4x01 - All Halliwells Gathered Together

[Prue Brianna Johnna Halliwell]

DESTINED

'ALL HALLIWELLS GATHERED TOGETHER'

TEASER

OVER BLACK.

FADE IN:

EXT. WOODS - DAWN

ON: BARE FEMALE FEET. Walks. The woman walks slowly. Barefoot on dry leaves. The red clock rubs on the dry leaves.

The camera goes up slowly revealing little by little the person. BEAT. Her skin is pale. Her eyes are green as emerald. Her lips as red as blood.

RUBY is her name. The Red Witch walks looking up at the sky.

ON SKY. The daylight starts showing up timidly. Ruby breaths in and out slowly. She smiles. She raises her arms towards the sky.

RUBY

'Sicut omnis mane ortu solis usque

Ego fortiores resurgant'

Which means: Just like the sun rises every morning, I shall rise stronger.

Ruby smiles. The meow of a cat is heard. Ruby is surprised and looks down to the ground.

ON A BLACK CAT.

Ruby smiles. She lowers.

RUBY (CONT'D)

Oh, little beauty of nature.

She touches the cat's fur.

RUBY (CONT'D)

What are you doing here alone?

Ruby holds the cat in her arms.

RUBY (CONT'D)

I once had one of your kind. 

She caresses the cat's fur.

RUBY (CONT'D)

It was a long time ago. I was still a little girl and it took care of me. It told me not to do the things that I did.

Ruby smiles remembering.

RUBY (CONT'D)

But it was stronger than me.

Then Ruby's gaze turns sad.

RUBY (CONT'D)

And it left. I never saw my dear Mau again.

Ruby looks at the cat and smiles.

RUBY (CONT'D)

But I guess you can be my new Mau.

The cat looks at her straight in the eyes. The cat's eyes are yellow.

RUBY (CONT'D)

Do you like your new name, Mau?

Ruby smiles. She hugs the cat and keeps the smile on her face.

CUT TO:

EXT. SAN FRANCISCO - DAY

Aerial footage over the town.

CUT TO:

INT. WAREHOUSE - DAY

Prue and Melinda come into the warehouse. They seem like they're hunting something.

MELINDA

Are we sure this is the place?

PRUE

Wyatt is sure.

MELINDA

He'd better be. This is the third warehouse we come to.

PRUE

Well, the crystal may be broken.

They walk into it, looking around.

MELINDA

I believe it's not the crystal's fault.

PRUE

What are you trying to say, Mel?

Melinda shrugs.

MELINDA

Oh, you know. You two have been nervous...

Prue stops. She looks at Melinda. Melinda forces a smile.

MELINDA (CONT'D)

I know he has been sleeping in Chris' old bedroom.

(pauses)

And last night, when I got home, I heard you two fighting about babies.

Prue looks aside.

PRUE

We were not fighting.

MELINDA

Oh, really? Because it pretty much seemed like fighting to me.

Prue keeps walking.

MELINDA (CONT'D)

Prue ---

PRUE

It's not the right moment, OK?

MELINDA

(sarcastic)

Oh, of course. You've been married for what? Three years? And it's not the right moment?

Prue turns to Melinda.

PRUE

I won't get a lecture from the woman who's been dating a guy for what? Four, five months. And haven't had the courage to introduce him to her family.

Both stare at one another.

MELINDA

I haven't found the right moment to do it. But it's not the same Prue.

PRUE

Yeah, of course, it's not the same. But still, none of us have found the right moment to do it.

Prue's cell phone rings. She sees who's calling.

PRUE (CONT'D)

It's Wyatt.

(picks up the phone)

What is it?

She seems rough.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt and Damon are there. Wyatt is on the phone.

WYATT

Have you found the demon?

Wyatt also seems rough on the phone. Damon looks at him.

CUT TO:

INT. WAREHOUSE - DAY

Prue is on the phone.

PRUE

No. It seems empty like the past two warehouses we went in to.

Prue looks around.

PRUE (CONT'D)

Are you sure you send us to the right place this time?

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt rolls his eyes.

WYATT

I didn't send you anywhere. You took the spell and the potion from me and I didn't even notice it.

Damon shakes his head in disproval.

CUT TO:

INT. WAREHOUSE - DAY

Prue is getting red. Melinda rolls her eyes.

PRUE

I guess I'm getting pretty good at not being noticed by you, huh?!

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

WYATT

You don't want to start a fight over the phone, do you?

PRUE (O.S.)

(on the phone)

You started!

Wyatt rolls his eyes again.

CUT TO:

INT. WAREHOUSE - DAY

PRUE

It wasn't me!

MELINDA

Prue?

Melinda is looking at something behind Prue.

PRUE

(on the phone)

And I'm not going to fight over the phone. I just want you to be sure this is the right place?

MELINDA

(loudly)

Prue!

Prue looks at Melinda.

PRUE

What?

Melinda points at what is behind Prue. Prue turns around and ---

BEAT. A male demon is there. VOLZOR (looks 35), is serious. He wears a red shirt and black pants. He also wears a long black coat.

Volzor WAVES both his hands and throws Prue against a shelve in the left side and Melinda against a shelve in the right side. Prue's phone falls down the ground.

WYATT (O.S.)

(on the phone)

Prue? Prue?

Melinda lies on her stomach and tries to stand, but her whole body hurts. Volzor walks over Prue who is also lying on her stomach. Volzor stands in front of her body.

He lowers down. Prue raises her head and looks straight towards him. He grabs her.

PRUE

Get off me!

Volzor drags her and leans her up a wall. He grabs her neck and tries to suffocate her. Prue is getting blue. Melinda looks at them. Prue glances at Melinda.

PRUE (CONT'D)

(breathless)

Potion.

Even feeling her own body hurting a lot, Melinda manages to take a potion bottle from inside her pocket. With difficulties, she throws it against where Prue and Volzor are.
The bottle breaks and soon, a red smoke comes from the liquid. Prue is suffocating. The red smoke surrounds the demon. He coughs and releases Prue. Volzor lies down on his knees. Prue also falls down on her knees. She has difficulties in breathing.

MELINDA

The spell.

Prue looks at Volzor.

PRUE

(chanting)

'All the lives you took

All the times you won

All the powers you gathered-

Join all together

Take this evil devil

To a place where no lives he takes

No win he'll know

No powers he'll won'

Soon, Volzor starts being surrounded by red smoke and BLOWS UP. As he blows up, what seems like his blood splashes over Prue. She gets covered in brown blood. She is nauseous. Prue and Melinda look at one another.

MELINDA

I'm hurt.

Melinda shows Prue her right hand covered in blood. Prue tries to take her cell phone and once she gets it ---

PRUE

Wyatt?

(pauses)

We need help!

And that said, Prue faints.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Matt Bomer as Damon

Marisol Nichols as Bianca

Jesen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Shannen Doherty as Prudence Halliwell


Guest Starring

Alex Mauriello as Oracle

Katie McGrath as  Ruby / The Red Witch

Emilie de Ravin as Blanche

Robbie Kay as Alex Trudeau

Ian Somerhalder as Liam

Yuval David as Volzor

Mckenna Grace as Young Girl

Michael Shanks as Angel of Destiny

Unknown actors and actresses as Magic School Students

Unknown actors and actresses as P3 customers

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Aerial footage all over the town at the sound of 'I Will' by Citizen Way.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

No one is there. Wyatt ORBS in holding Melinda in his arms. The girl is awakened. Right after, Prue BEAMS in, still covered in demon's blood, and Damon SHIMMERS in. Wyatt puts Melinda in the couch.

MUSIC FADES OFF.

WYATT

How did this happen?

MELINDA

Your fault.

Wyatt and Prue exchange glances. Melinda has a small cut in her belly.

PRUE

He was very strong. I couldn't breathe.

Wyatt places his hands over Melinda's belly and they'll glow. Wyatt HEALS Melinda. The wound and blood disappear. Wyatt and Melinda stand.

WYATT

(to Prue; worried)

Are you OK?

PRUE

Yes, I am. I just need to take a shower.

WYATT

Next time, don't do that.

Wyatt and Prue stare at one another.

DAMON

(to Wyatt and Prue)

You two don't do that now, OK?

MELINDA

Agree with him.

Prue glances from Damon to Melinda.

PRUE

(to Damon and Melinda)

Oh, you two!

Prue turns to leave.

WYATT

(to Prue)

Prue, I'm not finished!

PRUE

(mad)

I am!

Prue walks out the living room. Melinda leaves the room as well. Damon looks at Wyatt.

DAMON

Are you two still arguing about babies?

Wyatt looks aside.

WYATT

She still refuses to. She believes it's not the right time for it.

DAMON

You've been married for three years. When will be the right moment?

WYATT

Exactly!

Wyatt sits on the couch.

WYATT (CONT'D)

I'm actually glad Chris is returning. Maybe he can talk some sense into that head of hers.

Both stare at one another.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - DAY

Prue comes in followed by Melinda.

MELINDA

Prue, you and Wyatt need to stop that fight.

PRUE

Well, I would stop if he stops talking about babies.

MELINDA

Don't you want babies?

Melinda stares at Prue who lowers her gaze.

PRUE

I do, but ---

Prue looks at Melinda.

PRUE (CONT'D)

It's not the right moment, OK?

Prue takes off her jacket.

PRUE (CONT'D)

And you and Damon, you guys need to get a room.

MELINDA

(surprised)

What?!

PRUE

Oh, yeah. Every time I'm in the same room you two are, I feel like I want to grab you and him.

MELINDA

Wow, Prue!

PRUE

It's true. Remember like a month ago when we went to New Orleans to celebrate Uncle Henry's birthday?

Melinda nods yes.

MELINDA

Yes, in mom's restaurant. Mom was a little blue because Chris and Bianca couldn't make it to the party.

PRUE

Exactly!

(pauses)

You and Damon were so turned on.

MELINDA

No, we weren't. I mean, I wasn't.

PRUE

Yes, you were. I had to drag Wyatt to Aunt Piper's office!

Melinda is open-mouthed.

MELINDA

You did it in mom's office?

PRUE

I had to. We had to.

Prue sits on the bed.

PRUE (CONT'D)

That was actually the last time we did it.

MELINDA

Well, you both did it because you were turned on.

Prue looks at Melinda.

PRUE

No, it was because you and Damon were.

Prue stands.

PRUE (CONT'D)

And now if you excuse me, ---

Prue turns around and suddenly, she feels dizzy.

MELINDA

(rushes to Prue)

Prue, are you OK?

Prue gets straight.

PRUE

Yes, I am.

(pauses)

Now, if you excuse me, I need a cold shower.

Prue walks into the bathroom, slapping the door behind her. Melinda is astonished.

CUT TO:

INT. MAGIC SCHOOL - CLASSROOM - DAY

Charlotte is there teaching like a dozen of teenagers. She writes something on the blackboard:

'WITCHES'

Charlotte turns to the class.

CHARLOTTE

For next class, I want you to write a composition about Witches.

STUDENT #1

Ordinary witches?

CHARLOTTE

You can write anything you want. I just want to know how much you know about the theme. Some of you are witches, some are hybrids. You can talk to your family and write about it.

(pauses)

A full page, OK?

The students nod.

CHARLOTTE (CONT'D)

Now you are dismissed. See you next week.

The students start putting their things inside their backpacks and start leaving the room.

STUDENT #2

See you next week, teacher!

Charlotte smiles. One by one, they leave the room. Once they're all out, Alex comes in.

ALEX

Hey, cous!

CHARLOTTE

Hi, Alex!

ALEX

Sorry, I didn't come to help you this time.

CHARLOTTE

No problem, dear. I know you had a test. Was it OK?

ALEX

Yes, you know The Art of Potions is one of my favorites subjects.

CHARLOTTE

I know.

ALEX

History of Magic is as well.

Charlotte smiles.

CHARLOTTE

You need to be focused this year. It's your last year in Magic School.

ALEX

I know. And I've decided I want to attend the University.

CHARLOTTE

You do?

Alex nods.

CHARLOTTE (CONT'D)

You are a whitelighter, Alex. Full Whitelighter.

ALEX

I know. But I want to do what normal people do.

Charlotte smiles.

CHARLOTTE

What branch?

Alex smiles.

ALEX

I still haven't figured that out.

Charlotte smiles.

CHARLOTTE

Well, you have time for that.

(pauses)

Are you coming to P3’s reopening?

ALEX

Of course, I am. It'll be epic.

Charlotte smiles.

CHARLOTTE

Well, then help me with these tests I need to correct.

Charlotte sits at her desk. Alex pulls a chair and sits across her at the desk.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

FAST MOTION: AERIAL VIEW OVER THE TOWN.

CUT TO:

INT. UNDERWORLD - RED WITCHE'S CAVE - NIGHT

Camera slowly pans the cave. Red fabrics hang on the wall. A very elegant, sophisticated and ancient bed is next to a wall. Red sheets and blanket also red as blood. A big brown bookcase filled with ancient books. A shelf, with a lot of potions and ingredients for potions. Chandeliers are all over the place. Next to a corner is some sort of a stand with a big bowl with wood burning inside. And old heavy cauldron is at the center of the cave and it is filled with a blue liquid.

The Red Witch, Ruby, appears using SPIRALIZATION. She is wearing her red cape and takes off the hood.

ORACLE (O.S.)

What’s the name of the Wizard you stole that power from?

Ruby turns around to face the Oracle who’s standing at the entrance of the cave. Ruby smiles close-mouthed.

RUBY

And old friend of mine.

ORACLE

Friend?

Ruby shoots her a look.

RUBY

Have any news from Volzor?

ORACLE

He was vanquished.

Ruby gets serious and approaches her potion shelf. She opens a cabinet and takes a piece of clay with the shape of a body. She walks towards the cauldron.

ORACLE (CONT'D)

What’s the point in sending demons towards them?

RUBY

Because I need something from them.

ORACLE

(sarcastic)

I knew someone who needed something from them.

Ruby stares at the Oracle.

ORACLE (CONT'D)

His name was Ignatius and his ashes got lost in the Underworld.

RUBY

I don’t need their blood.

Ruby looks at the liquid inside the cauldron.

RUBY (CONT'D)

I just need a strand of hair.

Ruby throws the clay doll into the cauldron.

RUBY (CONT'D)

‘Surge servus certatior mi fide’

Which means: Rise, slave, my royal.

The liquid inside the cauldron begins to bubble. It takes a darker shade of blue. Ruby smiles as she looks at it. The Oracle peeks from far the cauldron.

At that moment, the clay doll jumps from inside the cauldron to the ground and it starts to swell. It swells more and more until it becomes a clay doll of the size of a person. The Oracle steps backward.

The clay doll stops swelling. Then, slowly, it starts becoming a real someone. First the legs: Black pants. Then the arms: black jacket. Then the trunk: A red shirt. And finally: his face. Volzor raises his head. He faces Ruby. Ruby approaches him and smiles wickedly.

RUBY (CONT'D)

You have one. More. Chance.

(pauses)

Don’t waste it.

VOLZOR

I won’t fail this time, Mistress.

Volzor gets on his knees. Then Ruby looks at him with authority. She touches his head.

RUBY

You may go.

Volzor FLAMES out.

ORACLE

Creating demons out of clay!

Ruby looks at the Oracle.

RUBY

I had really good friends with really nice skills.

Ruby gives her back on the Oracle and smiles.

CUT TO:

EXT. HALLIWELL / COOP MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL / COOP MANOR – ENTRANCE / STAIRCASE – NIGHT

Cassandra comes from upstairs. She seems irritated. Charlotte BEAMS in holding her briefcase.

CASSANDRA

I hate him.

(really irritated)

I really hate him!

Charlotte looks at Cassandra.

CHARLOTTE

What happened?

Cassandra looks at her sister.

CASSANDRA

He uploaded a new photo on Facebook.

Charlotte realizes why her sister is so irritated.

CHARLOTTE

Oh, you mean Ben?

CASSANDRA

And his new girlfriend!

Cassandra heads into the living room. Charlotte puts the briefcase on the entrance’s table and heads inside the living room as well.

CUT TO:

INT. HALLIWELL / COOP MANOR – LIVING ROOM – NIGHT

Cassandra sits on the sofa. Charlotte comes in.

CHARLOTTE

Cass, if you still love him, why did you break up with him?

CASSANDRA

I have my reasons.

(stands)

And who said I still love him?

CHARLOTTE

(grimaces)

Your reaction?! Maybe!

Cassandra rolls her eyes and sits on the sofa.

CHARLOTTE (CONT'D)

Cass ---

Charlotte sits beside Cassandra.

CHARLOTTE (CONT'D)

--- Why don’t you talk to me? It’s been two months since you came back from New York. You broke up with him and you haven’t even told us why.

CASSANDRA

I said I had my reasons.

Cassandra looks at Charlotte.

CASSANDRA (CONT'D)

I missed home and ---

Cassandra stands and paces the place.

CASSANDRA (CONT'D)

--- The job proposition I got ---

CHARLOTTE

You change your whole life to be with him in New York.

Cassandra lowers her gaze.

CASSANDRA

I don’t regret it.

CHARLOTTE

(stands)

Great, because you’re changing your life again.

(pauses)

How is it going to be with college?

CASSANDRA

I have it all figured it out. I’ll finish the last semester from here. I can beam for a reason.

CHARLOTTE

If you say so. But remember, if you ever want to talk about what made you break up with him ---

CASSANDRA

(smiles)

I know where you are.

Charlotte smiles. Cassandra looks at her wristwatch.

CASSANDRA (CONT'D)

I need to go. I have charges to take care off.

Charlotte smiles satisfied.

CHARLOTTE

I’m glad you’re taking that serious.

CASSANDRA

I grew up, sis.

Cassandra walks out the living room. Charlotte smiles.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO – NIGHT TO DAY

The silver moon hides while the golden sun appears.

CUT TO:

EXT. CHRIS / BIANCA’S CONDO – DAY

STOCK.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – MAIN BEDROOM – DAY

Wyatt comes in as Prue comes out from the bathroom.

WYATT

Hey! 

Prue looks at him.

WYATT (CONT'D)

What were you doing? Chris and Bianca have entered the building already.

PRUE

I felt ill.

WYATT

(worried)

Are you OK?

Prue nods yes. They look at one another. Then, Wyatt looks around.

WYATT (CONT'D)

This bedroom brings good memories.

Prue looks around as well.

PRUE

Yeah! This room was mine for a long time.

WYATT

Do you regret it?

Prue looks at him.

WYATT (CONT'D)

Moving into the manor?

PRUE

No. That’s we are supposed to be.

WYATT

(steps towards her)

Prue ---

PRUE

Wyatt!

Wyatt stops.

PRUE (CONT'D)

Not now.

They stare at one another for seconds and then Prue walks out the bedroom. Wyatt takes a deep breath.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – LIVING ROOM / DINING ROOM – DAY

Melinda, Charlotte, Cassandra, Tamora, Pandora and Junior are there. A ‘Welcome Back’ banner is hanging. There’s food on the table. Prue comes from the bedroom followed by Wyatt.

PRUE

OK, guys. Let’s get ready.

They all stand in front of the front door. Soon, someone opens the door from outside. They all smile. The door opens and ---

Chris and Bianca come in with their suitcases. The other rejoice. And they all scream:

ALL OF THEM

Welcome home!

Chris and Bianca look at them and smile. They are surprised.

CHRIS

You, guys!

Wyatt and Melinda approach Chris.

WYATT

Welcome back, bro!

Wyatt and Chris hug. Prue approaches Bianca and both hug. Melinda hugs Chris. Then, the rest of them approach Chris and Bianca and hug them.

CHRIS

We were going to leave the suitcases and meet you guys at the manor.

MELINDA

We couldn’t wait.

BIANCA

It’s really nice to finally be back at home.

PRUE

You shouldn't have left in the first place.

CHRIS

Prue ---

PRUE

Just kidding.

TAMORA

I agree. It was supposed to be just a book and you’re almost finishing the second one. My tour in Europe lasted shorter.

CHRIS

I’m actually glad you all are here.

Chris holds Bianca’s hand.

CHRIS (CONT'D)

We have to tell you something.

Chris and Bianca share an accomplished smile.

PANDORA

What is it?

CHRIS

(to Bianca)

You tell them.

BIANCA

No, you tell them.

Chris and Bianca smile. Then they turn to the others. The others are smiling curiously.

CHRIS

(smiles big)

We are pregnant.

Both Chris and Bianca smile big. The others smile. ON: PRUE AND WYATT. Their smile fades off their faces. Wyatt glances at Prue. Melinda heads towards Chris and hugs him.

MELINDA

I’m so happy for you, brother.

Then she hugs Bianca. Wyatt looks at Chris and approaches him.

WYATT

Congratulations, Chris.

They hug. Tamora signs Charlotte to look at Prue who is still serious.

CHRIS

I actually thought that you and Prue would be the first to have kids.

Wyatt glances at Prue.

CHRIS (CONT'D)

Because of the kids we saw when we traveled in time.

Wyatt lowers his gaze. Then, forces a smile and looks at Chris.

WYATT

Things change.

Prue turns around and leaves the room. She heads towards the balcony. Wyatt and Chris exchange glances. Chris is serious. Then Chris heads towards the balcony.

JUNIOR

So, a baby in the family, huh?!

Bianca smiles. Tamora, Pandora, Charlotte and Cassandra approach Bianca and hug her. Junior and Melinda look at Wyatt who is serious.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – BALCONY – DAY

Prue approaches the balcony sill. She looks up at the sky and takes a deep breath. Chris comes from inside the condo. He looks at her.

CHRIS

Prue?

Prue turns to face him. Chris opens his arms.

CHRIS (CONT'D)

Don’t I deserve a hug?

Prue smiles and heads to him. They hug.

PRUE

Congratulations, cous.

They break the hug.

PRUE (CONT'D)

I’m so happy for you.

Chris smiles.

CHRIS

Why don’t I believe you?

Chris and Prue stare at each other.

PRUE

I really am. It’s just that ---

Prue turns around.

CHRIS

It’s you and Wyatt, isn’t it?

Prue lowers her gaze. Chris stands in front of her and holds her hands.

CHRIS (CONT'D)

I thought that by now, those girls we once saw would be here.

Prue looks at him.

CHRIS (CONT'D)

At least one of those girls.

PRUE

Future can change, Chris.

CHRIS

Don’t ask me how I know, but that one we saw can’t.

Prue doesn’t understand.

CHRIS (CONT'D)

What is wrong? Wyatt once told me that you two were trying.

Prue takes a deep breath and approaches the balcony sill. Chris approaches her.

PRUE

We did ---

(looks down)

--- he did.

Prue looks at Chris.

PRUE (CONT'D)

I lied to him. I told him I was not taking the pill, but ---

CHRIS

But you were.

Prue nods.

CHRIS (CONT'D)

Wyatt told me about that.

Prue looks aside.

PRUE

Since then we’ve been fighting. Sometimes, he forgets about it and we are OK, but then he gets back to that matter and ---

CHRIS

You two fight again?

Prue nods.

CHRIS (CONT'D)

What’s the problem, Prue? I thought you wanted kids.

PRUE

I do, but ---

CHRIS

But what?

Prue takes a deep breath.

PRUE

I’m afraid.

CHRIS

Afraid of what?

Prue looks at him.

CHRIS (CONT'D)

Prue, you are the bravest woman I’ve ever known. You are not afraid of anything.

PRUE

There’s one thing I’m afraid of. The only thing I cannot control.

They stare at each other.

PRUE (CONT'D)

Me.

(looks aside)

My evil me.

(looks at him)

It’s like an addiction, Chris.

CHRIS

You’ve been OK for the past two years.

PRUE

Yes, but what happens next time someone offers me the chance to have more power?

(pauses)

What happens next time I become evil?

Prue lowers her gaze.

PRUE (CONT'D)

I couldn’t withstand if I hurt a child of mine.

CHRIS

You couldn’t hurt a child of yours, Prue.

PRUE

Are you sure? Haven’t you seen my evil me?

Prue lowers her gaze again.

PRUE (CONT'D)

I thought that accepting my inner darkness would make it easier to have it under control, but the truth is that I don’t know if I can.

WYATT (O.S.)

Prue!

BEAT. Wyatt is standing there looking at them. Chris looks at Wyatt. Prue turns around and sees him. Wyatt seems shocked.

PRUE

Wyatt!

WYATT

You could have talked to me about that.

PRUE

Honey ---

Wyatt shakes his head and turns around. He leaves the balcony.

PRUE (CONT'D)

Crap!

CHRIS

I’ll talk to him.

Chris heads inside the condo. Prue lowers her gaze.

CUT TO:

INT. CHRIS / BIANCA’S CONDO – LIVING ROOM / DINING ROOM – DAY

The others are still there. Wyatt comes in from the balcony followed by Chris.

MELINDA

Hey, guys! Everything OK?

Wyatt heads out the apartment. Chris looks at the others.

CHRIS

Everything is good!

And Chris heads out the apartment after Wyatt. They look at one another. Then, Prue comes in from the balcony.

BIANCA

(cheerful)

Hey, Prue!

PRUE

I’m sorry, but I need to go.

(to Bianca)

I’m so happy for you.

Prue forces a smile.

BIANCA

You can’t leave now.

Prue looks at her.

BIANCA (CONT'D)

I have something to tell you.

Bianca approaches Prue.

BIANCA (CONT'D)

After Chris, you were the first to embrace me into this family and I would never forget that.

PRUE

I just did what I thought it was right.

BIANCA

I know, and I can never forget. And for that, I must thank you.

The others look at Prue and Bianca.

PRUE

You don’t need to ---

BIANCA

(cuts her off)

Yes, I do.

Bianca touches her belly.

BIANCA (CONT'D)

I wouldn’t trust anyone else to protect my baby.

Prue is surprised.

PRUE

Bianca ---

BIANCA

Would you like to be my baby’s godmother?

Prue is surprised.

PRUE

Do you really want me to be your child’s godmother?

Bianca nods. The others smile. Prue smiles.

PRUE (CONT'D)

Of course, I want. I’m honored.

Bianca smiles and hugs Prue. Then, they separate.

PRUE (CONT'D)

Thank you.

(pauses)

Well, now I need to go. I have to take care of something at P3 before its reopening.

BIANCA

Oh, no, no, no! I have an appointment this afternoon and I need my baby’s godmother with me.

PRUE

Me?

Bianca nods.

PRUE (CONT'D)

But P3 ---

CASSANDRA

Oh, don’t worry. I'll take care of P3 for you.

They all look at Cassandra.

CASSANDRA (CONT'D)

I need to keep my head away from stupid things and what better option than working in P3’s reopening?

Cassandra smiles. Then she takes her bag and heads out.

PRUE

(to Charlotte)

Did her ex-boyfriend post another photo on Facebook?

Charlotte nods.

TAMORA

Has she said what happened between the two of them?

CHARLOTTE

No. She’s not opening up about it.

JUNIOR

Women!

Junior heads towards the entrance door.

JUNIOR (CONT'D)

I need to go. See you later.

Junior heads out the condo.

PANDORA

That’s another one with relationship issues.

They all stare at one another.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. BAY MIRROR – DAY

People coming in and out the building.

CUT TO:

INT. BAY MIRROR – INT. MIRROR’S MAGAZINE – WYATT’S OFFICE – DAY

Wyatt comes in the office and closes the door. The door opens and Chris comes in.

CHRIS

Wyatt, c’mon, talk to me!

Wyatt turns to him. He seems furious.

WYATT

Why didn’t she talk to me?

CHRIS

You know how she is. And she knows how you would react.

WYATT

(loudly)

Chris!

CHRIS

It’s true. You need me to remind you of your reaction every time she becomes ---

Wyatt shoots him a look.

CHRIS (CONT'D)

--- You know what?

WYATT

That’s not the point, Chris.

(pauses)

I know exactly how she feels about that matter.

Wyatt sits down in his chair.

WYATT (CONT'D)

I just wanted her to trust me, man! I’m her husband.

CHRIS

Well, then you must tell her that.

At that moment, Melissa comes in the office, bringing some papers.

MELISSA

Hey, guys!

Melissa looks at Chris.

MELISSA (CONT'D)

(smiles)

You’re back!

Melissa approaches Chris and hugs him.

MELISSA (CONT'D)

I’m so happy. The guy that your brother chose to replace you ---

They separate. Melissa looks at Wyatt.

MELISSA (CONT'D)

--- Well, it’s not you.

CHRIS

Don’t worry. I’m back for good.

MELISSA

So, boss ---

(looks to Wyatt)

Here’s my article for next month’s edition.

Melissa puts the papers on Wyatt’s desk.

CHRIS

(to Melissa)

What are you working on now?

MELISSA

(looks at Chris)

Nothing interesting. Things have been quiet lately.

Chris smiles.

MELISSA (CONT'D)

I need to leave. Nice to see you, Chris.

CHRIS

You too.

Melissa heads out the office. Chris looks at Wyatt.

CHRIS (CONT'D)

Back to what we were talking about ---

WYATT

(cuts him off)

Not now, Chris. I need to have a look at this.

Wyatt takes the papers and starts reading. Chris shrugs.

CUT TO:

EXT. SAN FRANCISCO – SOME AVENUE – DAY

Prue drives her car. Bianca is in the car as well.

CUT TO:

INT. CAR – DAY

Prue drives her car. Bianca seems excited.

BIANCA

I just found out two weeks ago.

Prue just listens.

BIANCA (CONT'D)

We were trying for months, but I guess anxiety made it harder.

Prue forces a smile. Then, Bianca gets even more excited.

BIANCA (CONT'D)

Stop!

Prue locks the car suddenly.

PRUE

(mad)

What?!

Bianca points to something.

BIANCA

There we can find the best ice cream in town.

PRUE

(astonished)

What?

BIANCA

Pull the car.

Prue shoots her a look.

BIANCA (CONT'D)

C’mon, Prue. Do you want your godson to be born with an ice cream face?

Bianca stares at Prue who is still astonished.

PRUE

I ---

Bianca shoots her a look.

PRUE (CONT'D)

(takes a deep breath)

--- Fine.

Prue pulls the car. Bianca gets out of the car fast. Prue rolls her eyes.

PRUE (CONT'D)

So that’s what it is to be pregnant.

Prue gets out the car.

CUT TO:

EXT. ICE CREAM SHOP – DAY

Prue sees Bianca entering the ice cream shop. She nods in disproval. Then Prue looks around. Something calls her attention.

BEAT. Volzor is standing next to an alley.

PRUE

(astonished)

It can’t be!

Volzor shoots her a twisted smile and turns around entering the alley. Prue looks around and then she decides to follow him.

CUT TO:

EXT. SAN FRANCISCO – ALLEY – DAY

Prue walks into the alley. She stops. Volzor is not there. At least, she doesn’t see him at first.

PRUE

Where are you?

Prue doesn’t understand. Then she turns around and ---

BEAT. Volzor is there. Just a few millimeters from her. He reaches out his arm to Prue’s neck. He tightens her neck. Her breath is being cut. Prue’s eyes are wide open. She’s suffocating. Then, Volzor throws Prue against some dustbin. Prue loses her senses.

Volzor approaches an unconscious Prue. He kneels before her and takes a dagger from the back of his pants. He approaches the dagger to Prue’s neck, but right after he approaches it to Prue’s hair and cuts a strand of her hair.

BIANCA (O.S.)

(loudly)

Prue!

Volzor looks back and sees Bianca standing there holding an ice cream. Volzor FLAMES out. Bianca runs towards Prue who reminds unconscious. Bianca lowers down and tries to wake Prue up.

BIANCA (CONT'D)

Prue!

Bianca slaps Prue’s cheek once and twice and nothing. Prue doesn’t wake up.

BIANCA (CONT'D)

My God. Prue!

ON PRUE’S FACE. Her eyes remind closed.

CUT TO:

EXT. SAN FRANCISCO – DAY

Aerial footage all over the town.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL – DAY (MOMENTS LATER)

An ambulance is outside the building.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL – TREATMENT ROOM – DAY

Prue lies on a bed. Bianca and Eric stand there watching her.

BIANCA

Why isn’t she waking up?

ERIC

I don’t know.

Eric looks at Prue.

ERIC (CONT'D)

The demon didn’t hurt her.

BIANCA

He was holding a dagger.

ERIC

Well, physically she is OK. We’ll just wait for the test’s result.

Bianca and Eric exchange glances and then they look at Prue.

CAMERA approaches Prue’s face slowly.

FLASHES TO:

INT. HALLIWELL MANOR – MAIN HALL / STAIRCASE – DAY (INSIDE PRUE’S DREAM)

Prue stands there. She looks around.

PRUE

(calls)

Hello!

(pauses)

Wyatt, are you home?

No answers. Prue seems worried.

PRUE (CONT'D)

Hello!

Some white and bright light comes from the conservatory room. Prue looks at it reluctantly. Slowly she enters the conservatory room.

CUT TO:

INT. HALLIWELL MANOR – CONSERVATORY ROOM – DAY (INSIDE PRUE’S DREAM)

A 10 years old blond girl is there on the floor playing with three dolls. Prue stands at the conservatory room’s entrance looking at her. The little girl seems so sweet. Next to the girl, on the floor, is the Book of Shadows opened in the Dominus Trinus page.

YOUNG GIRL

(to the dolls)

You three need to say the spell to receive your powers.

(to one of the dolls)

C’mon on Phoebe. You say it.

PRUE

Hello!

The girl looks at Prue and smiles.

YOUNG GIRL

You shouldn’t be here.

The girl stands and approaches Prue.

YOUNG GIRL (CONT'D)

You need to get back.

PRUE

Get back to where?

YOUNG GIRL

To where you should be now.

Prue lowers down to get to the girl’s level.

PRUE

Who are you?

The little girl smiles.

YOUNG GIRL

Don’t be silly. You know who I am.

The little girl touches Prue’s face softly. Prue smiles.

PRUE

Will I ever see you again?

The girl smiles.

YOUNG GIRL

Go back. They are worried.

Prue smiles and then ---

THE DREAM ENDS.

FLASHES TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL – TREATMENT ROOM – DAY

ON PRUE’S FACE. Her eyes pop open. Bianca and Eric exchange glances.

PRUE

(painful)

Ouch!

Bianca and Eric approach her.

BIANCA

Prue, how are you feeling?

PRUE

Where am I?

Bianca and Eric exchange glances.

ERIC

In a hospital.

Eric helps her to sit.

PRUE

What am I doing here?

BIANCA

You don’t remember?

Prue looks at them trying to remember.

PRUE

A demon.

Prue grimaces.

PRUE (CONT'D)

Actually, a demon I already vanquished.

(to Bianca)

Why did you bring me here?

BIANCA

Well, because I couldn’t think of anything else. Someone was passing by and saw me and you on the floor and called an ambulance.

ERIC

You were brought here. We ran some tests on you.

PRUE

(surprised)

You did what?

ERIC

You were unconscious.

PRUE

Eric, I’m a witch!

ERIC

Not in here.

At that moment, Wyatt comes in followed by Chris.

WYATT

Hey!

He approaches Prue fast.

WYATT (CONT'D)

(worried)

Are you OK?

Prue turns to Bianca.

PRUE

Did you call him?

Bianca shrugs. Wyatt glances at Chris.

WYATT

(to Prue)

Yeah, I can see you’re OK. Can you tell me what happened?

PRUE

The demon happened.

Eric looks around.

ERIC

Hey, guys! Can you not talk about demons in here?

WYATT

(to Prue)

What demon?

PRUE

Volzor.

(sarcastic)

I guess your spell wasn’t that good.

WYATT

It’s not possible. The spell was in the Book of Shadows.

PRUE

Well, maybe the demon wasn’t Volzor as we thought.

WYATT

I wouldn’t fool myself.

PRUE

Well, you did.

Prue stands.

ERIC

(to Prue)

Wait. Where are you going?

PRUE

I have a demon to vanquish, Eric.

ERIC

Again, that word.

CHRIS

Sorry, Eric.

(pauses)

We should go home and talk about it.

BIANCA

I still have my appointment.

ERIC

(to Bianca)

I can take you there.

Eric looks at Chris and Bianca.

ERIC (CONT'D)

(to Chris and Bianca)

By the way, congratulations to both of you.

CHRIS

Thank you, Eric.

Prue approaches Bianca.

PRUE

(to Bianca)

I’m sorry. My first task as a Godmother didn’t go well.

BIANCA

You’ll have time to be a Godmother to your nephew.

Prue shoots Bianca and Chris a look.

PRUE

Nephew?

WYATT

Is it a boy?

BIANCA

Chris believes it is.

Chris smiles.

CHRIS

I have my reasons. Now let’s go.

(to Bianca)

Honey, do you mind?

BIANCA

I’m the wife of a witch. Actually, I’m a witch. Eric will take me to my doctor.

Eric smiles.

WYATT

Then, let’s go home.

Prue smiles at Eric and then walks out followed by Wyatt and Chris.

ERIC

I guess things are back to normal now.

Bianca smiles.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO – DAY TO NIGHT

FAST MOTION FOOTAGE ALL OVER THE TOWN.

CUT TO:

INT. UNDERWORLD - RED WITCHE'S CAVE – NIGHT

ON: FIRE.

Ruby is next to the wood fire bowl. She’s holding the strand of hair Volzor took from Prue. Volzor and the Oracle are right behind her.

Ruby smiles big.

ORACLE

May I ask why do you need that?

Ruby doesn’t turn to face them.

RUBY

To see.

ORACLE

See what?

Ruby looks at the Oracle over her shoulder.

RUBY

Too many questions.

The Oracle bows and steps back. Ruby turns to the strand of hair and the wood fire bowl. She waves her hand over the fire and the flames rise. Then Ruby throws the strand of hair in the fire. The flames rise even more. Ruby extends her arms to the flames.

RUBY (CONT'D)

Show me. Show me what I neet to see.

Volzor and the Oracle exchange glances. Ruby stares at the flames as she is seeing something beyond the flames. Ruby smiles as she likes what she sees.

Then Ruby waves her hands again and the flames decrease.

ORACLE

Did you see what you wanted to see?

Ruby turns to them.

RUBY

I saw what I needed to see.

ORACLE

And you’re not telling us what was it?

Ruby walks towards the Oracle.

RUBY

C’mon, dear. You’re an Oracle. You tell me.

They both stare at one another.

ORACLE

There are things even I can’t see.

Ruby smiles.

RUBY

Then, why bother? Curiosity killed the cat, dearie.

At that moment, the black cat Ruby found in the woods enters the cave.

ON THE CAT ENTERING THE CAVE.

The cat approaches Ruby’s legs and meows. Ruby lowers down and holds the cat.

RUBY (CONT'D)

But not this cat. Mau will live a long life.

The Oracle stares seriously at Mau, the cat.

ORACLE

Is that a ---

Ruby smiles.

RUBY

It is.

(looks at the Oracle)

I guess it thinks I still need guidance.

Ruby looks at Volzor.

RUBY (CONT'D)

(to Volzor)

You may go. Attack them if you want.

The Oracle looks at Volzor. Volzor bows and FLAMES out. The Oracle stares at the place where Volzor just was. Then the Oracle glances at Ruby.

ORACLE

‘Attack them if you want?’

RUBY

They have the right to vanquish a demon every now and then.

The Oracle is confused.

ORACLE

Then why did you bring him back to life again?

RUBY

Oh, woman!

(irritated)

You are an Oracle.

Ruby walks pass the Oracle. The Oracle stares seriously at the wood fire bowl.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT

The porch’s light is on. Some lights are on inside the house as well.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

ON: BOOK OF SHADOWS – VOLZOR’S INFO PAGE AND VANQUISHING SPELL’S PAGE.

Prue is standing before the book looking seriously at the page. Wyatt, Chris and Melinda stare at her.

PRUE

Yeah, this is the spell.

Prue looks at Wyatt. Wyatt shoots her a look.

WYATT

Did you spell it well?

PRUE

(rolls her eyes)

Of course, I did.

MELINDA

I can’t believe he’s back.

CHRIS

Well, what do we do when a demon comes back?

Wyatt, Prue and Melinda look at him.

CHRIS (CONT'D)

We vanquish him again.

Chris smiles. He seems content. They stare at Chris.

CHRIS

What?

(shrugs)

I missed this.

MELINDA

Good for you. I need a break!

At that moment, Damon comes in.

DAMON

So, I heard the demon is back and a baby is coming.

(to Chris)

Congrats, bro!

CHRIS

(smiles)

Thank you.

Melinda looks at Damon. Both stare at one another for seconds.

PRUE

Oh, not again!

Wyatt looks at Prue.

WYATT

What’s wrong?

Prue starts feeling hot.

PRUE

Hot, hot, hot!

Melinda shoots Prue a look.

CHRIS

I feel normal.

PRUE

(forces a smile)

Well, I’m not.

She heads the attic’s exit.

PRUE (CONT'D)

I need to freshen up.

(turns to them)

Start thinking in a way of vanquishing that demon.

Prue heads out the attic.

CHRIS

Is she OK?

WYATT

Who knows!

Wyatt approaches the Book of Shadows.

WYATT (CONT'D)

Let’s go try to vanquish this demon once and for all.

Melinda glances at Damon. Chris glances from Damon to Melinda and then approaches Wyatt.

CUT TO:

INT. HALLIWELL / COOP MANOR – LIVING ROOM – DAY

Charlotte comes in with two glasses of wine. Eric is sitting on the sofa.

CHARLOTTE

But she’s OK, right?

Charlotte hands Eric one of the glasses and sits beside him.

ERIC

She wasn’t physically injured, but still, we ran some tests on her.

CHARLOTTE

(laughs)

I bet she got mad.

ERIC

(smiles)

You know your sister.

They kiss.

CHARLOTTE

Apart from that, everything normal at work?

Eric has a sip of his wine. Charlotte does too.

ERIC

Yeah. Everything.

Charlotte stares at him.

CHARLOTTE

What about your new colleague?

ERIC

You mean Dr. Dubois?

CHARLOTTE

That one.

ERIC

Honey ---

CHARLOTTE

I’m not jealous, babe.

ERIC

You just don’t like me to talk about her.

Charlotte has a sip of her wine.

ERIC (CONT'D)

I just admire her. She’s a good professional.

CHARLOTTE

OK, fine. Let’s not talk about her.

At that moment, they hear the front door. Someone comes in. Soon, Cassandra enters the living room. Cassandra throws her bag in one of the couches.

CHARLOTTE (CONT'D)

Hey! What’s wrong?

Cassandra looks at them. Charlotte and Eric stare at her.

CASSANDRA

(disguises)

Nothing!

CHARLOTTE

Ex’s issues.

Eric looks at Charlotte who shrugs. Then Eric stands and approaches Cassandra.

ERIC

Cass, why did you break up with him?

CASSANDRA

(mad; at Eric)

You too!

Eric looks at Charlotte looking for support.

CHARLOTTE

Well, Cass ---

(stands)

--- The thing is that your bad mood affects us all.

CASSANDRA

Oh, is that it?

Charlotte and Eric exchange glances and nod yes. They look at Cassandra.

CASSANDRA (CONT'D)

(takes a deep breath)

I’ll be in my bedroom so I don’t bother you with my bad mood.

Cassandra takes her bag furious and leaves the living room. Eric and Charlotte look at one another.

CHARLOTTE

Have we been rude to her?

ERIC

Maybe.

Both Charlotte and Eric have a sip of wine each.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – LIVING ROOM – DAY

Pandora is on the phone with someone.

PANDORA

(on the phone)

Don’t be like that ---

(smiles)

--- I know.

Pandora takes a strand of her hair and curls her hair around her finger.

PANDORA (CONT'D)

(on the phone)

Maybe when you come back to San Francisco. I really can’t wait for you to finish that mission.

(bites her lower lip)

And well, for us to have our first date.

Pandora smiles. Tamora and Junior are standing at the doorway looking at her.

JUNIOR

(whispers; to Tamora)

Is she in love?

TAMORA

(smiles)

They met in the mission she took.

JUNIOR

(sarcastic)

She went to replace her late love and found a new love?

Tamora glances at Junior.

TAMORA

Don’t be like that, bro.

Junior leaves the living room. Tamora shakes her own head in disproval.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR – MAIN HALL – NIGHT

Junior approaches the entry table and takes his motorcycle’s keys. Tamora approaches him.

TAMORA

It’s not because things didn’t work between you and Olivia that you have to dislike love.

Junior looks at Tamora.

JUNIOR

(mad)

I got into a serious relationship with someone who betrayed me, Tam.

Tamora lowers her gaze.

JUNIOR (CONT'D)

I think I have good reasons to dislike love.

TAMORA

Love is one of the best things we have in life.

JUNIOR

Easy for you to talk. Sebastian is loyal to you. But as for me, love means nothing.

Junior turns around and heads the entrance door. He leaves. Pandora comes from the living room.

PANDORA

Is he OK?

Tamora turns to Pandora.

TAMORA

Still suffering.

PANDORA

It was a year ago and he hasn’t moved on.

TAMORA

Well, he never had a serious relationship until Olivia appeared and she ---

They stare at one another.

TAMORA (CONT'D)

--- well, you know the story.

PANDORA

I’m sure he’ll be fine.

TAMORA

I hope so.

(pauses)

Well, I need to go. Sebastian is waiting for me at home.

PANDORA

Home?

TAMORA

His home.

PANDORA

When are you moving there, Tam? You spend most of the time there.

TAMORA

(smiles)

I stay there when Sebastian is in town. That’s all. This one here is my home.

Pandora smiles.

PANDORA

If you say so.

TAMORA

See you tomorrow.

Tamora ORBS out. Pandora smiles.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Chris and Melinda are working on the potion. Wyatt stares at the Book of Shadows which is open is Volzor’s pages. Damon is scrying, he holds the scrying crystal and a dirty female t-shirt. Bianca comes in smiling.

BIANCA

Hello, guys!

They all look at Bianca. Chris stops what he’s doing and approaches her.

CHRIS

Babe! How was at the doctor?

BIANCA

The baby is fine.

Chris smiles and touches Bianca’s belly. Melinda and Damon smile while Wyatt looks serious at Chris and Bianca.

BIANCA (CONT'D)

I’ve prepared dinner for everybody. You all need to be well fed to vanquish demons.

WYATT

We don’t have time, Bianca.

Prue comes in.

PRUE

Hey!

WYATT

(sounds sarcastic)

Are you freshened up already?

Prue smiles sarcastically at him.

PRUE

I am.

Prue approaches Melinda and whispers something to her.

PRUE (CONT'D)

(whispering; to Melinda)

Control yourself.

Melinda shoots her a look.

PRUE (CONT'D)

(to Bianca)

Is my nephew OK?

Bianca nods.

DAMON

Nephew? Is it a boy?

CHRIS

I believe it is.

DAMON

You have visions now?

CHRIS

(smiles)

It’s a feeling.

Chris glances at Prue and Wyatt.

CHRIS (CONT'D)

I believe the first girl of this family will come from someone else.

Prue and Wyatt exchange glances. At that moment, the crystal stops. Damon looks at it.

DAMON

Found him.

Prue looks at the shirt Damon is holding.

PRUE

Is that my shirt?

DAMON

It’s covered with the demon’s blood.

Prue understands.

WYATT

How is that potion going, Mel?

Melinda fills a potion bottle.

MELINDA

Done!

WYATT

Then, let’s go find that demon.

DAMON

Guys?

They all look at Damon.

DAMON (CONT'D)

You haven’t asked where the demon is?

They all exchange glances.

WYATT

Where is him?

Damon puts the crystal and the shirt on the table.

DAMON

Right here!

At that moment, Volzor comes into the attic. ON VOLZOR: he is serious.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR – NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

ON: DAMON IS THROWN ALL ACROSS THE ATTIC.

Damon hits a wall and falls down the floor. Chris looks at Bianca and WAVES his hand.

CHRIS

‘Prescott Street’

Chris uses TELEKINESIS ORBING to orb Bianca out.

CUT TO:

EXT. PRESCOTT STREET – NIGHT

Bianca is orbed in. She looks around and then looks at the manor.

BIANCA

It’s in moments like this that I miss my powers.

She stares at the manor.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – NIGHT

Volzor throws Chris and Melinda across the room. Both fall down the floor. Wyatt WAVES his hand and using TELEKINESIS, throws Volzor against a wall. The demon falls down the floor. Chris, Melinda and Damon try to stand.

WYATT

(to Prue)

The potion.

Prue rushes to take the potion, but it BLOWS. The demon is still on the floor, but manages to make the potion explode. Prue looks at Wyatt. Volzor stands. Prue WAVES her hand and throws the liquid towards Volzor’s feet.

PRUE

(to Wyatt)

The spell!

Wyatt is about to read the spell from the book, but Volzor WAVES his hand again and THROWS Wyatt against some windows. They break and Wyatt flies across the window.

PRUE (CONT'D)

(loudly)

WYATT!

Using TELEKINESIS as well, Volzor tries to pull Prue towards him. Prue resists as much as she can, but it’s hard. Out of a sudden, a PURPLE sphere surrounds Prue and the demon is THROWN against a wall.

Prue reminds inside the sphere. Wyatt ORBS in. Volzor stands and tries to approach them. Chris, Melinda and Damon hide behind a furniture. Wyatt walks towards the demon and ---

WYATT

(powerful)

ENOUGH!

Volzor looks at Wyatt. Wyatt uses his VOICE MANIPULATION power.

WYATT (CONT'D)

Leave my family alone!

Wyatt raises his hands and a POWER SWEEPS THE ROOM, TURNING VOLZOR INTO ASHES, without damaging most of the attic.

Chris, Melinda and Damon are astonished.

DAMON

Great!

The purple sphere that surrounds Prue disappears. Wyatt turns to Prue. Prue looks at Wyatt. She seems astonished.

PRUE

Well done, Love.

WYATT

New power?

PRUE

(confused)

No idea.

Chris, Melinda and Damon approach them.

DAMON

(to Wyatt)

You vanquished the demon without the spell.

MELINDA

The Book of Shadows had a vanquishing spell to vanquish him.

(glances at the others)

I guess they didn’t know Wyatt back then.

Wyatt approaches Prue.

WYATT

About that orb shield ---

PRUE

I don’t know where it came from. Maybe it is indeed a new ability.

Bianca comes in a rush.

BIANCA

Are you guys OK?

They look at Bianca.

CHRIS

Wyatt ended the demon.

Bianca looks at Wyatt.

BIANCA

Nice orb in flying mood!

WYATT

Thank you.

BIANCA

Are you hungry now?

WYATT

I’m starving.

Bianca smiles. Prue feels sick.

PRUE

I’m sorry, guys, I can’t think of food right now. Besides, I need to rest. Tomorrow is a big day for me.

Prue rushes out the attic fast.

BIANCA

What is wrong with her?

Chris, Melinda and Damon exchange glances. Wyatt is serious.

CUT TO:

EXT. SAN FRANCISCO – NIGHT

FAST MOTION FOOTAGE ALL OVER THE TOWN.

CUT TO:

INT. UNDERWORLD – THE RED’S WITCH CAVE – NIGHT

Ruby is holding Mau, the cat. She’s sitting on her bed and caresses the cat’s fur. Ruby smiles. The Oracle enters the cave.

ORACLE

Volzor was vanquished.

(pauses)

Again.

RUBY

He was already in the afterlife when I brought him the first time.

ORACLE

You are not going to bring him back again?

Ruby stands and nods no.

RUBY

He served his purpose.

ORACLE

To bring you a strand of Prue’s hair.

Ruby paces the cave holding Mau.

ORACLE (CONT'D)

You are really patient, Ruby. In two years, you’ve moved slowly.

RUBY

(smiles)

I’ve waited for more than that. What are two years compared with thirteen centuries?

The Oracle lowers her gaze.

RUBY (CONT'D)

I spent a long time hiding.

Ruby gets serious.

RUBY (CONT'D)

Afraid and powerless.

Ruby puts Mau on the floor. The cat jumps on the bed.

RUBY (CONT'D)

Back then, when I was defeated, I never thought I could be as powerless as I was.

(pauses)

I served a few wizards and I learned a lot from them. But still thought that I had lost what matters the most to me.

Ruby looks at the Oracle.

RUBY (CONT'D)

My powers.

(smiles)

And then Darkness came to Earth and what he did ---

(her eyes shine)

--- What he accomplished ---

(smiles)

--- And finally, I started feeling it again.

The Oracle is serious.

RUBY (CONT'D)

My powers.

Ruby smiles mysteriously.

ORACLE

Your powers are not the only thing that matters to you.

Ruby looks at her. The smile fades from her face.

ORACLE (CONT'D)

She matters too. The one who defeated you.

(curious)

You never saw her again?

RUBY

I will meet her again.

(serious)

Then, I’ll have my revenge.

Ruby seems sure of that. She’s serious. Then approaches the bed. Mau approaches Ruby and she caresses the cat’s fur and smiles.

CUT TO:

EXT. SAN FRANCISCO – NIGHT TO DAY TO NIGHT

The moon sets and then the sun rises. The sun sets and the moon rises in the sky again.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL – ERIC’S OFFICE – NIGHT

Eric is on his computer. Someone knocks the door.

ERIC

Come in.

A blond woman wearing a doctor's cape comes in. BLANCHE (30’s) smiles. She brings a folder.

ERIC (CONT'D)

(stands)

Doctor Dubois! What a surprise!

BLANCHE

Dr. Sullivan!

ERIC

What brings you to my office?

BLANCHE

I decide to bring the tests we ran on that friend of yours.

ERIC

Prue’s tests? 

Blanche nods yes.

BLANCHE

I think you’ll want to have a look at them.

Blanche hands Eric the folder.

ERIC

Anything wrong?

Blanche smiles.

BLANCHE

Have a look at it.

Eric is serious. He looks at the folder and opens it. He starts reading what the tests say. Eric is open-eyed. He looks at Blanche.

ERIC

Is this right?

Blanche nods yes and smiles. Eric smiles. They stare at one another.

CUT TO:

EXT. P3 – NIGHT

The reopening night. Many people try to enter the new P3.

CUT TO:

INT. P3 – DANCING FLOOR / BAR / STAGE – NIGHT

The camera paces the bar. Still the same but with renovated furniture. It looks modern and full of light.

The club is crowded. The D.J. plays some music. People dance and admire the place. A few bartender walk through the crowd.

Prue, Melinda, Tamora and Bianca are at the bar preparing some drinks and cutting fruit. They are smiling.

MELINDA

This is going well.

TAMORA

People were desperate to have P3 back.

PRUE

It was two long years, but it’s finally opened.

BIANCA

(to Prue)

Can I have my job back?

Prue smiles.

PRUE

You’re pregnant.

BIANCA

I can work.

PRUE

Then the job is yours.

Bianca smiles. Cassandra, Charlotte and Pandora approach the counter.

PANDORA

Do you guys need help?

MELINDA

Always.

Melinda puts some drinks on the trays.

MELINDA (CONT'D)

Customers need to be served.

Cassandra and Pandora take a tray each and walk away.

PRUE

(to Charlotte)

Where’s Eric?

CHARLOTTE

He’ll come later. He had to stay working late tonight.

Prue smiles. On a corner, we can see some known faces. Piper, Phoebe, Paige, Leo, Coop and Henry are there.

PAIGE

I thought I’d felt older in the middle of young people.

PIPER

Don’t you?

Paige nods.

PAIGE

No way, grandma!

Phoebe and Piper smile.

PHOEBE

(excited)

I can’t wait to be a grandmother too.

COOP

You need to be patient, Phoebe. Prue doesn’t like to be pushed.

PIPER

(sarcastic)

Not kidding!

LEO

Guys, there’s time for that.

HENRY

Yeah, let them enjoy their life the way they want.

PAIGE

Agree.

At that moment, Prudence approaches them.

PRUDENCE

This is the first time I take one of my children to one of these places.

PHOEBE

Oh, c’mon, sis. He is young.

LEO

You were young once.

PIPER

If I remember well, you used to sneak out through the window.

PRUDENCE

(pretends to be shocked)

I did not.

Piper and Phoebe exchange glances.

PHOEBE

(to Prudence)

You did.

LEO

Where’s Andy?

PRUDENCE

He stayed at home with the kids.

They keep talking as the music keeps playing. On the dance floor, Melissa is dancing with a male friend. She seems to be having fun.

Back in the bar, the girls keep preparing drinks.

PRUE

I have to announce the band.

CHARLOTTE

Who are they?

PRUE

A new band in town. They play music we all know.

Prue comes from behind the counter towards the stage. She signs the D.J. to stop the music. He does.

Wyatt, Chris, Junior and Alex are on a table.

CHRIS

Prue is going to announce the band.

ALEX

Good. Can’t wait for it.

They smile.

PRUE

(on the microphone)

Hello, everybody!

The people rejoice.

PRUE (CONT'D)

Welcome all to the new P3.

A man, LIAM (31) comes in. Melinda sees him coming in.

MELINDA

(to Bianca and Tamora)

I’ll be right back.

Melinda heads out from behind the counter and approaches Liam. He smiles charmingly.

MELINDA (CONT'D)

You came!

LIAM

I’m happy you invited me.

Melinda smiles big.

Damon approaches Chris, Wyatt and Junior while staring and Melinda and Liam.

DAMON

Who’s that?

The guys look at Melinda and Liam.

JUNIOR

Maybe her new boyfriend.

Damon doesn’t like it. Junior stands and pats Damon’s shoulder.

JUNIOR (CONT'D)

Yeah, women!

Junior has a sip of his drink. Wyatt and Chris exchange glances.

PRUE

Please welcome the Good Fellows!

A group of two men and two girls come in the stage and the music starts. Prue comes down the stage. The band starts playing a music well known: All About Us from the T.A.T.U.

Prue smiles. Wyatt looks at her and stands. He approaches her. Prue looks at Wyatt.

WYATT

Everything looks good.

Prue smiles.

PRUE

Can we talk?

WYATT

You should have talked to me before, Prue.

Prue lowers her gaze.

WYATT (CONT'D)

I do understand your fears. But I don’t understand why you don’t trust me.

PRUE

Honey ---

WYATT

Let’s enjoy tonight. We talk tomorrow.

They stare at one another.

The music keeps playing.

CUT TO:

INT. P3 – PRUE’S OFFICE – NIGHT

Prue comes into her office. She seems worried. Prue looks up.

PRUE

I know I don’t have the right to, but ---

(takes a deep breath)

--- I need answers.

(pauses)

Please!

Prue closes her eyes. At that moment, an Angel of Destiny SPARKLES in. The same one that preceded Prue and Wyatt’s wedding. Prue opens her eyes and looks at him. The Angel of Destiny smiles.

ON PRUE: SHE SMILES.

CUT TO:

INT. P3 – DANCING FLOOR / BAR / STAGE – NIGHT

Wyatt stands there looking at the band. Chris approaches him. Wyatt looks at Chris.

CHRIS

When you said that you know exactly how she feels ---

WYATT

--- I feel the same, Chris. I fight my desire for power each day and one of the things I fear the most is to turn the evil version of me.

CHRIS

You should talk to her.

Chris pats Wyatt’s shoulder.

CUT TO:

INT. P3 – PRUE’S OFFICE – NIGHT

Prue smiles. The Angel of Destiny and Prue stare at one another.

PRUE

(surprised)

You came!

ANGEL OF DESTINY

You asked me to.

Prue smiles.

ANGEL OF DESTINY (CONT'D)

What is it, child?

PRUE

I need to know.

The Angel of Destiny is serious. Prue’s smile fades off.

PRUE (CONT'D)

Am I made to be a mother?

ANGEL OF DESTINY

You saw your destiny once.

PRUE

I know, but future can change.

ANGEL OF DESTINY

What is destined to be, will be.

PRUE

But will I be a ---

The Angel of Destiny approaches her.

ANGEL OF DESTINY

You know the answer, Prue. You just have to see it in your heart.

(smiles)

You will be a good mother to your children.

Prue smiles. A tear runs down her face.

PRUE

(smiles)

Thank you.

The Angel of Destiny touches her face and smiles. Then, the Angel of Destiny SPARKLES out. At that moment, Prue’s phone rings. She dries her tear and looks for it in her bag. She looks at the phone’s screen.

PRUE (CONT'D)

Eric?!

Prue answers the phone.

PRUE (CONT'D)

(on the phone)

Hey!

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL – ERIC’S OFFICE – NIGHT

Eric is at his desk, on the phone. Prue’s tests are in front of him.

ERIC

Hey, Prue!

PRUE (O.S.)

(on the phone)

What’s up?

ERIC

I’ve got your tests.

Eric takes the papers.

CUT TO:

INT. P3 – PRUE’S OFFICE – NIGHT

Prue is on the phone.

PRUE

Anything wrong with them?

ERIC (O.S.)

(on the phone)

No. On the contrary. I think is good.

PRUE

Eric, what is it?

It is notorious that Eric takes a deep breath.

ERIC (O.S.)

You’re pregnant.

Prue is astonished.

PRUE

I’m what?

ERIC (O.S.)

You’ll be a mom.

Prue smiles.

PRUE

A ---

(wordless)

--- a mom?

Prue smiles big.

ERIC (O.S.)

Congratulations, Prue.

Prue smiles happily.

PRUE

Thank you.

Prue hangs off the phone. She is astonished, but happy. At that moment, Wyatt comes in.

WYATT

Love, we need to talk.

Prue looks at him. Wyatt approaches her.

WYATT (CONT'D)

I know I’ve been hard on you lately, but I ---

PRUE

(cuts him off)

I’m pregnant.

Wyatt looks at her. He is astonished.

WYATT

What?

PRUE

(smiles big)

I’m having a baby.

Prue touches Wyatt’s face.

PRUE (CONT'D)

We are having a baby.

Wyatt can’t believe it.

WYATT

Are you sure?

Prue nods yes. A tear starts running down Wyatt’s face.

WYATT (CONT'D)

(emotional)

I’m gonna be a father?

PRUE

You’re going to be a dad, Wy!

Wyatt smiles big. He touches Prue’s belly.

WYATT

Hey, little baby.

Prue smiles. Wyatt looks at her. He kisses her.

WYATT (CONT'D)

I’m the happiest man on Earth. I love you.

Prue smiles big. They kiss again.

Slowly, the image fades off.

CUT TO BLACK.

END OF THE EPISODE