5x24 - I’ll Carry Your Heart With Me

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 5, EPISODE 24

'I'LL CARRY YOUR HEART WITH ME'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the city as rain falls heavy over the city at the sound of ‘Bruises’ by Lewis Capaldi.

Several places are shown all over the town.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

It is raining.

The lights in the attic are on as well as the front porch’s light.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

There, Chris is lighting up a few candles disposed on the floor in a circle. He then sits in the center of the circle in a meditation position. He looks down at the ring on his index finger.

ON CHRIS’ FINGER - Prue’s Cupid ring.

He takes a deep breath. He closes his eyes and focuses. But nothing happens. A faint gust of wind flickers the candles. The candles soon go out. Chris closes his eyes and looks at the candles.

ON CHRIS’ FACE - He sheds a tear.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Chris’ bedroom has been turned into a nursery. There are four cribs there. THE CAMERA moves around the cribs. In the bigger one are both Tina and Matt sleeping. The twins Peri and Patience also sleep in their cribs. The last crib is empty.

The lights are all off apart from a lamp. It is on a bedside table near the rocking chair where Prue sits with a baby in her lap; Chris and Bianca’s baby girl. Prue is closed-eyed, but the tiredness is notorious. She wears a nightgown.

Outside, the rain can be heard.

OFF TO THE ENTRANCE - The lights of the corridor are turned on and enter the room. Soon, Wyatt appears at the doorway. He’s wearing his pajama pants. He stares at Prue with a sad look as if he was waiting to find her there. Then he takes a deep breath and walks in and over to Prue.

MUSIC FADES OFF.

Wyatt kneels before Prue and looks at the baby sleeping in her lap. Then Wyatt touches Prue’s face softly.

WYATT

Love?

Prue opens her eyes slowly.

PRUE

Wy?

Wyatt forces a smile. They speak in a low tone.

PRUE (CONT’D)

What happened?

She tries to get straight in the seat.

PRUE (CONT’D)

The babies ---?

WYATT

They are asleep. All of them.

Wyatt looks at the baby in Prue’s lap.

PRUE

I needed to breastfeed her.

WYATT

Didn’t we agree to the nursing bottle during nighttime?

PRUE

You know breastfeeding is better at this age.

WYATT

I know.

PRUE

She is a premature baby. Blanche said she doesn’t need special care or anything, but ---

WYATT

(cuts her off)

But you still want to make sure she’s fine.

That wasn’t a question, but Prue nods.

WYATT (CONT’D)

I know all that, Prue, but you need to rest. You’ve been taking care of them for the past few days and that’s not doing any good to you. Melinda has moved back in, so has Damon. You don’t need to do this alone.

PRUE

I made a promise.

WYATT

Yeah. Your promise is my promise and is Mel’s and is all of us promise. Let us help.

Prue lowers her gaze.

WYATT (CONT’D)

Listen. Let’s take this little one to our bed and if one of the others cries again tonight, I’ll get up to check on them as I already was supposed to. Is that okay?

Prue glances at the other cribs and then she looks at Wyatt.

PRUE

The twins will wake up and I’ll have to ---

WYATT

Nursing bottle. Nighttime. It’s the agreement.

Prue gives up. She nods. Wyatt smiles. He stands and helps her stand. Prue moves out of the room. Wyatt follows her. Before leaving, Wyatt glances at the babies in the cribs. He lowers his gaze and then walks out of the bedroom.

THE CAMERA MOVES towards the chest of drawers. On it, there’s a frame with a photo of Bianca. THE CAMERA FIXES on the frame and ---

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Sol Esteves as Melinoe

Shannen Doherty as Prudence

Ted King as Andy Trudeau

Evangeline Lilly as Siobhan

Jennifer Rhodes as Penny Halliwell


Guest Starring

Eric Winter as Nate

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Chris Wood as Ethan

Stephen Amell as Johnathan

Robie Kay as Alex

Dove Cameron as Michaela

Katie McGrath as Ruby

Emilie de Ravin as Blanche

John Barrowman as Christopher

Taylor Cole as Brie Donovan

Vanessa Lachey as Lena

Jason Winston George as The Librarian

Jared Gilmore as Allen Trudeau

Samuel Joslin as A.J. Trudeau

Joseph Morgan as Colton

Unknown as Tina

Unknown as Matt

Unknown as twins Peri and Patience

Unknown as Young Bianca

Unknown as Young Siobhan

Unknown as Priest

Unknown as Phoenix Witches

Unknown as Mourners

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

A new day has started and the rain falls heavy on the city. The day is grey.

ON THE SKY - A light tears the sky apart.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

Siobhan is there. She walks back and forth. She seems desperate.

SIOBHAN

I need that baby. I need that baby.

OFF TO THE ENTRANCE - Melinoe walks in. She stares seriously at Siobhan.

MELINOE

Would you calm down?

Siobhan stops and stares at the Goddess.

SIOBHAN

Calm down?

MELINOE

You got your revenge. Bianca is dead.

SIOBHAN

I didn’t get my revenge. I wanted to kill her myself.

MELINOE

The vision of you in Paris accelerated the whole birth. Thanks to that, she gave birth earlier than expected. Hers was a risk pregnancy.

Siobhan stares seriously at Melinoe.

SIOBHAN

It’s not over. I need that baby. I need to raise that baby as my own. I can get her to hate them all.

MELINOE

You will. But you have to have patience. You can’t just walk in the house and get the baby. You need to wait for the best moment.

Siobhan starts walking back and forth again.

SIOBHAN

I need to be there.

Melinoe rolls her eyes.

SIOBHAN (CONT’D)

I need to be at the funeral.

MELINOE

Are you mental?

SIOBHAN

She was my sister after all. We grew up together.

MELINOE

(sarcastic)

Oh, I see. Now you’ve grown a heart.

SIOBHAN

No. I want to be there. I want to see it for myself.

Siobhan starts laughing madly.

SIOBHAN (CONT’D)

She’s gone. She’s finally gone.

Melinoe stares seriously at Siobhan as the latest laughs madly.

CUT TO:

EXT. HALLIWELL MANOR - DAY

The rain falls heavily.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

No one is there. It is set up for the post-funeral wake. Flowers are all over the place as well as some photos of Bianca.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

The same scenario here. It is set up for the post-funeral wake. Flowers and photos of Bianca are all over the place.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Beat. Chris is there lying on the floor in the center of the circle of candles. The candles are off. Chris is wearing the same clothes as the night before.

OFF TO THE ENTRANCE - The door opens. Wyatt walks in and stops as he sees his younger brother lying on the floor.

Wyatt walks over to Chris and lowers down before him.

WYATT

Chris!

Wyatt tries to wake him up.

WYATT (CONT’D)

Chris, wake up.

ON CHRIS’ FACE - He starts opening his eyes slowly. It takes him a few seconds to get used to the sunlight that comes from the window. Then he looks at his brother.

CHRIS

What happened?

Wyatt helps Chris to sit.

WYATT

You fall asleep on the floor again.

Chris glances around trying to realize where he is.

CHRIS

I was trying to ---

(looks at the ring on his finger)

--- it didn’t work.

Wyatt helps Chris to stand.

WYATT

You need to take a shower and get ready.

CHRIS

I don’t need to get ready.

Chris walks out of the circle of candles.

CHRIS (CONT’D)

I’m not going. Being there would mean I’ve accepted she’s gone.

WYATT

She’s gone, Chris.

CHRIS

(mad)

NO!

Chris turns his back on his brother.

CHRIS (CONT’D)

I’m gonna bring her back.

WYATT

You’ve tried. We all have.

CHRIS

We haven’t tried everything.

(turns to Wyatt)

We can get everyone we know. Shadow Witches, even Avatars. They owe us.

WYATT

It won’t work, Chris.

CHRIS

Are you giving up?

WYATT

I’m not giving up. I’m being realistic. Bianca is gone. The sooner you accept that the sooner you get to your children. They need you.

Chris stares seriously at Wyatt.

CHRIS

Your wife is responsible for them.

WYATT

My wife is not their parent. They need you.

CHRIS

And I need her.

Chris' eyes get wet.

CHRIS (CONT’D)

I need Bianca.

Chris sheds a tear.

CHRIS (CONT’D)

I won’t accept she’s gone.

WYATT

You need to.

Wyatt walks over to him and grabs his shoulders.

WYATT (CONT’D)

I promise you that if we ever find a way to bring Bianca back, I’ll be the first to do it. I’d be the first to get her back for you. But nothing has worked.

They look at each other in the eyes.

WYATT (CONT’D)

You need to get ready now to say a proper goodbye to your wife.

More tears come from Chris’ eyes.

CHRIS

How am I going to do it without her, Wy?

WYATT

You’ve got all of us, bro.

Wyatt hugs his brother tightly.

OFF TO THE ENTRANCE - Melinda stands at the doorway staring at them. She’s wearing pajamas. She sheds a tear. Then she turns around and leaves.

ON WYATT AND CHRIS - They keep hugging each other.

CUT TO:

EXT. WHITMORE MANOR - DAY

The rain falls heavily.

CUT TO:

INT. WHITMORE MANOR - LIVING ROOM - DAY

Tamora is sitting on the couch. She still wearing pajamas and is holding a cup of coffee. Her thoughts are far away from there.

OFF TO THE ENTRANCE - Sebastian walks in. He’s wearing a black suit.

Sebastian stops and stares at Tamora. Then he walks over to her and sits down beside her.

SEBASTIAN

Tam?

Tamora looks at him.

SEBASTIAN (CONT’D)

The coffee is already cold.

TAMORA

(confused)

Huh?

Sebastian grabs the cup of coffee and uses THERMOKINESIS to heat the coffee. Tamora looks at it.

SEBASTIAN

It was cold.

He hands her the cup again.

TAMORA

I guess I forgot to drink it.

Sebastian runs his hands through her hair and puts a lock behind her ear.

SEBASTIAN

You need to get ready.

Tamora has a sip of her coffee. Then she looks at him.

TAMORA

At first, I was reluctant to accept her into our family.

Sebastian stares at her.

TAMORA (CONT’D)

I was rude to her often.

SEBASTIAN

That was then. You learned to love her.

TAMORA

I did. Why did this have to happen?

SEBASTIAN

It was fate.

TAMORA

I can’t accept that.

SEBASTIAN

Honey, Blanche said there was nothing to do. She had low pressure condition, got pregnant too early after giving birth the first time. Besides, all the stress. Not even with professionals around would be enough to save her. We are lucky the baby is safe and sound.

TAMORA

I know. But it’s not fair. Matt and the baby won’t even know their mother.

SEBASTIAN

They will have their aunts that are going to love them as much as Bianca did.

Tamora lowers her gaze.

SEBASTIAN (CONT’D)

C’mon, honey. Let’s get you ready.

Tamora nods. Sebastian takes the cup from her hands and puts the cup on the center table. Then he helps Tamora to stand. Both walk out of the room.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

Phoebe and Coop are sitting at the table having breakfast. Or at least trying to. The only thing they take into their mouths it’s the coffee. They don’t touch the food before them.

Charlotte is by the island staring at them. All three of them are sad. Phoebe, Coop, and Charlotte are already ready for the funeral. They wear a black outfits. Cassandra walks in from the back door. She’s wearing jeans and a black t-shirt. Cassandra stops and stares at them.

CASSANDRA

Sorry, guys. I lost track of time.

COOP

Wanna grab something to eat?

Cassandra stares at the food on the table. She shakes her head.

CASSANDRA

Nothing goes down.

PHOEBE

(stands)

I need to help Piper get ready. I’ll eat once this is over.

Phoebe walks out of the kitchen. Charlotte walks over to her father.

CHARLOTTE

Dad, can we try again? I don’t know maybe Alyssa or even Cupid can get us back in time.

Coop glances at his daughters.

COOP

I’ve talked to them, sweetie, but they said that if it was supposed happen, it would have happened. If the ring is not working, then it’s because it isn’t supposed to.

CASSANDRA

I guess we just have to say goodbye.

COOP

As hard as it is for us, it’s the best we can do right now.

CHARLOTTE

We need to be strong for Chris and the kids.

Coop nods. He reaches out his hands for his daughters to grab and they do.

CUT TO:

INT. MELISSA’S APARTMENT - LIVING ROOM - DAY

Junior is sitting on the couch. He’s already wearing a black suit.

OFF TO MELISSA - She comes in already dressed in black clothes.

Melissa stops and stares sadly at Junior. Then she walks over to him and sits beside him.

MELISSA

J?

Junior takes a deep breath and looks at her.

JUNIOR

Are you ready?

Melissa nods.

JUNIOR (CONT’D)

We must go.

MELISSA

It’s early.

(grabs his hand)

How are you?

Not that well as it seems. Junior looks seriously at her. Then he takes a piece of paper from the inside pocket of his jacket. Melissa stares seriously at it.

MELISSA (CONT’D)

What is that?

Junior stares at the paper.

JUNIOR

Ruby gave me this a long time ago.

(looks at her)

I throw it away but went back for it.

MELISSA

What is it?

JUNIOR

A spell.

MELISSA

What kind of spell?

JUNIOR

Protection spell. I wanted to protect you.

Melissa frowns.

MELISSA

Did you cast a spell on me?

Junior shakes his head.

JUNIOR

I never did. But lately, I’ve been thinking about it.

MELISSA

J ---

JUNIOR

What happened to Bianca ---

MELISSA

It was fate. You heard Blanche. Bianca had low blood pressure. Besides, she got pregnant too soon after Matt and it didn’t help.

JUNIOR

Prue got pregnant again sooner than Bianca.

MELISSA

It’s different. Prue didn’t have the same health issues Bianca had. All the stress and Siobhan reappearing made it worse.

JUNIOR

Exactly. Siobhan being there didn’t help.

MELISSA

Honey, it had to happen.

JUNIOR

It’s not fair.

MELISSA

I agree with you. But that’s no reason for you to be thinking of casting a protection spell on me.

JUNIOR

I need to protect you.

MELISSA

I’ll be fine. Now, give me that.

Melissa asks for the piece of paper. Junior looks at it and then he gives it to Melissa.

MELISSA (CONT’D)

This won’t be needed.

JUNIOR

What are you going to do with it?

Melissa stands and walks out of the living room. She returns a few moments later and sits beside him again. She has a lighter. She holds the paper in one hand and the lighter in the other. She uses the lighter to burn the paper. She puts the paper on a crystal bowl that’s on the center table.

MELISSA

There. It’s gone.

Both of them stare at the paper as it burns.

ON PIECE OF PAPER - It’s consumed by the flames.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Paige and Henry come in. They are wearing black clothes.

PAIGE

We must get going.

HENRY

Pan is almost ready.

Paige sits on the couch. Henry stares at her.

PAIGE

Piper is devastated. She was reluctant in welcoming Bianca into the family at first, but she got fond of her.

HENRY

She was the mother of her grandchildren after all.

PAIGE

Yeah.

(thoughtful)

Poor kids.

Henry sits beside Paige.

PAIGE (CONT’D)

Also Phoebe. Phoebe loved Bianca very much.

(drops a tear)

I can’t believe this is happening to us.

Henry wipes away her tear.

HENRY

But it is.

Paige looks at Henry.

PAIGE

Maybe if we try to summon that angel again. The one that released Gadreel to save Jo.

HENRY

Honey?

They look at each other.

PAIGE

I know. It won’t work. It was natural.

HENRY

Mostly, yes.

OFF TO PANDORA - She comes in wearing black clothes.

PANDORA

Ethan will meet us there.

Paige and Henry glance at her.

PAIGE

Let’s go then.

Paige and Henry stand. Pandora lowers her gaze.

HENRY

Honey?

Pandora looks at her parents.

PANDORA

She was one of us. It’s not fair.

HENRY

It is not.

Henry rushes to his daughter and hugs her. He and Paige stare at each other.

CUT TO:

EXT. PRESCOTT GROUP - DAY

The rain falls heavily.

CUT TO:

INT. PRESCOTT GROUP - NATE’S OFFICE - DAY

Nate is there at his desk. He’s typing something on his computer. He wears a black suit.

SOUND - A knock on the door.

NATE

Come in.

OFF TO THE DOOR - Brie walks in. She wears black clothes.

Nate looks at her and sighs.

NATE (CONT'D)

What are you doing here? Johnathan decreed mourning until the funeral is over.

BRIE

You were not picking my calls.

NATE

(focused on his computer)

Yeah, I’m sorry, Brie, but the past few days have been complicated.

BRIE

I know. Was she close to you?

Nate takes a deep breath. He closes his computer and looks at her seriously.

NATE

She’s family.

Brie nods. Clearly, Nate is not happy with her.

NATE (CONT’D)

It doesn’t matter how close she was. Family.

BRIE

Of course.

Nate stands.

BRIE (CONT'D)

I’m sorry for your loss.

NATE

Thanks. Now, if you’d excuse me, I need to go.

BRIE

Can we talk?

Nate stares at her.

BRIE (CONT’D)

Later, I mean.

NATE

You ran away from my apartment without an explanation and now you want to talk?

BRIE

I’ve been trying to. You have been ignoring me and not picking up my calls.

NATE

Yeah, my family has been through some complicated moments. Besides, Brie, I’ve had enough drama in my life, I don’t need more.

BRIE

But ---

NATE

I need to go.

Nate walks past her and out of the office. Brie is sad at it.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Prue is not ready for the funeral yet. She’s getting Chris’ baby ready.

PRUE

(to the baby)

You’re are gonna be fine. I will pick you later when all this is finished.

SOUND - A knock on the door.

OFF TO THE DOOR - Melinda peeks inside.

MELINDA

Hey!

Prue holds the baby in her arms and looks at Melinda.

MELINDA (CONT’D)

You’re not ready yet.

PRUE

I had to get the baby ready.

Melinda comes inside. She’s already wearing black clothes.

MELINDA

Well, the twins, Matt and Tina are ready. I and Charlotte will take them to Magic School.

PRUE

Magic School? It isn’t safe there.

MELINDA

It is, Prue. We suspect that Siobhan got in by the door Chris opened. We locked it again.

PRUE

Are you sure?

Melinda shrugs.

MELINDA

Can I?

Melinda reaches out her hands to take the baby. Prue looks at the baby.

MELINDA (CONT’D)

C’mon, Prue.

PRUE

I could stay here and take care of them.

MELINDA

No, you can’t. Prue, you are not alone on this.

Prue stands.

PRUE

I promised to protect them.

MELINDA

We all are going to do that.

Prue's eyes get wet. She tries to hold the tears inside.

PRUE

I promised him I would stop it from happening. Matt.

Melinda lowers her gaze.

PRUE (CONT’D)

I didn’t.

Melinda looks at her.

MELINDA

It was fate.

PRUE

Fate? No. It was Siobhan.

MELINDA

Prue, Bianca had health issues.

PRUE

I failed her. I failed Matt.

And Prue drops a tear.

MELINDA

It is okay to break, you know? You’ve been holding on for too long.

PRUE

No. I can't break. I made a promise.

Prue hands Melinda the baby.

PRUE (CONT’D)

Let’s get through this day, so I can get back to take care of my kids.

MELINDA

Prue?

PRUE

Go.

Melinda sighs. Then she turns around and walks out of the bedroom as Wyatt comes in. Wyatt and Prue look at each other.

PRUE (CONT’D)

I’ll be ready in a bit.

Wyatt nods. Prue turns around and walks into the bathroom.

ON WYATT - He seems worried.

CUT TO:

EXT. SAN FRANCISCO - DAY

The rain still falls heavily over the city. A sad song starts playing, ‘Tears in Heaven’ by Eric Clapton.

CUT TO:

EXT. CHURCH - DAY

The rain keeps falling. People head inside the church. They all use umbrellas to protect themselves from the rain.

CUT TO:

INT. CHURCH - DAY

MUSIC KEEPS PLAYING IN THE B.G.

The atmosphere within the church is heavy. The church is crowded. At the aisle, there’s a big photo of Bianca near the ivory-colored coffin which sits on a pedestal among flowers.

The front rows are occupied by family and friends. Chris, Wyatt, Prue, Melinda, and Damon take the first seats. Piper and Leo, Phoebe and Coop, Paige and Henry, Prudence and Andy take the next. Tamora and Sebastian, Charlotte and Eric, Cassandra and Johnathan, Junior and Melissa, Pandora and Ethan are also there. Nate and Ella are also there as well as Alex, his brothers and Michaela, and Christopher. Blanche and Ruby are also there. Lena and some other Phoenix Witches are there too. In the back rows, Brie can be seen as well.

The priest stands at the altar.

THE MUSIC KEEPS PLAYING LOWLY IN THE B.G.

PRIEST

We’ve lost a beloved wife, mother, and friend. But heaven has won an angel.

(pauses)

Now, Bianca’s husband would like to say a few words.

The Priest signs to Chris. Chris looks at Wyatt who nods. Then Chris stands and walks over to the lectern. He glances at the people inside the church. His eyes are red. His beard is not made. He is in pain.

MUSIC FADES OFF.

OFF TO THE BACK OF THE CHURCH - Someone, wearing a black jacket with a hoody, walks in discreetly and stands behind a column. Beat. It's Siobhan.

CHRIS

This is one of the hardest things I’ve ever had to do. I never imagined I would have to stand here before you. Not now. Not so soon. Bianca was full of life and what I want the most now is to shout that life is not fair.

(tears run down his cheeks)

But Bianca wouldn’t like me to do that. No. She would want me to share good and happy memories of her. To tell you how much she loved and cherished our children, and she would want me to tell you about her faith. But I can't ---

He wipes away his tears.

CHRIS (CONT’D)

Instead, I’m going to read her favorite poem by E.E. Cummings.

Chris takes a paper from his pocket and unfolds it.

CHRIS (CONT’D)

(reading)

'I carry your heart with me (I carry it in

my heart) I am never without it (anywhere

I go you go, my dear; and whatever is done

by only me is your doing, my darling)

I fear

no fate (for you are my fate, my sweet) I want

no world (for beautiful you are my world, my true)

and it's you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

(here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life; which grows

higher than soul can hope or mind can hide)

and this is the wonder that's keeping the stars apart

I carry your heart (i carry it in my heart)'

Chris finishes the poem. More tears run down his face.

CHRIS (CONT’D)

Thank you.

Chris gets back to his seat. Chris looks at Prue, whose eyes are red and wet, by his side. She holds out her hand. Chris looks at her hand and then she grabs her hand.

ON THE BACK OF THE CHURCH - Siobhan stands staring at Bianca’s coffin.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FAST MOTION footage all over the city as the rain keeps falling heavily.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM / LIVING ROOM / PARLOR - DAY

The Mourners are there drinking coffee, eating cold cuts, and sharing stories. Some of the mourners are Phoenix Witches previously seen.

Charlotte slowly works her way through the Mourners. She walks over to Eric and Ethan who are talking.

CHARLOTTE

I wish this day was over already.

Pandora walks over to them.

PANDORA

We ran out of coffee capsules.

Charlotte shakes her head.

CHARLOTTE

There’s more in the basement.

PANDORA

Oh, I’ll get them then.

CHARLOTTE

(grabs Pandora’s arm)

No. Let me.

ERIC

Girls?

Charlotte and Pandora look at Eric.

ERIC (CONT’D)

We'll take care of that.

Eric signs to Ethan who nods.

ETHAN

Just stay here.

Eric and Ethan walk off. Ella walks over to Charlotte and Pandora.

ELLA

I’ve just checked with the Librarian. The kids are okay.

CHARLOTTE

I’m so glad he agreed to stay with them.

ELLA

Yeah, well, everybody else wanted to come. He’s the only one who can’t leave Magic School.

Melinda passes by carrying a plate with cold cuts. She walks over to some people and offers them some, they pick a few. Melinda then glances around and sighs. Damon walks over to her and takes the plate from her.

DAMON

Would you mind stopping?

MELINDA

Why would I do that? If I stop I fall apart. I can’t allow myself to fall apart.

DAMON

Yes, you are. You just lost your sister-in-law.

Melinda and Damon stare at each other.

MELINDA

No, I can’t. Not while Chris is down and Prue believes she has to carry the whole world on her shoulders.

DAMON

Where are they?

MELINDA

No idea.

They turn around and see how some people pay their respects to Piper, Leo, Phoebe, and Coop. Not far from them are Prudence, Paige, Andy, and Henry. They talk. Melinda takes the plate from Damon and walks out. Damon follows.

Wyatt walks into the conservatory room and glances around. Sebastian walks over to him.

SEBASTIAN

So many people, huh?

Wyatt looks at Sebastian.

WYATT

She was loved.

SEBASTIAN

Indeed. Several have asked me about Chris. Where is he?

Wyatt shakes his head. He has been looking for his brother after all, but Chris isn’t there.

CUT TO:

INT. HALLIWELL MANOR - OUT. ATTIC - DAY

The attic’s door is closed. Tamora and Cassandra are there. Tamora knocks on the door.

TAMORA

Chris, c’mon, let me in.

No answer from the inside.

CASSANDRA

What if we use our powers to get in?

TAMORA

He knows we can do that. This is clearly a message for us to leave him be.

CASSANDRA

Maybe he needs it.

TAMORA

We can’t just leave him alone.

CASSANDRA

Maybe that’s exactly what he needs, Tam. Let’s go.

Cassandra grabs Tamora’s hand. Both exchange a look. Tamora sighs agreeing.

TAMORA

Maybe you’re right.

Cassandra nods. Both of them walk off.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY (CONTINUOUS)

Prue comes from her bedroom as Tamora and Cassandra come from the attic.

TAMORA

(to Prue)

Hey!

Prue looks at them.

TAMORA (CONT’D)

How are you holding up?

PRUE

I’ll be fine.

Prue looks past them.

PRUE (CONT’D)

You’re coming from the attic?

Tamora and Cassandra nod.

PRUE (CONT’D)

He’s there, isn’t he?

Tamora and Cassandra nod again.

CASSANDRA

He’s locked inside.

Prue lowers her gaze. Tamora and Cassandra exchange glances. Then they turn to Prue who’s showing some vulnerability.

CASSANDRA (CONT’D)

Shouldn’t it be better if you rest a little bit?

PRUE

No, I need to go downstairs.

Prue turns around and walks off. Tamora and Cassandra exchange a look and then they walk off too.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Chris is placing a few lit candles in a loose circle on the floor in front of the Book of Shadows.

CHRIS

I’m gonna try this as many times as it takes for you to let me go back in time and save her.

Chris sits in the center of the circle in a meditation position. He looks at the cupid ring on his finger.

CHRIS (CONT’D)

Please. I need to save her.

Chris takes a soul-cleansing breath and then closes his eyes and focuses. A faint gust of wind flickers the candles again and the candles soon go out. Chris opens his eyes and stares at the candles.

CHRIS (CONT’D)

Why? Why can’t I go back? Why?!

A lone tear runs down his cheek.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM / LIVING ROOM / PARLOR / STAIRCASE - DAY

Prue comes walking downstairs followed by Tamora and Cassandra. Wyatt walks over to them and embraces his wife.

WYATT

Are you okay?

Prue nods.

PRUE

I think we should bring the babies back here.

WYATT

They are fine.

PRUE

I just ---

WYATT

(lifts her chin)

They are fine.

Prue gives in and nods. Junior and Melissa walk over to them.

JUNIOR

I’ve talked to so many people and honestly I couldn’t recognize many of them. I’m numb.

MELISSA

I didn’t know Bianca had so many friends.

TAMORA

Some are Chris’ friends. Bianca’s friends are basically the Phoenix Witches.

A passing Mourner, overhearing that, quietly reacts, Cassandra, seeing that, pokes Tamora.

CASSANDRA

Lower down your voice.

TAMORA

Sorry.

MELISSA

Bianca had a good heart. I never had a close relationship with her, but I always liked her.

Prue, feeling overwhelmed at the whole talk, walks off. They all stare at her.

JUNIOR

(to Wyatt)

Is she still feeling guilty?

Wyatt sighs. He nods.

MELISSA

She can’t live with that weight over her shoulders.

JUNIOR

She did what she could.

WYATT

She regrets not taking Bianca to a Hospital.

Eric walks over to them.

ERIC

In that case, I should feel guilty too. I was supposed to get to them and got lost in Magic School.

TAMORA

Eric, it’s not your fault either.

ERIC

No, I know, but I can’t stop thinking that maybe if I reached them sooner, I would suggest taking Bianca to a Hospital and ---

BLANCHE (O.S.)

Stop it.

They look at Blanche and Ruby who walk over to them.

BLANCHE (CONT’D)

There’s nothing that we could have done to save Bianca. It was a mix of everything. Her low blood pressure, stress. Siobhan being after her baby.

RUBY

You need to stop victimizing yourself.

JUNIOR

True. We should be out there trying to find and vanquishing Siobhan.

MELISSA

Let this day be over.

TAMORA

No, Junior is right. I won’t have peace until that damn witch is gone for good.

RUBY

I can lend a hand if you want me.

WYATT

This fight is ours, Ruby, but thanks.

Ruby smiles sympathetically.

CASSANDRA

Yeah, but we need to get to the end of this day. Tomorrow will be a new day and then yes, we can focus on finding Siobhan.

WYATT

Cassandra is right. Today we say goodbye. Tomorrow we vanquish Siobhan.

They all stare at each other.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

Siobhan SHIMMERS in. She turns around and ---

BEAT. Melinoe is there staring at her.

MELINOE

You had to see it for yourself, didn’t you?

Siobhan gives her back to Melinoe.

MELINOE (CONT’D)

You had to make sure she was really dead.

SIOBHAN

There’s no chance that she comes back, is it?

Siobhan turns to face Melinoe.

SIOBHAN (CONT’D)

She won’t be back, right?

Melinoe smirks.

MELINOE

No, unless they go back in time and stop her from dying which I believe is impossible. It would bring serious consequences since she died giving birth.

SIOBHAN

I wanted it to be me.

(furious)

I wanted it to be me to put an end to that witch.

MELINOE

You can consider it as your doing. You rushed the birth. That was vital.

SIOBHAN

I still want that baby. She’s gonna need a guardian. It’s tradition for us Phoenixes. If our mother is unable to raise and train us, a guardian should be given to us. To protect, raise, and train. My mother was Bianca’s guardian.

MELINOE

The other Phoenixes would never let you be the baby’s guardian.

SIOBHAN

I can talk to them and make them do it.

MELINOE

You won’t make them do anything. They don’t obey you anymore.

SIOBHAN

I’m still the leader. Now with Bianca gone ---

MELINOE

They won’t want you.

Siobhan stares at Melinoe seriously.

SIOBHAN

My mother wanted Bianca to take the role of the leader of our coven. She begged me before dying. I remember looking at her and telling her that I would never let Bianca be in the place that belonged to me.

Melinoe stares at Siobhan listening to what she’s saying.

SIOBHAN (CONT’D)

I never shared her last desires with my coven sisters. Then Bianca deserted me and so did others. They chose her to lead them. But now she’s gone and I’m gonna take my place back. And I’m gonna take that baby to raise as my own.

(smiles wickedly)

She won’t ever hear her name. Bianca won’t even be a small memory once I get my place back.

Siobhan walks over to Melinoe.

SIOBHAN (CONT’D)

Help me to get my child back.

MELINOE

That will cost you.

Melinoe and Siobhan stare seriously at each other.

SIOBHAN

You have something against them. You looked for me first. What is it that you hold against them?

MELINOE

They took something from me. Someone. Someone that could help me get what I always wanted. What I still want.

SIOBHAN

Do you want me to help you do so?

Melinoe laughs at Siobhan’s face.

MELINOE

You and your coven of assassin witches would never be a match to my worse enemy. No.

(stops laughing)

I need more than your insignificant little coven. No. There’s another that might be able to help me, but for that, he’s gonna need to learn the true extent of his power.

SIOBHAN

Then what do you want from me?

MELINOE

To cause pain. The Destined Ones took Jared from me. Jared was the perfect match. The perfect partner to my plans.

Siobhan frowns.

SIOBHAN

Jared? An Avatar? He lost his fight.

MELINOE

He did. A misfortune. I could try to bring him back, you know. But that would take a lot of me. So, I plan to break havoc instead.

(smiles)

Starting with you. The baby is in Magic School. Let’s get you inside again. And this time, make sure you return with that little phoenix in your arms.

Melinoe and Siobhan stare seriously at each other.

ON MELINOE - A determined look is on her face.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Ella is there sitting at the island with a mug between her hands. She stares at nothing. Her thoughts are far from there.

OFF TO NATE - He comes in and stops as he sees her there.

NATE

Is it here the right place to hide?

Ella looks at him over her shoulder and forces a smile. Nate walks over to the coffee machine, takes a mug, and pours himself a coffee.

ELLA

Who said I’m hiding?

NATE

No one. But I am.

He walks over to the counter and sits beside her.

ELLA

Who are you hiding from?

NATE

Brie.

Ella looks at him and smiles.

ELLA

Isn’t that the name of the girl you told me about?

Nate nods.

ELLA (CONT’D)

Is it the name?

NATE

(smiles)

It has nothing to do with the name.

Ella has a sip of what she’s drinking.

NATE (CONT’D)

We slept together.

ELLA

Wow.

NATE

Yeah. And she just left in the morning without an explanation.

ELLA

Just like that?

NATE

No just like that. We were okay. Then out of a sudden, she left.

ELLA

Okay, what did you tell her?

NATE

Nothing.

ELLA

You probably said something she didn’t like.

NATE

I didn’t, El.

Ella stares at him.

ELLA

Why are you hiding from her? Wait. Is she here?

Nate nods.

NATE

She is. She wants to talk.

ELLA

Oh.

NATE

Yeah. I don’t know if I want to talk.

ELLA

Well, my friend, I believe that’s the only way for you to find out what happened.

NATE

Yeah.

Nate looks at Ella as she looks away from him.

NATE (CONT’D)

Now, seriously, who are you hiding from?

Ella looks at him.

ELLA

I’m not hiding, I’m just ---

(sighs)

I don’t want to see Chris. Or better, I don’t want him to see me and think that I might think that I have a chance with him now that Bianca is gone.

NATE

Do you?

Ella looks away.

NATE (CONT’D)

Do you have hope?

Ella shakes her head.

ELLA

No. I don’t.

Nate looks away. Both of them stare at nothing.

ELLA (CONT’D)

I felt guilty.

(lowers her gaze)

When she died, I felt that it was my fault.

Nate looks at her.

ELLA (CONT’D)

There was a moment I wanted her gone.

(looks at Nate)

Back then when I thought I was married to him.

(pauses)

I regretted it immediately.

NATE

You know it’s not your fault, right?

ELLA

I know, but still.

Nate smiles sympathetically.

OFF TO THE ENTRANCE - Brie comes in. She sees them and stops.

BRIE

I’m sorry.

Ella and Nate look at Brie. Ella frowns as she sees her.

BRIE (CONT’D)

(to Nate)

Can we talk?

NATE

I don’t really think it’s the moment.

ELLA

Brie?

Ella stands. She stares at Brie. She knows her.

ELLA (CONT’D)

Is it you?

BRIE

Hi, Ella.

Nate stands astonished.

NATE

(surprised)

You two know each other?

BRIE

Yes, that is why I want to talk to you.

Ella and Nate exchange glances.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Mourners are there. Prue is in a corner just staring through the window. Wyatt walks into the room and glances around. As he spots Prue, he walks over to her.

WYATT

Love?

Prue doesn’t turn to him. Wyatt turns her around and lifts her chin.

WYATT (CONT’D)

You left us talking.

PRUE

I was feeling overwhelmed.

WYATT

I know.

Prue glances around.

PRUE

Why don’t they leave already?

WYATT

They are paying their respects.

PRUE

Yeah, but I need this day to be over.

Wyatt nods.

WYATT

Chris is locked in the attic.

Prue looks at her finger where her cupid ring was supposed to be.

WYATT (CONT’D)

He can’t keep doing this.

PRUE

I can relate. I did the same when I thought I’d lost you.

WYATT

I was alive.

PRUE

Yes, but I understand him.

Wyatt stares at her for a few seconds. He wants to say something.

WYATT

You should talk to him.

Prue looks at him surprised at his suggestion.

PRUE

No.

(shakes her head)

I can’t.

WYATT

He’ll listen to you.

PRUE

No, he won’t. I would do the same he’s doing. Actually, I should be doing the same. Instead, I’m here ---

(glances around; raises her voice)

--- hosting this reception and pretending everything will be fine.

Wyatt touches her face softly and forces her to look at him. Some mourners stare at them.

PRUE (CONT’D)

I can’t do this, Wy.

Prue sighs. Wyatt embraces her.

PRUE (CONT’D)

She died on me. I was supposed to save her ---

(drops a tear)

--- and I didn’t. I didn’t.

Prue buries her face in Wyatt’s chest. Wyatt sighs.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

STILL FOOTAGE at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

Tina and Matt are playing on the floor with their toys. Near them, baby Peri and Patience play on their play mat. A crib is nearby, where Chris and Bianca’s younger daughter sleeps. The Librarian is sitting on a couch nearby. He looks at the kids and smiles. Matt takes his nursing bottle, but it seems like it’s empty.

LIBRARIAN

Oh, there is no water, Matt. Let me.

The Librarian takes the bottle.

LIBRARIAN (CONT’D)

I’ll be right back.

The Librarian walks out of the room. Tina and Matt play. Then ---

BEAT. Siobhan SHIMMERS in near them. She stares at the babies and smirks.

CUT TO:

INT. HALLIWELL MANOR - DINING ROOM - DAY

Melinda and Damon are there. Wyatt and Prue come in. Melinda and Damon turn to them. Melinda takes a glass of water from the table and hands it to Prue.

MELINDA

It’s settled. Tonight I and Damon take care of the babies while you sleep.

Prue takes the glass.

PRUE

I’m good.

Wyatt rubs Prue’s back.

WYATT

It’s the best to do.

PRUE

(rude)

I said I’m good.

(has a sip of water)

I just need to lie down a bit.

MELINDA

I’ll take you.

Prue nods. She hands Wyatt the glass and walks out followed by Melinda. Damon and Wyatt stare at each other.

DAMON

She can’t keep doing this to herself.

WYATT

No, she can’t.

DAMON

And you? How are you?

WYATT

Between my wife and my brother, I don’t have time to feel, man.

Damon grimaces understanding what he means.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Prue and Melinda come in. Melinda shuts the door behind her.

MELINDA

(staring at Prue)

Want to talk?

Prue sits on the bed.

PRUE

No.

MELINDA

Prue ---

PRUE

I won’t break. I can’t break, okay? Don’t push me.

MELINDA

(walks over to her)

I think you need to cry. Like for real. To take it out of you.

PRUE

I just need to ---

(exhales)

I need to bring Bianca back. I couldn’t save her, but I can bring her back.

MELINDA

Prue ---

Prue stands.

PRUE

I’ll do it myself. I’m a cupid, I can’t do it. I have before.

MELINDA

What if you’re not supposed to?

PRUE

(turns to Melinda)

I’m almighty Prue. Of course, I can.

Wyatt comes in with a mug.

WYATT

Hey, I brought camomile. Our mothers are on this outside in the garden. They seem calmer.

Prue looks at Wyatt.

PRUE

I know what to do.

MELINDA

She wants to try to go back in time.

WYATT

We have.

MELINDA

Yeah. Exactly.

PRUE

No. We were down. We were trying to process Bianca’s death, but now ---

(walks over to Wyatt)

--- I can do it.

Prue seems like she has hope.

PRUE (CONT’D)

I did it when I bought mom back, remember? I can do it again. It’s me.

Wyatt and Melinda exchange glances.

WYATT

I don’t know, Prue.

PRUE

But I do.

Prue seems faithful, but out of a sudden, she feels something. Prue takes her hand to her chest. Wyatt notices something is wrong with her.

WYATT

Love?

PRUE

The kids.

(looks at Wyatt)

Where are they exactly?

MELINDA

I told you.

Prue looks at Melinda.

MELINDA (CONT’D)

Magic School.

PRUE

It’s not safe there.

WYATT

The school’s protection has been increased.

PRUE

I have a feeling.

Wyatt and Melinda look at each other.

PRUE (CONT’D)

They are in danger.

Wyatt looks at Prue.

PRUE (CONT’D)

She’s in danger.

Wyatt and Prue stare seriously at each other.

CUT TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

ON SIOBHAN - She makes a move forward, but ---

Tina and Matt stare at Siobhan. BEAT. Tina turns on her PURPLE ORB SHIELD around her, her sisters, and cousins.

Siobhan stares at it and smiles.

SIOBHAN

You don’t need that, baby. I won’t harm you. I’m Auntie B’s friend.

Tina doesn’t turn off the orb shield.

SIOBHAN (CONT’D)

C’mon, baby. I’m your little cousins’ auntie.

Siobhan lowers down and stares face-to-face with Tina.

SIOBHAN (CONT’D)

I just want to take the little one on a tour. I miss Bianca too, you know?

(pauses)

Please.

But Tina is not a fool.

OFF TO WYATT AND PRUE - Wyatt ORBS in bringing Prue. They see Siobhan next to their eldest daughter.

WYATT

Get away from them.

Wyatt uses TELEKINESIS and throws Siobhan flying across the room.

PRUE

Your bitch!

Prue uses TELEKINETIC MOLECULAR COMBUSTION on Siobhan who blows up, but she uses RECONSTITUTION to reform her body. She stands staring at them. Then Siobhan SHIMMERS out before Wyatt and Prue use their powers on her again. Prue rushes to the babies as Tina turns off the orb shield. Wyatt rushes to them too. Prue embraces Tina tightly.

PRUE (CONT’D)

My baby.

Then Prue rushes to Matt and embraces him as Wyatt takes Tina in his arms.

WYATT

(to Tina)

Good girl.

TINA

Daddy.

Wyatt’s eyes go wide. Prue and Wyatt look at each other.

PRUE

Did she ---?

WYATT

Her first word was daddy.

Wyatt smiles and kisses Tina. Prue smiles staring at them.

MATT

Mummy?

Prue’s smile fades immediately. Wyatt and Prue look at Matt. Prue cups Matt’s face between her hands.

PRUE

Mummy is in here.

Prue touches Matt’s little chest.

PRUE (CONT’D)

She will be always with you, my dear.

(drops a tear)

But I won’t let you forget her.

Wyatt stares as Prue embraces Matt again.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION AERIAL FOOTAGE of the city.

The rain has stopped, but the day is grey.

CUT TO:

INT. HALLIWELL MANOR - STAIRCASE / FOYER / DINING ROOM - DAY

The mourners have left.

Melinda comes downstairs. She seems furious. Pandora and Ethan come from the dining room.

ETHAN

How did it go?

Melinda takes her hands to her waist.

MELINDA

He doesn’t want to open the door.

Wyatt comes from the living room.

WYATT

(determined)

Well, that’s gonna stop now.

Wyatt rushes upstairs. Melinda sighs.

PANDORA

He has to react.

MELINDA

He’s just focused on going back in time and saving Bianca.

ETHAN

Is there any chance?

Melinda and Pandora exchange glances.

MELINDA

I don’t think so.

PANDORA

Magic itself is stopping us from doing so.

ETHAN

Natural course.

Melinda and Pandora nod.

MELINDA

But not even that is making him accept it.

(takes a deep breath)

I’m gonna check the kids.

Melinda walks upstairs. Pandora and Ethan look at each other.

CUT TO:

INT. HALLIWELL MANOR - OUT. ATTIC - DAY

Wyatt comes in and knocks strongly upon the door.

WYATT

Open the damn door, Chris, or I’ll orb in.

No answer.

WYATT (CONT’D)

You know that I can do it, so open the door.

(knocks)

Now.

Wyatt is using his big brother's card, but still no answer. Wyatt stares at the door seriously.

WYATT (CONT’D)

Fine.

Wyatt ORBS out.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (CONTINUOUS)

Wyatt ORBS in and ---

BEAT. His eyes go wide as he glances around. The attic is a mess. Many objects are scattered on the floor. It could be confused with a demon attack, but soon Wyatt realizes that it wasn’t. Wyatt spots Chris kneeling on the floor, his hands covering his face. He looks defeated. He cries his eyes out.

WYATT

Chris?

Wyatt’s expression softens as he sees his brother in that state.

WYATT (CONT’D)

Brother?

Chris turns to face Wyatt. His eyes are red.

CHRIS

I can’t save her.

(desperate)

I’ve tried everything and nothing works. I can’t save my wife.

Wyatt walks over to his brother and kneels beside him.

CHRIS (CONT’D)

I can’t bear to lose the love of my life, Wyatt. I can’t lose her. I can’t lose Bianca. I can’t.

Wyatt hugs Chris and Chris keeps crying. He is in big pain. He feels defeated. He feels powerless.

CUT TO:

INT. UNDERWORLD - CAVE - DAY

Siobhan is furious. Her face is red such as the rage that consumes her.

Melinoe BLUE SMOKES in and stares at her.

SIOBHAN

Those damn witches!

MELINOE

So, you failed again, huh?!

Siobhan turns to Melinoe and stares at her with her infuriated look.

SIOBHAN

It was the girl. She raised up her shield to gain time for mummy and daddy dearest to come.

MELINOE

(smiles)

That girl is gonna be trouble.

SIOBHAN

It’s not funny.

Melinoe walks over to Siobhan.

MELINOE

What were you waiting for?

Siobhan looks away.

MELINOE (CONT’D)

To get there, take the baby and leave without a fight? Please. I took you for someone
smarter.

SIOBHAN

I didn’t know the girl was already showing powers.

MELINOE

It’s the damn daughter of the Twice Blessed witches. They display powers from the womb if needed. Their powers are beyond comparison. Almost match for a ---

Melinoe cuts herself off. Siobhan looks at her.

SIOBHAN

Almost match for what?

Melinoe looks away.

SIOBHAN (CONT’D)

Have you met them? I don’t recall them fighting against a Goddess.

MELINOE

I haven’t, but I know what I’m talking about.

Melinoe sounds mysterious.

MELINOE (CONT’D)

The point here is that you want that baby, so you cannot expect to take her without a fight. Even if it is against one of the kids.

SIOBHAN

I don’t have more Phoenixes with me.

MELINOE

You don’t need them. You need to be smart.

Siobhan stares seriously at Melinoe.

MELINOE (CONT’D)

You need to win their trust.

SIOBHAN

Did you hear when I said that it was the freaking daughter of the Twice Blessed witches that raised the damn shield up? She’s her mother’s daughter.

MELINOE

And you are the leader of the Phoenixes.

SIOBHAN

I’m not anymore. I never was, actually.

MELINOE

That’s irrelevant now. You need to win their trust. Use your brain to get to the baby.

Siobhan and Melinoe stare seriously at each other. Then, Siobhan’s facial expression changes as something pops into her mind.

SIOBHAN

I already know how to do it.

ON SIOBHAN - She smirks.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt helps Chris to stand on the floor. Chris looks at Wyatt. His eyes are red and wet.

WYATT

You can’t fall apart. Your children need you.

CHRIS

I don’t know if I can do it without her, Wyatt.

WYATT

You can. You have me and Prue and Mel. All of us. We are not going to leave you alone.

Wyatt takes Chris to a sofa and both sit there.

WYATT (CONT’D)

Siobhan tried again.

Wyatt drops the information at once. Chris looks at him.

CHRIS

What?

WYATT

The children were at Magic School when it happened. We can’t understand how she got in. Magic School is still protected from evil, so we don’t understand.

CHRIS

Wait, go back? What did she want?

Wyatt stares at Chris seriously.

CHRIS (CONT’D)

The baby?

Wyatt nods.

WYATT

Tina used her orb shield.

Chris is astonished.

CHRIS

So, killing Bianca wasn’t enough.

WYATT

If we think it through, she didn’t kill Bianca.

CHRIS

She caused it. If she kept away, Bianca would be here.

WYATT

We don’t know that, Chris.

CHRIS

(stands; mad)

She did it. All this was her fault.

WYATT

(stands)

I know you hate her, but right now we need to keep our minds focused. Hate is not going to help.

OFF TO PRUE - She walks in.

PRUE

On the opposite. It will.

Wyatt and Chris look at Prue.

WYATT

Prue ---

PRUE

We need to get rid of her once and for all.

Prue walks over to Chris.

PRUE (CONT’D)

(reaches out her hand)

My ring?

Chris stares seriously at Prue. He looks at Prue’s ring in his hand. He takes it off and hands it to Prue.

WYATT

What are you thinking, Prue?

PRUE (CONT’D)

I’m gonna do the same thing Jared did.

(puts the ring on)

We’ll find her toddler self and get rid of her before she can become who she is now.

Wyatt can’t believe what she just said. Chris and Prue stare seriously at each other and for a slight moment a remnant of hope is felt.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (LATER)

Melinda, Damon, Charlotte, Eric, Pandora, Ethan, Cassandra, Johnathan, and Nate are there.

DAMON

But they left the babies in Magic School?

MELINDA

Yes. Tam, Junior, and Sebastian are there. And so are the Librarian, Alex, and Michaela. Besides, all the staff has returned.

CHARLOTTE

Our mothers and fathers?

CASSANDRA

They returned to New Orleans. Wyatt thought it was better not to tell them about what happened. Well, at least to our mothers.

JOHNATHAN

Is there a plan to catch this lady?

ERIC

She’s not a lady, mate. She a hell of a pain in the ass.

DAMON

Siobhan has been a problem for years. We’ve been trying to find her all this time and nothing.

CHARLOTTE

She actually manages to find us and caught us unprepared for her.

JOHNATHAN

I see. But hey, your powers? Why didn’t Wyatt or Prue kill her when they found her in Magic School before.

MELINDA

It’s not as simple as that. Phoenix witches have a power named reconstitution which means that can reform their bodies after being vanquished.

Johnathan and Ethan look at each other amazed.

ETHAN

But you vanquished a few the other day, right?

CHARLOTTE

Excalibur is one of the things that can vanquish her.

JOHNATHAN

Wait, Excalibur? As in King Arthur’s sword?

Cassandra nods and pats Johnathan’s shoulder.

CASSANDRA

King Arthur was Wyatt’s past life.

Johnathan’s eyes go widen.

ETHAN

Is there a storybook we can use we can read to learn all that?

MELINDA

Yeah, it’s called life. Now, back to what matters. I think I have a plan. I don’t know if it’ll work out, but it’s the best I can think of. But I’m gonna need help on that and some glamouring skills.

Johnathan and Ethan look at each other confused. The others look at Melinda as she starts explaining her plans.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION view all over the city.

CUT TO:

INT. PHOENIXES’ HEADQUARTERS - LIVING ROOM - DAY (2003)

ON THE SCREEN - It reads:

2003

A four years old girl is playing with her doll in the center of the living room. She seems happy. This little girl is Siobhan herself. She wears yellow jeans and a nice Lilo & Stitch t-shirt.

Near her, a HEART STARTS SHAPING. Soon, Prue holding hands with Wyatt and Chris appear. They glance around and they see little Siobhan there.

Prue and Chris stare at each other. Prue nods. Wyatt looks at him. He grabs Prue’s arm.

WYATT

We can’t do this. It’s just a girl.

PRUE

That girl is going to turn into an evil witch responsible for Bianca’s death.

Little Siobhan looks at them as she could hear them.

LITTLE SIOBHAN

Who are you?

Wyatt, Prue, and Chris look at her.

WYATT

Hey, little one. We are just visitors.

LITTLE SIOBHAN

Are you here to see my mother? She’s busy now.

The girl seems so sweet. Wyatt looks at Prue and Chris.

WYATT

Guys?

Chris’s glare is fixed on little Siobhan.

PRUE

Chris?

Chris walks over to little Siobhan and kneels before her.

CHRIS

What’s your name?

LITTLE SIOBHAN

Siobhan. I’m a Phoenix witch.

Little Siobhan shows Chris the mark on the back of her wrist. Chris looks at it.

CHRIS

I can’t let you take the best thing that happened to me.

Prue and Wyatt stare seriously at Chris.

WYATT

Prue?

PRUE

It has to be done, Wyatt.

WYATT

(looks at Prue)

We have children.

PRUE

They are not evil.

WYATT

That little girl hasn’t chosen her side yet. Killing her before she chooses one side? Not to mention what it can cause to our own present.

Chris raises her hand and starts clenching his fist when ---

OFF TO THE ENTRANCE - A four years old girl comes in. She’s wearing a Barbie of Swan Lake dress. Her brown eyes and hair are unmistakable.

LITTLE BIANCA

Siobhan, Siobhan! Look at my new dress.

Beat. The little girl is 4 years old Bianca. Little Bianca stops and stares at the strangers.

LITTLE BIANCA (CONT’D)

Hello?

CHRIS

Hi.

Chris recognizes her immediately. Little Bianca smiles at Chris.

LITTLE BIANCA

I didn’t know you had visitors.

LITTLE SIOBHAN

They came to see my mom.

LITTLE BIANCA

I see.

Prue and Wyatt stare at little Bianca.

WYATT

Is that ---?

PRUE

Yes. Bianca.

Little Bianca smiles friendly at them.

LITTLE BIANCA

I’m Bianca.

Little Bianca approaches Chris and reaches out her hand. Chris looks at it and then at her.

CHRIS

I’m Chris.

Chris handshakes little Bianca’s hand. She smiles.

LITTLE SIOBHAN

She’s my best friend.

LITTLE BIANCA

(to Chris)

I like your eyes.

CHRIS

And I love yours.

Little Bianca smiles big.

LITTLE BIANCA

Are you staying for our tea party?

Chris forces a smile.

CHRIS

I can’t. I need to go back home.

LITTLE BIANCA

Will I see you again?

Chris nods.

CHRIS

You will.

Chris stares at her for a little bit and a tear runs down his cheeks. Little Bianca approaches him and wipes away the tear. They look each other in the eyes.

LITTLE BIANCA

Whatever it is, it’ll be fine. Believe.

Prue drops a tear. Wyatt notices it. He puts an arm over her shoulders. Chris stands.

CHRIS

I can’t do it.

Chris turns and approaches Prue and Wyatt.

CHRIS (CONT’D)

I can’t.

Prue and Chris look at each other. Prue nods. She reaches out her hand for Chris to grab it. He does. The three of them then look at little Bianca and Siobhan. They sign them goodbye. Chris smiles at little Bianca one last time. Then a HEART STARTS SHAPING in Prue’s heart and the three of them disappear. The little girls play together.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. HALLIWELL MANOR - DAY (PRESENT)

STILL view of the manor.

ON THE SCREEN - It reads:

2037

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY (CONTINUOUS)

Melinda and Damon are there.

MELINDA

I can’t understand. They were here.

Charlotte walks in.

CHARLOTTE

Prue and Wyatt aren’t in their bedroom either.

DAMON

They can’t just disappear.

MELINDA

I guess we can all agree that they can.

Then, a HEART STARTS SHAPING, and Prue, Wyatt, and Chris appear. Melinda, Charlotte, and Damon look at them.

MELINDA (CONT’D)

Where the heck were you? Wait ---

She realizes something.

MELINDA (CONT’D)

You traveled back in time, didn’t you?

Prue, Wyatt, and Chris glance at each other.

MELINDA (CONT’D)

Did you do it? Did you save Bianca?

Chris shakes his head.

CHRIS

I was going to kill Siobhan. But ---

MELINDA

But what?

WYATT

She was a toddler.

MELINDA

(astonished)

What?

CHARLOTTE

Guys, that’s not ---

PRUE

He didn’t do it. And I was ready in case he didn’t, but ---

DAMON

But what?

WYATT

We met little Bianca.

Prue rushes out of the attic quickly. They all stare at her.

MELINDA

(ready to leave after Prue)

I’m gonna ---

CHRIS

(cuts her off)

No. I’ll go.

Chris walks out of the attic after Prue.

WYATT

That we didn’t kill little Siobhan doesn’t mean the same applies to the Siobhan we know.

MELINDA

Great. Because I have a plan.

WYATT

I’m all ears.

Wyatt and Melinda stare at each other.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Prue walks in and shuts the door closed. She comes crying. Her eyes are red and wet.

PRUE

(to herself)

You promised, Prue. You promised your nephew you would protect her.

Prue walks over to her bed and starts throwing pillows away. She is breaking now.

OFF TO THE DOOR - It opens. Chris walks in and stares at her.

Prue kneels beside the bed and covers her face with her hands. She cries hard.

Chris shuts the door behind him. Then he walks towards her and kneels before her. He embraces her as tears take over him too.

PRUE (CONT’D)

I’m so sorry, Chris. I’m so sorry.

CHRIS

I know.

PRUE

I promised Matt I was going to protect her. I promised him I was going to change his future. I failed.

CHRIS

We both did.

Chris grabs Prue’s face between his hands.

CHRIS (CONT’D)

I was supposed to protect her too and I didn’t.

PRUE

If I had told you sooner ---

CHRIS

But you didn’t and as hard as it is to accept it, we can’t change that. Killing Siobhan before she becomes this evil witch wouldn’t even work. We would lose Bianca anyway.

PRUE

No. We have to find a way.

CHRIS

No, we won’t. She’s gone.

They stare at each other.

CHRIS (CONT’D)

She’s gone.

They embrace each other.

CHRIS (CONT’D)

It’s not your fault. And it’s not mine.

PRUE

Siobhan.

CHRIS

Yeah. She’s responsible and she’s gonna pay for what she did, but she didn’t kill her.

PRUE

She’ll try to get your daughter again.

Chris breaks the hug.

CHRIS

Let’s make sure she won’t.

They look at each other seriously. Prue nods.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FOOTAGE all over the city.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (LATER)

Melinda and Damon have told Tamora, Junior, and Sebastian about their plan.

MELINDA

So, are we clear?

TAMORA

As water. It’ll be a first for me, but it might work.

MELINDA

Where are they?

TAMORA

In a safe place.

MELINDA

Good. The nine of us should be ready to step in when the time comes.

DAMON

Yeah, then one of you just has to do it.

SEBASTIAN

The rest of us will be waiting here. I believe this is a Destined Ones’ job.

MELINDA

It is. I know you all feel Bianca’s death, but it shall be us doing it.

JUNIOR

Let’s do it, then.

Damon and Sebastian nod.

OFF TO THE ENTRANCE - Wyatt, Prue, Chris, Charlotte, Cassandra, and Pandora come in.

WYATT

We are ready.

CHRIS

Let’s finish it.

They all nod. Wyatt, Chris, Tamora, Pandora, and Junior ORB out. Charlotte and Cassandra BEAM out. Prue walks over to Melinda and grabs her hand. Then Prue BEAMS out taking Melinda.

Damon and Sebastian look at each other.

DAMON

Don’t you feel excluded sometimes?

Sebastian nods.

SEBASTIAN

I guess that comes in the role when you decide to date one of them.

DAMON

True.

Both of them walk out of the attic.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

STILL footage at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY (LATER)

ON THE LIBRARIAN - He stands there staring at ---

BEAT. Tina, Matt, babies Peri and Patience and baby Phoenix are there. Tina and Matt play on the floor with their toys. Babies Peri and Tina are on their play mat. Baby Phoenix is on the couch and it seems to be asleep, there are some pillows around her to protect her from falling on the floor.

LIBRARIAN

You seem to be okay? What if uncle Librarian goes to have some coffee?

Tina and Matt look at the Librarian.

LIBRARIAN (CONT’D)

Yes, in case you are wondering, I do drink coffee. What can I say? I’ve got used to those mortals' habits since I found out I could walk out of the secret library.

The Librarian smirks and then walks out of there. The babies keep playing. Until ---

BEAT. Someone SHIMMERS in and ---

BEAT AGAIN. It is Bianca. She wears a long white gown. But there’s something about her.

Tina and Matt look at her.

The person who appears to be Bianca walks over to the children and lowers down near Tina and Matt.

BIANCA

Yes, kiddos. It’s mommy B.

She reaches out her hand and touches Matt’s face softly. Then she looks at Tina and smiles. Then she spots baby Phoenix on the couch. She stands and walks over to the baby, she’s about to grab her when ---

Matt talks but is not his voice that we hear.

MATT / CHRIS

Don’t even think of it.

She turns around as she sees how baby Matt turns into Chris. Tina turns into Prue. Peri and Patience turn into Charlotte and Melinda respectively. And baby Phoenix turns into Tamora.

CHRIS

Using her likeness? That's low even for you.

BIANCA

Chris, my love!

CHRIS

Stop it right there.

The person that looks like Bianca gets serious. Then she smirks.

That’s when Wyatt, Cassandra, and Junior walk from behind some columns.

The woman glances around.

BIANCA

C’mon, guys, it’s me.

(glances at them)

Bianca. I'm back. They let m  come back.

CHRIS

It doesn’t matter how much you try, you could never be her.

Wyatt uses MOLECULAR COMBUSTION on her. She blows up, but reforms her body quickly and when she does, her true self appears; Siobhan. Prue WAVES her hands and some crystals appear around Siobhan trapping her inside. Siobhan glances around. Then she looks at them.

SIOBHAN

Do you really think you can get rid of me?

WYATT

We don’t think. We are sure of it.

Prue approaches Chris.

PRUE

Clench your fist.

Siobhan stares at them as Chris starts CLENCHING HIS FIST.

SIOBHAN

You can’t do it.

Chris stares seriously at her.

SIOBHAN (CONT’D)

You don’t have enough darkness within you to do it.

CHRIS

No. I have a hole in my chest that will work the same way.

(pauses)

You took what I loved the most and now it is time for you to pay for it.

SIOBHAN

Stop it.

Siobhan takes her hands to her chest as she starts feeling a huge pain in her chest.

CHRIS

I hope you’ll burn in hell.

More pain in Siobhan’s chest.

PRUE

(to Chris)

Do it.

ON CHRIS - He is focused on it.

Wyatt WAVES his hands forcing Siobhan to kneel down.

MELINDA

You took Bianca from us.

CHARLOTTE

It’s time for you to lose your life.

JUNIOR

You’ll have enough time in hell to regret all evil you’ve done.

Siobhan glances at them all.

CASSANDRA

Safe travels.

TAMORA / PANDORA

Burn in hell.

PRUE

(to Chris)

Do it.

And so Chris clenches his fist completely as Siobhan lets out a cry of huge pain and falls to the side dead. Then her body BLOWS up immediately and this time it doesn’t reform itself.

Prue grabs Chris' fist. He looks at her. His eyes are red and wet. Prue nods in support. Then the two of them hug each other. It is over.

The others walk over to them and do a group hug together.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Melinoe BLUE SMOKES in. She is furious and lets out a loud enraged cry.

MELINOE

They are going to know what’s coming to them. Soon, they’ll face their equal.

ON MELINOE - She is determined.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

FOOTAGE all over the city at the sound of ‘You Should Be Here’ by Cole Swindell.

Several places all over the city are shown as the sun rises up in the sky in a new day sunnier than the past few days.

CUT TO:

INT. CHRIS’ CONDO - MAIN BEDROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Chris walks around the bedroom. His head is down, his hands are on his pockets. Tears on his eyes.

He walks over to the bedside table and grabs the frame with Bianca’s photo. He stares at it as tears fall down.

CUT TO:

INT. WHITMORE MANOR - DINING ROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Tamora walks in and gets surprised as she the table set for breakfast. Sebastian is sitting at the top and is not alone. Pandora, Ethan, Junior, and Melissa have joined them for breakfast. They all smile as they see her. Tamora smiles back and then joins them.

CUT TO:

INT. HALLIWELL / COOP - MANOR - DINING ROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Charlotte, Cassandra, Johnathan, and Eric are there having breakfast and having a nice chat.

CUT TO:

INT. HALLIWELL MANOR - DINING ROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Melinda and Damon are there. They seem to be waiting for someone.

OFF TO WYATT - He comes in.

Wyatt looks at Melinda and Damon and shakes his head. Melinda and Damon stare at each other.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Tina and Matt are on the floor playing with their toys. Prue is there next to the twins’ cribs and takes baby Patience and puts her in the park. Then she takes baby Peri and does the same.

Then she heads to another crib and takes baby Phoenix who is crying and holds her in her arms. Prue walks over to a chair next to the window and sits. Then she starts breastfeeding the baby.

CUT TO:

EXT. SAN FRANCISCO - DAY

MUSIC KEEPS PLAYING IN THE B.G.

AERIAL FOOTAGE.

CUT TO:

EXT. PRESCOTT GROUP - DAY

MUSIC KEEPS PLAYING IN THE B.G.

STILL.

CUT TO:

INT. PRESCOTT GROUP - NATE’S OFFICE - DAY

MUSIC FADES OFF.

Nate comes into his office and ---

BEAT. Someone is there waiting for him.

Brie sits in Nate’s chair. She stands as he comes in. Nate takes a deep breath.

NATE

Brie?

BRIE

Can we talk now?

Nate shuts the door and walks over to his desk. He puts his briefcase on the desk and stares at her.

NATE

Why didn’t you tell me who you were?

BRIE

I didn’t know you were one of them.

NATE

One of them?

BRIE

A Halliwell.

Nate stares seriously at her.

NATE

You know they are witches, don’t you?

Brie nods.

NATE (CONT’D)

I’m not one of them. I mean, I’m not a witch. My great-grandmother was their great-grandfather’s sister.

BRIE

Cassandra told me.

NATE

You should have talked to me.

BRIE

I know. I was afraid. I was just a teenager and my mother worked as a fortune-teller back then. She kept telling me that magic was real and that some of us had a sight. My father left her when I was a toddler because of her job. He thought that was something from the devil.

NATE

So, you thought the Halliwells had a pact with the devil?

Brie nods.

NATE (CONT’D)

That’s way too far from the truth.

BRIE

I know. But you need to understand that I was scared. I didn’t know what I was seeing.

NATE

You should have talked to them.

BRIE

I was scared.

NATE

And you freaked out when I told you they were my cousins?

Brie nods.

BRIE

I did.

Nate looks away.

BRIE (CONT’D)

Can you ever forgive me?

Nate looks at her.

BRIE (CONT’D)

Can we start over?

NATE

I was married to Prue.

Brie’s eyes go wide.

NATE (CONT’D)

Not officially. A demon changed reality so the past year I thought I was married to her. I loved her. In the past, I mean. And yes, I did love her for the past year. I don’t wish to have my heart broken once more, so that’s why I’m telling you this.

BRIE

Do you still love her?

Nate shakes his head.

NATE

No, but she has raised up the scale.

BRIE

Wow.

NATE

Yeah. So, are you willing to prove that we can have a chance?

Brie’s eyes widen.

BRIE

I’m not her.

NATE

Thank God.

Nate walks over to her and grabs her face pulling her close for a kiss. Brie kisses him back and puts her arms around his neck.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

ON A COUPLE OF SUITCASES.

Melinda and Damon come in to find Ella there. They stare at Ella.

MELINDA

Hey, moving in?

Ella smiles.

ELLA

No. I came to ask for a ride. I’m going to spend a few weeks with my mother in New Orleans. I have to check the shop and prepare things to open a branch in San Francisco. The shop I had last year wasn't real.

DAMON

So, you’re finally moving back?

Ella nods.

ELLA

This past year made me realize that this is where I belong to. Besides, I’ve signed on to teach at Magic School.

MELINDA

We’ll be seeing each other often then. Great. Halliwell Coven back together.

ELLA

You should know that Brie Donovan is going to be a presence here too.

Melinda shoots her a look.

ELLA (CONT’D)

She and Nate.

MELINDA

Right. I saw her at the funeral.

ELLA

Yeah. Well, can someone give me a ride to New Orleans?

DAMON

I can do that.

ELLA

Great.

(to Melinda)

See you soon.

MELINDA

Have some rest.

Damon walks over to her and takes the suitcases. Then Ella touches Damon’s arm and Damon SHIMMERS out. Melinda sighs.

OFF TO WYATT - He walks in.

WYATT

Hey, are you and Damon done unpacking?

Melinda turns to Wyatt.

MELINDA

Yeah. I can’t believe I’m moving back here again. Even if it is for a couple of weeks.

WYATT

Well, I need to thank you for that.

Melinda smiles at his brother.

WYATT (CONT’D)

I’m gonna need your help with something.

MELINDA

With what?

WYATT

Follow me.

Wyatt walks out of the room. Melinda follows.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ATTIC - DAY (LATER)

ON FIVE CANDLES - They are placed in a loose circle on the floor.

Melinda lights the candles. Wyatt stands next to the Book of Shadows which is opened to a spell.

OFF TO THE ENTRANCE - Cassandra and Junior come in.

CASSANDRA

We are here.

They glance around.

CASSANDRA (CONT’D)

Are we going to try it again? Going back in time?

MELINDA

No.

Chris walks in and stops. He glances at the candles.

CHRIS

What’s this?

WYATT

You’ll see.

Tamora, Pandora, and Charlotte come in. Charlotte comes in hand-in-hands with Tina and Matt. Tamora brings baby Peri and Pandora brings baby Patience. Prue also comes in holding baby Phoenix. Prue also glances around.

PRUE

What’s going on?

WYATT

Now that we are all here ---

Wyatt starts to chant.

WYATT (CONT’D)

‘Hear these words,

Hear my cry,

Spirit from the other side,

Come to me,

I summon thee,

Cross now the great divide.’

Inside the circle, white magical lights, ever-so-slowly begin to appear. They all look up at it, Prue and Chris' anger is replaced by hopeful wonder. They step closer. Disappointment appears all over Prue and Chris’ faces when the one that appears is not other than Grams Penny Halliwell.

CHRIS

If your idea of making me feel better is to bring Grams here, let me tell you that it hasn’t worked.

Penny looks at Chris and grimaces.

PENNY

Such a sweet you are, Chris. As always.

CHRIS

Well, Grams, excuse me if I rather see my wife than you.

PENNY

Now I’m hurt.

(to Wyatt)

I’m not sure I want to do it now.

PRUE

Do what?

PENNY

(looks at Prue)

P.J.!

PRUE

It’s Prue, Grams.

PENNY

Oh, is that ---

Penny looks at little Phoenix.

PENNY (CONT’D)

(smiles)

She’s so beautiful.

Penny looks at the other babies.

PENNY (CONT’D)

They all are. And I’m still waiting to be summoned to bless them.

MELINDA

Sorry, Grams, but things have been a little crazy around here lately.

PENNY

Yes, I’m aware of that. But everything will be fine now.

Penny looks at Chris.

PENNY (CONT’D)

When one door closes, another opens.

CHRIS

Yeah, it’s not working either, Grams.

Penny glances at the others.

PENNY

Make sure next time you call me here, I get a more welcoming reception.

WYATT

I’m sorry, Grams. We love you, but ---

PENNY

(cuts him off)

But you want her.

CHARLOTTE

Is she okay?

Penny smiles.

PENNY

She is getting through it. She has been welcomed by all the ancestors.

(to Chris)

She’s one of us after all.

CHRIS

Can I ---?

Penny nods.

PENNY

She’s allowed to see you for a little bit, but you must remember that she doesn’t belong on this plane anymore.

WYATT

We understand, Grams.

Then Penny disappears in the same swirl of white light that brought her in and someone appears in her place.

BEAT. Bianca. She stands there staring at them in a ghostly figure wearing a white dress.

CHRIS

Babe!

Bianca looks at Chris and smiles.

BIANCA

Chris!

Tears start running down Chris’ cheeks.

CHRIS

I miss you so much.

BIANCA

I miss you too.

(glances at the others)

I miss all of you.

Bianca’s eye fixes on Prue’s arms.

BIANCA (CONT’D)

My little Phoenix.

Prue approaches more. Phoenix is sleeping in Prue’s arms. Prue and Bianca look at each other.

PRUE

I’m sorry.

BIANCA

Oh, Prue. You have nothing to be sorry about. On the contrary. I must thank you.

(smiles)

You are taking care of her as if she’s your own.

PRUE

I made you a promise.

BIANCA

Even if you hadn’t, you would do it. You were my best friend, Prue. Thanks for always believing in me.

Prue smiles.

BIANCA (CONT’D)

That’s why I chose to name her Brianna after you.

PRUE

Wait, no, her name is Phoenix, I saw it in my vision. I ---

BIANCA

(cuts her off)

Phoenix Brianna Halliwell. That’s her name.

Prue drops a tear.

PRUE

Thank you.

Then Bianca lowers down. She looks at Matt.

BIANCA

Hey, my sweet child.

MATT

Mommy!

Chris’ eyes widen as he listens to his son’s voice. Bianca smiles. Chris lowers down and approaches Matt to Bianca.

CHRIS

You said 'mommy'.

MATT

Mommy.

BIANCA

Mommy loves you very much. I will always be with you, my sweet boy.

Chris holds Matt in his arms and stands. Bianca stands as well. She glances at them all.

BIANCA (CONT’D)

Thank you all for making me feel part of this family.

WYATT

We are going to miss you.

MELINDA

Deeply.

Bianca smiles. Then she turns to Chris.

CHRIS

Don’t go.

BIANCA

I don’t belong here anymore, Chris.

CHRIS

Tell me how to undo it and I will.

BIANCA

No, Chris. You need to stop trying to find solutions to bring me back. What happened, happened because it had to.

CHRIS

I can’t accept it.

BIANCA

You have to. It was my time, Chris.

Chris’ tears come out heavily.

CHRIS

I can’t leave without you.

BIANCA

Can’t you understand, Chris?

They stare at each other.

BIANCA (CONT’D)

I will always be with you. As long as your heart remembers me, I’ll be always there. And well, ---

(opens her arms)

I can be summoned every now and then if you need me. I can’t see why not.

CHRIS

I love you.

BIANCA

(smiles)

I love you too. All of you.

She glances at them all. Then looks at Chris.

BIANCA (CONT’D)

Be happy.

And then Bianca disappears in the same swirl of white lights that brought her in. Chris hugs Matt tightly and approaches Prue. He looks at his little daughter. Then he gives Matt to Cassandra. Prue hands him the baby. Chris looks at his little daughter, still with tears in his eyes.

CHRIS

Phoenix Brianna Halliwell. Welcome to this world. Daddy loves you so much.

Wyatt approaches Tina and holds her in his arms. They all look at Chris and smile. It’s a sad smile, but there's also hope in there.

CUT TO:

EXT. SAN FRANCISCO - SEVERAL DAYS

FOOTAGE all over the city at the sound of ‘Hard For Me’ by Michele Morrone as several days pass.

CUT TO:

EXT. HALLIWELL MANOR - DAY

MUSIC KEEPS PLAYING IN THE B.G.

STILL.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

MUSIC FADES OFF.

Melinda, Tamora, Damon, and Sebastian are there sitting on the couches and talking.

TAMORA

No, seriously. I think we should have a double wedding.

MELINDA

I haven’t picked up a date.

DAMON

You should.

MELINDA

Hey, don’t pressure me. I said yes to marrying. I haven’t said yes to picking a date.

TAMORA

Someone is having cold feet.

MELINDA

It’s not cold feet. I just ---

Melinda glances at them.

MELINDA (CONT’D)

It’s not time yet.

SEBASTIAN

Well, I must agree. Besides, the right moment will come.

MELINDA

See? He agrees with me.

DAMON

But it would be cool to have a double wedding.

TAMORA

And we could do the reception at Whitmore manor. It’s big enough to host two weddings.

SEBASTIAN

How many people are you thinking of inviting?

TAMORA

Quite a few.

They all laugh.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan and Nate are there. Johnathan is sitting on his chair. Nate sits across the desk from Johnathan. They laugh.

JOHNATHAN

Okay, so, bottom line, Mrs. Althea Prescott is happy with my job here. She also told me I was going to be a good keeper of the Warrens secret. I didn’t even know she knew them, but it appears so that she’s some sort of a seer.

NATE

Is that so?

Johnathan nods.

JOHNATHAN

So, yes. Here I am and I think I’ll be here for a while. Sitting in this chair.

NATE

I’m happy for you, man.

JOHNATHAN

Me too. Especially now that I have found someone to love.

Nate smiles.

NATE

Halliwell women.

JOHNATHAN

What about you? Are you over Prue already?

NATE

I have been for quite some time, okay? Besides, I’m kinda getting along with Brie.

JOHNATHAN

She’s not a witch.

NATE

No, she’s not. And I don’t mind. But I guess I’m gonna have to have to protect her the old fashion way.

Johnathan smiles.

JOHNATHAN

Well, I wish you the best of luck, my friend.

NATE

Same to you.

The two men smile.

JOHNATHAN

Scotch?

NATE

Hell, why not?!

Johnathan stands and walks over to the bar.

CUT TO:

INT. PRESCOTT GROUP - BRIE’S OFFICE - DAY

Brie is at her computer. She’s typing something there.

ON COMPUTER SCREEN - Suddenly, an email alert pops up.

Brie stares at it as she presses to open the email.

ON COMPUTER SCREEN - The email opens and the sender can’t be seen. The message reads:

Hello, Brie.

Just that. Brie stares seriously at the screen.

SOUND - A knock on the door.

Brie looks at the door as Cassandra peeks in.

CASSANDRA

Hey, I was wondering if you’d like to have lunch together.

BRIE

(shattered)

Yeah, of course.

Cassandra notices Brie’s attitude.

CASSANDRA

Are you okay?

BRIE

(disguises)

Perfect.

Brie grabs her purse and stands. She walks over to the door and both girls leave.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - DAY

Melissa and Junior are lying in bed kissing each other. No clothes, only covered by the sheets. Junior kisses Melissa’s neck.

MELISSA

We need to go to work, you know?

JUNIOR

I don’t care about work.

MELISSA

Isn’t your father being prepared to go undercover?

JUNIOR

He is.

Melissa pulls him back.

MELISSA

That’s why you don’t want to go there.

JUNIOR

I still don’t agree with it, okay?

Junior leans against the headboard. Melissa looks at him.

MELISSA

It was Christopher’s decision, you know that.

JUNIOR

I know, but ---

(exhales)

--- I can’t keep this thought out of my mind. He’s entering the crime world again.

MELISSA

Only that this time, he’s doing it for a good reason. Besides, you heard him. His father was the one who got him into it.

JUNIOR

I know.

MELISSA

Then trust your father.

JUNIOR

He’s not ---

Melissa shoots him a look.

JUNIOR (CONT’D)

Fine.

Melissa goes and kisses him.

MELISSA

Let’s go to work?

JUNIOR

(sassy)

In a bit.

He pulls her close and kisses her passionately.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - CAFETERIA - DAY

Eric and Ethan are having lunch there.

OFF TO THE ENTRANCE - Charlotte and Pandora walk in.

Charlotte and Pandora spot their boyfriends and walk over to them.

CHARLOTTE

Hello, boys.

PANDORA

Talking about us?

Eric and Ethan look at them.

ETHAN

We were eating, actually.

CHARLOTTE

And talking about us.

Eric and Ethan look at each other.

ERIC

We better agree with that.

Eric and Ethan look at their girlfriends.

ETHAN

Okay. Talking about you.

Charlotte and Pandora smile. They exchange glances.

PANDORA

We need to talk.

Charlotte and Pandora sit beside them.

CHARLOTTE

We’ve been thinking.

ERIC

Should we worry?

CHARLOTTE

No need to.

PANDORA

No. What we need is some time off.

ETHAN

That sounds like a good idea.

CHARLOTTE

Great, because we just got the tickets.

ERIC

Tickets?

Eric and Ethan look at each other.

PANDORA

Okay, it’s economy class to Cancun.

Eric and Ethan’s eyes go wide.

ERIC

Cancun?

PANDORA

Yeah. So, you two better manage to get a few days off.

ETHAN

Sounds go to me.

ERIC

And to me, but do we really have to fly there?

CHARLOTTE

We are doing it normally.

PANDORA

Yes, no magic involved.

CHARLOTTE

At least while we’re on vacation.

ETHAN

Great. I’m in.

ERIC

Yeah, but flying there? Seriously?

They all laugh.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Chris is there. The Book of Shadows opened in front of him. He flips page after page. He seems very focused on what he’s doing.

OFF TO THE ENTRANCE - Wyatt walks in and walks over to Chris.

WYATT

Hey, what are you up to?

Chris looks at Wyatt.

CHRIS

Uh, nothing, I just ---

Chris closes the book before Wyatt can see what he’s doing. Wyatt frowns.

CHRIS (CONT’D)

(disguises)

Just investigating a demon.

WYATT

Are you hunting demons?

Chris shakes his head.

WYATT (CONT’D)

Chris ---

CHRIS

I’m good. By the way, would you mind if Matt and Phoenix stay here a little longer? I wouldn’t know how to take care of the two by myself.

WYATT

You could move back in, you know? We still have a spare bedroom. Besides, Mel and Damon should go back to Damon’s apartment soon.

CHRIS

Oh, no. There’s no need. Prue is breastfeeding Phoenix and well, Matt is very attached to her. I think they would be better here.

WYATT

Well, I don’t mind and Prue won’t mind either, but, huh, they are your kids, Chris. They need you.

CHRIS

I know they do. I can take Matt home in the evening.

Wyatt and Chris stare at each other.

WYATT

You know you can count on me, don’t you?

Chris smiles.

CHRIS

Of course.

Wyatt pats Chris’ shoulder and smiles. Chris forces a smile.

CUT TO:

INT. HALLIWELL MANOR - FOYER / ENTRANCE / STAIRCASE - DAY

SOUND - DOORBELL.

Prue comes downstairs and goes to open the door.

BEAT. Lena is there.

PRUE

Hey!

LENA

(smiles)

Hey, Prue.

Prue lets her in.

PRUE

I wasn’t expecting you.

LENA

Yeah, well, I wanted to come sooner, but I guess we all needed some time to recover from what happened.

PRUE

Will we recover someday?

Lena forces a smile.

LENA

With time it’ll get better.

(takes a deep breath)

Anyway, I came because of the little one.

PRUE

Her name is Phoenix.

LENA

(smiles)

Proper name.

Prue nods.

LENA (CONT’D)

As you know, when Bianca’s mother died, Bianca was under Siobhan’s mother's protection.

PRUE

Yes, I know.

LENA

She was her guardian.

Prue gets serious.

LENA (CONT’D)

It’s how it is with us. If we lose our mother, we get assigned with a guardian.

PRUE

I see. Well, if you are trying to tell me that you are taking Phoenix to a guardian, I must object to it. She’s also one of us.

LENA

Oh, no. I wouldn’t even dare to go up against you guys. Actually, we Phoenixes have a new rule. Now we work in favor of justice and not as assassins witches as before.

PRUE

That’s good to hear, but about Phoenix ---

Lena reaches out her hand and hands Prue something. Prue takes it and looks at the stone in her hand.

ON PHOENIX STONE - It is a red, round-cut gemstone with the Phoenix witches symbol engraved.

PRUE

(looks at Lena)

What is it?

LENA

The Phoenix stone. It’s the right of a guardian to keep one. That’s yours.

Prue looks at the stone again.

LENA (CONT’D)

Bianca chose you to be Phoenix’s guardian.

Prue looks at her.

LENA (CONT’D)

I’m just making it official. You will raise her and train her. And you’ll send her to us when the time comes.

PRUE

I’m sure I will not send her to you. As I said, she’s a Warren.

LENA

(smiles)

I haven’t forgotten. And don’t worry, we don’t want to take her from you. What I meant, is that you’ll send her to us so we can teach her about being a Phoenix. After all, it is her birthright to lead us one day.

Prue is confused.

LENA (CONT’D)

When Siobhan’s mother died, it was supposed for Bianca to take her place. But Siobhan wanted it for herself. Siobhan thought we didn't know about it. Now that Siobhan is gone and so is Bianca, it’s Phoenix right. I’ll hold it until then. Bianca told Rae that she hope her girl would be able to join the Warrens and the Phoenixes.

PRUE

I see. Then I’ll do my best.

Lena smiles.

LENA

And that’s a lot.

(turns to leave)

If you ever need us, you know where to find us. We are reactivating the old headquarters.

Prue nods. Lena walks out of the manor while Prue watches her leave. Then Prue walks out of the manor as well.

CUT TO:

EXT. WHITE MANOR - PORCH - DAY

ON MELINOE - She wears normal clothes. Melinoe climbs the steps towards the front door. She seems very determined.

Melinoe reaches the front door and knocks on it. After a small wait, someone appears at the door.

A man, COLTON (34), opens the door and stares at Melinoe. He smiles big as he looks at Melinoe.

COLTON

Mother! What a surprise! I wasn’t expecting you. What brings you here?

BEAT. Mother?!

MELINOE

(smiles)

It is time for you, Colton, to know the truth about yourself.

Colton’s smile fades from his face. He stares seriously at Melinoe.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - DAY

Prue stands outside still holding the Phoenix stone. Wyatt and Chris come out. Wyatt approaches her and puts an arm over her shoulders.

WYATT

A penny for your thoughts.

Prue looks at him. She forces a smile. Then she looks at Chris.

PRUE

Lena was here.

Prue shows them the stone.

PRUE (CONT’D)

She gave it to me. It looks like I’m Phoenix’s guardian.

Chris nods.

CHRIS

I remember Bianca mentioning that she was going to choose you as Phoenix’s guardian in case something happened to her. I stopped her from continuing the conversation.

WYATT

What does it mean?

PRUE

That’s I’m responsible to train her.

CHRIS

Until she’s old enough to learn from the Phoenixes.

Prue nods.

WYATT

Well, lucky Phoenix that she’s gonna have a lot of guardians.

PRUE

(smiles)

She will.

They all look forward.

CHRIS

Seven years ago we were standing here, remember? It was after Ayacha’s attack.

WYATT

Who would have thought back then that it was actually Leah’s doing?

CHRIS

I wouldn’t for sure.

PRUE

So much has happened.

WYATT

And still, we are here.

CHRIS

With some losses.

PRUE

And gains. There are five members of the next generation among us already.

WYATT

The first of many.

(sighs)

I think I need some vacations after this crazy year.

CHRIS

No rest for the witches, bro.

WYATT

No. But we can take little naps every once in a while.

CHRIS

Sure we can.

WYATT

I know I’m ready for one.

CHRIS

I’m gonna see my kids and take a nap with them.

Chris walks inside the manor.

WYATT

(to Prue)

Coming, love?

Prue looks at Wyatt and smiles.

PRUE

I love you.

Wyatt kisses her softly.

WYATT

For eternity.

Prue smiles. Wyatt grabs her hand and both walk inside. Once inside. Prue looks at the front door and then points at it and it swings shut.

CUT TO BLACK.

END OF THE EPISODE

END OF THE SEASON

NEXT EPISODE IS AN EXTRA EPISODE