4x20 - Long Live the Source and His Evil Queen

[Prue Brianna Johnna Halliwell]

DESTINED

'LONG LIVE THE SOURCE AND HIS EVIL QUEEN'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

MUSIC: ‘LET IT BURN’ by Red.

A new day has come to San Francisco. A whole new and dark day.

Despite the sun shining brightly, there’s a dark atmosphere surrounding the town as it might be surrounding the rest of the World.

The town is a living chaos as people fight their neighbors, others breaking into others’ property.

Cops are in the streets trying to put order into the whole chaos, but even for them is complicated.

ON A COP - He stands serious as he witnesses a teenager boy hurting an old man. One might think the officer will do something to stop it, but he actually stands, just there, watching the whole scene. One might actually think he is enjoying the violence.

ON A CAR - It’s driven fast as a police car follows.

CUT TO:

EXT. SAN FRANCISCO - INT. POLICE CAR - DAY

MUSIC KEEPS PLAYING.

Junior is driving the car as his father is in the co-pilot’s place on the intercom. Junior and Henry exchange glances. Worried glances.

Henry signs him to drive faster. Junior nods.

CUT TO:

EXT. PRESCOTT MANOR - DAY

MUSIC KEEPS PLAYING.

As the chaos continues outside, a few men wearing black suits secure the manor. Prescott Manor is wrapped in a different aura as well. A darker aura.

CUT TO:

INT. PRESCOTT MANOR - MAIN ROOM - DAY

ON PRUE - She glances through the window at the chaos outside.

She is wearing a black night dress. She seems lost in her thoughts and only comes back as she feels the masculine arms, that belong to her husband, wrapping her from behind.

MUSIC FADS OFF.

Wyatt, shirtless, kisses her neck softly. Prue smiles as he keeps tracing kisses in her neck. Wyatt is only wearing the bottom of his pajamas.

WYATT

(whispers)

Please tell me you are lost in the memories of the fantastic night we both shared together.

Prue smiles bigger. She runs her hands in his arms. Then she turns around gets face to face with him. Both of them stare into each other’s eyes as Wyatt keeps his arms around her waist. Prue puts her arms around his neck and then, both share a passionate kiss. One of those breathtaking kisses only seen in movies.

They break the passionate kiss and stare into each other’s eyes for seconds.

WYATT (CONT'D)

I feel so free. So powerful.

PRUE

And to think that we had it all repressed by the good inside of us.

WYATT

Luckily, they were shut down.

Prue smirks.

WYATT (CONT'D)

For good.

Wyatt is about to kiss her again, when ---

OFF TO THE DOORS - They get opened by a pair of servants. Ruby comes in and signs some other servant to come in with a tray.

Wyatt and Prue turn to her. Ruby glances up and down at Wyatt and then looks at Prue and smiles.

RUBY 

I took the liberty to bring you coffee. I’ve learned you are an addict to this black drink.

WYATT

Aren’t you, Ruby?

RUBY

I prefer tea.

The servant approaches Wyatt who takes a cup of coffee, then she approaches Prue. She looks up and down at the girl who keeps her gaze down.

PRUE

Very kind of you, ---

Prue glances at Ruby and shots her a superiority look.

PRUE (CONT'D)

--- Ruby.

Prue takes a cup of coffee as Wyatt has a sip of his. Prue smells the coffee. Ruby signs the servants to leave.

RUBY

Preparations are being made for tonight.

PRUE

Tonight?

RUBY

The coronation.

Ruby looks at Wyatt.

WYATT

Ruby explained to me that it is the ultimate thing for the magical community to recognize us as the new rulers.

RUBY

Yes, tonight before all magical community you will be crowned King and Queen of All Evil.

WYATT

I preferred to be addressed as the Source.

RUBY

As you wish.

Prue puts the cup of coffee on the night table without having a sip of it. Ruby glances at her.

RUBY (CONT'D)

You don’t like coffee, Prue?

Prue turns to Ruby.

PRUE

I know what you put on that coffee, Ruby.

Wyatt glances at his cup. Ruby and Prue stare at each other. Ruby swallows. Prue smirks.

PRUE (CONT'D)

I’ll drink it the next time you come to me with the true definition of what’s in the cup.

WYATT

It tastes like coffee to me.

PRUE

It is coffee with a twist. Am I right, Red Witch?

Ruby and Prue keep their gaze on each other for seconds. Then, Ruby turns to Wyatt.

RUBY

It’s a Pure Evil Tonic.

WYATT

I am pure evil, Ruby, I don’t need a tonic.

RUBY

I do know that, but it is just to weaken any good that might have been left inside of you.

Wyatt looks at Prue.

RUBY (CONT'D)

Prue had tasted it before.

Prue smirks.

RUBY (CONT'D)

I won’t trick you once again, Prue.

PRUE

You mean, Your Majesty. 

Prue smirks again.

RUBY

Of course.

Ruby turns to Wyatt.

RUBY (CONT'D)

I’ve taken all the means possible to secure the house for tonight. In case your family decides to show up uninvited.

WYATT

They should better get used to it.

Wyatt hands Ruby the cup.

WYATT (CONT'D)

They better be with me and not against me.

PRUE

You mean us, darling.

Prue and Wyatt glance at each other.

WYATT

Us, love.

Prue smirks.

WYATT (CONT'D)

(to Ruby)

Do whatever it takes to secure the house, Ruby. Nothing can go wrong tonight.

Ruby nods.

PRUE

Also, Ruby, if this is going to be my new house, I want to give it my touch.

RUBY

As you wish, Prue.

Prue shots her a look.

RUBY (CONT'D)

Your Majesty.

Prue smiles.

PRUE (CONT'D)

This bedroom ---

Prue glances around. The bedroom has a different decoration from what has been seen in previous flashforwards.

PRUE (CONT'D)

It’s not me.

RUBY

I had this bedroom prepared specially for the two of you.

Prue grimaces.

PRUE

Yeah, darling. You don’t get anything about decoration.

Prue smirks again.

RUBY

As you wish. You deserve to feel comfortable in your own house.

PRUE

Thank you.

OFF TO THE DOORS - They get opened again. This time, Peri and Patience come in a rush.

PERI

Mum?

PATIENCE

Dad?

Prue and Wyatt exchange glances. Then, Patience runs towards Wyatt and hugs him as Peri does the same towards Prue and hugs her.

RUBY

These two ladies were anxious to be reunited with the two of you.

They break the hugs and then Patience hugs Prue and Peri hugs Wyatt.

WYATT

You are ---

PRUE

Our daughters.

Peri and Patience smile.

PRUE (CONT'D)

The twins.

WYATT

(astonished)

Wow. You definitely carry the Halliwell gene.

Wyatt admires his daughters.

WYATT (CONT'D)

My two beautiful daughters.

PERI

Two out of three.

RUBY

That reminds me of the eldest one.

Prue gets serious.

PATIENCE

Yeah, of course. We need to get Jo. She needs to grow up in this family.

PERI

True. That would stop her from coming back in time and almost screwing everything.

WYATT

That’s true. I want my daughter here.

PERI

And the next generation of Charmed Ones will be together.

WYATT

Charmed Ones?

PATIENCE

Yes, dad. Jo, Peri and I are the new Charmed Ones.

PERI

But we never reconstitute the Power of Three.

PATIENCE

Which got broken once mum became evil.

PERI

And the Grandmammas were separated.

WYATT

Why would they get separated?

PERI

Because they refused to join us.

Peri looks at Prue.

PERI (CONT'D)

Also, Aunts Mel and Tam had the chance to join us and they would form an improved Power of Three with mum, but ---

Prue looks at Peri.

PERI (CONT'D)

They refused it.

RUBY

So, the Power of Three is not on the right side of the equation, which means we need to get Jo. Not that we need it, cause the Twice Blessed Witches are the most powerful beings on Earth.

WYATT

Please, Ruby, arrange a party to get my eldest daughter.

PRUE

Tina stays where she is.

They all look at Prue. Prue is serious.

PRUE (CONT'D)

She has the right to decide for herself.

WYATT

She’s a baby.

PRUE

Yes. When she grows up, she’ll decide if she wants to join us.

PERI

But mum, that’s what it was done before. That’s why she was able to come back in time. Because she never joined us.

PRUE

It would be different this time.

PERI

You don’t know that.

PRUE

Yes, I know, darling. I am a Clairvoyant, remember?

Peri lowers her gaze as Prue uses an authoritarian tone. Prue looks at Wyatt.

PRUE (CONT'D)

We both take the decisions here, love. Don’t you ever forget about that.

Wyatt and Prue stare at each other.

WYATT

If you are sure about that, love, I don’t have any doubts it’s the wiser decision.

PRUE

Good.

Prue turns to Ruby.

PRUE (CONT'D)

Are there any clothes for me in this house?

RUBY

I prepared a whole wardrobe for you. I’m sure you're gonna like it.

PRUE

I’m not so sure about that, but okay.

Ruby gets serious.

PRUE (CONT'D)

(to the twins)

Would you girls like to help mommy get ready?

PATIENCE

(smiles)

Sure, mum.

Prue smiles. Peri and Patience exchange glances and stare at each other for seconds. It almost looks like they are mind-communicating. Then, Patience signs Peri to move. Both Peri and Patience head into the walk-in closet. Prue shots Ruby a look and then approaches Wyatt and kisses his lips.

PRUE

You should put some clothes on too, darling. She likes what she sees.

Prue turns to Ruby and smirks.

PRUE (CONT'D)

Too bad that it’s all mine.

Prue smirks big and heads into the walk-in closet. Wyatt turns to Ruby.

RUBY

Wyatt, ---

WYATT

Not here.

Ruby nods. They stare seriously at each other.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Ivan Segei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Peter Facinelli as Sebastian

Alex Mauriello as Aisling (Oracle)

Matt Lanter as Matt

Nina Dobrev as Patience

Alexandra Chando as Peri

Abigail Spencer as Serena

Ian Somerhalder as Liam

Robbie Kay as Alex

Dove Cameron as Michaela

Addison Timlin as Posie

Chris Wood as Ethan

Andrew J. West as David

Elaine Del Valle as Eliana Domingues

Jennifer Morrison as Ella

Erica Durance as Alyssa

Unknown actor as Cupid's voice

Unknown actor as Dark Priest

Unknown actors and actresses as demons

Unknown babies as Baby Christina and Baby Matt

Unknown actor and actress as Man and Woman

Unknown actors and actresses as Hospital Staff

Unknown actors and actresses as Cupids

Unknown actor as Man as Cameraman 

Unknown actor as News Editor

Unknown actor as News Director

Unknown actors and actresses as People

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL SHOTS all over the town.

SOUND - Police cards. People screaming.

CUT TO:

EXT. PRESCOTT STREET - DAY

A CAR is driven fast and wildly as some people try to deviate themselves from it. The car ends up hitting a tree. Soon, some people approach it and stare at it.

OFF TO - Blanche, Jo, and Chris come quickly. They try to pass through the people there and approach the car.

Chris tries to open the driver’s door.

INSIDE THE CAR - The man seems unconscious, but as Chris tries to open the door the man wakes up slowly. He has hit his head on the steering wheel and is injured in his forehead.

CHRIS

Hey! Are you okay?

The man touches his forehead and feels the blood. Then he stares at the blood in his hand.

MAN

I had to do it.

Chris is finally able to open the door and tries to take the man out of the car.

CHRIS

Come here.

The man gets out of the car with some difficulties. Chris helps him to stand.

MAN

I had to do it.

JO

Had to do what?

The man looks around. He seems confused.

MAN

She was screaming. It drove me crazy.

Jo and Blanche exchange glances.

CHRIS

What did you do?

MAN

(serious)

I hurt her.

CHRIS

Who?

MAN

My wife. She kept talking and talking.

CHRIS

Where is she?

The man looks at Chris.

MAN

I left her in the hospital, but I had to put an end to myself.

Chris looks at Jo and Blanche.

BLANCHE

This is what she does.

(pauses)

Ruby.

MAN

There’s something, Lady.

The man gets off Chris and walks towards Blanche.

MAN (CONT'D)

I feel that I can be free and do what I want.

Blanche looks horrified at him.

MAN (CONT'D)

All the repression I felt ---

(laughs madly)

--- I don’t need the medication anymore. It’s okay to be bad.

Chris pushes back the man against the car. Blanche is very serious.

BLANCHE

This was her plan. People feel free to do whatever they want. To be evil. 

(looks at Chris)

She did that to some people in our village, but she didn’t win back then because she needed evil to be spread in the atmosphere.

JO

And now it is.

Chris, Jo, and Blanche look at the man, seriously.

CUT TO:

EXT. HALLIWELL MANOR - DAY (SHORTLY AFTER)

Chris, Jo, and Blanche go upstairs and enter the manor.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Melinda and Bianca are there. Bianca seems to be on the phone. Melinda is sitting on the phone and has her face covered with her hands.

BIANCA

(on the phone)

Sure. No, thanks, Leo. Tell my baby I love him.

Bianca hangs off the phone.

SOUND - FRONT DOOR OPENING.

Bianca turns around as Chris, Jo and Blanche come in.

BIANCA (CONT'D)

(to Chris)

Your parents already know what’s going on.

CHRIS

How?

MELINDA

(uncovers her face)

Aunt Phoebe had a premonition.

Melinda stands and looks at them.

MELINDA (CONT'D)

She called Aunt Paige and both went to New Orleans. She thought there was time to stop it when the energy field hit last night.

BIANCA

Sebastian tried to calm them and told them we were on it.

JO

Well, we are not any closer to fix this.

CHRIS

We must keep fighting.

Chris turns to Blanche.

CHRIS (CONT'D)

You were saying that this is what Ruby does.

BLANCHE

Yes, she tried it with our village. Made some people’s head and tried to turn them against each other.

CHRIS

So, everybody will try to kill each other?

BLANCHE

Not exactly. Well, she wanted that before, but I do believe that’s not what’s gonna happen now. She can control people’s minds, but only if there is evil inside. Still, she can’t obligate them to do anything. What people do is their choice.

(pauses)

But apart from that, there’s some sort of evil energy in the air.

JO

Because she handed the power to Prue and Wyatt?

Blanche nods.

BLANCHE

Prue and Wyatt are the most powerful beings so they emanate power and, in this case, an evil energy. That’s why that energy field hit us last night.

CHRIS

But that didn’t happen while they were good.

BLANCHE

Because we live in a World where there is still good in people’s heart. There’s still a choice to do the right thing.

JO

Was.

They look at Jo.

BLANCHE

Was. 

(pauses)

The energy that emanates from them fills people’s hearts and turn those hiding feelings on and turn off the choice to do what’s right, and freedom to do what’s wrong.

MELINDA

What feelings?

BLANCHE

Evil feelings. Rage. From now on, every good person, those whose darkness or evil within is not stronger than the good, those people will have to live in hiding or pretend fake evil in order to survive.

JO

Yeah, like Eric. I mean, he is doesn’t pretend to be evil, but he works for them.

OFF TO MATT - He comes in.

MATT

That way he works as a spy for us.

They look at Matt.

MATT (CONT'D)

Prue and Wyatt’s mission is not to destroy the world. They only want power. To be in charge of the whole world.

CHRIS

So, what happens with all of those people who want to do bad things.

MATT

They will do it, freely. 

JO

But following the Source’s rules.

MATT

Good is repressed.

Melinda and Bianca are confused.

MELINDA

So, this is all she wants? I mean Ruby?

BLANCHE

Yeah, while the world is ruled by evil she wins.

CHRIS

She’ll only win when she gets to you.

BLANCHE

If she gets to me, I have no way to fight her.

Blanche looks at them.

BLANCHE (CONT'D)

I’ll lose.

JO

True.

(swallows)

In the future, good people who fight them and their rules always lose.

MATT

This period of craziness outside will end soon. Well, not end like finished. But it will get calmer.

JO

There will be a pronunciation.

BIANCA

That was Phoebe’s premonition.

They look at Bianca.

BIANCA (CONT'D)

She saw them in some kind of podium talking to people.

MATT

Yeah, that’s where they will be presented as the Source and Queen of All Evil.

JO

And from then on, they will rule the world.

CHRIS

We need to keep Blanche safe.

MATT

We must because I never heard of a Blanche in my time.

JO

Neither did I.

MELINDA

Yeah, but what do we do with what’s happening outside?

OFF TO DAVID AND DAMON - They come in from the conservatory room.

DAVID

You guys need to see this.

Damon takes the TV command and turns on the TV. They stare at it.

ON THE TV - Some images of chaos and havoc are shown while a journalist, Eliana Domingues, is speaking to the camera.

ELIANA DOMINGUES

This is crazy, guys. Look at those people.

THE TV FOCUS on the image of what seems to be a demon throwing a FIREBALL to a car.

ELIANA DOMINGUES (CONT'D)

It’s magic.

(worried)

The worst kind. And this is happening all over the world. Who are these people and what do they want from us?

The TV is turned off.

MELINDA

Magic has been exposed.

MATT

Magic won’t be a secret from now on.

CHRIS

The Cleaners ---

MATT

Dad, the Cleaners are nothing. Their power can’t fight what’s been done. Right now, at this moment, all the magical community is in their hands.

DAVID

All those who try to fight it will pay with their lives.

CHRIS

Well, if magic is not a secret anymore then we must get out and fight it.

MELINDA

But Chris, you heard Matt.

CHRIS

I’m not going to hide, Mel. This is not who I am. I fight as much as I can.

JO

I agree.

MATT

Me too. But we also need to find a way to turn Aunt Prue and Uncle Wyatt back to the right side.

JO

That won’t happen, Matt. 

MATT

We have something we didn’t before.

JO

The identity of the Red Witch. What will we do with that? She has won.

MATT

(out loud)

No.

(normal voice)

She hasn’t won. We’ll find a way.

MELINDA

Yeah, through Prue.

Matt nods.

CHRIS

In the meantime, get crystals all over the house. Blanche needs to be secure.

BLANCHE

I won’t hide either, Chris.

CHRIS

Ruby will want you.

BLANCHE

And I will fight her as much as I can.

Chris and Blanche stare at each other.

CHRIS

Fine.

(to the others)

Let’s protect what’s left of this mad world.

Chris, Jo, Matt, and Blanche walk out the living room. Melinda and Damon stay behind. They look at each other.

DAMON

Do you really think that we still can change this?

MELINDA

I have to. I can lose faith.

They look at each other.

DAMON

What about ---?

MELINDA

I don’t want to talk about that, Damon.

Damon lowers his gaze.

MELINDA (CONT'D)

I’m so confused.

Damon looks at her.

DAMON

I’m not.

Damon walks towards her and it seems like he’s going to kiss her, but he peeks his cheek softly. Melinda looks up at him and smiles.

DAMON (CONT'D)

I’m not confused.

Melinda smiles again. Both stare at each other.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

Tamora is leaning against the counter and having some coffee. She is thoughtful.

OFF TO PANDORA - She comes into the kitchen holding a tray with some cup and empty dishes.

TAMORA

How is he?

Pandora puts the dishes on the sink. Then takes a deep breath and looks at her sister.

PANDORA

He didn’t run away, so I guess he’s okay.

Tamora looks at Pandora.

TAMORA

The world is a mess outside. Magic has been exposed. Images from last night and today are all over the TV.

PANDORA

The cleaners ---

TAMORA

They won’t do anything. Now Prue and Wyatt are in charge. No cleaners or any other being will have the courage to face them.

PANDORA

It’s just Prue and Wyatt.

Tamora puts the cup on the counter.

TAMORA

It’s not just Prue and Wyatt, Pan. It’s pure evil Prue and Wyatt.

Pandora lowers her gaze.

TAMORA (CONT'D)

I don’t want to live a life where my husband has to be taken to the Upper Regions to not get killed.

PANDORA

I don’t want that future where I live in hiding.

TAMORA

Then we must fight.

PANDORA

But you said that no one will have the courage to face them.

TAMORA

We are their family.

Tamora hugs her sister tightly. Pandora is caught by surprise.

TAMORA (CONT'D)

Take care of Ethan.

They break the hug.

TAMORA (CONT'D)

Sebastian is staying in New Orleans today. Apparently, our mum and aunts and uncles already know what’s happening.

PANDORA

Where’s dad?

TAMORA

He’s with Junior. He’s going to try to explain to him what’s going on.

PANDORA

We must protect dad.

TAMORA

I know.

PANDORA

Take care, sis.

TAMORA

You too.

Both sisters smile at each other. Then Tamora ORBS out.

CUT TO:

EXT. PRESCOTT MANOR - DAY

Some demons, dressed in black suits and using earpieces, are securing the house.

PRUE (O.S.)

Just hate it!

Prue’s voice sounds disdainful.

CUT TO:

INT. PRESCOTT MANOR - MAIN BEDROOM - WALK-IN-CLOSET - DAY

ON A RED SHORT DRESS - It’s been held by Peri who grimaces.

PERI

You don’t like this either?

There are Prue and Patience. Prue is still wearing her nightdress and stares at the short short dress with disdain.

PRUE

It’s so red!

Prue glances around.

PRUE (CONT'D)

Everything in this closet is so red!

THE CAMERA shows a large view of the closet where, in one side is filled with male clothes, all of them are black and dark grey, while the other side is filled with female clothes, all the clothes are black and red, mainly red.

PATIENCE

(to Peri)

She hates red, Per. We know that.

PERI

I didn’t know she hates it this much.

PRUE

I don’t hate the color red.

PERI

You just hate Ruby.

Prue shots Peri a look.

PATIENCE

Peri!

PRUE

No, she’s right. I don’t like Ruby. Therefore, I don’t like that shade of red and there’s not a single piece in this closet that’s not red.

PATIENCE

Well, you can wear ---

She picks black pants.

PATIENCE (CONT'D)

(showing it to Prue)

--- this with ---

She takes a black top.

PATIENCE (CONT'D)

--- this.

Patience forces a smile. The top is too low-necked.

PRUE

I will look like a slut just with that.

Peri and Patience exchange glances. Peri puts down the red dress and stares at the closet.

PERI

You could wear a jacket on.

Peri takes a red jacket from the closet and shows it to Prue.

PRUE

It’s red.

PERI

(tired)

Mum, for the love of the Source, just for today!

Prue glances at Patience who gives her a pleading look. Prue rolls her eyes.

PRUE

Fine. Just for today. You two try to find me some good clothes. Nothing red.

Peri and Patience nod.

PRUE (CONT'D)

Purple. Navy blue. Even a military green. Gray. Black bean. Black Olive. Burgundy. I can tolerate dark pink even.

(pauses)

And especially Black. And a dress for tonight. A regal dress.

Prue looks at a dress that’s in a sewing mannequin right beside the floor mirror.

PERI

You can keep the black pieces Ruby got you.

Prue shots Peri a ‘come again’ look.

PERI (CONT'D)

You know what? We can get rid of every single thing Ruby got you.

PRUE

Make sure you get Wyatt some clothes too.

PATIENCE

But ---

Prue shots Patience a look.

PATIENCE (CONT'D)

We’ll do that, mum.

PRUE

(smiles)

Great. Off you go, now.

Prue signs them to get out. The twins exchange glances and then leave the closet. Prue takes the clothes she’s going to wear and then glances around.

PRUE (CONT'D)

Yeah, don’t like anything in here.

Prue smiles wickedly and then WAVES her right hand several times setting the whole closet on fire division by division.

PRUE (CONT'D)

Now I like it better, Ruby.

She smirks as she enjoys the fire consuming every single item in the closet.

ON PRUE - Smirking.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO - DAY

SHOT at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

The students are rushing around carrying their bags as if they were leaving the school.

OFF TO CHARLOTTE AND ALEX - They come in from the great door.

ALEX

(astonished)

Are you telling me that Wyatt and Prue are evil now?

CHARLOTTE

That’s exactly what I’m saying.

ALEX

So, the energy shot we felt hitting us last night ---

CHARLOTTE

That was them ---

Charlotte cuts herself off and turns to Alex.

CHARLOTTE (CONT'D)

--- Probably taking in the Source’s power. We are not sure about that yet.

Alex's eyes are wide open.

ALEX

The Source?

Charlotte grimaces.

CHARLOTTE

The future that Jo came to change. Remember that?

Alex nods.

CHARLOTTE (CONT'D)

Well, Prue and Wyatt are the Source and his Evil Queen.

ALEX

What?

CHARLOTTE

(annoyed)

Alex, please, don’t make me repeat it all.

ALEX

I’m astonished.

CHARLOTTE

I can see that.

(glances around)

Now we really need to send the students back home quickly and secure the school.

ALEX

Secure the school? Charlotte, if Wyatt and Prue are evil now, chants and spells and crystals and whatever we do to secure Magic School, won’t stop them if they decide to come in.

Charlotte sighs.

CHARLOTTE

I know, but we have to try and protect it while we can.

OFF TO MICHAELA - She approaches them.

MICHAELA

It’s true?

Charlotte and Alex look at her.

MICHAELA (CONT'D)

What everybody is saying? That we are not safe?

Charlotte and Alex exchange glances.

MICHAELA (CONT'D)

The students that were interns here like me are leaving for home because they are saying that it isn’t safe anymore.

CHARLOTTE

Magic School is safe for now, Michaela.

MICHAELA

For now?

The girl seems scared.

MICHAELA (CONT'D)

This is my home. I don’t have where to go.

ALEX

You don’t have to leave, Michaela.

CHARLOTTE

Yeah, those students are going home because their parents want them to.

Alex, Charlotte and Michaela glance around.

CHARLOTTE (CONT'D)

But I won’t lie to you, guys, if the future unfolds the way it happened before, there won’t be a safe place for us to hide.

Michaela is confused.

MICHAELA

I don’t want to leave.

Michaela turns around abruptly and walks out of there. Charlotte turns to Alex.

CHARLOTTE

Keep an eye on Michaela, Alex.

ALEX

Why?

CHARLOTTE

Because she’s also the one who kills Melinda twenty-five years from now.

ON ALEX - He’s astonished.

CUT TO:

EXT. KCSF CHANNEL 8 - DAY

People come in and out of the building. They seem in a rush.

CUT TO:

INT. KCSF CHANNEL 8 - MEETING ROOM - DAY

A woman, ELIANA DOMINGUES (30’s), walks in followed by the News Editor and the News Director.

ELIANA DOMINGUES

This is hell outside.

NEWS EDITOR

I need those images you've got from this morning to get them on the news tonight.

NEWS DIRECTOR

Well, we’ll have to make time for live streaming.

ELIANA DOMINGUES

The Mayor will speak to the town.

NEWS DIRECTOR

The Mayor’s office is mute. They can’t explain what’s going on.

ELIANA DOMINGUES

So, why the live streaming tonight?

NEWS DIRECTOR

I don’t know. But I’ve spoken to some colleagues from other networks and they’ve got the same notification.

(serious)

Actually, it sounded more like an order.

ELIANA DOMINGUES

I want to be there.

NEWS DIRECTOR

You are the best news reporter of the network, Eliana, so yes, I want you there.

The three of them exchange glances.

NEWS EDITOR

So, magic is real, huh?

ELIANA DOMINGUES

All hell breaks loose!

Their faces show concern.

FLASHES TO:

EXT. HALLIWELL MANOR - NIGHT - 2061 - FLASHFORWARD

Posie and Junior ORB in front of the manor. They are holding hands. Junior looks a little bit dizzy and seems like he can faint at any moment. Posie helps in putting one of his arms over her shoulder.

POSIE

You shouldn’t have orbed us here. You need healing.

JUNIOR

I can’t heal anymore.

POSIE

I don’t understand, why? Did they take that power from you?

JUNIOR

It was never that strong and when I lost ---

They start going upstairs. Junior gets sadder.

JUNIOR (CONT'D)

--- Melissa, I lost it completely. I can’t even heal myself.

POSIE

Who was Melissa?

Junior looks at Posie.

JUNIOR

Your mother never told you about her?

Posie expression saddens.

POSIE

She kept as much as she could. She promised dad that she wasn’t going to ever mention the word magic inside our home.

(pauses)

If it wasn’t because I orbed a doll when I was ten, I would probably never know I was a witch.

JUNIOR

You said you never used magic before.

POSIE

I didn’t. That was a one-time thing. Mum made me promise I would never do it again. She told me the necessary, just that.

JUNIOR

She did it to protect you and your father.

They reach the porch.

POSIE

I know. But everybody stayed and fought. She didn’t. She hid.

Junior takes a deep breath.

JUNIOR

Let’s go in and tell the others what happened.

Posie nods.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT - 2061 - FLASHFORWARD

Only the light of a lamp is on. The bonfire is on as well. Ella and Chris are sitting on the sofa holding hands.

ELLA

We risked a lot today, Chris. Those demons almost got to us.

CHRIS

At least we managed to save those witches.

ELLA

We saved them today, Chris. Tomorrow other demons and warlocks will try to find them.

CHRIS

And we’ll be there to protect them.

SOUND - The Grandfather clock. It’s 11 pm.

ELLA

They should be here already.

CHRIS

Yeah. But don’t worry. They are with Junior.

SOUND - Front door opening.

CHRIS (CONT'D)

That’s probably them.

Soon, Posie comes in helping Junior.

POSIE

We need a little healing here.

Chris and Ella stand worried.

ELLA

What happened?

POSIE

We were attacked. Uncle Junior got hit.

JUNIOR

My head.

Chris rushes to them and helps Posie get Junior on the couch. Chris has a look at the back of Junior’s head.

CHRIS

Let me take care of this.

Chris puts his hands over Junior’s head and they GLOW.

ELLA

Where are the others?

Posie looks at Ella.

POSIE

He took them.

ELLA

(concerned)

Who?

JUNIOR

Pierce.

Chris and Ella exchange glances. Ella gets worried.

ELLA

My God! Vic!

POSIE

I couldn’t do anything. I had to stay behind and help Uncle Junior.

CHRIS

You did well, but he left you behind?

JUNIOR

He only wanted the girls.

Chris finishes healing Junior.

ELLA

What do we do now?

CHRIS

Did he say what he wanted with them?

JUNIOR

No. He only said that Wyatt wanted to have a word with them.

ELLA

Why?

JUNIOR

I don’t know. The man has got mad.

ELLA

I’m afraid, Chris.

CHRIS

Wyatt won’t hurt them.

ELLA

Won’t he? He has gone mad. He is the Mad Source now.

Junior looks up at Chris. He’s feeling better.

JUNIOR

She’s right.

POSIE

Should we go after them?

CHRIS

It’s impossible to break into Prescott Manor.

ELLA

So, what? We do nothing?!

Ella and Chris stare at each other.

CHRIS

I don’t know, Ella.

He really doesn’t know what to do.

CHRIS (CONT'D)

We need to let Tam and Cass know what’s going on.

POSIE

Where are they?

CHRIS

They’ve gone to bed. Tam was hit by a fireball and Cass ---

(pauses)

--- Well, she almost got killed by a Manticore.

Posie and Junior exchange glances.

JUNIOR

Are they okay?

CHRIS

Yeah, I got to Cass in time and Tam healed herself.

POSIE

I’m gonna wake them up.

CHRIS

Do that.

Posie turns around and walks out of the room. Ella stares at Chris.

ELLA

We should try to reason with him.

Chris stares seriously at Ella. He is really worried.

FLASHES BACK TO:

EXT. SAN FRANCISCO - STREET - DAY - PRESENT

Chris, Melinda, and Bianca come walking down the street as people run all over around, afraid.

They glance around.

MELINDA

Do you know what this reminds me?

Chris and Bianca shake their heads.

MELINDA (CONT'D)

When aunt Prue died.

CHRIS

You weren’t even born, Mel.

MELINDA

I know, but I heard the story so many times and what would happen if the world was exposed to magic. Even if it didn’t truly happen.

BIANCA

Well, people will definitely die if we don’t stop this.

Chris stops. Melinda and Bianca stop and look at him.

CHRIS

We’ll have to use our powers.

MELINDA

Everything is screwed now, Chris. So, yes.

Chris looks at Melinda.

CHRIS

I must talk to him.

(pauses)

Wyatt. He has to listen to me.

BIANCA

He is evil now, Chris. He won’t listen to you.

MELINDA

Bianca is right.

CHRIS

Then we just save the innocents and not them?

BIANCA

We don’t have a plan.

MELINDA

We do. Save the innocents. Jannes said he’ll find a way to reverse this.

Chris lowers his gaze.

CHRIS

I just don’t know what to do. I’m terrified. 

(looks at them)

I know I try to look strong, but the truth is I ---

Chris swallows.

CHRIS (CONT'D)

I went back in time to stop my brother from turning this person and now ---

MELINDA

It’s not your fault, Chris.

Melinda touches Chris’ arm.

MELINDA (CONT'D)

You could have done nothing.

CHRIS

I could have insisted on Jo and make her tell me more. I could have ---

MELINDA

Nothing, Chris.

Chris sighs desperate.

BIANCA

Babe, you can’t blame yourself. If so, all of us could have insisted on Jo, but we didn’t.

MELINDA

Chris, ---

Melinda takes his brother’s hand between hers.

MELINDA (CONT'D)

--- we have something we didn’t have in Jo and Matt’s timeline.

CHRIS

We know about Ruby, yes, but you heard what they said. Ruby erases our memories.

MELINDA

I’m not talking about that.

(pauses)

I’m talking about Prue.

BIANCA

She’s not that evil.

MELINDA

Not entirely, no. There’s something pulling her back. That something made her give a spell to Jo and Matt to come back in time.

CHRIS

So, we’ll have to wait twenty-five years for that to happen?

MELINDA

We won’t because the changing starts now.

Melinda gives Chris a supporting smile.

MELINDA (CONT'D)

We’ll find a way together.

Chris smiles.

CHRIS

Thank you for believing, Mel.

MELINDA

This is my family. I have to.

Both smile and then they hug each other. Bianca smiles.

SOUND - A woman screams.

Chris and Melinda break the hug. The three of them turn around and spot a woman cornered by two demons.

OFF TO CHANNEL 8 VAN - It is parked before them. Eliana Domingues and a cameraman come out of the van.

DEMON #1

There’s no way out.

WOMAN

Please.

Eliana and the cameraman try to approach them. Eliana speaks to the camera.

OFF TO CHRIS, MELINDA AND BIANCA - They are serious.

MELINDA

I'd say we save her.

CHRIS

Let’s go.

The three of them head towards them.

CHRIS (CONT'D)

Hey, demons!

Both demons turn around. Eliana and the cameraman turn to Chris, Melinda, and Bianca.

DEMON #2

The Destined Ones!

DEMON #1

Haven’t you heard the memo that there’s a new boss in town?

CHRIS

(smirks)

Yeah, I don’t care. Demons are demons.

MELINDA

And we vanquish demons.

ELIANA DOMINGUES

(to Chris)

Demons? Do you know who these people are and what they want?

She tries to approaches Chris with the microphone. Chris glances at her and then back at the demons.

DEMON #2

We are untouchable. The future Source is in our side.

BIANCA

That’s an even bigger reason for us to vanquish you.

Eliana turns to the camera.

ELIANA DOMINGUES

Some tension in here. The man called them demons.

DEMON #1

We’ll see about that.

Demon #1 and #2 create FIREBALLS and throw them against Chris, Melinda and Bianca.

Chris WAVES his hands and ORBS the FIREBALLS back to their owners. They deviate from the FIREBALL.

Eliana and the cameraman are astonished.

ELIANA DOMINGUES

The so-called demons created some balls of fire and the blue shirt man returned them using some kind of blue orbs. Wow.

The reporter is astonished.

Bianca creates an ENERGY BALL and throws it against Demon #2 who blows up immediately.

ELIANA DOMINGUES (CONT'D)

She killed him.

Melinda walks straight to Eliana.

MELINDA

She didn’t kill him, she vanquished him.

ELIANA DOMINGUES

Who are you?

MELINDA

Protectors of the innocents!

Melinda turns around.

ON ELIANA - She is astonished.

CUT TO:

INT. PRESCOTT MANOR - HALL OF DOORS - DAY

Ruby, wearing her red cape, and Serena, wearing a short white dress, come walking all down the hall. Ruby seems upset.

RUBY

She set the whole wardrobe on fire.

SERENA

All of it?

Ruby nods.

RUBY

She didn’t like what I’ve got for her and Wyatt to wear.

(pauses)

The power has gone to her head.

SERENA

You gave her the power, darling.

Ruby stops and stares at Serena who stops as well.

RUBY

I don’t know if I can wait twenty-five years for her to die.

SERENA

You can’t kill her, Ruby.

RUBY

I know.

Ruby rolls her eyes.

RUBY (CONT'D)

I’m going to meet Wyatt know. We need to prepare the pronunciation as well as the ceremony.

(serious)

What was that you were trying to tell me?

SERENA

Oh, right. Her Majesty ---

Ruby rolls her eyes again.

SERENA (CONT'D)

--- wants to see me in the dungeons.

RUBY

What for?

SERENA

Bite me!

RUBY

Well, you better not make her wait. I’ve learned she’s not a woman of patience.

Serena rolls her eyes. Ruby shots her a glance and then turns around and heads to the THRONE ROOM. Serena watches her leave.

SERENA (CONT'D)

He gets to meet the hottie and I get to meet the bitch.

Serena grimaces and then turns to leave.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - DAY (SHORTLY AFTER)

ON A TORCH - It’s lit.

Prue walks down the dark corridors. She wears the black pants and top and the red jacket. Her hair is straight. She lowers down at the cupid ring in her right hand.

ON CUPID RING - It has lost its shine. She closes her fist.

Prue looks up. She’s serious.

OFF TO SERENA - She approaches Prue.

Prue turns around.

PRUE

It was about time! I was almost giving up.

SERENA

Sorry. I was taking care of some matters.

PRUE

What matters?

SERENA

Personal stuff.

Prue smiles sarcastically.

PRUE

You know what, Serena? There’s no personal stuff in here. You are under my orders now.

Serena is serious. She’s not liking Prue’s tone.

PRUE (CONT'D)

Are we clear?

SERENA

Yes, Prue.

PRUE

It’s Your Majesty.

SERENA

What?

PRUE

For you to practice. Your Majesty.

Serena swallows and then forces a smile.

SERENA

Your Majesty.

Prue smiles.

PRUE

Good. Now ---

Prue turns around.

PRUE (CONT'D)

I recall that the protection in these dungeons was your doing.

SERENA

Correct.

Prue turns to Serena.

PRUE

Well, I need you to re-do that.

SERENA

(surprised)

What?

PRUE

What you’ve heard. Wyatt and I are in charge now so it’s more than obvious that we should be the key to let out whatever is in here.

SERENA

But ---

PRUE

No buts. Do whatever you have to do but only Warren Blood should be able to open those cells from the outside.

Serena is not fond of that idea and she can disguise the expression in her face.

SERENA

Warren Blood?

Prue nods.

SERENA (CONT'D)

That would mean that any Warren would be able to open those cells.

PRUE

(sarcastic)

You’re brilliant.

Serena understands the sarcasm but swallows her pride.

SERENA

What if ---

PRUE

They won’t know, Serena. Besides, they would have to know how to get in.

(smirks)

Oh, and no powers allowed inside the cells. Well, only mines and Wyatt’s, of course. You should also create a room for torture.

SERENA

Torture?

PRUE

Oh, yeah. And there any evil being will be able to use his magic.

(grimaces)

That’s a job that must be performed by anyone. Only evil, don’t forget.

Serena nods.

PRUE (CONT'D)

Any doubts, Serena?

SERENA

No, Your Majesty.

Prue smiles big.

PRUE

Good. I want it done before the ceremony.

SERENA

(surprised)

Before the ceremony?

Prue nods.

PRUE

Is there a problem?

SERENA

No, not at all.

PRUE

Good.

Prue approaches Serena and smiles.

PRUE (CONT'D)

I have a feeling that we are going to get along.

Serena forces a smile.

PRUE (CONT'D)

Have you seen my husband?

SERENA

He’s in the throne room with Ruby.

PRUE

Ruby, ---

(sarcastic)

--- our dear Ruby.

Prue walks away from Serena.

PRUE (CONT'D)

Let me know when everything is ready.

Prue keeps walking away as Serena stands there in her back. She is astonished.

SERENA

I don’t have a good feeling about this.

Serena takes a deep breath.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. INDOOR SWIMMING POOL HOUSE - DAY - 2061 - FLASHFORWARD

Wyatt is swimming. He is wearing only black swim shorts.

ON FEMALE FOOT - Approaching the edge of the pool. Red high heels shoes.

Wyatt approaches the edge and stops swimming. He realizes he is not alone. He looks up and ---

RUBY. She is staring at him with a big smile on her face. She is wearing a red set of skirt and top and her hair is combed in a ponytail.

Wyatt looks her up and down.

WYATT

Got tired of the cape?

Wyatt climbs the stairs to get out of the pool as Ruby stares at him admiring his masculine forms. Wyatt might be a middle age man now, but he certainly looks like he is still in his thirty.

RUBY

Don’t you like it?

Ruby takes the towel from the sun lounger and walks towards him. She hands him the towel. Wyatt wipes his face. Then, he stares at Ruby.

WYATT

You are a beautiful woman, Ruby.

Ruby smiles and bites the corner of her lips.

WYATT (CONT'D)

But you are not Prue.

The smile vanishes from Ruby’s face as soon as she hears him saying her name.

RUBY

Prue is dead.

WYATT

For now. I’ll get her back.

RUBY

Bringing someone back from the dead is not a good idea, Wyatt.

WYATT

Don’t forget who I am, Ruby.

RUBY

You are the Source, not God.

WYATT

I will find a way.

Wyatt approaches the sun lounger and takes the robe. He puts him on.

WYATT (CONT'D)

If you came here to flirt with me, Ruby, you’ve lost your time.

RUBY

That’s not the only reason why I came.

Wyatt shoots her a look.

RUBY (CONT'D)

I wanted to ask you something.

WYATT

Which is?

RUBY

Do you remember Serena?

WYATT

How could I forget her?

RUBY

I want her back.

WYATT

It was Prue’s orders ---

RUBY

(out loud)

She’s dead!

Wyatt gets serious. He walks towards her.

WYATT

Don’t you ever ---

His expression hardens and it’s clear why he is the Source. He takes his fist against her neck and tightens it.

WYATT (CONT'D)

--- dare to speak like that about my wife. And never raise your voice to me, Red Witch.

Ruby swallows with some difficulties.

WYATT (CONT'D)

(evil)

Are we clear?

Ruby nods.

WYATT (CONT'D)

Good.

Wyatt lets go of her.

RUBY

About my request ---

WYATT

I’ll think about it. Now leave.

Ruby doesn’t move. She keeps staring at him. Wyatt rolls his eyes.

WYATT (CONT'D)

What?

RUBY

He is here.

Wyatt is serious.

RUBY (CONT'D)

Your brother.

Wyatt and Ruby stare seriously at each other.

FLASHES BACK TO:

EXT. PRESCOTT MANOR - DAY - PRESENT

ON SOME BRUSHES - Behind them, peeks.

JO’S POV - She stares at Prescott Manor. The demons are securing the house.

BACK TO JO - She takes a deep breath and is about to walk off the brushes when someone grabs her arm.

OFF TO MATT - He stares at her as he grabs her arm.

Jo looks at Matt.

MATT

What are you doing?

JO

Matt ---

MATT

Were you going to knock?

JO

I just want to talk to them.

MATT

And tell them what, Jo? To turn back to good?

JO

I must do something, Matt.

MATT

We are doing something. We are protecting as many people as we can.

Jo lowers her gaze.

JO

She really died?

She raises her eyes to look at Matt. Matt holds her hands between his.

MATT

She loved you. She does love you.

JO

Then why did she never tell me that?

MATT

You never listened to her, Jo. You always refused her as your mother.

A tear runs down Jo’s face.

MATT (CONT'D)

You know that necklace you have? The one with a ruby stone?

Jo nods.

MATT (CONT'D)

She left it there for you. And she protected you from her visions.

Jo is open-eyed.

JO

How ---

MATT

How do I know that?

Jo nods.

MATT (CONT'D)

She was there for me, Jo, and I let her in. Despite all we lived, she was a mother to me.

JO

I don’t want to lose them again, Matt.

MATT

You won’t. We’ll fix it this time.

Matt pulls Jo into a hug.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY

Wyatt, wearing a grey suit, and Ruby are there.

WYATT

Was the situation fixed?

RUBY

Yes, I have some people working there as we speak.

WYATT

Good. How are things going for tonight?

RUBY

Everything is set. But ---

WYATT

I don’t like buts, Ruby.

RUBY

But there is a big but in this equation, Wyatt.

Wyatt shoots her a look.

RUBY (CONT'D)

Your daughter. Jo.

WYATT

Yeah, I know.

RUBY

You must get her. I’ve learned that things don’t change in the future and she will grow up to be good.

WYATT

I know, I’ve met her and honestly, I don’t want that to happen. I want my daughter here with me and Prue.

OFF TO THE ENTRANCE - Prue herself is listening. She is not seen by Ruby and Wyatt. She grimaces.

RUBY

Do you want me to gather some demons and get her myself?

WYATT

No, I want to do that. You’re coming with me.

RUBY

It will be a pleasure.

OFF TO PRUE - She rolls her eyes.

WYATT

We are doing so this afternoon.

RUBY

(smiles)

Sure.

WYATT

There’re other matters I want to discuss with you, Ruby.

(pauses)

I want everything. I want every single being under my commands.

(pauses)

Everyone.

RUBY

That’s the idea.

WYATT

We must find a way to get into the Upper Regions.

Ruby is amazed.

RUBY

Okay. I guess you won’t have free entrance anymore.

WYATT

I’ve tried and I don’t. That’s why I need to find a way to.

RUBY

Sure.

WYATT

There’s Jannes too.

RUBY

Oh, Jannes. Don’t worry about him. He won’t do anything now.

WYATT

Won’t he?

Ruby is serious.

WYATT (CONT'D)

I don’t want to take any risks.

RUBY

I think we should leave Jannes for later.

WYATT

I want him to be found, Ruby.

Ruby stares at him.

WYATT (CONT'D)

That’s an order.

Ruby bows.

RUBY

Yes, Your Majesty.

OFF TO THE DOORS - They fly open and Prue comes in.

PRUE

(to Wyatt)

Darling!

Wyatt and Ruby turn to her.

WYATT

Love.

Prue approaches Wyatt and both kiss each other very passionately in front of Ruby. Ruby glances away. Then, Wyatt and Prue break the kiss and Prue shots Ruby a look. Ruby forces a smile.

PRUE

What were you plotting?

Wyatt and Ruby exchange glances.

PRUE (CONT'D)

You are not going behind my back, are you?

WYATT

Of course not, Prue. 

PRUE

Good. I would hate it.

RUBY

We were just discussing the ceremony tonight among other things.

PRUE

Which are ---

Ruby and Wyatt exchange glances again.

WYATT

The Upper Regions.

Wyatt turns to Prue.

WYATT (CONT'D)

We must find a way to get in.

PRUE

Well, I think I can get there.

And just like that, A Dark Heart shapes where Prue’s heart is and Prue BEAMS out surrounded in some dark BEAMS and then BEAMS just right in.

PRUE (CONT'D)

So?

WYATT

You beamed out.

PRUE

Did a heart appear?

RUBY

Dark heart.

PRUE

(smiles)

Great. I think I can get into Cupid’s Temple then.

RUBY

A Dark Cupid.

Prue smiles.

PRUE

I’m the first of my kind, I guess. The doors will be opened for me.

WYATT

Then, make sure you set that place on fire.

PRUE

I have better plans than that. I’m gonna need my youngest daughter.

Prue smiles and turns to leave, but stops and looks at them.

PRUE (CONT'D)

(smirks)

Try to find a way to get Up There, honey. It won’t take long to shut the whole place down.

Prue walks out of the room. Ruby looks at Wyatt who is serious staring at the doors where Prue just left.

WYATT

She can’t know about this, Ruby.

RUBY

Are you afraid of her?

Wyatt turns to Ruby. He seems upset as her question.

WYATT

I’m afraid of nothing, but my wife is fire and the only place I want to get burn with her is in bed.

Ruby got the message. She is seriously staring at him.

CUT TO:

INT. PRESCOTT MANOR - MAIN BEDROOM - DAY

Some workers are there as some demons are watching them.

OFF THE DOORS - The fly open and Prue comes in. She is upset. She stops as she sees the demons and workers there.

PRUE

(mad)

I want every. Body. Out.

They stare at her.

PRUE (CONT'D)

(out loud)

NOW!

The demons sign the workers to leave the place. The workers leave as well as the demons closing the doors behind them. Prue is left alone there.

PRUE (CONT'D)

I need to stop them to get to Tina.

Prue takes a deep breath and closes her eyes. She concentrates. Takes another deep breath and ---

PRUE (CONT'D)

Tina ---

She is concentrated.

CUT TO:

EXT. SAN FRANCISCO - STREET - DAY

Jo, Matt, and David come walking. Everything seems calm.

DAVID

(to Jo)

I can’t believe you were actually thinking about going there.

JO

It was stupid, I know.

DAVID

Your sisters want to take you to the future.

JO

(mad)

I know.

As she says that, she feels a strong pain in her head and she falls on her knees holding her head.

DAVID

Jo?

MATT

What’s happening?

Matt and David try to understand what’s going on but they can’t.

MATT (CONT'D)

Jo?

Suddenly, the pain stops and Jo hears her in her head.

PRUE (O.S.)

Tina?

JO

Prue?

PRUE (O.S.)

I need you to meet me.

JO

What?

Matt and David exchange glances.

PRUE (O.S.)

We don’t have much time. Golden Gate Bridge in five.

JO

But Prue ---

PRUE (O.S.)

Just do what I’m saying.

And just like that, Jo starts feeling normal again.

JO

Prue?

Jo looks up at David and Matt. They help her to get up.

MATT

What the hell was that?

JO

Prue was in my head.

MATT

What?

JO

I have to meet her.

DAVID

No.

JO

I have to, David.

DAVID

It must be a trap.

JO

Well, I need to go anyway.

And just like that, Jo ORBS out. Matt and David look at each other.

DAVID

I don’t like this, Matt.

Matt is serious.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR - DAY

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Ethan is sitting on the couch watching TV.

OFF TO PANDORA - She comes from the conservatory room and stops for a few seconds, staring at him from behind. Then she takes a deep breath and walks towards him.

PANDORA

Have you called your parents?

Ethan looks up at her.

ETHAN

I have.

Pandora sits beside him and looks at him.

ETHAN (CONT'D)

It’s crazy out there too, but not as it is here.

They stare at each other for seconds and then, Pandora takes his right hand softly.

PANDORA

I’m sorry.

Ethan lowers his gaze.

PANDORA (CONT'D)

I’m sorry you had to find out this way.

Ethan looks at her.

ETHAN

All the times you said you had an ---

PANDORA

Emergency at home?

Ethan nods.

ETHAN

Back there. When we were on missions?

Pandora nods.

PANDORA

This kind of things were the emergencies I used to talk about. Well, not like this. This is worse.

Pandora turns at the TV.

ON THE TV - Images of the chaos all over the country.

PANDORA (CONT'D)

I’m being honest, Ethan. This is something we don’t even know how to stop.

ETHAN

Because your cousins have become evil. But how can someone just becomes evil?

Pandora looks at him.

PANDORA

Do you have time to listen to the Warren Line’s story?

ETHAN

It seems like I’m not getting out of here soon, so ---

Pandora smiles. She gets comfortable in the sofa and starts talking as the sound gets mute and we ---

CUT TO:

EXT. SAN FRANCISCO - CHINATOWN - DAY

Chaos is also what describes the situation on the main street of Chinatown. Several shops have been looted. People run all over the place, some trying to find some protection, others trying to hurt their neighbors.

Chris comes bringing Melinda who’s holding her stomach. Her hand is covered in blood.

CHRIS

Here.

Chris puts her behind a car on the ground.

MELINDA

It hurts a lot, Chris.

CHRIS

Who would know that a Chinese guy was holding so much anger inside?

MELINDA

I don’t care how much anger he was holding inside. He put it out on me. He caught me by surprise.

OFF TO DAMON AND BIANCA - They come in quickly.

DAMON

We got rid of those freaking demons.

BIANCA

Yeah, did you know that even some of my former sister went out of hiding?

CHRIS

I can imagine, darling.

MELINDA

Let’s just hope we don’t find Siobhan any time soon.

Chris puts his hands over Melinda’s injured belly. The hands GLOW.

DAMON

How are you, Mel?

Melinda looks up at Damon.

MELINDA

I’ll be better when this is all over.

Damon lowers down and holds her hand.

ON CHRIS’ HANDS AND MELINDA’S INJURY - The injury is healed and the blood disappears. Chris’ hands stop glowing.

CHRIS

Better?

Melinda nods. Damon helps her getting up.

LIAM (O.S.)

Mel?

They all turn around and see Liam standing there staring at them.

MELINDA

(surprised)

Liam?

BIANCA

(whispering to Chris)

Did he see anything?

CHRIS

We were behind the car out of his point of view.

(looks at Bianca)

Besides, why does it matter now?

Bianca shrugs. Melinda walks towards Liam. He pulls her into a hug as soon as she’s close to him.

MELINDA

What are you doing here?

LIAM

I was worried sick about you. I went to your house ---

They break the hug.

LIAM (CONT'D)

No one there.

Damon lowers his gaze.

LIAM (CONT'D)

I was really worried.

Liam kisses her passionately. Damon raises his glare just to look at it. Chris pats Damon’s shoulder.

Melinda and Liam stop kissing.

MELINDA

I need to take you out of the streets. It’s dangerous out here.

Melinda turns around and glances at the others. She forces a smile. Chris nods. Then, Melinda turns to Liam and both of them walk away.

CHRIS

One thing we know for sure, Damon.

Damon looks at Chris.

CHRIS (CONT'D)

She will marry you.

Damon glances back at Melinda and Liam as they walk away, but soon something else calls for their attention.

A FIREBALL almost hits them. They turn around and see a couple of demons standing before them.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. TOP OF THE GOLDEN GATE BRIDGE - DAY

Jo is there staring at the cars down there.

JO’S POV - Some cars were left abandoned in the bridge. Some others were set on fire. People run back and forward.

ON JO’S FACE - Sad. A tear runs down her face and she wipes it out immediately.

OFF TO PRUE - She DARK BEAMS in. And stares for a few seconds at Jo’s back.

Jo raises up her glance. She can feel her mother there. She turns around slowly and realizes she was right.

Both women stare at each other.

PRUE

Tina ---

JO

It’s Jo.

Prue smiles.

PRUE

Jo.

JO

What was so important?

PRUE

Straight to the point. I like that.

JO

I don’t care.

PRUE

I know you hate me. You don’t need to be so harsh on me all the time.

JO

Don’t I? Look at what you’ve become.

Prue is serious.

PRUE

I am not here to discuss with you what I’ve become. I just came to ask you something.

JO

Ask me what?

PRUE

My daughter, Tina, baby Tina. I want you to take her to a safe place.

JO

There’s no safe place in this world now, Prue. You and Wyatt are making sure of that.

PRUE

It’s exactly because of Wyatt that I’m asking you this.

JO

Tina is not in the manor.

Prue smirks.

PRUE

I know. I know she’s at Piper and Leo’s house.

JO

How do you ---?

Prue opens up her arms as if saying ‘it’s me’.

JO (CONT'D)

Right. You are the Queen.

PRUE

Not until tonight. Look, Wyatt is coming for Tina and he may think she is at the manor, but soon he’ll know where she really is so I need you to take her to another place Wyatt cannot find her.

JO

There’s no other place, mum.

Prue stares at Jo as she hears her daughter calling her mum. Jo notices it.

JO (CONT'D)

I mean Prue.

Prue tries to give it no importance.

PRUE

Jannes. Take her to Jannes and stay there. Your twin sisters haven’t given up in taking you to the future.

JO

So, it’s true. You really made a deal with Jannes.

PRUE

That’s what I do. I am who I am, Jo. And now, I can be who I am, freely.

(pauses)

Now, please, take my Tina to Jannes and stay there you too. I will find a way to reasoning with Wyatt.

Prue is about to beam out, but Jo hasn’t finished.

JO

Why?

Prue doesn’t understand.

PRUE

Why what?

JO

Why don’t you want me with you?

Both of them stare seriously at each other.

PRUE

I don’t have time to be sentimental right now, Jo.

Jo can't hold her tears inside. Prue looks aside.

PRUE (CONT'D)

Another warning.

Jo wipes out her tears.

PRUE (CONT'D)

Wyatt will try to break into the Upper Regions. Tell them to shut the whole place down.

JO

But Wyatt is a Darklighter now.

PRUE

He is the Source, darling. We are. We stop at nothing.

JO

But you don’t want him to succeed. Why?

PRUE

Don’t ask questions. Just do it.

Jo is about to say something, but Prue DARK BEAMS out. Jo stands there just looking at the place her mother was. Confuse.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

Ambulances arriving and leaving.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - E.R. - DAY

Doctors and nurses are like crazy trying to get to all the patients there.

OFF TO ERIC AND BLANCHE - They come from the UTI unit.

BLANCHE

I stopped a few demons on my way here. I was going with the others, but then I remember that I would be needed here.

ERIC

This is insane, Blanche.

Eric stops and looks at her.

ERIC (CONT'D)

You should be hiding. If your sister finds you.

BLANCHE

There’s no point in hiding, Eric. She would find me no matter what.

Eric takes a deep breath.

PARAMEDIC #1

(out loud)

SHUT UP! 

Eric and Blanche turn to see a paramedic screaming at an old lady.

PARAMEDIC #1 (CONT'D)

You are driving me crazy, woman!

The paramedic raises his hand when ---

BEAT. It’s FROZEN.

ON BLANCHE - She stands there holding on her hand.

Eric stares at the paramedic and when he realizes he’s frozen, he looks around.

BEAT. The whole room is FROZEN. Eric turns to Blanche.

ERIC

What the hell did you do?

BLANCHE

It’s called Molecular ---

ERIC

Immobilization. I know that. The entire room ---

BLANCHE

Building.

Blanche looks at Eric as she lowers down her hand.

BLANCHE (CONT'D)

I just froze the entire building, but you.

Eric is open-eyed.

ERIC

I’ve seen this before, but not like this.

BLANCHE

Well, there’s a first time for everything.

Blanche turns and walks towards the paramedic. She leans over him and whispers to him.

BLANCHE (CONT'D)

(whispering)

The old lady has done nothing to you. She’s just a victim. 

Eric stares at Blanche.

BLANCHE (CONT'D)

(whispering)

Hold that anger of yours inside. It’s wrong.

Then, Blanche walks towards Eric the way she was before. She reaches out her hand and UNFREEZES the whole room and building. People start moving normally.

ERIC

What did you do?

The paramedic takes the old lady, calmly, into a room.

BLANCHE

(looks at him)

Another one of my powers. While my sister inflicts rage thoughts, I do the opposite.

ERIC

So, you took every evil thought off of him.

BLANCHE

I wish, but no. I just made him calmer. Those thoughts full of rage will come back to him because it is inside of him. While evil rules, those thoughts won’t be able to remain hidden.

Eric takes a deep breath.

ERIC

Why hasn’t she come for you?

Blanche smiles.

BLANCHE

She’s not running against time, Eric.

(pauses)

We are.

Both Eric and Blanche stare at each other, seriously.

CUT TO:

INT. HALLIWELL MANOR - PRUE & WYATT’S BEDROOM - DAY

No one is there. Jo ORBS in. She glances around. Right after Matt ORBS in bringing David.

MATT

Jo, do you mind to tell us what’s going on? What Aunt Prue wanted?

Jo stops and looks at them.

JO

She asked me to hide Tina from Wyatt.

MATT

What?

DAVID

Why?

JO

Because apparently, he’s coming for me. Baby me, I mean.

Jo pauses to catch some breath.

JO (CONT'D)

She asked me to take the baby and ask for Jannes’ help.

MATT

Jannes?

JO

Yes. Also, she told me they were thinking of invading the Upper Regions.

MATT

We already know that they would do that.

JO

Yeah, we didn’t know when.

Jo goes into the nursery, then she comes back with a baby handbag. She looks at Matt.

JO (CONT'D)

I need you to convince grandmas and grandpas to let me take the baby.

MATT

I don’t think that would be much of a problem.

JO

I know, but I don’t want to go there by myself.

MATT

Fine.

JO

David, you should stay here and let the others know what I’m doing. My God!

Jo realizes something.

DAVID

What?

JO

I don’t know where to find Jannes. He’s probably hiding after Ruby’s plan succeeded. 

MATT

We’ll find a way. I’m not leaving you alone.

Matt and Jo stare at each other.

JO

Thank you, cous.

MATT

No need.

Jo looks at David. Then she rushes into his arms. Matt takes the baby handbag and gets into the nursery. David runs his fingers through her long blond hair.

DAVID

Everything will be okay.

Jo looks at him.

JO

I owe you an answer.

DAVID

It’s not the time for it.

Jo smiles.

JO

How come you are so patient with me?

DAVID

Because I love you.

Jo kisses him softly. He pulls her even more towards him.

OFF TO MATT - He comes out the nursery carrying the baby handbag and stops as he sees them kissing. He stares at them for seconds and smiles.

MATT

I would tell you to get a room, but we are in a rush.

Jo and David stop kissing and smile at each other.

FLASHES TO:

EXT. PRESCOTT MANOR - PORCH - DAY - 2061 - FLASHFORWARD

Some security demons are there wearing their black suits. A man stands before them; Chris.

The front door opens and Wyatt comes out. Imposing. He stops and looks at his brother up and down.

WYATT

Brother. It’s been quite a long time since the last time we were in front of each other.

(thinks)

Five years if my memory is correct. At mum’s funeral?

Chris is deadly serious. Wyatt realizes he hasn’t come to play. Wyatt smirks.

WYATT (CONT'D)

What brings you here?

CHRIS

You know quite well what brings me here, Wyatt.

WYATT

I supposed is not because you want to pay your respects.

CHRIS

I’m sorry that Prue is dead.

WYATT

You’re sorry?

Wyatt smiles sarcastically.

WYATT (CONT'D)

She died because all of you refuse to surrender to us. To your Source and Queen.

CHRIS

No, Wyatt, she died because in all these years she finally let her good side to win over her evil self.

WYATT

What’s good in being good, Chris?

Wyatt walks towards his brother.

WYATT (CONT'D)

Nothing.

CHRIS

Everything, Wyatt.

WYATT

You’re wrong. You are weak, Chris.

They are inches from each other and stare face to face.

WYATT (CONT'D)

All of you are.

CHRIS

Release the girls, Wyatt.

Wyatt smirks.

WYATT

Oh, now we are getting somewhere.

Wyatt walks around Chris while the last remains still.

WYATT (CONT'D)

You know, there’s a condition for me to release my nieces.

(smiles)

You have to understand, Chris, that I can’t give you something without having something in return.

Wyatt stops in front of Chris.

CHRIS

What do you want?

WYATT

I want her back.

Chris frowns.

WYATT (CONT'D)

Find a way to get my wife back and I’ll release the girls.

CHRIS

Prue is dead. I can’t bring back the dead.

WYATT

No, you can. But I know you know who can.

It doesn’t take too long for Chris to understand what or who his brother is talking about.

CHRIS

They would never agree if I ever get to talk to one of them. They never showed up since you became the Source.

WYATT

Find a way.

Wyatt steps back.

WYATT (CONT'D)

You know what? I’ll make it easy for you. You have my word that for seventy-two hours there would be a free way.

(pauses)

The Upper Regions can open their doors I won’t try to get in. So, you can pass the message.

CHRIS

I don’t know how, Wyatt

WYATT

You know people that know how, Chris. Try the Shadow Witches. I’m sure they know how to get to the Avatars.

CHRIS

You are thinking of changing reality, Wyatt.

WYATT

Not the whole reality. I just want Prue back.

Wyatt turns around to enter the house.

WYATT (CONT'D)

Do that and you’ll be able to see your daughters again, Chris.

Wyatt walks into the house. The doors close.

ON CHRIS - He is serious.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ENTRANCE - DAY - PRESENT

THE FRONT DOOR OPENS.

Melinda comes in followed by Liam who closes the door behind him.

MELINDA

You didn’t have to come, Liam.

LIAM

Are you kidding? It’s bad outside.

MELINDA

I know.

LIAM

I just wanted to make sure you were okay.

MELINDA

I am okay.

Liam approaches her and touches her face.

LIAM

I was worried sick about you, Mel. You didn’t pick up my calls.

MELINDA

I was busy.

LIAM

The world is coming down and I can only think about you.

MELINDA

Liam ---

He cuts her off with a kiss. He kisses her as if he’s claiming her to him. Melinda has no reaction until he deepens the kiss and then Melinda pulls back.

MELINDA (CONT'D)

Stop.

Melinda tries to catch her breath. Liam shots her a look.

MELINDA (CONT'D)

I’m sorry. I’m just ---

Melinda looks at him.

MELINDA (CONT'D)

It’s not the right moment for that, Liam.

LIAM

Mel, ---

Liam tries to approach her.

LIAM (CONT'D)

About my proposal ---

MELINDA

I’m thinking. Okay? I just need time.

LIAM

I love you, Mel.

MELINDA

I know, I love you too, but it’s not the right moment.

Liam nods.

LIAM

I understand. I guess I’ll leave you now.

MELINDA

Be careful.

LIAM

(smiles)

Nothing will happen to me.

She approaches him and kisses him quickly.

MELINDA

Call you later?

Liam nods. Then he turns around and leaves. Melinda closes the door then turns around and takes a deep breath.

OFF TO DAVID - He comes downstairs.

Melinda looks at him.

MELINDA (CONT'D)

Oh, David. I didn’t know someone was here.

DAVID

It’s just me.

MELINDA

Where’s Jo and Matt?

DAVID

They went to hide baby Jo. I mean, Tina.

MELINDA

Hide? But why?

DAVID

Because we might have some visitors that cannot find the baby now.

MELINDA

You are not making any sense.

DAVID

I’ll explain. But first, we need to get some other in. The more the merrier.

David signs her to follow him into the living room. Both walk in.

CUT TO:

EXT. CUPID’S TEMPLE - OVER THE MEDITERRANEAN SEA AT THE COASTLINE OF ITALY - DAY

THE CLOUDS surround the temple.

CUT TO:

INT. CUPID’S TEMPLE - MAIN SQUARE - DAY

Alyssa is there giving orders to cupids and cherubs in there. Cassandra is there beside Alyssa.

ALYSSA

The orders are clear. We must lock down this place.

CUPID #1

But we never did that?

CUPID #2

Is it even possible? A Dark Cupid?

ALYSSA

Dark Cupid, Angel of Hate, whatever you call it is one of a kind and we never had to lock down the place for something like that.

CUPID #1

It’s Prue Halliwell for crying out loud. She won’t do us any harm.

ALYSSA

I’m not that sure.

Cassandra steps forward.

CASSANDRA

Look, I know my sister. She won’t do this willingly, but we know that she tries to come in and succeeds. 

All the cupids exchange glances.

CASSANDRA (CONT'D)

That’s why this time we have to do more.

CUPID #3

What’s more? How do you know that she’ll succeed?

ALYSSA

There’s some intel from the future.

CUPID #4

Then, how do we stop them?

Cassandra and Alyssa exchange glances.

CASSANDRA

I really don’t know.

Cassandra looks at her cupid colleagues.

CASSANDRA (CONT'D)

We must try our best.

PRUE (O.S.)

Don’t even bother.

The group of cupids open way as Prue walks between.

CASSANDRA

(astonished)

Prue!

Prue stares at her sister as she walks towards her.

PRUE

Hello, sis.

CASSANDRA

Please, Prue ---

PRUE

What?

Prue smiles.

PRUE (CONT'D)

Don’t do it? That’s who I am now and this is what I do now.

ALYSSA

What do you want?

Prue smirks. She is somehow enjoying it. Then, she turns to the cupids and cherubs.

PRUE

Listen to me.

All eyes on her.

PRUE (CONT'D)

There’s a new boss in town.

Prue smiles.

PRUE (CONT'D)

So, all of you can start running and hide the best you can or you can join me willingly and you’ll live.

Cupids start muttering.

PRUE (CONT'D)

(out loud)

SILENCE!

They all stare at Prue. Terror is seen in their faces.

PRUE (CONT'D)

Run!

As she says that, Patience DARK BEAMS in holding hands with a couple of demons who hold hands with some other and so. Like a dozen demons are brought here by Patience.
Every cupid and cherub leave as fast as they can. Only Alyssa and Cassandra stand there.

ALYSSA

Why?

Prue turns around.

PRUE

(smiles)

As I said, there’s a new boss in town.

Prue walks pass them followed by Patience. Cassandra turns to Alyssa.

CASSANDRA

How do we protect the temple?

ALYSSA

If Prue gets to Cupid’s Room ---

CASSANDRA

What happens?

ALYSSA

Tell every cupid you find to beam out and take off the ring. To hide it on the ground in a cemetery.

CASSANDRA

(astonished)

What?

SOUND - Screams.

ALYSSA

That’s the only way to be safe. If Prue gets a hand on Cupid’s Bow and they wear the ring, they will be under her commands.

CASSANDRA

Then I and Charlotte must do it too.

ALYSSA

You certainly do. Save yourself, Cassandra.

Alyssa walks away quickly. Cassandra is astonished.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

The place is calmer now. Only Alex, Melissa, Michaela and Charlotte are there. Michaela is by the window staring at the clouds. Alex is sitting on the couch and checking his phone. Melissa is at her computer and Charlotte walks back and forth.

MELISSA

Reception here is great.

Charlotte’s phone buzzes. She’s got a text and reads it.

CHARLOTTE

My God!

Alex raises his gaze from the phone.

CHARLOTTE (CONT'D)

Prue has gone into Cupid’s Temple.

ALEX

What?

MELISSA

Cupid’s Temple?

Charlotte looks at her cupid ring and then takes it off.

CHARLOTTE

I must go. I need to bury the ring.

ALEX

(stands)

What?

CHARLOTTE

I’ll explain later. I have to get to dad, first.

Charlotte BEAMS out.

MELISSA

Where’s Cupid’s Temple?

ALEX

I don’t know. Never been there.

Alex sits back in the couch.

ALEX (CONT'D)

Mum and dad took my brothers Up There.

MELISSA

Up There? Do you mean the Heavens? The place where you all Whitelighters are from.

ALEX

That’s correct.

MELISSA

What’s the matter?

ALEX

They asked me to go.

MELISSA

Are you?

Alex looks at Michaela who seems lost in her thoughts.

ALEX

No. I’m needed here.

OFF TO JUNIOR ORBING IN - He brings Henry along. Tamora also ORBS in. Henry is mad and gets lose of Junior.

Alex and Melissa look at them.

HENRY

I told you to let me go, Junior.

Henry looks around.

HENRY (CONT'D)

You brought me here.

JUNIOR

Dad, I told you already. It’s dangerous down there.

TAMORA

It’s true, dad. You don’t have Warren blood. They won’t mind if you die.

HENRY

I’m their Uncle, thank you.

JUNIOR

And our father. So, stay here.

Junior turns to Melissa.

JUNIOR (CONT'D)

Are you okay?

MELISSA

Reception here is good so, I can keep posting my articles about that Ruby bitch.

JUNIOR

I asked you to stop it, Melissa. That’s what gets you killed.

MELISSA

Well, J., I don’t have powers so that’s my way to fight.

Junior exasperates.

TAMORA

We’ll deal with this later, Junior. Let’s go.

Junior glances one last time at Melissa and then ORBS out. Tamora turns to Alex.

TAMORA (CONT'D)

Take care of them.

Alex nods. Then, Tamora ORBS out.

ALEX

(to Henry)

Coffee?

Henry looks upset. He shakes his head. Alex and Melissa exchange glances.

CUT TO:

INT. CUPID’S TEMPLE - CUPID’S ROOM - DAY

The place is a big and white ‘room’ with no walls and surrounded by clouds. In the center of the room, there’s some kind of all in white bandstand decorated with pink and white flowers. In the center, there is a golden bow; CUPID’S BOW. Where there should be walls, instead the sky can be seen, where the sun shines bright and the clouds have a pinky shade.

OFF TO THE ENTRANCE - The one door in the ‘room’ is white and seems heavy. It opens and through it, Prue walks in.

Prue smirks as she gets in. Her eyes set immediately on CUPID’S BOW.

CUPID (O.S)

You shouldn’t be here!

The male voice sounds imposing. Prue glances around.

PRUE

Cupid!

YEAH. The one and only. Prue walks straight to the bandstand with her gaze fixed on the bow.

CUPID (O.S)

Prue, you are not supposed to enter this room.

PRUE

I can do whatever I want, Cupid, darling.

CUPID (O.S)

You don’t belong here anymore.

PRUE

We’ll see about that.

She starts climbing the stairs.

CUPID (O.S)

You can’t touch it, Prue.

Prue doesn’t care. She keeps walking at pace until she finally is inches from the bow. She stares at it.

CUPID (O.S; CONT'D)

(out loud)

PRUE!

Prue looks around.

PRUE

Believe me, Cupid, I’m only doing you a favor.

Prue smirks. She reaches out her hand and ---

CUPID (O.S)

(out loud)

NO!

Prue touches the CUPID’S BOW and as she does, the bow’s golden color starts fading out and being replaced by black.

THE SKY OUTSIDE loses the pinky shade which is replaced by a dark shade of gray.

THE CLOUDS turn to grey.

Prue can feel the power of the bow running through her hands and filling her. She closes her eyes and takes it in as simple as breathing.

Prue opens her eyes and smirks as she fixes the bow.

PRUE

It’s done.

She smiles wickedly.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. UNDERWORLD - DARK WIZARD’S CAVE - DAY

Jannes is on a corner sitting on the floor. His wand is right beside him. It’s like he’s waiting for a confrontation.

OFF TO SOME PURPLE ORBS - Jo ORBS in bringing Matt and baby Tina.

Jannes rises his gaze and as soon as he sees them, he takes his wand and gets up and points the wand to them.

JANNES

What are you doing here?

JO

We need your help.

MATT

You don’t need to fear us, we are on the same side, remember?

JANNES

How did you find me?

JO

She knew.

Jo lowers her gaze to look at baby Tina in her arms and then looks at Jannes.

JO (CONT'D)

She was here before. The day she was born.

(pauses)

I was.

Jannes looks at the baby. Then takes back his wand.

JANNES

You said you need my help. On what? Ruby has won. It’s just a matter of time for her to find me.

MATT

Ruby can't kill you.

JANNES

Someone can.

(to Jo)

Your father.

Matt and Jo exchange glances.

JO

(to Jannes)

It’s exactly from my father that we need you to protect us from.

Jannes doesn’t understand.

JO (CONT'D)

If he gets hands on the baby, the future would change for worse.

Jannes looks at the baby again.

JANNES

Because you wouldn’t be here.

Jo nods.

JO

It’s not forever. Prue will try to stop him to get to me.

Jannes looks at Jo. Then, he turns around and thinks for a few seconds. Then, he turns around and looks at them.

JANNES

Very well. I need you to help to cast some protection spells on the cave.

MATT

What do you need?

JANNES

How many protection spells do you know?

MATT

A few.

JANNES

I’ll show you a few more.

Matt nods. Then both Matt and Jannes walk away. Jo looks at baby Tina.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL SHOTS all over the town as demons, wearing black clothes, march freely on the streets. People stop to stare at them.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

No one is there.

OFF TO BLACK ORBS - Wyatt BLACK ORBS in as Ruby RED SMOKES in.

Wyatt's eyes set immediately on the Book of Shadows. Ruby follows his gaze.

RUBY

We should take it with us too.

Wyatt reaches out his hand to touch the book when ---

OFF TO CHRIS - He comes in followed by Melinda, Bianca, and Damon.

CHRIS

Don’t even think about it!

Chris’ voice is firm and commanding. Wyatt and Ruby look at him. Wyatt smirks.

WYATT

Little brother!

CHRIS

Get out of here, Wyatt. You’re not welcome here while you are evil.

WYATT

You better get used to this, bro.

MELINDA

She’s playing you, Wyatt.

Wyatt glances at Ruby, then stares back at them.

WYATT

She freed me.

RUBY

Let’s take Tina and get out of here.

BIANCA

Tina isn’t here.

Wyatt looks at Bianca, then, at Chris.

WYATT

Are you really letting your powerless wife defy me, Chris?

BIANCA

I’m not powerless.

Bianca WAVES her hand and created an ENERGY BALL. Wyatt smirks.

WYATT

Well, well, well. The Phoenix Witch is back.

BIANCA

Never left.

WYATT

We could use one by our side. 

BIANCA

Never.

WYATT

You guys better accept what’s to come. Things will be easier if you do.

DAMON

We’ve chosen our side, Wyatt.

WYATT

You’ll regret it. Now ---

He walks towards them.

WYATT (CONT'D)

--- my daughter, please.

MELINDA

She’s not here.

WYATT

You know you can’t hide her from me.

CHRIS

You are not taking her.

WYATT

(mad)

It’s my daughter!

PRUE (O.S.)

It’s mine too.

Wyatt turns around and ---

BEAT.

OFF TO PRUE - who comes from the shadows and walks into the light.

Ruby turns around.

PRUE

(to Wyatt)

I asked you not to.

WYATT

It’s our daughter. She should grow up by our side.

PRUE

And the decision should be even. But you came behind my back.

WYATT

I never said I agreed with your decision.

PRUE

I never said I agreed with yours.

Prue and Wyatt stare at each other.

PRUE (CONT'D)

It should be her decision, Wyatt. Being good or evil is anyone’s decision.

(pauses)

Not ours.

Ruby turns to Wyatt.

RUBY

Don’t listen to her, Wyatt. The outcome will be the same and the girl will end up traveling back in time again.

PRUE

Oh, shut up!

Prue WAVES her hands and THROWS, TELEKINETICALLY, Ruby against some shelves. Ruby lands on the floor astonished and the shelves destroyed.

Actually, everybody is astonished.

WYATT

What did you do?

Wyatt is about to head to Ruby and help her, but ---

PRUE

Don’t you dare!

Wyatt stops and stares at Prue.

PRUE (CONT'D)

It’s us, Wyatt. We don’t need a third wheel.

WYATT

It’s not like that, but she freed us.

PRUE

And we owe her that. Nothing more.

Ruby stands.

PRUE (CONT'D)

She’s an advisor to the new kingdom we are building here.

Wyatt looks at Ruby.

RUBY

She’s right.

It’s clear that she doesn’t agree, but hides her true feelings.

RUBY (CONT'D)

The decisions that concern to both of you, should be taken by both of you.

Wyatt looks at Prue.

WYATT

Very well. But I won’t give up until we get our daughter by our side.

PRUE

When she decides to, if she decides to, we’ll take her in.

Wyatt turns to Chris, Melinda, Bianca, and Damon.

WYATT

I hope you change your minds and join us.

CHRIS

Our decision has been taken, Wyatt.

Wyatt and Chris stare at each other, seriously.

RUBY

We must get ready for the ceremony.

Wyatt nods to Ruby. Then, he DARK ORBS out. Ruby turns to Prue.

RUBY (CONT'D)

Your Majesty?

PRUE

I’ll be right there.

Ruby nods. Then, she RED SMOKES out. Prue looks at the others.

CHRIS

Are you truly evil?

Prue smirks. She walks towards the Book of Shadows and looks down at it. Then she looks at them.

PRUE

Do you really want to see how evil I am?

Chris and Prue stare at each other.

PRUE (CONT'D)

Keep her safe.

MELINDA

We’ll find a way to bring you back, Prue.

Prue smiles. Chris turns to leave. Then, Bianca leaves followed by Damon. Melinda stares at Prue. Prue looks at the book.

PRUE

There will come a day I will take it with me.

MELINDA

Not while you’re evil.

PRUE

We’ll see about that, Mel.

(pauses)

Be a good mother to my daughter.

Melinda nods. Then, she turns around and leaves. Prue looks at the book again and reaches out her hand to touch it. She hesitates but then ---

BEAT. She touches the book and nothing happens. The book doesn’t repel her.

ON PRUE - She smiles.

She then DARK BEAMS out.

ON THE BOOK OF SHADOWS.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

MUSIC - 'In Vain' by Within Temptation.

SHOTS ALL OVER the most famous points of interest of the town as the sun goes down and the moon appears in the sky.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CORRIDORS - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Serena is there in the middle of the hall. Prue is also there. Serena holds her hand.
ON PRUE’S HAND - Serena uses an athame to cut the palm of Prue’s hand. It bleeds.
Then, Serena turns Prue’s hand palm down and the blood drops on the ground.

ON - BLOOD HITTING THE GROUND.

SERENA

‘Protego te;

Sanguis;

Sanguinem meum;

Clavis ad libertatem.’

ON THE BLOOD ON THE GROUND - The drop of blood suddenly starts spreading. It spreads on the ground, through the walls ---

The flame on the torches raises up and a bright energy surrounds the place.

Serena looks at Prue.

SERENA (CONT'D)

It’s done.

Prue smirks.

SERENA (CONT'D)

Only a Warren can open any cell from the outside.

PRUE

Good. Now ---

Prue walks pass Serena then she turns around.

PRUE (CONT'D)

Where’s the Oracle?

Serena signs her to follow her. Both women walk down the corridor.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

ON AISLING’S FACE - She has her eyes closed.

Aisling is sitting cross-legged.

ON THE DOOR - The heavy door opens.

Serena comes in followed by Prue.

Aisling opens her eyes and looks at them. She stands.

PRUE

These symbols ---

SERENA

The blood has been replaced.

PRUE

Good.

AISLING

What’s going on?

Prue turns to Aisling and smiles.

PRUE

You are free.

Aisling smiles big. Serena is surprised.

SERENA

What?

PRUE

(to Aisling)

Let’s go.

Aisling nods and walks out of the cell.

SERENA

But ---

PRUE

No buts.

Prue turns to leave. Serena is about to leave too, but Prue turns to face her.

PRUE (CONT'D)

You are not going anywhere, Serena.

SERENA

(surprised)

What?

PRUE

You’re staying here.

SERENA

But why?

Prue walks towards her. Their faces are inches from each other.

PRUE

Because I want to make you suffer.

Serena swallows. Prue smirks evilly. Then Prue turns around and leaves the cell closing the heavy door. Serena is left there in the dark.

ON SERENA’S FACE - She looks terrified.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CORRIDOR - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Prue and Aisling stare at each other.

AISLING

Thank you, ---

(pauses)

--- Your Majesty.

Prue smiles.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT (SHORTLY AFTER)

MUSIC KEEPS PLAYING IN THE BACKGROUND.

The whole room is full of demons and other evil beings. By the throne chairs, are Ruby, Peri, Patience, and Aisling as well as a DARK PRIEST who’s holding a GRIMOIRE.

ON THE DOUBLE DOOR - They are opened and both Wyatt, wearing an elegant black suit, and Prue who wears a black strapless dotted tulle gown and cape overlay.

Both of them walk at pace towards the Dark Priest, holding hands.

They stop in front of the Dark Priest and exchange glances.

RUBY

It is time.

MUSIC FADES OFF.

Wyatt and Prue nod. The Dark Priest opens the Grimoire and chants the Votum Sanguinis spell.

DARK PRIEST

‘His verbis invocamus

potentias tremendas

fontis ipsius

In hac hora descendant malum

Et coronam imponat

super virum electum.’

ON PRUE AND WYATT - They are serious.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

No one is there.

ON THE BOOK OF SHADOWS - The triquetra on the Book Of Shadows splits apart.

FLASHES TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - UNKNOWN TIME OF DAY - 2061 - FLASHFORWARD

ON SERENA - The woman is sitting on the floor of the cell with her head leaning against the wall. Her beauty is long gone. The white gown is torn and dirty.

OFF TO THE DOOR - It opens.

Serena looks at it as she sees someone coming in; Ruby.

RUBY

The Source has ordered your freedom.

ON RUBY - She smiles.

FLASHES BACK TO:

EXT. SAN FRANCISCO - GOLDEN GATE PARK - NIGHT

The place is full of people, demons and other magical beings.

Eliana Domingues and the cameraman are there too. Eliana speaks to the camera.

ELIANA DOMINGUES

It’s half past midnight and we are gathered here to attend the pronunciation of those who claim to say the King and Queen of the World.

(pauses)

What does it mean? Presidents, Prime Ministers, the Royal Families have made a statement that their role as King and Queen are to be taken seriously.

(pauses)

Are we heading into a World Government? A single state of authority over the entire Earth?

RUBY (O.S.)

Your attention, please.

Ruby is on a stage placed on the middle of the park.

RUBY (CONT'D)

Welcome the Source and Queen of All Evil!

Ruby steps back to present Wyatt and Prue and the Source and Queen.

From the public, only evil beings and a few mortals applaud Wyatt and Prue.

WYATT

(out loud)

Listen to me.

Wyatt uses VOICES MANIPULATION to increase the tone of his voice.

WYATT (CONT'D)

From now on, we are the one Source and Queen.

People exchange glances.

WYATT (CONT'D)

If you want to live, you must submit to our authority. 

(pauses)

Dead is what comes for those who would not submit to us, your new rulers.

(pauses)

We can also be the End for those who refuse us.

Prue looks at Wyatt. He sounds authoritarian. He’s not kidding. He is truly evil.

RUBY

Long live the Source and his Evil Queen.

The crowd, most of them, repeat:

CROWD

LONG LIVE THE SOURCE AND HIS EVIL QUEEN!

They repeat the phrase all over again.

ON WYATT AND PRUE - They smile at the crowd.

The camera moves away as we ---

CUT TO BLACK.

END OF THE EPISODE