4x24 - A Charming Sacrifice

[Prue Brianna Johnna Halliwell]

DESTINED

'A CHARMING SACRIFICE'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the town at the sound of ‘Moment of Truth’ by CYN. Some landmarks can be seen as the camera wanders around all the town.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

MUSIC FADES OFF.

ON THE CAULDRON LEFT BY PRUE - It is on the table. Beside it is the note.

There are Chris, Bianca, Jo, Matt, David, Melinda, and Damon. These two are wearing normal clothes ALREADY. All of them are staring at the cauldron.

CHRIS

So ---

(pauses)

--- Prue left it?

Melinda nods.

MELINDA

It’s her handwriting.

CHRIS

But how?

JO

The Unbreakable Promise is broken now.

MATT

Nothing ties her to do what she wants against Ruby.

BIANCA

Can she go against Ruby? I thought only Blanche could defeat her.

MATT

And she is, but what I mean is what she couldn’t do in my time she can do it now.

CHRIS

Okay. So, what do we do with it?

MELINDA

I’ll get to it. I need to find out which ingredients she used and make it work in our favor.

CHRIS

Do that. But how Prue and Wyatt will come back to normal?

ON JO - She is serious.

JO

I think I know how.

And just like that, she turns around and leaves the attic. They look at her.

BIANCA

Why didn’t she share?

DAVID

I’ll talk to her.

Matt stops him.

MATT

No. Let me.

Matt walks out of the attic. The others exchange glances.

FLASHES TO:

EXT. HALLIWELL MANOR - NIGHT - 2061 - FLASHFORWARD

STOCK.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT - 2061 - FLASFORWARD

Posie stands before Tamora, Cassandra, and Junior.

JUNIOR

Are you sure of what you saw?

POSIE

Why would I lie?

TAMORA

Honey, your powers ---

POSIE

They are coming all together now that I’m here.

At that moment, Pandora ORBS in before Posie.

PANDORA

Posie Amelia Mitchell!

Posie looks at her mother. Pandora looks older but her brown hair is still long.

PANDORA (CONT'D)

What the hell are you doing here?

TAMORA

Apparently, doing what we all were supposed to do all those years ago.

Pandora turns around and looks at Tamora.

PANDORA

Sis!

TAMORA

Nice to see you.

Pandora looks at Junior.

PANDORA

Brother.

JUNIOR

It was about time you showed up.

All three hug one another.

PANDORA

I couldn’t. You know the rules of our agreement. 

Pandora looks at Posie.

PANDORA (CONT'D)

Which my own daughter broke.

CASSANDRA

She’s here to fight, cous.

Pandora looks at Cassandra.

CASSANDRA (CONT'D)

Prue is dead. There are no rules right now. We are fighting.

PANDORA

I can’t.

TAMORA

Yes, you can. The more the merrier.

PANDORA

But Wyatt ---

JUNIOR

Wyatt is lost and our girls were made prisoners.

TAMORA

And your daughter has the ability to go to the plan of the dead and Prue herself talked to her.

PANDORA

(surprised)

What?

POSIE

It’s true, mum.

At that moment, Chris ORBS in bringing Ella.

CHRIS

Dead end.

They all look at Chris. Chris sees Pandora.

CHRIS (CONT'D)

(surprised)

Pan?

Pandora smiles.

PANDORA

I came to bring my daughter back home.

POSIE

I’m not going. Period.

Pandora and Posie stare at each other.

JUNIOR

(to Chris)

They won’t help us?

CHRIS

No one will bring Prue back from the dead.

POSIE

We don’t need to. We need to fight. She told me.

ELLA

Who?

POSIE

Aunt Prue.

They all stare at Posie seriously.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - NIGHT - 2061 - FLASFORWARD

In a cell are Phoenix, Peyton, and Victoria. The three girls seem tired and they are a bit dirty.

PEYTON

I’m so hungry.

VICTORIA

Me too.

PHOENIX

We need to be strong, girls.

PEYTON

Yeah, but no one has come to say what they want from us.

PHOENIX

I’m sure they want nothing from us, but from dad.

VICTORIA

What would they want from dad?

Phoenix looks at her sister.

PHOENIX

It’s probably just Uncle Wyatt. A way to bring Aunt Prue back.

PEYTON

That’s impossible.

PHOENIX

Not quite.

AISLING (O.S.)

You’re right.

They see someone standing before them outside the cell. All three girls stand.

PHOENIX

The Oracle.

AISLING

Smart girl.

PHOENIX

What are you doing here?

AISLING

I came to ask you the same question.

Phoenix, Peyton and Victoria exchange glances.

AISLING (CONT'D)

Those cells ---

(pauses)

--- Only Halliwells can open it. From the outside, apparently, but auntie Prue was the smartest Clairvoyant I’ve ever seen and she made sure before leaving what was supposed to do.

(smiles)

So, what are you waiting for?

Phoenix stares seriously at Aisling. Then she looks at the locker and WAVES her hand.

ON LOCKER - It opens.

Phoenix looks at Aisling.

PHOENIX

How did you ---?

AISLING

Auntie Prue had visions. She was smart too. It’s not just a coincidence your second name was taken after her.

(pauses)

Her blood is the same that runs in all of you, girls, blood.

Phoenix, Peyton, and Victoria look at Aisling.

AISLING (CONT'D)

The end for us is near, but a new era will start. It all depends on the Charmed Ones.

All three look at Aisling a little bit confused.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Emilie de Ravin as Blanche

Robbie Kay as Alex

Alex Mauriello as Aisling (Oracle)

Matt Lanter as Matt

Nina Dobrev as Patience

Alexandra Chando as Peri

Andrew J. West as David

Michelle Trachtenberg as Phoenix

Colton Haynes as Pierce

Jennifer Morrison as Ella

Zoey Deutch as Peyton

Addison Timlin as Posie

Tiera Skovbye as Victoria

Elliot Villar as Jordan

Chris Wood as Ethan

Abigail Spencer as Serena

Dove Cameron as Michaela

John Barrowman as Christopher

Unknown actors and actresses as Demons

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. PRESCOTT MANOR - DAY

The security demons are standing there.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY

Wyatt is by the round table having a glass of wine. Ruby is by his side having a glass of wine too.

RUBY

Everything is going as planned, Your Majesty.

Wyatt has a sip of his wine.

WYATT

Prue?

RUBY

Her Majesty is getting ready. She got curious to know what surprise you have for her.

Wyatt smiles.

OFF TO THE DOORS - They are opened by the servants and Prue comes in walking at peace wearing just a short red dress.

Wyatt and Ruby look at her. It has to be said that both of them seems surprised.

RUBY (CONT'D)

Prue?! Wearing red?

Prue approaches them and shots Ruby a despicable look.

PRUE

Not matter why or how but red looks so much better in my than you, Ruby dear.

RUBY

As you say, Your Majesty.

Prue approaches Wyatt and kisses him passionately as Ruby stares at them. Then they stop kissing and look deeply into each other’s eyes.

WYATT

I can see you are in a good mood today.

PRUE

I am. But I’m not happy with the fact you came late to bed last night. 

(looks at Ruby)

What was so important that made you leave me ---

(looks at Wyatt)

--- Alone?

Wyatt and Ruby exchange glances. Then he looks at Prue.

WYATT

Well, you know I was looking for Jannes, right?

Prue nods yes.

WYATT (CONT'D)

Well, it’s over. Jannes is gone for good.

Prue fakes a smile.

PRUE

Really?

WYATT

Our family can rest. That Wizard won’t hurt us anymore.

PRUE

Great.

RUBY

Also ---

Wyatt and Ruby exchange glances.

RUBY (CONT'D)

His Majesty has another thing to tell you.

PRUE

Which is?

Prue looks at Wyatt.

WYATT

All Firestarters have come.

PRUE

Really?

WYATT

Even ---

Wyatt points to the entrance where Michaela stands wearing a black leather set of pants and top.

PRUE

(surprised)

Michaela?!

Wyatt smiles.

WYATT

Isn’t it great?

Wyatt signs Michaela to approach them and she does. Once before them, Michaela bows and then looks at them.

WYATT (CONT'D)

Michaela will be trained to play the part she is destined to.

PRUE

The Leader of the Firestarters.

Wyatt and Ruby seem surprised.

RUBY

I can tell that Her Majesty knows more than she shares.

Prue shots Ruby a glance.

PRUE

I don’t want this woman here.

WYATT

Why?

PRUE

Why?!

OFF TO PERI AND PATIENCE - They come in.

PERI

She kills Aunt Melinda in our time.

Peri and Patience walk towards them. They look at them. Peri and Patience stand by Michaela one at her right and the other at her left.

MICHAELA

I’m sure I was just following orders.

WYATT

Orders from who?

PATIENCE

From you, dad. Aunt Melinda was an accident.

PERI

But she got her punishment.

RUBY

Girls?

Peri and Patience look at Ruby.

RUBY (CONT'D)

Please, keep somethings about the future to yourself.

Prue turns to Wyatt.

PRUE

Can we talk in private?

Wyatt nods. Prue takes his hand and drags him out of there.

PERI

We also need to talk to you, Ruby.

Ruby nods and then looks at Michaela.

RUBY

Please, Michaela, get back to your training.

Michaela nods, turns around and leaves. Once she’s gone, Ruby stares at the twins.

RUBY (CONT'D)

What is it, girls?

PERI

We need to get back to our time.

PATIENCE

ASAP.

PERI

Great. You just have to take Jo and the rest of the crew with you.

PATIENCE

We have a better idea.

Ruby waits for an answer.

PERI

Jo must die.

Ruby is surprised, but smirks at the same time.

RUBY

I must confess that I like that idea.

Peri and Patience exchange glances and somehow it seems like they are communicating between themselves.

CUT TO:

INT. PRESCOTT MANOR - THRONE’S ROOM' BACKROOM - DAY

This room is small, it has a desk and a chair behind it. It is decorated with modern furniture in black and white colors and there are some paintings from well-known artists.

OFF TO THE BLACK DOOR - It opens. Wyatt comes in followed by Prue. Wyatt closes the door as soon as Prue is inside.

Prue turns to Wyatt.

PRUE

Jannes?

Prue is serious. Wyatt stares at her.

PRUE (CONT'D)

Was it really necessary?

WYATT

Of course, it was, darling.

Wyatt walks past Prue and sits on his chair as Prue turns around and stands before him across the desk.

WYATT (CONT'D)

It was.

They stare at each other.

WYATT (CONT'D)

It was a desire from the time we were both good.

PRUE

Jannes couldn’t do anything to us.

WYATT

Yeah, but he tried to. Have you forgotten that he kidnapped you on the day you gave birth to our firstborn?

PRUE

I haven’t. And if you must know he told me about Ruby. We cannot trust her.

Wyatt stands, a little bit caught by surprise as he hears that.

WYATT

Why are you talking that way about her?

PRUE

That’s the only way I can talk about her.

WYATT

Prue, you must not ---

PRUE

Because I’ll die?

They stare at each other seriously.

PRUE (CONT'D)

Do you know who Michaela is?

WYATT

The Leader of the ---

Mad, Prue puts her hands on the desk as she keeps staring seriously at Wyatt.

PRUE

She'll kill Melinda.

WYATT

It was an ancident, you heard our daughters.

PRUE

It wasn't.

Wyatt swallows.

WYATT

How do you know that?

PRUE

How do I know things, Wyatt? 

Both stare at each other.

PRUE (CONT'D)

I saw it. When I was good. She turned us what we are because she wanted to have revenge on her own sister.

WYATT

Stop, Prue. You don’t know what you’re saying.

Wyatt walks towards her. As he approaches her, he makes her face him. Their faces are close to each other.

WYATT (CONT'D)

We made a promise, remember?

Prue swallows.

WYATT (CONT'D)

I cannot lose you, so don’t do anything stupid.

He kisses her softly, but Prue steps back breaking the kiss. Wyatt shots her a look.

WYATT (CONT'D)

We are what we always wanted to be.

PRUE

Are we? I remember being afraid of this person I’ve become.

WYATT

(out loud)

I am not!

Wyatt takes a deep breath.

WYATT (CONT'D)

I don’t care about the past. I just care of the now. The power we have.

(smirks)

The world has fallen to our foot. And I like it.

Wyatt stares at her.

WYATT (CONT'D)

Will you tell me you won’t?

Prue and Wyatt stare at each other for seconds. Then Prue approaches Wyatt and kisses him passionately. The kiss is full of lust and anger. Then, they break the kiss and look at each other.

PRUE

You are right. We are Love and Power.

WYATT

Love and Power.

Prue smiles.

PRUE

I’m sorry if I overreacted. It’s just that sometimes Ruby has the ability to get me on my nerves. And her constant advices ---

WYATT

She’s thinking about what’s best for us. 

Wyatt takes her face between his hands.

WYATT (CONT'D)

She gave us everything.

PRUE

Yeah, you are right. But what we do with what she gave us is our choice, right?

They stare at each other.

PRUE (CONT'D)

Right?

Wyatt nods. Then Prue puts her arms around his neck hugging him as strongly as she can.

PRUE (CONT'D)

I love you so much.

WYATT

I love you too.

Both keep hugging each other.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - PRUE & WYATT’S BEDROOM - DAY

ON A PHOTO FRAME - It shows Prue and Wyatt happy on their wedding day. The frame is on one of the side tables.

Sitting on the edge of the bed, is Jo. Her eyes are red and she stares at nothing at all. Just there sitting and thinking. Thinking as she has realized something she must do.

Then she turns to the photo and not thinking twice, she takes the frame and looks at it.

ON PHOTO FRAME - A drop of tear hits the glass.

JO

I would do anything to have the life I always wanted to.

Jo’s eyes are even redder than before.

JO (CONT'D)

I need to do it. I understand now what she meant.

SOUND - A KNOCK ON THE DOOR.

Jo doesn’t answer.

OFF TO THE DOOR - Matt peaks inside and spots Jo right away.

MATT

Why did I think you would be here?!

Jo doesn’t turn to him. Matt comes in and closes the door behind him.

MATT (CONT'D)

Jo?

JO

(sobbing)

I have to do it, Matt. I understand now.

Matt walks towards her and sits beside her. He looks at the photo and then at her. Then Jo looks at him. Her eyes are full of tears. An ocean of tears screams to come out.

MATT

Jo!

Not thinking twice, Matt hugs Jo strongly.

JO

I know what I have to do to save them, Matt.

MATT

I don’t understand. How can you know if we don’t have the answers yet?

(pauses)

What is it that you know that we don’t?

Jo breaks the hug and stares at the photo.

JO

We didn’t know it before because I didn’t come here before.

(looks a Matt)

But I came now.

MATT

You are not making any sense, cous.

JO

What is the thing that brings Prue or Wyatt from the evil side? All the stories we were told about how dad saved mum and mum saved dad when they became evil separately?

Matt thinks for a while.

MATT

The love for each other.

Matt looks at Jo.

MATT (CONT'D)

Uncle Wyatt brought Aunt Prue back when Leah turned her and Aunt Prue did the same with Uncle Wyatt when Leah did the same to him.

JO

And it was dad who brought mum back from Darkness.

MATT

Yeah, I know. But now ---

JO

Now they both are evil.

MATT

Yeah, so how are we supposed to do that?

JO

Not us.

Jo swallows. Matt stares at her not understanding.

JO (CONT'D)

It was never us, Matt. Not our family. Not our friends. Not even an evil Prue who’s good is still inside.

MATT

I don’t understand what you’re saying, Jo.

JO

It’s me.

Both stare at each other. Jo wipes out her tears.

JO (CONT'D)

I am the person they love the most in here. In this time.

MATT

Jo ---

JO

I am the product of their love.

MATT

You and your sisters.

JO

Yeah, we sisters three.

Jo puts the frame on the side table. She keeps staring at her.

JO (CONT'D)

They must do it.

MATT

Do what, Jo? You are not making any sense.

Then Jo looks at Matt.

JO

Kill me.

Matt seems caught by surprise.

JO (CONT'D)

And they must do it. 

(pauses)

I must sacrifice myself to bring them back to the good side.

ON MATT - He is astonished.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT - 2061 - FLASHFORWARD

In the room are Chris, Ella, Tamora, Pandora, Junior, Cassandra, and Posie. Chris, Ella, and Pandora seem astonished.

CHRIS

(to Posie)

Are you telling us that Prue contacted you?

ELLA

Dead Aunt Prue?

POSIE

I’ve never met her but I know it was her. Besides, ---

(shrugs)

--- She told me.

PANDORA

It could be a trick. At this time Wyatt must know that the agreement was broken once you are here.

POSIE

They didn’t see me, mum.

Posie is getting nervous.

POSIE (CONT'D)

They must have forgotten that I exist.

TAMORA

Apparently, they didn’t.

They all look at Tamora.

TAMORA (CONT'D)

I mean, if Prue found a way to get in touch with Posie.

ELLA

But it doesn’t make any sense. Why Posie? Why not one of us? We could understand what she wants us to do.

POSIE

I already told you.

(pauses)

There’s a hidden door. She’ll show me the way.

PANDORA

She won’t because you are coming back with me.

POSIE

(mad)

Mum ---

Posie takes her hands to her hips.

POSIE (CONT'D)

I’m a grown-up. I can make my own decisions.

TAMORA

You can’t complain, Pan.

Pandora looks at her twin sister.

TAMORA (CONT'D)

She’s like you when you were her age.

PANDORA

I’ve grown up, Tam. I’ve seen things ---

TAMORA

We saw things too.

Tamora raises her tone. Then she swallows.

TAMORA (CONT'D)

I have to live away from Sebastian because the only chance for him to have a life was to go Up There and stay safe. I see him once a year.

Pandora lowers her gaze.

TAMORA (CONT'D)

Junior lost Melissa because she was speaking the truth. Mum is also Up There. Dad is dead. The others ---.

Some tears start coming from Tamora’s eyes.

CASSANDRA

We saw Aunt Piper die.

TAMORA

And Uncle Leo too.

Tamora walks towards her sister and stands before her.

TAMORA (CONT'D)

We’ve seen things too, Pan. And know the weapon we were waiting for is here.

Pandora looks at Tamora.

TAMORA (CONT'D)

Hope.

Both sisters stare at each other for moments. Then Pandora looks at them all. A tear comes from one of her eyes.

PANDORA

I was afraid.

Pandora looks at Posie.

PANDORA (CONT'D)

I never wanted to stop you from being who you are, but I had to protect you and your father.

Pandora glances around.

PANDORA (CONT'D)

I’m so sorry, I wasn’t here when you more needed me.

JUNIOR

You are here now, sis.

CHRIS

It’s up to you if you decide to stay or not.

Pandora looks at Posie who shots her a smile.

PANDORA

Your father is going to kill you.

POSIE

No, he won’t. We are changing this world.

Pandora wipes out her tears.

PANDORA

I need to hug you guys.

(looks at them all)

I've missed you a lot.

JUNIOR

We missed you too.

Pandora looks at Tamora. Tamora gives her a tiny smile.

TAMORA

You’re back now.

And both sisters hug each other tightly. The others smile.

PANDORA

Count me in. I want to fight.

ON POSIE - She smiles big as a tiny tear comes out as she looks at her mother and aunt hugging.

FLASHES BACK TO:

EXT. PRESCOTT MANOR - DAY - PRESENT DAY

Some security demon guards are standing there.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - DAY

ON PERI - She glances around and then turns around and walks away.

She walks towards Patience and Aisling who are on a corner.

PERI

No one is coming.

AISLING

Good!

(pauses)

So, did you girls talk to the Red Witch?

PATIENCE

She bit the bate.

Aisling smiles.

PATIENCE (CONT'D)

But, Oracle, we still can’t understand that plan of yours. We always tried to get our sister into our side not to kill her.

PERI

Mum and dad would kill us if we do.

(sarcastic)

Our dear, sister.

AISLING

(to Peri)

There’s no time for you to have jealousy of your eldest sister.

PERI

I’m not jealous of her. I just don’t like her superiority way of being.

AISLING

She is her parents’ daughter, darling. I’m afraid that’s a trait the three of you share.

Peri and Patience exchange glances.

AISLING (CONT'D)

Now, back to what matters.

Aisling turns to Patience.

PATIENCE

She loved the idea.

PERI

We convinced her that as much as it was hard for us to do it, we would prevent her to come back again and again until she finds a way to undo what’s done.

PATIENCE

She even suggested for us to kill her as a baby, but we say we wouldn’t.

AISLING

She believed you for real?!

PATIENCE

Completely.

PERI

Why?

Aisling turns to Peri.

PERI (CONT'D)

Why it has to be her to sacrifice herself? Why do we have to sacrifice her?

AISLING

Because she is the product of true love.

PATIENCE

Are you saying we are not?

Aisling smiles and touches their faces.

AISLING

Can’t you see the big picture here?

Aisling looks from one to the other.

AISLING (CONT'D)

The three of you are sacrificing yourselves. It’s not only Jo.

PATIENCE

But the idea is to kill her so mum and dad ---

AISLING

(cuts her off)

And what about you?

(pauses)

We are changing the future by risking the three of you into this confrontation.

PATIENCE

Are you saying that we won’t come to exist?

Aisling looks at them seriously taking her hands back from their faces.

AISLING

I’m sure that somethings cannot be changed and if the two of you are some of those things then faith will find a way to make it happen.

PERI

But we won’t be evil?

AISLING

(to Peri)

Don’t you love them, Peri?

Peri lowers her gaze.

AISLING (CONT'D)

Or do you love evil more?

Peri raises her gaze and looks at Aisling.

PERI

I don’t know why, but the love for my parents IS larger than life and evil itself.

Aisling smiles. Patience holds her sister’s hand.

ON BOTH SISTERS’ HANDS HOLDING.

PATIENCE

We’ll do it. No matter what. I don’t want to go back to where mum is not alive.

PERI

I don’t want that either.

Aisling smiles big.

AISLING

Then, for the first time, the third generation of Charmed Ones will be working together.

Peri and Patience exchange glances.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. PRESCOTT MANOR - HALL OF DOORS - DAY (SHORTLY AFTER)

Prue comes from the Throne Room and runs into Aisling. Prue seems upset and almost doesn’t notice Aisling.

AISLING

Your Majesty?

Prue looks at Aisling.

PRUE

Aisling?!

AISLING

You seem disturbed. Is there anything wrong?

Prue is serious.

PRUE

Jannes is dead.

Aisling is surprised.

AISLING

Already?

PRUE

Did you see it coming?

Aisling nods yes.

AISLING

I tried to make him give up and join the Halliwells sooner to stop Ruby.

PRUE

Yeah, she must be stopped.

AISLING

What?

Aisling is surprised as she hears that.

PRUE

I don’t know why, and I don’t know how, but I feel that I need to stop her. It’s stronger than me.

AISLING

(smirks)

Of course, it is.

Prue notices the smile on Aisling’s face.

PRUE

What do you know, Oracle?

AISLING

I know that you can and you must do whatever it takes to stop Ruby.

Prue doesn’t understand.

AISLING (CONT'D)

Don’t worry about the Unbreakable Promise.

PRUE

What did you do, Oracle?

AISLING

Trust me, Your Majesty.

Both of them stare at each other.

CUT TO:

EXT. HALLIWELL MANOR - DAY

ON THE MANOR.

MATT (O.S.)

I can’t believe what you’re thinking!

CUT TO:

INT. HALLIWELL MANOR - STAIRCASE / MAIN HALL / DINING ROOM - DAY

Jo comes downstairs followed by a mad Matt.

MATT

You cannot be serious.

JO

I’ve never been so serious in my whole life, Matt.

David comes from the dining room and runs into Jo.

DAVID

Babe!

Jo stares at David for moments and then hugs him tightly. David doesn’t understand. He looks at Matt as Jo keeps hugging him. He hugs her back.

MATT

(to David)

You tell her that she’s doing the wrong thing.

DAVID

What wrong thing?

Jo and David break the hug.

JO

I’m sorry, honey, but ---

DAVID

Does it have something to do with the ---

(quoting Jo)

‘I think I know how’?

Jo looks at him and nods. David looks at Matt and then back at Jo.

DAVID (CONT'D)

(waiting for an answer)

So?

MATT

She's giving her life for it.

David is astonished.

DAVID

What?

JO

(to Matt)

Don’t say it like that.

MATT

No? So, how do I say what you’re about to do?

JO

I am ---

Jo takes a deep breath.

JO (CONT'D)

--- Sacrificing myself to save my parents.

DAVID

Jo, that’s ---

He is wordless. Then he takes Jo’s face between his own hands.

DAVID (CONT'D)

You can’t do that.

JO

It’s not that I want to.

(pauses)

I have to.

MATT

It was the Oracle who told you that. You don’t know if you can trust her.

JO

(mad)

I can. I know I can.

Jo turns around while Matt and David exchange glances. Jo takes a deep breath and then turns around and looks at them.

JO (CONT'D)

Please, understand me.

CHRIS (O.S.)

I do.

Jo turns around again and Chris is standing at the conservatory’s room doorway.

JO

Uncle, Chris!

CHRIS

I have dreams. They are not more than that, but I have them. I never shared too much about it with anyone, because it was something that for me it never truly happened, but I do remember to have the same feeling.

(pauses)

I would give my own life to bring my brother back to good.

Jo and Chris stare at one another.

CHRIS (CONT'D)

(a tear runs down his face)

Once I even felt the blade and the blood. The pain.

JO

Uncle, Chris ---

CHRIS

If you feel like you must do it ---

Chris walks towards her and takes her hands between his own.

CHRIS (CONT'D)

--- Then, you do it.

MATT

Dad, we are talking about Jo killing herself.

DAVID

I can lose you, Jo.

Jo doesn’t turn to them, but both Jo and Chris keep staring at each other.

JO

You won’t. Not truly, because the future will be changed.

Chris nods yes.

JO (CONT'D)

(to Chris)

Thank you, Uncle Chris.

CHRIS

Don’t thank me. I would do the same. I did the same. Kinda, but did.

Both of them hug each other.

OFF TO MELINDA AND BIANCA - They come from the dining room and stare at them.
Matt and David exchange glances.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - DAY

VIEW AT THE BRIDGE.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

Melissa is there walking from a side to another. She seems worried.

OFF TO ALEX AND JUNIOR - They come.

Melissa spots them coming in and rushes to them.

MELISSA

So?

ALEX

We can’t find her.

JUNIOR

She must be gone.

MELISSA

We need to tell the others.

OFF TO DAMON - He SHIMMERS in.

DAMON

It is confirmed. Jannes is truly death.

They look at Damon.

DAMON (CONT'D)

I’ve been down in the Underworld and it’s confirmed. I’m heading to the manor now and let the others know.

JUNIOR

Tell them Michaela is gone too.

Damon is surprised.

DAMON

What?

Melissa nods.

ALEX

We’ve been looking for her all night long.

JUNIOR

I just took my eyes from her to go to the bathroom.

MELISSA

It’s not your fault, honey.

DAMON

(surprised)

Honey?

MELISSA

Oh, c’mon, Damon, we know you and Mel are back so don't give us funny eyes.

DAMON

How do you ---?

Damon shakes his head.

DAMON (CONT'D)

You know what? Forget it. I’ll be in the manor.

And Damon SHIMMERS out.

JUNIOR

So? What now?

MELISSA

I’m gonna check on Ivana.

Alex and Junior nod yes. Melissa walks out of the room. Alex and Junior look at each other.

ALEX

We must keep hoping that we are close to finding a solution for this.

JUNIOR

I have hope.

Alex forces a smile. Despite all the worries that they have, there’s a tiny hope seen in their faces.

CUT TO:

EXT. WOODS - FRANCE - DAY

The trees form a circle surrounding the Dark Tower which is invisible.

CUT TO:

INT. DARK TOWER - ROOM - DAY

There is not much light in it.

ON A CORNER - Blanche lies there. Her white clothes are dirty. She seems defeated.

ON BLANCHE’S EYES - Her blue eyes show emptiness.

BLANCHE

Keep hoping.

Breaths in slowly.

BLANCHE (CONT'D)

Keep hoping.

ON BLANCHE’S EYES - She closes them and a tear runs down her face.

BLANCHE (CONT'D)

For mum and dad, keep hoping.

She opens her blue eyes.

CUT TO:

EXT. CUPID’S TEMPLE OVER THE MEDITERRANEAN SEA AT THE COASTLINE OF ITALY - DAY

VIEW AT THE CUPID’S TEMPLE.

CUT TO:

INT. CUPID’S TEMPLE - CUPID’S ROOM - DAY

The sky outside is gray and little bright comes into the room. CUPID’S BOW, now grey, is there.

OFF TO THE HEAVY DOOR - It opens and Prue comes in.

She looks at the bow. Prue is serious. She closes the door behind her and approaches the bow. She extends her hand and touches it.

PRUE

I know you will punish me for this.

(smirks)

If I ever get to go back to good.

Prue takes a deep breath.

PRUE (CONT'D)

I can’t let Ruby win. I can’t.

She takes her hand from the bow.

PRUE (CONT'D)

I know I’ve done bad things. I’m evil ---

(pauses)

--- But there is something inside of me that keeps fighting. And now is stronger than ever.

Prue looks up.

PRUE (CONT'D)

I don’t know if you can hear me, but if you can, know that what I’ve done, I’ve done it for a good reason.

Prue smiles sarcastically.

PRUE (CONT'D)

I’ve been evil before! A Shadow Witch. Darkness’ Fiancé. And now ---

(stops smiling)

--- Queen of All Evil and the New Cupid in charge.

Prue swallows.

PRUE (CONT'D)

I’m sorry.

Prue looks at the bow and turns around, leaving the room.

ON THE BOW - It remains grey.

CUT TO:

INT. PRESCOTT MANOR - LIBRARY - DAY

Ruby is sitting at her desk just thinking.

SOUND - A KNOCK ON THE DOOR.

RUBY

Come in!

OFF TO THE DOOR - A demon comes in.

DEMON #1

Sorry to bother you, Ruby.

RUBY

What news do you have for me?

DEMON #1

Jordan and Ivana haven’t been found.

RUBY

(mad)

Dammit!

DAMON #1

There’s more.

RUBY

More?

DEMON #1

Cassandra Halliwell handed her resignation letter yesterday. An assistant just came to hand it over to the Source in person.

RUBY

(stands; surprised)

What?

DEMON #1

He has commanded me to summon you to his presence.

RUBY

Tell him I’ll be right there.

The demon nods and leaves the room.

RUBY (CONT'D)

Cassandra, Cassandra. You must have done something to Jordan and Ivana.

OFF TO THE DOORS - They open, but this time Peri and Patience come in.

RUBY (CONT'D)

What do you girls want?

PERI

Have you thought about what we told you earlier?

Ruby walks past her desk and approaches the twins.

RUBY

Do whatever you want to your sister. It will be a Halliwell I won’t have to worry about for a while.

PATIENCE

We can lure her saying that we are on her side.

RUBY

A lie, of course.

PATIENCE

Sure.

RUBY

Then, do it, and make sure mummy and daddy know nothing about that plan of yours. Then if you can take that Matt and your sister’s boyfriend to the future with the two of you.

PERI

That’s what we intend to do, Ruby.

RUBY

Good.

(pauses)

Now, if you excuse me, your father is waiting for me.

Ruby walks past the twins and leaves the room. Peri and Patience look at each other.

FLASHES TO:

INT. PRESCOTT MANOR - DUNGEONS - HALL OF CELLS - NIGHT - 2061 - FLASHFORWARD

Aisling comes from the room where the cell that Phoenix, Peyton, and Victoria where kept. Aisling glances around, then she signs someone to follow her.

AISLING

(whispering)

No demons around.

Phoenix, Peyton, and Victoria come from the cell.

PHOENIX

(whispering)

What about Pierce?

PEYTON

Yeah, he has come here a lot to check on us.

AISLING

He must be upstairs with the Source.

PHOENIX

What does he want with us?

Aisling looks at the girls.

AISLING

He wants to bring Prue back no matter what. So, he thinks that keeping you three here would make your parents try everything to do so.

VICTORIA

But she’s dead.

AISLING

(sarcastic)

Tell me something I don’t know.

(takes a deep breath)

She didn’t want this. She knew what she was facing.

PHOENIX

How are we going to leave this place?

AISLING

Leave? No one is leaving.

Phoenix, Peyton and Victoria exchange glances.

AISLING (CONT'D)

Everybody is coming in.

PHOENIX

But ---

AISLING

No buts, girls. We need to meet the others.

PIERCE (O.S.)

What the hell?!

They all turn around and see Pierce staring at them.

PIERCE (CONT'D)

What are you doing out of the cell?

AISLING

Okay, girls. Who wants to knock him off?

Phoenix steps forward.

PHOENIX

It’ll be my pleasure.

Phoenix stares at Pierce and, channeling her powers through her eyes, she uses TELEKINESIS to throw him flying through the air.

Pierce is caught by surprise. He hits the roof and falls on the ground unconscious.

AISLING

(to Phoenix)

He is still your cousin, you know that, right?

Phoenix turns to Aisling.

PHOENIX

He didn’t appear at his mother funeral.

Aisling smiles.

AISLING

No hands, huh?

PHOENIX

As you said, it’s not just because I got my second name from one of the most powerful witches of all times.

Aisling smirks.

AISLING

Let’s go get the others in.

Aisling turns around and all the girls follow her. They walk in the opposite direction from the known exit of the dungeons.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT - 2061 - FLASFORWARD

There’s not much light on the street and not even in the manor.

OFF TO CHRIS - He ORBS in bringing Ella followed by Tamora, Pandora, and Junior who ORB in as well. Then Cassandra BEAMS in as Damon SHIMMERS in.

They exchange glances.

PANDORA

Where’s Posie?

OFF TO POSIE - She ORBS in as well and seems dizzy.

POSIE

Wow!

Pandora approaches her daughter and grabs her before she faints.

PANDORA

Yeah, the first-time orbing.

(to Posie)

Are you okay?

Posie gets her colors back and nods.

POSIE

Yeah.

CHRIS

So, how do we go in?

OFF TO PRUE - She stands besides Posie.

Posie looks at her.

POSIE

Aunt Prue?

They all look around, but they can’t see Prue. Only Posie can.

PRUE

The dungeons. There’s a hidden door.

Posie turns to the others.

POSIE

There’s a hidden door. They lead to the dungeons.

DAMON

The dungeons? That place? She’s kidding, right?

Posie looks at Prue who shakes her head.

PRUE

You must go in. The others are waiting.

POSIE

Who?

Prue smiles.

PRUE

I had twenty-five years to plan this without even knowing what I was planning.

(pauses)

Follow me.

Posie turns to the others.

POSIE

We must follow her.

(corrects herself)

I mean. Follow me while I follow her.

They all nod in agreement, then Posie starts following Prue who walks away. The others exchange glances and then follow Posie.

FLASHES BACK TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY - PRESENT

Wyatt is pacing the room. He seems worried about something. Michaela stands still with her arms behind.

OFF TO THE DOORS - They open. Ruby comes in and walks at pace.

Wyatt looks at her and stops. He looks at her.

WYATT

(mad)

Can you explain to me what the hell happened to Jordan and why did Cassandra quit her
job?

RUBY

I have reasons to believe that Jordan was vanquished and Cassandra took Ivana.

WYATT

What?

RUBY

Don’t worry, Your Majesty, that means nothing. They can’t do anything.

WYATT

Can’t they?

RUBY

This changes nothing.

Wyatt and Ruby stare at each other.

WYATT

My daughters?

RUBY

They are doing what they are supposed to get your eldest and the others back to their time.

WYATT

I just wanted to confirmed with them if this is something that can change the future.

RUBY

I’m sure it won’t.

Michaela steps forward.

MICHAELA

Your Majesty, if you allow me.

They look at Michaela.

MICHAELA (CONT'D)

They must have taken this girl Ivana to Magic School.

WYATT

I can’t get into Magic School.

Wyatt turns to Ruby.

WYATT (CONT'D)

Assure me, Ruby, that no matter what, I won’t lose my power.

Ruby smirks.

RUBY

I’m going to share a secret with you, Wyatt.

Wyatt pays attention.

RUBY (CONT'D)

I’m planning to erase the memories of others about me.

WYATT

Why?

RUBY

Because no one can remember who I am. And now, I mean even your wife cannot know who I really am.

WYATT

Why’s that?

RUBY

Because in the future she draws a plan against me and to stop all this.

Wyatt is truly serious.

WYATT

Prue wouldn’t ---

RUBY

She will.

Wyatt swallows. Ruby looks at Michaela.

RUBY

She will punishS Michaela with death because she will be the one putting an end on Melinda’s life.

Wyatt glances at Michaela and then back to Ruby.

RUBY (CONT'D)

The potion is ready. It took me months to get it done. The water system would be the perfect way to distribute it. Even Prue has to drink it and only you can make her.

WYATT

That would be plotting against my wife.

RUBY

Would you want to risk her life?

Wyatt and Ruby stare at each other seriously. Wyatt takes a deep breath.

WYATT

(decided)

Do it!

Ruby smirks.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Melinda and Charlotte are there working on the potion Prue left. They take samples from the cauldron.

CHARLOTTE

Eric should be here right now.

MELINDA

No rush. This must take time.

Charlotte looks at Melinda.

CHARLOTTE

Do you really believe this can work out?

Melinda smiles and turns to Charlotte.

MELINDA

Charlie, in the future we all lose our memories. Right now, we have the potion that would do that in our hands.

(smiles big)

Future is changing.

CHARLOTTE

And Jo? Does she really need to sacrifice herself to bring them back?

Melinda’s smile fades off her face. She lowers her gaze. Then she looks at Charlotte.

MELINDA

Sometimes, we must lose to win.

Both stare at each other for moments.

OFF TO CASSANDRA - She BEAMS in bringing Eric. Eric carries a bag.

Melinda and Charlotte look at them.

ERIC

Here.

(he shows them the bag)

Scientific instruments will help us to decipher what that potion contains.

MELINDA

Let’s get to work then.

Eric puts the bag on the table and both Eric and Cassandra start taking things out of it.

Melinda shots Charlotte a smile full of hope.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris, Bianca, Matt, and David are there as well as Jo.

JO

(to David)

You must understand. Please, honey.

DAVID

(shattered)

I’m not ready to lose you. You cannot expect me to accept that my fiancée is going to surrender and die.

Jo lowers his gaze.

MATT

There must be another way.

CHRIS

There is not.

BIANCA

Chris!

CHRIS

It’s true. It makes sense.

Chris takes a deep breath.

CHRIS (CONT'D)

It hurts now that I know for sure that she’s my niece, but what brings Prue and Wyatt back to the good side is the love they have for each other. And now that both are evil, it’s the same.

Chris looks at Jo.

CHRIS (CONT'D)

She’s the product of that love.

MATT

This is insane.

CHRIS

Insane will be the future you all told us about.

JO

Uncle Chris is right. You must understand and let me do this.

DAVID

No!

JO

David ---

OFF TO AISLING - She SHIMMERS in.

They all look at her.

BIANCA

What are you doing here?

CHRIS

Who the hell are you?

(pauses)

Wait ---

Chris remembers something.

AISLING

Yes, I was there.

MATT

Where?

BIANCA

She’s the Oracle.

CHRIS

And she was working for Gadreel too.

Aisling smiles.

AISLING

Don’t worry. I’m on your side now.

CHRIS

Now?

AISLING

Well, I’ve put my life on Prue's hands so I want her to turn back to what she really is.

(pauses)

A good person. A good witch.

BIANCA

How did you shimmer in?

Aisling smirks.

AISLING

Sorry, dear Bianca, I can’t tell you my story.

Aisling turns to Jo as Jo stares at her.

AISLING (CONT'D)

Have you figured out yet what you are supposed to do?

ON JO - She is serious.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over the town.

CUT TO:

INT. CUPID’S TEMPLE - MAIN SQUARE - DAY

Patience DARK BEAMS in bringing Peri. Peri looks around.

PERI

This is too much pinky.

PATIENCE

I know. The future we know hasn’t fully arrived here turning it into a dark place.

PERI

I can tell. Where’s mum?

PRUE (O.S.)

Girls?

Peri and Patience turn around and look Prue who approaches them.

PRUE (CONT'D)

What are you doing here?

Prue looks at Peri.

PRUE (CONT'D)

Per, Dark Whitelighters ---

PERI

Are not allowed to walk in here. I know. You’ve made the rule yourself as your predecessor made the rule that no Whitelighters are allowed.

(smiles)

I’ve learned history at Magic School. Don’t worry.

PRUE

Then what are you both doing here?

PATIENCE

I’m a Dark Cupid. I can come in.

PRUE

(sarcastic)

Should I reformulate the question?

PATIENCE

No need, mum.

Patience and Peri exchange glances. Then they look at Prue.

PATIENCE (CONT'D)

We came because we wanted you to know that we love you.

Prue doesn’t understand where that comes from.

PERI

No matter what?

PRUE

I love you too, but ---

PERI

You don’t love us yet. I know you’ve got weeks to know us, but you don’t love us, mum.

PATIENCE

At least, no yet.

PRUE

Girls ---

PATIENCE

You didn’t carry us for nine months.

PRUE

Yet. But I will.

Peri and Patience exchange glances, then they look at Prue again.

PERI

(disguising)

Of course, you will. And once you do, I know you’ll love us.

(smiles sarcastically)

I never even thought I would say that word so many times.

PRUE

What word?

PERI

Love.

Both stare at each other.

PRUE

I don’t know where that comes from, but I love you yes.

Prue looks at Patience.

PRUE (CONT'D)

Both of you.

Peri and Patience smile.

PATIENCE

I hope you don’t forget about us.

Prue is not understanding them.

PRUE

What’s going on?

At that moment, both Peri and Patience hug Prue tightly. Prue is surprised, but she hugs them back.

PERI

I love you, mum.

PATIENCE

I love you, mum.

ON PRUE - She’s serious as her daughters keep hugging her.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY DAY - DAY

Melissa and Alex are there sitting by a table. Melissa seems to be supporting Alex.

ALEX

I just miss them. My parents, my brothers.

MELISSA

It was a brave choice you made to stay behind.

Alex smiles.

OFF TO THE ENTRANCE - Junior comes in holding his smartphone and looking at the screen.

JUNIOR

You, guys, won’t believe this.

Alex and Melissa look at him as Junior looks at them.

JUNIOR (CONT'D)

Jo is thinking about sacrificing herself.

Alex and Junior stand.

MELISSA

What?

JUNIOR

She thinks that’s the only way to get Prue and Wyatt back.

ALEX

And is it?

Junior shrugs.

JUNIOR

I don’t know. I should be heading to New Orleans to let the others know.

ALEX

I can do that.

JUNIOR

Seriously? You won’t mind?

ALEX

This is my family too.

Alex ORBS out. Junior takes a deep breath. Then, Junior and Melissa look at each other.

MELISSA

You should be there too.

JUNIOR

I won’t leave you alone.

Melissa smiles.

MELISSA

I’m not alone. I was left in charge of Ivana, remember?

JUNIOR

Still.

(pauses)

I’m staying.

Junior walks towards Melissa and holds her hands between his.

MELISSA

I am happy to have you here.

Junior smiles.

JUNIOR

Does this mean that we ---?

MELISSA

Are official?

Junior nods.

JUNIOR

Why not?

Junior smiles and both kiss each other softly. Then they break the hug. Melissa touches Junior’s face softly. Suddenly, his expression changes and it’s replaced by a sad one.

MELISSA

What happened?

Junior lowers his gaze for a few seconds and then looks at her.

JUNIOR

Something is in my mind for the past days. Mostly after what happened with Melinda.

MELISSA

Which is?

JUNIOR

I’m not a true Warren. The powers I have were a gift from the Elders so I could become a Destined One.

MELISSA

So?

JUNIOR

Why good and evil fought inside of me?

MELISSA

Maybe because all your powers are linked to each other.

JUNIOR

Still. If that was the case, I should have become a warlock or a darklighter.

(pauses)

I didn’t. I fought it.

Melissa is thoughtful.

MELISSA

I know who your birth father is, but what do you know about your mother?

Junior shakes his head.

JUNIOR

Not much. Just what Christopher told me.

MELISSA

Maybe it is time we have a chat with Christopher.

JUNIOR

I can’t. I don’t know where he is. Since all this started, I haven’t been able to locate him.

Melissa seems surprised.

MELISSA

Why didn’t you say so?

JUNIOR

I just ---

Junior is serious.

JUNIOR (CONT'D)

It was too much and it wasn’t important.

MELISSA

Of course, it is. He is your birth father.

JUNIOR

But ---

MELISSA

(cuts him off)

Go and look for him. Find him. He must be needing you.

They both stare at each other for seconds.

JUNIOR

You are probably right. I should be able to feel him, right?

Melissa nods.

JUNIOR (CONT'D)

Thank you.

Melissa smiles. Both kiss and then Junior ORBS out. Melissa takes a deep breath.

MELISSA

Now, I’m here. Magic School.

Melissa glances around.

MELISSA (CONT'D)

Maybe I can start my research. But first, let me check on Ivana.

Melissa walks out of the library.

CUT TO:

EXT. OLD MERCER’S MANOR - DAY

The house that once belonged to the family of Christopher Mercer is now abandoned. Covered by creeping plants and falling into pieces.

CUT TO:

INT. OLD MERCER’S MANOR - LIVING ROOM - DAY

Inside, the scenario doesn’t seem different.

OFF TO CHRISTOPHER - He is sitting in a corner and seems like he is in pain.

CHRISTOPHER

(covering his face)

I am not evil. I won’t give in.

ON CHRISTOPHER - Some tears come from his eyes.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

There are still Chris, Bianca, David, Matt, Jo, and Aisling.

DAVID

Isn’t there another way?

Aisling looks at David.

AISLING

No. That’s the only way.

David lowers his gaze. Jo approaches David and holds his hands.

JO

Honey!

David looks at her. His eyes are wet.

JO (CONT'D)

I’m sure that we will find our way to each other. You taught me that, remember?

Aisling looks at them and smiles. David nods.

DAVID

I just thought we were going back to our time together.

Both Jo and David hug each other.

DAVID (CONT'D)

I love you so much.

Tears start coming from David’s eyes. Bianca turns to Aisling and walks towards her.

BIANCA

How can we trust you and this mad plan?

AISLING

(smiles)

You don’t have too. But I can give you a piece of advice.

Bianca and Aisling stare at each other.

AISLING (CONT'D)

Somethings aren’t supposed to change. We just have to learn to accept them. No matter where we are.

BIANCA

What does it mean?

Matt looks at them.

AISLING

You will understand.

David and Jo break the hug. Jo turns to Aisling. Jo’s eyes are wet as well.

JO

What now?

AISLING

Now I let your mother know what is your sisters' plan. Well ---

(pauses)

--- Part of it.

JO

Are you sure we can trust Peri and Patience?

AISLING

My dear, they are sacrificing themselves too. This is a job only the three of you can do.

Jo nods.

JO

I never looked at them as my sisters, but now I feel like I can lose them too.

Aisling lowers her gaze. Then she looks at them.

AISLING

I will let you know when everything is ready.

Jo nods.

OFF TO JUNIOR - He ORBS in.

JUNIOR

I need help.

Junior glances around and his glance stops at Aisling. She smiles.

AISLING

He is at his old house. He is fighting his family legacy. He needs you.

JUNIOR

What are you ---?

And just like that, Aisling SHIMMERS out. Junior is speechless. He turns to the others.

JUNIOR (CONT'D)

Who was that?

CHRIS

The Oracle.

Junior looks at the place where Aisling just was and thinks. Then he looks at the others.

JUNIOR

I must go.

(looks at Jo)

If I don’t see you again ---

JO

You will. I’m a baby remember?

Junior smiles. Then he ORBS out. The others exchange glances.

CUT TO:

EXT. PRESCOTT MANOR - DAY

Security demons stand there.

CUT TO:

INT. PRESCOTT MANOR - HALL OF DOORS - DAY

Ruby comes from the Throne Room and almost jumps into Prue.

RUBY

(bowing)

Your Majesty!

Prue looks her up and down.

PRUE

Don’t you have any other capes, Red Witch?

Ruby smiles sarcastically. The two servants by the Throne Room’s doors exchange glances.

RUBY

I have many, Your Majesty.

Ruby looks Prue up and down too.

RUBY (CONT'D)

Red suits you well too.

At that moment, Prue WAVES her hand and the red dress she’s wearing turns into black. Prue smiles.

PRUE

Black suits me better.

Ruby bows.

PRUE (CONT'D)

What were you doing there? Where’s Wyatt?

RUBY

He’s having a small conversation with Michaela about her duties now. I’m afraid I must leave. I have some matters to take care of.

Ruby bows and walks past Prue who turns around.

PRUE

Red Witch?

Ruby stops, grimaces and turns around.

RUBY

Your Majesty?

PRUE

I’m not a fool. You know that, right?

RUBY

If I thought you were, I would never try to turn you into who you are.

Prue smiles sarcastically.

PRUE

Yeah, you better.

Prue signs her to leave. Ruby walks away as Prue watches her leaving and Aisling walks in. Ruby almost runs into her and keeps walking. Aisling looks at her and grimaces, then she spots Prue and approaches her.

AISLING

Prue ---

PRUE

What is it?

AISLING

I’ve been looking for you for a while now.

PRUE

I was at Cupid’s Temple.

AISLING

Giving orders?

PRUE

Doing more than that. What’s going on?

Aisling takes a deep breath.

AISLING

Your daughters ---

PRUE

The twins?

Aisling nods.

AISLING

I’ve heard a conversation between them and I must confess I didn’t like it.

Prue shots her a look.

AISLING (CONT'D)

Can we speak privately?

Prue glances at the servants and then turns to Aisling.

PRUE

Fine.

Both women walk out of there and into a room. The servants exchange glances.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - DAY

Wyatt is sitting in his throne chair while Michaela stands in front of him.

WYATT

I want you to have full control of your powers.

MICHAELA

I’ve been learning how to control them in Magic School, Your Majesty.

WYATT

Good, but there are good teachers at the Academy who can train you better. You are supposed to become the person in charge of the Firestarters’ Department.

MICHAELA

As you wish, Your Majesty.

They both stare at each other.

MICHAELA (CONT'D)

What about your sister?

WYATT

The future is in the future, Michaela. Of course, that if she crosses my path, I’ll have no mercy towards her or any of them. But one thing at the time.

(pauses)

Before killing them, we want them on our side.

Michaela nods.

WYATT (CONT'D)

That’s one of the things I want to change. Let’s wait for Ruby’s plan to work out and then we’ll focus on bringing the others to our side.

Michaela nods again.

OFF TO THE DOORS - They open. Both Peri and Patience walk in. The servants close the doors.

Wyatt looks at them as Michaela turns around to look at them too.

WYATT (CONT'D)

Girls.

Michaela steps aside to let the girls stand before their father.

WYATT (CONT'D)

Ruby told me you were planing in going back to the future taking your sister with you.

Peri and Patience exchange glances.

PATIENCE

Yes, father. We are.

WYATT

I hope you take back your sister and the others.

PERI

That’s the plan.

Peri and Patience seem sad at the same time. Wyatt notices something is wrong. He stands and approaches them staying very close to them.

WYATT

What’s going on?

PERI

(lying)

Nothing.

PATIENCE

Why would be something going on?

WYATT

You seem like you are ---

(pauses)

--- I don’t know.

PERI

Saying goodbye?

Wyatt nods.

PERI (CONT'D)

In the end, is a goodbye, isn’t it?

WYATT

I’m sure we’ll see each other again.

PATIENCE

We hope never to be a disappointment to you, dad.

Wyatt shakes his head.

WYATT

Why would you be?

PATIENCE

You don’t understand.

PERI

But it doesn’t matter now.

WYATT

(worried)

Girls, what’s wrong?

PERI

Nothing is wrong. Everything will be right.

PATIENCE

For once, we’ll do the right thing.

Both girls hug their father tightly. Wyatt is astonished.

WYATT

Girls.

PERI

Just hugs us, dad. The way you never hugged us before.

Wyatt hugs them back, still not understanding.

PERI (CONT'D)

You are the Source. But for us, you’ll ever be our father.

PATIENCE

And we love you.

PERI

Yeah, we love you so much.

Tears start running down the twins' faces. They break the hug and Wyatt looks at them.

WYATT

What’s going on?

PATIENCE

(smiles)

Just save her.

Wyatt doesn’t understand. Then the twins hold hands and ---

ON TWINS HANDS - Holding each other.

--- Both of them DARK BEAM and DARK ORB out together.

Wyatt stays there confused.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. PRESCOTT MANOR - LIBRARY - DAY

Ruby is there holding a black box. Demon #2 stands before her. She hands him the box.

RUBY

This potion has to be spread in the water system. I’ve spoken with the people in charge and they agreed to do it. Besides, it’s His Majesty’s orders.

DEMON #2

Yes, Ruby.

RUBY

Make sure it is done well. This has to reach everyone in the city. Water companies especially, they must replace their bottles immediately.

DEMON #2

Do they know that?

RUBY

They are on in as we speak.

Ruby smiles.

CUT TO:

INT. SUPERMARKET - CORRIDOR - DAY

Ethan and Pandora come walking with a shopping cart.

PANDORA

We also need water.

ETHAN

Yeah. I think is in the other corridor.

Pandora nods.

PANDORA

I still can believe we are doing this?

ETHAN

Anything to change this, right.

Pandora holds Ethan’s hand.

PANDORA

Thank you.

ETHAN

Pan, ---

He approaches her and holds her face between his hands.

ETHAN (CONT'D)

I don’t understand, but I’m willing to. If she needs to do it, then ---

PANDORA

She is sacrificing herself, Ethan.

ETHAN

But like you said, isn’t she the baby your cousin recently had?

Pandora nods yes.

ETHAN (CONT'D)

Then forgive me if I’m new at this, but she will grow up in a better world if the plan works out.

PANDORA

I know.

ETHAN

Then let’s get water to the ---

(pauses)

What do they call it?

PANDORA

Rebels.

ETHAN

Rebels. Let’s get them water and get to Tam and Sebastian. Then you can say your goodbyes to that girl.

Pandora nods yes. They walk, Ethan pulls the shopping cart and they reach the water' corridor.

BEAT. Employees are taking the water out of the shelves.

Pandora and Ethan stop astonished.

ETHAN (CONT'D)

What the ---

PANDORA

It’s Ruby and her plan to make us forget.

ETHAN

But you guys said that Prue left the potion at the manor.

PANDORA

She did. But I don’t know, maybe Ruby found out. I don’t know.

Pandora and Ethan look at each other.

PANDORA (CONT'D)

We must go.

Ethan nods. He pulls the shopping cart and both walk out of there as the employees keep taking the bottles of water from the shelves.

CUT TO:

INT. OLD MERCER’S MANOR - LIVING ROOM - DAY

Christopher is still on the floor.

OFF TO JUNIOR - He ORBS in a corner and spots his birth father right away.

JUNIOR

Dad?

Christopher looks at Junior.

CHRISTOPHER

Son, what are you doing here?

Junior starts walking towards him.

CHRISTOPHER (CONT'D)

Don’t.

Junior stops.

CHRISTOPHER (CONT'D)

I don’t want to poison you with my family’s legacy.

JUNIOR

You won’t, dad.

CHRISTOPHER

You are calling me dad.

JUNIOR

I’m lucky I have two. And if things go well, we’ll be together for a long time.

Junior walks towards him.

JUNIOR (CONT'D)

C’mon. You don’t belong here.

Christopher smiles.

CHRISTOPHER

You are the good in me, son. In all this madness.

Junior smiles.

JUNIOR

Let’s go.

Junior reaches out his hand for Christopher to hold it.

JUNIOR (CONT'D)

It’s time for you to know me for real.

Christopher looks at his son’s hand and then holds it. And ---

BEAT - Junior ORBS out taking him.

CUT TO:

INT. PRESCOTT MANOR - ROOM - DAY

This room is smaller darker than previous rooms seen in the house. There must be noticed that there is not much furniture in there and it seems like some works are probably been done. But right now, only two women are there; Prue and Aisling.

Prue seems surprised with the information Aisling has given her.

PRUE

Do you mean that the twins' plans are to end with Jo’s life?

AISLING

That’s what I heard. Ruby’s command, apparently.

PRUE

I can’t let it happen.

AISLING

That’s why I’m telling you, Prue. You and Wyatt must stop this nonsense.

Prue turns around. She tries to remain calm.

PRUE

Ruby will pay for this treason.

AISLING

What about the Unbreakable Promise?

Prue turns to Aisling. In her eyes can be seen that a decision has been made.

PRUE

I care not about that.

AISLING

What about Wyatt? A confrontation ---

Prue thinks for seconds.

PRUE

It’s our daughters. I’m sure Wyatt will agree with me.

Prue is about to walk out of the room but stops. She turns around and looks at Aisling.

PRUE (CONT'D)

How do you know about the Unbreakable Promise?

AISLING

Serena.

Prue forces a sarcastic smile.

PRUE

I almost forgot about her existence.

AISLING

You shouldn’t. Not now, not ever.

PRUE

I might die tonight, Aisling.

AISLING

Have you heard about hope, Prue?

Prue is serious.

PRUE

I’m evil.

Aisling smiles sarcastically.

AISLING

She didn’t break you, Prue. Keep that in your mind.

Aisling shots her a supporting look. Then, Prue turns around and leaves the room closing the door.

AISLING (CONT'D)

You won’t die tonight, Prue.

(smiles)

There’s no Unbreakable Promise. I just hope you can forgive me for putting Jo fighting against her sisters, but that’s a sacrifice that must be done.

ON AISLING - She is serious.

FLASHES TO:

INT. PRESCOTT MANOR - THRONE ROOM - 2061 - FLASHFORWARD

ON PRUE’S DEAD BODY - It is still lying in the room. A transparent black veil is covering it.

OFF TO WYATT - He is standing next to it.

He takes her cold hand.

WYATT

I’ll have you back. I will.

OFF TO THE DOORS - They open and Ruby comes in followed by Serena. While Ruby wears an elegant and low-necked dress, Serena comes in wearing a golden and sexy dress.

Wyatt looks at them over his shoulder.

RUBY

Look who’s back, Wyatt.

Wyatt puts Prue’s hand carefully back on the table and turns around. Ruby and Serena approach him and bow.

WYATT

Are we having a party here?

Ruby and Serena exchange glances.

SERENA

Not, Your Majesty. I’m just happy that I was released from my captivity.

WYATT

Well, if you don’t want to go back there, I suggest you to wear more appropriate colors while my wife lies cold on this table.

RUBY

She should be buried, Wyatt. I seriously doubt that your brother could be able to do something to bring her back.

Wyatt turns around and looks at Prue’s dead body.

WYATT

Well, then nothing else matters.

RUBY

A new Queen would do you good.

Wyatt turns around again and shots her a look. A not so friendly look.

WYATT

Careful, Ruby. No one can replace the one and only Queen of All Evil, Prue Halliwell.

Wyatt looks her up and down.

WYATT (CONT'D)

Not even you.

Ruby swallows. Serena shots her a look.

WYATT (CONT'D)

Now, leave.

Wyatt turns around again. Ruby signs Serena to follow her and both start walking towards the door.

SERENA

(whispering)

Apparently, His Majesty only has eyes for his Queen.

Ruby stops and looks at Serena.

RUBY

(whispering)

I pretended to be her once. If he wants her, I’ll be her.

Ruby walks away. Serena smirks and then follows her.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - DARK TUNNELS - 2061 - FLASFORWARD

Ailing comes walking in one of the most darkest part of the dungeons. She carries a torch. Phoenix, Peyton, and Victoria come following.

PEYTON

Where are you taking us?

AISLING

You’ll see.

OFF TO A WALL - This wall is ahead of them. It seems like is a dead end.

Aisling stops while the others exchange glances.

AISLING (CONT'D)

They are there.

PHOENIX

Who?

Aisling smirks.

CUT TO:

EXT. PRESCOTT MANOR - BACK OF THE MANOR - NIGHT - 2061 - FLASHFORWARD

ON A WALL HIDDEN WITH SOME CREEPER PLANT.

Posie, with Prue beside her, stands in front of it. Chis, Ella, Junior, Tamora, and Cassandra stand behind her.

PRUE

It is here.

Posie looks at Prue.

PRUE (CONT'D)

This door leads to the dark tunnels in the dungeons.

POSIE

What door?

Prue smiles.

PRUE

The door that will appear as soon as Warren Blood focus in open it.

CHRIS

(to Posie)

What is Prue saying?

Posie turns to them.

POSIE

There’s a door that only Warrens can open. We must focus on open the hidden door.

PRUE

The others are on the other side. It has to be at the same time.

POSIE

(looks at Prue)

My cousins?

Prue nods.

PRUE

I have allies inside.

Posie looks at the others.

POSIE

My cousins are on the other side of this wall.

ELLA

Vic?

Posie looks at Prue who nods.

PRUE

It’s time.

Posie nods and turns to the wall. She hands them her hands and all of them hold hands together.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - DARK TUNNELS - NIGHT - FLASHFORWARD

Aisling looks at the girls.

AISLING

It is time. The three of you together.

The girls exchange glances and nod. Then Phoenix holds Peyton’s hand on her left while holds Victoria’s hand on the right. They look at the wall and focus mentally on it. Aisling looks at them.

CUT TO:

EXT. PRESCOTT MANOR - BACK OF THE MANOR - NIGHT - 2061 - FLASFORWARD

They all remain there holding hands and focusing mentally on the wall.

ON THE WALL - The creeper plant starts disappearing.

Despite the surprise, they don’t let go of each others' hand and maintain their glance on the wall.

ON THE WALL - Something starts forming there as soon as the creeper plant disappears completely.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - DARK TUNNELS - NIGHT - 2061 - FLASFORWARD

Phoenix, Peyton, and Victoria, still holding hands, keep focusing on the wall ahead of them as Aisling stares at them.

ON THE WAL - The same happens is starts forming something there. Something like a door.

Aisling smiles as she sees the door forming.

Phoenix, Peyton, and Victoria seem astonished.

ON THE WALL - Soon there’s no wall but a door.

The girls exchange glances. Aisling turns to them.

AISLING

What are you waiting for?

The girls look at Aisling.

AISLING (CONT'D)

Open it.

They let go of each other. Then Phoenix reaches out her right hand to the door handle and turns it around.

The door opens. BEAT. Posie stands there as well as Chris, Ella, Tamora, Junior, and Cassandra.

They stare at each other.

AISLING (CONT'D)

Smart Prue.

ON AISLING - She smirks.

CHRIS

Nix?

PHOENIX

Dad?

Chris and Ella smile as they see their daughters and walk inside. As Chris hugs Phoenix, Ella hugs Victoria.

ELLA

Are you okay?

VICTORIA

I’m god now that you’re here.

Tamora also comes in and hugs Peyton.

TAMORA

My trouble girl, I’m glad you are okay.

PANDORA

(to Posie)

Well done.

Posie smiles. Chris hugs Victoria as Posie, Pandora, Cassandra, and Junior come in. Tamora lets go of Peyton as well as Chris lets go of Victoria.

PHOENIX

How do you know where to come?

CHRIS

Posie.

They all look at Posie.

POSIE

Aunt Prue told me where to come.

ON AISLING - She keeps smiling.

AISLING

Yeah, I suspected that. While Wyatt doesn’t give her proper rest, she will remain in the Gostly Plane.

They all turn to Aisling.

ELLA

The Oracle.

AISLING

Indeed, I am.

POSIE

You are the ally Prue talked about.

Aisling nods.

AISLING

Wyatt has gone mad. He wants to bring Prue back no matter what. He hasn’t even let us put her to rest. He keeps her there. He must be stopped.

They all exchange glances.

CHRIS

He hasn’t burried her yet?

Aisling shakes her head.

CHRIS (CONT'D)

We can’t stop Wyatt. We are not strong enough. He is the Source.

AISLING

He is just half of the Source. The other half still remains between planes.

(pauses)

He will destroy this world if he doesn’t get her back.

CHRIS

I tried everything, but no one wants to help me.

AISLING

Because she’s not supposed to come back. Not here while there some events to happen in the past.

TAMORA

What do you mean?

Aisling glances at them all.

AISLING

What I mean is that none of us have nothing to lose if the Charmed Ones do what they are supposed to.

CASSANDRA

What Charmed Ones?

JUNIOR

Yeah, there’s no Power of Three anymore.

Aisling glances at them all once again.

AISLING

Yes, there is. Jo, Peri, and Patience are the Power of Three.

CASSANDRA

They never reconstituted the power of three.

AISLING

Who said that it was truly broken? Have you ever asked yourselves why was Prue able to touch the Book of Shadows while Wyatt never did?

They all exchange glances.

AISLING (CONT'D)

She was not broken. She was not entirely evil.

(shrugs)

Well, she was, but the main point is that her good side never stopped fighting.

(pauses)

That’s why she wanted you here. To fight.

CHRIS

(shakes his head in denial)

We’ll lose.

Aisling walks towards Chris.

AISLING

Not yet. When the is past changed, this time has nothing for us to lose.

They all exchange glances.

AISLING (CONT'D)

Prue gave her life for her daughters to be reunited doing the right thing. Don’t you think is time to show Wyatt that you are not afraid to fight? That what never was can never be?

TAMORA

I’m so confused right now.

PHOENIX

I understand.

Phoenix looks at the others.

PHOENIX (CONT'D)

If they change the past, all this thing can be changed and everything we know might never come to exist.

Aisling nods.

PEYTON

Yeah, so why don’t we leave this timeline doing what we were supposed to do since the beginning of our line?

POSIE

Fight evil.

Peyton nods. Chris looks at them all.

CHRIS

We’ll lose.

AISLING

It depends on the past.

ELLA

What if nothing changes and we all end up dead?

AISLING

Do you love this world?

Ella looks at Victoria.

ELLA

I love what I have here.

She looks at Chris and smiles.

ELLA (CONT'D)

But no, I don’t love this world.

CHRIS

Me neither.

CASSANDRA

Make it three.

PANDORA

I’m done hiding.

Posie smiles.

POSIE

Me too.

PEYTON

Count me in.

Tamora and Junior exchange glances.

JUNIOR

I’m game.

TAMORA

Let’s do it.

PHOENIX

Finally, good stands before evil with no fears.

(looks at her father)

She would be proud of us.

Chris lowers his gaze. Then he raises it up and looks at Aisling.

CHRIS

Take us to the Mad Source. This ends tonight.

Aisling smiles.

POSIE

She is saying she’ll be there.

They all look at Posie.

POSIE (CONT'D)

Aunt Prue.

And there’s Prue, standing beside Posie and smiling.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT - PRESENT

FAST SHOTS of the city as the day heads towards its end and the moon starts appearing on the sky.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris, Melinda, Damon, Bianca, Tamora, Pandora, Cassandra, Charlotte, David, Matt, and Jo are there. There are also Eric and Ethan. They all look at Jo. It seems like a goodbye.

MELINDA

We’ve got it covered. We are close to finding all the ingredients the potion is made of and soon we’ll have a reversive one.

JO

That’s great.

BIANCA

Do you really need to do this?

Jo nods.

JO

I’m a baby here, remember? So, I’m not lost.

TAMORA

Yeah, but we kinda got used to you.

Jo smiles. A tear runs down her face.

JO

I’m glad I got to meet you all before all the hell that our lives became.

CHARLOTTE

Well, at least you saw I’m not evil yet.

Jo looks at Charlotte and smiles.

JO

I know you had your reasons.

Charlotte and Eric exchange glances. Then Jo approaches Charlotte and hugs her.

JO (CONT'D)

I’m not the one with visions, but maybe just maybe there’s still hope for you.

Eric stands right beside Charlotte. They break the hug. Charlotte smiles.

JO (CONT'D)

(to Eric)

Thank you for bringing me to this world.

Eric smiles.

ERIC

Are you kidding me? That’s the craziest experience I ever had.

They all smile. Then Jo turns to Cassandra.

JO

Aunt Cass ---

CASSANDRA

I know. 

(pauses)

Live.

A tear runs down Cassandra eyes. Jo nods. Then they hug each other. Then, Jo turns to Tamora and Pandora.

JO

Twins.

TAMORA

We are not evil at least.

Jo smiles.

PANDORA

I won’t hide. No matter what.

JO

Well, that’s already a change.

Jo glances at Ethan.

JO (CONT'D)

You two give time to each other to understand all these changes.

(she looks at Ethan)

Magic can be a good thing.

ETHAN

I’ll keep that in mind.

Then Jo turns to Melinda and Damon.

JO

Oh, the two of you.

Melinda and Damon exchange glances.

JO (CONT'D)

Get a room already and marry. You were made for each other.

Melinda and Damon smile.

MELINDA

I will miss you.

JO

I will always be here. You were the mother I knew and no matter if after tonight everything changes, I know you will be just like a mother to me.

Melinda and Jo hug each other. Once they break the hug they smile at each other. Then, Jo turns to Chris and Bianca.

CHRIS

Be brave.

Jo nods.

JO

You will have to be too.

Then Jo looks at Bianca.

JO (CONT'D)

Remember, some things are destined to be.

CHRIS

I don’t know what that means, but thank you.

Jo smiles.

JO

Thank you too.

Jo hugs Chris and then hugs Bianca tightly.

BIANCA

Good luck.

Then Jo turns to Matt.

JO

Cous ---

MATT

Not goodbyes to me, Jo. Not now, not ever. We came to this world almost at the same time and we’ll leave it the same way. Which means, not tonight.

Jo smiles. Then she turns to David.

DAVID

Don’t even start.

JO

David ---

DAVID

There won’t be a goodbye because we haven’t even met yet. In a couple of years, I will see you in Magic School, remember? And we’ll never let go of each other, okay.

Jo nods yes.

JO

No goodbyes.

She glances around.

JO (CONT'D)

It’s just a see you soon.

MELINDA

See you soon, dear.

CHRIS

See you soon.

Jo smiles wiping the tears that come running down her face. Then she just ORBS out surrounded in PURPLE ORBS.

The others just remain there with sad eyes staring at the place she just left.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT

Prue and Wyatt are there. It seems like they are in the middle of a discussion.

PRUE

Wyatt, please. Reason with me.

WYATT

(mad)

That makes no sense, Prue. The twins wouldn’t try to kill their sister.

PRUE

But they will. I was told ---

WYATT

By who?

PRUE

Why does it matter?

WYATT

Everything matters.

Prue takes a deep breath.

PRUE

The Oracle. She heard a conversation between Peri and Patience.

Wyatt smiles sarcastically.

WYATT

Yeah, don’t trust the Oracle. You knew she was the only one who didn’t help me to find Jannes?

PRUE

Yes, I know.

WYATT

Ruby said that she was working on both sides, with her and Jannes. She’s not trustable.

Prue is getting mad.

PRUE

Well, I trust her and I am going to stop this madness. I’m not letting my daughters fight one another.

OFF TO THE DOORS - They are opened. Ruby comes walking at peace.

RUBY

Your Majesties!

They turn to Ruby.

WYATT

(to Ruby)

Tell her.

Ruby seems not to understand.

WYATT (CONT'D)

Tell her she cannot trust the Oracle.

Ruby looks at Prue.

RUBY

His Majesty is right. The Oracle fooled me well.

Prue smiles sarcastically, then turns to Wyatt.

PRUE

I was hoping you could help me on this.

RUBY

On what exactly?

WYATT

Prue thinks that the twins are going to kill Jo.

RUBY

What I know is that they are going to take her to their right time.

Prue turns to Ruby and shots her a look. Somehow, she suspects she’s lying. Prue walks towards her.

PRUE

I don’t believe you.

RUBY

Prue, should I remember you that you mustn’t get against me.

Both Ruby and Prue stare at each other.

PRUE

I am saving my daughters. Nothing else matters to me, but family.

Prue turns to Wyatt.

PRUE (CONT'D)

(to Wyatt)

Does family matters to you too?

Prue and Wyatt stare at each other for seconds. Then, Prue DARK BEAMS out.
Wyatt is serious.

RUBY

She’s overreacting.

Wyatt looks at Ruby.

WYATT

Is she?

RUBY

Of course, she is.

Both Ruby and Wyatt stare at each other.

FLASHES TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT - 2061 - FLASHFORWARD

Wyatt, sitting on his chair, stares seriously at Prue’s body.

OFF THE DOORS - They are opened and ---

BEAT. A WOMAN WALKS IN. The door close behind her.

Wyatt stares at her and gets surprised. He stands slowly.

WYATT

It can’t be.

The camera follows the woman from behind as she walks towards Wyatt. She wears a red short dress. Her hair is long and dark. She stops.

Slowly, the camera goes up until revealing her face; Prue. Well, Ruby pretending to be Prue.

WYATT (CONT'D)

Prue?

RUBY / PRUE

She never was the right woman for you. I was the one who gave you all you wanted.

(pauses)

Power.

Wyatt stares at her.

WYATT

Ruby?

Ruby / Prue smiles.

RUBY / PRUE

I can look like her if that’s what you want, but I am the one who gave you power.

WYATT

(his eyes get wet)

You are not Prue.

RUBY / PRUE

I can be. Remember. That kiss.

She glances at Prue’s dead body and looks back at Wyatt.

RUBY / PRUE (CONT'D)

It was me. We can be a good team together.

Wyatt is shattered, he sits again.

WYATT

No, you are not her.

Ruby / Prue walks towards him and touches his face.

RUBY / PRUE

I can be.

She lowers down and is about to kiss him when ---

OFF TO THE DOORS - They fly open.

Ruby and Wyatt stand and see those who come walking in; Chris, followed by Ella, Tamora, Pandora, Cassandra, Junior, Phoenix, Peyton, Victoria, and Posie.

Aisling comes behind keeping her distance.

Wyatt and Ruby / Prue stare at the visitors.

WYATT

How did you come in?

Chris and the others look at Ruby / Prue and then at Prue’s dead body.

CHRIS

She did.

Chris points to Prue’s dead body.

CASSANDRA

(to Ruby / Prue)

You can pretend to look like her. But you’ll never be her.

RUBY / PRUE

What are you doing here?

Ruby / Prue sees Aisling smirking behind.

RUBY / PRUE (CONT'D)

You!

AISLING

No, darling, it wasn’t me. It was all Her Majesty’s doing.

OFF TO CHARLOTTE - She comes in followed by Pierce.

CHARLOTTE

What’s going on?

Cassandra turns to Charlotte.

CASSANDRA

Last chance for you to choose your side, sis.

Wyatt walks down the stairs of the throne.

WYATT

(looks at Chris)

I told you ---

CHRIS

To bring her back?

(pauses)

No deal, brother.

Wyatt starts getting mad. Ruby / Prue approaches him but something stops her from getting close to him.

RUBY / PRUE

Wyatt!

Wyatt doesn’t look at Ruby. Then Ruby’s expression changes. She seems like she’s seeing a ghost.

RUBY / PRUE (CONT'D)

You?

ON PRUE - No one can see her but Posie and Ruby.

PRUE

Leave my husband alone.

Prue WAVES her hands and throws Ruby flying through the air. Wyatt looks back and is confused.

POSIE

It was Aunt Prue and her rage is so big she can use her powers from where she is.

Wyatt turns to them.

WYATT

She’s here.

CHRIS

She brought us here, brother.

ON RUBY - Her disguise as Prue starts disappearing.

WYATT

Bring her back.

CASSANDRA

She doesn’t want to come back.

WYATT

I want her back.

TAMORA

She’s gone. And now it’s time for you to be gone too.

WYATT

(mad; out loud)

I am the Source!

CHRIS

Now!

They all hold hands; Chris, Ella, Tamora, Pandora, Cassandra, Junior, Damon, Phoenix, Peyton, Posie, and Victoria. They together chant. It’s the last chance for Good to defeat evil.

HALLIWELLS / Ella / DAMON

(chanting)

‘Prue, Melinda, 

Piper, Prudence, 

Penelope, Patricia, 

Melinda, Astrid, 

Helena, Laura and Grace’

Charlotte looks at them seriously.

WYATT

That spell can’t even hurt me.

Wyatt closes his eyes and focuses on something. Ruby stares at them as well as Aisling.

HALLIWELLS / ELLA / DAMON

(chanting)

‘--- Halliwell Witches ---'

Prue is now seen beside them all as well as some unseen white shadows. The Warren Line.

ON WYATT - Excalibur MATERIALIZES in his hands. He opens his eyes.

WYATT

Stop it!

HALLIWELLS / ELLA / DAMON

'--- Stand strong beside us ---'

SLOW MOTION - Charlotte looks at them all and suddenly, she holds her sister Cassandra’s hand. As Pierce does the same and holds hands with his father. Wyatt walks quickly towards them pointing Excalibur.

HALLIWELLS / ELLA / DAMON (CONT'D)

‘--- Vanquish this evil ---'

SLOW MOTION - Wyatt approaches them and not thinking twice he stabs his own brother in the stomach.

Chris and Wyatt stare at each other as Chris feels the pain.

The others are amazed.

CHRIS

‘--- From time and space.’

Wyatt pulls out the sword back as Chris falls on the floor.

THE SCENE HAPPENS IN AN ALMOST MUTE SOUND - Ella screams.

ELLA

NOOOOO!

PHOENIX

Father!

Wyatt stands before his brother with the sword.

ON CHRIS - Blood comes out of his mouth.

CHRIS

Wy ---

WYATT

(tears running down his face)

I asked you for a simple thing.

Ella lowers down before Chris.

ELLA

Chris.

CHRIS

Family matters, brother.

Wyatt cries hard. They let go of their hands. Prue’s spirit approaches Wyatt and holds his hand. She leans towards him and whispers something to him.

PRUE

Family matters, Wyatt.

He hears her. Her cannot see her, but he hears her. Wyatt lowers down in pain beside Chris.

WYATT

I’m sorry.

CHRIS

Everything will change, brother.

Chris raises his hand for Wyatt to hold it. Wyatt looks at it.

The others have tears in their eyes.

ON CASSANDRA AND CHARLOTTE - They look at each other while her eyes are full of tears.

CHARLOTTE

Family matters.

Cassandra smiles as tears keep running down her face.

Junior, Pandora, and Tamora also cry. Just like Damon, Phoenix, Peyton, Victoria, Pierce, and Posie.

Ruby and Aisling look at them. The spirits of the Warren Line start disappearing.
Wyatt holds his brother’s hand.

WYATT

Family matters.

ON PRUE’S SPIRIT - She smiles.

FLASHES BACK TO:

INT. UNDERWORLD - CAVE - NIGHT - PRESENT

Peri and Patience are there.

ON PURPLE ORBS - Jo ORBS in.

Jo looks at her sisters as they look her back.

PERI

You came.

JO

To be killed at the hands of my sisters.

PATIENCE

This might be the last time the three of us are together.

Jo nods.

JO

I never liked any of you.

Peri smiles.

PERI

Don’t worry. We don’t like you either.

The three of them smile. Then their eyes get wet.

JO

We are doing it for them.

PATIENCE

For mum and dad.

PERI

For mum and dad.

JO

Don’t hold back.

PERI

We won’t.

Jo nods.

JO

Let’s do this.

The twins nod. Then Peri and Patience look at each other and nod. Then they hold hands and look at Jo.

ON TWINS' HANDS - They start glowing and some electricity starts running through her hands and arms.

Jo looks at them and nods.

Then the twins reach out their free hands and ELECTROKINESIS come from them and hit Jo who falls quickly on the ground in pain.

OFF TO PRUE - She DARK BEAMS in and looks at the confrontation between her daughters.

PRUE

No!

At that moment, Wyatt DARK ORBS in behind Prue.

WYATT

It was true.

Jo screams in pain.

PRUE

(out loud)

Stop it!

They don’t. Prue and Wyatt stare at Jo who’s is suffering. She looks back at her parents. Her eyes are full of pain.

Prue’s eyes get wet. She turns to Wyatt.

PRUE (CONT'D)

We must save her.

WYATT

I don’t ---

Wyatt takes Prue from her shoulders.

WYATT (CONT'D)

We can take baby Tina with us. This will never happen.

PRUE

(crying)

You don’t understand. 

(points to Jo)

She is our daughter! I am going to save her.

Prue turns around and immediately, she approaches Jo and holds her hand, then she raises her hand and tries to deviates, using TELEKINESIS, the twins’ powers, but it seems like she’s having some difficulties in doing it so.

Rays fly all over the place. Wyatt stares at them and lowers down.

PRUE (CONT'D)

Wyatt! Help me!

Wyatt looks at them. Prue looks at Jo who is almost fainting.

PRUE (CONT'D)

Hold on, darling.

Prue looks at Wyatt.

PRUE (CONT'D)

Family matters, Wyatt.

Wyatt looks at the twins who keep using their ELECTROKINESIS.

PERI / PATIENCE

Family matters, dad.

Wyatt stands and then not thinking twice, he walks fast, deviating from the rays towards the other side of Jo and holds her other hand. He reaches out his hand and together Prue and Wyatt are trying to DEVIATE the twins’ powers, using TELEKINESIS. Prue and Wyatt look at each other.

WYATT

Family matters.

And the both of them use all the strength they have to stop the twins. Both Prue and Wyatt’s powers deviate the twins’ powers back and both twins fly through the air hitting the roof of the cave. The twins fall on the floor. Jo’s falls on the floor as well, unconscious as a dark essence, the Source’s essence, comes from Prue and Wyatt’s body as fast as it came in.

CUT TO:

EXT. UNIVERSE

A white bright light surrounds the Universe replacing the dark light that was surrounding it.

FLASHES TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT - 2061 - FLASHFORWARD

Wyatt keeps kneeling besides Chris while his brother seems barely alive.

WYATT

(to Chris)

Forgive me.

CHRIS

(coughs blood)

It’s done.

Prue’s spirit looks at Posie.

PRUE

It’s done.

POSIE

It’s done.

ON AISLING - Her eyes turn to white.

AISLING

It is done!

ON RUBY - She is mad.

RUBY

NO!!!!

Prue’s spirit turns to Ruby.

PRUE

It has changed!

Prue spirit’s smile and soon a bright light covers the entire room and all disappear as the scene ---

FLASHES BACK TO:

INT. UNDERWORLD - CAVE - NIGHT - PRESENT

Prue and Wyatt seem tired. They look at Jo. Her body is full of blood.

ON JO’S BODY.

Prue cries hard.

PRUE

Jo!

She touches her daughter's body trembling. She seems desperate. Prue looks at Wyatt who has wet eyes as he looks at his daughter.

WYATT

What have we done?

PRUE

Heal her.

(out loud)

NOW!

Wyatt nods and puts his hands quickly over his daughter’s body. They don’t glow.

WYATT

C’mon.

PRUE

Please.

WYATT

(out loud)

C’mon!

The twins stand slowly. They exchange glances. Then they both run towards their parents and Jo.

PERI

Let’s do this together.

Prue and Wyatt seem surprised. The twins reach out their hands towards Wyatt and Prue to hold them.

PATIENCE

C’mon.

Prue and Wyatt hold their twin daughters' hands over Jo’s body and ---

SUDDENLY - Their hands start GLOWING. It’s a mix of colors. Golden with some purple colors covers Jo’s body as the blood starts disappearing.

They all smile. Soon, all the blood disappears from Jo’s body and ---

ON JO’S EYES - She opens them.

They all smile as they see her waking up. Their hands stop glowing.

PRUE

It worked.

Wyatt helps Jo to get into a sitting position.

JO

What happened?

She glances at them all.

PRUE

(to Jo)

You brought us back.

Prue and Wyatt hold their hands. They smile at each other.

WYATT

But how?

Jo, Peri and Patience look at them.

JO

It was a sacrifice we had to do.

WYATT

We?

Prue and Wyatt look at the twins.

PERI

Ruby betrayed us. She said she didn’t perform the Unbreakable Promise ritual.

PATIENCE

But she did and so we destroyed the rope that tied you two to her.

PRUE

And this? You ---

(to the twins)

--- Tried to kill Jo.

JO

It was a sacrifice we had to do, mum.

PERI

The three of us.

PATIENCE

The Next Generation of Charmed Ones together.

SUDDENLY, the twins start fading out.

WYATT

Girls?

The twins look at each other.

PERI

Our sacrifice was to know that we might not come to exist.

PRUE

No.

PATIENCE

Don’t worry, mum. It was worthy.

PRUE

But ---

PERI

We love you so much.

Jo looks at the twins.

JO

I lied. I would love to have you both as my sisters.

PATIENCE

We would do a great team indeed.

PERI

But things have changed.

PATIENCE / PERI

Goodbye.

They see how the two of them fade off completely. Then Jo looks at her parents.

JO

They knew the consequences.

WYATT

They were our daughters too. I’ve got used to them for the past weeks.

PRUE

Even when we weren’t ourselves.

Jo puts her hands over theirs.

JO

Who knows what the future holds for us now!

With tears in their eyes, the three of them smile.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - NIGHT

Ruby is sitting at the throne in Wyatt’s chair.

OFF TO THE DOORS - They open and Aisling comes in smiling.

AISLING

Did you feel it?

Ruby says nothing.

AISLING (CONT'D)

You lost, Ruby. The World is back to be surrounded mostly with good in people’s heart.

Ruby stands and walks down the throne stairs. She looks at Aisling.

RUBY

I haven’t lost. I still got my revenge.

Aisling smiles.

AISLING

Do you?

Aisling smirks and SHIMMERS out. Then, Ruby gets on her knees and screams out loud. A scream of despair.

CUT TO:

EXT. WOODS - FRANCE - NIGHT

Prue BEAMS in. Then Wyatt and Jo ORB in. All three hold hands.

BEAT - The dark tower appears before them.

Jo looks at Prue.

JO

(surprised)

You knew how to find it.

Prue looks at Wyatt.

PRUE

Jannes wasn’t the bad guy.

WYATT

I see that now.

PRUE

He wanted you to know that it was not your fault.

Wyatt nods and smiles.

WYATT

Let’s get her free.

The three of them walk inside the tower.

CUT TO:

INT. DARK TOWER - CELL - NIGHT

Blanche is on the floor. She smiles.

OFF TO THE DOOR - It opens. Wyatt, Prue, and Jo come in.

Blanche stands slowly and looks at them.

BLANCHE

I am ready to leave.

(smiles)

It’s time for Ruby to come back to where she belongs.

The others exchange glances and smile.

The camera moves away until the scene ---

CUT TO BLACK.

END OF THE EPISODE