4x08 - Stormy Leather

[Prue Brianna Johnna Halliwell]

DESTINED

'STORMY LEATHER'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO – NIGHT

ON THE TOP OF THE GOLDEN GATE BRIDGE. STOCK.

CUT TO:

INT. MAGIC SCHOOL – SECRET LIBRARY – NIGHT

Both Wyatt and Sebastian are sitting at a table with several books opened before them. Both men seem tired. Wyatt yawns. Sebastian looks at him.

SEBASTIAN

I think we should call it a night, Wyatt.

Wyatt looks at him.

WYATT

I can’t. I must keep searching.

SEBASTIAN

We are tired. Especially you. Besides, you have a wife and a daughter on the way. We’ve been doing this for months and we’ve found nothing. Do you wish to keep spending your nights here instead of being at home with Prue?

WYATT

(takes a deep breath)

I’m doing this exactly because of them.

SEBASTIAN

I know, but ---

WYATT

Sebastian, you can go home. I’m sure Tam is waiting for you.

SEBASTIAN

I told her I would be late.

WYATT

Still. You should go. I’ll finish this and I’ll head home too.

Sebastian agrees.

SEBASTIAN

Well, if you say so. See you tomorrow, then.

Wyatt nods yes. Sebastian ORBS out. Wyatt takes a deep breath and looks at the books.

WYATT

I have to find that Wizard.

Wyatt gets back to his reading.

CUT TO:

INT. BLACK WIZARD’S CAVE – NIGHT

Jannes is sitting on a chair in the center of his cave. He seems thoughtful. Leaned to the chair is his wand. Jannes seems depressed. Aisling, the Oracle, comes in and stares at him.

AISLING

Feeling better today?

Jannes doesn’t look at her.

AISLING (CONT'D)

Oh, c’mon.

She walks towards him.

AISLING (CONT'D)

Are you still feeling miserable because of what happened?

Jannes shoots her a mad look.

AISLING (CONT'D)

You were not prepared to face a Twice Blessed Witch.

JANNES

I was almost defeated by him.

AISLING

But you weren’t. You’ve been recovering.

JANNES

For over three months.

AISLING

Recovering need some time, Jannes. It was a Twice Blessed Witch after all.

Jannes gets up and paces the place.

JANNES

I was never defeated like this before.

AISLING

They say there’s always a first time for everything.

Aisling looks at the wand.

AISLING (CONT'D)

Are you planning on using it anytime soon?

JANNES

What if I am?

Jannes turns to her. Aisling rolls her eyes.

JANNES

What news do you have about the Red Witch?

AISLING

She’s been up there. Still in control of Prescott Group.

JANNES

I wouldn’t have thought she was the business type.

AISLING

That’s part of her agenda.

JANNES

Her revenge.

Jannes is serious.

JANNES (CONT'D)

I need to stop her.

At that moment, a blonde woman wearing skimpy leather outfit FADES in. Jannes and Aisling look at her.

AISLING

Who’s this?

Jannes smiles.

JANNES

An assassin.

The Oracle glares at Jannes.

AISLING

Funny, they remind me of the Demonatrix. 

Jannes smirks.

JANNES

Oh, they are an improved version of them.

ON JANNES.

JANNES (CONT'D)

My dear Oracle, meet the Demonatrix 2.0.

Aisling is serious. Jannes looks at the woman.

JANNES (CONT'D)

Is everything ready?

The woman nods yes.

JANNES (CONT'D)

One by one. I want them all dead.

The woman nods again and FADES out. Aisling turns to Jannes.

AISLING

Wouldn’t be easier to get the Destined Ones on your side against Ruby?

JANNES

If they are dead, then that traitor Red Witch would never archive her revenge.

Jannes walks towards the Oracle.

JANNES (CONT'D)

And that, my dear, is my own revenge against her.

Jannes and Aisling stare at one another.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Peter Facinelli as Sebastian

Ian Somerhalder as Liam

John Barrowman as Christopher

Alex Mauriello as Aisling (Oracle)

Lulu Wilson as Ivana Prescott

Kate Miner as Demonatrix #1

Julianna Guill as Demonatrix #2

Katie Fountain as Demonatrix #3

Bre Blair as Kaelyn (Demonatrix)

Hallee Hirsh as Keena (Demonatrix)

Abbi Donovan as Kendall (Demonatrix)

Lilia Vassileva as Demonatrix #12

Peter Spears as Neal Robison

Unknown actresses as Pregnant Women

Unknown actor as Security Man

Unknown actor as South Bay Social Services Worker

Unknown actress as Demonatrix #4, #5, #6, #7, #8, #9, #10, #11

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT SAN FRANCISCO – DAY

Aerial footage all over the town at the sound of ‘Havana’ by Camila Cabello Ft. Young Thug.

Many places all over the town are being shown at the sound of the music.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – DINING ROOM / MAIN HALL – DAY

Prue comes from the kitchen followed by Jo. Her 20-week pregnant belly is outstanding.

PRUE

And we are going to need those champagne bottles for next week’s party. So, make sure, we get them in time.

JO

Sure, boss.

PRUE

Oh, right, this afternoon we are going back to our investigation.

Jo rolls her eyes. Prue notices it.

PRUE (CONT'D)

What? Are you tired already?

(crosses her arms)

I thought you wanted to find whoever screws your future.

JO

I do. But working on a daily basis with you for the past month has been ---

Prue shoots her a ‘careful with what you’re going to say’ glare. Jo ignores it.

JO (CONT'D)

--- tiring, to say the least.

PRUE

Well, I told you I would help you and that’s what I’m doing. If you’d told me more, we would have found and vanquished that demon already.

JO

Prue ---

PRUE

Fine, you can’t reveal much more. I get it.

At that moment, Wyatt ORBS in. He is about to get upstairs, but he sees Prue and Jo there. The girls look at him.

PRUE (CONT'D)

Hey honey!

Wyatt seems really tired.

PRUE (CONT'D)

Thank you for coming home.

WYATT

I’m sorry, love.

Wyatt walks towards them and kisses Prue tenderly.

WYATT (CONT'D)

I got stuck at work.

PRUE

Again.

Wyatt lowers his gaze. Prue touches his face softly.

PRUE (CONT'D)

Honey, you must slow down.

(touches her belly)

Christina and I need you here.

Wyatt looks her fondly. He touches Prue’s belly. Jo looks at them fondly.

WYATT

I know and I’m sorry. I’ll make it up to you, okay? I promise.

PRUE

Go get some rest.

Wyatt and Prue kiss. Wyatt turns to Jo.

WYATT

Is she treating you all right?

Jo smiles.

JO

I can handle her.

WYATT

Funny, that’s Prue’s motto.

Prue rolls her eyes.

WYATT (CONT'D)

She can handle anything.

PRUE

Go sleep.

Wyatt smirks one last time and heads upstairs. Prue watches him as he leaves the dining room. Jo stares at Prue.

JO

Didn’t you say you had childbirth classes today?

Prue nods.

JO (CONT'D)

He is not coming again?!

PRUE

He’s been working a lot, Jo. Besides, Chris doesn’t mind being there with me and Bianca. He is going to be my baby’s godfather after all.

JO

And does Wyatt know that you booked your 20-week’s appointment?

Prue rolls her eyes.

PRUE

He will be there, okay? Damn, woman. Don’t get so stressed. I’m the pregnant here.

JO

Yeah, and you seem so cool about it.

PRUE

Well, if you’d like I can get back to play the bitch here.

Jo lowers her gaze.

PRUE (CONT'D)

I must go. Chris and Bianca must be waiting for me already. Get to P3 and don’t forget our investigation this afternoon.

JO

Yes, boss.

Prue shoots Jo a look and heads towards the front door. Prue walks out. Jo stands there. She is thoughtful.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR – DAY

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – DAY

Tamora is there on the phone and looking everywhere for something at the same time.

TAMORA

(on the phone)

No, honey, I didn’t want to wake you.

She throws some pillows on the floor.

TAMORA (CONT'D)

Where the hell did I put that?!

(on the phone)

No, honey, sorry. Yeah, but you also came home late. And I needed to get to the museum quickly. We’ll open the exhibition tonight. You know that.

She finds a file under a pillow. She smiles.

TAMORA (CONT'D)

Found it.

(on the phone)

Yes, you still have to explain to me what is going on, Sebs, because you’ve been coming home late lately and I don’t like it.

Pandora comes in.

TAMORA (CONT'D)

(on the phone)

Okay, I love you too.

Pandora stares at Tamora. Tamora hangs off the phone.

PANDORA

Troubles in paradise?

TAMORA

No. Nothing like that. What about you? Where’s that friend of yours?

PANDORA

Ethan?

Tamora nods.

TAMORA

I thought he was coming soon and yet he hasn’t shown up.

PANDORA

He took another mission.

TAMORA

His mission should be coming here and see his girlfriend.

PANDORA

I’m not his girlfriend. We are just friends.

TAMORA

Right.

Pandora sits on the sofa.

TAMORA (CONT'D)

You never said how you met him.

PANDORA

It was when I went on that mission. He was there too.

TAMORA

That part I know.

PANDORA

Well, we had similar stories and became friends.

TAMORA

What similar stories, sis?

Pandora shrugs.

PANDORA

He lost his girlfriend. That’s why he took that mission.

(looks at Tamora)

Darkness.

TAMORA

Unbelievable how that angel still gets to mess with us.

PANDORA

She was always on missions and he decided to take that one to honor her.

TAMORA

Just like you did.

Pandora nods.

PANDORA

We became friends.

TAMORA

It doesn’t seem like friendship to me.

PANDORA

Nothing happened between us.

TAMORA

Yet.

PANDORA

(stands)

Anyway. He is coming back soon. This was his last mission.

TAMORA

How come?

PANDORA

He took a job here in San Francisco.

TAMORA

Oh, so, now the friendship is going to become more than that.

PANDORA

Stop it. We haven’t even got an official date yet.

Tamora approaches her sister.

TAMORA

I just want to see you happy, sis. And I know that smile of yours that appears every time you hear his voice on the phone.

PANDORA

I don’t ---

TAMORA

Yes, you do.

Tamora puts her hand on Pandora’s shoulders.

TAMORA (CONT'D)

When he arrives here, make sure you keep that smile on your face.

Pandora smiles.

TAMORA (CONT'D)

Loving is good, sis.

Tamora turns around.

TAMORA (CONT'D)

Work is waiting for me.

Tamora ORBS out.

PANDORA

And there you are using your powers as a mean of transportation.

Pandora shakes her head and walks out the living room.

CUT TO:

INT. EXT. NATIONAL MUSEUM – DAY

STOCK.

CUT TO:

INT. NATIONAL MUSEUM – EXHIBITIONS’ ROOM – DAY

Tamora comes in without realizing there’s a different scenario there.

There are cops everywhere. It appears that something bad happened.

TAMORA

Okay, people. Let’s get to work.

Tamora stops and glares around. Someone approaches her. Her brother Junior.

JUNIOR

No working today, sis.

Tamora turns around and looks at Junior.

TAMORA

What is happening?

JUNIOR

Break-in.

TAMORA

A break in? Are you covering a break in?

JUNIOR

Actually, this is a break-in followed by an homicide, sis.

TAMORA

A what?

JUNIOR

Someone broke in last night and killed the security guy.

Tamora is surprised.

TAMORA

You’re kidding me, right?

JUNIOR

I’m afraid not, sis. I need you to see if anything is missing. This room was the only one turned into a mess.

Tamora looks around. Some pieces were thrown on the floor.

JUNIOR (CONT'D)

I need you to check things out and see if something is missing. Maybe we can find the ones who did this that way.

Tamora nods. A man approaches them, Tamora’s boss, Neal Robinson.

NEAL

I think I know what’s missing.

Tamora and Junior look at him.

TAMORA

Mr. Robison. This is my brother Junior. He is the inspector in charge.

Junior reaches out his hand to shake Neal’s. Both shake hands.

JUNIOR

Did you say you know what’s missing?

NEAL

(nods)

Indeed. It was the most important piece of the exhibition.

TAMORA

(astonished)

The crown that belonged to Louis XVI?

Neal nods yes.

JUNIOR

Does it is valuable?

Tamora and Neal nod yes.

JUNIOR (CONT'D)

I’m gonna need to see the surveillance images.

NEAL

Sure. Follow me, please.

Neal walks away. Junior and Tamora follow him.

CUT TO:

INT. DAMON’S APARTMENT – MAIN HALL / ENTRANCE – DAY

SOUND: DOORBELL.

Damon walks towards the front door. He is shirtless. He opens it. BEAT. Melinda is there. She looks up at Damon shily.

MELINDA

Hi.

Damon can’t hide the surprised look on his face.

DAMON

Mel? What are you doing here?

Melinda comes in without even asking if she can.

MELINDA

I needed to talk to someone and you seemed like the best option.

She walks towards the living room. Damon is astonished. He closes the door still with the astonished look on his face.

CUT TO:

INT. DAMON’S APARTMENT – LIVING ROOM - DAY

Melinda stands astonished.

MELINDA POV: the living room is a mess. It seems like cleaning hasn’t been done for days. There are dirty plates on the coffee table and some clothes on the couch.

Damon comes in. He realizes what she’s thinking.

DAMON

I’ve been working a lot and haven’t had time to clean up.

MELINDA

Ever thought in hiring some help?

Damon starts taking the clothes off the couch.

DAMON

Like I said, didn’t have time to think of that.

Melinda puts her bag on the sofa and starts cleaning the coffee table. Damon looks at her.

DAMON (CONT'D)

You don’t need to do that.

MELINDA

I won’t talk to you in the middle of this mess.

DAMON

Isn’t your boyfriend a good listener?

MELINDA

Oh, he is. But I’m a witch and he is not aware of that.

Melinda takes some dishes and heads out the living room.

DAMON

(loudly)

So why me?

Melinda comes back without the dishes.

MELINDA

Because no matter what happened between the two of us, you always understood me and I trust you.

They stare at one another.

MELINDA (CONT'D)

Let’s clean this up and then we’ll talk.

Melinda heads out the living room. A small smile shows up in Damon’s face.

CUT TO:

EXT. INSTITUTE4LIFE CENTER – DAY

STOCK.

CUT TO:

INT. INSTITUTE4LIFE – CLASSROOM – DAY

Some pregnant women and their husbands are packing their stuff. It seems like the childbirth class has just finished. Prue, Bianca, and Chris are packing their stuff too. Bianca’s belly is big know that she’s on her 24th week.

PRUE

(to Chris)

Thanks, again for playing my baby’s father.

CHRIS

I can talk to Wyatt if you want me, you know?

Prue nods.

PRUE

I know he’s working a lot lately.

CHRIS

Indeed. Every day when I leave he stays there.

BIANCA

(serious)

I thought he would put the baby first.

(to Prue)

Aren’t you mad?

PRUE

I can understand Wyatt.

BIANCA

Wow, you really have changed.

PRUE

Pregnancy effects.

The three of them laugh.

CHRIS

I will talk to him anyway.

PRUE

I appreciate it, Chris, but leave it just like it is. I’m sure it’s just a phase.

Chris turns to Prue.

CHRIS

Prue, you didn’t make the baby alone, okay. He is the father. And whatever is keeping him from being part of this, can’t be more important than his daughter.

Prue lowers her gaze.

CHRIS (CONT'D)

Knowing my brother, the way I do, I know that he’ll regret it not being part of this. I know I would.

BIANCA

Chris is right, Prue.

Prue looks at them and nods.

PRUE

Fine. But I’m sure he is just stuck at work.

CHRIS

I’ll talk to him.

Prue shows a small smile. They take their stuff and head out the room.

CUT TO:

EXT. NATIONAL MUSEUM – DAY

STOCK.

CUT TO:

INT. NATIONAL MUSEUM – CCTV ROOM – DAY

Junior and Tamora are there watching the CCTV footage.

ON SCREEN: some CCTV footage is shown in one of the screens.

TAMORA

Thanks for letting me watch it, bro.

JUNIOR

I shouldn’t. This is a murder investigation after all.

TAMORA

I’m your sister.

JUNIOR

I’m a cop.

They exchange glances and then go back to watch the images.

JUNIOR (CONT'D)

Okay, whoever did this it’s about to show up. According to the coroner, the security man died between 9 and 11 pm.

They look at the images closely.

JUNIOR (CONT'D)

Here!

Junior points to the camera.

ON: They see the security man walking in a corridor. That’s when the man is hit by a SHURIKEN. The man falls to the ground.

Junior and Tamora exchange glances.

ON: Then, an all in black leather blond woman walks over him, lowers down and pulls the SHURIKEN back. Then she turns around and looks straight to the camera. Then she walks away.

Junior and Tamora exchange glances.

TAMORA

Are you thinking the same I am?

Junior nods.

JUNIOR

A demon.

Tamora nods. Both look serious at the camera.

ON: The death Security Man.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. DAMON’S APARTMENT – LIVING ROOM – DAY

Melinda comes in and looks around.

MELINDA

Okay, now, it does really feel like some decent person lives here.

She smiles. Damon comes in already wearing a shirt.

DAMON

Okay, so I just sort out things at work. They won’t need me for the day.

MELINDA

Good being a boss, huh?!

DAMON

I’m just responsible for that department, Mel.

Melinda smiles. Damon looks around.

DAMON (CONT'D)

Thank you.

MELINDA

No problem, but hire someone, please.

DAMON

You’re worried about me.

Damon smiles.

MELINDA

I’m worried about everyone, Damon, I just play it cool.

They sit.

DAMON

But you didn’t come to clean my apartment, Mel. What’s up?

Melinda takes a deep breath.

MELINDA

You’ve met Jo, haven’t you?

DAMON

The future girl?

MELINDA

Why am I the only one who doesn’t treat her as the future girl?

DAMON

The name stuck.

MELINDA

Well, I believe she’s more than just a future girl.

DAMON

Right, Wyatt told me about your theory that she might be a Halliwell descendent.

Melinda nods.

MELINDA

For the past few weeks, I’ve been thinking and thinking and thinking.

Melinda sits back.

MELINDA (CONT'D)

Until a few weeks ago I was sure she was Wyatt and Prue’s daughter.

Damon’s eyes wide.

DAMON

Okay.

MELINDA

Then she told me something that made me be not so sure about it.

DAMON

What did she say?

MELINDA

That she was born in October.

Damon doesn’t get it.

MELINDA (CONT'D)

Prue’s baby is due to be born in December.

Damon sits back.

DAMON

Okay. But did Jo mention the year? Because she could be another daughter.

MELINDA

No, but I’m sure that she will be born this year. She said that whatever happened, it was after her birth and it gave me the sensation that it was soon.

DAMON

Well, then she’s not a Halliwell for sure.

MELINDA

I’m not so sure, Damon.

DAMON

Well, Mel, maybe she is someone else’s. Maybe she is not born this October, maybe ---

MELINDA

I thought about it also. Hell, at first, I could swear that she could be my daughter.

Damon’s eye wide again.

DAMON

Come again!

MELINDA

She has my eyes.

DAMON

Well, you are not pregnant, are you?

Damon hopes for a negative answer.

MELINDA

Of course not.

Damon breaths relieved.

MELINDA (CONT'D)

What if I was?

DAMON

It wouldn’t be mine.

Melinda lowers her gaze. Damon stands and sits next to Melinda.

 DAMON (CONT'D)

Mel ---

MELINDA

I came here to talk about Jo, Damon.

Damon stands mad.

DAMON

Okay, fine.

(takes his hand to his hips)

Then she’s not yours or Prue and Wyatt’s daughter. She will be born this October, so she’s not a Halliwell.

Melinda stands.

MELINDA

That’s the thing. Even when every clue leads to another direction, I still believe she might be Wyatt and Prue’s daughter.

They stare at one another.

MELINDA (CONT'D)

And if she is ---

(pauses)

--- Then we have an issue.

DAMON

What issue?

MELINDA

She told Prue that she never met her mother.

They stare at one another.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – WYATT & PRUE’S BEDROOM – DAY

Wyatt is putting his jacket on when someone knocks the door.

WYATT

Come in.

Seconds later, Jo comes in.

JO

Sorry, Wyatt.

WYATT

It’s okay. Come in.

Jo comes in.

WYATT (CONT'D)

What is it?

JO

I just wanted to talk to you about something.

Wyatt nods.

WYATT

I was leaving to work, but yes, go ahead.

Jo takes a deep breath.

JO

Don’t you think you are working a lot lately?

Wyatt’s eyes wide.

WYATT

Oh, I ---

JO

You have forgotten your baby, Wyatt.

Wyatt takes his hands to his hips. He doesn’t seem pleased with Jo’s conversation.

WYATT

I haven’t forgotten my baby, Jo. I just have to work.

JO

Yeah? It’s that more important than living this phase with your wife? She’s going through a risk pregnancy, you know that.

Wyatt lowers his gaze.

JO (CONT'D)

Besides, she has gone every week to childbirth classes alone.

Wyatt remembers.

WYATT

Damn! It was today, wasn’t it?

Jo nods.

WYATT (CONT'D)

I completely forgot about it.

Jo approaches him.

JO

Don’t let this baby grow up without you, Wyatt.

They stare at each other.

JO (CONT'D)

Whatever has kept you busy lately, don’t let it be more important than her.

WYATT

You know her, don’t you?

Jo nods and looks away.

WYATT (CONT'D)

My daughter?

JO

We’ve crossed paths.

Jo lowers her gaze and then looks at Wyatt.

JO (CONT'D)

Anyway, I just wanted to tell you that.

Jo turns to leave, but ---

WYATT

Thank you.

Jo turns around and smiles at Wyatt.

WYATT (CONT'D)

Prue told me you lost your mother. But your father must be very proud of you.

Jo smiles sarcastically.

JO

Dad only cared about mum. I’m sure he never stopped his agenda to feel proud of me. He always wanted me to be someone I am not. I’m sure he is not proud of me at all.

Jo stops talking. She feels like she's put out too much. She lowers her gaze.

WYATT

I would be proud if I had a daughter like you.

Jo raises her gaze and looks at Wyatt. She smiles at him.

JO

Just make sure you are there for her.

Jo turns around and leaves as fast as she can. Wyatt stares at her as she leaves.

CUT TO:

INT. HALLIWELL MANOR – 1ST FLOOR CORRIDOR – DAY

Jo comes walking. She is shattered. Stops. Closes her eyes.

JO

I wish you could feel proud of me, dad.

She opens her eyes and walks away.

CUT TO:

EXT. SAN FRANCISCO – DAY

Aerial footage all over the town.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES – DAY

People coming in and out the building.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES – MAIN ROOM – DAY

People are working at their desks. Pandora is at hers typing something on the computer.

At that moment, a blond woman wearing black clothes comes in. This woman is not the same that killed the security guy at the museum but looks pretty much alike.

She looks around until she spots someone. BEAT. She looks straight to Pandora. The girl doesn’t notice that there’s someone looking at her and keeps working. DEMONATRIX #1 walks out the room.

CUT TO:

EXT. PRESCOTT GROUP – DAY

Footages of the glass building.

CUT TO:

INT. PRESCOTT GROUP – CASSANDRA’S OFFICE – DAY

Someone knocks the door. Cassandra is at her desk but stands as she hears the knocking.

CASSANDRA

Come in.

The door opens and ---

BEAT. Ruby comes in wearing an elegant skirt suit of her favorite color, red. She comes in smiling.

RUBY

Cassandra, dear.

Cassandra forces a smile.

CASSANDRA

Mrs. LaFontaine! What a surprise!

Ruby approaches her and greets her. Cassandra tries to hide her surprised look.

CASSANDRA (CONT'D)

How have you been?

Ruby gets serious. She sits across Cassandra. Still surprised, Cassandra sits in her chair.

RUBY

These past weeks have been tough.

Cassandra forces a sympathetic smile.

RUBY (CONT'D)

Losing Julian so soon ---

Ruby sadness is fake, but damn, she knows how to make it seem real.

RUBY (CONT'D)

--- But I need to remain strong for Ivanna.

CASSANDRA

She must miss her daddy.

RUBY

She does. They were close.

Ruby lowers her gaze pretending to be sad.

CASSANDRA

Is there something I can do to help, Mrs. LaFontaine?

Ruby rises up her eyes to meet Cassandra’s.

RUBY

Indeed, there is.

Cassandra wasn’t waiting for that answer, but she tries to hide her surprise. Cassandra sits straight.

RUBY (CONT'D)

She’s been talking with Dr. Stevenson.

CASSANDRA

I’m aware.

RUBY

The thing is, I don’t believe it is doing good to her.

(stands)

He says that she doesn’t talk much.

CASSANDRA

It is normal. She is still in shock with what happened. She saw her father dead.

Ruby stares at Cassandra.

RUBY

I saw him too and that image ---

Ruby pretends that the sadness is consuming her. She sits on the chair. Cassandra stands and approaches her.

CASSANDRA

Mrs. LaFontaine ---

Ruby raises up her head and she is crying. Well, pretending.

RUBY

I miss him so much. And I want to help his daughter because she’s like my daughter too.

Ruby holds Cassandra’s hand.

RUBY (CONT'D)

That’s why I want to ask you to help me. I know that she will open up with you.

Cassandra looks at Ruby’s hand holding hers. Then she looks at Ruby.

CASSANDRA

I’m sure Dr. Stevenson will help Ivanna. You just have to give her time. She has to deal with it. Dr. Stevenson knows what he’s doing.

RUBY

I know he does, but you are a young girl. I’m sure she’ll feel more comfortable with you.

Ruby gives Cassandra a pleading look. Cassandra takes a deep breath.

CASSANDRA

OK, Mrs. LaFontaine. I’ll do it.

Ruby smiles and stands.

RUBY

I’ll bring her tomorrow.

Cassandra forces a smile.

RUBY (CONT'D)

Thank you.

Ruby starts heading towards the door, but turns around before leaving.

RUBY (CONT'D)

Oh, and Cassandra ---

Cassandra looks at her.

RUBY (CONT'D)

You can call me Ruby.

Ruby smiles. Cassandra, again, forces a smile. Ruby turns to leave the office as Cassandra stares at her. Cassandra is serious.

CUT TO:

INT. HALLIWELL MANOR – 1º FLOOR CORRIDOR – DAY

Prue comes followed by Jo.

PRUE

--- And the Champagne?

JO

Everything is settled down, Prue.

PRUE

Good.

JO

Has Wyatt spoken to you?

Prue stops as so does Jo. Prue turns to Jo.

PRUE

I haven’t seen my husband since this morning. Why?

JO

(shrugs)

No, just curious. Can we ---?

Prue shoots her a look. Jo points to the attic’s stairs.

PRUE

Let’s go. The faster we prevent an evil future, the faster you leave.

Jo rolls her eyes.

JO

Friendly as ever.

Both head to the attic.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – DAY

Prue comes in followed by Jo and stops. It seems like the attic has been taken by Tamora and Junior. Both are there searching something in the Book of Shadows.

Also, in the attic is a pinboard with bits and pieces pinned to it.

JUNIOR

Maybe they are not here.

TAMORA

They have to.

Prue calls for their attention.

PRUE

Ahem.

Junior and Tamora look at Prue and Jo.

PRUE (CONT'D)

Hey, guys!

TAMORA

Hey!

PRUE

What are you doing?

Tamora stares at Prue.

TAMORA

Just the lady we need.

Prue shoots her a look. Tamora and Junior exchange glances.

JUNIOR

It might work.

Tamora nods.

TAMORA

You can have a premonition, Prue.

PRUE

(sarcastic)

Of course, I can. I wish for nothing more.

TAMORA

Oh, c’mon, Prue. We are trying to find a demon.

JO

What demon?

TAMORA

That’s why we need a premonition.

Prue rolls her eyes.

JUNIOR

Video footage. Does it work?

TAMORA

Someone broke into the Museum last night and killed the security. We saw it was a demon.

JO

Demons letting themselves being caught by CCTV cameras?

JUNIOR

She looked straight to the camera so I believe she wanted us to see her.

PRUE

Her?

TAMORA

It was a blond woman.

PRUE

Okay. Show me.

Junior takes his phone and plays a video. He shows it to Prue. Prue stares at the screen.

ON MOBILE PHONE SCREEN: the images of DEMONATRIX #1 killing the security guys are playing.

That’s when for moments Prue is taken out of there. Her eyes remain stuck to the phone’s screen while is clear that her mind is somewhere else.

JO

So, that’s how she looks like when she has a premonition.

TAMORA

And that’s an easy one.

And Prue comes back. Her eyes wide open.

JUNIOR

So, what did you see?

Prue points to the phone’s screen.

PRUE

Demonatrix.

TAMORA

Demon what?

Prue heads to the Book of Shadows.

PRUE

I had a vision of the past.

Prue starts flipping through the book’s pages.

PRUE (CONT'D)

Our mothers encountered some in the past.

Prue finds something in the book.

PRUE (CONT'D)

Here.

(points to the book)

Demonatrix.

Junior, Tamora and Jo approach Prue and read what’s writing in the book.

TAMORA

Prue, they were vanquished.

PRUE

Well, I’m pretty sure of what I saw.

JUNIOR

Isn’t the pregnancy messing with your powers?

Prue shoots Junior a look.

PRUE

(threatening)

I don’t know. Wanna try?

JO

They are assassins and maybe there’s more.

PRUE

See? The future girl is on my side.

TAMORA

(sarcastic)

That’s a first.

JUNIOR

Well, it makes sense. Let’s look for this Demonatrix.

PRUE

These.

They look at Prue.

PRUE (CONT'D)

It’s a group. Not just one.

TAMORA

Great. Let’s find some Demonatrix then.

Prue and Jo exchange glances. Tamora sighs.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. SAN FRANCISCO – DAY TO NIGHT

As the day is ending, the dark sky starts covering the town.

CUT TO:

EXT. BAY MIRROR – NIGHT

STOCK.

CUT TO:

INT. BAY MIRROR – MIRROR’S MAGAZINE – INT. WYATT’S OFFICE – NIGHT

Wyatt is at his desk typing something on his computer. Chris comes in.

CHRIS

Hey, bro!

Wyatt looks at Chris.

CHRIS (CONT'D)

Got a minute?

Wyatt nods.

WYATT

I was just finishing this month’s editorial.

CHRIS

Great. That means that you can go home spend some time with your wife.

Wyatt senses Chris’ sarcasm.

WYATT

No need to give me a lecture. Someone already did that and I will. I’ll finish this and I’ll go home.

Chris stares at his brother.

CHRIS

What have you been doing, Wyatt?

Wyatt looks at Chris seriously.

WYATT

What do you mean?

CHRIS

Every night I go home, you stay here. You spend the night somewhere else that’s not by Prue’s side.

Wyatt lowers his gaze.

CHRIS (CONT'D)

Not to mention that you’ve been mysterious lately.

WYATT

Nothing is going on, Chris.

Wyatt tries to get back to his computer.

CHRIS

You are looking for him, aren’t you?

Wyatt stares at the computer screen.

CHRIS (CONT'D)

The Wizard.

WYATT

He is out there, Chris.

CHRIS

And we are going to find him together.

WYATT

(mad)

Yeah, when?

Wyatt stands.

WYATT (CONT'D)

Once the babies are born? Once we have two kids to care about? Two kids to protect?

Chris stares at Wyatt.

CHRIS

We always managed to fix things, Wyatt.

WYATT

This time is different.

Wyatt stares at Chris.

WYATT (CONT'D)

I have a daughter coming, Chris. I need to protect her.

CHRIS

And I have a son, Wyatt. And I know the risks, but I don’t want to be away from my kid. I don’t want him to grow up knowing that his father chose to go after demons instead of staying with his mother. Supporting her.

Wyatt lowers his gaze.

CHRIS (CONT'D)

Look, I don’t want to know what you’re doing because if I do I’m gonna have to lie to Prue. I just want you to think what matters the most.

(pauses)

I don’t want you to regret not being there, bro. Just that.

Chris turns to leave, but before ---

CHRIS (CONT'D)

I’m going home. My son’s mother is waiting for me.

Chris leaves the office. Wyatt looks at the door. He takes his hands to his hips. He swallows. He closes his eyes.

WYATT

(to himself)

Damn, Wyatt. You promised yourself you were going to be a good father. Don’t screw it.

Wyatt is serious.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES – NIGHT

Most people have left the building.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES – MAIN ROOM – NIGHT

ON TABLE LAMP. It is switched off. A man stands to leave. He looks at Pandora’s desk where the girl is concentrated on her own work.

MAN

Hey, Pan?

Pandora looks at her colleague.

MAN (CONT'D)

Are you staying here? It’s late.

PANDORA

I know. I just need to finish this report and I’ll be heading home soon.

MAN

Okay.

The man leaves. Pandora gets back to her computer. She keeps typing something and doesn’t notice when Demonatrix #1 comes in quietly. She stops and stares at Pandora.
Pandora stops typing. She stares seriously at her computer screen.

PANDORA

(to herself)

Why do I have the feeling that I’m not alone?!

Pandora raises her eyes from the computer screen and ---

BEAT. She sees Demonatrix #1 there.

DEMONATRIX #1

Maybe because you are not!

PANDORA

Shit!

Demonatrix #1 WALKS towards Pandora and ---

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Tamora is using the SCRYING CRYSTAL to find the Demonatrix. Junior is there flipping through the Book of Shadows. Jo is standing in front of the pinboard staring at it. Prue stands close watching her. Jo takes a MARKER PEN and writes on the board:

‘DEMONATRIX?!’

Prue frowns.

PRUE

Really?

Jo looks at Prue. Tamora and Junior stare at them.

PRUE (CONT'D)

Do you really think Demonatrix are behind your dark future?

JO

It’s dark present for me and we have to consider all the possibilities.

PRUE

Tenses are not my thing, especially when it comes to time trips. But really, Demonatrix? They can be vanquished just like that.

JO

You underestimate demons, Prue.

PRUE

I vanquish demons. That’s different.

JO

But you think it’s easy. How many times those ‘easy demons’ have gotten their way.

PRUE

And yet, we always find a way to get our way.

JO

Until now. Some demon will turn my world into a dark one and the Destined Ones were unable to undo it.

JUNIOR

Okay, guys. Can you please stop it?

Tamora shoots his brother a ‘well said’ look. At that moment, Prue takes her hands towards her belly and seems surprised. Jo gets worried.

JO

Something wrong?

PRUE

She kicked!

Tamora smiles. She walks towards Prue. Jo relaxes. Junior smiles as well.

TAMORA

That’s so nice. Let me feel it.

Tamora touches Prue’s belly and that’s when a premonition pops into Prue’s mind.

FLASHES TO:

INT. SOUTH BAY SOCIAL SERVICES – MAIN ROOM – NIGHT (PREMONITION)

Pandora is seen flying across the room and hitting some shelves.

Demonatrix #1 stands in front of her.

FLASHES BACK TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Prue gets back from her premonition. Tamora is staring at her while still touching her belly.

TAMORA

What’s that ---?

PRUE

I know where a Demonatrix is.

Prue glares at them all.

PRUE (CONT'D)

Pandora!

Tamora and Junior exchange glances.

JUNIOR

Let’s go!

PRUE

Some blowing power can vanquish her.

Jo turns to Prue.

JO

Oh, no. You’re staying.

Prue shoots Jo a look.

PRUE

The hell I am.

JO

You are pregnant, woman!

PRUE

I’m a witch.

JO

Dr. Dubois said you need to be careful because it’s a risk pregnancy.

PRUE

Oh, all mercy Lord, she only said that like two months ago. Last time she said everything was okay with my baby.

TAMORA

Prue, I agree with Jo. We can take care of this. Let’s make sure Dr. Dubois keeps the same speech.

PRUE

But ---

JUNIOR

No buts. We are leaving. Pan is at work. She texted me earlier saying she would be working late.

Tamora and Jo nod. Tamora approaches Jo and ORBS out taking her.

JUNIOR (CONT'D)

Worry not, Prue. Tam has a firepower.

Junior ORBS out. Prue takes her hands to her hips.

PRUE

Yes, she has, but it’s not as stronger as mine.

(sarcastic)

Oh, but hey, come looking for Prue when you need a freaking premonition.

Prue feels the baby kicking again. She takes her hands to her belly.

PRUE (CONT'D)

Sorry, dear, but mummy can’t remain calm for the whole pregnancy.

(looks at her belly)

I wish daddy was here to feel you kicking.

And a sad expression appears on her face. Prue takes a deep breath and walks out the attic.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES – NIGHT

Only a street lamp is on.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES – MAIN ROOM – NIGHT

Pandora is seen flying across the room and hitting some shelves.

Demonatrix #1 stands in front of her. Pandora tries to get up.

PANDORA

What the hell?!

Pandora WAVES her hands using her MOLECULAR DECELERATION power. DEMONATRIX #1 slows down a little bit, but keeps moving towards Pandora.

PANDORA (CONT'D)

Damn demons!

Demonatrix #1 moves normally. She takes some STAR WEAPONS and THROWS them towards Pandora. She ORBS out. The STAR WEAPONS hit the wall. Pandora ORBS back in.

PANDORA (CONT'D)

You’ve missed.

At that moment, Tamora ORBS in bringing Jo and Junior ORBS in behind the Demonatrix #1. Pandora sees them.

PANDORA (CONT'D)

It was about time!

Demonatrix #1 turns around and sees them. She smirks.

DEMONATRIX #1

The more the merrier.

(calling)

Sisters!

Then Two more blonde women wearing simply leather outfits FADE in front of them.

JUNIOR

Do you guys have enough firepower?

Tamora and Jo exchange glances. They nod and then, both walk towards them.

JUNIOR (CONT'D)

(grimaces)

I don’t like to beat women, but ---

He walks towards them.

CUT TO:

INT. HALLIWELL’S – DINING ROOM – NIGHT

The restaurant is full of customers. Melinda and some employees are busy. Also, Christopher is there preparing the wine bottles and put them in ice buckets. Then he puts them on a tray.

Melinda approaches the counter.

MELINDA

Sorry, I couldn’t come earlier.

CHRISTOPHER

Don’t worry. We took care of everything.

MELINDA

You’ve been a blessing to Halliwell’s, Christopher.

Christopher smiles.

CHRISTOPHER

When I got out of prison, I promised my son I was changed.

MELINDA

And what a change! From a Mafia Lord to the employee of the month for ---

(thinks)

--- how many time?

Christopher smiles happily.

CHRISTOPHER

I just want my son to feel proud of me.

MELINDA

I’m sure he is.

Melinda smiles.

MELINDA (CONT'D)

Now let me take this wine to table 6.

CHRISTOPHER

I can do that.

Christopher looks at the entrance.

CHRISTOPHER (CONT'D)

I believe you have a visitor.

Melinda follows Christopher’s glance and she sees Liam entering the restaurant. She smiles as she sees him walking towards her.

LIAM

Now I get why you haven’t picked up my calls all day.

Liam takes her face softly and kisses her. The kiss last for a few seconds.

MELINDA

Sorry, I was busy with some stuff.

LIAM

It’s okay, but you still need to compensate me.

Melinda shoots him a look.

MELINDA

Do I?

Liam approaches her and kisses her again.

LIAM

Spend the night with me.

Melinda shoots him a surprised look. She was definitely not waiting for it.

MELINDA

Liam, you know I have my home. My sister-in-law is pregnant and she might need me.

LIAM

She has your brother.

Melinda doesn’t know what to say.

LIAM (CONT'D)

C’mon, Mel. We’ve been dating for months and it’s so good to be with you, but you never stay through the night. I want to wake up with you by my side.

MELINDA

I believe this is not the place to talk about that, honey.

LIAM

Will you think about it?

Melinda nods yes.

LIAM (CONT'D)

I really want you to lie by my side and wake up by my side. I hate seeing you sneaking out in the middle of the night.

MELINDA

I will think about it, okay?

She kisses him.

MELINDA (CONT'D)

Dinner?

LIAM

I’m starving.

He says that in a teasing way. Melinda blushes.

MELINDA

I’ll find you a table.

She takes his hand and drags him out.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES – MAIN ROOM – NIGHT

ON DEMONATRIX #2 BLOWING UP.

Tamora looks at Jo.

TAMORA

Well done.

Jo smiles. Junior deviates himself from a start weapon that Demonatrix #3 THREW. Pandora and Demonatrix #1 are fighting. Pandora pushes her towards a desk, but Demonatrix #1 kicks Pandora. Pandora falls down the floor. Then Demonatrix #1 THROWS a couple of STAR WEAPONS TOWARDS Tamora.

ON: STAR WEAPONS FLYING ACROSS THE ROOM.

Tamora is distracted and doesn’t see the star weapon flying towards her. Jo sees it and pushes Tamora who falls on the floor. One of the STAR WEAPONS hits Jo’s arm. Tamora sees it all happening. The girl takes her hand towards her arm.

Tamora stands and looks at Demonatrix #1 and WAVES her hands using her MOLECULAR ACCELERATION power. Demonatrix #1 combust and blows up.

Jo looks at her arm and takes off the hand that’s covering her injury. She grimaces. Then --- BEAT. Her injury heals alone. Demonatrix #3 is kicked by Junior and thrown on the floor. Then she stands. Tamora is about to use her powers on her, but Demonatrix #3 FADES out.

Tamora approaches Jo. She is worried.

TAMORA (CONT'D)

Are you okay?

Jo tries to cover her arm even when there’s no injury there.

JO

I am. It was nothing.

TAMORA

Let me see.

Jo tries to stop her, but Tamora manages to take off Jo’s hand and ---

BEAT. Nothing there.

TAMORA (CONT'D)

Your arm.

JO

I told you it was nothing.

Junior and Pandora approach them.

TAMORA

I saw that thing hitting you.

JO

No, it didn’t.

Tamora stares at Jo’s arm. Jo turns to Pandora.

JO (CONT'D)

Are you okay?

PANDORA

Yeah, you guys got just in time. What the hell happened here?

JUNIOR

Demonatrix happened.

PANDORA

Demon what?

JUNIOR

We explain at home. We still have to find the rest of them.

PANDORA

Is there more?

Junior nods. Tamora keeps staring at Jo’s arm. She is astonished. Jo tries not to look at Tamora.

JO

Let’s go, then.

Tamora keeps her gaze on Jo’s arm.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – WYATT & PRUE’S BEDROOM – NIGHT

Prue is coming from the bathroom already wearing a nightdress when Wyatt comes in. Prue seems surprised as she sees him there.

PRUE

Honey!

Wyatt walks towards her immediately and kisses her softly.

PRUE (CONT'D)

Did you cast a spell to create another version of yourself?

WYATT

No. This is really me.

Prue smiles. Then she puts her arms around his neck and both kiss passionately. The kiss last for a few seconds.

PRUE

I’ve missed you.

WYATT

I’ve missed you more.

PRUE

Then you should try coming home earlier after work.

BEAT. Wyatt recognizes her sarcasm.

WYATT

Sorry, Love, but I believe I’ve got enough lectures for one day.

Wyatt sits on the bed and takes off his jacket. Prue goes stand in front of him and starts massaging his shoulders. Wyatt really feels tired, like he’s been working a lot and not getting enough sleep.

PRUE

Chris wanted to talk to you about that. Sorry.

WYATT

It should be me asking for your forgiveness.

Wyatt touches Prue’s belly.

WYATT (CONT'D)

I haven’t been a good father and husband.

He kisses her belly.

WYATT (CONT'D)

(to Prue’s belly)

I’m sorry, little baby.

PRUE

Is it just work?

No, of course, it’s not just work. Wyatt looks up at her.

WYATT

Yes.

Liar. And somehow Prue knows it.

PRUE

Just don’t forget you have a wife and a daughter to take care of.

WYATT

I won’t. I don’t want our daughter to grow up alone like Jo.

Prue doesn’t understand.

PRUE

Like Jo?

Wyatt signs her to sit beside him. Prue does.

WYATT

Yeah, she lectured me today and I got to know that also her father never cared about her.

Prue lowers her gaze.

PRUE

I didn’t know about that.

WYATT

Well, she’s not very open about her life.

PRUE

Not at all.

Prue gets thoughtful. Wyatt starts kissing her neck.

WYATT

But I don’t want to talk about others. I just want my wife.

Prue smiles.

PRUE

Wyatt, I’m fat.

WYATT

And hot.

Prue smiles while Wyatt keeps pacing kisses on her neck. Then both kiss passionately.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. BLACK WIZARD’S CAVE – NIGHT

SOUND: MAD SCREAM.

ON JANNES. He is furious.

In front of him are the Oracle and Demonatrix #3. This last one gazes down.

JANNES

It was a simple task.

DEMONATRIX #3

They are powerful.

JANNES

I don’t care how powerful they are. I want them dead.

Jannes approaches Demonatrix #3 and grabs her neck.

JANNES (CONT'D)

Gather the others and get to them with all you’ve got. I want them all dead.

Jannes throws her on the floor. Demonatrix #3 looks at him and then, FADES out. The Oracle stares at Jannes. He is not looking at her, but he knows she wants to say something.

JANNES (CONT'D)

Spit it out!

Aisling smirks.

AISLING

You underestimate them, you know?

Jannes turns to her.

AISLING (CONT'D)

Not even Darkness was able to put them down.

JANNES

Darkness was weak. He was focused on the love he had for that witch.

AISLING

It was not just love, Jannes. It was more than that. He wanted Prue’s soul. And still, they found a way to lock Darkness again.

JANNES

I’m not him. I’m looking for revenge.

AISLING

Then, why buying a fight with the Destined Ones? You know you can’t beat them or else you would’ve done it yourself. Why don’t you face Ruby yourself?

Jannes gets mad.

JANNES

Because I can’t!

Aisling is serious.

JANNES (CONT'D)

She copied all my powers. Whatever I do to her it won’t work. My own powers won’t work on her because she copied them.

AISLING

She’s immune to them?

Jannes nods.

AISLING (CONT'D)

And you are immune to hers?

Jannes nods again.

AISLING (CONT'D)

That’s interesting. The student became as good as the master.

JANNES

I don’t see why that would be interesting.

AISLING

(smiles)

You both could join and take the world and still you fight on opposite sides.

JANNES

She betrayed me. She is using everything I taught her for revenge.

AISLING

You are using everything you know for revenge as well.

Jannes smirks.

JANNES

I also learned something from her too, my dear. The taste for revenge.

Both stare at one another seriously.

CUT TO:

INT. LIAM THOMAS’ APARTMENT – BEDROOM – NIGHT

The room is dark. Both Liam and Melinda are lying on the bed. Liam has an arm over Melinda. Liam is asleep. He gets even closer to her. Melinda glances at him. She feels like she doesn’t know what to do. Then, she starts taking his arm off of her cautiously. She takes Liam’s robe and puts it on as she gets out the bed. She looks at Liam who remains peaceful asleep.

MELINDA

I’m sorry.

Melinda turns around and leaves the bedroom.

CUT TO:

EXT. SAN FRANCISCO – NIGHT TO DAY

Footage all over the town as the night comes to an end and a new day starts.

CUT TO:

EXT. HALLIWELL MANOR – DAY

The newspaper boy drives his bike in front of the manor and throws the newspaper to the front door.

The door opens and Melinda, still wearing her pj’s, comes out to take the newspaper. Then she heads inside.

CUT TO:

INT. HALLIWELL MANOR – ENTRANCE / MAIN HALL / STAIRCASE – DAY

Melinda comes from the front door reading the front page of the newspaper as Prue and Wyatt come downstairs. They are wearing normal clothes. They both come holding hands and kissing. Melinda looks at them and smiles.

MELINDA

Morning, sunshine!

Prue and Wyatt look at Melinda.

WYATT

Morning, sis!

The three of them walk into the dining room.

CUT TO:

INT. HALLIWELL MANOR – DINING ROOM – DAY

There, Chris and Bianca are at the table. Wyatt, Prue, and Melinda come in.

PRUE

We have visitors!

Chris and Bianca smile.

BIANCA

We thought we could take breakfast together.

MELINDA

Yeah, breakfast with no coffee around.

Melinda rolls her eyes.

CHRIS

All the family needs to play along, sis.

PRUE

Agree.

Prue shoots Melinda a look. Wyatt, Prue, and Melinda take their seats.

CHRIS

So, Wyatt, got home earlier last night?

Wyatt shoots Chris a look. A not so friendly look. Chris smirks.

WYATT

Don’t push it, Chris!

PRUE

Stop it, guys!

Prue has a sip of orange juice.

PRUE (CONT'D)

News about the twins and Junior?

CHRIS

What happened to them.

PRUE

Demonatrix happened. Tam texted me last night saying they were okay, but I know nothing more.

MELINDA

They spent the night upstairs.

Prue and Wyatt exchange glances.

WYATT

We heard nothing.

MELINDA

Yeah. Well, when I came home I found Jo putting a spell against noises in the attic.

They are surprised.

PRUE

She did, huh?!

MELINDA

She didn’t want to disturb you, guys.

Prue and Wyatt exchange glances.

BIANCA

(smiles)

How sweet of her.

CHRIS

Indeed.

At that moment, Tamora comes in from the staircase. She is wearing the same clothes as the day before.

TAMORA

Coffee, coffee. I need coffee.

She looks at them.

TAMORA (CONT'D)

Morning.

PRUE

You guys are okay? Need any help?

Tamora stops and glances from Prue to the others.

TAMORA

Oh, no, it’s okay. We already came out with a plan. We just need to find the Demonatrix.

PRUE

You already came out with a plan?

Tamora nods.

PRUE (CONT'D)

Care to share?

Tamora glances at them.

PRUE (CONT'D)

I could help.

TAMORA

Oh, no need, Prue. You should relax and take care of you and the baby.

PRUE

(loudly; mad)

STOP IT!

Prue stands.

PRUE (CONT'D)

I’m not a porcelain pregnant woman, dammit!

They stare at Prue.

PRUE (CONT'D)

I don’t need to be protected from the things you are doing. I’m a witch, for God’s sake. And not any witch. A Charmed One. A Destined One.

They exchange glances.

CHRIS

Prue ---

BIANCA

Don’t, Chris.

Chris looks at Bianca. She stands.

BIANCA (CONT'D)

I’m with Prue.

(pauses)

Since the moment we found out we were pregnant, you guys, try to protect us from the world.

Bianca glances at them all.

BIANCA (CONT'D)

Yes, we are pregnant, but still, we can fight. Well, I don’t have powers, but I have knowledge.

Wyatt and Chris stare at one another. Melinda stands.

MELINDA

(to Prue and Bianca)

We just want you guys to have a calm pregnancy.

PRUE

Treating us as porcelain girls? It doesn’t keep me calm at all.

BIANCA

We are carrying the next generation. We’ve got protection enough. You all need to understand that.

PRUE

Especially you.

Prue looks at Wyatt. Wyatt looks up at her.

WYATT

(stands)

Honey ---

PRUE

Don’t keep us apart.

BIANCA

We want to fight.

Chris stands.

CHRIS

B ---

BIANCA

You heard us, Chris.

Wyatt and Chris exchange glances. Prue turns to Tamora.

PRUE

So ---

Tamora looks at Prue.

PRUE (CONT'D)

This plan you were talking about, care to elaborate?

Tamora glances from Wyatt to Chris. Wyatt nods no.

TAMORA

We are going to do what our mothers did before.

Prue smiles.

PRUE

It looks like a plan.

Tamora smiles.

CUT TO:

INT. HALLIWELL / COOP MANOR – KITCHEN – DAY

Charlotte is pouring some coffee in a cup when Cassandra comes in a rush and takes the cup from Charlotte’s hand. Charlotte is astonished.

CHARLOTTE

Hey!

Cassandra takes a sip of the coffee.

CASSANDRA

Sorry, sis, but I’m late.

CHARLOTTE

Still, that was my coffee.

CASSANDRA

Don’t get so grumpy. You don’t have a boss like I do.

CHARLOTTE

No, actually I have two bosses. Uncle Leo and Aunt Paige.

CASSANDRA

They are easy to deal with and you are not late. I am.

Cassandra takes another sip of her coffee and walks out the kitchen. Charlotte walks out the kitchen as well.

CUT TO:

INT. HALLIWELL / COOP MANOR – MAIN HALL / ENTRANCE – DAY

Cassandra comes in followed by Charlotte.

CHARLOTTE

What’s going on?

Cassandra turns to Charlotte.

CASSANDRA

She asked me to talk with the kid.

Charlotte doesn’t understand.

CHARLOTTE

Who asked you what and what kid?

CASSANDRA

That woman. Miss LaFontaine.

CHARLOTTE

Your boss?

CASSANDRA

My creepy boss.

(shivers)

That woman makes me shiver.

CHARLOTTE

Yeah, well, let’s agree that what’s been happening there isn’t that normal.

CASSANDRA

Exactly.

CHARLOTTE

But if you don’t like it, why keep working there?

Cassandra takes a deep breath.

CASSANDRA

Because I left my life in New York to take that job.

CHARLOTTE

No, you left your life in New York because of whatever happened with Ben.

CASSANDRA

And you had to mention him.

Charlotte smiles.

CASSANDRA (CONT'D)

I need to go.

Cassandra turns around and walks towards the front door.

CHARLOTTE

Good luck.

Cassandra shoots her sisters a look over her shoulders and takes her bag and walks out the house. Charlotte smiles.

CHARLOTTE (CONT'D)

Sisters!

Charlotte shrugs and heads back to the kitchen.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – DAY

ON CHRIS.

CHRIS

Demonatrix were working for Vincent back then.

Wyatt, Prue, Bianca, Melinda, Jo, Tamora, Pandora and Junior are there.

PRUE

Yes, and they used to vanquish demons.

CHRIS

Using Charmed Ones’ potions.

PANDORA

It freaks me out how you two know so much about our family history.

Tamora shoots Pandora a look.

TAMORA

Because it’s our family history, sis.

PANDORA

Oh, c’mon, Tam. Don’t pretend you were paying attention at classes at Magic School.

MELINDA

Girls!

(pauses)

This time those Demonatrix are not vanquishing demons.

TAMORA

Indeed. They killed a guy at the museum.

PANDORA

And attacked me last night.

WYATT

Do you think that Vincent is back?

PRUE

He was vanquished. And I don’t believe it’s him.

JO

I don’t either.

Prue and Jo exchange glances.

PRUE

The Wizard?

Jo nods yes.

PRUE (CONT'D)

Jo believes that Wizard is behind whatever happens in the future.

JO

And Demonatrix might be working for him.

The others look at them.

JO (CONT'D)

The timeline matches.

MELINDA

(smiles)

It is so good to see that you both are getting along.

PRUE

Don’t push it.

JUNIOR

Well, guys. Question is, how are we going to find those Demonatrix and how are we going to vanquish them?

Chris smiles.

CHRIS

The same way as before.

They all look at Chris. Chris looks at them.

CHRIS (CONT'D)

(smiles)

I’ve got some contacts in the underworld and besides ---

(pauses)

--- We’ve got some great blondies here, huh?!

Tamora, Melinda and Jo exchange glances.

CUT TO:

EXT. PRESCOTT GROUP – DAY

STOCK.

CUT TO:

INT. PRESCOTT GROUP – CASSANDRA’S OFFICE – DAY

ON CASSANDRA. She smiles. Before her, are Ruby and Ivanna. Ruby as an arm over Ivanna’s shoulder. Ruby smiles.

RUBY

(to Ivanna)

This is Cassandra, sweetie.

Ivanna lowers her gaze.

RUBY (CONT'D)

She will help you.

Ivanna keeps looking down. Ruby looks at Cassandra.

CASSANDRA

Don’t worry, Mrs. LaFontaine. I’m sure Ivanna and I will be friends.

Ruby smiles. Cassandra approaches Ivanna.

CASSANDRA (CONT'D)

(to Ivanna)

Ivanna, why don’t you go to that couch and sit comfortably?

Ivanna nods and heads to the sofa as she stares at the view that can be admired through the glass walls. Cassandra turns to Ruby.

RUBY

I’ll come pick her up later.

Cassandra forces a smile. Ruby smiles as well. She turns around and leaves closing the door after. Cassandra looks at Ivanna.

CASSANDRA

(to herself)

Poor kid.

Cassandra walks towards Ivanna.

CUT TO:

EXT. HALLIWELL MANOR – DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR – STAIRCASE / ENTRANCE / MAIN HALL – DAY

The doorbell rings as Prue comes downstairs.

PRUE

Coming!

Prue walks towards the front door and opens. She is surprised as she sees someone unexpected there ---

BEAT. Liam is there.

LIAM

Hi!

PRUE

Hi. You are ---

LIAM

Melinda’s boyfriend.

Prue smiles.

PRUE

Of course.

(smiles)

Hi. We haven’t been introduced yet.

LIAM

No, we haven’t. Is she in?

MELINDA (O.S.)

Liam?

Prue turns around and both Prue and Liam look at Melinda who’s approaching them.

MELINDA (CONT'D)

Liam, what are you doing here?

LIAM

You left.

(serious)

In the middle of the night.

Melinda is serious.

MELINDA

Yeah, I ---

Melinda approaches him.

MELINDA (CONT'D)

Look, we are in the middle of something here. I will call you later, okay? I promise.

Liam doesn’t like the sound of that, but accepts it.

LIAM

You promise?

Melinda nods. Then, she kisses him. Liam turns to Prue.

LIAM (CONT'D)

(to Prue)

It was nice to meet you.

PRUE

Yeah, you too. You should come for dinner sometime.

Liam smiles.

LIAM

Gladly.

Liam turns around and leaves. Melinda closes the door. Prue stares at Melinda.

MELINDA

Don’t give me that look.

PRUE

What look? Oh right, the one that means can you tell me what the hell is going on?

Melinda rolls her eyes.

MELINDA

Liam asked me to spend the night with him.

(serious)

The whole night.

PRUE

And you sneaked out. Yeah, I’d be mad too if the person I love wouldn’t want to commit.

MELINDA

Who said that I don’t want to commit?

PRUE

Your whole self says that. Admit it, Mel. He is not Damon.

MELINDA

Stop it, Prue.

PRUE

You haven’t even introduced him to us. You are not even thinking of telling him who you are.

MELINDA

I never said that.

PRUE

You don’t need to. I’m an empath, remember?

MELINDA

(mad)

You don’t have the right to read my feelings.

PRUE

Well, I’m sorry if sometimes I can’t control it. And believe me, I wish I never knew the real reason you broke up with Damon for good.

MELINDA

You promised never to touch that subject again, Prue.

PRUE

Don’t worry, I won’t tell if you won’t.

Both stare at one another.

MELINDA

Let’s go. Tam, Jo and I are going down there.

Melinda walks upstairs. Prue watches her leave.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. HALLIWELL MANOR – ATTIC – DAY (TIMELAPSE)

Prue, Pandora, Bianca, Wyatt, Chris, and Junior are there. Prue and Bianca are preparing some potions. Chris takes some STAR WEAPON from the table.

CHRIS

You’ve got these from last night attack?

Junior and Pandora nod yes.

CHRIS (CONT'D)

They can be useful.

(to Wyatt)

What do you say in heading down there?

PRUE

No.

Wyatt shoots Prue a look. Then turns to Chris.

WYATT

If it means we get closer to that Wizard, yes.

PRUE

No, Wyatt.

BIANCA

Chris, is it a good idea?

CHRIS

Of course, honey. Mel, Tam, and Jo may use some help.

PANDORA

I’m going to.

JUNIOR

You are not blonde, sis.

PANDORA

I can glamour into a blondie.

Pandora WAVES her right hand before her face and ---

BEAT. Her hair turns into blonde. And her clothes change to a black leather jumpsuit. They look at her.

Prue approaches Wyatt.

PRUE

There’s no need for you to go, Wyatt.

WYATT

I don’t hide, Prue.

PRUE

Then, I’m going to.

WYATT

You’re pregnant.

They stare at one another.

CHRIS

Prue, it’s better for you and Bianca to stay here.

JUNIOR

I’ll stay with them.

PRUE

(mad)

I don’t need to be protected. I’m all mighty Prue, remember?

JO (O.S.)

All mighty pregnant Prue, you mean.

Jo, Melinda, and Tamora just arrived. And ---

BEAT. The three of them are wearing black leather outfit.

JO (CONT'D)

It is a risk pregnancy, Prue.

WYATT

(looking at Prue)

Indeed. You’re staying.

Prue and Wyatt stare at one another.

PRUE

You better get back to me.

Wyatt smiles.

WYATT

Always.

Wyatt kisses Prue. Jo looks aside. Melinda glares at Jo.

MELINDA

We should better go.

Bianca approaches Chris.

BIANCA

Honey be careful.

She hands him a potion.

BIANCA (CONT'D)

It’s a strong one.

Chris smiles. Both kiss. Tamora looks at Pandora.

TAMORA

I knew you always wanted to be just like me.

PANDORA

Do not be so cocky, sis. I’m doing this because they pissed me off.

JO

Well, let’s go them.

Wyatt approaches Jo and reaches out his hand to her.

WYATT

Need a ride?

Prue looks at them. Jo smiles.

JO

Sure.

Melinda smiles looking at Jo and Wyatt. Jo grabs Wyatt’s hand. Wyatt ORBS out taking Jo. Tamora and Pandora ORB out as well. Also, Chris ORBS out. Melinda grimaces like she’s trying to concentrate on something.

PRUE

What are you doing?

MELINDA

Trying to orb.

PRUE

You don’t orb.

MELINDA

Never hurts to try.

Chris ORBS back in and approaches Melinda.

CHRIS

Sorry, sis.

Chris takes Melinda hand. She shrugs. Then Chris ORBS out taking her. Prue turns to Junior.

PRUE

The next time you offer to protect me I will freeze your balls and I’ll keep it in the freezer along with the rest of your body.

Junior and Bianca exchange glances.

CUT TO:

INT. UNDERWORLD – DEMONATRIX’S CAVE – DAY

This cave has been seen before. It was the same used by the Demonatrix when they were working for Vincent. Some rooms look like Paige’s old bedroom and the attic.

A group of twelve Demonatrix is gathered together. One of them, Kaelyn (seems 30), stand before the group.

KAELYN

My dear, sisters. We’ve been tasked with a job.

DEMONATRIX #4

A job? It’s suicide.

KAELYN

We don’t question his orders.

DEMONATRIX #5

We keep following others instead of doing things on our own.

DAMONATRIX #6

Where are Keena and Kendall?

KAELYN

They are working on something else.

Kaelyn approaches Demonatrix #7 and whispers something to her.

KAELYN (CONT'D)

Follow me.

Demonatrix #7 nods. Kaelyn leaves followed by Demonatrix #7. The others look at one another. BEAT. Among the group, three known faces can be seen: Melinda, Tamora, Pandora, and Jo. All four are there. They exchange glances.

CUT TO:

INT. UNDERWORLD – DEMONATRIX’S CAVE (PAIGE’S OLD BEDROOM) – DAY

Wyatt and Chris are hiding there. They look at the group in the next room. Melinda, Tamora, Pandora, and Jo can be seen there. They look at Wyatt and Chris.

WYATT

Let’s do it.

Chris nods to the girls. Then Wyatt WAVES his hands and Demonatrix #8 blows up.

CUT TO:

INT. UNDERWORLD – DEMONATRIX’S CAVE – DAY

The others look around. Demonatrix #6 blows up as well. Melinda THROWS a STAR WEAPON towards Demonatrix #4 who blows up.

Jo WAVES her hands and Demonatrix #3 blows up. then Jo walks in the direction Kaelyn and Demonatrix #7 went. Chris and Wyatt come out of hiding. Demonatrix #5 and #9 THROW STAR WEAPONS towards Chris. Melinda WAVES her hands and freezes the WEAPONS. Chris takes them and THROWS them towards Demonatrix #5 and #9. They blow up. Tamora WAVES her hands several times, setting fire to Demonatrix #10 and #11. Demonatrix #12 looks at it all and walks away. Wyatt looks at her and follows her. Pandora THROWS a STAR WEAPON towards Demonatrix #12.

CUT TO:

INT. UNDERWORLD – DEMONATRIX’S CAVE (ATTIC) – DAY

Kaylen and Demonatrix #7 are there. The door seems closed, but it isn’t. Jo tries to hear their conversation.

DEMONATRIX #7

What is that job?

Kaelyn smiles.

KAELYN

He knew they were coming here.

DEMONATRIX #7

What?

KAELYN

They are already here probably. But Keena and Kendall have an important mission.

Kaelyn paces the room.

KAELYN (CONT'D)

While they are here, she’s there.

Demonatrix #7 looks at her.

KAELYN (CONT'D)

The pregnant one.

ON JO.

JO

Prue.

Jo opens the door. Kaelyn and Demonatrix #7 look at Jo. Quickly, Kaelyn THROWS a STAR WEAPON towards Jo, but Jo WAVES her hand and THROWS it back to Kaelyn. Then Jo looks to Demonatrix #7 who FADES out.

Melinda comes in.

MELINDA

Jo, we need your firepower.

JO

I can't.

Melinda notices there’s something wrong with Jo.

JO (CONT'D)

It’s Prue.

(pauses)

They’ve gone there. The other two.

The concern is notorious in Jo’s face and now in Melinda’s face as well.

JO (CONT'D)

I need to go there, Mel.

MELINDA

Yes, you do.

Both stare at one another.

MELINDA (CONT'D)

Just go.

Something is keeping Jo and somehow Melinda understands. Melinda leaves the room.

CUT TO:

INT. UNDERWORLD – DEMONATRIX’S CAVE – DAY

Melinda comes in followed by Jo.

MELINDA

Tam?

Tamora turns to Melinda.

MELINDA (CONT'D)

Orb Jo back home.

Tamora doesn’t understand. Melinda shoots her a 'just do it' look. Tamora looks at Jo and WAVES her hand. Jo is ORBED out.

CUT TO:

INT. HALLIWELL MANOR – WYATT & PRUE’S BEDROOM / CORRIDOR – DAY

Prue comes in without closing the door behind her. But then she hears the door closing. She turns around and ---

BEAT. Kenna (28) is there.

PRUE

What the ---?

Keena is holding a STAR WEAPON. She smiles.

KENDALL (O.S.)

Surprise!

Prue turns around and Kendall (28) is there.

KENDALL (CONT'D)

Imagine how cool killing a Destined One.

KEENA

We could be the Queens down there.

Prue rolls her eyes.

PRUE

Oh, please.

She is about to wave her hands, but then ---

BEAT. She feels the point of a STAR WEAPON being held against her back. Keena is right behind her.

KEENA

No so fast.

KENDALL

These wonders are poisoned.

KEENA

A single touch with your blood and you’ll be saying goodbye to this world.

Kendall smiles. But then, her smile banishes from her face and soon she blows up. Jo stands there.

JO

Oh, sorry, I didn’t give her the chance to say goodbye to this world.

Keena grabs Prue and approaches the STAR WEAPON to her neck.

PRUE

(to Jo)

It is poisoned.

JO

(to Prue)

Do you trust me?

PRUE

Do I have an option?

KEENA

(to Jo)

Don’t get closer.

Jo takes a STAR WEAPON and THROWS it against Keena and it could hit her, but Keena is fast and deviates. Both Keena and Prue fall down the floor. The weapon Keena was holding is dropped. Keena is about to stand, but Jo walks fast towards her while Prue feels a strong pain in her belly. Jo grabs Keena and THROWS her against a wall.

She puts all the strength she’s got and as soon as Keena hits the wall, it is destroyed. Prue looks at it astonished.

Junior and Bianca come in and look inside the room from the big hole in the wall between the corridor and the bedroom.

JO

(to Junior)

Protect the baby. Take Bianca out of here.

Junior touches Bianca and ORBS out. Jo opens the door and approaches Keena on the floor. Prue holds her belly in pain as she watches Jo.

Jo lowers to Keena’s level. Keena looks at Jo.

JO (CONT'D)

You won’t ever touch her!

Jo starts closing her right-hand fist. Keena holds her chest. Jo is CRUSHING Keena’s heart. Soon, the Demonatrix blows up. Prue is astonished. Jo stands and walks towards Prue fast. Prue looks at Jo. Jo lowers to help Prue.

PRUE

Who ---

Prue is in pain.

PRUE (CONT'D)

What ---

JO

(worried)

Don’t talk. I need to take you to the hospital.

PRUE

No. I’ll be okay.

JO

It’s a risk pregnancy, Prue.

PRUE

(mad)

I’ll be okay.

Prue and Jo stare at one another.

PRUE (CONT'D)

Who are you?

Jo swallows.

JO

A friend.

Both stare at one another.

CUT TO:

INT. UNDERWORLD – CORRIDOR – DAY

Demonatrix #12 comes walking fast. Wyatt follows her and when he finally reaches her, he grabs her by her neck. She screams.

DEMONATRIX #12

I never wanted to be part of it, I swear.

WYATT

And yet you are.

DEMONATRIX #12

I didn’t do anything.

WYATT

Where is him?

Wyatt is full of rage.

WYATT (CONT'D)

Where is him?

Demonatrix #12 laughs.

DEMONATRIX #12

You’ll never find Jannes.

Wyatt let’s go of her. She gasps hardly.

DEMONATRIX #12 (CONT'D)

(looks at Wyatt)

He’ll find you.

WYATT

Jannes?

Demonatrix #12 laughs like crazy. Wyatt stares at her.

WYATT (CONT'D)

Thank you for giving me a name.

Wyatt WAVES her hands and, using MOLECULAR COMBUSTION, he blows her up. Chris comes running.

CHRIS

Wyatt ---

Wyatt looks at Chris.

CHRIS (CONT'D)

They went after Prue.

Wyatt gets worried.

CUT TO:

EXT. SAN FRANCISCO – DAY TO NIGHT

Footage all over the town as the moon appears in the sky.

CUT TO:

INT. UNDERWORLD – JANNES’ CAVE – NIGHT

ON DEMONATRIX #7 BLOWING UP.

Jannes is mad. Aisling is there staring at him.

AISLING

I told you it wouldn’t work.

Jannes turns to her.

JANNES

I need to take them down.

AISLING

No, what you need is to take her down. The Red Witch.

JANNES

What do you suggest?

Aisling smiles.

AISLING

You need to think, my dear.

(smirks wickedly)

Don’t destroy her weapon. Use her own weapon against her.

Aisling keeps the wickedly smirk on her face. ON JANNES. He is serious.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – LIVING ROOM – NIGHT

Wyatt is there sitting on the sofa and hugging Prue who’s drinking tea. Chris, Bianca, Junior, Pandora, Tamora, Melinda and Jo (still wearing the leather outfit) are still there.

MELINDA

(to Prue)

Feeling better?

Prue nods.

JO

I still think you should see Dr. Dubois.

PRUE

I’m fine.

Wyatt stands and approaches Jo.

WYATT

Thank you.

Jo smiles.

PRUE

I had things under control, you know.

They all smile.

JO

It would have taken longer for you to do what I did.

PRUE

True, but in my defense, I had a poisoned pointed thing in my back.

Prue wants to stand and Wyatt helps her.

PRUE (CONT'D)

Now, I think I should go rest.

WYATT

I’ll take you to bed.

Wyatt helps Prue. Before leaving the room, she turns around.

PRUE

Jo?

Jo and all the others look at Prue.

PRUE (CONT'D)

Thank you.

Jo smiles.

JO

Anytime.

Melinda smiles. Tamora stares at Jo. Prue smiles at Jo. Then, turns around and both Wyatt and Prue leave.

JO (CONT'D)

I think I must go. I need a shower and head to P3.

BIANCA

Do you want me to go with you?

CHRIS

Honey, you must rest as well.

JO

It’s OK. I can handle it.

Jo smiles and turns around. She leaves. Melinda stands.

MELINDA

See you tomorrow, guys.

Melinda leaves the room.

PANDORA

And there’s just us.

Tamora is thoughtful.

CUT TO:

INT. HALLIWELL MANOR – MELINDA’S BEDROOM – NIGHT

Melinda comes in the bedroom and turns on the lights. She takes her cell and calls someone. From the other side, someone answers.

MELINDA

(on the phone)

Hey, honey.

(pauses)

I know I promised, but I can’t meet you tonight.

LIAM (O.S.)

(on the phone)

Mel ---

MELINDA

I’m sorry. It’s just ---

(pauses)

Some things happened and Prue isn’t feeling well and I need to stay here in case she needs me.

LIAM (O.S.)

Isn’t your brother with her?

MELINDA

He is, but she’s my family, Liam.

Liam takes a deep breath.

LIAM (O.S.)

Fine. See you tomorrow?

MELINDA

Sure.

(listens)

I love you.

Melinda hangs off the phone and sits on the bed. Then she calls again. Someone answers from the other side.

MELINDA (CONT'D)

(on the phone)

Hey.

DAMON (O.S.)

Mel? Is everything okay?

MELINDA

Yeah, it was a long day.

DAMON (O.S.)

Right. Tam sent me a photo of you guys wearing leather.

Melinda smiles.

DAMON (O.S.) (CONT'D)

Have you found anything?

MELINDA

Not yet.

(pauses)

Well, just that she has that worried look a daughter has when her mother is in danger.

DAMON (O.S.)

Tell me more about it.

Melinda lies on the bed still on the phone. She smiles and keeps talking.

CUT TO:

INT. HALLIWELL / COOP MANOR – PRUE’S OLD BEDROOM – NIGHT

Jo comes in. She seems tired. She sits on the bed and stares at nothing. She is serious. At that moment, Tamora comes in. Jo looks at her. She is surprised.

JO

Tam?

TAMORA

I saw it. I saw you being hit by that start thing.

Jo stands.

TAMORA (CONT'D)

And damn, or whether you have a cool power there or you’re a Whitelighter.

Jo stares seriously at Tamora.

TAMORA (CONT'D)

And I bet the second option is the one that’s right.

Jo swallows.

TAMORA (CONT'D)

Are you?

Jo and Tam stare at one another.

TAMORA (CONT'D)

Part Whitelighter?

Jo feels like she was caught. She looks at Tamora.

JO

(serious)

Yes.

Tamora smiles sarcastically.

TAMORA

I knew it.

JO

You can’t tell anybody, Tam.

Jo approaches Tamora begging. Tamora stares at her while Jo waits for her to agree to keep it secret.

TAMORA

Are you one of us?

A tear starts rolling down Jo’s face.

JO

Please ---

TAMORA

Just tell me ---

(takes Jo’s hands)

--- Are you one of us?

More tears run down Jo’s face as she nods positively.

JO

I am, but they cannot know. You can’t tell them, Tam.

Both look into one another’s eye.

TAMORA

Is Mel right?

Jo lowers her gaze saying nothing else.

JO

Please ---

Tamora hugs Jo.

TAMORA

I won’t tell them anything.

Jo cries hard in Tamora’s shoulders.

CUT TO:

EXT. SAN FRANCISCO – NIGHT

Footage all over the town at the sound of ‘Kiss You Inside Out’ by Hedley.

CUT TO:

INT. DAMON’S APARTMENT – ENTRANCE – NIGHT

Damon walks towards the entrance door wearing a pajama’s pant only. He is shirtless. He opens the door and ---

DAMON

(surprised)

Mel?

Yeah. Melinda is there. She looks at him and smiles.

DAMON (CONT'D)

What are you doing here?

Melinda looks him up and down. Then she approaches him and jumps into his arm kissing him passionately. Damon is taken by surprise but doesn’t want to stop. With her right foot, Melinda closes the door behind them.

CUT TO BLACK.

END OF THE EPISODE