5x02 - Dangerous Alliances

[Prue Brianna Johnna Halliwell]

DESTINED

'DANGEROUS ALLIANCES'

TEASER

OVER BLACK.

FADE IN:

EXT. ABANDONED WAREHOUSE - NIGHT

ON BIANCA - She is serious.

In front of Bianca is Jo. Jo looks around.

JO

This is where it all happened.

BIANCA

What is all?

Jo looks at her.

BIANCA (CONT'D)

Look, girl, I came here because you convinced me you had the answers I was waiting for.

JO

And I do.

BIANCA

Then?

They stare at each other seriously.

BIANCA (CONT'D)

What are you waiting for? Who the hell are you and why do I feel so connected to that condo?

JO

Because that’s where you live.

Bianca smiles sarcastically.

BIANCA

You must be kidding me.

JO

I’m not. That’s where you, your husband and child live in.

BIANCA

(surprised)

Husband and child? You are crazy, right?

JO

No, I’m not. I just came from the future. I was supposed to get back when I was dragged to all this messed world.

BIANCA

Future? You mean, you traveled back in time?

Jo nods.

JO

I did it to save my family which is also your family.

Bianca smiles sarcastically again.

JO (CONT'D)

You must feel something missing inside of you, don’t you?

Bianca gets serious and swallows.

JO (CONT'D)

His name is Matt. He is your son.

BIANCA

I don’t have a son.

JO

Yes, you do. He is my best friend and my cousin.

BIANCA

Who the hell are you, girl?

JO

My name is Jo Halliwell.

Bianca is surprised.

JO (CONT'D)

But I came here with another name.

(pauses)

Jo Wright.

Bianca is even more surprised.

BIANCA

That is ---

JO

Your surname?

Bianca nods yes.

JO (CONT'D)

Yeah, it is. I used it because of you. It was Matt who told me to tell everybody that was my name.

Bianca is thoughtful.

JO (CONT'D)

I know this all seems confusing, but believe me, you are married to Chris Halliwell and have a child with him.

BIANCA

I cannot be married to Chris Halliwell. He is good and I ---

JO

You are good too.

BIANCA

I was raised as an assassin witch.

JO

And you hate it, am I right?

Bianca says nothing and remains serious.

JO (CONT'D)

You are good. Yes, you were raised as an assassin, but you became a Halliwell. Inside of you, there’s some god.

BIANCA

You are making it all up.

JO

Then why were you staring at that condo?

BIANCA

I don’t know.

JO

Well, I do.

(pauses)

This is why. Believe me, please, because I can use your help to fix this.

(pauses)

The more, the merrier.

Both women stare at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION footage all over the town.

CUT TO:

INT. UNDERWORLD - DARK CORRIDOR - NIGHT

ON A DEMON - Being stripped of his powers.

The demon screams in pain as a woman wearing a black leather set of pants and top stripes him off his powers.

THE CAMERA only shows the back of the woman. An ATHAME can be seen in the back of her pants.

The demon falls on the ground as she takes back her hand from his chest. The demon looks up at her.

DEMON

Why are you doing this?

WOMAN

I was hired for it.

That voice. It sounds familiar.

DEMON

Who?

WOMAN

Does it matter? I was asked to take from you what you’ve taken from others and then finish you.

Then she takes her left hand to her back and takes the athame quickly.

WOMAN (CONT'D)

Now, say goodbye to your pathetic life.

She doesn’t even give the demon a chance to beg. She runs the athame from one side to another of his neck. He starts bleeding some sort of green blood.

SOUND - SOMEONE CLAPPING.

ON JARED - He smiles.

ON THE WOMAN - She turns around to see where the claps come from and ---

BEAT. This woman is not other than Siobhan, the Phoenix Witch.

Siobhan looks seriously at Jared.

SIOBHAN (CONT'D)

You?

JARED

Happy to see me?

SIOBHAN

Kinda. Now I can accomplish what I was hired for all those years ago.

She is about to walk towards Jared, but he raises his hands and stops her.

JARED

Not that fast, love.

Siobhan stops and shoots him a look.

SIOBHAN

You are different.

JARED

I am an Avatar now.

Siobhan can’t hide her amazed look.

JARED (CONT'D)

You can’t kill me like you just did with that miserable demon.

SIOBHAN

How is that even possible?

JARED

It just is. Now can we talk about business?

Siobhan doesn’t understand.

JARED(CONT'D)

You see, I can give you what you want if you become one of my allies.

SIOBHAN

You know nothing about what I want.

JARED

Sure, I do.

Both of them stare at each other.

JARED (CONT'D)

You want Bianca dead.

Siobhan is serious. Jared smirks.

JARED (CONT'D)

Can we alliance together?

Both of them stare at each other seriously.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Stephen Amell as Johnathan Hale

Peter Facinelli as Sebastian

Chris Wood as Ethan

Evangeline Lilly as Siobhan

Unknown baby as Baby Andrew

Unknown actor as Demon

Unknown actresses as Phoenix Witches

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Aerial footage all over the town at the sound of ‘New Rules’ by Dua Lipa.

Several places all over the town are being shown.

CUT TO:

EXT. PRUE’S CONDO - DAY

Some cars pass by.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - DAY

ON A BABY BOY ON HIS CRIB - The baby is awakened and it seems to be in a good mood.

Right in front of the crib is the Prue. Standing still, staring at him. She is serious. Dead serious. She is wearing pajamas and a robe.

SOUND - A knock on the door.

Prue doesn’t take her eyes from the baby.

OFF TO THE DOOR - It opens and Nate comes in bringing a baby bottle with milk.

Nate is shirtless, only wearing his pajamas’ pants.

NATE

Prue?

Prue looks at him. Nate shows her the baby bottle.

NATE (CONT'D)

I’ve got his milk done.

Nate walks towards her.

NATE (CONT'D)

Do you want to feed him?

Prue looks at the baby bottle and then at baby Andrew.

PRUE

Why did we name him Andrew?

Prue looks at him.

PRUE (CONT'D)

Why didn’t we give him a ‘P’ name?

Nate is serious.

NATE

Well ---

Nate approaches the crib and takes baby Andrew from the crib.

NATE (CONT'D)

--- First, you didn’t want a ‘P’ name.

He holds baby Andrew carefully. Then he looks at Prue.

NATE (CONT'D)

Then, we chose Andrew because it was my father’s name.

Prue looks at the baby.

PRUE

Yeah, a ‘P’ name comes with a burden.

NATE

That’s only from your mind. A name is just a name.

Prue looks at Nate and then at the baby.

PRUE

I can feed him.

Nate’s expression lightens. He approaches her and hands her the baby carefully. Prue takes the baby between her arms carefully as she looks at him.

Nate hands her the baby bottle and she takes it. Then she gives her back on Nate and starts feeding the baby as she looks seriously at him. Meanwhile, Nate stares at her.

NATE

Honey ---

Prue doesn’t turn around.

NATE (CONT'D)

--- I know you are mad at me because of the fight we had.

Prue turns around and looks at Nate.

PRUE

Fight?

Prue takes a deep breath.

PRUE (CONT'D)

It’s been so confusing for me for the past days.

(pauses)

Why did we fight?

Nate approaches Prue and the baby. He looks at her in the eyes.

NATE

Because of your fighting demons desire.

Prue seems to be caught by surprise.

PRUE

I am a demon fighter, huh?!

NATE

You are. And I don’t agree with that.

PRUE

Why?

NATE

Because you are pregnant, Prue.

He touches his face softly.

NATE (CONT'D)

Don’t you remember what happened last time?

Prue looks at Andrew. She closes her eyes. Obviously, she doesn’t remember because she didn’t go through it.

NATE (CONT'D)

You were kidnapped by a demon and because of that Andrew came before time.

Prue looks at Nate.

PRUE

By a demon?

Nate nods.

NATE

Don’t you remember?

PRUE

Sure, I do. But it wasn’t a demon, it was a Wizard.

NATE

I’m not an expert on that, but it was a demon. I can’t even remember the name after your cousins vanquished him.

Prue looks back at the baby. Nate approaches them even more and kisses Prue’s forehead.

NATE (CONT'D)

I love you so much, honey.

Prue looks at him.

NATE (CONT'D)

I can’t lose you or our kids.

PRUE

Nothing will happen to me, Nate. I am Prue Halliwell. And I’ll fix everything.

Nate stares at her. Then Prue looks at the baby and then looks back at Nate.

PRUE (CONT'D)

P3. Who’s taking care of my club?

They stare at each other.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

OFF TO WYATT - He comes from the bathroom wearing only a towel around his waist. He stops and looks at the bed.

Jessica is sitting on the bed lying against the back of the bed staring at Wyatt.

WYATT

Morning!

JESSICA

You came home late last night.

Wyatt starts walking towards the walk-in-closet.

JESSICA (CONT'D)

Did you find her?

Wyatt turns to Jessica.

WYATT

I did.

Jessica looks at him.

JESSICA

Is she okay?

WYATT

I guess so.

JESSICA

Why you?

WYATT

Jess ---

JESSICA

How did you know how to find her, Wyatt?

Jessica stands from the bed. She crosses her arms around her chest. She gives him a look while he puts his hands on his waist.

WYATT

I just did.

JESSICA

Well, now that everything has gone back to normal, can we go back to trying to have a baby?

Both Wyatt and Jessica stare at each other for moments.

WYATT

I need to get to work, Jess.

(pauses)

Sorry.

Wyatt turns around and walks into the walk-in-closet.

ON JESSICA’S FACE - She is furious.

CUT TO:

INT. DAMON’S APARTMENT - LIVING ROOM - DAY

ON MELINDA AND DAMON KISSING - They kiss each other passionately. Then they break the kiss and look at each other and smile.

DAMON

I love you so much.

Melinda smiles big.

MELINDA

No more than I love you.

Damon touches Melinda’s face softly.

DAMON

What are your plans for today?

MELINDA

Beside work?

Damon smiles.

DAMON

You have Christopher now to help you. You don’t need to be there 24/7.

MELINDA

I know. I’m happy he accepted to be my right hand there. Now more than ever.

Damon stares at her. Melinda takes a deep breath as she gets serious.

DAMON

What’s wrong?

MELINDA

I need to talk to Prue. I’m worried about her.

DAMON

Yeah, well, it’s Prue.

MELINDA

No, Damon, it’s different. What she said to Chris. She’s not okay.

DAMON

Well, she’s your best friend, so if there’s someone who can help her, that’s you.

MELINDA

(smiles)

I’ll try my best.

Damon kisses her lips.

DAMON

I need to get to work now.

MELINDA

Go, honey. Let’s have dinner together tonight?

DAMON

You can count on it, fiancée.

MELINDA

It’s not fiancée, yet.

Damon smiles big and turns around.

DAMON

Yet, honey, yet.

Melinda smiles as Damon walks out of the room. Then Melinda crosses her arms around her chest and gets serious and thoughtful.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Chris and Ella are having breakfast together. Chris seems thoughtful holding his cup of coffee and Ella notices it.

ELLA

Hey ---

Chris looks at Ella.

ELLA (CONT'D)

What has gotten your mind so far away from here?

Chris has a sip of his coffee and then puts the cup of coffee on the table.

CHRIS

Prue.

Chris looks at Ella.

CHRIS (CONT'D)

Well, everything she told me about yesterday.

ELLA

Honey ---

Ella holds Chris’ hand.

ELLA (CONT'D)

--- Prue seems confused. We must not stop trying to find what happened to her. I still believe that a demon did something to her. 

(pauses)

Maybe a cursed was cast on her.

CHRIS

I don’t know. She seemed so sure of what she was telling me.

ELLA

We’ve seen that before, Chris. It wouldn’t be the first time a demon tried to do something to one of us.

CHRIS

I know, but still, I can’t stop thinking about it.

ELLA

I understand, honey.

Ella stands.

ELLA (CONT'D)

Well, I need to stop by P3 before going to the shop.

CHRIS

Need a ride?

OFF TO WYATT - He comes in.

WYATT

Ready to go, Chris.

ELLA

(to Chris)

Your boss needs you more than I do. 

Ella kisses Chris.

ELLA (CONT'D)

I’ll drive.

Ella smiles at Chris and then turns to Wyatt.

ELLA (CONT'D)

Morning to you too.

Wyatt forces a smile. Then Ella walks out of the kitchen. Chris looks at Wyatt and notices he has not a good face.

CHRIS

I didn’t get a good sleep last night and I guess you didn’t either.

Wyatt is serious.

WYATT

No, I didn’t.

CHRIS

What happened between you and Prue last night?

WYATT

Nothing.

CHRIS

Nothing? Wyatt, you were the one who found her. How?

WYATT

I don’t know, I just had a feeling.

CHRIS

A feeling?

Chris stands serious.

WYATT

A feeling that she was at the top of the Golden Gate Bridge?

WYATT

I don’t know how, Chris. Don’t push it.

CHRIS

I’m not pushing anything, Wyatt. I’m just trying to understand what’s happening to her.

WYATT

I would like to know too.

Wyatt takes a deep breath.

WYATT (CONT'D)

What she said doesn’t make sense. And I agree with your wife. She might be in some kind of curse and we must help her.

CHRIS

But your wife doesn’t like it.

WYATT

Jessica needs to understand that Prue is family no matter what and we take care of the family.

(pauses)

Now, we must leave.

Wyatt turns around and walks out of the kitchen as Chris stares at him.

CHRIS

(to himself)

Yeah, I wonder if it doesn’t make sense indeed.

Chris tries to shake the thought out of his mind and walks out of the kitchen.

CUT TO:

EXT. PHOENIX’S HEADQUARTERS - DAY

STOCK.

CUT TO:

INT. PHOENIX’S HEADQUARTERS - MAIN ROOM - DAY

A couple of Phoenix Witches are standing in front of Siobhan. They are listening to Siobhan.

SIOBHAN

So, that’s the job I have for the two of you.

PHOENIX #1

We’ve got it.

SIOBHAN

Good. Now, go and do your job.

Both Phoenix Witches SHIMMERS out. Siobhan is thoughtful.

OFF TO THE ENTRANCE - Bianca comes in.

Siobhan looks at her.

SIOBHAN (CONT'D)

Bianca! Glad to see you.

BIANCA

I came to say that I accomplished the last mission you gave me.

Siobhan smiles.

SIOBHAN

Good.

Bianca turns around, but Siobhan stops her.

SIOBHAN (CONT'D)

Where are you going?

Bianca turns to Siobhan.

BIANCA

I have a life outside, remember?

SIOBHAN

How could I forget it?

Siobhan gets serious.

SIOBHAN (CONT'D)

Mum allowed you to study, to have a job ---

(pauses)

--- To live a life apart from us.

BIANCA

It’s not a life apart from you, Siobhan. It’s just that I wanted all that.

SIOBHAN

Some of us wanted that too and we didn’t have a choice.

BIANCA

I’m sorry about that.

Siobhan forces a smile.

SIOBHAN

Go. I’ll call you when I get another mission to assign to you.

Bianca nods. Then she turns around and leaves the room.

SIOBHAN (CONT'D)

Yeah, I think Jared and I have a lot to talk about. I can’t wait to hear what he’s got to say.

Siobhan smiles wickedly.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION AERIAL FOOTAGE of the town.

CUT TO:

EXT. P3 - DAY

Prue’s car is pulled over in front of the club. Prue comes out of the car and stares at the sign of the club.

ON PRUE’S FACE - She takes a deep breath.

PRUE

At least one thing remains the same.

She sighs and walks inside the club.

CUT TO:

INT. P3 - DANCING FLOOR / BAR / ENTRANCE - DAY

Ella is sitting by the bar checking something on the computer.

OFF TO PRUE - She comes in.

Prue looks at Ella by the bar.

PRUE

Ella?

Ella raises her glance and looks at Prue.

ELLA

(surprised)

Prue?!

Ella stands and smiles as she sees Prue approaching her.

ELLA (CONT'D)

Nice to see you!

Ella hugs Prue tightly.

PRUE

You too. What are you doing here?

They break the hug.

ELLA

Taking care of the business for you while you recover.

PRUE

I’m fine.

ELLA

I know, sweetie. But that way you can spend more time with Andrew and Nate. Besides, you’re pregnant again and I don’t mind to help you a little bit longer. Besides, I just hired a girl to help me at the shop.

PRUE

Help me here?

Ella nods yes.

ELLA

Of course. You asked me for it yourself.

PRUE

Of course.

ELLA

Besides, that’s what sisters-in-law are for.

PRUE

Sisters-in-law?

Prue seems confused and Ella notices. She takes a deep breath.

ELLA

We must find this demon that got you all confused and fast.

Prue shoots her a look.

ELLA (CONT'D)

I and Chris are married because you matched us.

PRUE

I did what?

Now Prue is more confused. Ella shoots her a look.

PRUE (CONT'D)

(disguising)

Of course, I did.

(forces a smile)

You know hormones. There’s no demon. It’s my hormones, I think the babies are messing with me.

ELLA

Babies?

Prue forces a smile.

PRUE

Just a feeling.

ELLA

Of course.

OFF TO THE ENTRANCE - Jo and Bianca come walking downstairs.

BIANCA

(whispering to Jo)

What are we doing here?

JO

You’ll see.

(calls out)

Prue?

Prue turns around and both Prue and Ella look at Jo and Bianca as they approach them.

JO (CONT'D)

I knew I’d find you here.

Prue smiles big as Jo approaches her and both hug each other. Ella shoots them a look. Then, Jo and Prue break the hug.

JO (CONT'D)

I had some things to take care of.

Prue smiles.

PRUE

I’m happy to see you.

ELLA

I believe introductions are in order.

Prue, Jo, and Bianca look at Ella.

PRUE

Oh, right. This is Jo Wright, a friend of mine. And this is ---

Prue looks at Bianca and stares still looking at her.

PRUE (CONT'D)

Bianca?

That sounded more of a question than an affirmation. Prue looks at Jo.

PRUE (CONT'D)

(to Jo)

How ---

JO

I’ll explain later.

Jo looks at Ella.

JO (CONT'D)

You’re Ella.

Ella is surprised.

ELLA

How do you know me?

JO

Prue has told me about you.

Ella seems not convinced.

JO (CONT'D)

I told Bianca about the job.

PRUE

The job?

JO

Yes, the manager job?!

Jo shoots Prue a glance. Prue gets what she means.

PRUE

Of course!

ELLA

What job?

Prue turns to Ella.

PRUE

You know, Ella, I really appreciate what you’re doing for me, but you have your own things to take care of so, I decided to hire someone to help me.

Prue looks at Bianca.

PRUE (CONT'D)

Bianca.

BIANCA

Hi.

Bianca smiles at Ella.

JO

Bianca is my aunt.

ELLA

(surprised)

Aunt? This young and already an aunt?

JO

Bianca’s sister ---

PRUE

Jo’s mother.

JO

Yeah, it’s much older.

ELLA

Oh, okay. So, I believe my work here is done.

Prue approaches Ella and holds her hands.

PRUE

Thank you, Ella.

Ella smiles.

ELLA

You don’t need to thank me, Prue. I’m part of the Halliwell coven, remember? There’s nothing I wouldn’t do for one of my best friends.

Prue smiles. Ella glances at them all.

ELLA (CONT'D)

Well, I need to leave. My shop is located across town, so I have traffic to face.

Ella smiles, takes her handbag and walks up the front stairs. Once she’s gone, Prue looks at Jo and Bianca.

PRUE

What’s going on?

Prue looks at Bianca.

PRUE (CONT'D)

Why aren’t you married to Chris?

BIANCA

Why would I be married to Chris? I don’t even know Chris Halliwell.

JO

Yes, you do. You just don’t remember.

BIANCA

This whole thing is insane.

PRUE

Tell me about it!

SOUND - A BABY CRYING.

It seems like the only one listening to it is Bianca. The others don’t.

BIANCA

Did you hear that?

JO

Heard what?

BIANCA

A baby ---

Bianca looks at them.

BIANCA (CONT'D)

Crying.

Prue and Jo exchange glances.

BIANCA (CONT'D)

It’s like he ---

Bianca takes her hand towards her chest.

BIANCA (CONT'D)

--- Needs his mummy.

JO

Matt!

BIANCA

Who’s this Matt?

Bianca is curious.

JO

(to Bianca)

Your son. I told you. You have a son.

ON BIANCA - She’s astonished.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. PRESCOTT GROUP - DAY

View at the tall building as workers head inside.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan is at his desk working on some papers. He seems very focused.

SOUND - KNOCKING ON THE DOOR.

Johnathan is so focused that he doesn’t hear the knocking.

SOUND - KNOCKING ON THE DOOR.

This time he hears it and looks at the door.

JOHNATHAN

Come in.

OFF TO THE DOOR - It opens and Cassandra peeks in.

Johnathan looks at her.

JOHNATHAN (CONT'D)

Mrs. Halliwell!

Johnathan stands and has a look at his watch. Then he looks at Cassandra who is still peeking inside.

JOHNATHAN (CONT'D) 

You are earlier. 

CASSANDRA 

Can I come in?

Johnathan signs her to come in. She does and closes the door behind her.

CASSANDRA (CONT'D)

Sorry I wasn’t announced, but it seems like your secretary hasn’t arrived yet. 

JOHNATHAN 

Yes, she has, but I asked her for some documents. 

Cassandra nods and stands still. They look at each other seriously not knowing what to say to each other.

CASSANDRA 

Mr. Hale --- 

JOHNATHAN 

(cuts her off) 

Johnathan. 

Cassandra takes a deep breath.

CASSANDRA 

Mr. Hale. 

Johnathan smirks.

CASSANDRA (CONT'D)

I’m sorry I screamed at you yesterday.

JOHNATHAN

My driver almost ran my car on you.

CASSANDRA

It wasn’t your fault.

JOHNATHAN

Well, Mrs. Halliwell, you seem nicer when you’re calmer.

Johnathan signs her to take a seat. She does and then Johnathan sits.

CASSANDRA

It’s Miss.

Johnathan shoots her a look.

JOHNATHAN

Miss Halliwell.

CASSANDRA

You can call me Cassandra. You are my boss.

JOHNATHAN

I will call you Miss Halliwell until you decide to call me by my name; Johnathan.

CASSANDRA

I think it’s more professional if we keep away the first names basis.

They stare at each other again.

CASSANDRA (CONT'D)

You asked me to come here.

JOHNATHAN

Indeed. I learned that you are in charge of the Psychology Department.

Johnathan takes some documents and pretends to be reading from it.

JOHNATHAN (CONT'D)

But you haven’t even finished your Ph.D.

CASSANDRA

I know. I had a complicated year last year, but I’m fully committed to finishing it.

Johnathan raises her glance and looks at her.

JOHNATHAN

I know you will and that’s why I asked you to come here. I'm thinking of hiring someone to help you here and so you’ll have more time to focus on finishing your Ph.D.

CASSANDRA

(surprised)

You what?

Cassandra is surprised.

JOHNATHAN

What you heard.

CASSANDRA

That’s ---

Cassandra is speechless.

JOHNATHAN

A thank you will be enough, Miss Halliwell.

Cassandra nods and smiles.

CASSANDRA

Thank you.

She stands and is about to leave, but then stops and turns around.

CASSANDRA (CONT'D)

I thought you were going to dismiss me.

Johnathan stares at her.

JOHNATHAN

I was.

(pauses)

But then I saw the face behind the name and the resume.

(pauses)

Besides, it seems like my boss has your family in great consideration. And you helped her niece.

Cassandra is speechless again.

CASSANDRA

Thank you, Mr. Hale. And yes, Althea Prescott is some sort of a friend of my family.

JOHNATHAN

Have a nice day, Miss Halliwell.

Shy, Cassandra turns around and leaves the office while Johnathan smiles. Then he gets back to his documents.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Tamora is on the couch and has her laptop on her lap. Pandora ORBS in front of her.

PANDORA

What was so urgent?

Tamora looks up at her sister and smiles.

TAMORA

I need to find an outfit for my engagement party.

Pandora’s eyes wide open.

PANDORA

You took me out of my workplace for that?!

TAMORA

It’s not just for that. It’s my engagement party.

PANDORA

Which is not until next Saturday.

TAMORA

It’s actually on Friday. I checked with Aunt Phoebe and she saw that on Friday would be better.

PANDORA

Is Aunt Phoebe your personal psychic now?

TAMORA

No, but I want everything perfect, so ---

PANDORA

I thought you and Sebastian were thinking of postponing it because of Prue.

TAMORA

We were, but then ---

Tamora puts her laptop on the center table while Pandora sits beside her.

TAMORA (CONT'D)

--- We thought that a party would be better for everyone. It’ll also be good for Prue.

PANDORA

You could tell me about it sooner. I don’t have a new dress to wear.

Tamora smiles.

TAMORA

No wonder you are my twin sister. But I must be the center of attention.

PANDORA

You will, but I’m your sister.

(stands)

Now, let’s go shopping.

Tamora stands.

TAMORA

What about work?

PANDORA

It can wait.

Both sisters smile. Then they ORB out.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan is still at his desk checking some documents.

SOUND - A KNOCK ON THE DOOR.

JOHNATHAN

Come in.

OFF TO THE DOOR - Nate comes in.

Johnathan looks at him.

JOHNATHAN (CONT'D)

Nathaniel Halliwell!

Nate smiles as he closes the door behind him and approaches Johnathan.

NATE

Stop calling me by my full name. We were best friends in college.

Johnathan smiles. They shake hands.

NATE (CONT'D)

It was good to know you are the new boss.

JOHNATHAN

It was a challenge I needed to take, mate.

Johnathan signs Nate to sit and both men sit.

JOHNATHAN (CONT'D)

I was surprised when I heard that you worked here.

NATE

It’s recent. I was hired shortly after Julian Prescott died. It was just counseling. Then everything got confusing with no one in charge to command the boat.

JOHNATHAN

Now, I am here and I was glad to know you were part of this company too.

NATE

Well, I was doing an outside work.

JOHNATHAN

Well, that has changed my friend, because I want you here full time. I need a lawyer like you.

NATE

I’m here for that. I must warn you that I have a family now and well, Prue is pregnant again and I ---

JOHNATHAN

Don’t worry about that. I completely understand.

NATE

What about you? No family yet?

JOHNATHAN

I wasn’t as luckier as you, Nate. I haven’t found the woman of my life yet.

NATE

Your problem is that every woman is the woman of your life.

Both men laugh.

JOHNATHAN

What can I do? I just like the opposite sex.

Nate smiles.

JOHNATHAN (CONT'D)

And I think I just found a woman who will be not that easy to get to.

NATE

Careful. You might find someone ready to say no to you.

JOHNATHAN

I’m not a quitter.

Both of them laugh.

NATE

Anyway, I’m gonna talk to Prue and invite you for dinner one of these days.

JOHNATHAN

I’ll be pleased. I Can't wait to meet your wife.

NATE

You’ve said it. My wife.

Johnathan smiles.

CUT TO:

EXT. P3 - DAY

STOCK.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

ON JO - She hands a glass of water to Bianca who’s sitting by the bar.

Prue is in front of her.

PRUE

Are you still listening to the baby crying?

Bianca shakes her head. She has a sip of water.

BIANCA

It has stopped.

Prue and Jo exchange glances.

PRUE

(to Jo)

Are you really sure it’s Matt?

JO

Who else? She is her mother.

Bianca puts the glass on the counter. She seems annoyed.

BIANCA

I’ve said it already. I’m no ones’ mother.

PRUE

That’s debatable. In the timeline we are from, you are a mother.

Bianca glances from Jo to Prue.

BIANCA

This is crazy. Do you know that?

PRUE

Believe me that if you were on my shoes, you’ll think this is not crazy, but hell.

Bianca takes a deep breath.

PRUE (CONT'D)

(to Bianca)

So, you are a Phoenix Witch?

JO

Mum, she never stopped being.

PRUE

Yeah, right, I mean active. An active Phoenix Witch.

BIANCA

I am.

PRUE

And you never met Chris?

Bianca shakes her head.

JO

He married Ella instead.

PRUE

And apparently because of me.

JO

What?

PRUE

Yeah, that’s what Ella just told me.

BIANCA

Well, if everything you’re telling me it’s true, then how do we fix it?

PRUE

That’s a good question indeed. We don’t know what demon is behind all this.

BIANCA

Demon?

JO

It can only be a demon. A demon with the power to change reality.

PRUE

Reality Warping.

BIANCA

That’s not a normal power.

PRUE

We know that.

MELINDA (O.S.)

Prue?

They all turn around.

OFF TO MELINDA - She comes down the entrance staircase.

PRUE

Mel?

Melinda looks at them and walks towards them.

MELINDA

(to Prue)

I came to take you out for lunch and do a little talking.

Prue and Jo exchange glances. Melinda looks at Jo and Bianca.

MELINDA (CONT'D)

Hi.

JO

Hi, Mel.

Melinda looks seriously at Jo.

MELINDA

You must be Prue’s friend.

JO

Yeah, the one you thought was a demon.

Melinda looks at Bianca probably thinking that she should have not said that word in front of Bianca. Prue and Jo notice.

PRUE

She is a witch.

(pauses)

A good witch.

JO

And P3’s new manager.

Melinda looks at Jo again.

MELINDA

Is that right?

Jo nods. Both stare at each other for seconds.

MELINDA (CONT'D)

(to Jo)

Your eyes ---

JO

I’ve got them from my aunt.

Melinda smiles. Then she turns to Prue.

MELINDA

Well, can we talk?

Prue and Melinda look at each other.

CUT TO:

INT. PHOENIX’S HEADQUARTERS - SIOBHAN’S BEDROOM - DAY

The room is dark. Siobhan is there pacing the place. She seems like she’s waiting for something.

OFF TO JARED - He FADES in.

Siobhan looks at him.

SIOBHAN

Finally!

JARED

Sorry if I kept you waiting. I just had to make sure a few things were working out.

SIOBHAN

What things?

JARED

Don’t be so curious, Siobhan. The one thing that should matter to you is to kill Bianca.

SIOBHAN

Yeah, that’s why I called you here. I say yes. I take any help you want to give me.

JARED

Oh, I’m not going to help you.

Siobhan shoots him a look.

JARED (CONT'D)

You are the one who’s going to help me. I need Bianca dead.

SIOBHAN

Why?

JARED

Because she can screw up my plans.

Jared walks around Siobhan.

JARED (CONT'D)

I believe some people might look for her and join forces to stop my plans.

SIOBHAN

What plans are you talking about?

Siobhan seems curious.

JARED

You see, my dear Siobhan, I’ve changed reality.

Siobhan is surprised.

SIOBHAN

What?

JARED

We were supposed to live in a reality where you live in hiding and Bianca is happily married to Chris Halliwell.

SIOBHAN

Chris Halliwell? How is that even possible.

JARED

I don’t have the time to tell you the whole story. You just need to know, that if you kill Bianca, no matter what reality we live in, she’ll be dead.

Siobhan and Jared stare at each other.

SIOBHAN

I always hated her and there’s not a thing I want the most but to see her dead.

JARED

Then get to it and I can assure you that once I become the leader of this world, you’ll be my right hand.

Siobhan smirks.

SIOBHAN

Why are you helping me? I wanted to kill you.

JARED

The Source wanted to kill me. She saw what I could become.

SIOBHAN

She wasn’t the Source. Leah’s plan failed even before she revealed who she was.

JARED

In this reality, darling. In the other one that no longer exists, she succeeded and became the Source. 

(pauses)

Well, that was until she was vanquished by the Power of Three and the Destined Ones.

SIOBHAN

Destined Ones?

Siobhan seems like she never heard that name.

JARED

The Halliwells.

Jared touches Siobhan’s face softly.

JARED (CONT'D)

Now, kill Bianca, please.

Both Siobhan and Jared smile.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

Jessica is by the water pit staring at it. No images are being shown there.

OFF TO JARED - He FADES in. He spots his sister right away.

JARED

Jess?

Jessica takes her glance from the water pit and looks at Jared.

JARED (CONT'D)

What are you doing here? Shouldn’t you be working on having a baby?

JESSICA

Wyatt is not in the mood.

JARED

I believe you are woman enough to get him in the mood, sis.

JESSICA

I don’t doubt that, but there’s Prue.

JARED

Don’t worry that much about Prue. No one would believe her, besides, I’m working on something to make her replace her old memories for the new ones.

JESSICA

I hope you do it right this time, Jared. Wyatt is so different from the memories I have of this new reality.

JARED

You just focus on getting your husband in the mood of having babies. I can't wait to have a nephew.

JESSICA

It could be a niece.

JARED

I don’t care the gender. I just want an heir with their powers to work alongside me.

Jared approaches his sister. She turns to him and both get face to face.

JARED (CONT'D)

Use your beautiful eyes and your sex appeal to get Wyatt into bed.

JESSICA

A normal brother wouldn’t say that to her sister.

Jared smirks.

JARED

I’m not a normal brother, sis. Get on it.

Jessica smiles and SHIMMERS out. Then Jared approaches the water pit and WAVES his right hand over it and the images appear.

ON WATER PIT - Jo and Bianca’s face can be seen as they talk. It seems like they are in P3.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. P3 - DANCE FLOOR / BAR - DAY

Jo and Bianca are sitting on a table and talking. Bianca seems amazed while she hears Jo. It seems like Jo has told her a lot.

JO

So, the Red Witch is locked and we were going back to our time. Matt and David went ahead and when mum ---

BIANCA

Prue?

Jo nods.

JO

--- Was taking me to my time when we ended up in this messed-up reality where she’s married to Nate and not Wyatt and her baby is a boy and not me.

Bianca is amazed.

BIANCA

Everything you just said is crazy.

JO

But it’s the truth.

Both Jo and Bianca stare at each other.

JO (CONT'D)

You must believe me, Aunt Bianca.

Bianca is serious.

BIANCA

You just called me aunt. That’s so weird.

JO

That’s who you are.

Bianca takes a deep breath.

BIANCA

I don’t know why, but I believe you.

Jo smiles.

BIANCA (CONT'D)

But how are we going to find the one responsible for this?

JO

I have no idea, but Prue is very smart and I know that she’ll think of something.

BIANCA

You mean your mother.

Jo smiles.

JO

The mother I always wanted to have by my side.

SIOBHAN (O.S.)

It’s a shame that reality will never come to happen.

Jo and Bianca stand and turn around to see Siobhan standing in front of them.

BIANCA

Siobhan? What are you doing here?

JO

Wait?

(surprised)

Siobhan?

BIANCA

It’s the leader of my coven.

SIOBHAN

And the one who’s going to put an end on your life for good.

Siobhan creates an ENERGY BALL on her right hand and throws it against Bianca. Not thinking twice, Jo pushes Bianca who falls on the floor and so the ball hits Jo on her left shoulder.

ON JO’S SHOULDER - It starts bleeding.

Jo and Siobhan stare at each other.

JO

I say it’s not today, bitch.

Jo WAVES her hands and using TELEKINETIC MOLECULAR COMBUSTION she moves and blows up Siobhan immediately.

ON BIANCA - Her eyes are wide open.

ON THE PLACE SIOBHAN JUST WAS - The Phoenix Witch reconstitutes herself again. She seems astonished and looks at Jo.

SIOBHAN

Who the hell are you?

JO

The heiress to a great power.

Siobhan is about to wave her hands again but Jo WAVES hers faster and THROWS her, TELEKINETICALLY, against a wall.

Siobhan hits the wall and gets on the floor. She looks up at Jo and then SHIMMERS out.

BIANCA

Okay, now I believe you are Prue and Wyatt’s daughter for sure.

Jo looks at her.

JO

Good, because I don’t know for how long I can have these powers I got from my parents. And that woman, cannot kill you. 

(pauses)

Not today.

Both Jo and Bianca stare at each other.

CUT TO:

INT. RESTAURANT - ESPLANADE - DAY

On a table, having lunch are Prue and Melinda. The waitress pours some orange juice on their glances. There are more people having lunch there.

MELINDA

(to the waitress)

Thank you.

The waitress turns around and leaves them. Melinda looks at Prue who takes her glass and has a sip of her orange juice.

MELINDA (CONT'D)

I’m glad we’ve got to do this.

Prue puts her glass on the table.

PRUE

Why didn’t we go to Halliwells?

MELINDA

Oh, you know, I wanted to do something different.

Prue forces a smile.

MELINDA (CONT'D)

Actually, I was thinking that we could go shopping together.

Prue stares seriously at Melinda.

MELINDA

You know, for Tam’s engagement party.

PRUE

(remembers)

Tam and Sebastian are engaged!

Melinda nods.

MELINDA

She was thinking about postponing it because of your situation, but we talked and it would be good for all of us.

PRUE

My situation?

Melinda smiles.

MELINDA

Chris told us everything he heard from you, Prue.

PRUE

Everything?

Melinda nods.

MELINDA

Well, I hope so.

Melinda holds Prue’s hand in a sign of support.

MELINDA (CONT'D)

Oh, sweetie, I’m really worried about you.

(pauses)

Since you and Wyatt got married with Nate and Jess, we’ve seen each other less and less. I know that I was living in the same house that Wyatt and Jessica are, but now that I’m living with Damon, I want us to get back to be besties.

PRUE

Mel, you and I are best friends no matter what, okay?

MELINDA

Well, I know, but I know that you hate that I have a good relationship with Jessica.

PRUE

Don’t say that name. That woman annoys me.

MELINDA

I know. We all know.

PRUE

So, you are telling me that we grew apart since Wyatt married that woman?

Melinda nods.

MELINDA

It’s a shame. You and Wyatt never got along, but since that, it’s been worse.

Melinda has a sip of her juice.

PRUE

And me and Nate? Did anything change since we got married?

MELINDA

Prue ---

PRUE

I’m confused, remember? I think the babies are messing with my hormones.

MELINDA

Babies?

Prue touches her belly.

PRUE

Just a feeling.

Melinda smiles.

MELINDA

Well, it makes sense. When you got pregnant with Andrew you had a bad mood.

PRUE

Did I?

MELINDA

Yeah. Trusted nobody.

PRUE

Well, that last part didn’t change. So, huh ---

(pauses)

--- Wyatt and that woman they got married after me and Nate?

MELINDA

Yeah, silly. No long after, but kinda. It was a shame you were not there.

PRUE

How was it?

(smiles disguising)

You probably already told me that before, but ---

MELINDA

(cuts her off)

No, it’s actually the first time you ask about that.

PRUE

(surprised)

What?

MELINDA

Yeah, not even Wyatt as ever asked how was your wedding.

PRUE

He wasn’t there!

MELINDA

You never got along, Prue. But things got worse since you started dating Nate. Jessica reappeared in Wyatt’s life and they started dating almost at the same time.

PRUE

I thought they dated in college.

MELINDA

They did, but they broke up and she reappeared almost at the same time you met Nate.

PRUE

Right.

MELINDA

It feels like if you’d lost your memories and I’m filling you in.

Prue forces a smile.

PRUE

As you said yourself, Wyatt and I never got along. So why bothering in knowing those
details.

MELINDA

Yeah, but it seems more than that, Prue.

PRUE

I’m fine, Mel.

SOUND - Cell phone ringing.

Both women are brought back to reality.

MELINDA

I think it’s yours.

PRUE

Yeah.

Prue searches in her bag and finds her cell phone. She picks it up.

PRUE (CONT'D)

(on the phone)

Hey, Jo.

(pauses)

Wait, what?

(pauses)

I’ll be there right away.

Prue hangs off the phone.

PRUE (CONT'D)

Sorry, Mel, I need to go.

MELINDA

(curious)

What happened?

Prue thinks if she should tell Melinda what’s happening, then she decides to do it so.

PRUE

Oh, whatever, we’re gonna need help.

MELINDA

On what?

PRUE

My new manager was attacked at P3.

MELINDA

The one who is a witch?

PRUE

A good witch, yes.

MELINDA

Then I think I’ll help you on that.

PRUE

Great.

Both women gather their stuff and stand to leave.

CUT TO:

EXT. BAY MIRROR - DAY

ON BAY MIRROR’S SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

Wyatt is sitting by his desk, but he seems to be lost in his own thoughts which seem not to be anyplace near his body. His eyes seem to be staring nothing in particular. He just squeezes his chin.

OFF TO THE DOOR - It opens and Jessica comes in wearing a brown raincoat. She smiles as she spots Wyatt.

JESSICA

Love?

Wyatt is brought back from his thoughts and looks at her as she closes the door behind her.

WYATT

(surprised)

Jess? What are you doing here?

She walks rapidly towards Wyatt and kisses him passionately while putting her bag on the desk. Wyatt kisses her back at first but then breaks the kiss and stares seriously at her.

WYATT (CONT'D)

What are you doing here?

Jessica smiles, ignoring his almost irritated mood.

JESSICA

I thought we could make out. I know I’ve been a pain in the ass so I want to compensate you.

WYATT

Jess, this is my workplace. I have a meeting in an hour and I haven’t finished my reports.

JESSICA

Well ---

Jessica starts touching his torso softly while giving him a sexy look.

JESSICA (CONT'D)

--- An hour is time enough for us to do what we are supposed to.

Wyatt glances down at her hand and then at her as well.

WYATT

Jess ---

Jessica takes back her hand and starts unbuttoning the coat. Wyatt seems astonished as he realized that his wife is wearing only a sexy green lingerie underneath the coat.

WYATT (CONT'D)

Jess ---

Jessica puts a finger on his lips in a sign for him to stop talking and then takes the coat off. She stands there, only in lingerie, in front of him.

JESSICA

I thought we could turn it into something spicier.

WYATT

Jess ---

She cuts him off by approaching him and kissing him very passionately. She leans Wyatt against the desk and starts unbuttoning his shirt.

WYATT (CONT'D)

Jess ---

JESSICA

Shush, love. Let’s enjoy the moment.

She keeps kissing Wyatt who seems a little bit reluctant at Jessica’s actions.

JESSICA (CONT'D)

I love you so much, Wyatt.

She kisses his neck and keeps unbuttoning his shirt when ---

ON WYATT HANDS - He pushes her back.

WYATT

Stop.

Jessica is astonished.

WYATT (CONT'D)

Are you crazy?

Jessica does not react to his attitude.

WYATT (CONT'D)

I’m in my workplace, Jess. And this ---

Wyatt looks at her up and down.

WYATT (CONT'D)

--- This can wait until I get home.

JESSICA

I just wanted to surprise you.

WYATT

And you did. But I’m dealing with some serious stuff right now.

(pauses)

We have to present a solution to the new CEO and lots of decisions to make. And don’t have time to ---

JESSICA

To what?

Wyatt and Jessica stare at each other.

JESSICA (CONT'D)

To love your wife? Have kids with her?

Wyatt says nothing.

JESSICA (CONT'D)

We’ve been married for years, Wyatt, and I’m so tired of waiting.

WYATT

We’ll have kids when the time is right.

JESSICA

The time is now. We should have like three kids by now. Instead, your dearest cousin is taking the front.

WYATT

Why are you talking about Prue now?

JESSICA

I haven’t even said her name.

WYATT

Well, she’s the only one with kids.

Jessica takes her coat and starts putting it on.

JESSICA

Yeah, and it seems like she’s working on in. Now us ---

WYATT

And we’ve been too, Jess. If it hasn’t happened then it’s because it wasn’t the time.

JESSICA

Well, I hope you get the time soon.

Jessica takes his bag.

JESSICA (CONT'D)

You better get home in the mood, Wyatt, because tonight I’m making babies with you even if I have to make you drink a love potion.

And just like that Jessica walks quickly out of the office leaving an astonished Wyatt behind. As she leaves, Chris walks in and looks surprised at Jessica who says nothing to him. Then Chris looks at Wyatt.

CHRIS

What the hell happened here?

Wyatt turns around and looks at his brother.

WYATT

She came here only wearing a coat.

Chris raises his eyebrows.

WYATT (CONT'D)

And a very sexy lingerie underneath.

Chris is astonished.

CHRIS

She is really taking it seriously this having a baby thing.

WYATT

Worse.

Both brothers stare at each other.

WYATT (CONT'D)

She’s jealous of Prue.

ON CHRIS - He is dead serious.

CUT TO:

EXT. BAY MIRROR - DAY

Jessica comes out of the building. She seems furious.

JESSICA

You’re gonna pay me, Prue.

(dead serious)

I swear that you’ll pay me with blood.

And she walks away rapidly.

CUT TO:

EXT. PRUE’S CONDO - DAY

Some cars pass in front of the building.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM / KITCHEN - DAY

ON NATE - He comes with a tray with some tea. He approaches a couple of visitors that are in the living room; Charlotte and Eric.

Nate approaches them and hands them the tea, each one of them takes a cup. Nate puts the tray on the coffee table and sits in front of them.

NATE

(to Charlotte)

Thanks for babysitting Andrew.

CHARLOTTE

Are you kidding?

(takes a sip of her tea)

It was my pleasure. I love babysitting my favorite nephew.

ERIC

It’s the only one you’ve got so far, darling.

CHARLOTTE

That’s why it’s my favorite.

They laugh.

ERIC

Well, Nate, Dr. Dubois has found time in her schedule for you and Prue in a couple of days. Make sure she attends this time.

NATE

I will. Thank you again. And send my thanks to Dr. Dubois.

CHARLOTTE

(sarcastic)

A saint of a woman.

Charlotte rolls her eyes as she has another sip of her tea. Eric shoots her a look.

ERIC

You know you have no reason to be jealous of her.

CHARLOTTE

I’m not.

(pauses)

I’m jealous that you admire her so much.

ERIC

Char, she is a good professional and a good friend. That’s all.

NATE

You guys are not going to fight over Dr. Dubois, right?

ERIC

Don’t worry. We won’t.

Charlotte and Eric exchange glances and then both turn to Nate.

CHARLOTTE

How is Prue anyway?

NATE

Well, she seemed better this morning. She seemed more like a mother to Andrew.

ERIC

Well, maybe everybody is right and it’s all due the hormones.

NATE

Yeah, maybe.

Nate leans back on the couch.

NATE (CONT'D)

I want nothing more but my lovely wife back.

CHARLOTTE

You and Prue love each other so much, Nate. I’m sure you two will get through it.

ERIC

Thank you, Char.

CHARLOTTE

Count me in to take care of my nephew.

The three of them smile.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION VIEW all over the town.

CUT TO:

INT. P3 - DANCE FLOOR / BAR - DAY

Bianca and Jo are sitting by the bar.

OFF TO SOMEONE BEAMING IN - Prue BEAMS in bringing Melinda.

PRUE

What happened?

JO

What took you so long, mu ---

(cuts herself off)

--- I mean, Prue?

Jo looks at Melinda.

JO (CONT'D)

Mel, what are you doing here?

Melinda smiles.

MELINDA

Well, first, this is my cousin's club and second ---

(pauses)

--- Mel is how close friends and family treat me. I just met you.

Jo swallows. She seems hurt but tries to disguises it. Prue notices it.

PRUE

That’s how she knows you. I always talk about my cousin Mel.

Prue turns to Bianca.

PRUE (CONT'D)

Are you okay?

BIANCA

I would have been better if my own ---

JO

(cuts Bianca off)

A Witch. A Phoenix Witch.

Prue shoots Jo a look. Then she looks at Bianca.

PRUE

Siobhan?

Bianca is surprised at Prue’s question.

BIANCA

How do you know?

Prue gets serious.

PRUE

I just do.

MELINDA

A Phoenix Witch?

They look at Melinda.

MELINDA (CONT'D)

Prue, from what I know, you’ve never encountered a Phoenix Witch before.

Prue looks at Melinda.

PRUE

Yeah, but I have.

Melinda seems not convinced but shakes it out.

MELINDA

(to Bianca)

What does a Phoenix Witch want with you?

Bianca is about to say something, but Jo interrupts.

JO

They don’t need a reason. Maybe Bianca messed with the wrong guy and a Phoenix Witch was sent to finish her.

PRUE

Well, we won’t let it happen again.

MELINDA

(surprised)

Again?

Prue and Jo exchange glances.

JO

What Prue means is that we won’t let an evil being get to an innocent again.

PRUE

Yeah, that.

BIANCA

I just don’t understand why.

Prue stares at Bianca for seconds.

PRUE

You know, while you think of who might have sent her, why don’t I show you the place you’ll be managing?

Bianca nods. Then Prue signs her to follow her.

MELINDA

Prue?

Prue and Bianca turn around and look at Melinda.

MELINDA (CONT'D)

Shouldn’t we be working on a way to end this Phoenix Witch in case she shows up again?

Prue and Jo exchange glances.

PRUE

Of course. Take her.

Prue points to Jo.

PRUE (CONT'D)

She’ll be a great help.

JO

Me?

Prue shoots Jo a look.

JO (CONT'D)

Of course.

Jo turns to Melinda.

JO (CONT'D)

If you don’t mind, of course.

MELINDA

Well, do you know how to orb?

JO

(smiles)

I do better.

(pauses)

I can orb surrounded by purple orbs.

Melinda is surprised. Then Jo holds Melinda’s hand, exchanges a last glance with her mother and ORBS out.

BIANCA

What’s her species after all?

Prue looks at Bianca.

BIANCA (CONT'D)

I thought she was just a witch. But she cannot be an ordinary witch. The way she fought Siobhan ---

PRUE

She’s not.

(serious)

She’s the daughter of the most powerful witches that ever walked on Earth and heiress to a great power.

Bianca stares at Prue.

PRUE (CONT'D)

The Twice Blessed Witches heiress.

Bianca raises her eyebrows. Then Prue turns around and walks towards the back of the club.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. UNDERWORLD - JARED’S CAVE - DAY

ON SIOBHAN - She is shouting out loud. Very furious. All the rage she holds inside wants to come out.

ON A CORNER - Jared stares at her seriously.

SIOBHAN

That bitch got away. I can’t believe it!

JARED

They’ve got to her before you.

SIOBHAN

(mad)

Who was this girl?!

JARED

Her name is Jo Halliwell.

Siobhan is serious.

JARED (CONT'D)

And she comes from the future.

SIOBHAN

You’ve got me lost when you said Jo Halliwell and now, you’re telling me she comes from the future?

Jared nods and walks towards Siobhan.

JARED

You see Siobhan, as I told you, we live in an altered reality in which she never met or even married Chris Halliwell.

(pauses)

But Jo and Prue remember. They know about you and about you hate towards Bianca.

SIOBHAN

She was my mother’s favorite and ---

JARED

And you never liked it.

(rolls his eyes)

Yeah, I don’t care about your family’s issues. What I cared about now is that Bianca dies otherwise something can trigger her memory and she ends up remembering what she had.

SIOBHAN

A husband.

JARED

And a son.

Siobhan swallows.

JARED (CONT'D)

Also, she has gained the trust of the Halliwells. She became one of them by name.

SIOBHAN

But Chris is married.

JARED

He is, but a marriage can be broken nowadays.

SIOBHAN

Well, tell me how do I get rid of that future girl and get to Bianca.

OFF TO JESSICA - She SHIMMERS in.

JESSICA

You kill the mother ---

Jared and Siobhan look at her.

JESSICA

--- And you’ll finish the daughter.

Jared and Siobhan stare seriously at Jessica.

CUT TO:

INT. UNDERWORLD - JARED CAVE - DAY - SHORTLY AFTER

Jared and Siobhan are still staring at Jessica.

JARED

Sis!

JESSICA

Prue needs to die soon.

SIOBHAN

Prue?

Siobhan looks at Jared who looks her back.

JARED

I told you she came from the future. In that other reality, she is Prue and Wyatt’s daughter.

Siobhan is astonished.

SIOBHAN

Come again.

JESSICA

You just need to know that you need to put an end on Prue. She’s become a pain in my ass.

JARED

Sis, we must be rational.

JESSICA

(mad)

She’s not needed and she’s screwing my plans with Wyatt.

SIOBHAN

Wait, you are the wife of the eldest.

JESSICA

His name is Wyatt and yes, I am.

Jessica is thoughtful.

JESSICA (CONT'D)

He never got eyes for me. We were in college together and first, he dated Melissa, then he ends up marrying Prue.

SIOBHAN

Do you mean in that other reality?

Jessica nods.

SIOBHAN (CONT'D)

But in this one, he is yours.

JESSICA

Not entirely.

JARED

You see, Siobhan, there’s a strong attraction between Prue and Wyatt. They are both Twice Blessed Witches.

SIOBHAN

There has never been proof of that.

JARED

Because in this reality, it was never needed.

(pauses)

But maybe my sister is right.

Jared looks at Jessica.

JARED (CONT'D)

Maybe Prue needs to be gone so Jess and Wyatt will finally have an heir.

Siobhan looks at Jared.

SIOBHAN

An heir you can control?

JARED

An heir to the Power of Nine.

SIOBHAN

But it won’t be that powerful as this future girl.

JARED

It’ll be powerful enough to give me what I want.

(smirks)

The power of the whole world.

JESSICA

And I’ll have finally what I always wanted.

They look at Jessica.

JESSICA (CONT'D)

Wyatt.

Jared turns to Siobhan.

JARED

Gather some of your Phoenix Witches and get over with it.

SIOBHAN

What if ---

JARED

Don’t fail me, Siobhan.

Siobhan nods. Then she SHIMMERS out. Jared and Jessica look at each other.

JESSICA

This must work.

JARED

This will. Otherwise, we’ll find another way.

Both siblings stare seriously at each other.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

Wyatt, Chris, and Melissa are at the round table. Chris is talking about work while Melissa is texting someone on her smartphone and Wyatt is thoughtful.

CHRIS

So that’s my idea of what we should propose to Mr. Hale.

Chris looks at them both. No one answers. Chris realizes he’s been talking to no one. He grimaces.

CHRIS (CONT'D)

Wyatt, are you still thinking of your horny wife?

Wyatt is brought back to reality as Melissa raises her glare from the phone.

WYATT

Chris!

MELISSA

Come again!

Chris smiles.

CHRIS

Yup, now both of you are here.

MELISSA

What was that you say about Jessica?

Chris leans over the table and tells her.

CHRIS

She appeared here wearing just a coat and underwear to seduce Wyatt.

Melissa is open-eyed.

MELISSA

Wow! Nasty!

WYATT

Chris, I don’t need you to speak about my private life with others.

MELISSA

Oh, darling, I’m not just another, I’m your ex-girlfriend who you left because of Jessica.

WYATT

I didn’t ---

CHRIS / MELISSA

Yes, you did.

Wyatt shrugs.

MELISSA

I remember that quite well. She was always there trying to take what was mine.

WYATT

Melissa, please.

MELISSA

Don’t get me wrong, honey, but she was the reason we broke up.

CHRIS

I agree with Melissa.

Wyatt shrugs.

MELISSA

But then what?

She turns to Chris.

CHRIS

Well, she left as horny as she came in.

Melissa is open-mouthed.

MELISSA

Seriously?

Wyatt rolls his eyes.

WYATT

Can you guys, please stop discussing my private life?

Chris and Melissa exchange glances.

MELISSA

Are you two still trying to have babies, huh?

Wyatt takes a deep breath.

WYATT

I don’t know if we should keep trying after all this time.

Chris and Melissa exchange glances again.

MELISSA

Troubles in paradise?

Wyatt lowers his gaze.

MELISSA (CONT'D)

You are the most passionate couple I ever have known.

(pauses)

And I’ve learned to forgive her for taking you from me.

Both Melissa and Chris stare at Wyatt.

WYATT

I don’t really know, guys. I just ---

Wyatt stands and turns around. He seems worried.

WYATT (CONT'D)

It’s kind ---

Wyatt turns around to face them.

WYATT (CONT'D)

--- Like I don’t feel it anymore.

CHRIS

Feel what? That you don’t love Jess?

WYATT

No, I do, but ---

MELISSA

But?

Wyatt glances from Chris to Melissa.

WYATT

I don’t know.

He tries to shake it out of his mind and starts gathering his stuff.

WYATT (CONT'D)

You know what, we should leave it for tomorrow. Mr. Hale can wait. I’ll be home.

Wyatt ends gathering his stuff and leaves the room. Chris and Melissa stare at each other.

MELISSA

If that marriage ends ---

Melissa leans back on her chair.

MELISSA (CONT'D)

--- That would be something I never saw coming.

Chris gets thoughtful. Melissa notices it.

MELISSA (CONT'D)

What?

Chris looks at her.

CHRIS

Do you think Wyatt and Jessica may be truly made for each other?

Melissa frowns.

CHRIS (CONT'D)

Like soul mates?

Melissa thinks for a while.

MELISSA

I guess so. They always got along and they love each other a lot. Very passionate couple.

CHRIS

Yeah, but true love, Melissa?

Both of them stare at each other.

MELISSA

Why are you asking me that, Chris? Do you think Wyatt and Jess were no made for each other?

Chris takes a deep breath.

CHRIS

You know what?

Chris stands.

CHRIS (CONT'D)

Just forget it. You heard the boss. We’ll get back to this matter tomorrow.

Chris also gathers his stuff and leaves the room. Melissa is thoughtful.

SOUND - TEXT MESSAGE.

Melissa takes her phone and reads the message.

ON SCREEN - IT’S AND TEXT FROM JUNIOR AND IT READS:

‘You + I + your red lingerie. Tonight.’

Melissa smiles as she reads and types the answer.

CUT TO:

EXT. PRESCOTT GROUP - DAY

STOCK.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

ON THE DOOR - It opens as Cassandra peeks inside.

CASSANDRA

Can I?

Johnathan is by the window glancing through the street outside. He looks at Cassandra.

JOHNATHAN

Miss Halliwell?

He signs her to come in. She does it carrying some folders and closes the door behind her.

CASSANDRA

I’ve got all the reports you needed from me.

She walks towards him and hands him the documents. Johnathan smiles and takes them.

JOHNATHAN

Thank you, Miss Halliwell.

Johnathan has a look at it while Cassandra stands to stare at him.

CASSANDRA

It’s just a resume about the workers that went to seek our help in this past year.

Johnathan looks at her.

JOHNATHAN

Thank you. I’ll have a look at it later.

Cassandra nods and keeps staring at him.

JOHNATHAN (CONT'D)

Anything else?

Cassandra takes a deep breath.

CASSANDRA

I wanted to say thank you again. You know, because of what you did. Having someone to help me will be great. I’ll really have more time to finish my Ph.D. Actually ---

(pauses)

--- I wanted to ask you if I can leave earlier. I have a class tonight.

JOHNATHAN

Of course. No need to ask. Besides, I already asked my secretary to seek for an assistant to you.

CASSANDRA

I started as an assistant. It’s a shame he left the ship after Mr. Prescott died.

JOHNATHAN

I wouldn’t call it a shame.

Cassandra forces a smile.

CASSANDRA

Well, thank you again, Mr. Hale. I’ll be going now.

Cassandra turns around and is about to leave. Johnathan stops.

JOHNATHAN

Miss Halliwell?

Cassandra turns around and looks at him.

JOHNATHAN

About this report ---

He puts the documents on the desk.

JOHNATHAN (CONT'D)

--- What if you resume it to me at dinner? I mean, after your class.

Cassandra doesn’t know what to say.

CASSANDRA

Huh ---

(swallows)

I really appreciate, Mr. Hale, but I don’t think it’s a good idea.

And quickly, Cassandra turns around and leaves the room while Johnathan watches her leaving. He smirks as she closes the door behind her.

JOHNATHAN

Yeah, it seems like it won’t be easy.

He smiles and sits on his chair.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNS INTO NIGHT

AERIAL VIEW all over the city as the sun sets and the moon appears on the sky.

CUT TO:

EXT. P3 - NIGHT

STOCK.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

Prue and Bianca are there talking. They are sitting at the desk, across from each other.

BIANCA

I heard you and I heard that supposed daughter of yours. But it all seems mad.

PRUE

Mad is that suddenly you end up living a life that’s not yours.

BIANCA

Yeah. Maybe.

PRUE

All that we told you is true. And Jo and I are the only ones who know that something wrong is happening. No one else.

SOUND - BABY CRYING.

Bianca glances around trying to locate where the sound comes from. Prue looks at her.

PRUE (CONT'D)

B?

Bianca looks at her.

SOUND - It stops.

PRUE (CONT'D)

You heard it again, right?

Bianca swallows.

PRUE (CONT'D)

The baby crying?

Bianca nods.

BIANCA

I must be crazy. I hear babies. I’m socializing with a good witch.

(takes a deep breath)

And I’m tempted to believe in that crazy story of yours.

PRUE

Crazy, but the truth.

Prue stands.

BIANCA

But there’s something else.

Prue looks at her.

BIANCA (CONT'D)

Siobhan.

(pauses)

Why did she do what she did?

PRUE

Because she wants to kill you.

Bianca stands, not believing what she heard.

BIANCA

But why? She’s the leader of my coven. I never did anything to make her hate me.

PRUE

Never?

They both stare at each other. Bianca gets throatful.

PRUE (CONT'D)

Weren’t you’re her mother’s favorite?

Bianca is serious.

PRUE

Yeah, you were. Siobhan’s mother promised to your mother she would give you a normal life apart from the coven.

BIANCA

Yeah, but ---

PRUE

Meanwhile, Siobhan had to train to become the leader of the coven. You lived the life she wanted to.

BIANCA

How do you know all that?

PRUE

Because we are friends and you told me that. Actually, I saved you from her. You were made prisoner and I got under covered inside your coven.

BIANCA

You what?

Bianca is surprised.

PRUE

Yeah, they found out. Then Wyatt and Chris came in to rescue me, and well, you too. They threatened your life and, at that moment, I realized that I wasn’t supposed to break you and Chris apart.

(pauses)

I was supposed to get you two together.

BIANCA

You are saying that Chris and I are together in that reality of yours because you matched us?

PRUE

Kinda. You two were in love, I just had to help you to be together.

Bianca is overwhelmed with all the information.

PRUE (CONT'D)

Look, Bianca, that Siobhan is going to be back to finish what she started. We must be prepared for her.

BIANCA

Do you mean that we must kill Siobhan?

PRUE

Believe me, I’ve wanted that for a long time. I killed Darla and that felt great.

BIANCA

Darla?

PRUE

Oh, please don’t tell me she’s alive in this reality!

BIANCA

She’s not. She died years ago. We never found out who killed her. We believed it was a mission that went wrong.

PRUE

Well, a good new. But getting back to Siobhan ---

(pauses)

--- We can’t kill Siobhan. She might be a mean to get to whoever is behind this reality-warping thing.

BIANCA

Why do you think that? It might have nothing to do.

PRUE

It might, but I have feelings. In my true reality, you’ve learned to believe my feelings. Do the same here.

Both stare at each other.

BIANCA

I don’t know why, but I do.

Prue smiles.

PRUE

Then, we don’t kill Siobhan. But we’ll try to take her hostage.

BIANCA

That’s going to be very complicated, Prue.

PRUE

Who says that I like what’s easy?

Both stare at each other.

SOUND - A voice comes from the bar.

SIOBHAN (O.S.)

Oh, Bianca!

Prue and Bianca look at each other.

SIOBHAN (O.S.) (CONT'D)

Bianca, dear, let’s have a chat. I came in peace.

PRUE

She didn’t.

Bianca takes a deep breath.

BIANCA

Are the two of us enough for her?

PRUE

She’s not alone. And I’m not alone either.

Prue touches her belly and smiles.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Melinda is sitting on the couch flipping through the Book of Shadows. Jo paces the room.

MELINDA

(not taking her eyes from the book)

Girl, can you please stop.

Jo stops and looks at Melinda.

JO

You won’t find anything in there about how to vanquish a Phoenix Witch. We just hit and kill.

Melinda looks up at Jo.

MELINDA

How do you know? I don’t know it myself. Never encountered one.

JO

I just know it.

(pauses)

We should get to Wyatt and Chris and help Prue and Bianca.

Melinda rolls her eyes.

MELINDA

Look, girl, ---

JO

Jo, my name is Jo.

MELINDA

Jo. Look, we must find out how to kill a Phoenix Witch. I know mum and the aunts encountered one a long time ago, but I know nothing about it.

JO

You don’t. But I do. We hit. We kill.

OFF TO THE ENTRANCE - Wyatt, and Chris come in and stare at Jo and Melinda.

WYATT

I thought we heard voices from here. What’s going on?

Jo and Melinda look at Wyatt and Chris. Wyatt looks at Jo.

WYATT (CONT'D)

You?

JO

My name is ---

Jo takes a deep breath.

JO (CONT'D)

--- Jo.

Jo and Wyatt stare at each other.

CHRIS

Well, what’s going on?

MELINDA

A Phoenix Witch has attacked a witch.

JO

Not just a witch. Bianca is ---

CHRIS

Bianca?

Jo looks at Chris.

JO

Yes, Bianca. P3’s new manager.

MELINDA

A witch.

Chris gets thoughtful. Jo notices.

JO

Do you recognize the name, Chris?

Chris shakes his head and looks at Jo.

CHRIS

I don’t think so. There’s too much Bianca’s in the world.

JO

No one likes this.

WYATT

Well, it doesn’t matter.

(to Melinda)

You said something about a Phoenix Witch.

MELINDA

Yes.

Melinda stands and puts the book on the couch.

MELINDA (CONT'D)

I can’t find anything in the book about how to vanquish one. But we must find a way to.

JO

I just said how.

Jo shoots Melinda a look.

MELINDA

Look, Prue sent us here, so maybe she knew we would find a way here.

JO

No, darling. She sent us here for us to get help.

WYATT

Where’s Prue?

MELINDA

She’s at P3 with Bianca.

(to Jo)

And Prue said ---

JO

To get help. You know her longer than I do. You should read her signs.

Melinda and Jo stare at each other. Then, she takes a deep breath.

MELINDA

It seems like you know her better than I do. I feel like I don’t know her anymore.

CHRIS

Hey, girls. Let’s focus here.

Jo lowers her glance. Melinda looks at Chris.

CHRIS (CONT'D)

If Prue and that ---

(pauses)

--- Bianca?

Jo nods.

CHRIS (CONT'D)

If they are in P3 and a Phoenix Witch is behind Bianca then maybe Prue and Bianca are in danger.

JO

Yeah, and we came here to get help.

Wyatt and Chris exchange glances. Then they turn to Jo and Melinda.

WYATT

(to Jo)

And according to you, how do we vanquish a Phoenix Witch?

They stare at each other.

JO

What would you do, Wyatt?

Both of them stare seriously at each other.

WYATT

We hit and kill.

Jo smiles.

JO

Exactly.

CHRIS

Then, what are we waiting for?

WYATT

Let’s go to P3.

Wyatt and Chris ORB out. Jo looks at Melinda.

JO

He reminds me so much of my father.

Melinda grimaces. Then, Jo walks towards her, toucher Melinda’s shoulder and ORBS out surrounded by PURPLE ORBS.

CUT TO:

INT. P3 - DANCE FLOOR / BAR - NIGHT

ON THE BACK DOOR - Prue and Bianca come from it and into the bar. They stand and stare at whoever is in front of them.

BEAT - Siobhan and the other two Phoenix Witches stand beside her.

ON SIOBHAN - She smirks.

SIOBHAN

Just the two of you?

PRUE

And two more. Not visible, but here.

Siobhan doesn’t understand.

SIOBHAN

(to Prue)

I won’t even bother in putting an end on you too.

PRUE

Many have tried. None has succeeded.

BIANCA

Siobhan, why are you doing this?

Siobhan looks at Bianca.

SIOBHAN

Because you always had everything I wanted. And I just want to stop you from having some more.

PRUE

Then you know.

Siobhan and Prue stare at each other.

PRUE (CONT'D)

Tell us who is behind this and I promise you’ll have a quick death.

Siobhan laughs.

SIOBHAN

Not a chance, darling. There will only be two deaths tonight and the victims will be the two of you.

BIANCA

We don’t need to do this, Siobhan. We are a family.

SIOBHAN

(mad)

We are nothing! You stole my life.

BIANCA

I never wanted ---

SIOBHAN

But you had it. You were my mother’s favorite.

BIANCA

She just kept the promise she made to my mother.

SIOBHAN

I don’t care about it anymore.

Siobhan WAVES her hand and is about to use TELEKINESIS against Prue and Bianca, but then ---

BEAT. A SHIELD, with blue orbs and purple heart combined, surround Prue and Bianca.

As the impact of Siobhan’s power hit the shield, it rebounds and Siobhan and the other Phoenixes are thrown back.

The SHIELD FADES OFF. Bianca looks at Prue.

BIANCA

What was that?

Prue smiles and looks at Bianca.

PRUE

My daughters.

ON SIOBHAN AND THE PHOENIXES - They stand and stare at Prue and Bianca.

SIOBHAN

What the hell?!

PRUE

I told you. No one has succeeded.

Siobhan nods to both the Phoenixes and the two SHIMMER out.

OFF TO WYATT, CHRIS, JO, AND MELINDA - The first two ORB in followed by Jo who ORBS in with Melinda.

They look at the scene.

The Two Phoenixes SHIMMER back in front of Prue and Bianca.

Phoenix #2 is about to introduce her right hand into Bianca’s chest, but not thinking twice, Chris throws her back, using TELEKINESIS.

Phoenix #3 tries to do the same to Prue. Wyatt is about to act, but Prue raises her hand and closes her fist. Phoenix #3 takes her hand to her own chest as she feels a strong pain inside of it as if her heart is being crushed. Which in fact is because Prue is using CRUSHING on her.

Prue smirks. Wyatt is astonished as he looks at Prue. Soon, Phoenix #3 is on the floor, dead.

WYATT

(confused)

How ---?

Prue and Bianca look at them.

PRUE

It was about time!

JO

Sorry.

WYATT

How did you do that?

Phoenix #2 stands and walks quickly towards Bianca. Siobhan walks towards them too.

PRUE

Not time to explain now, love.

Siobhan approaches Prue and is about to hit her when WYATT using MOLECULAR COMBUSTION, blows her up.

Jo raises her hand and doing the same her mother did, she starts CRUSHING Phoenix #2’s heart. Soon, the woman falls dead on the floor.

CHRIS

(surprised)

How?

Siobhan RECONSTITUTES herself and looks at them. Prue turns to Wyatt.

PRUE

Excalibur, now.

Wyatt doesn’t understand, but then focuses and CONJURES THE SWORD. Prue does the same and soon, Hadhafang appears in her hand.

WYATT

What ---?

PRUE

Later.

Siobhan SHIMMERS out. They glance around.

MELINDA

Is she gone?

BIANCA

She’s around. I can feel her.

CHRIS

How?

BIANCA

Because I’m one of them.

Prue and Jo shoot Bianca a look. Wyatt, Chris, and Melinda are astonished.

OFF TO SIOBHAN - She SHIMMERS in behind Bianca and takes a dagger to her throat.

They look at it.

PRUE

Let her go.

SIOBHAN

She’ll come with me. Later, I will come for you, Prue.

PRUE

No.

Prue turns to the others.

PRUE (CONT'D)

Let’s finish her.

Prue and Wyatt stare at each other for seconds.

WYATT

You are being friends with an assassin witch. Why doesn’t it surprise me?

BEAT. Wyatt ORBS out. Prue is astonished.

BIANCA

Prue?

Prue turns to Bianca.

SIOBHAN

Make it easy for me, Prue. Come with me now. Let’s get this over with.

They all stare at Siobhan holding the dagger against Bianca’s throat. Blood starts appearing in Bianca’s throat.

OFF TO WYATT - He ORBS in behind Siobhan and presses Excalibur against her back.
Siobhan’s eyes wide open. Wyatt withdraws the sword

WYATT

Let her go.

Prue, Chris, Melinda, and Jo are surprised. Siobhan swallows. Then, slowly, Siobhan lets go of Bianca. As soon as she is free from Siobhan, Bianca runs towards Prue.

WYATT (CONT'D)

Drop it.

Siobhan takes a deep breath. Then, she drops the dagger.

WYATT

Now, you die.

PRUE

No.

Prue and Wyatt look at each other. That gives time to Siobhan to SHIMMER in. Wyatt gets mad.

WYATT

(mad)

She ran away!

PRUE

She cannot be killed.

WYATT

Why not?

PRUE

Because she’s the only way I have to find out who has messed with my life.

Prue takes a deep breath.

PRUE (CONT'D)

And now, she’s gone.

Jo approaches Prue.

JO

Don’t worry. She’s hasn’t given up.

Prue looks at Wyatt who looks her back.

WYATT

How can you be socializing with a Phoenix Witch, Prue?

CHRIS

Wyatt!

They all look at Chris. Chris looks at Bianca.

CHRIS (CONT'D)

Maybe there is a good explanation for this.

PRUE

The one thing you must know is that Bianca is not an ordinary Phoenix Witch. She has always wanted a way out.

JO

Yeah. It’s true.

Chris and Bianca look at each other.

CHRIS

Does that woman want to kill you because of that?

BIANCA

That woman’s name is Siobhan. And she hates me because I wasn't truly one of them. I was given the chance to have a life outside of the coven.

Chris and Bianca keep staring at each other.

CHRIS

She will come back.

BIANCA

I guess we are counting on that.

MELINDA

Guys, I believe that there won’t be happening anything else tonight. We should go.

Chris and Bianca deviate her glances from each other.

BIANCA

I think I should go home.

PRUE

Yes, to my home.

BIANCA

(surprised)

What?

PRUE

You need protection, Bianca.

WYATT

Yeah, and Prue is best friend with evil beings.

Prue turns to Wyatt.

PRUE

Do you really want to go there, ---

(pauses)

--- Your Majesty?

JO

Prue?

Prue looks at Jo who shoots her a look.

PRUE

Bianca needs our protection. She's not part of that coven anymore.

(to Bianca)

You come home with me.

Then, Prue makes Hadhafang disappear.

WYATT

What was that?

Prue looks at Wyatt.

PRUE

What? Don’t I have the right to have a sword too?

WYATT

But why? How?

Prue smiles.

PRUE

You will know. Someday. You will know.

Prue turns to Jo.

PRUE (CONT'D)

Jo ---

JO

I can stay here. I’ll be fine.

Prue nods. Then she turns to Chris and Melinda.

PRUE

Chris, Mel ---

(smiles)

--- thank you.

(to Bianca)

Let’s go.

Prue touches Bianca’s shoulder and BEAMS out. The others exchange glances.

WYATT

I think we should go home too.

MELINDA

I agree. Damon must be waiting for me. Anyone can give me a ride?

WYATT

I’ll take you.

Wyatt makes Excalibur disappear. Then he walks towards Melinda and touches her shoulder. Then he ORBS out taking her.

Chris stares at Jo. She looks him back.

CHRIS

Who’s that Bianca?

JO

You remember her, don’t you?

CHRIS

Not quite. It’s like I’ve seen her before. In a dream.

Jo smiles.

JO

Go home, Chris. Tomorrow will be another day.

Both of them stare at each other seriously. Then Chris ORBS out.

Jo takes her hands to her hips and takes a deep breath.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - NIGHT

ON JARED - He screams out loud. He is mad.

Siobhan is there too. Jared turns to her.

JARED

It was a simple task.

SIOBHAN

He threatened me with Excalibur. I’m strong, but I know what that sword can do to me.

(pauses)

But I haven’t given up. I will put an end on Bianca and Prue’s live.

JARED

Don’t dare to fail me again, Siobhan. Excalibur can kill you, but I also can.

ON SIOBHAN - She swallows.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town at the sound of ‘Certain Things’ by James Arthur.

CUT TO:

INT. DAMON’S APARTMENT - DINING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

ON THE TABLE - It’s set for two.

Melinda stands there wearing a short red dress.

OFF THE ENTRANCE - Damon comes in.

DAMON

I thought we were going out for dinner.

MELINDA

In my defense, the diner comes from Halliwells.

Damon smiles. Then Melinda smiles too and both of them approach each other and share a passionate kiss.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Chris and Ella are there kissing each other. They break the kiss.

ELLA

I can’t believe that happened and you didn’t tell me.

CHRIS

There wasn’t time.

ELLA

Do you want something to eat?

Chris shakes his head.

CHRIS

I’m not really hungry.

Chris is thoughtful.

ELLA

I knew that Bianca. And I knew there was something wrong with her.

CHRIS

Maybe Prue is right and she’s not a bad person.

ELLA

She’s a Phoenix Witch, Chris. And we must worry about Prue.

CHRIS

Yeah, maybe.

ELLA

Get on the bed. I will get you something to eat.

Ella kisses him softly and then walks out of the bedroom. Chris stares at her as she leaves, then sits on the edge of the bed thoughtfully.

CHRIS

Bianca.

Then Chris feels a strong pain in the head and frowns.

CHRIS

What the hell?!

Soon, the pain disappears. Chris breaths deeply trying to calm down.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - DINING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Tamora, Pandora, Sebastian, and Ethan are having dinner.

ETHAN

So, it’s really happening on Friday.

TAMORA

We’ve got new clothes for the party.

SEBASTIAN

Have you talked to the bar’s owner?

TAMORA

Prue will say yes.

ETHAN

(to Sebastian)

We should get new clothes too.

The four of them laugh.

PANDORA

I thought Junior would be here tonight.

TAMORA

He’s probably with some girl.

They keep laughing.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

ON JUNIOR - He ORBS in.

Junior smiles as he sees Melissa standing in front of him wearing red lingerie.

MELISSA

Hello, friend!

Junior bites his lips.

JUNIOR

I spent all day thinking on that ---

He points to her lingerie.

JUNIOR (CONT'D)

--- Out of you.

Melissa smiles big and then runs towards his arms. Both kiss each other passionately.

CUT TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Eric and Charlotte are on the couch having some popcorns and watching a movie.

SOUND - Front door opening.

Soon, Cassandra comes into the living room. Eric and Charlotte look at her.

CHARLOTTE

Hey, sis! What’s up?

CASSANDRA

I just went back to college.

Charlotte smiles.

ERIC

What about your job?

Cassandra takes a deep breath.

CASSANDRA

Let’s say I believe I’ve got a good new boss.

The three of them smile.

CUT TO:

INT. PRESCOTT MANOR - CEO’S OFFICE - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Johnathan is sitting at his desk reading the documents Cassandra got him.
He smiles.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Wyatt is lying on the bed thoughtfully.

OFF TO THE DOOR - It opens and Jessica comes in. She’s still wearing the coat.

Wyatt looks at her and gets into a sitting position. Jessica closes the door behind her and looks at him.

WYATT

Where were you?

JESSICA

Wondering around.

(pauses)

Are you on the mood already?

Wyatt stares at her. Then, Jessica takes off her coat and reveals that she’s still just wearing just underwear underneath.

Wyatt stares at her while she gets on the bed and kisses him passionately.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Prue is by the crib staring at baby Andrew. She is wearing a nightdress. She smiles as she looks at the baby.

OFF TO NATE - He comes from the bathroom wearing only sleeping pants. He stops and stares at her sweetly.

Prue notices him and looks at him.

PRUE

Hey!

NATE

I love to look at you.

Prue forces a smile.

PRUE

Thank you for letting Bianca staying here.

NATE

I love you, Prue. Your wishes are my commands.

Nate approaches her and without thinking twice kisses her passionately. Prue is caught by surprise. Then she breaks the kiss.

PRUE

I’m feeling a little nauseous, Nate. Can we just lay down and sleep?

NATE

Just if you let me hug you all night.

Prue forces a smile.

PRUE

Okay.

Nate takes her hand and drags her towards the bed.

CUT TO:

INT. PRUE’S CONDO - SMALL BEDROOM - NIGHT

MUSIC FADES OFF.

Bianca is lying on the bed trying to get some sleep. She turns and turns. Sleeping is not easy.

She is getting desperate.

BIANCA

Stop it!

SOUND - Baby crying.

Bianca gets on a sitting position and tries to calm down.

BIANCA (CONT'D)

I don’t remember you, Matt, but I will get you back.

ON BIANCA - She is serious.

CUT TO BLACK.

END OF THE EPISODE