4x14 - Special Delivery on All Hallows' Eve

[Prue Brianna Johnna Halliwell]

DESTINED
'SPECIAL DELIVERY ON ALL HALLOWS' EVE'

TEASER

OVER BLACK.

FADE IN:

EXT. PRESCOTT STREE - DAY

ON SCREEN READS:

OCTORBER 30TH

The sun shines brightly.

People are decorating their homes for Halloween. Some kids are in the outside playing with one another.

CUT TO:

EXT. HALLIWELL MANOR - DAY

Wyatt and Chris are outside decorating the garden with some pumpkins. They glance at each other and smile.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM - DAY

ON A FAN - It is a hot day.

On the couch are sitting Prue and Bianca. Each one of them carries a heavy belly. Bianca’s belly is bigger, she is on her 41st pregnant week. Now, Prue, she is on her 37th pregnant week.

Both are sitting on the couch. Bianca is eating some grapes while Prue is just trying to get comfortable. She is fixing the pillows behind her back.

PRUE

My back pain is killing me and these pillows help me not!

BIANCA

Do you want to talk about pain? Want to pee every five seconds?

Prue glances at Bianca.

PRUE

Does it take away my back pain?

Bianca stares at Prue for seconds.

BIANCA

No, it doesn’t.

PRUE

Then, no, thanks.

Prue sits straight.

PRUE (CONT'D)

Why is it so hot?! It’s not natural!

BIANCA

Nothing is natural nowadays. This baby should come out already. What’s the fun in being inside of me, making me uncomfortable.

PRUE

Just one more week. Be grateful it’s just one more week and not five.

BIANCA

I wish it was today already.

Prue glances at Bianca.

PRUE

Today?

Bianca nods.

PRUE (CONT'D)

On All Hallows’ Eve’s Eve?

BIANCA

Why not? Don’t care the day. Just wish for him to be born already.

Bianca puts the bowl of grapes aside.

BIANCA (CONT'D)

I need to pee again!

(out loud)

Chris!

Prue grimaces.

BIANCA (CONT'D)

(out loud)

Chris!

OFF TO CHRIS - He comes in quickly.

CHRIS

What, babe? Are you okay?

BIANCA

I need to pee.

CHRIS

Again?

BIANCA

Are you complaining, really?

(irritated)

Have you forgotten you are the one to blame?

CHRIS

Me?

PRUE

Oh, boy!

(to Chris)

You are the one to blame, Chris. It is your seed inside of her.

Chris shoots Prue a look.

CHRIS

Fine.

Chris approaches Bianca and helps her stand.

BIANCA

(to Prue)

I’ll be right back, fellow companion.

Prue smiles. Then she feels a pressure on her abdomen which causes some pain below. Prue grimaces.

PRUE

(out loud)

Wyatt!

OFF TO WYATT - He comes in quickly.

WYATT

What, Love?

PRUE

I need to pee.

Both Wyatt and Prue stare at each other.

CUT TO:

INT. THE DARK WIZARD’S CAVE - DAY

ON AISLING EYES. They are white. She is having a vision.

Jannes is in front of her staring seriously at her. He seems anxious.

ON AISLING EYES. They turn to normal.

JANNES

So?

Aisling smiles.

AISLING

The moment has arrived.

JANNES

Meaning?

AISLING

She is at the most vulnerable moment. It is perfect for you to bring her here and tell her about the Red Witch.

JANNES

Who are you talking about?

AISLING

Prue. Who else?

JANNES

She is a Destined One and a Charmed One. And she’s pregnant.

Jannes turns around annoyed.

AISLING

And afraid.

Jannes turns to face her.

JANNES

What?

AISLING

She fears for the future of her daughter. So, if you bring her here and tell her what’s the Red Witch’s plan, she’ll listen to you.

Jannes and Aisling stare at each other for moments.

JANNES

Are you sure about this?

AISLING

It is a good plan, Jannes. It can work.

JANNES

I don’t want probabilities, Oracle. I want certainties.

AISLING

Do it.

Jannes is serious.

SIOBHAN (O.S.)

I can help you with that.

BEAT. They turn around and there, wearing a black leather jumpsuit, is Siobhan, the former leader of the Phoenix Witches.

ON SIOBHAN - She smirks.

FADES TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Peter Facinelli as Sebastian

Alex Mauriello as Aisling (Oracle)

Evangelina Lilly as Siobhan

Ian Somerhalder as Liam

Elliot Villar as Jordan

Chris Wood as Ethan

Jacob Tremblay as 11 Years Old Matt

Mckenna Grace as 11 Years Old Christina

Unknown actors as Demons

Unknown actors and actresses as P3's customers 

Unknown actor as Man

Unknown actors and actresses as Nurses

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Aerial footage all over the town at the sound of ‘Take Me Home’ by Jess Glynne.
It is a sunny day.

CUT TO:

INT. THE DARK WIZARD’S CAVE - DAY

ON SIOBHAN - She stands still before Jannes. He looks at her up and down.

JANNES

A Phoenix Witch, huh?!

SIOBHAN

The leader of the coven.

AISLING

A shattered coven you mean.

SIOBHAN

My sisters are still out there. It’s not safe for us as it was before.

AISLING

What do you want, Siobhan?

SIOBHAN

You know what I want, Oracle.

Aisling and Siobhan stare at each other.

SIOBHAN (CONT'D)

You told me I would get it.

AISLING

And you will. Eventually.

SIOBHAN

Now. I’m done waiting.

JANNES

What is it that you want?

Siobhan smirks.

SIOBHAN

I can help you to get Prue Halliwell if I get to kill Bianca Halliwell.

Jannes and Aisling exchange glances.

SIOBHAN (CONT'D)

You see, I just need a couple of demons and I’ll get the two women. You get Prue and I’ll get Bianca.

JANNES

Why do you need my help on that?

SIOBHAN

Because Bianca is protected by the baby force field. And so, it’s Prue, by the way. So, I’m gonna need extra help to do that. So, I’ll get them and you hold Bianca for me until the baby is born. Then, I’ll kill Bianca and raise the baby as my own.

AISLING

Boy, you’ve given it a lot of thought.

Siobhan shoots the Oracle a look.

JANNES

Why don’t your sisters help you?

SIOBHAN

Well, like I said it’s not safer for us anymore. And my best woman died. Prue killed her actually.

JANNES

What makes you think that I have the means to trespass their force shield?

Siobhan smirks.

SIOBHAN

You are a Wizard, Jannes. The Dark Wizard.

Aisling glares at Jannes who stares at Siobhan.

SIOBHAN (CONT'D)

If someone can, that someone is you.

Jannes is serious. He keeps staring at Siobhan.

JANNES

(to Aisling; not staring at her)

Get two demons. We are going to get some pregnant women down here.

Aisling stares at Jannes.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM - DAY

Wyatt and Chris help their wives Prue and Bianca to sit on the couch.

CHRIS

(to Bianca)

Need anything else, babe?

BIANCA

(irritated)

Your baby out.

Chris and Wyatt exchange glances. Then, Wyatt looks at Prue.

PRUE

Don’t!

Wyatt shrugs.

OFF TO JO - The blonde girl comes into the room.

JO

Hey, guys!

PRUE

Future girl!

They look at Jo.

PRUE (CONT'D)

Let’s talk about work.

WYATT

Prue, I don’t think it’s a good idea.

PRUE

I can’t be at P3 in one of the most important nights of the year ---

Prue stands with difficulties.

PRUE (CONT'D)

--- But I’m still P3’s owner.

Prue shoots Wyatt a ‘don’t dare to’ look. Wyatt and Chris exchange glances. Chris shrugs.

BIANCA

Go, boys! There’s some shopping that needs to be done. If I’m staying out of P3 famous Halloween party, then we’ll make our own party.

PRUE

Staying home and waiting for trick-or-treat it’s no my idea of a party.

BIANCA

Better than nothing.

Prue glances at Wyatt and Chris.

PRUE

Just go.

WYATT

C’mon, Chris. They’ll call us if they have to pee.

Chris laughs. Then Wyatt and Chris leave the room. Prue wants to sit down but seems to have difficulties with that. Jo realizes it and rushes to help her. Prue stares at Jo weirdly. She finds her attitude weird.

PRUE

(to Jo)

Thank you.

Jo smiles.

BIANCA

So how is it going our two-night event?

Jo sits on the table before them.

JO

That’s what I wanted to talk to you about.

Prue and Bianca listen.

JO (CONT'D)

I’ve selected the movies for tonight and I need one of you to approve the list.

PRUE

How many movies are you thinking?

JO

So, the fliers say from 8 p.m. Each movie takes an hour and a half. Maybe 3 movies?

BIANCA

I like that number.

PRUE

Me too. All Halloween related?

JO

All of them. Here’s the list.

Jo hands Prue a piece of paper where she wrote a list of Halloween movies. Prue has a look at it.

PRUE

Hocus Pucus?

Prue and Bianca exchange glances.

BIANCA

I like it!

PRUE

Halloween!

BIANCA

Isn’t that too scary?

JO

Isn’t that the point of Halloween? To be scary?

PRUE

Fine by me.

Bianca stares at the list.

BIANCA

The Nun?

PRUE

That’s a creepy one, Jo.

JO

Well, it was that or The Exorcist.

PRUE

The Nun it is. I really hate the Exorcist. Wyatt made me watch it once when I was ten. I swore to kill him, but I was too afraid that I spent a whole month sneaking out to his bed seeking protection.

Bianca laughs hard. Jo tries to hold the laugh, but she’s unable to.

PRUE (CONT'D)

What? I was truly scared.

They stop laughing.

PRUE (CONT'D)

Anyway, just make sure P3 is protected tonight and tomorrow night. I sense that something is going to happen.

BIANCA

You just say that because demons have been attacking every now and then.

PRUE

That and the fact that we haven’t found a way to vanquish Jannes and find the red-hooded character.

BIANCA

The red-hooded character was a friend.

PRUE

I don’t think so.

JO

Me neither.

Bianca glances from Prue to Jo astonished.

BIANCA

You two are agreeing on this?

Prue and Jo exchange glances.

JO

I should go.

Jo stands.

BIANCA

Wait, Jo.

Jo turns to Bianca.

BIANCA (CONT'D)

When is my baby going to be born?

Bianca stares at Jo as she thinks carefully.

JO

Not long from now. Actually, ---

(she remembers something)

--- Now that I remember, you may not want to stay alone and unprotected for the next few days.

PRUE

She’s not unprotected. She’s with me.

JO

That goes for you too, Prue.

Prue looks up at Jo.

PRUE

You know something, do you?

JO

I know nothing. I just want to make sure you have a peaceful rest of pregnancy.

Jo stares at Prue and Bianca.

JO (CONT'D)

I must go now. I remembered I had to talk to Melinda.

Prue is about to protest, but Jo runs out.

BIANCA

She knows when the babies are going to be born.

PRUE

I don’t have a good feeling about this, B.

Bianca stares at Prue.

BIANCA

Do you think we are in some kind of danger?

Prue forces a smile and tries to tranquilize Bianca.

PRUE

Don’t mind me. Let’s watch the movie.

Prue turns on the TV. Bianca stares at the TV as Prue seems worried.

FLASHES TO:

INT. HALLIWELL MANOR - BEDROOM - NIGHT (FLASHFORWARD - ELEVEN YEARS LATER)

Two beds are in that bedroom. Lights are off. A woman approaches Matt’s bed and pulls the sheets up. The boy wakes up and looks at the woman.

MATT

Aunt Prue?

BEAT. That’s Prue. She is wearing a black jumpsuit. Prue looks at him and smiles.

PRUE

Hey, kiddo.

MATT

Is there something wrong?

PRUE

No, nothing wrong.

Prue sits on the bed.

PRUE (CONT'D)

Remember that I promised I would make sure you had nice dreams?

Matt nods his head.

PRUE (CONT'D)

Well, that’s why I’m here.

Matt smiles.

PRUE (CONT'D)

Now, go back to sleep.

The boy closes his eyes and turns around. Prue stands and walks towards the other bed. She looks at the girl with long blond hair. Prue takes something from her jumpsuit pocket.

ON - GOLDEN CHAIN WITH RUBY PENDANT.

Prue looks at it and puts it on the night table. Then, she sits on the girl’s bed and touches her hair softly.

PRUE (CONT'D)

My dear child.

Then Prue WAVES her hand over the girl’s body. It glows PINK.

PRUE (CONT'D)

That’s to keep you safe, my dear. No visions from you.

Prue kisses her top of the head and stands.

PRUE (CONT'D)

Mummy loves you so much.

Prue stands and heads to the exit when ---

CHRIS

Prue?

Chris comes in. Prue’s expression hardens.

CHRIS (CONT'D)

What are you doing here?

PRUE

I had to see her, Chris.

Chris glares at the children.

PRUE (CONT'D)

Take care of her.

Prue walks towards the exit and stops in front of Chris ---

PRUE (CONT'D)

Please, tell her that I love her.

Both stare at one another. Then Prue lowers her gaze and walks out. Chris sighs. He looks at the children. Then he looks at the chain in the night table.

ON - CHAIN.

CHRIS

Prue!

He is serious.

CUT TO:

INT. HALLIWELL MANOR - FIRST FLOOR CORRIDOR - NIGHT (FLASHFORWARD - ELEVEN YEARS LATER)

Chris comes out of the bedroom where he just met Prue. He runs into Melinda.

MELINDA

Are the kids asleep?

Chris nods but seems shattered. Melinda notices it.

MELINDA (CONT'D)

What’s wrong?

Chris looks back inside the bedroom and then takes Melinda’s arm and drives her away. Melinda is preoccupied.

MELINDA (CONT'D)

Chris, you’re scaring me. What happened?

CHRIS

She was here.

MELINDA

Who?

Melinda doesn’t understand at first. Chris shoots her a look and she finally gets it.

MELINDA (CONT'D)

Prue?

Chris nods.

MELINDA (CONT'D)

How did she --?

CHRIS

It is Prue, remember? She has her means.

MELINDA

Is little P.J. alright?

CHRIS

Yeah. She just wanted to see her daughter.

They seem shattered.

MELINDA

How was she?

Chris and Melinda stare at each other.

CHRIS

Cold.

(pauses)

As always.

MELINDA

We need to find a way to protect P.J. from them.

CHRIS

You know that if they want to take P.J. by force they would.

MELINDA

That’s why we must protect her.

CHRISTINA (O.S.)

I said I don’t want to be called by that name anymore. 

OFF TO LITTLE CHRISTINA - She stands there looking at them in her pajamas.

CHRISTINA (CONT'D)

Not Christina, not P.J.

(pauses)

Stop that.

MELINDA

Christina, honey ---

Melinda lowers to eye level.

CHRISTINA

(mad)

Aunt Mel!

MELINDA

Fine. We will respect your wish. But we need to call you something. 

Christina lowers his gaze sad. Chris approaches Christina.

CHRIS

Honey, a name doesn’t mean anything.

CHRISTINA

I will think about a nick name.

Christina turns around and walks towards her bedroom, but stops and looks at her aunt and uncle.

CHRISTINA (CONT'D)

She shouldn’t have come.

Chris and Melinda exchange worried glances. Christina walks into her bedroom.

FLASHES BACK TO:

INT. UNDERWORLD - THE DARK WIZARD’S CAVE - DAY

ON - A BLACK BRACELET.

Jannes is staring at it seriously. Aisling is also there. She stares at him.

AISLING

Where did you get that from?

JANNES

These were one of the things I brought from my times where I belonged to the brotherhood.

AISLING

A Magic Absorbing Bracelet! Very rare item.

(pauses)

But you’ve only got one. There’s two of them.

JANNES

I know the obvious, Oracle. I will only use this bracelet on Prue.

AISLING

What about Bianca? You made a deal with Siobhan.

JANNES

I don’t need Bianca awake.

OFF TO SIOBHAN - She comes in.

SIOBHAN

(to Jannes)

Are you ready?

Two demons walk in as well.

SIOBHAN (CONT'D)

Have you got what we need to render them powerless?

Jannes stares at her for a moment. He has a look of superiority at her. Both of them stare at each other, then Jannes turns around and heads to his altar table. Aisling stares at him. He picks something from the table and turns to them.

ON - A SMALL BOTTLE WITH A PURPLE POWDER INSIDE.

JANNES

Passion Flower Seeds mixed with some secret ingredients can put anyone to sleep.

SIOBHAN

Sleep? I want her to suffer.

JANNES

This is just a temporary solution.

AISLING

Bianca will be very debilitated. She is in her final days of pregnancy.

SIOBHAN

It doesn’t mean that the baby won’t try to protect his mommy.

JANNES

Take it or leave, Siobhan. I don’t actually need Bianca.

Both Jannes and Siobhan stare at one another for seconds. Siobhan is not pleased with the poor idea, but that’s all she’s got.

SIOBHAN

Fine.

JANNES

Let’s go.

Jannes walks over to his Wand which is leading against his chair.

ON JANNES WAND - Jannes takes it.

Jannes turns to Siobhan.

JANNES (CONT'D)

After you.

Siobhan SHIMMERS out. The demons SHIMMER out as well. Jannes turns to Aisling.

JANNES (CONT'D)

Will you be here when I get back?

AISLING

Sure, I will.

Jannes uses SPIRALIZATION to transport himself out.

AISLING (CONT'D)

I certainly will be here.

Aisling is serious.

CUT TO:

EXT. P3 - DAY

ON - P3’S SIGN.

CUT TO:

INT. P3 - DANCING FLOOR / ENTRANCE STAIRCASE - DAY

Jo is the only one there. She paces the place. She seems concerned about something. She holds a cell phone on her hands and every now and them she takes a look at it.

JO

(worried)

There’s no mistake. It is today. How could I be so reckless?!

OFF TO MELINDA - She comes in a rush.

MELINDA

Hey, I came as fast as I could.

JO

You could have orbed, Mel. This is important.

Melinda shoots her a look.

MELINDA

I don’t orb.

JO

You could have used your astral self to orb here.

MELINDA

No, I couldn’t.

Jo seems really worried and Melinda starts noticing it.

MELINDA (CONT'D)

But what’s wrong with you?

JO

Something will happen today.

MELINDA

Yeah, I few things are happening today. For the first time, Halloween will be celebrated as a two nights events and I am excited to wear my Supergirl costume.

Melinda pauses as something pops into her mind. She smiles.

MELINDA (CONT'D)

Actually, I can wait to rip out Liam’s Mon-El costume out.

Jo stops and stares at Melinda with a disgusting look.

JO

That’s gross!

Melinda’s smile fades off her face. She stares at Jo.

MELINDA

It’s not actually. But what the heck is happening to you? I have to prepare a big event for tomorrow. This group chose Halliwell’s for their Halloween dinner.

JO

It can wait.

MELINDA

Okay, Jo, split it!

Melinda already seems a little annoyed with Jo’s attitude.

JO

Prue and Bianca will be kidnapped today.

MELINDA

What?

JO

Yeah. I was so into this whole thing. Trying to prove Prue I was capable to take care of P3 ---

MELINDA

And chasing demons in your free time.

JO

--- That I almost forgot about today.

(stares at Melinda)

It happens before All Hallows’ Eve.

MELINDA

Who will kidnap them?

JO

I can’t remember. I’ve been trying to think about it. You guys were never much specifics about it.

(pauses)

You always kept somethings from us.

MELINDA

Us?

Jo stops and stares at Melinda.

JO

What matters is that we’ve got a chance to make a change in the future. If Prue and Bianca are not kidnapped maybe somethings will change.

MELINDA

Okay, so let’s go home and call everybody.

JO

No, we can't.

Melinda doesn’t understand.

JO (CONT'D)

I mean, we don’t want to worry Prue and Bianca. That could accelerate ---

Jo pauses. She doesn’t really want to say too much.

JO (CONT'D)

--- We need to be careful. Just go home and protect them. Maybe call Chris.

MELINDA

And Wyatt.

JO

No, if Wyatt knows, Prue knows.

Melinda and Jo stare at each other.

MELINDA

Fine. Let’s go.

JO

I can’t.

MELINDA

Jo ---

JO

I’ll be on my phone, Mel. Prue will be suspicious.

MELINDA

(annoyed)

Okay, fine.

Melinda turns to leave.

JO

Anything ---

Melinda turns to Jo.

JO (CONT'D)

--- You can just call my name and I’ll be there.

Melinda nods.

MELINDA

Someday, you will admit who you really are.

Jo takes a deep breath. Melinda walks upstairs and leaves. Jo stands there. Still with a concerned look on her face.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - PANDORA’S BEDROOM - DAY

ON COSTUMES - A Supergirl and a Mon-El Costume are on Pandora’s bed.

Pandora stands there staring at them. Ethan is right beside her.

ETHAN

Mon-El? That’s what I’ll be wearing?

PANDORA

Tonight. That’s what you’ll be wearing tonight.

The girl seems excited.

ETHAN

Halloween is tomorrow.

PANDORA

In P3 is a two-night event and we take very seriously this thing called Halloween.

ETHAN

Right.

OFF TO TAMORA - She comes in.

TAMORA

I’m heading to P3. I've offered myself to help Jo.

Tamora looks at the costumes.

TAMORA (CONT'D)

Supergirl and Mon-El?

Pandora nods yes. Tamora looks at Ethan. She is like trying to read all his traits.

TAMORA (CONT'D)

You kinda look like him indeed.

Pandora smiles.

TAMORA (CONT'D)

I’ll be Olive and Sebastian will attend as Popeye.

PANDORA

You’ll be brunette and I’ll be blonde tonight, sis.

TAMORA

Make sure you don’t cast a spell to change your hair color.

As soon as Tamora says that, Pandora shoots her a look. Ethan could not hear that.

ETHAN

A spell?

PANDORA

(nervous)

Oh, huh ---

TAMORA

Oh, you know. It’s Halloween. Known as the Witches' Day in some countries. Witches. Spells.

Ethan glances at Pandora.

PANDORA

It’s an old joke.

TAMORA

I’ve got to go. See ya!

Tamora leaves the bedroom. Pandora forces a smile at Ethan.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Bianca is pouring herself a glass of water. She drinks it. As soon as she lands the glass back on the table, she feels the cold of a blade next to her neck. Someone grabs her from behind. Demon #1 holds Bianca. She tries to get loose, but the demon is too strong.

OFF TO SIOBHAN - She walks in from the back door.

SIOBHAN

Give up, darling.

Bianca glances at Siobhan. Her eyes wide open in surprise.

BIANCA

Siobhan?

Siobhan smiles.

BIANCA (CONT'D)

How did you ---

SIOBHAN

Came in?

Siobhan smiles again.

SIOBHAN (CONT'D)

I made an alliance with a powerful Wizard. Crystals can’t stop him.

BIANCA

What do you want?

Siobhan walks towards her. Demon #2 walks in.

SIOBHAN

What I want is very simple.

Siobhan approaches Bianca and touches her belly.

BIANCA

Get off your ---

SIOBHAN

Your what?

(smiles)

I want your child, dear. And you dead, of course.

Siobhan looks at demon #2 and he hands her the small bottle Jannes gave her. She opens it and blows the powder on Bianca’s face. No longer, Bianca faints and as she does she hits the glass which falls on the floor.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM - DAY

Prue is sitting on the couch watching the TV.

SOUND - GLASS BREAKING.

Prue slightly jumps as she hears the sound of the glass breaking.

PRUE

(out loud)

Bianca? Are you okay?

No answers. Prue manages to stand with difficulties.

PRUE (CONT'D)

(aloud)

Bianca?

Still, no answers.

PRUE (CONT'D)

What the hell?!

OFF TO JANNES - He comes from the conservatory room holding his wand. Prue and Jannes stare at one another.

JANNES

Hello, Prue!

PRUE

Jannes!

That was not a question. It was a statement. Despite she never met him before, she knew who he was. Jannes feels pleased about it.

JANNES

Looks like I’m famous.

Prue is about to wave her hand, but he motions her to stop.

JANNES (CONT'D)

I wouldn’t do that. Your friend will get hurt.

PRUE

What did you do to Bianca?

JANNES

Nothing.

(pauses)

Yet. Look, Prue, I didn’t come here to hurt you.

PRUE

Though, you’ve tried it before.

JANNES

I did, I don’t deny it. But it’s different this time.

PRUE

Why is different?

JANNES

My strategy has changed and I just want to talk.

PRUE

Talk?

Jannes nods.

JANNES

So, if you please come with me I’ll gladly have a nice conversation with you and I’ll give you my word that no harm will come to Bianca.

Jannes and Prue stare at each other for moments.

PRUE

Yeah, I don’t t think so.

Prue waves her hand and at the same time, Jannes WAVES his hand too. Prue powers don’t work on him. Prue is surprised.

PRUE (CONT'D)

How ---

JANNES

Look at your wrist.

Prue looks at her right wrist and there it is the Magic Absorbing Bracelet.

ON PRUE WRIST - The Magic Absorbing Bracelet is a black leather bracelet.

Prue tries to take it off.

JANNES (CONT'D)

Your powers won’t work while you wear it.

PRUE

Take it off now or ---

JANNES

Or what?

Both stare at each other.

SOUND - FRONT DOOR OPENING.

OFF TO MELINDA - She comes in and stares at Jannes. Then she looks at Prue. Melinda is about to wave her hands, but Jannes WAVES his hand and FREEZES Melinda. The girl can see. Her eyes move, but she cannot move.
Prue looks from Melinda to Jannes.

PRUE

What did you do to her?

JANNES

She will be fine. Now can you please come with me.

OFF TO SIOBHAN - She comes in followed by the two demons who carry Bianca.

PRUE

(worried)

Bianca!

Prue looks at Siobhan.

PRUE (CONT'D)

You!

SIOBHAN

Nice to see you too, darling.

(to Jannes)

Can we go?

Jannes looks at Prue.

JANNES

What do you say, Mrs. Halliwell?

Prue glances at Melinda who seems terrified and tries to tell her to not go.

PRUE

(to Melinda)

I’ll be fine.

Melinda is terrified. Prue lowers her gaze and then approaches Jannes.

PRUE (CONT'D)

Let’s go.

Jannes smiles.

JANNES

Good decision.

Jannes touches Prue’s arm and the SPIRELIZES out. The two demons SHIMMER out with an unconscious Bianca. Siobhan glances at Melinda and smiles.

SIOBHAN

He didn’t hurt you. It doesn’t mean I can’t.

Siobhan creates an ENERGY BALL and throws it against Melinda. The ball hits her and throws her on the floor in pain. The hitting causes Melinda to unfreeze. Melinda cries out loud. Siobhan smiles.

SIOBHAN (CONT'D)

Next time will be straight through your heart.

Siobhan SHIMMERS out. Melinda holds her arm in pain.

MELINDA

(out loud)

Jo!

Melinda’s arm is covered in blood. She is really in pain.

CUT TO:

INT. GROCERIES STORE - DAY

The store is full of people shopping. Wyatt and Chris are there. Chris takes a package of candies.

CHRIS

Strawberries?

WYATT

I like them. These were my favorites.

CHRIS

They are not for you, Wyatt. They are for the kids that will trick-or-treat tomorrow night.

WYATT

I remember when we were one of those kids.

CHRIS

And now we are going to have kids.

Chris puts some packages on the shopping car.

CHRIS (CONT'D)

I so excited, you now?!

WYATT

I’m anxious. And scared.

Chris looks at Wyatt.

CHRIS

Jannes?

WYATT

It’s been months, Chris.

Wyatt’s mask drops. He shows concern on his face.

WYATT (CONT'D)

I’m scared that at any moment he decides to step forward and hurt one of us.

(lowers his gaze)

The babies.

Chris puts a hand on Wyatt’s shoulder.

CHRIS

We won’t let that happen. Okay.

WYATT

There is also this mystery character.

CHRIS

The red hooded one?

WYATT

Yeah. Who is it?

Chris puts both his hands-on Wyatt’s shoulders.

CHRIS

Hey! We won’t let anything bad happen. We are the Destined Ones, bro. We may fall, but we get up stronger than before.

WYATT

Well, there’s a future where no even us weren't able to stop from happening. Jo keeps sharing nothing relevant. We still don’t know what actually happens and how to stop it.

CHRIS

We’ll find the answer in the right moment. Have faith.

Chris’ phone beeps with a text. Chris takes the phone and ---

ON THE PHONE SCREEN, A TEXT FROM JO. IT READS:

‘SOS’

Chris glances at Wyatt.

CHRIS (CONT'D)

Let’s go!

Both men walk out of there quickly.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM - DAY

ON MELINDA’S INJURY - It’s being healed.

Melinda looks astonished at the person who heals her. She seems surprised, but not that surprised.
The person who’s healing Melinda is not other than Jo. Her hands GLOW with a shade of purple and gold.

MELINDA

I just knew it.

JO

Forget what you see. It’s not what you think.

MELINDA

(sarcastic)

I bet is not.

Jo’s hands stop glowing. Melinda’s injury is cured.

MELINDA (CONT'D)

Thank you.

JO

(worried)

Tell me again, what happened?

MELINDA

Jannes took Prue and Siobhan took Bianca.

JO

Siobhan! Of course, she is still alive. She wanted to kill Bianca.

Melinda stands.

MELINDA

Why didn’t you say sooner that it was Siobhan?

JO

As I said, you guys shared little about this.

MELINDA

Sorry in advance. But what should we do now? We’ve been tracking Jannes for months and nothing.

OFF TO WYATT AND CHRIS ORBING IN - They look at them.

CHRIS

What happened?

Wyatt looks around.

WYATT

Where’re Prue and Bianca?

JO

They were kidnaped.
 

WYATT

(worried)

What?

CHRIS

Wait. Are you serious?

MELINDA

They were. I saw it and I’m alive to tell the story.

Melinda and Jo exchange glances.

MELINDA (CONT'D)

Jannes took Prue and Bianca. Well, ---

Melinda pauses.

MELINDA (CONT'D)

Siobhan was with Jannes.

CHRIS

Siobhan? Like in the Phoenix Witch Siobhan?

MELINDA

That one.

WYATT

Why didn’t Prue use her powers? Was she hurt?

MELINDA

No, she wasn’t. But he was threatening to hurt Bianca.

Chris starts despairing.

CHRIS

Oh, my God. This cannot be happening.

MELINDA

Chris, calm down. We’ll find them.

JO

You guys need to be fast. Siobhan has an agenda with Bianca.

Chris glances at Jo.

CHRIS

Did you know about this?

JO

I did.

CHRIS

(mad)

And said nothing to us?

MELINDA

She told me, okay? I was coming to have an eye on them when ---

CHRIS

(mad)

You? She asked you to have an eye on them?!

Chris is a little rude at Melinda.

WYATT

Chris, calm down.

CHRIS

No, Wyatt. Why are you asking me to calm down? Our wives are at the hands of two evil beings. They are pregnant.

WYATT

I know. But I do believe that Prue won’t let anything happen to Bianca. Besides, the babies will protect them. We just need to calm down and go there find them.

MELINDA

You guys don’t even know where they are.

Wyatt turns to Melinda.

WYATT

I’m pretty sure that demons won’t like us stepping into their territory. They’ll talk.

CHRIS

What are we waiting for?

MELINDA

You guys can’t go without a plan.

WYATT

Oh, I have a plan.

Something is different inside of Wyatt. He seems ready to do whatever it takes.

WYATT (CONT'D)

Kill them all until I find Jannes and my wife.

(pauses)

I’m done being nice!

Wyatt ORBS out.

CHRIS

Let the others know what’s going on.

Melinda nods. Chris ORBS out. Melinda and Jo stare at each other.

MELINDA

I never saw that look in Wyatt’s face.

Jo lowers her gaze.

JO

I, on the other hand, saw it a few times.

MELINDA

He has been holding so much inside that he is capable of the impossible to get Prue and Bianca back.

JO

They will.

Melinda glances at Jo.

JO (CONT'D)

They’ll find them. I hope.

Jo sits down.

JO (CONT'D)

Everything is happening just the way it did before.

Melinda sits beside her.

MELINDA

What else happens?

Jo looks at Melinda.

JO

I can’t say.

Melinda holds Jo's hands.

MELINDA

Well, it looks like we’ll wait to see.

Jo nods.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

ON SIGN.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - CORRIDOR - DAY

Blanche, wearing her white robe, comes walking down the corridor. She seems a little distracted and barely notices Eric who comes walking in her direction. Both jump into each other.

BLANCHE

Hey! I didn’t see you.

ERIC

So I've noticed.

Blanches forces a smile. Eric seems to notice that something is wrong with her.

ERIC (CONT'D)

Are you okay? You’ve been a little off for the past months.

Blanche doesn’t know how to answer.

BLANCHE

I --- just ---

She stutters.

BLANCHE (CONT'D)

It’s just some issues.

ERIC

Work?

BLANCHE

No, it’s just family.

Eric seems surprised.

ERIC

I thought you once said you were a loner. No family.

Ups! Blanche tries to disguise.

BLANCHE

Oh, yeah. I am. Well, when I said that my sister was gone I meant that we don’t get along. It’s a long story.

ERIC

I am a good listener if you ever need one.

Blanche smiles.

BLANCHE

I’m sure you are, but I’m not in the mood to talk. Especially not about my story with my sister.

ERIC

(understands)

That’s fine. But, hey, there’s this event tonight at P3.

BLANCHE

P3?

ERIC

Prue’s club.

BLANCHE

Right! Wait, I asked her to rest until the baby is born.

ERIC

Don’t worry, she’s not in charge. Prue and Bianca are resting at home as you asked them. I made sure of that.

Blanche smiles.

ERIC (CONT'D)

But still, there’s this Halloween event.

BLANCHE

Halloween is tomorrow night.

ERIC

True. But the Halliwells take Halloween very seriously and well, there will be a screening. It’s all Halloween movies. Maybe you can come and get out of the blue.

Blanche smiles.

BLANCHE

That’s not a good idea. I hate Halloween.

Eric gives a look.

BLANCHE (CONT'D)

I mean, I don’t hate it, I just don’t agree the way they describe witches. I like witches.

Eric smiles.

ERIC

Well, anyway, if you want to go to a place where witches are welcome, you can join us. I and Charlie are going as man and woman.

Blanche shoots him a questioning look.

ERIC (CONT'D)

She’s the man.

BLANCHE

Oh.

(laughs)

Have fun.

Both sign each other goodbye. Blanches walks away. Eric stares at her for a few moments before entering a room.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - BEDROOM - DAY (FLASHFORWARD - ELEVEN YEARS LATER)

Little Christina is on the bed sitting cross-legged. Her eyes closed as she is meditating. Her cousin Matt comes in. As soon as he spots her there, he stares at her.

MATT

Tina?

Christina opens her eyes and looks at her cousin.

MATT (CONT'D)

What are you doing?

CHRISTINA

(sarcastic)

What does it seem?

MATT

Meditating?

Christina gives him a pointed look.

MATT (CONT'D)

You are trying to find her, aren’t you?

Christina lowers her gaze.

MATT (CONT'D)

Aunt Prue?

Christina looks at him.

CHRISTINA

I need to see for myself who she’s become. I never had a look at my mother’s face and I do feel like I need it so I can move on and live with this reality.

Matt sits beside her.

CHRISTINA (CONT'D)

But she blocks my constants efforts to find her.

MATT

She was here last night.

Both kids look into each other.

CHRISTINA

I heard Uncle Chris and Aunt Mel talking about it. She left me something.

Chris approaches the drawer and opens it. She takes the ruby necklace from it and shows it to Matt.

MATT

It’s beautiful.

CHRISTINA

Why did she give me this, Matt?

MATT

Because she loves you.

CHRISTINA

(smiles sarcastically)

I’m pretty sure she doesn’t. Otherwise, why hasn't she tried to take me with her?

MATT

Exactly because of that, Tina. She loves you.

CHRISTINA

Stop calling me Tina. Christina is the name she gave me and I hate it.

Christina stands from the bed. She’s furious.

MATT

Aunt Cass is right. You are just like her.

Christina gives him a pointed look. She is about to yell at him when something happens. Her expression changes like she is feeling something.

CHRISTINA

I can feel her.

(looks at Matt)

I have to meet her.

MATT

No, wait.

Some PURPLE ORBS surround Christina. She is about to ORB out. Matt approaches her fast and grabs her arm. Both ORB out of there.

FLASHES BACK TO:

INT. UNDERWORLD - DARK WIZARD’S CAVE - DAY (PRESENT DAY)

ON PRUE’S EYES - They pop open. The woman feels like awakening from a bad dream. She is confused.

Prue is lying on the floor. She gets into a sitting position and looks around.

PRUE

This is no place for a pregnant woman to sleep on.

Her body hurts a little.

OFF TO AISLING - She walks in.

AISLING

Sorry, for the bad conditions, but I told Jannes that you would kill him if he had put you on his bed.

Prue glances at Aisling.

PRUE

You?!

Aisling smiles.

PRUE (CONT'D)

I thought you were dead.

AISLING

No, darling, I am not. But I missed you too. I look at the times we spent together when you were Darkness’s loved one with nostalgy.

PRUE

You’re kidding me, right?

AISLING

No, I am not. Why do you think I’ve been trying to convince Jannes not to kill you and your family?

Prue tries to stand, but she’s having some difficulties in the task, so Aisling helps her. Prue shoots her a look.

PRUE

You are working for Jannes.

AISLING

I’m not working for Jannes. I don’ work for anyone. I just side with the winning team.

Prue looks at her wrist and sees the Absorbing Magic Bracelet.

PRUE

Can you take this out of me?

AISLING

No, only Jannes can or another very powerful being. But not me.

PRUE

Where is that son of a bitch?

JANNES (O.S.)

Right here.

OFF TO JANNES - He walks in. Prue and Aisling look at him.

PRUE

Where’s Bianca? What did you do to her?

JANNES

Nothing yet.

AISLING

Don’t worry, he won’t do anything to her.

Prue glares at Aisling and the turns to Jannes.

PRUE

Siobhan hates Bianca and will hurt her.

JANNES

As long as she carries the baby in her belly, she won’t. But what happens after depends on you.

PRUE

What do you mean what happens after?

AISLING

Bianca’s baby will be born tonight.

Prue glances at Aisling.

JANNES

And I can save her before Siobhan gets to hurt your friend.

Prue looks at Jannes.

PRUE

What’s the catch?

Jannes smirks.

JANNES

I need you to listen to me.

Jannes walks towards Prue.

JANNES (CONT'D)

You see, I am a friend.

PRUE

A friend who tried to kill me and my family. My husband went into a pretty bad shape in that encounter he had with you.

JANNES

I got in a pretty bad shape myself too. 

AISLING

Both powerful beings.

JANNES

I’m not proud of my methods, to be honest with you. I don’t do that. I kept a low profile my whole life.

(pauses)

Look, Prue ---

He gets face to face with her.

JANNES (CONT'D)

I can tell you what you need to know to save the future of that child of yours.

Both stare at one another.

JANNES (CONT'D)

I can give you a name. You just have to listen to me.

PRUE

You are lying. You are the one who screws the future.

JANNES

No, I’m not. I’m trying to stop it. There is another.

PRUE

Who?

Jannes smirks.

JANNES

I’m sorry, but I can hand to you all the information just yet.

PRUE

What do you want?

JANNES

I want you to be nice to me. To trust me.

Prue smiles sarcastically.

JANNES (CONT'D)

No, listen. I’ll do the same. We’ll make truces. I don’t try to kill you and you won’t try to kill me.

PRUE

I don’t make deals with Wizards.

JANNES

I can give you the name and the reason and more important, I can tell you what part you and your family have in all this.

Jannes takes a deep breath.

JANNES (CONT'D)

Look, for you to see that I’m being honest, I’m gonna give you one thing.

Jannes glances at the Oracle and she nods. Jannes smiles. Then, he looks at Prue.

JANNES (CONT'D)

The Red Witch.

PRUE

What does that mean?

JANNES

She’s the one you’ll want to stop.

PRUE

Who is this Red Witch?

JANNES

Think about my proposal. Be friends and save the future of your child or be enemies and I will keep trying to kill you and your family.

(pauses)

Oh, and don’t forget about Bianca.

Jannes looks at Prue’s belly.

JANNES (CONT'D)

She’s going to be as powerful as both her parent.

ON JANNES’ HAND - He touches Prue’s belly.

JANNES (CONT'D)

Take the right decision for her.

Jannes withdraws her hand. Both stare at each other. Then, Jannes turns around and leaves. Prue touches her belly. She is thoughtful.

CUT TO:

EXT. PRESCOTT GROUP - DAY

View of the glass building as the sun’s rays hit the glass.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Ruby is at her desk flipping through the pages of an ancient book. Jordan SHIMMERS in front of the desk. Ruby looks up at him.

JORDAN

You are not going to believe what my contact in the Underworld has told me.

RUBY

Is it about Jannes? Has he quit sending demons after the Halliwells?

JORDAN

No. He has done worse.

Ruby waits for him to tell her.

RUBY

Well, spit it out.

JORDAN

Jannes has taken Prue and Bianca.

Ruby stands incredulous.

RUBY

What? How did he do that?

JORDAN

It appears that he sired with a Phoenix witch.

RUBY

He cannot hurt Prue. She’s vital for my plans.

JORDAN

What do you want me to do?

RUBY

Gather all the demons you can and hit him with all you’ve got. Take Prue out of there without a scratch.

JORDAN

What about Bianca?

RUBY

I don’t care about Bianca. For all I care she can even die.

JORDAN

She carries a Halliwell.

RUBY

I never said that I need them all alive, Jordan. Some will certainly be a pain in the ass for me in the future.

Jordan nods and stands there.

RUBY (CONT'D)

(bossy)

What are you waiting for, dammit?

Jordan SHIMMERS out right away. Ruby sits and looks at the book.

RUBY (CONT'D)

Oh, Jannes, Jannes, you are not going to screw up my plans. This World is going to see some dark times and I’ll make sure you’ll know before I find a way to end your miserable life.

She takes the heavy and ancient book in her hands.

RUBY (CONT'D)

As for now, I need to find the spell that will help me archive my plans.

She starts flipping through the pages of the book again.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Jo is pacing the place. She seems really worried.

JO

I should have been more careful. This could be the day where some changes could be made and I was so stupid. How could I have forgotten about it?

OFF MELINDA - She comes in followed by Charlotte.

MELINDA

Please, Jo, stop excruciating yourself.

CHARLOTTE

Melinda told me what’s going on.

JO

(to Melinda)

What did you tell her?

MELINDA

That you knew Jannes would take Bianca and Prue.

CHARLOTTE

Don’t forget Siobhan. That bitch always hated Bianca.

(to Jo)

Why didn’t you tell us about this before? We could have prevented it.

JO

I forgot about it, okay?

MELINDA

(to Charlotte)

Let’s not blame her. She comes from more than twenty years into the future.

CHARLOTTE

How do you know?

Melinda shoots Charlotte a pointed look.

JO

I’m sorry. No one is to blame but me. I should have been more careful. I had a chance here to change my present and I screwed it.

MELINDA

No, you didn’t.

JO

(mad)

You don’t understand, Mel. Every little change made in this timeline can alter my whole life. That’s what I came here for and everything is happening just like it did before.

MELINDA

No, it’s not.

Both Charlotte and Jo stare at Melinda.

MELINDA (CONT'D)

(to Jo)

You are here. Do you remember of hearing about this Future Girl who came from the future to change it in your timeline?

Jo nods no.

MELINDA (CONT'D)

Then, it’s already changing.

Jo lowers her gaze.

MELINDA (CONT'D)

Look, we just have to have faith that Chris and Wyatt will find them. Everything will be fine.

(looks at Jo)

Unless there’s more we need to know.

That was kind of a question.

MELINDA (CONT'D)

Is it?

Jo swallows.

JO

This could accelerate Bianca’s baby birth.

Melinda and Charlotte exchange glances.

MELINDA

(to Charlotte)

Get to Eric. Tell him to stay on alert. We might need to take Bianca to the hospital today.

CHARLOTTE

I thought Bianca would want to have the baby at home.

MELINDA

No, that’s Prue.

CHARLOTTE

But the orbs ---

MELINDA

That’s why we need everybody on alert.

CHARLOTTE

Okay.

Charlotte BEAMS out. Melinda looks at Jo.

MELINDA

Anything else?

JO

(lying)

No, that’s all.

Melinda stares at Jo. Jo tries to scape Melinda’s gaze.

JO (CONT'D)

I really need to see how things are going on P3. Let me call Tam.

Jo takes her phone from her pocket and walks out of the room. Melinda is thoughtful.

CUT TO:

INT. P3 - DANCING FLOOR / STAGE / ENTRANCE STAIRCASE - DAY

Some puffs are placed all over the dancing floor. A big white screen is on the stage. Some Halloween decorations are all over the place. On the counter is the projector. A popcorn car was placed on a corner and is already full with popcorns.

Cassandra is there wearing a popcorn costume.

CASSANDRA

I can’t believe I took a day off from work and sign up for this.

OFF TO TAMORA - She’s on the phone with Jo. Tamora is wearing an Olive costume and a dark-haired wing, just like Olive’s hair.

TAMORA

(on the phone)

Shouldn’t we cancel tonight?

(listens)

Yeah, you are right. Well, keep me updated.

Tamora hangs off the phone.

TAMORA (CONT'D)

(to Cassandra)

Don’t complain. At least your costume was easy. This two-night event was a bad idea.

CASSANDRA

What’s wrong?

TAMORA

That Wizard took Prue and Bianca.

Cassandra gets worried.

CASSANDRA

Oh, my God! What are we doing here? We must go.

TAMORA

No. They think that is better to keep things as they are. Wyatt and Chris went to the Underworld to find them. But that’s not the worst thing.

CASSANDRA

Is there more?

TAMORA

It appears that Siobhan is involved.

CASSANDRA

Siobhan as in the leader of the Phoenix Witches?

TAMORA

That one.

CASSANDRA

And we must keep this party going?

Tamora shrugs.

CASSANDRA (CONT'D)

We could be trying spells and scrying.

TAMORA

Mel and Jo are on it.

CASSANDRA

Tam, my sister is missing. I can’t just be here making popcorns while she might need her family.

TAMORA

It’s Prue. And well, they are protected by the babies’ force field.

Cassandra lowers her gaze.

TAMORA (CONT'D)

I’m worried too.

Tamora approaches Cassandra.

TAMORA (CONT'D)

They will be fine. And we’ll be on alert.

Cassandra nods.

TAMORA (CONT'D)

You look fat on that popcorn costume.

CASSANDRA

Shut up!

Both women smile.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

ON BIANCA - She lies on a rock table asleep.

Siobhan walks in circles around the rock table staring at Bianca. She stops beside it and looks at the belly. Siobhan smiles.

SIOBHAN

I can feel it. My revenge ---

She touches Bianca’s belly.

SIOBHAN (CONT'D)

--- It’s near. I will have your baby and will take your life. And I will make sure she grows up to be the leader of my kind. We, Phoenixes, will raise stronger than ever with a Phoenix Witch carrying the Halliwells’ blood as our leader.

AISLING (O.S.)

It’s a he.

OFF TO AISLING - She stands at the entrance of the cave. Siobhan raises her glare to look at the Oracle.

AISLING (CONT'D)

Sorry to disappoint you, but the baby is a he.

SIOBHAN

A boy?

Aisling nods yes.

AISLING

A powerful one must I add. Well, not as powerful as Pryatt’s baby.

SIOBHAN

Pryatt’s?

AISLING

The ship name. But, I was saying that the baby you want to raise as your own and turn into the leader of the Phoenixes Coven is a boy.

SIOBHAN

It can’t be.

Siobhan looks at Bianca.

AISLING

It is. So, he will not carry the mark of the Phoenix.

Siobhan seems disappointed. She keeps staring at Bianca.

SIOBHAN

It doesn’t matter. I’ll raise him as my own anyway.

(looks at Aisling)

He will be strong no matter what and he will only know one mother.

(pauses)

Me.

Aisling smiles sarcastically.

AISLING

Your revenge is going to be your destruction.

SIOBHAN

I’ll have it anyway.

AISLING

You will. Someday. But not today.

Both women stare at each other, then the Oracle turns to leave but ---

SIOBHAN

What side are you on, Oracle?

Aisling looks over her shoulder at Siobhan.

AISLING

My own.

The Oracle leaves the cave as Siobhan lowers her gaze at Bianca.

SIOBHAN

Yeah, I’m on my own side as well.

She touches Bianca’s belly and smirks.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO - DAY TO NIGHT

Several footages all over the town as the sun is setting and the moon shows up upon the sky.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

Wyatt and Chris walk down the dark corridors. No success. Wyatt and Chris are getting desperate.

CHRIS

It’s useless, we are not any closer to finding them.

WYATT

We must keep moving.

They keep moving.

SOUND - FIGHT.

They hear some sounds coming from the path ahead and stop.

CHRIS

What’s that?

SOUND - SCREAM.

WYATT

I don’t know.

CHRIS

Let’s go!

They run ahead.

CUT TO:

INT. UNDERWORLD - CORRIDOR - DAY

A few demons are there fighting one another. A demon hits another with a FIREBALL, while another stabs a demon with an ATHAME. Another demon can be seen throwing an ENERGY BALL to another while is hit by a FIREBALL.

Wyatt and Chris appear and stop as they see the scene.

WYATT

Well, that’s something you don’t see every day.

CHRIS

Why are they fighting each other?

A FIREBALL passes between Wyatt and Chris without hitting them but hitting the rock wall behind. They look at the rock wall and the black mark the fireball left there and then look at each other.

SILENCE.

They look at the demons left. They are staring at Wyatt and Chris.

WYATT

Showtime?

CHRIS

(agreeing)

Showtime.

Both Wyatt and Chris walk in the demons’ direction.

CUT TO:

EXT. P3 - NIGHT



People, wearing Halloween costumes, are entering the bar.

CUT TO:

INT. P3 - DANCING FLOOR / STAGE / ENTRANCE STAIRCASE - NIGHT

The bar is almost crowded. People are sitting at the puffs. Some others are taking popcorns from Cassandra. Tamora is showing customers where to sit. Pandora, wearing a Supergirl costume and a blond wing, is taking customers to their seats. Ethan, wearing a Mon-El costume, approaches her.

ETHAN

Okay, sweetie. Doors will close in 20 minutes. I’m gonna get ready to play the movies.

PANDORA

Okay, baby. It’s actually a good thing that your parents owned a cinema in your hometown and you know how to do that.

ETHAN

It’s only a projector. Anyone knows how to use that.

PANDORA

I don’t.

ETHAN

You are Supergirl.

PANDORA

Well, Mon-El, maybe later you show me how to use a projector.

Pandora sounds sassy. Ethan smiles.

ETHAN

Maybe I will.

Both kiss each other. Then, Ethan walks toward the bar and gets inside.

OFF TO A COUPLE - Junior and Melissa come downstairs. They are wearing a Bamm Bamm and Pebbles costume respectively.

Pandora sees them approaching.

PANDORA

(astonished)

Oh my God!

Junior and Melissa reach Pandora.

PANDORA (CONT'D)

You came wearing couples' costume!

MELISSA

It was the only thing that was available in the store.

JUNIOR

(mad)

I told you they would make fun of us.

MELISSA

Well, be it. We are not a couple just because we are dressing like this. Besides Bamm Bamm and Pebbles were friends.

Pandora laughs.

PANDORA

You look so cute. You guys take a seat but stay on alert.

JUNIOR

No news about Prue and Bianca.

Pandora nods no.

PANDORA

Chris and Wyatt haven’t got in touch yet.

OFF TO LIAM - He comes in wearing his Mon-El suit.

PANDORA (CONT'D)

(rolls her eyes)

Oh, for the love of God.

Junior and Melissa turn around.

JUNIOR

Isn’t that Mel’s boyfriend?

PANDORA

In the flesh. And he is wearing the same costume my boyfriend is.

MELISSA

Which is ---?

PANDORA

Mon-El?!

MELISSA

Oh right, and you are Supergirl. Got it.

PANDORA

Anyway, I need to tell him Melinda is a little bit late.

Pandora passes through Junior and Melissa and approaches Liam. Junior and Melissa exchange glances then they turn around and take a seat on the puffs.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Shoots all over the town as the sky is getting darker.

CUT TO:

INT. UNDERWORLD - DARK WIZARD’S CAVE - NIGHT

Prue is pacing the place. She seems concerned but calm at the same time. She has her hands over her belly. Every now and then, she glances at the two demons that are guarding the entrance.

SOUND - Some fight noises can be heard. They seem very far away.

Prue glances at the bracelet.

PRUE

Dammit!

Prue looks at her belly.

PRUE (CONT'D)

Sorry, baby, mummy shouldn’t be saying those bad words. We are gonna get out of here soon. I promise.

The demons exchange glances. Prue glances at them.

PRUE (CONT'D)

You know, you could be nice to me and let me go?

DEMON #3

And miss the chance to have a Charmed One under our watch? No way! Your kind has done too much harm to us.

PRUE

Well, you deserve every bit of it and more.

Aisling comes in.

AISLING

C’mon, boys, leave the ladies alone.

Both demons exchange glances.

AISLING (CONT'D)

(to the demons)

I won’t let her go. Jannes is on his way here.

The demons nod and head out. Aisling turns to Prue.

AISLING (CONT'D)

Bianca is okay.

(pauses)

For now.

PRUE

For now?

AISLING

The baby will be born tonight, Prue. She’s not feeling the contractions because Jannes’ potion was very powerful, but soon the pain will take her out of that state.

Now Prue is more concerned than calm.

AISLING (CONT'D)

You need to make a deal with him.

PRUE

I don’t make deals with Wizards.

AISLING

Funny you said that. You once made a deal with Leah.

PRUE

Leah, Leah is part of the past. I don’t want to do that anymore.

AISLING

Then, make a deal with Jannes.

PRUE

He is a Wizard.

AISLING

Not an evil one.

Prue stares at her.

AISLING (CONT'D)

Well, not entirely. What I mean is that he is being serious. If he and the Destined Ones join forces then maybe the future that is waiting for us can be stopped.

PRUE

I just ---

AISLING

If you don’t do it for yourself, do it for her.

Prue looks at her belly. She is thoughtful.

PRUE

Where is him?

OFF TO JANNES - He comes in.

JANNES

Have you taken a decision already?

Prue and Jannes stare at each other.

PRUE

Tell me what I need to know and help me save Bianca first.

Jannes smiles sarcastically.

JANNES

That’s not how it works, dear.

Jannes walks towards her.

JANNES (CONT'D)

I want your word that you and I will work together to stop the Read Witch and her plans and then I’ll give you what you want.

Prue and Jannes stare at one another. None of them deviates the glance from the other.

CUT TO:

INT. UNDERWORLD - CORRIDOR - NIGHT

A demon throws a FIREBALL against Chris and he WAVES his hand and throws the FIREBALL, TELEKINETICALLY, against the demon.

Another demon is about to throw an ENERGY BALL against Wyatt, but he uses his MOLECULAR COMBUSTION on him. Another demon approaches from behind, but Wyatt senses it and raises his fist.

ON WYATT’S FIST.

The demon starts choking. He takes his hands towards his throat. Wyatt turns around.

WYATT

Where is Jannes keeping my wife?

The demon is turning red.

WYATT (CONT'D)

(mad)

Where is she?

Chris approaches his brother.

CHRIS

If you kill him, we’ll never know.

ON WYATT’S FIST - He loosens it a little bit.

The demon falls on his knees. Still his hands on his throat.

CHRIS (CONT'D)

Tell us now, where is Jannes keeping them.

Slowly, the demon starts moving his arm towards his right.

WYATT

Thank you.

And just like that, Wyatt WAVES his hand and BLOWS him up. Chris is astonished.

CHRIS

Sometimes you scare me, brother.

Wyatt looks at Chris.

WYATT

You better be. If something happens to Prue or my child. I could set the World on fire. I would even set it if that meant they would be protected.

Wyatt turns around and walks to where the demon signed. Chris is serious. Some dark thoughts pop into his mind.

WYATT (O.S.) (CONT'D)

(aloud)

Chris!

Chris comes back to reality.

CHRIS

Coming!

He follows Wyatt.

CUT TO:

INT. P3 - ENTRANCE STAIRCASE / DANCING FLOOR / BAR - NIGHT

People are sitting on their places. Tamora and Pandora are behind the counter. Cassandra is at the Popcorns car. Junior and Melissa are sitting sharing a puff. Eric and Charlotte are on a corner next to the entrance staircase. Eric is dressed like a woman with a short red dress and high heels, also wearing a blond wing. Now, Charlotte is dressed like a man with a man wing and mustache.

ERIC

(whispering)

I feel really weird.

CHARLOTTE

You look hot, darling.

ERIC

I don’t mean about that.

Charlotte looks at Eric.

ERIC (CONT'D)

It feels wrong to be here while Prue and Bianca are God knows where.

CHARLOTTE

I know, but it was too late to cancel. Besides, Mel and Jo will let us know as soon as they know something.

Eric checks his mobile phone. Nothing.

ERIC

It is almost eleven and nothing.

CHARLOTTE

Wyatt and Chris will find them.

OFF TO BLANCHE - She comes in wearing a long white dress.

Tamora spots her from the bar and signs Charlotte to look up. Charlotte looks up at Blanche as she comes down the stairs.

CHARLOTTE (CONT'D)

(to Eric)

Did you invite her?

Charlotte points to Blanche as she comes in. Eric looks at Blanche and then back at Charlotte.

ERIC

It was to cheer her up.

Charlotte grimaces.

ERIC (CONT'D)

Honey, please. She’s just a friend. Besides, you know what happens when a Halliwell gets jealous on Halloween.

CHARLOTTE

It’s not Halloween yet.

ERIC

It’s almost.

Eric glances at Blanche and then looks back at Charlotte.

ERIC (CONT'D)

Besides, it’s a good thing she’s here where we can see her and reach her if we need an obstetrician. I’ll be right back.

Charlotte grimaces. Eric kisses her softly and then walks towards Blanche. Charlotte turns to Tamora and grimaces. Then, both women hear Junior’s voice in their head.

JUNIOR (O.S.)

Are you guys serious?

Both Tamora and Charlotte turn their glances at Junior. He is using TELEPATHY.

JUNIOR (CONT'D)

(through telepathy)

He is just worried about her if you ask me.

Both Tamora and Charlotte shoot him a look.

JUNIOR (CONT'D)

(through telepathy)

Fine. I’ll leave your heads. Now start the screening of the next movie.

Tamora turns to Pandora.

TAMORA

(to her sister)

Ask Ethan to play the Nun now, please.

Pandora nods and walks out. Meanwhile, Eric and Blanche talk.

ERIC

I thought you were not coming.

BLANCHE

Well, I change my mind. Am I on time?

Eric smiles.

ERIC

You came just in time for the third movie. It’s about to start.

Blanche smiles.

ERIC (CONT'D)

What are you wearing?

BLANCHE

(smiles)

The White Witch’s costume.

ERIC

The White Witch from Narnia?

BLANCHE

(smiles)

No, another Withe Witch from an old story.

(shrugs)

I read about her somewhere.

ERIC

Come. I’ll take you to a seat.

Blanche nods. Eric shows her where to go as some lights are turned off and on the big screen it reads:

‘THE NUN’

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON - The Book of Shadows. Someone is flipping through its pages.

Jo has the book on her legs and is flipping through its pages. She seems really desperate. Melinda comes in talking on the phone.

MELINDA

(on the phone)

Don’t worry, Aunt Phoebe, we’ll find them. Tell mum to relax, please. Love you too. Bye.

Melinda hangs off the phone. Melinda looks at Jo.

MELINDA (CONT'D)

What are you still doing with the BOS?

JO

I guess I keep hoping to find a spell or something that helps us to get them back.

MELINDA

It’s useless.

Melinda’s phone beeps. Melinda looks at it and doesn’t answer it.

MELINDA (CONT'D)

Liam has been calling. I don’t know what to tell him.

JO

That’s no important now, Mel.

Jo seems rude. Melinda shoots her a look.

MELINDA

He is my boyfriend, you know? We’ll find Prue and Bianca.

Jo stands mad.

JO

When?

Jo puts the book on the couch.

JO (CONT'D)

This damn book has nothing helpful. We are running out of time.

Jo looks at the GRANDFATHER CLOCK.

ON - THE GRANDFATHER CLOCK. It’s five past eleven.

JO (CONT'D)

It’s almost midnight.

Jo starts getting red.

JO (CONT'D)

If there’s any chance to change something it has to be before midnight.

MELINDA

Why?

Jo wants to talk but she is unable to.

JO

I can say.

MELINDA

It’s the babies, right?

Jo lowers her gaze.

JO

Bianca’s baby will be born before midnight.

MELINDA

And Prue’s?

Jo looks at Melinda.

JO

Let’s just pray for her to be born before midnight too. Otherwise, nothing will change.

Both stare at each other.

CUT TO:

INT. UNDERWORLD - DARK WIZARD’S CAVE - NIGHT

Prue and Jannes keep staring seriously at each other. Aisling watches them from a corner.

JANNES

So? What do you say?

PRUE

No tricks?

JANNES

Not a single one.

PRUE

You won’t attempt to hurt me or my family again?

JANNES

Unless I have to stop her.

PRUE

You’ll tell me how to destroy whoever I am supposed to destroy?

JANNES

I don’t have an answer for that, but I will help as I can for you to stop her.

Prue is thoughtful, then ---

PRUE

Deal.

Jannes smiles.

PRUE (CONT'D)

Now, release Bianca.

Jannes steps back.

JANNES

Your wish is my command.

Jannes turns around when ---

OFF TO WYATT - He comes in followed by Chris.

Wyatt WAVES his hands and THROWS Jannes against a rock wall. The Wizard hits the wall strongly.

PRUE

Wyatt!

Jannes is fast and gets up immediately. Wyatt looks at Prue.

WYATT

Did he hurt you?

Before Prue can answer, Jannes WAVES his hands. Chris looks at him and then at Wyatt. Chris knows Jannes goal is to hit Wyatt, so Chris pushes Wyatt back as Jannes uses TELEKINESIS. Jannes THROWS Chris against a rock wall. Chris falls on the floor unconscious. Wyatt, Prue, and Aisling look at Jannes.

WYATT (CONT'D)

(to Jannes)

Your son of a ---

Before Wyatt can finish his sentence or even attack Jannes, the last one SPIRILAZES out. Prue runs towards Chris.

WYATT (CONT'D)

I can’ let him escape.

PRUE

Wyatt!

Wyatt looks down at Prue and Chris.

PRUE (CONT'D)

Bianca is having the baby, you need to get to her.

WYATT

But ---

PRUE

No buts.

Prue stands and shows him her wrist and the bracelet.

PRUE (CONT'D)

Take this off.

Wyatt looks at the bracelet. Not thinking twice, Wyatt uses all the strength he has to take off the bracelet from Prue’s wrist. He finally does.

PRUE (CONT'D)

Find Bianca.

WYATT

Where is she?

Prue doesn’t know but knows who does. Prue turns to Aisling.

PRUE

You said you are on the winning side? Well, this is the winning side.

AISLING

I can’t.

PRUE

You will or I swear I will vanquish you and you know that I will.

Both Prue and Aisling stare at each other. Then, Aisling turns to Wyatt.

AISLING

Just follow me.

Prue and Wyatt look at each other.

PRUE

(to Wyatt)

I’ll be fine.

Wyatt nods and then kisses Prue. Then Aisling leaves the cave followed by Wyatt. Prue turns to Chris and lowers down.

PRUE (CONT'D)

Okay, baby, mummy needs you to heal Uncle Chris.

Prue puts her hands over Chris’ body and waits.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. UNDERWORLD - CAVE - NIGHT

SCREAM - Bianca cries hard. She holds her belly with so much pain on the floor.
Siobhan is there looking at her.

SIOBHAN

Soon, that baby will be born and I’ll take him from you.

BIANCA

No.

Bianca cries even harder. Siobhan smiles and lowers beside her.

SIOBHAN

I will make sure that the baby calls me mummy. I’ll be his only mummy.

BIANCA

No, please, Siobhan.

Siobhan smiles, but her smile fades off quickly when suddenly she is thrown away from Bianca.

OFF TO WYATT - He stands at the entrance. Bianca looks at him.

BIANCA (CONT'D)

Wyatt!

Siobhan tries to stand. Wyatt walks quickly towards her and grabs her by her neck. Siobhan is suffocating.

WYATT

Haven’t you learned not to mess with my family?!

Siobhan tries to breathe, but Wyatt tightens his writs around her neck. Bianca cries aloud.

WYATT (CONT'D)

But it's over, Siobhan. You’ll never mess with us again.

Wyatt raises his other wrist and starts closing it, but ---

BIANCA

Wyatt!

Bianca is in so much pain. Wyatt looks at her.

BIANCA (CONT'D)

It’s not worthy.

(looks at her belly)

He is coming.

Wyatt has a last look at Siobhan. He lets go of her who falls down on the floor and SHIMMERS out. Wyatt approaches Bianca.

WYATT

Let me take you to the hospital.

Wyatt takes Bianca on his arms and ORBS out. Siobhan is on the floor.

SIOBHAN

(out loud)

NOOOOOOO!!!

She is truly mad.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Aerial footage all over the town in fast motion.

CUT TO:

INT. P3 - DANCING FLOOR / STAIRCASE / BAR - NIGHT

ON TAMORA - She is on the phone.

TAMORA

(on the phone)

Okay, no. She is here.

Tamora signs Eric to approach her as she hangs off the phone. Eric walks towards her.

TAMORA (CONT'D)

(to Eric)

Your colleague needs to head to the hospital ASAP. Bianca is in labor.

Eric nods and walks quickly towards Blanche.

ERIC

(whispering; to Blanche)

Bianca is in labor.

Blanche looks at him. She is serious. She stands.

ERIC (CONT'D)

I’ll take you there.

BLANCHE

(serious)

No. I drive faster.

Eric is about to say something, but Blanche walks away quickly. Pandora approaches Tamora.

PANDORA

What’s going on?

TAMORA

Bianca is in labor.

BEAT. Pandora is surprised.

PANDORA

I’ll get the others.

Tamora nods.

CUT TO:

EXT. P3 - ALLEY - NIGHT

Blanche comes walking quickly. Every now and then she looks over her shoulder. No one there. Then, Blanche stops and ---

BEAT. She WHITE SMOKES OUT.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON - THE GRANDFATHER CLOCK. It thirty past eleven.

Jo stares at it anxiously.

OFF TO WYATT - He ORBS in the middle of the room and heads immediately towards his wife. Prue is sitting on the couch beside Melinda. She looks at Wyatt and stands as fast as she can with Melinda’s help.

PRUE

How is Bianca?

Wyatt kisses her on the lips.

WYATT

She’s okay. She’ll be okay. How are you?

Wyatt touches Prue’s face as if he wants to make sure that she is okay.

PRUE

I’m good.

MELINDA

Maybe we should go to the hospital and be there for Chris and Bianca.

Wyatt nods.

PRUE

I don’t think we can do that.

Jo takes off her eyes from the Grandfather clock and stares at Prue. Wyatt and Melinda look at Prue too. Prue looks at Wyatt as she holds her belly.

PRUE (CONT'D)

(calm)

Baby is coming.

ON WYATT - He doesn’t know what to do.

CUT TO:

INT. P3 - DANCING FLOOR / STAIRCASE / BAR - NIGHT

The movie hasn’t ended yet. Tamora, Pandora, Junior, Cassandra, Eric, Melissa, and Sebastian are on a corner.

MELISSA

Of course, we can take care of this.

PANDORA

Let Ethan know.

Charlotte walks towards them.

CHARLOTTE

Guys, Prue is in labor too.

CASSANDRA

What?

CHARLOTTE

They need Eric there.

ERIC

Me? but I’m not an obstetrician.

CHARLOTTE

You are the closest to an obstetrician we know. Since our dear Blanche is with Bianca ---

Charlotte sounded sarcastic.

TAMORA

Okay, so I, Pan and Junior go to the hospital. Cass, Charlie, and Eric to the manor.

SEBASTIAN

I, Melissa and Ethan take care of P3.

PANDORA

Good.

OFF TO ETHAN - He approaches them.

ETHAN

What’s going on?

PANDORA

Honey ---

Pandora kisses Ethan.

PANDORA (CONT'D)

--- We need to go. Our cousins are in labor.

ETHAN

(surprised)

Both of them?

PANDORA

Both of them.

They all exchange glances.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - NIGHT

STOCK.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DELIVERY ROOM - NIGHT

Bianca is on a birthing bed. A few nurses are there as well as Chris. All of them wearing appropriate clothes.

Chris is holding Bianca’s hand as she screams with pain.

BIANCA

Ask them to give me the damn epidural!

OFF TO BLANCHE - She comes in wearing a green robe and a surgical mask.

BLANCHE

Okay, Bianca, let’s make this baby comes out before All Hallows’ Eve.

Bianca screams with pain.

OFF TO TAMORA, PANDORA AND JUNIOR - They come in. Blanche looks at them.

BLANCHE (CONT'D)

You can’t be here.

TAMORA

Sorry, doc. We are family.

Chris turns to them.

CHRIS

Guys!

JUNIOR

I’ll wait outside.

Junior leaves the room. Chris shoots the twins a pointed look.

TAMORA

We stay.

Pandora nods.

BLANCHE

(to the twins)

Fine. But stand where you are.

The twins nod.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

SOUND - SCREAM.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON - GRANDFATHER CLOCK. It’s a quarter to midnight.

SOUND - SCREAM.

Wyatt helps Prue to get on the floor. Melinda is putting some pillows and a blanket on the floor. Prue screams with pain.

MELINDA

The contractions are close to one another. It won’t take long for the baby to come.

Jo stands there looking at them. Then, she looks at the Grandfather Clock. It’s ticking.

JO

(whispering)

Please. Before midnight.

Prue lays on the floor. Wyatt holds her hand.

WYATT

Hold on, love.

PRUE

I don’t want to hold on. I want her out. It hurts.

Prue screams loudly. Jo looks at her. Melinda kneels beside Prue.

OFF TO CHARLOTTE - She BEAMS in bringing Eric. Cassandra BEAMS in. Eric stands there looking at Prue.

CASSANDRA

(to Eric)

Are you going to stand there? Help her!

Eric reacts. He kneels down before Prue.

MELINDA

What do you need?

ERIC

Hot water. Clean towels.

MELINDA

(to Charlotte and Cassandra)

You heard him.

Charlotte and Cassandra nod yes. Charlotte heads towards the kitchen and Cassandra towards upstairs. Eric looks at Prue who screams in pain.

ERIC

Funny thing. I never thought I would see you in this position again.

WYATT

Don’t push it, Eric.

Prue screams.

ERIC

Okay, okay.

PRUE

(to Eric)

Are you seriously dressed like a woman?

Another contraction. Prue screams.

ERIC

Push, Prue. Push!

Prue screams.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - NIGHT

Little light is on. Ruby is so concentrated on the book she’s reading that she barely notices when Jordan SHIMMERS in.

JORDAN

It’s done.

Ruby looks up at Jordan.

JORDAN (CONT'D)

She is safe.

Ruby smiles.

RUBY

Good, because I just found what I needed.

Ruby smirks.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DELIVERY ROOM - NIGHT

Bianca keeps pushing. She screams loudly. The twins look at them. Bianca tightens Chris’ hand strongly. Chris makes a face.

PANDORA

Okay, this is too much to me.

Pandora turns around.

PANDORA (CONT'D)

I can’t keep staring.

BLANCHE

(to Bianca)

C’mon, Bianca. One more push. I can see his head.

ON CLOCK - It’s five to midnight.

BLANCHE (CONT'D)

Do it, Bianca. Push!

And Bianca pushes. All her strengths are being used and ---

SOUND - BABY CRYING.

BLANCHE (CONT'D)

It’s a boy!

Blanche is emotional. Chris is astonished as he looks at the baby boy who ---

BEAT - Is surrounded by ORBS. Blanche looks at him, but it’s like she doesn’t really care about the orbs.

TAMORA

Oh, boy!

Pandora turns around. Both twins are astonished.

PANDORA

Who thought this was a good idea?

Bianca and Chris are astonished looking at the baby surrounded by orbs. They exchange glances. The nurses act like they don’t even care or have noticed the orbs. They put a blanket around the baby. The ORBS stop. Blanche stands and gives the baby to Bianca.

BLANCHE

(smiling)

He is so beautiful.

Bianca carries the baby in her arms and smiles as she looks at his sweet little face.

CHRIS

Our son ---

Tears come out Chris’ eyes and also Bianca’s. They are emotional.

BIANCA

Our son.

Tamora and Pandora look at them. Junior comes in.

JUNIOR

So?

TAMORA

We’ll have some memories to fix, but hey, the baby is born.

The twins and Junior look tenderly at them. Chris and Bianca are happy with the baby.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON - GRANDFATHER CLOCK. It’s one minute to midnight.

Jo stares at the clock.

JO

Please. Before midnight.

Jo turns to them. Prue is still on the floor, screaming.

ERIC

C’mon, Prue. I can see her head.

PRUE

I can’t.

Prue is all sweaty. Wyatt leans over Prue.

WYATT

C’mon, love. You can do it.

Charlotte and Cassandra stand looking at them. Melinda is holding one of Prue’s hands.

PRUE

I can’t.

WYATT

Yes, you can.

ON - JO. She is serious. She looks at the grandfather clock.

FLASHES TO:

INT. EXOTERIC SHOP - DAY (FLASHFORWARD - ELEVEN YEARS LATER)

A man is on a corner. He is scared. A demon approaches him and threatens his life with an athame.

DEMON #4

Where is it?

MAN

I don’t know I swear.

The demon looks up at someone.

DEMON #4

Shall we kill him?

The person standing there is a woman, wearing a black jumpsuit with a black leather jacket. Her long dark hair is unmistakable. BEAT ---

That woman is no other than Prue, an eleven years old Prue. She stands there. Cold. Wicked.

PRUE

Where is the amulet?

MAN

I told you, I don’t know.

PRUE

If you don’t know, then you have no use for us.

MAN

Please, ma’am.

Prue smirks. The man is really frightened.

PRUE

(to Demon #4)

End him.

The demon smiles and stabs the man with the athame. Prue watches it. Cold. The man dies. The demon stands and something calls his attention. He signs Prue to look behind her. She does and ---

BEAT. Christina and Matt are there. Little Christina seems astonished and terrified at what she just saw. She is horrified.

Suddenly, Prue’s expression changes and she feels desperate as she sees the girl there.

PRUE (CONT'D)

Tina ---

CHRISTINA

You killed that poor man.

PRUE

I can explain.

CHRISTINA

(out loud)

No!

Tears come out Christina’s eyes.

CHRISTINA (CONT'D)

You are pure evil.

PRUE

Honey ---

Prue approaches her and lowers down.

PRUE (CONT'D)

--- Let mummy explain.

CHRISTINA

You are not my mother. My mother died the day you were born.

PRUE

Christi ---

CHRISTINA

(cuts her off)

My name is Jo.

And Christina ORBS out surrounded by purple orbs. Prue’s eyes get wet. She looks at Matt.

MATT

I’m sorry, Aunt Prue.

Matt ORBS out.

PRUE

(out loud)

LEAVE!

Not thinking twice, the demon FLAMES out. Prue cries hard on the floor. She covers her face with her hands.

FLASHES BACK TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT (PRESENT DAY)

Prue screams loudly.

ERIC

C’mon, Prue. One more push.

Jo keeps staring at the Grandfather Clock. And the clock strikes midnight ---

Prue screams loudly one more time and the first of the twelve chimes is heard ---

SOUND - BABY CRYING.

It’s born.

Jo stares at the Grandfather Clock. A tear comes down her face as the second of the twelve chimes is heard.

The baby is born surrounded in PURPLE ORBS. Wyatt and Melinda smile. Charlotte and Cassandra smile. Charlotte rushes to hand a blanket so Eric can cover the baby.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM - NIGHT

ON THE CHANDELIER - It shines bright blue lights.

Third, fourth, fifth, sixth ---

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Seventh, eight ---

Cassandra realizes that the chandelier on the sitting room shone.

Ninth, tenth, eleventh ---

And the last one of the twelfth chimes is heard.

CASSANDRA

I guess a new Charmed One is born.

Eric hands the baby to Prue who smiles big as she takes her baby girl on her hands.

ERIC

It’s a beautiful girl.

Both Prue and Wyatt exchange glances. They smile as they look at their baby. Wyatt kisses Prue’s forehead.

WYATT

She is so beautiful.

Prue cries and smiles while she holds her daughter and kisses her forehead. The babe seems so quiet. He has stopped crying as if the arms of her mother can calm her.

PRUE

(to the baby)

I promise you, baby, I will do everything to protect you.

WYATT

We’ll do.

Wyatt and Prue look at each other and kiss. Jo stares at them. Melinda looks at her.

CHARLOTTE

You guys?

They look at Charlotte.

CHARLOTTE (CONT'D)

It’s October 31st.

CASSANDRA

All Hallows’ Eve.

Melinda and Jo stare at each other.

MELINDA

It has been three hundred and sixty-five years.

Jo lowers her gaze and turns to leave.

CUT TO:

INT. HALLIWELL MANOR - MAIN HALL - NIGHT

Jo comes quickly. She seems devastated. Jo opens the front door.

OFF TO MELINDA - She comes following.

MELINDA

Jo, wait!

Jo stops but doesn’t turn around.

JO

Nothing has changed.

Jo steps outside as Melinda watches her leave. Jo closes the door behind her. Melinda takes a deep breath.

CUT TO:

EXT. HALLIWELL MANOR - PORCH / ENTRANCE STAIRCASE - NIGHT

Jo is shattered. She cries hard. She reaches the bottom of the stairs and gets on her knees. She looks up at the sky.

JO

You lied to me, mum. Why did you have to lie to me?

Jo covers her face as she cries hard. And then ---

Some PURPLE ORBS surround her and she ORBS out.

THE CAMERA FOCUS ON THE HALLIWELL MANOR as it ---

FADES TO BLACK.

END OF THE EPISODE