4x19 - Show of Horrors, Part II

[Prue Brianna Johnna Halliwell]

DESTINED

"SHOW OF HORRORS, PART II"

TEASER

OVER BLACK.

FADE IN:

INT. WASTELAND (DEPTHS OF THE UNDERWORLD) - UNKNOWN TIME OF THE DAY

This place is a vast DESERT inhabited by souls and essences of those who regret having not completed their goals while alive and were left to suffer for eternity.

Many SHADOWS, who are nothing more than mere souls in disgrace, wander on this place forgotten but all that exists.

In the AIR, the darkest of the SHADOWS is seen wandering in the form of an ESSENCE, a mere smoke. LOST. FORGOTTEN. READY to get back and fulfill his darkest plans.

A WALL OF FIRE is on the other side of this hellish place. The SMOKE flies towards it and attempts to cross it, but ---

The WALL OF FIRE gets intensified and the SMOKE is forced to turn back.

SOUND - A loud scream. Not a scream of pain. A scream of RAGE instead.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

STOCK.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - NIGHT

Prue is pacing the place while Aisling stares at her. Prue seems worried. She has reasons for it after all.

AISLING

(rolls her eyes)

Can you stop? You’ll make a hole in the floor.

PRUE

If it takes me out of here so I can stop this whole mess ---

AISLING

Things will get worse, Prue.

Prue stops and stares at the Oracle.

PRUE

(serious)

Is that your way to calm me down, Oracle?

AISLING

Getting nervous isn’t helping.

PRUE

So, what would help?

Prue and Aisling stare at each other.

SOUND - The heavy steel door opens.

Prue and Aisling turn at it.

OFF TO THE ENTRANCE - Serena comes in smiling.

SERENA

(to Prue)

There’re some visitors that wish to see you.

PRUE

Who?

Serena turns to the entrance and motions some people to come in.

BEAT. Peri and Patience come in. They stare at Prue. Prue turns at Aisling who shrugs. Then, Prue turns to the twins and Serena.

PRUE (CONT'D)

(to Peri and Patience)

You were the ones who took me here.

PATIENCE

Yes, we are.

SERENA

C’mon, girls, we don’t have the whole night. Ruby will come in soon and I don’t want her to find out I let you in.

PERI

Oh, shut up!

Peri WAVES her hands and, using MOLECULAR IMMOBILIZATION, she freezes Serena.
Prue and Aisling exchange glances. Peri turns to Prue.

PERI (CONT'D)

She was bothering me.

Patience runs towards Prue and hugs her tightly. Prue doesn’t understand why.

PRUE

Who are you?

Patience breaks the hug and stares at Prue in the eyes.

PATIENCE

Don’t you know who we are?

PERI

Of course, she doesn’t know, Pat.

Patience glances at Peri and then back at Prue.

PATIENCE

You will know who we are soon.

Prue glances from Peri to Patience.

PATIENCE (CONT'D)

You just have to accept what Ruby is offering and we all can be reunited as a family.

PRUE

Family?

PATIENCE

Yes, mum, our family.

PRUE

(astonished)

Mum?

Patience takes her mother’s hands between hers.

PATIENCE

You don’t want to lose us, mum. We are your own blood.

Peri approaches them. Prue looks from Patience to Peri.

PRUE

I am your mother?

PERI

You will be.

PATIENCE

But for that to happen you need to become who you are supposed to be.

Prue withdraws her hands. Patience seems disappointed.

PRUE

I won’t become evil.

PATIENCE

You have to. Otherwise our existence ---

PERI

She doesn’t care about us, Pat.

Prue looks at Peri.

PERI (CONT'D)

The one that always mattered the most for her was Jo.

Patience looks at Peri.

PATIENCE

She always loved us, Per.

PRUE

How can you know love if you are evil?

Peri approaches Prue. She seems mad.

PERI

Because you taught us to love.

Peri and Prue stare at each other.

PERI (CONT'D)

We are your daughters.

PRUE

I ---

PATIENCE

Mum, please, accept what Ruby’s offering. I promise you’ll have power as you always wanted.

PRUE

No.

Peri gets mad.

PERI

C’mon, sis. It’s obvious that she doesn’t care about us.

PATIENCE

She’s our mother, Per. She must feel something.

Patience looks at Prue.

PATIENCE (CONT'D)

Right?

Prue doesn’t know what to say.

PATIENCE (CONT'D)

Right, mum?

Peri looks at Prue, also waiting for an answer. Prue’s eyes get wet.

PRUE

I ---

(pauses)

--- Feel something.

Patience smiles.

PRUE (CONT'D)

But I can do what you’re asking. I won’t become evil.

PERI

You will, mum.

Prue looks at Peri.

PERI (CONT'D)

I just wished that this time you’d do it because you want to and not because you’re forced to.

(to Patience)

Let’s go, Pat.

Peri approaches Serena and WAVES her hands, unfreezing Serena.

SERENA

(confused)

What ---?

She looks at Peri.

SERENA (CONT'D)

(understands)

Of course, one of the three.

Patience approaches Prue and hugs her again.

PATIENCE

Please, mum. We are your daughters too.

Prue hugs Patience back. Peri looks at them over her shoulders.

PERI

Patience!

Patience breaks the hug and both Prue and Patience stare into each other’s eyes.

PATIENCE

We both love you. She’s a little bit rebel than me. You know, the middle sister.

Patience smiles. Peri walks out of the cell. Patience turns around and walks out of the cell too. Serena smirks and looks at Prue.

SERENA

One takes after mummy and the other after daddy.

(pauses)

I can’t wait until this whole future unfolds itself before our eyes.

Serena smirks wickedly and turns to leave. Prue turns to Aisling.

PRUE

My daughters?

She seems more astonished than ever.

AISHLING

The next generation of Charmed Ones.

ON PRUE - She is serious. Thoughtful.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Segei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Peter Facinelli as Sebastian

Alex Mauriello as Aisling (Oracle)

Matt Lanter as Matt

Nina Dobrev as Patience

Alexandra Chando as Peri

Abigail Spencer as Serena

Ian Somerhalder as Liam

Colton Haynes as Pierce

Michelle Trachtenberg as Phoenix

Zoey Deutch as Peyton

Tiera Skovbye as Victoria

Addison Timlin as Posie

Chris Wood as Ethan

Andrew J. West as David

Unknown actors and actresses as demons

Unknown babies as Baby Christina and Baby Matt

Unknown actor as News Reporter

Unknown actors and actresses as People

Unknown actors and actresses as Rebels

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL SHOTS all over the town at the sound of ‘Open Your Eyes’ by Bea Miller.

Several spots all over the town are shown as the night gets darker in the city.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

MUSIC KEEPS PLAYING.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

MUSIC FADES OFF.

Jo is desperately pacing the room.

JO

This can’t be happening. I did nothing to change this.

Melinda and Chris are there watching her.

JO (CONT'D)

All this is my fault. I should have done more.

Melinda tries to approach her, unsuccessfully.

MELINDA

Jo, please ---

OFF TO THE ENTRANCE - Matt comes in holding a cup of tea. Melinda turns to Matt and takes the cup from him.

MELINDA (CONT'D)

Jo, darling, just drink this. It will calm you down.

JO

I don’t want to calm down.

Jo is getting mad and unintentionally she WAVES her hands and blows up the cup Melinda is holding. Melinda is astonished. Jo looks at Melinda with an ashamed look.

MELINDA

(mad)

You need to calm down, girl.

JO

I’m so sorry, Aunt Mel.

Melinda looks at Jo as she hears her calling her aunt. Her look gets softer.

CHRIS

Are you okay, Mel?

Melinda looks at Chris.

MELINDA

I am.

JO

I told you guys she was the one who took him to the evil side.

CHRIS

I still can’t believe it.

MELINDA

Neither can I.

MATT

So, it’s true? Aunt Prue took Uncle Wyatt?

CHRIS

We saw it.

MELINDA

No. We don’t know what we saw.

JO

Yes, we do. Prue came for Wyatt because she takes him to the evil side.

MELINDA

I don’t want to believe that. There must be an explanation.

CHRIS

Yeah, and Wyatt ---

Chris is thoughtful.

CHRIS (CONT'D)

He wouldn’t just leave with her. Not just like that.

JO

You saw it.

MELINDA

Jo, stop it.

Jo lowers her gaze.

MELINDA (CONT'D)

We don’t know what we saw.

OFF TO THE ENTRANCE - Charlotte and Damon come in.

CHARLOTTE

Liam finally left.

They turn to Charlotte.

CHARLOTTE (CONT'D)

It was hard to hide this whole mess from him, but he’s finally gone.

DAMON

Yeah, that Liam character showed up in the wrong moment.

Melinda shots Damon a look. Damon looks aside.

DAMON (CONT'D)

What happened?

CHRIS

Prue.

JO

She came and ---

MELINDA

And nothing. That wasn’t Prue.

JO

Mel ---

MELINDA

(truly mad)

That wasn’t Prue, dammit!

Melinda storms out of the room quickly.

CHARLOTTE

She’s got reasons to be mad like that. All this situation plus being proposed.

CHRIS

Mel was proposed?

Charlotte nods yes.

DAMON

I’ll be right back.

Damon turns to leave. As Damon leaves, Bianca comes in. she’s on the phone.

BIANCA

(on the phone)

--- Yes, Piper. No, the babies should better stay there for a while.

(pauses)

--- No, just until we figure out this demon situation.

(pauses)

--- Sure. Thank you.

Bianca hangs off the phone. She looks at them.

BIANCA (CONT'D)

We can’t keep this from them for too long.

CHARLOTTE

Yeah, it’s true. I had to lie to mum and dad when they called earlier.

CHRIS

Well, I think we won’t have to lie to them any longer.

They all look at Chris.

CHRIS (CONT'D)

If Prue and Wyatt become evil, the whole World will find out sooner than we think.

MATT

That’s true. As they become the Source and Queen of All Evil everything will run fast.

CHRIS

Wait ---

(thoughtful)

--- The Source.

Chris looks at his son.

CHRIS (CONT'D)

Wyatt becomes the Source.

MATT

Yeah? Both of them will become the Source and Queen of All Evil.

CHRIS

But what does it mean?

MATT

I’m not following, dad.

CHRIS

The Source is what they call him or what he is?

MATT

I don’t ---

JO

I know what you want to know, Chris.

Chris looks at Jo.

JO (CONT'D)

Do you want to know if Wyatt is possessed by the Source’s essence?

Chris nods.

CHARLOTTE

Right, because the Source itself is an essence.

CHRIS

Exactly.

Chris, Charlotte, and Bianca look at Jo and Matt.

CHARLOTTE

Wait, Chris, the Source was destroyed once and for all when we vanquished Leah.

CHRIS

Maybe not. It got disembodied much likely.

BIANCA

And what? Has wondered around until it would be able to find a new body?

CHRIS

Why not?

JO

It makes sense.

MATT

Yeah, Wyatt always claimed himself as the Source of All Evil. Maybe dad is right.

CHRIS

If I am, maybe we can do something to stop it.

JO

How?

CHRIS

We can stop Wyatt and Prue from taking the Source essence in and maybe ---

(pauses)

--- just maybe we could be able to undo this.

CHARLOTTE

I don’t know, Chris. If we tried that before ---

Charlotte looks at Matt and Jo.

CHARLOTTE (CONT'D)

I mean, in their timeline. Why didn’t it work?

CHRIS

Because we didn’t ---

(confused)

--- won’t ---

(shrugs)

--- whatever, we didn’t know what we do know now.

BIANCA

Then, what are we waiting for? Let’s save Prue and Wyatt.

They all exchange glances.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - NIGHT

Melinda comes in. She seems disoriented. Damon comes in right after her.

DAMON

Mel!

Melinda turns around to face him.

DAMON (CONT'D)

Are you okay?

Melinda lowers her gaze.

MELINDA

I’m all, but okay, Damon.

She looks at Damon.

MELINDA (CONT'D)

I just found out that my brother and best friend become the Source and the Queen of All Evil. That I actually ended up marrying you and that I would die at the hands of a Firestarter.

(pauses)

And as if that wasn’t enough, the man that I’m currently dating storms into my house in the middle of a crisis and proposes to me.

Melinda takes a deep breath.

MELINDA (CONT'D)

I’m not okay.

Damon doesn’t think twice and rushes to hug her. Melinda hugs him back. Not as a friend, but as someone she loves more than anything.

MELINDA (CONT'D)

I am not okay, Damon.

There are tears on Melinda’s face.

DAMON

We’ll fix this, honey.

Melinda raises her glance at Damon. Both of them look into each other’s eyes.

MELINDA

I don’t know what to say to Liam, Damon.

Damon touches her face softly.

DAMON

I’m not going to tell you what to do about that, Mel.

MELINDA

Why can’t it be simple?

Damon forces a smile and keeps hugging her. Melinda buries her face in his chest.

MELINDA (CONT'D)

That wasn’t Prue, Damon. It can’t be.

DAMON

I know.

Both of them keep hugging each other.

CUT TO:

INT. PRESCOTT MANOR - RUBY’S BEDROOM - NIGHT

Ruby comes in followed by Serena. She’s wearing the same clothes she used when she disguised as Prue.

SERENA

Did everything go well?

RUBY

Didn’t you see Wyatt down there?

SERENA

I did.

(smiles)

Cute.

Ruby turns to Serena.

RUBY

Don’t even think about it, Serena.

SERENA

I won’t. Don’t worry.

Ruby turns around and enters inside the walk-in closet.

SERENA (CONT'D)

So, what’s next?

RUBY (O.S.)

Now, I get Wyatt to accept his dark side.

SERENA

Are you sure he will break easily?

RUBY (O.S.)

I am.

Serena smiles.

SERENA

Good, because we are running against time. The others must be planning an attack.

Ruby comes out from the closet wearing a red cloak.

RUBY

They better accept what’s to come.

SERENA

They won’t, Ruby. You know that.

RUBY

I know.

ON RUBY - She smirks.

FLASHES TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT (FLASHFORWARD - 2061)

ON RUBY - She smiles.

Ruby is before Prue’s dead body. Ruby smiles haughty before the Queen’s body.

No one else is in the room.

RUBY

I gave you everything, Prue. The chance to have it all and you threw it all in the trash.

She touches Prue’s dead face softly over the black veil.

RUBY (CONT'D)

And what for? For goodness? It was a matter of time until I got what I wanted to and now ---

She lowers down and whispers into Prue’s ear.

RUBY (CONT'D)

--- Now, the Queen is dead. There’s no 'long live the Queen'. But don’t worry. I’ll keep Wyatt’s bed warm and your seat warmer.

(smiles)

The World is going to need a new Queen after all.

OFF TO THE DOORS - They open. Wyatt, wearing a black suit with a black shirt and black tie, comes in walking at pace. The servants close the door behind Wyatt.

Ruby turns around and faces Wyatt.

RUBY (CONT'D)

Your Majesty.

Ruby bows.

WYATT

Leave me alone, Ruby.

RUBY

I believe that’s not wise.

WYATT

I didn’t ask for your opinion.

Ruby walks aside from the table stone were Prue’s body lies. Wyatt approaches it and takes Prue’s hand between his.

RUBY

Her Majesty needs to be taken to her final resting place.

WYATT

She won’t be taken anywhere, Ruby.

RUBY

But, Wyatt ---

WYATT

Enough!

Wyatt shots her a mad look.

WYATT (CONT'D)

My daughters are working to fix this.

RUBY

You can’t be sure they will succeed.

WYATT

That depends on you, Ruby.

(looks at her)

I mean, your past self.

RUBY

What do you mean?

WYATT

I mean, that you were the one who made us swear under an unbreakable promise spell that we would never attempt against you.

Ruby swallows.

WYATT (CONT'D)

Would you not do it if you knew this would happen?

Ruby is serious. Both of them stare at each other.

RUBY

Of course.

WYATT

Good, because I would make you regret it, Red Witch.

RUBY

Should I remind you that ---

WYATT

(cuts her off)

You can only be defeated be your equal?

Ruby is serious. Wyatt smirks.

WYATT (CONT'D)

I would find a way, Ruby.

Ruby knows that he believes what he's saying.

ON WYATT - He is serious.

CUT TO:

INT. PRESCOTT MANOR - RUBY’S BEDROOM - NIGHT (PRESENT)

Ruby and Serena stare at each other.

RUBY

News about Liam?

SERENA

Not a single one.

OFF TO - Liam BLINKING in.

SERENA (CONT'D)

Speak of the devil ---

Liam shots Serena a look.

RUBY

(to Liam)

So?

LIAM

She didn’t give me an answer.

Ruby grimaces.

LIAM (CONT'D)

They tried to get me out of the house.

RUBY

Keep trying. She needs to marry you in a dark ceremony.

LIAM

I didn’t know your plans were to get them to the evil side as well.

RUBY

I don’t care about them. But apparently Melinda will take care of Jo in the future and if she is no longer a good witch well, Jo won’t grow up with the good figure of her godmother nearby.

SERENA

Good thinking. That would make her chose to join her parents.

RUBY

Exactly.

(to Liam)

So, keep trying.

LIAM

I’ll do my best, Ruby.

RUBY

Don’t do your best, Liam. Do exactly what I’m asking of you.

Liam and Serena exchange glances. Then, Liam BLINKS out.

SERENA

Ready to try your luck with the eldest of the Destined Ones?

Ruby smiles.

RUBY

As ready as I can be.

Both witches smile wickedly.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TO DAY

The moon disappears from the sky as the sun shines shy in the sky. It is a cloudy day. The fog covers most part of the town. People start leaving their house for school and work.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - DAY

Melinda is by the window looking at the outside.

OFF TO THE ENTRANCE - Jo comes in holding a cup of coffee.

JO

Mel?

Melinda turns to Jo.

JO (CONT'D)

Coffee?

Melinda takes a deep breath. Jo comes in closing the door behind her.

JO (CONT'D)

We need to get ready. Jannes and Blanche will be here soon so we can work on a plan.

Jo hands Melinda the cup of coffee.

MELINDA

Thank you.

Melinda has a sip of it.

MELINDA (CONT'D)

I was staring at the people outside and thinking.

(looks at Jo)

They don’t know what’s to come.

JO

Chris believes we can stop it if we stop the Source’s essence from possessing Wyatt and Prue.

MELINDA

We won’t know if we don’t try.

Melinda sits on the edge of the bed. Jo looks at her with sad eyes.

JO

I was told that Liam proposed to you last night.

MELINDA

(looks up at her)

He did. Is there a Liam in my future?

JO

Like I once told you, I never knew him. I didn’t even hear of him.

Jo sits beside Melinda.

JO (CONT'D)

You know, before you died ---

Melinda shots her a look.

JO (CONT'D)

I mean, your future you.

MELINDA

Better.

Jo smiles.

JO

David asked me to marry him.

Melinda is open-eyed.

MELINDA

What did you say?

JO

Nothing.

Melinda is surprised.

JO (CONT'D)

I wasn’t ready for it. All I could think of was to stop mum and dad.

(lowers her gaze)

And then, I came here.

MELINDA

Do you love him?

Jo looks at Melinda.

JO

More than anything.

MELINDA

Then you should give him that ‘yes’ he’s waiting for.

Jo takes Melinda’s hand between hers.

JO

What I mean, Mel, is that you should do what your heart tells you to.

MELINDA

I ---

Melinda takes a deep breath.

MELINDA (CONT'D)

I love Liam, but ---

JO

He is not Damon?

Melinda forces a smile.

MELINDA

He is not Damon.

Both girls smile at each other.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. ABANDONED BUILDING - DAY (FLASHFORWARD - 2061)

The building seems to be abandoned for many years.

STOCK.

CUT TO:

INT. ABANDONED BUILDING - ROOM - DAY (FLASHFORWARD - 2061)

Junior is there waiting for something or someone.

OFF TO PHOENIX, PEYTON, VICTORIA, AND POSIE - They come in.

PHOENIX

Uncle Junior, we came as fast as we could.

POSIE

What is this place?

JUNIOR

Girls!

PEYTON

You said something about demons being looking for this place?

JUNIOR

Yes. This is one of the few shelters that have left in San Francisco. I found it when I was following a couple of demons.

PEYTON

Where are they?

JUNIOR

I managed to vanquish them. But there’s more coming.

VICTORIA

You called us here to help you take them down.

JUNIOR

Didn’t we agree in doing what we can to fight evil?

PHOENIX

We sure did.

JUNIOR

Like a dozen people are in the basement. We need to take them out of here fast.

POSIE

Let’s go.

They are about to leave the room when a couple of demons come in. they stop.

DEMON #1

No so fast.

JUNIOR

You know who we are. You can’t touch us.

DEMON #1

Yeah, the Queen is dead. I don’t think the Source would mind us killing a few of you.

JUNIOR

Yeah, I’m not that sure.

Junior WAVES his hands and Demon #1 becomes an icy statue.

POSIE

(surprised)

Wow!

Phoenix and Peyton smile.

PHOENIX

You’ve still got your moves, Uncle Junior.

Demon #2 creates a FIREBALL and throws it against the girls. Posie sees it and quickly she ---

POSIE

‘Fireball’

--- ORBS it back towards the demon. He combusts into flames.

POSIE (CONT'D)

Again, wow!

VICTORIA

That was amazing for someone who hasn’t used her powers in like ---

(pauses)

--- Ever.

JUNIOR

(approaches Posie)

Did your mother teach you how to use your powers?

POSIE

No, I guess it was the adrenaline.

PEYTON

Well, keep doing that.

PHOENIX

Any other powers you know you possess?

POSIE

No. As you guys said, this was the first time I used my powers. Well, the first time that I remember off. Mum kinda forbade magic at home to not attract problems.

JUNIOR

You mother did that to protect you and your father.

Posie shrugs.

POSIE

Well, I’m done being protected.

PHOENIX

Let’s take the rebels out of here.

They all agree. The five of them walk out of the room.

FLASHES BACK TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY - PRESENT DAY

Lots of red candles are scattered on the floor forming a circle.

On the floor, the Triquetra is still drawn on the floor. In the center of the Triquetra, Wyatt is lying on his back, unconscious. He is straight and in a profound sleep.

OFF TO RUBY - She comes in wearing her red cloak and barefoot.

Serena comes in following her.

RUBY

Don’t forget to get Prue here when I’m finished with Wyatt. Oh and, you know, keep the others entertained.

Serena nods.

SERENA

I know I already asked this before, but are you sure this is going to work?

Ruby looks at Wyatt. She smiles.

RUBY

I thought that Prue was the best option because she fought her evil side for all her life, but all I had to do was take her away from him. 

(smiles)

He is broken already, Serena.

Ruby looks at Serena over her shoulders.

RUBY (CONT'D)

I won’t do much.

Ruby approaches Wyatt and stands at his feet. Ruby looks down at Wyatt.

RUBY (CONT'D)

Let’s begging.

As previously, Serena steps back and leans against the rock wall, staring at Ruby.
Ruby reaches out her hands and closes her eyes and so she starts chanting.

RUBY (CONT'D)

(chanting)

‘Taura, pyro, hydro,

Cyro, aero, thundora.

accipere magma quo est

eam sequuntur somnia incipere’

ON WAYTT - Unconscious.

FLASHES TO:

EXT. SAN FRANCISCO - INT. NIGHTMARES PLAN - DAY

ON WYATT’S FACE - He opens his eyes.

He is standing in the middle of the street. He looks confused.

SOUND - EXPLOSIONS.

Wyatt turns around and everything is crazy around him. People run fast and desperate.

ON THE BACK OF A WOMAN - Long dark hair. Long red cape. She walks towards Wyatt who has his back on her. She reaches out her hand and ---

Touches Wyatt’s shoulder who wasn’t waiting for it. He turns around quickly and faces the female figure.

He smiles.

WYATT

Prue?

ON WOMAN’S FACE - She looks just like Prue, but ---

IS IT PRUE?!

She smiles from ear to ear.

PRUE

My love.

WYATT

I’ve been desperately looking for you.

PRUE

I know.

She touches his face softly.

PRUE (CONT'D)

I’m here now.

Wyatt approaches her and is about to kiss her when ---

SOUND - SCREAM.

Wyatt turns around and tries to spot where it came from, but there’re lots of people screaming. Wyatt turns to the woman who looks like Prue.

WYATT

What’s going on?

PRUE

This is what this world has become.

(pauses)

We failed our mission, Wy.

WYATT

How? I don’t understand.

The woman approaches him and hugs him.

PRUE

We need to take the power to ourselves, my Love. We have to become what we are destined for.

WYATT

I don’t understand, Prue.

PRUE

Our family is gone.

She looks up at him.

PRUE (CONT'D)

We need to do something to protect what and who we love.

WYATT

What can we do?

She smirks.

PRUE

Come with me. I’ll show you.

Wyatt nods and then their lips touch each other in a passionate kiss.

FLASHES BACK TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

Prue and Aisling are sitting on a corner, talking. Prue seems astonished with everything that has happened.

PRUE

My daughters!

AISLING

Twin daughters.

Prue looks at Aisling.

AISLING (CONT'D)

Fraternal twins actually. That’s why they are no mirror image of each other.

PRUE

And they are the next Charmed Ones?

AISLING

If they ever get Jo on their side to activate the Power of Three.

PRUE

Right, because my Jo is good.

Aisling smiles.

AISLING

Yes.

PRUE

Serena said one takes after me and the other one after Wyatt.

AISLING

Yes. A half-cupid and a half-whitelighter.

PRUE

But they are evil.

AISLING

Well, a half-dark cupid and a half-darklighter. Like it better?

PRUE

Dark cupid? Is that what I’ll become?

AISLING

Some will give it another name.

Prue shoots her a look.

AISLING (CONT'D)

Angel of Hate.

PRUE

Hate it.

Aisling smiles.

PRUE (CONT'D)

How do you know all this, Oracle?

AISLING

I’ve seen it.

PRUE

How? You are just an Oracle.

Aisling smiles.

AISLING

I’m much more than that, Prue.

PRUE

What do you mean?

AISLING

I can’t tell you my story, Prue.

PRUE

I thought we were bonding here.

Aisling smiles again. She stands. Prue stands too. Aisling turns to Prue.

AISLING

Once I’m out of this place, I’ll show you who I am.

They stare at each other.

PRUE

How do you know you’ll get out of here?

AISLING

Whether you become evil or not, as you said, we are bonding here.

Prue forces a smile, then she lowers her gaze.

AISLING (CONT'D)

You can feel him here, can’t you?

PRUE

(looks at her)

She is doing the same to him? 

(pauses)

What she did to me.

Aisling nods.

PRUE (CONT'D)

What if she breaks him, Oracle?

AISLING

We are doomed.

Both of them stare at each other.

CUT TO:

INT. MELISSA´S APARTMENT - LIVING ROOM - DAY

Melissa is at her desk typing on her computer. Junior ORBS in the middle of the room. Melissa turns around.

MELISSA

J!

She stands quickly and goes hug him.

MELISSA (CONT'D)

I’ve been worrying sick since you left yesterday.

Junior hugs her back.

JUNIOR

You were right.

Melissa breaks the hug and steps back.

MELISSA

Right about what?

Junior points to her computer.

JUNIOR

The article you wrote about Ruby LaFontaine.

Melissa turns to her computer. Then she looks at Junior.

MELISSA

What do you mean?

JUNIOR

She’s evil?

Melissa’s eyes are wide open.

MELISSA

You mean evil like ---

JUNIOR

Pure evil. She’s the one who screws our future. And you need to stop writing about her right away.

MELISSA

What?

JUNIOR

I’ve spent all night listening to stories about what happened in the future.

MELISSA

Jo opened up?

JUNIOR

She and two visitors.

MELISSA

Oh, c’mon, more visitors from the future?

Junior nods yes. Melissa feels overwhelmed. She sits down on the couch.

JUNIOR

Jo is Pryatt’s daughter.

MELISSA

(surprised)

What?

JUNIOR

And there’s Matt and David.

MELISSA

Matt as in ---

JUNIOR

Yeah, Cianca’s baby.

MELISSA

Who’s David?

JUNIOR

Jo’s boyfriend.

MELISSA

Mother of God.

(stands)

Back to Ruby. Who is she?

JUNIOR

An evil witch. And Dr. Dubois is her sister. A witch too. Oh, and we are working with Jannes.

MELISSA

The Wizard?

Junior nods. Melissa’s eyes are wide open again. She tries to take all in.

MELISSA (CONT'D)

What the hell is going on, J?

Junior takes a deep breath, trying to get the courage to say his next words.

JUNIOR

Prue and Wyatt ---

(pauses)

--- That Ruby turns them into their evil version.

MELISSA

(astonished)

What? What does it mean?

JUNIOR

It means that we are in big troubles. Prue and Wyatt being evil at the same time ---

Junior sits down. He feels all the weigh that the whole situation brings to them.

JUNIOR (CONT'D)

It’s bad. There’s no way to stop them.

(looks at her)

They are the more powerful beings on Earth. They can unleash hell on Earth.

Melissa is astonished. She sits beside him. Junior takes her hand and squeezes it softly.

JUNIOR (CONT'D)

I can't lose you.

MELISSA

You won’t.

JUNIOR

You need to stop writing about Ruby or I’ll lose you.

They both look into each other’s eyes.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

No one is there.

OFF TO - Charlotte comes in a rush as Eric follows her.

ERIC

Charlie, can you please calm down?

Charlotte turns to him abruptly.

CHARLOTTE

Calm down? Me? are you kidding me, Eric? I just found out that I’m gonna turn sides in the future for an unknown reason those kids won’t tell me about.

ERIC

They must have their reasons.

CHARLOTTE

Yeah, right. And above all, there’s this Dr. Dubois who’s after all our salvation perhaps.

ERIC

Char, it’s not time for you to be jealous of Blanche.

CHARLOTTE

I’m not. I just happen to not be fond of her.

ERIC

Well, she is working to get Prue and Wyatt out of this mess.

Charlotte rolls her eyes.

ERIC (CONT'D)

And maybe the kids don’t want to tell you what makes you turn sides to not hurt you.

CHARLOTTE

(revolted)

Oh, yeah? Why? Cause I’m a porcelain doll, is it?

OFF TO CASSANDRA - She comes in followed by Matt.

MATT

Aunt Charlie, ---

Charlotte and Eric turn to them.

CHARLOTTE

No.

(mad)

I’m not talking to you until you tell what the hell happens to me.

Matt and Cassandra exchange glances.

CASSANDRA

You better tell her.

CHARLOTTE

Wait, you know?

Cassandra nods. Charlotte feels betrayed.

ERIC

Char, please.

Charlotte looks at Matt.

CHARLOTTE

Why? What happens?

Matt looks at Eric and Cassandra looking for some support. Both of them nod to Matt. Then Matt turns to Charlotte.

MATT

Fine.

(takes a deep breath)

You couldn’t handle the suffering.

Charlotte frowns.

CHARLOTTE

Suffering? Due to what? The whole world being a hell?

Matt shakes his head.

MATT

No. Due to several abortions.

Both Eric and Charlotte look at him. They are astonished.

MATT (CONT'D)

You got pregnant three times and all three times the same happened.

(pauses)

Miscarriages.

Charlotte swallows.

CHARLOTTE

I can’t have babies?

MATT

No. You can get pregnant. You just can’t hold a pregnancy to the end.

Eric hugs Charlotte strongly.

MATT (CONT'D)

It doesn’t mean it can happen this time. If we ---

Charlotte lets loose of Eric. Some tears start appearing in her eyes.

CHARLOTTE

If what? We change the future? What does it have to do with all this thing?

ERIC

Char, just calm down.

CHARLOTTE

I won’t calm down, Eric. I can’t have your kids.

ERIC

That’s no ---

Eric takes her hands.

ERIC (CONT'D)

Look, we don’t have to think about something we don’t know if it will actually happen.

Charlotte lowers her gaze.

ERIC (CONT'D)

When the time comes, we’ll figure it out, okay?

Charlotte looks at him.

CHARLOTTE

I can’t keep you in a childless relationship, Eric. You want to be a father so bad.

ERIC

Right now, the only thing I need is you.

Eric kisses her forehead.

ERIC (CONT'D)

And right now, we have a future to change. Would you stop worrying about a future that hasn’t even happened yet and get out to save our world?

Charlotte nods. Eric wipes out her tears.

ERIC (CONT'D)

Good.

He takes her hands and drives her out of the kitchen. Cassandra and Matt look at each other.

CASSANDRA

Thank you for telling her the truth, Matt.

MATT

She'll suffer a lot with that.

Cassandra lowers her gaze.

MATT (CONT'D)

Aunt Cass ---

Cassandra looks at Matt.

MATT (CONT'D)

You shouldn’t put your life on hold because of fear.

CASSANDRA

What do you mean?

Matt approaches Cassandra.

MATT

You never married or have kids.

Cassandra swallows.

MATT (CONT'D)

You always took care of us. Jo, Phoenix, Peyton, and Pierce when he was still with us.

CASSANDRA

I know Jo, now the others ---

MATT

You always told us about our family history and were like a mother to us. But it’s not right to stop living.

CASSANDRA

I still don’t understand, Matt.

MATT

You were rejected because of who you are once.

And now Cassandra understands.

MATT (CONT'D)

I don’t know his name or if it already happened by this time we are, but ---

Matt takes her hands between his.

MATT (CONT'D)

But you have the right to be happy.

CASSANDRA

How do you know that Ben rejected me because of who I am?

Matt smiles sweet.

MATT

Because I heard you crying once and I ran to you and hug you tightly and you told me. We never spoke about it after. It was like we both pretended it never happened.

Cassandra lowers her gaze.

MATT (CONT'D)

You have the right to be happy.

Cassandra looks at him and smiles. Her eyes start getting wet.

CASSANDRA

Thank you.

Matt smiles.

CASSANDRA (CONT'D)

Let’s go change our future.

Matt smiles big. Both leave the kitchen holding hands.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON TV - Live stream. Some images are being shown. It can be seen demons throwing FIREBALLS on cars and buildings.

NEWS REPORTER (O.S.)

All this situation is crazy. Not special effects, guys, this is magic.

Chris, Bianca, Tamora, Pandora, and Damon are there staring at the TV. They seem astonished.

OFF TO SEBASTIAN - He ORBS in before them covering the TV screen.

TAMORA

Sebs!

SEBASTIAN

What the hell is happening?

Chris points to the TV. Sebastian turns around and has a look at it, then he turns to them.

SEBASTIAN (CONT'D)

That’s why I’m asking what the hell is happening. All Whitelighters were call Up There, whether on duty or on a break.

PANDORA

Did they call you too?

SEBASTIAN

Yes, and your mother is there too.

TAMORA

So, she must know something wrong is happening.

SEBASTIAN

Wrong? This is not wrong. This is bad.

BIANCA

And it’s about to get worse.

SEBASTIAN

What do you mean?

Chris turns off the TV.

CHRIS

It means that all hell is about to break lose.

DAMON

I think it has already.

CHRIS

True.

TAMORA

Honey, ---

Tamora approaches Sebastian.

TAMORA (CONT'D)

Ruby is the Red Witch.

SEBASTIAN

Who?

BIANCA

An evil witch whose only goal is to turn this world into an evil one so she can have her revenge against her sister.

PANDORA

(sarcastic)

The part that I love about it is that she plans on using the Twice Blessed Witch to do it so.

SEBASTIAN

What?

Sebastian is astounded.

CHRIS

What you heard.

TAMORA

Honey, we might need you to do us a favor.

BIANCA

Yeah, can you get to New Orleans and watch over Piper, Leo, and the kids. I mean, they will find out something is bad eventually, but can you please be there and stop them to come here while we deal with this?

SEBASTIAN

What is this?

DAMON

Wyatt and Prue are missing. But we know where they are.

OFF TO CHARLOTTE AND ERIC - They come in.

CHARLOTTE

In Prescott Manor.

CHRIS

And they will become the Source and the Queen of All Evil soon if we don’t stop it.

PANDORA

That’s the short version.

OFF TO JANNES - He SPIRALIZES in.

Sebastian looks at Jannes and knows immediately who that is. Tamora understands Sebastian’s reaction.

TAMORA

Oh, yeah, we are working with Jannes.

SEBASTIAN

Great?

Tamora takes his hand and ---

TAMORA

C’mon, honey. I’ll explain it all.

--- She drives him out of the room.

JANNES

I’ve got some news.

Chris, Bianca, Damon, Charlotte, and Eric stare at Jannes.

CUT TO:

EXT. STREET - DAY

Some people run fast down the street. Something very bad is happening.

OFF TO ETHAN - He comes out from a building. He is on the phone.

ETHAN

(on the phone)

No, mum, I don’t know what you’re talking about.

(pauses)

What? Fire from their hands. That’s insane, mum.

A FIREBALL flies near him and hits the wall behind. Ethan is astonished. He looks back at the wall and the burning mark is there. He turns around and spots right away a man, a demon, standing in front of him. The demon creates a FIREBALL and throws it against him. Ethan lowers down and the FIREBALL misses him.

ETHAN (CONT'D)

(on the phone)

Mum, I’ll have to call you back.

He hangs off the phone. He stands and the demon is no longer there, but Ethan realizes that everybody seems crazy. People run down the street, trying to escape from some weird people that are throwing FIREBALLS at everything that crosses their path.

ETHAN (CONT'D)

What the hell is going on?!

ON ETHAN - He is astonished.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON WYATT’S FACE - He is sound asleep.

FLASHES TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - INT. NIGHTMARES PLAN - DAY

ON THE FRONT DOOR - It opens.

Wyatt and the woman that looks like Prue come in holding hands.

WYATT

What are we doing here? I don’t understand.

Wyatt looks at Prue.

WYATT (CONT'D)

You said we need to protect our family.

Prue nods.

WYATT (CONT'D)

How?

PRUE

I’ll show you. It’s easy, my Love.

Prue drives him upstairs.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHTMARES PLANE - DAY

The room is darker.

OFF THE ENTRANCE - Prue comes in holding hands with Wyatt. He seems confused.
Prue turns to him. He looks at her.

PRUE

Something must be done.

Wyatt doesn’t understand.

PRUE (CONT'D)

You don’t want to lose us.

WYATT

What do you mean?

And just like that, Prue DISAPPEARS IN A BLINK. Wyatt is surprised and glances around trying to figure out where she has gone to.

WYATT (CONT'D)

Prue.

PRUE (O.S.)

(pleading)

Save us, Wyatt.

Wyatt turns around and his eyes wide open when he sees the horrible image before him.
There is an almost dead Prue lying on the floor with an unconscious child in her arms. There is blood all over them.

WYATT

Prue!

Wyatt rushes to her and lowers down near her. His eyes get wet as he looks at her and all the blood that covers both the woman and the child.

PRUE

(low voice)

You have to do it so you can save us.

WYATT

(desperate)

Do what?

Wyatt tries to touches her, but he feels overwhelmed by the scene he’s witnessing.

WYATT (CONT'D)

Do what, Prue?

PRUE

(low voice)

You know what you have to do, Wy.

Prue reaches out her hand to him. He looks down at it for seconds.

ON PRUE’S BLOODY HAND - Wyatt takes her.

PRUE (CONT'D)

(low voice)

You have to turn it off.

WYATT

Turn off what?

Prue’s eyes start closing slowly.

WYATT (CONT'D)

Prue?

He touches her deadly face.

WYATT (CONT'D)

(out loud)

PRUE!!!

Wyatt’s eyes get wet. He cries hard.

EVIL WYATT (O.S.)

Just turn it off already.

Wyatt stops crying. He turns around slowly and ---

ON A CORNER IN THE SHADOWS - A male figure comes from the SHADOWS. Imposing. Strong. Powerful. Fearless. Confident. His hair beautifully combed and as golden as the sun rays. His hazel eyes carry a dark shadow. His clothes, all dark, but his shirt that is gray. He is the evil impersonated. BEAT. The man is no other than the EVIL version of Wyatt.

ON WYATT - He is astonished.

WYATT

Who the hell are you?

EVIL WYATT

The strongest version of us.

ON EVIL WYATT - He smirks wickedly.

FLASHES BACK TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON SERENA - She is serious.

Serena is staring at Ruby who is standing before Wyatt. Ruby has her eyes closed and is concentrated in the ritual. Serena has a look on her wristwatch.

SERENA

It’s time!

Serena turns around and leaves the room.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris, Melinda, Bianca, Damon, Pandora, Charlotte, Cassandra, Jo, Matt, David, Blanche, Eric, and Jannes are there.

BLANCHE

Lots of injured people came into the hospital.

PANDORA

So, the world is already chaos.

JO

Maybe Ruby has got what she wanted.

CHRIS

No.

They all look at Chris.

CHRIS (CONT'D)

This is a diversion.

MATT

Dad might be right. Ruby must know that you guys ---

(to Chris, Melinda, and Jo)

--- Saw Aunt Prue taking Wyatt and she’s creating a distraction so we won’t look for them.

JANNES

That sounds like Ruby. And I agree. She hasn’t had the time to turn Wyatt already.

JO

I don’t think much would be necessary. Prue is evil already.

MELINDA

For the love of God, Jo, we don’t know that.

JO

Yes, we know, Aunt Mel. You saw her.

MELINDA

(mad)

It wasn’t Prue.

Everybody looks at Melinda.

MELINDA (CONT'D)

(calmer)

I don’t know how. I just know.

(sure)

It wasn’t her.

Chris walks towards Melinda.

CHRIS

I’m with Mel on this. It wasn’t Prue. I know her.

JO

You, guys, are wrong.

Jo gets irritated.

JANNES

I don’t know her very much, but ---

Jannes glances at them all.

JANNES (CONT'D)

--- I don’t think it was Prue.

ERIC

How can you be so sure about it?

Jannes turns to Eric and shoots him a look.

JANNES

You are a mortal. What do you know about the World?

ERIC

I know much. This is my world now.

Jannes and Eric stare at each other.

ON CHARLOTTE’S HAND - She holds Eric’s hand.

Jannes turns to the others.

JANNES

Ruby has a plan B.

(pauses)

Wyatt.

Chris is thoughtful.

CHRIS

Wyatt would break down easier than Prue.

They all look at Chris.

BIANCA

Why?

CHRIS

Because Prue is not afraid of her evil side anymore. She has embraced it.

JO

Exactly. That’s why ---

CHRIS

No, Jo.

Jo swallows. David puts an arm over her shoulders.

CHRIS

She knows how to fight it.

(pauses)

Wyatt doesn’t. He has changed. Lately, all that was in Wyatt’s mind was to protect his family and if Ruby uses it against him, then ---

DAMON

He will break.

They all exchange glances.

BLANCHE

Ruby was always smart. She knows how to mess with one’s mind.

(glances at them all)

I’ve seen it.

CASSANDRA

So, what do we do?

CHARLOTTE

Yeah, the word is a chaos already. How do we protect people and at the same time save Wyatt and Prue?

OFF TO SEBASTIAN AND TAMORA - They come in from the dining room.

SEBASTIAN

We do both.

They all turn to Sebastian and Tamora.

SEBASTIAN (CONT'D)

I’m heading to New Orleans, but first I’m going Up There to let the Elders know what’s going on.

CHRIS

Do that, Sebastian. We are going to need all the help we can get.

Sebastian nods.

FLASHES TO:

EXT. ABANDONED BUILDING - DAY (FLASHFOWARD - 2061)

A dozen people come out the building as Junior, Phoenix, Victoria, Peyton and Posie help them.

The rebels look starving and they wear torn clothes.

JUNIOR

(to a man)

Just follow me. We’ll take you to a safer place.

Phoenix approaches Junior.

PHOENIX

We need to be fast, Uncle Junior.

JUNIOR

I know.

PHOENIX

We can lead all these people together.

JUNIOR

You are right.

(to Posie)

Let’s take them to a shelter. You come with me.

POSIE

Sure.

PHOENIX

I and my sister will take half of them.

PEYTON

I let the others know where we are going.

VICTORIA

We’ll text you our location once we’ll get there.

PEYTON

Okay.

Junior and Posie motion to a half a dozen people to follow them, while Phoenix and Victoria motion the others to do the same. Peyton watches them leave.

OFF TO SOME RUBBISH BINS - From behind the bins, Pierce is watching it all.

PIERCE POV - He sees Junior, Posie, Phoenix, and Victoria leaving with the rebels. He also sees Peyton standing there and then ORBING out.

ON PIERCE - He is serious.

PIERCE

The Source must know about this.

(smirks)

I want to see how merciful he will be with them.

Pierce SHIMMERS out.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY - FLASHFOWARD (2061)

ON WYATT’S FACE - He is serious.

Wyatt is sitting on his throne chair staring at the table where his dead wife is lying on.

OFF TO PIERCE - He SHIMMERS in. Pierce glances at Prue’s body and swallows. Then he looks up at Wyatt.

PIERCE

Uncle Wyatt!

Wyatt leaves his thoughts and looks at Pierce.

PIERCE (CONT'D)

We’ve found another shelter of rebels.

WYATT

Did you end it?

PIERCE

I couldn’t.

Wyatt stands mad.

WYATT

My orders were clear, Pierce.

PIERCE

I know, but ---

WYATT

No buts!

Wyatt walks towards him.

WYATT (CONT'D)

Those who are not with me, are against me and so they deserve to suffer.

PIERCE

I know. The thing is ---

(pauses)

--- They were there.

Wyatt shoots him an inquisitive look.

PIERCE (CONT'D)

Uncle Junior and the girls. Plus, another girl I never saw in my life. They were taking the rebels to a second location.

WYATT

Where?

PIERCE

I don’t know.

WYATT

Are you here to bring me bad news, nephew?

Pierce swallows.

WYATT (CONT'D)

I just lost the love of my life and until I get her back, I don’t want to hear bad news.

PIERCE

I don’t know where they are, but I know how to find out.

WYATT

Then, find out.

Pierce nods. Wyatt turns around and approaches the table where Prue’s body is lying.

WYATT (CONT'D)

And Pierce ---

Wyatt looks over his shoulder at Pierce.

WYATT (CONT'D)

--- Bring me the girls.

PIERCE

All of them?

Wyatt turns to Prue.

WYATT

All of them.

He touches Prue’s face softly. Pierce nods and SHIMMERS out.

WYATT (CONT'D)

I will have you back, Love.

ON PRUE’S HAND - Wyatt holds her hand.

WYATT (CONT'D)

I promise you.

ON WYATT - He is serious.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ATTIC - DAY (PRESENT DAY)

Bianca, Matt, and Tamora are there filling some bags with potions.

BIANCA

This is just in case we encounter some demons that are invulnerable to our powers.

OFF TO THE ENTRANCE - Pandora walks in. She’s reading a text.

PANDORA

Oh my God.

TAMORA

What?

Pandora looks at them.

PANDORA

Ethan is in the middle of that chaos.

MATT

Ethan?

PANDORA

My boyfriend.

MATT

We must save him quickly.

Matt seems worried. Pandora notices it.

PANDORA

Is him, isn’t it?

MATT

I don’t know what you’re talking about, I just know that we need to move fast.

TAMORA

Okay, sis, let’s go save Ethan.

Tamora takes the bag of potions she filled and looks at Pandora.

TAMORA (CONT'D)

Now.

Pandora nods and then, she ORBS out. Then, Tamora ORBS out too. Bianca and Matt look at each other.

BIANCA

You don’t know?

Matt shrugs.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris, Melinda, Damon, Jo, David, Charlotte, Cassandra, Eric, Blanche, and Jannes are there.

JANNES

(mad)

We cannot deviate from our plans!

CHRIS

We are not. But we can leave all those people unprotected.

JANNES

Things will get worse if we don’t take Wyatt and Prue out of that place.

MELINDA

We should split. We are more than enough.

DAVID

It’s the truth.

MELINDA

I, Chris and Jannes should get to Wyatt and Prue.

JO

I want to come too. They are my parents.

JANNES

Funny you remember that now, but did nothing useful to stop them from becoming evil.

Jannes sounds rude. Jo lowers her gaze.

CHRIS

(to Jannes)

Hey!

Jannes turns to Chris.

CHRIS (CONT'D)

Enough. 

(pauses)

We do as Mel says.

(looks at Jo)

And Jo comes with us.

OFF TO JUNIOR - He ORBS in.

JUNIOR

The town is in chaos. I left Melissa at Magic School. What’s the plan?

CHRIS

Jannes, Melinda, Jo and I will try to break into Prescott Manor. The others split and try to save as many innocents as you can.

BLANCHE

You are forgetting about me.

MELINDA

You should go and stay at Magic School too, Blanche. Ruby is looking for revenge against you and we can’t risk it.

BLANCHE

I fought my sister before. I’m not hiding now.

CHRIS

It’s not hiding.

BLANCHE

I’m coming with you. Period.

Chris and Blanche stare at each other. Then Chris gives in.

CHRIS

Fine.

Charlotte approaches Eric.

CHARLOTTE

(to Eric)

I should take you to Magic School.

ERIC

No way.

CHARLOTTE

Eric, you are a mortal.

ERIC

But not a coward. I need to be at the hospital and help.

Eric and Charlotte exchange glances.

ERIC (CONT'D)

I’m not changing my mind.

Charlotte knows there’s no point in arguing.

OFF TO BIANCA AND MATT - They come in.

MATT

We are ready.

CHRIS

Good.

(to Jannes)

Are you ready?

JANNES

I’ve been waiting to put that Red Witch back in his prison for centuries.

(pauses)

I’m ready.

Chris nods. He glances at Melinda who nods too. Jo approaches David and takes his hands.

DAVID

I won’t hide either, Jo.

JO

But ---

DAVID

I’m an Empath, I can fight too.

Jo takes a deep breath.

JO

Be careful.

DAVID

You too.

Jo and David share a quick kiss. Then Jo looks at Chris and Melinda.

JO

Let’s go save my parents.

Jannes SPIRALIZES out followed by Chris who ORBS out. Jo approaches Melinda and holds her hand. They then ORB out surrounded in PURPLE ORBS.

BLANCHE

Good luck.

Blanche WHITE SMOKES out. Matt turns to them.

MATT

Let’s go.

DAMON

Showtime.

Charlotte kisses Eric and then BEAMS out followed by Cassandra who BEAMS out as well. Junior ORBS out while Bianca and Damon SHIMMER out. Matt touches David’s shoulder and ORBS out.

ERIC

They could at least give me a ride!

Eric shrugs and then walks out of the room.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. CLOTHING SHOP - DAY

People run like crazy. Tamora and Pandora come running and stop in front of a shop.

TAMORA

Is it here?

Pandora nods.

PANDORA

That’s what he said.

Pandora is about to enter, but Tamora holds her arm. Pandora turns at her sister.

TAMORA

You know that there’s a chance we might have to use our powers in front of him, right?

PANDORA

I just want to save him now. We’ll deal with the rest later.

TAMORA

Good.

They walk into the shop.

CUT TO:

INT. CLOTHING SHOP - DAY

Tamora and Pandora come in a rush.

PANDORA

Ethan?

OFF TO THE BACK OF THE SHOP - Ethan comes from the back. He seems surprised at Pandora being there.

ETHAN

Pan?

Pandora and Tamora look at him.

ETHAN (CONT'D)

What are you doing here? I told you to stay inside home.

PANDORA

I couldn’t. We need to take you out of here.

She walks towards him and hugs him.

TAMORA

We need to get out.

Pandora breaks the hug and takes Ethan’s hand to take him out of there, but he doesn’t move.

PANDORA

We need to leave.

ETHAN

I can’t.

They stare at each other.

TAMORA

Guys, it’s bad outside. We need to move.

ETHAN

There’s a woman inside. She’s hurt.

Pandora and Tamora exchange glances.

ETHAN (CONT'D)

She needs medical care and I can help.

PANDORA

You are not a doctor. We have to take her to a hospital.

ETHAN

How? It’s crazy outside.

TAMORA

And it’s going to get worse.

ETHAN

Worse, how?

Pandora and Tamora look at him.

ETHAN (CONT'D)

What the hell is happening? There’re people throwing balls of fire from their hands.

TAMORA

Those are not people.

PANDORA

Tam!

(to Ethan)

We need to leave.

TAMORA

I’ll get the woman.

Tamora runs inside the shop.

ETHAN

This whole thing is a joke, right? Are they shooting a movie or something? Those are special effects, aren’t they?

Pandora looks at him.

PANDORA

There might be a few things you don’t know about this world, Ethan. I promise to tell you everything. Now let’s go.

She takes Ethan’s hand.

OFF TO TAMORA - She comes from the back helping a woman who has an injured leg. It’s bleeding.

TAMORA

(out loud)

Let’s go.

Pandora drags Ethan out of there while Tamora helps the woman.

CUT TO:

EXT. CLOTHING SHOP - DAY

Pandora and Ethan come from inside the shop.

OFF TO A DEMON - He stands before them.

DEMON #1

Well, lucky me!

Pandora and Ethan look at the demon.

DEMON #1 (CONT'D)

A Destined One for myself.

The demon CREATES a FIREBALL and throws it at them. Pandora REACHES out her hand and the FIREBALL, as well as the demon, SLOWS DOWN in the hair. Ethan’s eyes are wide open.

ETHAN

What the hell?!

PANDORA

(out loud)

Tam, I can’t hold him longer!

Tamora comes from the shop helping the woman. She looks at the demon. Then, Tamora WAVES her hands and the demon starts combusting into FLAMES. Ethan is astonished. The demon soon is consumed by fire. The woman is astonished, but in so much pain to even care.

ETHAN

(to Pandora)

What was that?

PANDORA

As I said, I’ll explain everything later.

TAMORA

Let’s get out of here. She needs to be taken to the hospital.

PANDORA

Go.

Tamora ORBS out. Ethan is more than astonished. He is astounded.

ETHAN

She ---

(stuttering)

--- she just ---

PANDORA

Orbed out. That’s what is called.

Ethan glances at Pandora.

PANDORA (CONT'D)

Let’s go.

And just like that. Pandora ORBS out taking Ethan with her.

CUT TO:

EXT. PRESCOTT MANOR - GATES - DAY

Jannes stands there before the gates of the manor. He is serious. Chris, Melinda, Jo, and Blanche approach him.

MELINDA

How are we going to get in?

Chris WAVES his hands and tries to use his TELEKINESIS power to open the gates, but unsuccessfully. They seem to be protected by some kind of FORCE FIELD. Jannes turns to Chris.

JANNES

Do you think it would be so easy?

CHRIS

A witch had to try.

Jannes turns at the gates.

JANNES

She’s smarted than that.

BLANCHE

Let me try.

Blanche approaches the gates to and concentrated on the locker. Nothing happens.

JANNES

Your sister is smart.

BLANCHE

My powers are the opposite of hers.

JANNES

She copied my powers.

Blanche turns to Jannes. Jannes SUMMONS his wand. Then, Jannes points the wand towards the gates and some RAYS come from it and hit the gates. Nothing happens.

JANNES (CONT'D)

We are going to need more than this.

Jannes stares at the gates, while the others exchange glances.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

ON THE HEAVY DOOR - It opens.

Prue and Aisling turn to it. Serena comes in followed by two demons.

PRUE

Where’s Wyatt?

Prue walks quickly towards Serena who reaches out her right hand and sign for Prue to stop.

SERENA

He’s been taken care of, darling. You’ll meet him soon.

AISLING

Serena, you know what the world would become if Ruby succeeds. 

SERENA

That’s correct, I know. Actually, an update for the two of you, chaos is already taken the world.

PRUE

What do you mean?

Serena grins.

SERENA

Demons have received the order to walk freely up here.

PRUE

No.

SERENA

Nothing can be done to stop the chaos. Only the Source and his Queen will have powers over them.

PRUE

What are you talking about?

SERENA

C’mon, your Majesty, you know what I mean.

Prue glances at Aisling.

PRUE

The Source?

Aisling nods. Prue is astonished. She turns to Serena.

PRUE (CONT'D)

I won’t ---

SERENA

He will.

(grins)

And you will too, darling. A new era is about to begin.

Serena approaches Prue and as she did before, she reaches out her hand and blows some powder to Prue’s face. As she smells it, she faints. Aisling looks at Prue.

AISLING

(to Serena)

You will regret this, Serena.

Serena looks at Aisling.

SERENA

What do you know? You are nothing more than an Oracle.

Serena grins.

SERENA (CONT'D)

(to the demons)

Take Prue to the red room now.

The demons walk towards Prue and carry her out of the cell. Serena takes one last look at Aisling before leaving the cell closing the heavy door.

Aisling stares at the door.

AISLING

I’m much more than that, Serena, and I know you’ll suffer a lot and it won’t take long for you to experience real pain.

ON AISLING - She is serious.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - NIGHTMARES PLANE - DAY

ON WAYTT - He stands slowly.

WYATT

I don’t understand.

His evil version stands before him.

EVIL WYATT

It’s simple. Turn it off.

(grins)

Your light.

WYATT

No.

Evil Wyatt walks past Wyatt and lowers down beside the dead body of Prue and the child. He touches his face softly. Wyatt looks at the scene.

WYATT (CONT'D)

Don’t touch them!

Then Evil Wyatt looks up at Wyatt.

EVIL WYATT

(smirks)

They will die if you don’t do it, Wyatt.

Evil Wyatt looks at Prue.

EVIL WYATT (CONT'D)

I’m stronger. I can protect them.

WYATT

No.

Evil Wyatt stands and turns to Wyatt.

EVIL WYATT

If anything happens to them, you are the one to blame.

Both of them stare at each other.

FLASHES TO:

INT. SHELTER - CAVE - UNKNOWN TIME OF THE DAY - FLASHFOWARD (2061)

The rebels are there. Junior, Phoenix, Victoria, and Posie are the too.

OFF THE DOOR - It opens. Peyton comes in bringing some bags full of food.

The others turn to her.

PHOENIX

You’re finally here!

PEYTON

There’s food for everybody.

Peyton hands the bags to Victoria and Posie who distribute the food among the rebels. Phoenix and Junior approach Peyton.

JUNIOR

Everything okay out there?

PEYTON

As okay as it can be. There’re demons all over the place. The orders are to kill whoever is against the Source.

PHOENIX

Aunt Prue’s death left Uncle Wyatt crazy.

JUNIOR

He wants to destroy it all.

PEYTON

I hope Matt and Jo fix this fast.

JUNIOR

We’ll have to wait.

Victoria and Posie approach them.

VICTORIA

They were hungry.

PEYTON

Normal. It’s not easy to find food when you are a rebel.

PHOENIX

We are rebels.

PEYTON

Still, we have access because of who we are.

JUNIOR

We should leave. No one would find them here for a while.

They all agree.

PHOENIX

(to the rebels)

We must go now, but we’ll be back tomorrow with more food.

The rebels nod.

MAN #1

Thank you.

POSIE

I think I should stay.

PEYTON

It’s not a good idea, cous. You don’t know how to use your powers.

POSIE

Still, I can try to protect them.

JUNIOR

I don’t think it’s a good idea, Posie. We should all go.

Posie finally agrees.

POSIE

Okay. Go ahead. I’ll be right after.

They nod.

CUT TO:

EXT. SHELTER - NIGHT (2061)

Junior, Phoenix, Peyton, and Victoria come out of the abandoned place. They stop as they see who’s standing before them.

ON PIERCE - He is serious.

Pierce is not alone. There are three demons there too.

JUNIOR

Pierce!

PIERCE

Hello, Uncle J.! Nice to see you.

PHOENIX

We can’t say the same about you, Pierce.

PIERCE

That’s a shame. We are family.

PEYTON

Funny you remember that.

Pierce smirks.

PIERCE

There’s someone that wants a private meeting with you.

JUNIOR

We are not going anywhere.

PIERCE

I’m sorry, Uncle J., indeed, you were not invited. Just my cousins.

VICTORIA

Who?

Pierce looks at Victoria.

PIERCE

Uncle Wyatt. He just wants to talk.

JUNIOR

Sure, he does.

Pierce uses his HYPER SPEED and approaches Junior and THROWS him against some bins. Junior is unconscious.

PHOENIX

NO!

Pierce stares at them.

PIERCE

You come with me whether you want it or not.

Pierce glances at the demons.

PIERCE (CONT'D)

Get them.

The demons nod and approach the girls. Peyton ORBS some pipes towards one of the demons. One of them SHIMMERS out and SHIMMERS back in behind Peyton. He grabs her and SHIMMERS out with her.

Another demon walks towards Victoria. The girl WAVES her hands and THROWS the demon TELEKINETICALLY flying through the air. The other demon SHIMMERS out and SHIMMERS back in behind Victoria and grabs her. He SHIMMERS out taking her.

PHOENIX (CONT'D)

NO!

Pierce approaches Phoenix. Phoenix looks at him.

PHOENIX (CONT'D)

What does he want with us?

PIERCE

He is the Source, Nix, he doesn’t need a reason.

PHOENIX

Things are about to change, Pierce.

PIERCE

We’ll see about that.

They stare at each other.

PIERCE (CONT'D)

Are you coming with me or do I have to take you against your will?

Phoenix swallows.

PHOENIX

I’m coming because I don’t want to leave them alone.

PIERCE

Good.

Pierce reaches out his hand for her to take her. Phoenix looks at his hand and then she takes his hand. Pierce SHIMMERS out taking her.

OFF TO POSIE - She’s seen it all behind a wall. She comes out of hiding and runs towards Junior.

POSIE

Uncle Junior.

She tries to wake him up.

POSIE (CONT'D)

Uncle Junior, please wake up!

She glances around.

POSIE (CONT'D)

What do I do?!

She is worried.

CUT TO:

EXT. SAN FRANCISCO - STREET - DAY (PRESENT)

Matt, David, and Bianca come down the street. They spot a demon cornering an old man.

MATT

Hey!

The demon turns to them. The demon smirks.

DEMON #2

It must be my lucky day.

BIANCA

I don’t think so.

Bianca created an ENERGY BALL and throws it against the demon. The demon is electrocuted immediately. Bianca smiles.

BIANCA (CONT'D)

That felt right!

MATT

Well done, mum.

Bianca turns at Matt and smiles.

DEMON #3 (O.S.)

Hey, you!

Matt, David, and Bianca turn around. Five demons are in front of them.

MATT

This is going to be fun.

Demon #4 creates a FIREBALL and throws it against them. David stands before them and CONCENTRATES on the FIREBALL. Then using his EMPATHY power, he deviates the ball back to demon #4 who blows up.

The other demons get mad. They look at Matt, David, and Bianca. Then, they run towards them. Matt WAVES his hands and THROWS them all flying across the air. Bianca looks astonished at his son. He looks at her.

MATT (CONT'D)

Vanquishing time.

Bianca smiles. Then, they all stare at the demons and run towards them.

CUT TO:

EXT. SAN FRANCISCO - STREET - DAY

Charlotte, Cassandra, and Junior come walking. Everything seems quiet there. Charlotte seems lost in her mind. All three of them are silent.

In the streets, some cars are destroyed and some trees are burnt. Cassandra glances at Charlotte.

JUNIOR

It looks like they did a hell of a mess here and took off.

Junior glances at them.

JUNIOR (CONT'D)

What’s on your minds?

Cassandra looks at Junior.

CASSANDRA

The same that’s on yours.

(pauses)

The future.

Junior lowers his gaze.

CASSANDRA (CONT'D)

What did they tell you that left you willing to protect Melissa?

JUNIOR

(gets wet eyes)

She dies. Killed.

CASSANDRA

(sad)

I’m sorry.

JUNIOR

They said I managed to protect her for a couple of years, but then she’s found and killed for speaking the truth. Also, my dad ---

Cassandra grabs Junior’s hand in sign of support. Junior smiles at her.

JUNIOR (CONT'D)

It won’t happen in this time line.

CHARLOTTE

There are some things we cannot stop from happening.

Cassandra and Junior look at her.

CHARLOTTE (CONT'D)

Some things are just meant to happen.

CASSANDRA

The future is not set, sis.

CHARLOTTE

I know.

Charlotte stops and looks at them.

CHARLOTTE (CONT'D)

But some things are just destined to be. It’s fate.

CASSANDRA

It’s all connected. If we stop this ---

CHARLOTTE

Cass, ---

(takes a deep breath)

--- I know you are trying to make me feel better, but some things cannot be stopped.

JUNIOR

That depends on us, Charlie.

The girls look at him.

JUNIOR (CONT'D)

I’m not going to let Melissa die. Whatever happens to you, it’s up to you if you let it happen or if you fight to stop it.

CHARLOTTE

How do you stop being not good to carry a child in your womb?

Junior is caught by surprise.

JUNIOR

What?

CHARLOTTE

That’s what happens to me. That’s why I’ll become evil. Because it’s the easy way to turn off my pain. Eric always wanted to be a father and I won’t be able to give him children.

CASSANDRA

That’s not for sure, Char.

CHARLOTTE

Yes, it is. You heard Matt. Three times. I will lose three babies. How do I change that?

Cassandra takes her sister’s hand.

CASSANDRA

Having faith. Just because it happened in their time line, doesn’t mean that if we change things here, that wouldn’t change.

(pauses)

Have faith.

JUNIOR

Cass is right.

OFF TO A GROUP OF PEOPLE - They are running down the street.

They look at them.

JUNIOR (CONT'D)

What the hell?!

Then they spot it. Manticores come after them.

CASSANDRA

Manticores?

JUNIOR

Where is Damon when you need him?!

DAMON (O.S.)

Right here.

Damon stands right behind them. They turn around and look at him.

DAMON (CONT'D)

I’ve got stuck in a situation, but now I’m here.

CHARLOTTE

Want to deal with your family over there.

DAMON

You are my family. They are my enemies.

And Damon, using his HYPER SPEED, runs quickly towards them.

JUNIOR

Let’s help him.

CASSANDRA

Just be careful with their super scream.

They run towards the Manticores.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - DAY

ON THE FRONT DOOR - It opens.

Liam comes in. He glances around, then closes the door behind him.

LIAM

Mel?

No one answers.

LIAM (CONT'D)

I’m so glad those damn crystal stopped working properly.

He walks into the house.

LIAM (CONT'D)

Let’s see the secrets this manor hides.

He goes upstairs.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY - SHORTLY AFTER

ON THE BOOK OF SHADOWS - It is on his pedestal as always.

OFF TO THE ENTRANCE - Liam comes in. He spots the BOS immediately. Liam grins.

LIAM

So many demons and warlock tried to put hands on you.

He walks towards the book and stands in front of it looking at it.

LIAM (CONT'D)

What if I ---

Liam reaches out his right hand towards it and ---

BEAT. The book’s FORCE FIELD repeals him away from it. Liam is THROWN to the air. He tries to stand with difficulties.

LIAM (CONT'D)

(in pain)

It’s true. The damn book protects itself.

PANDORA (O.S.)

Is anyone there?

Liam feels trapped. He BLINKS out.

OFF TO THE ENTRANCE - Pandora comes in. She glances around.

PANDORA (CONT'D)

I thought I heard something.

She looks at the book in his place.

SOUND - DOORBELL.

PANDORA (CONT'D)

Great.

Pandora turns around and walks out of the attic.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - DAY

Ethan opens the door. Liam is there.

LIAM

Hey!

OFF TO THE STAIRCASE - Pandora comes downstairs.

PANDORA

Liam?!

Liam and Ethan look at Pandora. Liam comes in. Ethan closes the door.

PANDORA (CONT'D)

What are you doing here?

LIAM

I’m looking for Mel. The town is complete chaos out there and she’s not picking up my calls.

PANDORA

Right.

Pandora tries to think on something to say.

PANDORA (CONT'D)

Huh, you know, we are in the middle of something here and Mel is trying to find Wyatt and Prue who have gone missing.

LIAM

Are you serious?

PANDORA

Yeah, you know.

She comes up with the first thing that comes to her mind.

PANDORA (CONT'D)

You know, they fought each other last night and each left. We are trying to locate them.

LIAM

That’s serious. It’s bad outside.

PANDORA

Yes, I know. That’s why you should get home and stay there until things get calmer.

Liam glances at Ethan, then he looks at Pandora.

LIAM

You’re probably right. Tell Mel to get in touch with me ASAP.

Pandora forces a smile and nods.

LIAM (CONT'D)

See you, guys.

Liam turns around and leaves. Ethan closes the door. He turns to Pandora.

ETHAN

Are you telling me now what is all this?

PANDORA

Sure. It’s simple. I’m a witch.

ON ETHAN - His eyes wide open.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. PRESCOTT MANOR - DAY

Jannes, Chris, Jo, and Blanche use their powers at the same time trying to break in.

MELINDA

It’s not working.

JANNES

We can’t let go.

Jannes uses his wand to hit the gates as Jo uses his TELEKINETIC MOLECULAR COMBUSTION on it. ELECTROKINESIS comes from Blanche’s hands. Chris tries to use TELEKINESIS by focusing on the lockers.

CHRIS

It’s useless. I was never able to channel this power through my mind.

JO

Just focus on the damn lockers, Uncle Chris. Picture them open in your mind.

CHRIS

I’ve never could, Jo.

JO

Just do it.

Jo WAVES her hands and uses ELECTROKINESIS to hit the gates. She uses all the strength she’s got. Chris and Melinda stare at her.

This time, it works. The gates are wide open.

MELINDA

(to Jo)

You take after your father.

JO

(breathless)

I take after them too, but now it’s not the time to seeks for similarities.

(turns to them)

It’s time to save them.

JANNES

Let’s go.

They all walk inside.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON PRUE’S FACE - Her eyes are closed. She’s sound asleep.

Prue is right beside Wyatt lying on the floor. Ruby remain standing there before them and concentrated in the ritual.

OFF TO SERENA - She comes in followed by Peri and Patience.

PERI

Are you sure you know what you’re doing, Serena?

SERENA

Ruby and I went through this and I know well what I have to do.

PERI

Good, because that’s mum and dad there.

Serena turns to the twins.

SERENA

Don’t worry. They are safe.

Peri and Patience exchange glances. Serena walks towards a table and takes a dagger and stares at it for a couple of seconds. Then she turns around and looks at Wyatt and Prue.

PATIENCE

Serena?

Serena turns at the twins.

PATIENCE (CONT'D)

Ruby won’t cast the Unbreakable Promise, right?

Serena smiles.

SERENA

Don’t worry, dear. Ruby knows what she’s doing.

PERI

She better.

Serena turns around and walks towards Wyatt and Prue. She gets in the middle of them and takes Prue’s hand. She cuts her palm.

ON PRUE’S HAND - It bleeds.

SERENA

(chanting)

‘The bond that is ---

Then, she takes Wyatt’s hand and does the same.

ON WYATT’S HAND - It bleeds.

SERENA (CONT'D)

(chanting)

--- Will double in strength’

Serena stands.

SERENA (CONT'D)

‘Two souls united like one,

For now, forever.

As long as they live.

Cause one is power and the other is love.

So, it shall be.’

Serena stops chanting.

ON WYATT AND PRUE’S HANDS - Their blood runs down their cut. The thin lines of blood run freely with a path. They meet each other and their blood unites.

Serena smiles as she looks at it.

SERENA (CONT'D)

It’s time to take Prue there.

Serena concentrates and then starts chanting again.

SERENA (CONT'D)

(chanting)

‘Taura, pyro, hydro,

Cyro, aero, thundora.

accipere magma quo est

eam sequuntur somnia incipere’

Peri and Patience Exchange glances.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - INT. NIGHTMARES PLAN - DAY

Evil Wyatt and Wyatt stand before each other.

EVIL WYATT

Turn it off already.

WYATT

No.

EVIL WYATT

You want them to die, is that it?

Wyatt is suffering.

WYATT

NO!

ON PRUE AND THE BABIE’S BODY - They disappear.

Wyatt looks at it.

WYATT (CONT'D)

What ---?!

He is so confused.

WYATT (CONT'D)

Prue?

Evil Wyatt WAVES his hands and throws Wyatt flying across the air. Wyatt falls on the floor and tries to stand.

PRUE (O.S.)

Wyatt?

Wyatt looks up and sees Prue standing there.

WYATT

Prue?

They look at each other. Then, ---

ON PRUE - Her eyes wide open. Her eyes show pain.

ON WYATT - His eyes wide open too.

He looks at Prue as a blade crosses her chest. She looks down and sees all the blood that comes from her chest. She was stabbed with Hadhafang from behind.

WYATT (CONT'D)

Prue?

Prue looks at Wyatt. Her eyes get wet. She falls down the floor. Standing behind her is her evil self. Evil Prue grins. Evil Wyatt walks towards Wyatt.

EVIL WYATT

You can save her. You say the word and turn off your light.

Wyatt’s eyes get wet as he looks at Prue on the floor in pain, bleeding to death. Tears run fast out his eyes.

EVIL WYATT (CONT'D)

You love her. Turn it off.

PRUE

(low voice)

Wyatt ---

She reaches out his hand trying to reach him. Wyatt starts being surrounded by a BRIGHT GOLDEN TIE.

EVIL WYATT

Turn it off.

Evil Prue lowers down to Prue and whispers something to her.

EVIL PRUE

(whispering)

It’s done.

PRUE

(low voice)

No. Wyatt ---

EVIL WYATT

(looks at Prue)

Save her.

Wyatt is unable to move. The Golden Tie is too tight.

EVIL WYATT (CONT'D)

Turn it off.

WYATT

(out loud)

Okay!

Prue closes her eyes as she hears him say it.

WYATT (CONT'D)

I want to turn off my light.

Evil Wyatt and Evil Prue smile.

WYATT (CONT'D)

Take over and save her.

A GOLDEN TIE appears and surrounds Prue as well. A BRIGHT LIGHT leaves Wyatt and Prue and BANISHES in the air. Evil Wyatt stands. Evil Prue walks over Prue’s body and approaches Evil Wyatt.

EVIL WYATT

It’s done.

EVIL PRUE

We are free.

Evil Wyatt and Evil Prue smile.

OFF TO RUBY - She appears before them.

She looks at Wyatt and Prue.

ON WYATT - He disappears.

ON PRUE - She disappears.

Ruby looks at Evil Wyatt and Evil Prue.

RUBY

‘Posset implere mala

Animarum’

(smiles)

It is done.

Evil Wyatt and Evil Prue turn to Ruby and smile.

CUT TO:

EXT. PRESCOTT MANOR - DAY

Jannes, Chris, Melinda, Jo, and Blanche stand outside the house. They stare at the house.

JANNES

There is another force field protecting these walls.

JO

We can’t break them.

As they are about to make a move, the daylight starts fading off.

They look up.

ON THE SKY - The day gets cloudy.

JANNES

We are too late.

CHRIS

No. I can’t believe that.

They get even worrier.

CUT TO:

EXT. SAN FRANCISCO - STREETS - DAY

Damon, Charlotte, Cassandra, and Junior stop fighting some Manticores and they all look up at the sky.

CHARLOTTE

What is going on?

JUNIOR

It’s too late.

They are worried.

CUT TO:

EXT. SAN FRANCISCO - ANOTHER STREET - DAY

Matt, David, and Bianca, as well as some people, look up at the sky.

ON THE SKY - It gets completely covered by darkness.

MATT

It’s done.

BIANCA

It can’t be.

Matt looks at his mother and holds her hand.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Tamora is by a window. Pandora is sitting beside Ethan. The man seems astonished.

ETHAN

Magic?

Pandora nods.

ETHAN (CONT'D)

Pan, this is insane.

PANDORA

It’s true. I am a witch. A good witch. Magic is real.

ETHAN

But ---

TAMORA

Guys, ---

Ethan and Pandora look at Tamora. She turns to them.

TAMORA (CONT'D)

I think it’s done.

Pandora and Tamora look at each other. They are worried.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Melissa is by a window looking through it. She sees the sky becoming darker.

MELISSA

(afraid)

My God!

She is terrified.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - ERIC’S OFFICE - DAY

Eric stares through the window. He is worried.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

ON AISLING - He eyes are closed, but they pop open.

AISLING

It’s done.

She is serious.

CUT TO:

INT. BAY MIRROR - REDACTION ROOM - DAY

All workers walk towards the windows and look at what’s happening outside.

OFF TO PHOEBE - She comes from her office followed by Coop.

PHOEBE

This is insane, Coop.

COOP

I’m serious, Phoebe. Something bad is happening.

Phoebe approaches a window and her expression hardens. Phoebe turns to Coop.

PHOEBE

What’s happening?

Both stare at each other.

CUT TO:

INT. POLICE STANTION - HENRY’S OFFICE - DAY

Henry is by a window looking through it. He turns around. There is Paige.

HENRY

Now you believe me?

Paige nods.

PAIGE

Whatever screws the future, it’s here.

Both of them stare at each other.

CUT TO:

EXT. NEW ORLEANS - DAY

People in the streets are astonished staring at the sky.

Among them is Ella. She stares at the sky.

CUT TO:

INT. PIPER AND LEO’S CONDO - LIVING ROOM - DAY

Sebastian is carrying baby Matt and stares through the window. Piper holding baby Tina and Leo approach him.

LEO

It’s time for you to tell us what’s going on, Sebastian.

Piper seems really worried.

PIPER

I don’t have a good feeling about this, Leo.

Leo puts an arm over Piper’s shoulders.

ON SEBASTIAN - He is worried.

CUT TO:

EXT. UNIVERSE

A view at the World as it is fulfilled with a dark light.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

Serena opens her eyes. She turns at the twins.

SERENA

It is done.

Peri and Patience exchange glances.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - INT. NIGHTMARES PLANE - DAY

The evil versions of Wyatt and Prue stand before Ruby. She reaches out her hands and SUMMONS a golden rope.

ON GOLDEN ROPE - It has two tips in one of its ends and just one tip in the other.

Prue and Wyatt look at her. Ruby walks towards them and hands them the ends with two tips.

RUBY

Hold it.

WYATT

What’s this about?

RUBY

(smirks)

Something necessary. I gave you freedom, I ask one thing in return.

(pauses)

Loyalty.

Wyatt and Prue take one tip each, while Ruby holds the other end.

RUBY (CONT'D)

A promise must be done.

Wyatt and Prue exchange glances.

WYATT

We would never betray you.

PRUE

You have our gratitude. You released us.

RUBY

Then, you don’t mind ---

Ruby looks at the rope. Wyatt and Prue node.

RUBY (CONT'D)

So, shall be done.

(chants)

‘Hoc colligationem,

et ligabis

haec promissum’

ON THE ROPE - It shines.

RUBY (CONT'D)

There’s just one more thing for this to be completed.

Prue and Wyatt nod.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

ON PRUE’S EYES - They pop open.

ON WYATT’S EYES - They pop open.

Both Wyatt and Prue get into a sitting position. Something feels different within them. Wyatt and Prue look at each other.

WYATT

We are free.

PRUE

(smiles)

Finally.

They turn to Ruby who stands smiling big before them.

RUBY

Welcome to your new life.

Wyatt stands and helps Prue to stand. Prue stares at Ruby.

PRUE

You ---

RUBY

No hard feelings, I hope.

Prue grins.

PRUE

Thank you.

WYATT

You are the Red Witch.

Ruby looks at Wyatt and smiles. Prue looks at Serena and the twins. Peri and Patience smile at her mother.

RUBY

There’s one more thing we should do for you to take the place that’s rightfully yours.

WYATT

Which is?

RUBY

The Source’s essence. You must summon it.

PRUE

How?

Ruby smiles.

RUBY

You are the Twice Blessed Witches. Just summon it.

Wyatt and Prue look at each other.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

Jannes, Jo, and Blanche try to use their powers the way they did before. Melinda and Chris stare at them.

MELINDA

This protection is even stronger.

CHRIS

I have a bad feeling, Mel.

MELINDA

Me too.

JANNES

(out loud)

Keep going!

They keep focusing on breaking the protection around the house.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

Wyatt and Prue in front of each other. Ruby walks around them. Serena, Peri and Patience stare at them.

RUBY

Just call it to you. Order it to fulfill you completely.

Wyatt and Prue hold each other’s hands and close their eyes.

RUBY (CONT'D)

Order it to leave whatever place it is and to fill your souls.

(smirks)

Summon the Source’s essence now!

WYATT

‘I order you to come here.’

PRUE

‘Source’s essence we summon thee.’

WYATT

‘We order you to turn one with us.’

They repeat it all again.

CUT TO:

INT. WASTELAND (DEPTHS OF THE UNDERWORLD) - UNKNOWN TIME OF THE DAY

In the AIR, the darkest of the SHADOWS is seen wandering in the form of an ESSENCE, a mere smoke.

It feels the powers summoning it. The SMOKE flies towards the WALL OF FIRE and attempts to cross it and it succeeds. It leaves the dark place.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

Wyatt and Prue keep repeating the chant.

WYATT

‘I order you to come here.’

PRUE

‘Source’s essence we summon thee.’

WYATT

‘We order you to turn one with us.’

Serena, Peri, and Patience stare at them as well as Ruby.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

Jannes, Jo, and Blanche keep trying to break the protection. Chris and Melinda stare at them.

OFF TO THE SOURCE’S ESSENCE - It flies across the air.

Chris and Melinda realize its presence.

MELINDA

Is that?

CHRIS

The Source’s essence, much likely.

Melinda looks at Chris.

MELINDA

Chris ---

Chris looks at his sister.

CHRIS

My God!

OFF TO THE ESSENCE - It enters the house.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

OFF TO THE ESSENCE - It enters the room.

Wyatt and Prue keep chanting.

Ruby looks at it and smiles.

RUBY

Soon, little sister, soon. My revenge is near.

Peri and Patience exchange glances.

The essence moves slowly into Wyatt and Prue’s body. They take it in. And as soon as the essence fulfill their beings, a strong ENERGY FIELD comes from them and fulfill the air throwing Peri, Patience, Rubi, and Serena on the floor.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

The strong ENERGY FIELD comes and throws them all into the floor.

ON JO - She tries to stand. She looks at Chris and Melinda.

Chris and Melinda give her a worried look.

CUT TO:

EXT. SAN FRANCISCO - STREETS - NIGHT

Charlotte, Cassandra, Damon, and Junior meet Matt, David, and Bianca.

CHARLOTTE

Did you see it?

They nod. Then the strong ENERGY FIELD comes and takes them all to the ground. They try to stand. They are confused.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

ON ETHAN AND PANDORA’S HAND - They hold each other’s hands. Tamora stands beside them.
The strong ENERGY FIELD comes and takes them all to the floor.

ON ETHAN - He seems so damn confused.

Tamora and Pandora exchange glances.

CUT TO:

EXT. THE UNIVERSE - NIGHT

The ENERGY FIELD surrounds the entire World fulfilling with evil.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - NIGHT

Serena, Peri, and Patience keep staring at them.

Wyatt and Prue take a deep breath. They open their eyes and stare at each other.

RUBY

(smiles)

Now it is completed.

Ruby approaches Wyatt and Prue.

RUBY (CONT'D)

Blessed be the Source and Queen of All Evil.

Ruby smiles wickedly. Wyatt and Prue look at each other and smile.

Their smile is fulfilled with evil.

CUT TO BLACK.

END OF THE EPISODE