as she's hit by the ball. She's thrown against the back wall and falls down the ground, dead.

Alec approaches the woman's dead body and lowers to its level.

ALEC (CONT'D)

I will find my son and he will grow up to be just like me, Love.

Alec touches her face.

ALEC (CONT'D)

It would have been much easier if you had accepted it.

He stands and then he FADES off.

CUT TO:

EXT. HALLIWELL'S - ENTRANCE - NIGHT

The lights of the restaurant seem to be off. Melinda comes out and closes the door behind her. She stops as she hears a baby moan. She looks around, but sees nothing... until she looks at the floor and there it is.

BEAT.

CLOSE UP: A BABY (FEW WEEKS OLDER) INSIDE A BASKET. The baby is covered with a blue blanket.

MELINDA

(astonished)

What ---!

She approaches the basket. The baby is moaning, but not crying.

MELINDA (CONT'D)

Hey, baby. What are you doing here?

She grabs the baby and holds him.

MELINDA (CONT'D)

Hey, sweetie. Where's your mummy?

Melinda snuggles the baby.

MELINDA (CONT'D)

Where's mummy?!

She looks around. No one there to be seen. The baby starts crying. Melinda tries to calm him.

MELINDA (CONT'D)

It's OK. I'll take you home.

She takes the basket and walks towards her car which is parked in front of the restaurant.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Rose McGowan as Paige Matthews

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Guest Starring

Katie Cassidy as Melissa

Peter Facinelli as Sebastian

Tyler Blackburn as Ben Morrison

John Barrowman as Christopher

Tom Hobbs as Alec

Nicola Peltz as Tanya

Shay Mitchell as Olivia

Diedrich Bader as Detective Barton

Dianna Craig as Mandy

Sela Ward as Ashley Morrison

Joe Heayn as Butler

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Shoots all over the town at the sound of 'Rock Bottom' by Hailee Steinfeld ft. DNCE.
A new day has started and it seems like a shiny day.

CUT TO:

EXT. HALLIWELL / COOP MANOR - DAY

The newspaper's boy passes in front of the house and throws a newspaper to the front door.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

MUSIC FADES OFF.

Charlotte is standing next to the island and has a sip of her coffee as she glances at the newspaper.

Cassandra comes in and heads towards the fridge without even looking at Charlotte. Charlotte looks at her sister.

CHARLOTTE

Morning!

Cassandra doesn´t even look at Charlotte.

CASSANDRA

Morning!

CHARLOTTE

You're OK?

Cassandra grabs a yogurt from the fridge and closes the door.

CASSANDRA

Really?

Charlotte looks serious at her baby sister.

CASSANDRA (CONT'D)

You may want to ask if I feel better after you pulled a furniture, heavy furniture, against me.

Charlotte lowers her gaze. Then, she looks straight at her sister.

CHARLOTTE

I didn't mean it.

CASSANDRA

Sure. But you did.

(pauses)

But you know? My body healed fast. Luckily we have some healers in the family. Now, soul, well, the soul doesn't heal that easily.

CHARLOTTE

I'm sorry, Cass.

CASSANDRA

Yeah, well, I'm not the one you should apologize to.

Charlotte deviates her eyes from Cassandra.

CASSANDRA (CONT'D)

Now, if you'd excuse me, I have an appointment with my therapist before college.

Cassandra head towards the kitchen's exit, but stops.

CASSANDRA (CONT'D)

You know? You could use some therapy too. Let me know if you want me to book you an appointment.

Cassandra shoots her an unfriendly look. Then, leaves the kitchen. Charlotte takes a deep breath.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

The crying is loud. Melinda has her hands full. The baby is crying. Melinda tries to calm the baby.

MELINDA

Calm down, baby. Sweet baby.

She is not being successful at her task.

MELINDA (CONT'D)

(desperate)

Oh, God, please help me. Please, please.

She shakes the baby.

MELINDA (CONT'D)

What do I do?! What do I do?!

At that moment, Bianca comes in from the kitchen's back door. She stops astonished as she sees Melinda holding the baby.

BIANCA

(surprised)

Eh, Mel, what is going on?

Melinda turns to see Bianca.

MELINDA

Oh, Bianca, hey. What are you doing here?

BIANCA

I came for some things Chris needs. Who's that baby?

MELINDA

I don't know. But he doesn't stop crying.

Bianca approaches her.

BIANCA

Let me try.

Bianca takes the baby from Melinda. She shakes the baby softly.

BIANCA (CONT'D)

Where's everybody?

Melinda looks at Bianca as Bianca tries to calm the baby.

MELINDA

They left for work.

BIANCA

(surprised)

They left you here with a baby? Alone?

Melinda shoots her a look.

MELINDA

(serious)

They don't know. The baby slept through the night.

BIANCA

Who's this baby, anyway?

The baby is getting calmer. Melinda is astonished.

MELINDA

I told you, I don't know. I found him last night when I left the restaurant.

(astonished)

How do you do it?

BIANCA

(not understanding)

Do what?

Melinda points to the baby who's stopped crying.

MELINDA

That!

Bianca looks at the baby.

BIANCA

No idea. Did you feed him?

MELINDA

I tried. I found an old bottle.

BIANCA

Have you changed him?

MELINDA

Change what?

BIANCA

The ---

Bianca points to the diaper. Melinda realizes she hasn´t.

MELINDA

I never did that.

BIANCA

Neither did I.

MELINDA

What do we do?

Bianca is surprised.

BIANCA

We? Sorry, but you found him.

MELINDA

Oh, c'mon, Bianca. I'm your sister-in-law now. You have to help me.

They both stare at each other for moments. Bianca looks at the baby who seems to show a small smile.

BIANCA

Fine. I think we should try to change him first and then, we should go to the cops so they can find his parents.

Melinda nods.

MELINDA

Good idea.

Melinda smiles.

MELINDA (CONT'D)

(exclaims)

Thank you, Lord!

Bianca puts the baby over the table as Melinda looks at her and smiles.

CUT TO:

EXT. SAN QUENTIN STATE PRISON - DAY

STOCK.

CUT TO:

INT. SAN QUENTIN STATE PRISON - VISITING ROOM - DAY

Junior is there standing. A guard stands by the door. The door opens and another guard from the other side signs someone to come in. A beautiful brunette woman (OLIVIA CLARK, 24) comes in holding a briefcase. She sees Junior and approaches him. The guard closes the door.

OLIVIA

Inspector Mitchell, we finally meet.

JUNIOR

Aren't you too young for a lawyer?

Olivia smiles. Both shake hands.

OLIVIA

Thank you. Your father hired me not because of my age, but my curriculum.

JUNIOR

Which is not too long, may I assume?

OLIVIA

(smiles)

I can assure you, I was first in my class.

JUNIOR

(serious)

Good. And he's not my father, by the way.

Olivia stares at him.

JUNIOR (CONT'D)

I mean, biologically he is, but ---

OLIVIA

Yes, I know the story.

The door opens again. This time Christopher Mercer, Junior's biological father comes in.

CHRISTOPHER

(smiling)

Son! Dr. Clark!

He approaches them. Christopher and Olivia shake hands.

CHRISTOPHER (CONT'D)

(to Olivia)

I hope you bring me some good news.

Olivia smiles. Christopher signs them to sit at the table. They do. Olivia and Junior sit one beside the other. Olivia puts the briefcase on the table. Christopher sits across the table.

CHRISTOPHER (CONT'D)

So, Dr. Clark, what's the news?

OLIVIA

I think we are very close to getting you out, Mr. Mercer.

Christopher smiles. He looks at Junior who seems serious.

CHRISTOPHER

What's the next step then?

OLIVIA

Well, we need someone to be responsible for you.

Olivia looks at Junior.

OLIVIA (CONT'D)

That's why I called Mr. Mitchell here.

JUNIOR

(surprised)

Me?

Olivia nods.

OLIVIA

Your father, Captain Henry Mitchell, have accepted to be his parole officer.

JUNIOR

My father is the Captain. How did he ---?

OLIVIA

Ask him. He offered himself.

Junior seems weird. Like if he doesn't like what he's heard.

OLIVIA (CONT'D)

(to Christopher)

But we still need someone to be responsible for you outside of here.

JUNIOR

And you thought I would do it.

OLIVIA

You're his son. Who's better for it?

JUNIOR

I can't have him in my house.

Junior stands. He seems annoyed.

OLIVIA

There's no need for that. You'll just have to respond for him in court. 

CHRISTOPHER

Yes, son. I still have a place to live.

Junior looks at them.

CHRISTOPHER (CONT'D)

The only thing left from my heritage.

JUNIOR

I thought you had lost everything when your criminal father and you were arrested.

CHRISTOPHER

I did.

OLIVIA

That apartment was the only thing left.

Junior thinks for a while. Olivia and Christopher exchange glances.

JUNIOR

(takes a deep breath)

OK. Fine. I'll do it.

Christopher and Olivia smile. Junior looks at them. He is serious.

JUNIOR (CONT'D)

Let's hope I won't regret it.

Junior looks serious at Christopher who gives him a thankful look.

CUT TO:

EXT. P3 - DAY

STOCK.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Prue is at her computer sitting outside the counter.

CLOSE UP: COMPUTER'S SCREEN. Blood green numbers.

Prue smiles.

CHRIS (O.S.)

Are Finances doing OK?

Prue splits on the barstool. She smiles as she sees Chris standing in front of her.

PRUE

(smiles)

Chris!

She stands and approaches Chris. Both hug.

PRUE (CONT'D)

What are you doing here?

Both separate.

CHRIS

I came to see you. We haven't talked after I came back from my honeymoon.

PRUE

Well, you have a wife to take care of now, so ---

CHRIS

It doesn't mean we can't talk.

Both look serious at each other.

PRUE

What is it that you want to talk about?

CHRIS

(shrugs)

I don't know. Everything. Nothing special.

Prue shoots him a look.

PRUE

I'm OK, Chris. If it's that what you want to know.

CHRIS

Thank you, for letting me know.

He approaches her.

CHRIS (CONT'D)

The fact that I'm married now doesn't mean we can be the way we were. 

(assures her)

Best friends.

Prue smiles at him.

PRUE

I know. It just that life is different now. We are not the same kids we used to be.

CHRIS

You right, we grew up. We are adults now.

(assuring)

But we remind the same inside.

Prue lowers her gaze.

CHRIS (CONT'D)

Hey, I had an idea. Why don't we spend the day together?

Prue stares at him.

CHRIS (CONT'D)

Go lunch. Talk.

Prue smiles.

PRUE

What about Bianca? Doesn't she need you?

CHRIS

She's kinda busy with something.

Prue thinks for a while.

PRUE

Then, fine. Let's go spend the day together.

CHRIS

(smiles)

Just like old time.

PRUE

(smiles)

Just like old times.

Chris approaches her and hugs her. She is caught by surprise.

CHRIS

I love you, Cous.

PRUE

(smiles)

I love you too, big Cous.

Chris smiles.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. HALLIWELL'S - DAY

People are going into the restaurant. Someone approaches the entrance. It's Alec. He looks around. He takes a deep breath as he closes his eyes. It's like he is sensing someone's odor. Then, he opens his eyes.

ALEC

(to himself)

He was here. I can feel it. I need to find my son.

He looks around then walks away.

CUT TO:

INT. ASHLEY MORRISON'S OFFICE - OFFICE - DAY

CLOSE UP: SOMEONE HOLDING A PEN AND TAKING NOTES IN A NOTEBOOK.

Cassandra is sitting across the room. Dr. Ashley Morrison is sitting in front of her.

CASSANDRA

I don't feel like I want to talk about J.D. today.

ASHLEY

So what do you want to talk about?

Cassandra thinks for a moment.

CASSANDRA

My sisters.

Ashley looks at her.

ASHLEY

How is your relationship with them?

CASSANDRA

I told you before. I had a good relationship with them.

(pauses)

Not always. But we did.

ASHLEY

You said that you admired your big sister.

CASSANDRA

(smiles)

Yeah, I used to think that I wanted to be like her.

ASHLEY

You don't anymore?

CASSANDRA

Oh, I love Prue and she's great, but I've learned how to accept me. I realized I can't be her because I am me.

ASHLEY

That's a good thing, Cassandra.

Cassandra forces a smile.

ASHLEY (CONT'D)

What about your other sister?

CASSANDRA

(serious)

Charlotte.

(takes a deep breath)

She used to be the heart of the family. The middle sister that was always trying to make me and Prue make peace. I also admired her for that.

Cassandra lowers her gaze.

CASSANDRA (CONT'D)

But now I'm disappointed. She showed me a side I never thought she had. 

ASHLEY

What side is that?

Cassandra looks serious at the doctor.

CASSANDRA

She held a lot inside. A lot of things that I never thought she would feel.

ASHLEY

And you are disappointed because she left that side came out?

CASSANDRA

(sure)

No, I'm actually glad she did. What I'm disappointed for is that she seems not to regret it.

ASHLEY

Don't you think she has the right to feel that way?

CASSANDRA

I don't know if she has the right or not. But she could have talked to us, instead of ---

Cassandra cuts herself off.

ASHLEY

Instead of what, Cassandra?

CASSANDRA

Instead of accumulating inside and put it out the worst way possible.

Cassandra and Ashley look at each other.

CUT TO:

EXT. ASHLEY MORRISON'S OFFICE - DAY (MOMENTS LATER)

Cassandra comes out of the office and runs into Ben.

CASSANDRA

Oh, sorry.

She realizes it's Ben.

CASSANDRA (CONT'D)

Oh, Hi!

BEN

Cassandra! Nice to meet you here.

CASSANDRA

(smiles)

You knew I'd be here. I told you.

BEN

(caught; smiles)

Yeah, I know. I was hoping that if we ran into each other you wouldn't have a chance to turn down my invitation.

CASSANDRA

What invitation?

BEN

The one I did a few days ago and you said you would think about and every time I try to take you out you turn me down.

Cassandra smiles ashamed.

CASSANDRA

I'm sorry, Ben. I don't think that it would be a good idea once you are my therapist's son.

BEN

Oh, I knew mom would create problems.

Ben tries to be fun. Cassandra smiles.

BEN (CONT'D)

Look, why don't we forget that part of my existence.

CASSANDRA

You don't like your mother?

BEN

I do love her, but I can forget her if that makes you come out with me.

They look at each other for moments. Cassandra takes a deep breath.

CASSANDRA

No need to forget about her.

(pauses)

We can have lunch together.

Ben smiles.

CUT TO:

EXT. SAN FRANCISCO P.D. - DAY

Some police cars are parked outside.

CUT TO:

INT. SAN FRANCISCO P.D. - MAIN ROOM - DAY

Junior and Henry are just there standing and looking at something or someone. BEAT. They are actually looking at Melinda and Bianca standing in front of them. Bianca is holding the baby.

HENRY

Do you want to explain again how did you end up with that baby?

Melinda rolls her eyes.

MELINDA

Uncle Henry, I already did.

HENRY

Yeah, but how did that baby end up at the restaurant's door.

MELINDA

I wish I knew. I just found him there.

JUNIOR

I'm gonna check if there's a report of a missing baby.

Junior approaches his computer.

BIANCA

What do we do meanwhile?

Henry and Junior exchange glances.

HENRY

You will take care of him.

MELINDA

We what?

HENRY

Well, we can't take care of the baby.

MELINDA

You're cops.

HENRY

(serious)

He can't stay here. If you don't take care of him, I'll have to call social services and they will take the baby to an institution until a member of his family is found.

Melinda and Bianca exchange glances.

BIANCA

An institution? Is that really necessary?

Melinda sighs.

MELINDA

(mad)

Fine. We take care of him.

BIANCA

We do?

MELINDA

Yes, Bianca. But you carry him because he seems to like you.

BIANCA

You found him!

MELINDA

You accepted to help me.

Bianca looks at Henry and Junior. Both man shrug.

BIANCA

Oh, fine!

MELINDA

Good. Now, we need to go shopping. If we are hosting a baby at home, we're going to need a few things.

Melinda leaves the room. Bianca looks at Henry and Junior. Both men look at her serious. She takes a deep breath and leaves.

HENRY

(remembering)

I did that to your mother once. We had just met and I made her take care of Ramon.

Junior smiles. Henry smiles too.

CUT TO:

INT. KULETO'S RESTAURANT - ESPLANADE - DAY

Prue and Chris are at a table having lunch and talking. They seem to be enjoying it.

PRUE

--- Well, then Haley looked at the man not understanding what he was saying.

Chris laughs.

CHRIS

But you did?

PRUE

Yeah. He was speaking Spanish and was asking for a drink. The thing was that he was translating the name literally. 

CHRIS

So she thought he was saying that she should go to bed with him?

Prue nods yes. Chris laughs harder.

PRUE

She threw the liquid inside her glass on him.

Chris laughs even harder. Prue laughs too.

CHRIS

I can only imagine her face.

PRUE

It was a funny situation.

Prue has a sip of her orange juice.

CHRIS

I missed this.

They both get serious out of a sudden.

PRUE

Who was it?

Chris looks serious at her.

PRUE (CONT'D)

Who asked you to talk to me?

Chris lowers his gaze proving Prue was right in asking that.

CHRIS

Mel.

PRUE

I can't believe it. I asked her ---

CHRIS

(cuts her off)

She didn't. I asked her how things were and she couldn't hide she was worried about you, but she didn't tell me exactly why.

(pauses)

I hope you do.

Chris looks at her.

CHRIS (CONT'D)

You can trust me, you know that.

PRUE

I'm OK, Chris.

(stands)

I should get back to work.

Chris stands.

CHRIS

Wait.

They look at each other.

CHRIS (CONT'D)

Let's do what we used to do back when we were kids.

(smiles)

Let's go hunt.

PRUE

We are not those teenagers that used to sneak down to the Underworld without Wyatt knowing.

CHRIS

I know. But we had so much fun in that. I say we get back to be those teenagers just for today.

They stare at each other.

CHRIS (CONT'D)

What do you say, Prue?

Prue smiles excitedly.

CUT TO:

EXT. BAY MIRROR - DAY

People heading in and out the building.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

Wyatt is on the phone. He stands out of a sudden.

WYATT

(on the phone)

What?!

Melissa is sitting across the desk.

WYATT (CONT'D)

(on the phone)

Are you kidding me right, Chris?

(pauses)

You don't --- Chris? Chris?!

Wyatt hangs off the phone. He sits.

MELISSA

Troubles in the magical world?

WYATT

Not exactly.

Melissa stares at Wyatt waiting for him to tell her more. Chris notices it.

WYATT (CONT'D)

Chris has taken Prue to the Underworld.

MELISSA

When you say the Underworld, you ---

Wyatt shoots her a look.

MELISSA (CONT'D)

(realizes)

You really mean the Underworld.

(pauses)

Why is he taking her there?

WYATT

To relive old times.

Melissa smiles making fun of him.

WYATT (CONT'D)

(astonished)

What?

MELISSA

You are not jealous of your brother, are you?

WYATT

(disgusting)

No! I'm just --- They used to do that when one of them needed to talk.

(pauses)

I wonder, which one of them needs to talk now.

MELISSA

Don't think about it, Wy!

WYATT

You're right. It's probably nothing.

Wyatt stares at her. She notices his eyes on her.

MELISSA

OK. You didn't call me here to talk about work. Am I right?

Wyatt nods. Melissa takes a deep breath.

MELISSA (CONT'D)

I was ten.

Wyatt listens to her carefully.

MELISSA (CONT'D)

It happened so fast. Someone broke in. Dad asked me to hide in the closet. As I got into the closet, he came in.

WYATT

The person who murder your father?

Melissa nods.

MELISSA

Demon.

WYATT

Sure.

Wyatt seems to doubt it.

WYATT (CONT'D)

How did he kill him?

That question has an effect on Melissa. It hurts. A tear runs down her face.

WYATT (CONT'D)

You don't have to tell me if you don't want to.

MELISSA

It's OK.

Melissa dries her tear.

MELISSA (CONT'D)

He hit my father with a ball of fire.

That calls Wyatt attention.

WYATT

A ball of fire?

Melissa nods.

MELISSA

He held it in his hand and threw it at him.

Wyatt stands. He walks across his desk and stands in front of Melissa.

WYATT

Melissa, you need to tell me everything. Don't spare the tiny details.

Melissa nods.

WYATT (CONT'D)

I need to know everything you remember of that night.

Melissa nods. They look at each other.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Melinda comes in carrying a couple of bags.

MELINDA

(complaining)

You could help me, you know?

Bianca comes in pushing a baby stroller.

BIANCA

You were the one who said I should take care of the baby, remember?

MELINDA

You're pushing a stroller. A bag wouldn't hurt you.

Bianca smiles while Melinda puts the bags on the table.

MELINDA (CONT'D)

I'll get the rest.

BIANCA

OK.

Melinda leaves the room. The baby is awakened and seems to be in a good mood. Bianca takes the baby from the stroller.

BIANCA (CONT'D)

Hi, sweet. Don't mind auntie Mel. She's grumpy.

The baby smiles. At that moment, Alec FADES in. Bianca sees him.

BIANCA (CONT'D)

(surprised)

Who are you?

ALEC

Give me my son.

BIANCA

(surprised)

Your son? You're a demon!

ALEC

You got that right!

Alec starts approaching Bianca. Bianca steps back.

BIANCA

Don't get closer.

ALEC

He is my son.

BIANCA

Don't care.

Melinda comes in carrying more bags.

MELINDA

Bianca, who are you talking to?

She stops as she sees Alec.

MELINDA (CONT'D)

Who're you?

ALEC

I'm asking nicely, witches.

Melinda and Bianca exchange glances. Alec creates a THERMAL BALL.

ALEC (CONT'D)

(to Bianca)

Give me my son.

Bianca nods no. Alec throws the ball towards Melinda. The girl gets down as the ball hits the grandfather clock. Melinda gets up as Alec tries to get closer to Bianca. Melinda waves her hands and FREEZES him. The demon starts moving in slow motion.

BIANCA

It doesn't work on him.

Alec starts moving normally again. He looks at them.

ALEC

I'll be back.

Alec FADES out.

MELINDA

Who the hell was that?

BIANCA

The baby's father.

MELINDA

(astonished)

A demon? We have a baby demon at home?!

Bianca shrugs. Melinda is really astonished. The baby smiles.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (MOMENTS LATER)

CLOSE UP: BABY SMILING ON THE STROLLER.

The baby stroller is next to the table where Bianca is scrying. She holds the blanket that was covering the baby when Melinda found him. Bianca glances at the baby and smiles. He seems to like Bianca.

Melinda comes in. She hangs off the phone.

MELINDA

They know nothing.

BIANCA

They may not. It's a demon after all.

MELINDA

(annoyed)

Don't remind me of that.

Melinda looks at Bianca.

MELINDA (CONT'D)

Have you found anything?

Bianca nods no. Then, the crystal stops.

BIANCA

Got it!

MELINDA

Got what?

BIANCA

I don't know. Maybe the mother.

MELINDA

Or the father.

BIANCA

We should check it out.

MELINDA

Take the baby.

BIANCA

You drive!

Both exchange glances. Melinda leaves the room. Bianca pushes the baby stroller and leaves the room too.

CUT TO:

INT. SOMEWHERE IN THE UNDERWORLD - DAY

CLOSE UP: A FIREBALL ORBS BACK HITTING A DEMON.

Demon #1 blows up. Chris stands in front of him with his hand raised.

CHRIS

Wasn't it fun?

Prue stands behind him.

PRUE

You have a weird definition of fun.

Chris looks at her.

CHRIS

C'mon, Prue. Try it yourself.

PRUE

Chris ---

CHRIS

C'mon. Next demon is yours.

The sooner he had spoken the faster a demon shows up.

DEMON #2

Witches!

Chris and Prue look at him.

CHRIS

(to Prue)

It's yours.

The demon is about to run out, but Prue WAVES her hand and throws him against a wall. Prue approaches him. The demon starts getting up. Out of a sudden, the demon holds his chest. Prue is standing in front of him with her fist closed. She's CRUSHING his heart. The demon is in pain. Prue tries to hold her fist closed, but gives up. She seems scared. But then, the demon holds himself to his chest again. Prue is doing nothing. Prue looks at him astonished. Soon, the demon dies. Prue turns around and looks at Chris who has his fist raised. He CRUSHED the demon's heart.

PRUE

(surprised)

You did that?

CHRIS

And it was not the first time.

PRUE

How did you ---?

CHRIS

Wyatt told me he saw you crushing Darla's heart.

PRUE

Did he tell you about the evil look I had on my face?

Chris nods.

CHRIS

You are not evil, Prue.

PRUE

I enjoyed it. And it was not the first time.

CHRIS

Prue ---

PRUE

(cuts him off)

And you know what's worst?

Chris stares at her.

PRUE (CONT'D)

It's that I wanted to do it the other day.

(pauses)

To Charlotte.

Chris is serious. Tears start rolling down Prue's face.

PRUE (CONT'D)

Yeah, when she attacked me, that thought crossed my mind.

Prue deviates her eyes from Chris.

PRUE (CONT'D)

I wanted it. I wanted to make her stop.

(closes her eyes)

She was hurting me and I wanted to do it.

(opens her eyes)

I had to use all my strength to shake that thought out of my mind.

Chris is serious with the revelation, but seems to understand.

CHRIS

It doesn't make you evil.

Prue turns to Chris. Her eyes are all wet.

PRUE

It makes me what, then? Huh?

Chris looks at her.

PRUE (CONT'D)

I wanted to hurt my own sister.

CHRIS

She hurt you first.

PRUE

She was possessed by evil.

CHRIS

(aloud)

Yeah, Prue, but it doesn't make you evil.

Chris approaches her.

CHRIS (CONT'D)

It makes you human.

Chris holds her arms.

CHRIS (CONT'D)

The power to control yourself is what makes you being you.

They look each other deeply in the eyes.

PRUE

Even when my own family is afraid of me?

CHRIS

We are not afraid of you, Prue.

(assures her)

We know you and we know that you are made to be good.

PRUE

With a certain attraction to the evil side.

CHRIS

We all have it inside.

PRUE

But not all of us give up so easily to it.

CHRIS

The important thing is that we always come back.

Chris dries her tears.

CHRIS (CONT'D)

Now, don't be afraid of your real power. Make them fear you.

Chris points to a side where Demon #3 comes from. He stops as he sees them. Prue looks at him. She WAVES her hand and blows him up. The demon screams as the fire consumes him. She looks at Chris.

CHRIS (CONT'D)

That's the Prue I know.

She smiles.

PRUE

Thank you.

He hugs her.

CHRIS

Wyatt is gonna kill me because I brought you here.

Prue smiles bigger. Chris smiles too.

CUT TO:

INT. HOUSE - LIVING ROOM - DAY

A brunette young woman (MANDY, 22) is holding the baby. Melinda and Bianca stand in front of her.

MANDY

Tanya left a couple of days ago. 

(pauses)

I tried to reach her, but her phone is down.

MELINDA

I found the baby outside my restaurant.

MANDY

(astonished)

A restaurant? Why would she leave him at a restaurant?

BIANCA

We don't know.

MELINDA

Do you know who his father is?

Mandy shakes her head.

MANDY

A very bad person. She used to call him 'demon'. A little hard if you'd ask me, but he was not good.

BIANCA

What about Tanya? Does she have any relatives?

MANDY

No. They died when she was young. Tanya was ---

Mandy cuts herself off.

MELINDA

Was what?

MANDY

I don't think you would believe me.

MELINDA

Try us.

Mandy thinks for seconds.

MANDY

I didn't believe her, but she told me she was a witch.

Melinda and Bianca exchange glances.

MELINDA

(to Bianca)

We need to go.

Melinda approaches Mandy and takes the baby.

MANDY

Are you taking him?

MELINDA

We need to find her mother. The case is on the police.

MANDY

I could take care of him. Until she's found.

BIANCA

The father is violent, Mandy. We know how to protect the child.

Mandy shrugs.

MANDY

Find my friend, please.

Melinda and Bianca nod.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. WITHMORE MANSION - DAY

STOCK.

CUT TO:

INT. WHITMORE MANSION - OFFICE - DAY

Sebastian comes into his office. A man (DETECTIVE BARTON, 40's) comes following him.

SEBASTIAN

Thanks for coming.

BARTON

My pleasure, Mr. Whitmore.

Sebastian signs him to sit. He does. Sebastian sits as well on his side of the desk.

BARTON (CONT'D)

Tell me, Mr. Whitmore, what am I good for?

SEBASTIAN

I need to find someone. A woman to be more specific.

BARTON

A relative?

SEBASTIAN

Not exactly. She was the daughter of my father's best friend. When my father died he asked me to find her and take care of her.

BARTON

Do you have a name?

SEBASTIAN

My father didn't remember the girl's name. She was very young last time he saw her. She was raised by her father's sister and was taken outside of town.

BARTON

But you have her father's name, don't you?

SEBASTIAN

I do. Elliot Cooper.

BARTON

How did he die?

Sebastian smiles sarcastic.

SEBASTIAN

He didn't die. He was murdered.

(pauses)

And he was murdered here in San Francisco.

The detective takes notes.

BARTON

I guess I have enough to start with, Mr. Whitmore.

SEBASTIAN

Do you think you can find the woman?

BARTON

(nods yes)

If she's alive, I will.

Sebastian smiles.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL - DAY

Chris ORBS in bringing Prue. Both look at each other.

PRUE

(smiles)

Thank you, cous.

CHRIS

(smiles too)

Anytime. We should do this more often.

PRUE

(smiling)

We should indeed.

Chris takes a deep breath.

CHRIS

Well, I think I should go and face the beast.

PRUE

You know how to deal with him.

CHRIS

(smiles)

Thank you.

Both hug. Then, Chris ORBS out. Prue sighs. A baby crying is heard. Prue looks around trying to find where the crying comes from. It comes from the attic.

PRUE

(confused)

What the ---?!

She runs upstairs.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

CLOSE UP: THE BABY CRYING.

Bianca tries to control de baby unsuccessfully. Melinda looks at her while trying to prepare a potion.

MELINDA

What's wrong with him?

BIANCA

(shaking the baby)

I don't know. Maybe he is missing his mommy.

At that moment, Prue comes in and stops as she sees them. She is speechless as she sees Bianca holding the baby.

PRUE

What the --- hum ---

Melinda and Bianca look at Prue.

PRUE (CONT'D)

--- What is a baby doing here?

MELINDA

(sarcastic)

Oh, well, you know. I didn't want to wait for you or Bianca bring a baby to this family so I got one of my own.

Both Prue and Bianca stare seriously at Melinda.

MELINDA (CONT'D)

Guys, I'm kidding.

The baby keeps crying while Bianca keeps shaking him.

PRUE

Who is him?

The girls speak louder than normal.

MELINDA

I found him outside the restaurant. His father is a demon.

PRUE

So, that explains the crystals.

CLOSE UP: A CRYSTAL IN THE WINDOW. So the attic is protected.

PRUE

Who's the mother?

BIANCA

We don't know exactly. It may be a witch.

PRUE

And where is she?

MELINDA

We don't know either.

Melinda keeps working on the potion while Bianca keeps trying to calm the baby. Prue looks at her. Out of a sudden, Melinda has an idea.

MELINDA (CONT'D)

(to Prue)

You can find out.

PRUE

Me?

Melinda nods. Both stare at each other. And Prue realizes that Melinda wants her to have a vision.

PRUE (CONT'D)

I have better things to do.

MELINDA

C'mon, Prue.

BIANCA

C'mon, Prue.

Prue looks from Melinda to Bianca. Bianca shoots Prue a 'please' look. Prue rolls her eyes.

PRUE

Fine.

(approaches Bianca)

Let me hold him.

Melinda and Bianca exchange glances. Melinda nods. Bianca hands the baby to Prue. Prue seems to be careful with him. She looks at the baby face and smiles.

PRUE (CONT'D)

Hi, little one.

Melinda and Bianca exchange glances and smile. The baby starts to calm down. That's when Prue receives a PREMONITION entering her mind. She closes her eyes. Melinda and Bianca exchange glances.

Prue comes back from her premonition. She seems shaken. Prue looks at the baby. She seems sad.

MELINDA

What did you see?

Prue looks at them.

PRUE

She's dead.

Melinda and Bianca exchange glances.

PRUE (CONT'D)

She died trying to protect him from his father.

BIANCA

The demon.

Prue looks at the baby who is not crying anymore.

PRUE

He wants to raise the baby himself so he grows up to be evil.

MELINDA

Was she a witch?

PRUE

(looks at Melinda)

An ordinary one. No active powers.

BIANCA

Well, he's not going to stop until he finds the baby.

Bianca approaches the cauldron and starts adding ingredients to the potion. Melinda looks at her. It seems like she's having doubts.

MELINDA

What if the baby is evil?

Bianca and Prue look at her.

MELINDA (CONT'D)

What if we are supposed to vanquish him?

Melinda looks at them.

PRUE

It surprises me that you think that.

Prue approaches her.

PRUE (CONT'D)

This baby can grow up to be good.

(pauses)

He deserves a chance just like our mothers gave Damon.

MELINDA

It's different. Damon was raised by his father. This baby has no one.

PRUE

He will. We will find him a family. We won't let him become evil.

They both look at each other.

PRUE (CONT'D)

He deserves a better chance. Let's give it to him.

Melinda looks at the baby for seconds. Then, she looks at Prue.

MELINDA

Let's go vanquish a demon.

Prue smiles.

BIANCA

Good. Let me get back to my potion.

PRUE

We don't need that.

Bianca and Melinda look at her.

PRUE (CONT'D)

We've got me.

Melinda and Bianca smile.

MELINDA

(to Prue)

You and Chris should hang out more often.

Prue smiles. Bianca approaches one of the windows and takes off the crystal. Then she looks at them.

BIANCA

Showtime!

They look at one another.

CUT TO:

EXT. BAY MIRROR - DAY

STOCK.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - REDACTION ROOM - DAY

Chris comes in. He heads towards Wyatt's office.

CUT TO:

INT. BAY MIRROR - MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

Wyatt is dialing a number on his phone. Chris comes in. Wyatt looks at him.

WYATT

Well, finally!

Wyatt shoots down the phone. Chris closes the door behind him.

CHRIS

FYI she's OK.

WYATT

I didn't say anything.

CHRIS

You would.

WYATT

Fine. Why did you take her there?

CHRIS

Bro, it's a thing we do.

WYATT

You know I don't like her going there.

CHRIS

You know you can't control her.

They both stare at each other.

WYATT

How is she?

CHRIS

I told you, she's OK.

WYATT

I'm not stupid, Chris. If you don't want to tell me what did you both talked about, fine. But at least, is she OK?

Chris looks serious at Wyatt.

CHRIS

She is a little bit shaken by what happened with Charlotte, but you know her. She's strong. She'll be fine.

Wyatt nods. He takes a deep breath.

CHRIS (CONT'D)

Did you talk to Melissa?

WYATT

(nods)

Yeah, I did. She told me everything she could remember about her father's death.

CHRIS

Was it a demon?

WYATT

Maybe. She described was it seemed a demon attack. It was a fireball.

CHRIS

What else?

WYATT

She didn't say anything else. Talking about her father make her feel a little down. I sent her home.

Chris walks around, thinking.

CHRIS

Do you think she needs our help to find the demon?

WYATT

I don't know. Maybe.

They look at each other.

CHRIS

If what she wants is revenge ---

WYATT

We are gonna give it to her.

CHRIS

We are gonna do it for her, you mean.

Wyatt nods.

CHRIS (CONT'D)

Well, I'm game.

Both brothers look at each other.

WYATT

There's something else.

Wyatt heads to the desk and takes some papers.

WYATT (CONT'D)

Melissa has proved that the Mayor is putting money in his own pocket.

CHRIS

You mean citizens' money?

Wyatt nods.

WYATT

She wrote an article about it.

Wyatt hands the papers to Chris. Chris starts reading it. Chris reads for a moment and then looks at Wyatt.

CHRIS

Wyatt, this is serious. If it happens to be false, we are doomed. The Bay Mirror would be doomed.

WYATT

I know. But she has evidence.

CHRIS

It's not enough, Wyatt. We need the prove. The one that can put that man behind bars.

WYATT

I know. She knows.

CHRIS

Then, let's find that prove and do it.

Wyatt nods. Both stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - NIGHT

The sun has set, leaving place for the moon to shine.

Lights are on all over San Francisco.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

The attic light is the only one on. Someone looks serious at the house. That someone is Alec.

He has an evil look on his face.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Bianca is standing holding the baby who seems to be asleep. She and the baby are surrounded by crystals. Prue and Melinda are there.

MELINDA

(to Prue)

Do you think this is going to work?

PRUE

I hope. He wants the baby, he will come for him.

MELINDA

What if your powers are not enough to vanquish him?

PRUE

They are enough. Believe me.

(pauses)

Now, I'll be right outside the attic. When he comes in, I'll do it.

BIANCA

Let's hope that sensing is not one of his powers.

They all nod to one another. Then, Prue leaves the attic. Melinda looks at Bianca and both wait. Melinda looks around.

Nothing. Melinda and Bianca exchange glances. Then, Alec finally FADES in.

ALEC

Hello, witches.

Alec looks at the baby.

MELINDA

You're not taking him.

Alec realizes the crystal cage surrounding Bianca.

ALEC

Oh, I will. One way or another. But I will have my son back.

Alec starts walking towards Melinda. She doesn't move. Suddenly, Alec starts feeling a pain in the chest.

MELINDA

(to Alec)

You will not.

She smiles. Then, Melinda looks at someone behind Alec: Prue. Prue has her hand raised. Her fist is closed. She's CRUSHING Alec's heart. Alec turns around and looks at Prue. He is in pain. She's using all her strength. Then, out of a sudden, scare takes over her and she lets go of her fist. Alec starts recovering. Melinda and Bianca exchange glances. Prue looks at her hand scared.

Alec is recovered. He smiles. Prue looks at him. Not saying a single word, Alec WAVES his hand and throws Prue against some furniture behind her. The girl falls in the middle of the furniture.

Bianca and Melinda start getting worried. Alec turns to Melinda.

ALEC

(smiling)

Where were we?

Melinda has no time to react. Alec approaches her and grabs her neck.

BIANCA

(scared)

Mel!

She's about to approach her, but remembers she's surrounded by the crystal cage.

Alec tightens her neck. Melinda suffers.

Across the room, Prue tries to stand up. She sees Melinda almost passing out.

MELINDA

(voiceless)

Prue...!

Prue tries to stand.

ALEC

I will have my son.

That's when, again, Alec feels the pain in his chest. He lets go of Melinda. The girl falls down the floor. Alec turns to Prue, who is now in front of him. She seems decided to put an end to his life.

ALEC (CONT'D)

Witch!

She holds her fist strongly.

PRUE

(serious)

No one. Messes. With. My. Family!

Prue tightens her fist stronger. Alec screams one last time before dying. Prue opens her fist, mad, and Alec's body blows up.

She breathes relieved. Melinda looks straight at her big cousin.

MELINDA

Thanks!

Prue looks at her.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (MOMENTS LATER)

Melinda puts the last crystal into the box and closes it. Bianca is there holding the baby who is still asleep.

BIANCA

It's amazing how he keeps sleeping.

Prue is there looking at it.

PRUE

You're natural at it.

Bianca looks at Prue.

BIANCA

Look who's talking.

Both smile. Melinda approaches them.

MELINDA

No need to tell me that I'm not.

Prue and Bianca look at Melinda.

MELINDA (CONT'D)

Now question is, what are we gonna do with him?

At that moment, Pandora comes in.

PANDORA

I might have the answer to that question.

They turn to Pandora.

PANDORA (CONT'D)

Dad called me and explained what happened.

(approaches them)

I might have the right family to that baby.

BIANCA

Who?

PANDORA

It's a family of witches. They can't have babies. So ---

MELINDA

I think it's a good idea.

PRUE

That way we make sure he grows up with good people.

MELINDA

Surrounded by good.

They smile. Bianca hands the baby to Pandora. Melinda approaches Pandora and the baby.

MELINDA (CONT'D)

(to Pandora)

Bye, sweetie.

(to Pandora)

I didn't know you worked in social services in the magical world.

PANDORA

Oh, I'm multi-tasked.

The four of them smile.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

CLOSE UP: THE MOON.

CUT TO:

EXT. HALLIWELL'S - NIGHT

Cassandra and Ben come out. They are laughing.

CASSANDRA

It's been a while since the last time I had so much fun.

They stop and look at each other.

CASSANDRA (CONT'D)

Thank you.

BEN

Oh, don't thank me. I just like to see you smiling. You look beautiful.

CASSANDRA

(smiles shy)

Thank you anyway.

Both stare at each other.

BEN

Can I take you home?

Cassandra takes a deep breath.

CASSANDRA

No. If I let you take me home you would try to kiss me before I head in, and for the time being I prefer that we remind friends.

Ben nods yes.

BEN

You are not ready yet.

CASSANDRA

Yet.

She approaches him and kisses his cheek. Then looks at him.

CASSANDRA (CONT'D)

Yet.

Both smile. Then, Cassandra walks away while Ben looks at her and smiles.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - NIGHT

The restaurant is full. Junior and Paige are at a table having dinner.

PAIGE

I'm glad. No one deserves to grow up without parents.

JUNIOR

Pan said that those are good people.

PAIGE

They are indeed. I've met them before. I'm sure they'll make a good parents for the baby.

Junior has a sip of his glass of wine. Paige looks seriously at him.

PAIGE (CONT'D)

Honey, you didn't ask me to come here because you wanted to tell me about the baby Mel found outside the restaurant.

Junior looks at her.

PAIGE (CONT'D)

So, why?

JUNIOR

Mom ---

PAIGE

Is he, isn't it?

Junior takes a deep breath.

JUNIOR

Yes.

PAIGE

Your father told me he is applying for parole. 

JUNIOR

Yes, he is. Did dad tell you he'll be his parole officer?

Paige nods.

PAIGE

He asked for my opinion. I said yes.

Junior looks at her seriously.

JUNIOR

(surprised)

You did? Why?

PAIGE

Because I think it's better for us to have him close.

Junior deviates his look from his mother.

PAIGE (CONT'D)

Son ---

Junior looks at her.

PAIGE (CONT'D)

You don't want him out?

JUNIOR

It's just that ---

Words are hard to come out.

JUNIOR (CONT'D)

I don't want things to change.

PAIGE

They won't. We are your parents. Period.

JUNIOR

I know. But he wants me to be responsible for him outside.

Paige touches his son's hand.

PAIGE

Nothing is going to change.

(smiles)

You can have both.

Junior forces a smile. Paige smiles.

At that moment, Henry approaches them.

HENRY

Sorry, I had a thing to solve.

PAIGE

It's OK, honey. You just got here in time for desert.

Henry smiles.

TAMORA (O.S.)

Mom? Dad?

There's Tamora behind them. They look at her.

PAIGE

Honey, we didn't know you were here.

And Tamora is not alone, Sebastian Whitmore is with her. Paige and Junior stand.

TAMORA

I had a business dinner.

Henry, Paige and Junior look at Sebastian.

SEBASTIAN

Your daughter is taking care of my exhibition.

TAMORA

(smiles)

I am.

Tamora looks at Sebastian and then at her family.

TAMORA (CONT'D)

(to her family)

Sorry, this is Mr. Whitmore.

(to Sebastian)

My mom and dad and my younger brother.

Sebastian shakes hands with them.

SEBASTIAN

(smiling)

Nice to meet you.

HENRY

Nice to meet you too.

PAIGE

Do you want to join us?

Tamora is about to answer, but Sebastian answers first.

SEBASTIAN

We would love to.

Sebastian looks at Tamora and smiles. Henry signs them to sit. Paige approaches her daughter.

PAIGE

(whispering)

He's cute.

TAMORA

(roguish)

Mom!

Both smile. They sit at the table while an employee starts serving them.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - NIGHT

Lights are off. Prue comes in. She seems tired. She turns on the candle's light. She takes off her jacket. Stops as she realizes she's not alone.

Sitting on the sofa next to the window is Charlotte. She stands.

CHARLOTTE

Sorry, I came in without knocking.

PRUE

(sarcastic)

People seem to be getting used to it.

Prue puts her jacket on the bed. She is serious.

PRUE (CONT'D)

(serious)

What are you doing here, anyway?

Prue starts taking out her earrings.

CHARLOTTE

I came to talk.

Prue doesn't look at her.

PRUE

(sarcastic)

Is that right?

CHARLOTTE

I'm not gonna say I'm sorry for what I said.

Prue looks at her. Both are serious.

CHARLOTTE (CONT'D)

I'm not. I felt every single word that came out of my mouth.

Both stare at each other.

CHARLOTTE (CONT'D)

But I'm sorry the way it came out.

Prue gives her back on her sister.

CHARLOTTE (CONT'D)

I know I was caught by evil, but I'm sorry for hurting you.

PRUE

I told you once that you could talk to me.

(turns to face her)

I'm your sister and I love you. I wouldn't ---

(pauses)

I would never do anything to hurt you. Not consciously anyway.

CHARLOTTE

I know.

PRUE

No, you don't. You thought that I and --- You thought I was betraying you.

Charlotte lowers her gaze.

PRUE (CONT'D)

About the rest, well, it's not my fault. I didn't ask for being who I am. You just have to live with it.

Charlotte looks straight to Prue.

CHARLOTTE

I know things won't get back to be what they were.

PRUE

No, they won't. Not that soon.

Charlotte deviates her eyes from Prue's.

PRUE (CONT'D)

But we'll work on that.

Charlotte looks at Prue. She nods yes and forces a tiny smile.

CHARLOTTE

I'm going know.

Prue nods. Charlotte heads towards the door and opens it.

CHARLOTTE (CONT'D)

Thank you, Prue.

Prue doesn't turn to face her. Charlotte leaves the bedroom closing the door. Prue takes a deep breath. Wyatt comes in.

WYATT

Prue?

Prue turns to face him.

PRUE

Hey!

WYATT

Are you OK? I saw Charlotte heading out.

PRUE

I am. She came to apologize. Well, kinda.

Wyatt closes the door.

WYATT

I'm glad.

Wyatt approaches Prue and kisses her passionately.

PRUE

What was that for? I thought you were mad at me.

WYATT

Well, technically, I'm mad at Chris.

PRUE

We were just bonding. Actually, it reminded me of when we were teenagers and you used to take me down there.

WYATT

I think you are confused, because from what I remember you used to grab my arm when I was orbing out.

Prue smiles.

PRUE

We had fun back then.

WYATT

We can still have fun now.

Both kiss.

PRUE

Hey, I was thinking. How do you feel about --- you know --- babies?

Wyatt shoots her a look.

WYATT

Ba --- babies?

Prue nods.

WYATT (CONT'D)

I don't know. How do you feel about that? Do you wanna --- ?

PRUE

(muddled)

Oh, no. Not now. I mean, I know that in the future there're three girls.

WYATT

Three?

Prue nods.

WYATT (CONT'D)

We saw four.

PRUE

Yeah, I know, but ---

They stare at each other.

PRUE (CONT'D)

Maybe we can start training.

Prue looks at him with a sweet look. Wyatt smiles.

PRUE (CONT'D)

Maybe in the future we can think of putting it into practice.

Wyatt kisses her.

WYATT

Let's train, then.

Prue smiles big. They kiss again passionately while we ---

CUT TO BLACK.

END OF THE EPISODE