5x22 - Game Over

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 5, EPISODE 22

'GAME OVER'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - SEVERAL DAYS

FOOTAGE all over the city at the sound of ‘In My Bones’ by The Score as several days and weeks pass by.

ON THE SCREEN - IT READS:

MONTHS LATER

CUT TO:

INT. CHRIS & BIANCA’S CONDO - BALCONY - DAY

MUSIC KEEPS PLAYING IN THE B.G.

ON PREGNANT BELLY - Bianca’s belly. She’s in her 31st week.

Bianca caresses her big belly. She is sitting on the balcony chair and enjoying the fresh air on her face.

OFF TO MATT AND CHRIS - Both men come in. Matt holds a pillow while Chris brings orange juice.

Bianca glances at them and smiles.

BIANCA

Can you two stop spoiling me?

CHRIS

Never.

Matt puts the pillow behind Bianca's back and Chris hands her the orange juice.

BIANCA

I’m just pregnant. Not ill.

CHRIS

Blanche said you need to relax because of your low blood pressure. The baby could come out at any moment.

BIANCA

She’ll come out at the right moment.

Matt lowers down and gets on his knees.

MATT

Mom, you need to take care.

BIANCA

Your sister will be born the moment she decides to and I'll be fine.

MATT

There’s no need for us to rush it.

Bianca sighs.

BIANCA

I’m feeling fine. Any news?

Chris and Matt glance at each other. They know it’s useless to argue with her.

CHRIS

No sign of him.

MATT

My cousins and I can’t wait any longer to go back to our time.

BIANCA

So, you are really leaving?

MATT

I have to, mom.

BIANCA

(forces a smile)

Of course. It’s just that I’ve got used to having you here.

MATT

Well, you’ve got my baby self.

BIANCA

Where is baby Matt?

CHRIS

Sleeping. That kid sleeps like a rock.

MATT

Dad, rocks don’t sleep. I told you. I have heavy sleep.

CHRIS

Oh, I see.

Bianca smiles staring at them.

BIANCA

I’ll miss this.

Bianca drops a tear. Matt wipes her tear away.

MATT

We’ll have a lifetime together, mom.

Bianca forces a smile. Then she shakes the feeling away.

BIANCA

Anyway, I want to be there when you leave.

MATT

Fine. But you’ll spend the morning resting.

BIANCA

Deal.

Matt and Chris glance at each other. Both of them smile.

CUT TO:

INT. AVATARS’ PLANE - BLACK AND WHITE ROOM - DAY

Jared and some other Avatars are around the round table. Some holographic random images appear. Yet, Jared seems to be far away from that room.

ON JARED - He is serious.

Omega and Sigma stand nearby staring at the other Avatars around the round table. Well, they are actually staring at Jared.

SIGMA

All this time he has been quiet. Too quiet.

OMEGA

He has.

SIGMA

Do you believe he has given up?

OMEGA

He hasn’t spoken of revenge for the past few months.

SIGMA

Still. It’s the expression on his face. He seems ---

(looks at Omega)

--- I don’t trust him.

OMEGA

If it makes you feel better, me neither. That’s why we should keep him watched.

SIGMA

I’ll only have peace when I know those potions are destroyed. Getting inside that manor has become mission impossible.

OMEGA

I’ve been thinking.

Omega looks at Sigma.

OMEGA (CONT’D)

Maybe they should know Jared has calmed down. If they knew he is not a threat anymore, maybe they’ll drop guard and we can get our hands on those vials.

SIGMA

They won’t believe us. Remember our recent past with them?

OMEGA

We can’t be on bad terms with them. We might need them in the future to create Utopia.

SIGMA

They just came out of a Utopia created by Jared’s evil mind.

OMEGA

I don’t mean them. But their descendants.

SIGMA

What about the Red Witch? Have we given up on her?

OMEGA

No way.

SIGMA

Yet we don’t have any sign of her whereabouts.

OMEGA

She’s probably in the tower. You know we can’t track her there.

SIGMA

Right. But will she be enough? She and Jared on our side, I mean?

Omega shakes his head.

OMEGA

We need a Twice Blessed Witch, Sigma. The Charmed Ones or even the collective Power of Nine.

They turn to the other Avatars.

OMEGA (CONT’D)

In the meantime, we trust he has accepted his new destiny.

ON OMEGA - He is serious.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Sol Esteves as Melinoe

Alexandra Chando as Peri

Nina Dobrev as Patience

Matt Lanter as Matt

Shannen Doherty as Prudence

Ted King as Andy Trudeau

Evangeline Lilly as Siobhan


Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Chris Wood as Ethan

Stephen Amell as Johnathan

Robie Kay as Alex

Dove Cameron as Michaela

Katie McGrath as Ruby

Emilie de Ravin as Blanche

Nikolaj Coster Waldau as Omega

Erica Durance as Alyssa

Ming-Na Wen as Sigma

John Barrowman as Christopher

Taylor Cole as Brie Donovan

Jared Gilmore as Allen Trudeau

Samuel Joslin as A.J. Trudeau

Unknown as Tina

Unknown as Matt

Unknown as twins Peri and Patience

Unknown as Demons

Unknown as Avatars

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the city at the sound of ‘Fire on Fire’ by Sam Smith.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STILL.

MUSIC KEEPS PLAYING IN THE B.G.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S OLD BEDROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Jo, Peri, and Patience are there sitting on the bed. All three of them laugh as they seem to be sharing stories.

OFF TO THE ENTRANCE - Wyatt stands leaning at the side jamb staring at them. He smiles.

After a few seconds, Wyatt turns around and leaves.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Prue stands near the table. She’s scrying for something. Prue spins the crystal over the map. She seems very concentrated.

OFF TO THE ENTRANCE - Wyatt walks in and stops. He stands staring at her for a few seconds.

MUSIC FADES OFF.

WYATT

Prue?

Prue looks at him and drops the crystal immediately.

WYATT (CONT’D)

Again?

Prue lowers her gaze.

WYATT (CONT’D)

(walking over to her)

How many times have we talked about this? You won’t find Jared like this.

He caresses her face with the back of his fingers. She looks at him.

PRUE

I’m sorry, love, I just ---

Prue swallows. She doesn’t know what to say. She’s hiding something and doesn’t want to share.

WYATT

Don’t lie to me. The truth.

PRUE

I would never lie to you.

WYATT

Not willingly. But I know you’ve been hiding something for the past months.

PRUE

(swallows)

Trust me, would you?

WYATT

I’ve always trusted you. That’s why I don’t push.

Prue half-smiles. He kisses her softly. Then he smiles.

WYATT (CONT’D)

The girls are having fun down there. Their laugh is contagious.

PRUE

I could hear them from here.

(gets serious)

Actually, I think it's time for me to go and feed our daughters.

Wyatt nods.

WYATT

Shouldn’t we bring them home already?

PRUE

I don’t feel it’s safe yet for them to be here. Jared is still out there.

WYATT

Yeah, Prue, but we can’t keep spending nights out in Cupid Temple.

PRUE

I know.

Prue puts her hands on his chest.

PRUE (CONT’D)

Just a few more days?

Wyatt nods.

WYATT

A few more days.

Prue smiles. This time, she kisses him softly.

PRUE

I love you.

WYATT

For eternity.

Prue smiles and then BEAMS out. Wyatt puts his hands on his waist and sighs.

CUT TO:

EXT. WHITMORE MANOR - DAY

STILL.

CUT TO:

INT. WHITMORE MANOR - LIVING ROOM - DAY

Tamora and Melinda are there flipping some magazines. Bride magazines.

MELINDA

I like this one.

Melinda shows her a dress in the magazine she’s holding. Tamora looks at it.

TAMORA

Yeah, that one would look good on you, but don’t you think it’s too simple for your wedding?

MELINDA

It’s not for me.

Melinda seems shocked at Tamora’s suggestion.

TAMORA

Not for you? Are you kidding me?

MELINDA

Yeah. I haven’t picked a date.

TAMORA

How long it will take you to pick a date?

MELINDA

I told you already. I won’t pick a date in advance. The day I decide to marry Damon, I let you know.

TAMORA

Six months in advance, please, so we have time to pick the dress.

MELINDA

No. A week in advance and that’s it.

Tamora shoots her a look.

MELINDA (CONT'D)

What about you?

Tamora focuses on the magazine she’s holding.

TAMORA

Oh, I don’t know. I was kinda hoping to catch Jared.

Melinda keeps staring at her.

TAMORA (CONT’D)

But it’s taking too long. Hey!

(looks at her)

We could do a double wedding?

Melinda grimaces.

TAMORA (CONT’D)

No, really, think about it.

MELINDA

I won’t.

Tamora shoots her a look. Melinda stares at the dress she likes. Tamora notices it.

TAMORA

If it’s not for you ---

MELINDA

Prue.

Tamora frowns.

TAMORA

She’s already married, you know? Had her big day.

MELINDA

She and Wyatt agreed in renewing the wedding vows.

Tamora frowns.

TAMORA

Right. But they mentioned that a long time ago.

MELINDA

Well, Wyatt still wants to. He wants to surprise her.

Now Melinda has got Tamora’s full attention.

TAMORA

I like that.

Melinda smiles.

TAMORA (CONT’D)

Like a surprise ceremony?

Melinda smiles bigger.

TAMORA (CONT’D)

Count me in.

Tamora looks at the dress in the magazine.

TAMORA (CONT'D)

Now, that’s a good dress for it. Let me make some calls.

Tamora puts the magazine aside and grabs her cell phone. She stands and walks away while Melinda watches her.

CUT TO:

INT. DARK TOWER - CELL - DAY

ON WOODEN BOX - It’s on the table. Inside the wooden box, there are several clay vials.

The cells have seen some improvements. It is cleaner, there is a good bed in a corner, there are some bookshelves, a desk, there’s an area for magical practices, etc.

Ruby, wearing an elegant red suit, stands staring at the vials. She is serious. Dead serious.

Blanche WHITE SMOKES in behind Ruby.

BLANCHE

I got your text. I came as fast as I could. You said it was urgent.

Ruby turns around.

RUBY

I’ve found the solution.

Blanche frown. She doesn’t know what Ruby is talking about.

BLANCHE

What are you talking about?

RUBY

What do you think? The Jared issue.

BLANCHE

Right. You never gave up trying to find him.

RUBY

Well, I could have done more if I wasn’t locked in here.

BLANCHE

We’ve talked about this, Ruby.

RUBY

Right. The fact that no one trusts me.

BLANCHE

It’s not easy for them to forget what you’ve done.

RUBY

That’s why I’ve decided it will be me handing Jared to them.

Now Blanche is more confused.

BLANCHE

How are you gonna do that if we don’t even know where to find them? Even the original Charmed Ones tried to go to the Avatars’ place and they could.

RUBY

Because they have that place protected. Only Avatars can go there.

BLANCHE

Exactly.

RUBY

And there’s exactly where Jared is.

BLANCHE

Exactly, again.

RUBY

So, we must find a way in.

BLANCHE

Right.

RUBY

I’m gonna become an Avatar.

BEAT. Blanche’s eyes go wide.

BLANCHE

Come again.

RUBY

They offered me a place among them years ago.

Blanche goes mad at the only mention of it.

BLANCHE

Not even in your wildest dreams that I would let you do that. I’m not gonna let you out. Not now.

RUBY

(grimaces)

Oh, dear, sister. I’m so disappointed that you think so low of me.

Blanche gives her a look.

RUBY (CONT’D)

I don’t plan to become an Avatar. I sustain what I’ve said.

BLANCHE

So?

RUBY

(smirks)

It’s only a way to get to them.

BLANCHE

Do you mean like fooling them?

Ruby smiles.

RUBY

I just need to get close enough to one of them.

BLANCHE

Close enough?

RUBY

There’s no need to go to Jared if we can get Jared to us.

BLANCHE

Ruby, how?

RUBY

(smirks)

Mind control.

Blanche stares seriously at Ruby.

RUBY (CONT’D)

I’m the Red Witch after all.

ON RUBY - She smirks wickedly.

CUT TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

Some students wander around the big room. Ella and Nate are by a shelf. She explains to him what’s there.

ELLA

So, in here we put the books about defensive spells. In this other one, ---

(walks to another shelve)

--- we keep the storybooks.

NATE

Storybooks?

ELLA

Yeah, like fairy tales and so.

NATE

Right.

ELLA

Some of them are real, you know?

NATE

Right! The Fairy Tale world.

ELLA

(smiles)

You learn fast, Nate.

NATE

Yeah, well, this has become my life for the past months.

Ella gives him a half-smile.

ELLA

What’s going on?

NATE

It’s just that I ---

ELLA

You can talk to me, you know?

NATE

Yes, I know, and thank you for that. You’ve been a good friend to me for the past months.

Ella smiles.

ELLA

Well, we are like the fake husband and wife.

Nate and Ella smile.

NATE

Yeah, that’s the thing exactly.

ELLA

Oh! You still think of Prue?!

NATE

Oh, no, no, no. It’s just, huh ---

(takes a deep breath)

I met someone.

ELLA

Oh!

(smiles)

Who is she?

NATE

Someone from work.

ELLA

And so ---

NATE

I’m just a human. A mortal.

ELLA

Is that a problem?

NATE

Yeah. When you know what’s out there.

ELLA

You can’t stop living.

NATE

I know. It’s just that I still know what I felt back when I was married to Prue. Well not technically married, but ---

ELLA

(cuts him off)

I know what you mean.

(pauses)

You felt safe.

NATE

No. I felt like I didn’t have to worry about my wife's safeness cause she knew how to protect herself.

ELLA

And this person doesn’t.

NATE

She’s ordinary like me.

Ella approaches him.

ELLA

Are you going to give up on love because of that?

Nate sighs.

NATE

I don’t even know if it’s love. I like her, but it's too soon to talk about love.

Ella smiles sympathetically.

ELLA

Then what are you doing here instead of being out there finding out what it could become?

Nate smiles. They look at each other.

NATE

What about you?

ELLA

(forces a smile)

Oh, I ---

(lowers her gaze)

I ---

NATE

You still love Chris.

Ella looks at him.

ELLA

I always have. And just like you, I still remember how I felt a few months ago when I was still married to him. It’s hard for me seeing him and Bianca happy. Welcoming a daughter.

NATE

You will find someone.

ELLA

Oh, no. I don't want to think about relationships at the moment. I’m focused on my shop and next year I’ll be teaching in here, so ---

(looks at him)

--- I don’t want to think about love.

NATE

Don’t do that. Don’t give up on love.

Nate and Ella stare at each other and smile.

ELLA

So, tell me more about this woman.

NATE

(smiles)

She just started working at Prescott Group and we’ve had lunch together a few times. And you know what’s curious?

Ella is interested.

NATE (CONT’D)

Her name. Brie.

ELLA

Brie as a short form of ---

NATE

Brianna.

Ella’s eyes go wide.

ELLA

Right.

NATE

Yeah. I guess it's my destiny!

Ella smiles as Nate keeps talking.

CUT TO:

EXT. PRESCOTT GROUP - DAY

STILL.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan is revising some documents. A woman is there. She has long dark hair. BRIE DONOVAN (30) stands in front of Johnathan’s desk staring at him.

JOHNATHAN

Well, I’m very pleased with your work, Miss Donovan.

Brie smiles.

BRIE

Thank you. Nate has told me how things work over here.

Johnathan looks at her.

JOHNATHAN

Oh, I’ve seen you and Nate have become pretty close lately.

BRIE

Yes, we work together, right?

JOHNATHAN

Right.

SOUND - A knock on the door.

JOHNATHAN (CONT’D)

Come in.

OFF TO THE ENTRANCE - Cassandra walks in with some documents in her hand.

CASSANDRA

Honey, I need you to ---

Cassandra stops as she sees Brie there.

CASSANDRA (CONT’D)

(correcting herself)

I’m sorry. Mr. Lare. I didn’t know you were ---

JOHNATHAN

(cuts her off)

Cass.

Cassandra looks at him.

JOHNATHAN (CONT'D)

Everybody in this company knows about us.

Cassandra glances from Johnathan to Brie. Brie smiles at her.

BRIE

Even I do and I’m new.

CASSANDRA

Right. Brie, right?

Brie nods.

CASSANDRA (CONT’D)

You look familiar.

BRIE

I guess I have one of those faces.

CASSANDRA

Yeah.

Brie glances at Johnathan.

BRIE

Well, if you excuse me ---

Johnathan nods. Brie turns to leave. Once she’s out, Cassandra turns to Johnathan who has a big smile on his face.

CASSANDRA

I swear I know her.

JOHNATHAN

Yes, you do. She had an interview with you on her first day.

CASSANDRA

No. It’s not from there. It’s from before. I just can’t remember.

JOHNATHAN

Well, she and Nate are becoming really close.

CASSANDRA

Really?

Johnathan nods.

JOHNATHAN

What were you trying to say?

Cassandra looks at him. Johnathan stands and walks over to her. He has that look on his face. That look of someone who’s getting ready to kiss his loved one. Cassandra notices it.

CASSANDRA

You know what ---

Cassandra puts the documents on the desk.

CASSANDRA (CONT’D)

I forgot.

Johnathan puts his hands on her waist.

JOHNATHAN

Don’t you want to orb us out of here to somewhere more private?

CASSANDRA

I don’t orb. I beam.

JOHNATHAN

There’ll come a day I’ll remember the right word.

Cassandra smiles. Then Johnathan leans and kisses her as he pulls her closer.

CUT TO:

INT. PRESCOTT GROUP - BRIE’S OFFICE - DAY

Brie comes into the small office. She closes the door behind her and leans against the door. She seems shattered.

BRIE

She can’t remember. It’s been too long. That won’t be possible.

Brie closes her eyes while she tries to calm down.

CUT TO:

EXT. CUPID’S TEMPLE - DAY

STILL view of Cupid Temple over the Mediterranean Ocean.

CUT TO:

INT. CUPID’S TEMPLE - CENTRAL SQUARE - DAY

Prue is sitting at the fountain. She smiles as she sees baby Tina walking and playing nearby. Alyssa is near her. She’s also smiling. Near them, babies Peri and Patience are on the strollers.

ALYSSA

(staring at Tina)

She’s so sweet.

PRUE

Yeah.

Alyssa looks at Prue. Prue gets thoughtful. Alyssa notices it.

ALYSSA

It is time, Prue.

Prue looks at Alyssa.

ALYSSA

Their place is with you and Wyatt at home. Not here. Coming here every night to stay with them is not enough. They need to be at their home.

PRUE

I know. I just wanted to find him.

Alyssa sits beside Prue.

ALYSSA

The Avatar?

Prue nods.

PRUE

It’s been months. I know he hasn’t given up. I can’t rest until he's gone. For good.

ALYSSA

Do you think he can try to do the same?

PRUE

He did it once, didn’t he?

ALYSSA

Well, he used a lot of powers to do that. Avatars take time to recharge.

PRUE

I know. But still. Who can assure me he won’t try to do it again with one of them.

Prue looks at her daughters. Baby Tina plays with a white dove.

PRUE (CONT’D)

I can’t risk it.

Both women look at Tina.

ALYSSA

I knew Omega.

Prue turns to Alyssa. She is serious now.

ALYSSA (CONT’D)

He was one of us.

PRUE

The Avatar?

Prue is astonished. Alyssa nods.

ALYSSA

We were ---

ON ALYSSA - She is emotional as she remembers.

ALYSSA (CONT’D)

(forces a smile)

--- more than friends.

Prue lowers her gaze.

ALYSSA (CONT’D)

But he was offered a position among them and he took it.

PRUE

I see.

ALYSSA

For years, he has tried to take me to their side.

PRUE

I didn’t know that.

Alyssa looks at Prue and forces a smile.

ALYSSA

I always said no.

Prue nods.

PRUE

Do you love him?

ALYSSA

We are made of love, Prue. We love everything. He was one of the head Cupids just like me.

PRUE

And he disappointed you.

ALYSSA

He wanted more. This wasn’t enough.

(sighs)

It won’t be easy to find Jared if Omega is protecting him.

PRUE

He must be protecting him, yes.

ALYSSA

So, you must be wise. Omega is cleaver. He’s tactical. He's a thinker.

PRUE

Why are you telling me this?

ALYSSA

Because you need to know your enemies, Prue. Omega might have not made a move against you, but that’s because he’s gonna need you and your family in the future. He’s an Avatar. Utopia is what they want the most.

PRUE

You are telling me that Jared is not enough?

Alyssa nods.

ALYSSA

He’s Omega, Prue. The last one. Alfa and Omega are the two more powerful Avatars.

PRUE

Alfa is gone.

ALYSSA

That’s why he needs another Alfa.

PRUE

Who would ---

Prue cuts herself. She gets thoughtful and realizes something.

PRUE (CONT’D)

That’s why he has tried to help us?!

Alyssa nods.

PRUE (CONT’D)

Because there’ll come a day he’s gonna need ---

Prue is astonished.

PRUE (CONT’D)

--- one of us.

ALYSSA

Yes. A Twice Blessed Witch.

ON PRUE’S FACE - She is astonished. She can believe what she’s just found out.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON WYATT - He is astonished.

WYATT

Are you freaking kidding me?

Chris and Bianca are also there. The three of them stare astonished at Blanche.

CHRIS

Blanche, we cannot do that.

BLANCHE

I know.

BIANCA

It’s Ruby we are talking about.

BLANCHE

I know. But she really thinks she can help.

WYATT

No way. No. No. She cannot summon Omega and tell him she wants to accept his offer.

BLANCHE

She’s not planning to accept it for real. She just wants to ---

(stares at them; sighs)

--- she has this power. Mind manipulation.

WYATT

We know that quite well. I know that. She played games with my mind and turned me evil.

BLANCHE

I know. She thinks she can use it with him.

CHRIS

With the leader?

Blanche nods.

WYATT

Prue would never agree with this. She would freak out.

PRUE (V.O.)

Not quite.

Prue BEAMS in. She looks at Wyatt and smiles.

PRUE (CONT’D)

Hi, love.

Wyatt finds Prue’s attitude weird. Then Prue glances at the others.

PRUE (CONT’D)

I have a plan.

WYATT

Do you know what we were talking about?

Prue glares at her husband and smiles.

PRUE

I’m good, but I’m not that good. I assume that it is about Ruby.

CHRIS

She wants to accept Omega’s offer to become an Avatar.

PRUE

Oh, really?

As weird as it might seem, Prue does seem surprised at it.

PRUE (CONT’D)

What’s her plan?

The four of them are stare astonished at Prue.

BLANCHE

Aren’t you going to say something like ‘is she crazy?’, ‘Does she really think we’re falling for it?’.

Prue smiles.

PRUE

That would be something I would say hadn’t I had a plan.

WYATT

What plan?

PRUE

(smiles; to Blanche)

Get Ruby here.

(to the others)

Secure the house.

Prue smiles again and walks out of the attic. They all are astonished.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY (CONTINUOUS)

Prue comes from the attic. Wyatt comes following.

WYATT

Prue, wait!

Prue stops and turns around. She looks at Wyatt.

PRUE

Yes, honey?

WYATT

Are you possessed?

PRUE

(frowns)

What?

WYATT

This morning you were feeling down and now you are ---

PRUE

(cuts him off)

Feeling confident?

Wyatt nods.

PRUE (CONT’D)

Honey, I’m almighty Prue, remember? Feeling blue is not my thing. I’m tired of this whole situation. So, I’m ready to fight. Besides, other matters require my attention.

WYATT

Okay. What matters?

PRUE

I ---

Wyatt gives her a look.

PRUE (CONT’D)

No. Don’t give me that look.

WYATT

You are actually okay with Ruby accepting Omega’s offer?

Prue is about to answer, but their daughters show up from Melinda’s bedroom.

JO

What?

Prue and Wyatt look at them.

PERI

You, what?

Prue sighs.

PRUE

Secure the house. Then we talk.

Prue walks out of there. Jo goes after her. Peri and Patience look at Wyatt.

PERI

Dad?

Wyatt looks at his daughters.

PERI (CONT’D)

Has mom gone crazy?

WYATT

I’m afraid she’s serious about it.

Peri and Patience glance at each other.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (CONTINUOUS)

Prue comes in followed by Jo.

JO

Mom, would you please stop?

Prue turns to Jo.

JO (CONT’D)

Why? Isn’t there another way to do this?

PRUE

We’ve tried everything. You know that.

JO

But ---

PRUE

No buts. I can’t speak more until the house is secure.

JO

An alliance with Ruby?

PRUE

That’s what I do, isn’t it? Side with the evil side.

Jo can’t believe what Prue’s saying.

PRUE (CONT’D)

I know what I’m doing, honey.

JO

Ruby put at risk our lives. She can do it again.

PRUE

She can try. But the same trick won’t work twice.

(grabs her daughter’s hands)

Trust me, honey.

JO

I do, mom, but ---

PRUE

No buts.

(smiles)

It will work.

Jo forces a smile, but she’s not convinced yet.

CUT TO:

INT. AVATAR’S PLANE - BLACK & WHITE ROOM - DAY

Omega and Jared walk.

JARED

I assume it’s not yet time for me to walk around without a bodyguard.

OMEGA

Jared, it is too soon for you to get out.

JARED

They are still after me.

OMEGA

But you seem calmer.

Jared looks at him.

JARED

Do I?

OMEGA

Aren’t you? I want to believe you have already forgotten your revenge.

JARED

They killed my sister. They destroyed my ---

OMEGA

(cuts him off)

Utopia?

Jared looks away.

OMEGA (CONT’D)

I hope you know that’s impossible now.

Jared looks at Omega.

JARED

There’s nothing impossible.

Jared turns around and walks away. Sigma approaches Omega from behind.

OMEGA

Keep watching him.

Sigma nods and walks after Jared.

ON OMEGA - He is serious.

CUT TO:

EXT. BAY MIRROR - DAY

STILL.

CUT TO:

INT. BAY MIRROR - REDACTION ROOM - DAY

All the workers are focused on their tasks. Melissa is at her desk working on an article. She seems very focused on it.

OFF TO THE ENTRANCE - Junior walks in and walks straight to Melissa’s desk.

JUNIOR

Honey?

Melissa glances at Junior.

MELISSA

Hey. What’s going on?

Junior seems mad.

JUNIOR

He’s driving me crazy.

MELISSA

Who?

JUNIOR

The Captain.

MELISSA

Why?

Junior sighs.

JUNIOR

He found out that Christopher Mercer is my birth father.

MELISSA

So?

JUNIOR

So, he’s investigating this organization and he believes Christopher can help us uncover them.

MELISSA

(interested)

Oh, I guess you’re gonna need an Investigative Journalist.

JUNIOR

Issa!

MELISSA

Sorry, you were saying.

JUNIOR

Let’s go somewhere private.

Melissa glances around and notices that her colleagues are staring at them. She looks at Junior and nods.

MELISSA

Let’s go to Wyatt’s office. He’s not coming today anyway.

Junior nods. Melissa stands and they walk towards Wyatt’s office.

CUT TO:

INT. BAY MIRROR - WYATT’S OFFICE - DAY (CONTINUOUS)

Melissa and Junior walk in. Melissa crosses her arms and stares at Junior.

MELISSA

So, what’s the problem? That would be great for Christopher to clean his criminal records.

JUNIOR

He wants him to go undercover.

Melissa’s eyes go wide.

MELISSA

What?

JUNIOR

Everything was much easier when dad was the Captain.

MELISSA

But your dad ---

JUNIOR

Christopher.

MELISSA

Whatever. What did he say?

JUNIOR

I haven’t told him.

MELISSA

Will you?

Junior stares seriously at Melissa.

JUNIOR

I don’t know.

MELISSA

You should. It has to be his decision.

JUNIOR

I don’t want him to go into that life again.

MELISSA

He would be undercover.

JUNIOR

Still.

(pauses)

He walked out of that life years ago.

MELISSA

That was because he was caught.

JUNIOR

Yeah, but he came out. Got a job.

(sighs)

We’ve become closer.

MELISSA

I know, honey, but it has to be his decision.

JUNIOR

Mom and dad said the same.

MELISSA

Did you talk to them?

Junior nods.

MELISSA (CONT’D)

What will you do?

JUNIOR

(takes his hands to his hips)

I guess I’m gonna talk to him. And I hope he doesn’t accept.

Melissa comes closer to him and puts her hands on his chest.

MELISSA

Have a little faith in Christopher.

Junior and Melissa stare at each other. His expression softens.

JUNIOR

I didn’t even ask how you are doing.

Melissa smiles.

MELISSA

Good. I’ve concluded that little has changed. I mean, it’s like everything we lived was real, but I don’t have those fake memories anymore.

JUNIOR

Well, at least is better than having your memories replaced for the second time.

MELISSA

Yeah. It was almost a year, forgetting it all wouldn’t be pleasant. Have you guys found why I, Nate, Ethan, Eric, Ella, and Johnathan kept our memories of the past year?

Junior shakes his head.

JUNIOR

We concluded that it was because you were all connected to us.

MELISSA

It makes sense. But ---

JUNIOR

Honey, ---

Junior touches her face softly.

JUNIOR (CONT’D)

--- don’t try to understand magic.

Melissa gives him a half-smile. Then he pulls her closer.

JUNIOR (CONT’D)

So, Wyatt is not coming today?

Melissa shakes her head.

MELISSA

I guess it’s related to Ruby and Jared.

Junior rolls his eyes.

JUNIOR

The Jared issue.

Melissa nods. Junior then pulls her closer and kisses her.

CUT TO:

INT. WHITMORE MANOR - LIVING ROOM - DAY

OFF TO PANDORA AND CHARLOTTE - They walk in carrying some bags.

PANDORA

We are here.

Melinda and Tamora are there. Tamora is on the phone. She motions Pandora to lower her voice. Melinda is also checking her phone.

TAMORA

Yeah. No. It will be something simple.

MELINDA

Drop it, Tam.

Tamora shoots Melinda a look. Melinda looks at Tamora.

TAMORA

Hey, let me call you back later. Bye.

Tamora hangs off the phone.

TAMORA

What’s going on?

MELINDA

SOS.

Melinda shows them the phone.

CHARLOTTE

What happened?

MELINDA

Operation Avatar is in motion.

TAMORA

What do you mean?

MELINDA

It means that we need to stop the ceremony’s organization to focus on vanquishing Jared.

Tamora, Pandora, and Charlotte glance at each other.

MELINDA (CONT’D)

Prue and Wyatt’s wedding vows renewal are on hold now.

Tamora grimaces.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Matt and Bianca are there. Bianca is flipping the pages of the BOS. Matt is sitting at the table working on a spell. Bianca glances at him every now and then. She caresses her belly.

BIANCA

How is it?

Matt keeps focused on the spell.

MATT

What?

BIANCA

The future you come from?

Matt looks at his mother.

BIANCA (CONT’D)

How is it there? Are we close?

Matt is serious.

MATT

Mom, ---

BIANCA

Forget it. You can’t say.

MATT

The future has changed.

BIANCA

How much?

Matt swallows. He looks away.

MATT

I hope a lot.

Matt looks at Bianca. She forces a smile.

OFF TO PERI - She walks in.

PERI

My mother has gone mad.

Bianca and Matt look at Peri.

BIANCA

Oh great. Now you’re calling her 'mom' and you didn’t even think twice.

Peri shoots Bianca a look.

PERI

Aunt Bianca, it’s not my fault my memories didn’t change the way yours did.

BIANCA

Sorry, dear.

Peri sighs.

PERI

For the past months, I’ve been trying to separate two sets of memories.

BIANCA

I know and I said I’m sorry.

Peri gives her a sweet smile.

PERI

Thanks.

(looks at Matt)

Are you still working on that spell?

Matt nods.

PERI (CONT’D)

Forget it. I’m not going back until Jared is gone.

MATT

We need to go back.

PERI

I’m not going.

MATT

Damn, Per, why do you have to be so stubborn?

PERI

I am my mother’s daughter.

BIANCA

Again. She didn’t think twice.

Peri shoots Bianca a look. Bianca smiles at her.

BIANCA (CONT’D)

It’s so nice to be able to know your adult versions.

Matt and Peri look at Bianca. Suddenly Bianca feels a kick. Matt stands quickly and approaches her.

MATT

Mom?

Bianca looks at him.

BIANCA

(smiles at him)

I’m okay.

(to Peri)

It’s the house secure already?

Peri nods.

PERI

Yeah, Patience and I already cast the spell around the house. If Avatars were watching or listening, they’re not anymore.

BIANCA

Don’t forget you can’t leave without making sure the rest of us know that spell.

PERI

I wrote it myself in the BOS. This is actually weird because I learned it from mom. But I and Patience taught you guys the spell, so ---

BIANCA

(to Matt)

Mom. She's improving.

Peri grimaces.

MATT

Don’t try to understand, Per. That future has changed.

PERI

Don’t forget I have two sets of memories. One might have changed, now the other one ---

BIANCA

(cuts her off)

It’s giving me a knot in my head.

MATT

(to Bianca)

Are you really okay?

Bianca nods and forces a smile. Matt and Peri glance at each other worried.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

ON RUBY - She smirks.

RUBY

Did you ask for me?

Prue stands staring at Ruby.

PRUE

I haven’t missed you if that’s what you’re wondering.

Wyatt, Chris, Blanche, and Jo are also there.

RUBY

(sarcastic)

And here I thought we had chances to be friends.

PRUE

In your dreams.

RUBY

So, you are interested in my idea?

WYATT

There’s no chance we are letting you become an Avatar, Ruby.

RUBY

I think you don’t understand. I don’t want to become an Avatar.

JO

So, what’s your plan?

RUBY

Mind manipulation, blondie.

JO

It’s Avatars we are talking about.

RUBY

Listen, I didn’t spend my time preparing those potions so they could remain hiding in the Tower.

JO

(mad)

No. But you can stay there for eternity.

Ruby grimaces to Jo.

PRUE

(annoyed)

Stop it.

(sighs)

Omega was once a Cupid.

CHRIS

What?

WYATT

A cupid?

They all are astonished.

PRUE

We can give him more than Ruby.

Ruby and Blanche glance at each other.

PRUE (CONT’D)

Alyssa is willing to help.

BLANCHE

Alyssa?

PRUE

A Head Cupid.

WYATT

Why would she help? Cupids don’t fight.

PRUE

It depends on the cupid.

WYATT

Honey, you don’t count.

Prue shoots Wyatt a look.

CHRIS

Wait, but how?

BLANCHE

She can distract him.

RUBY

She knows him?!

PRUE

You may know mind manipulation, Ruby. But he’s an Avatar.

CHRIS

They can manipulate minds too.

PRUE

Exactly. That’s why we need someone who knows him well.

WYATT

Alyssa.

Prue nods.

PRUE

They loved each other, but there was a rule.

WYATT

No relationships.

PRUE

Correct.

JO

So, Alyssa can make him open up his mind by talking about their past while ---

RUBY

(cuts her off)

--- I search his mind for Jared and bring him to us.

PRUE

Us, no. The Destined Ones.

(glances at them)

We are weakening an already weakened power. If we succeed, tonight we can get more than one Avatar down.

CHRIS

That might work.

BLANCHE

It’s bold. Risky. We don’t know if Omega will buy that.

RUBY

He will.

PRUE

Yeah. He’s the Omega. With Alfa gone, his only chance to get back in power is to find a substitute.

Prue stares seriously at Wyatt.

PRUE (CONT’D)

A Twice Blessed witch.

WYATT

If we weaken them enough, they won’t be an issue for us for a long time.

Prue nods. Wyatt smiles.

WYATT (CONT’D)

I love your mind.

Prue smiles. She turns to Ruby.

PRUE

Once again, I’m working with the other side.

WYATT

Only that this time, all of us are.

PRUE

(to Ruby)

Are you in?

Ruby smirks.

RUBY

Let’s get this over with.

Ruby and Prue look at each other. Both of them smirk.

CUT TO:

EXT. HALLIWELL’S - DAY

STILL.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - DAY

LUNCHTIME. Several patrons are there at their tables for lunch. Christopher is at the counter. He glances around. An employee approaches him and asks him something which he replies.

OFF TO THE ENTRANCE - Junior walks in and glances around.

Christopher sees Junior coming in. Both of them make eye contact. Junior walks towards the counter.

CHRISTOPHER

Hey, kiddo. What a nice surprise!

JUNIOR

(glances around)

Yeah. Busy here, huh?

CHRISTOPHER

Luckily. And now with the new room. Business is going well.

Junior looks at Christopher and smiles.

JUNIOR

I’m glad. And I’m also glad you’re doing well here.

CHRISTOPHER

Yeah. I’m lucky your cousin gave me this opportunity,

JUNIOR

Indeed. And what else is new?

CHRISTOPHER

Do you want to know if I have some problems related to ---?

Christopher points to his temples. Then he shakes his head.

JUNIOR

Are you?

CHRISTOPHER

My life didn’t change that much, so no. Nothing. For me, it’s like nothing happened.

JUNIOR

I’m glad.

Junior seems tense and of course, Christopher notices it.

CHRISTOPHER

Let me pay you for a drink.

JUNIOR

Oh, no, it’s not needed.

CHRISTOPHER

Lunch?

JUNIOR

I already had lunch.

CHRISTOPHER

Then what do I have to do to make you talk?

Junior shoots him a look.

JUNIOR

Why do you think I have something to talk about?

CHRISTOPHER

Because I know you.

Junior stares seriously at Christopher.

JUNIOR

Right.

(takes a deep breath)

My captain has found out you used to be a crime lord.

CHRISTOPHER

(frowns)

Oh. I didn’t know your colleagues and superiors knew you were my son.

JUNIOR

Well, they do. They seem to recall your father. Captain Moser was part of those who captured the two of you.

CHRISTOPHER

Then he knows I never was a crime lord. Was captured before my father turned me into one.

JUNIOR

I know and he knows.

CHRISTOPHER

Is he giving you a hard time because of my past?

JUNIOR

No, but he ---

(takes a deep breath)

--- he believes you can help us catch this big fish.

Christopher looks seriously at Junior.

CHRISTOPHER

What?

JUNIOR

We are behind this man for years. But he never was one of my father's priorities. Now, Captain Moser ---

CHRISTOPHER

Who is it?

JUNIOR

(whispers)

Stanley Hoskinson.

Christopher’s eyes go widen as he recognizes the name.

CHRISTOPHER

The Tiger?

Junior nods.

JUNIOR

You’ve heard about him?

Christopher is serious.

CHRISTOPHER

I’ve known him.

Junior’s eyes go wide.

CHRISTOPHER (CONT’D)

He was my father’s right hand.

Junior is surprised.

CHRISTOPHER (CONT’D)

He fled before we were caught.

ON JUNIOR - He is astonished.

JUNIOR

You don’t need to ---

CHRISTOPHER

He wants me to go undercover, doesn’t he?

Junior nods.

CHRISTOPHER (CONT’D)

I promised I would never go back to that life.

JUNIOR

You don’t need to.

Both men stare seriously at each other.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

STILL FOOTAGE of the Golden Gate.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON MELINDA - She’s astonished.

MELINDA

Are you mental?

Melinda is staring at Prue. Tamora and Bianca are also there.

BIANCA

Seriously? Being surprised at Prue’s decision after all this time?

MELINDA

(to Bianca)

It’s Ruby. Trusting Ruby is something we should not do after what she did.

PRUE

I’m not trusting her.

TAMORA

You want her to accept Omega’s proposal for her to become an Avatar.

MELINDA

Isn’t enough what she did to us? To you?

Prue looks away.

MELINDA (CONT’D)

Isn’t it enough what we have all been through for the past year?

Melinda, Tamora and Bianca look at Prue.

PRUE

You are forgetting something, aren’t you? It was me. All those things, affecting me and Wyatt more than anyone else.

BIANCA

(calling attention)

Ahem!

Prue looks at Bianca.

PRUE

Fine. You too. But the thing is ---

(glances at them)

--- I know this is going to work. It always does.

TAMORA

What if this time you’re wrong?

PRUE

Well, at least it would be better than just staying here doing nothing. Waiting for his next move. Waiting for that damn Jared to screw my life again.

(swallows)

My daughters are being kept in Cupid Temple most of the time so they can be protected. I live thinking that he can mess with my mind again. With my memories as he once did.

(lowers her gaze)

I can’t ---

(looks at them)

--- I haven’t forgotten the look on Jo’s face when she was fading away from my sight.

Melinda, Tamora, and Bianca glance at each other.

PRUE (CONT’D)

So, yes. I am mental, probably, but I prefer a face-to-face fight than living in hiding.

Melinda, Tamora, and Bianca look seriously at Prue.

JO (V.O.)

Mom?

Prue turns around. Jo, Peri, and Patience stare at Prue from the doorway to the conservatory room. Prue sighs as she sees them.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY (LATER)

Wyatt, Prue, and the adult version of their daughters are there. Prue is sitting on the couch, Wyatt stands beside her and has a hand on her shoulder. Jo and the twins stand in front of them.

JO

I thought you were over it.

Prue’s eyes are wet. She looks at Jo.

PRUE

I dream of it every night.

Jo rushes to Prue and kneels before her.

JO

Mom ---

PRUE

I can’t take it out of my head.

(drops a tear)

I can’t.

(wipes the tear)

I can’t forgive myself for being weak.

JO

You’re not weak. You and dad ---

(glances at Wyatt)

--- are the strongest witches I’ve ever known.

(looks at Prue and holds her hands)

You can’t blame yourself for what happened.

PRUE

No? And what about Jessica. I should have trusted my instincts. I never trusted her. I didn’t see who she was.

PATIENCE

Mom, she probably was using a spell or taking a potion to keep you from having any vision about her.

PRUE

It’s me. I don’t need visions. I have a sixth sense.

(looks at Peri)

And I didn’t see her plan was taking you from me.

Peri approaches them.

PERI

Mom, you did. And that’s why ---

(kneels before Prue)

--- I am here. You heard me when Pat and I were prisoners and we couldn’t even use our powers.

PATIENCE

Not to mention that you managed to contact Blanche.

Patience approaches them.

WYATT

They are right, Prue.

Wyatt sits beside Prue.

WYATT (CONT’D)

You dared to release Darkness so we could have Jo back.

Jo nods.

PRUE

Still, I ---

JO

Mom?

Prue and Jo look each other in the eye.

JO (CONT’D)

Two years ago I came here not knowing what having a mother meant. You showed me what was like to be loved. I am so grateful that you are my mother.

(looks at Wyatt and smiles)

And you too, dad.

Tears drop Prue’s eyes. She’s about to wipe them, but Jo stops her.

JO (CONT’D)

No. It doesn’t make you weaker. It makes you strong.

Jo holds Wyatt’s hand.

JO (CONT’D)

The both of you. I couldn’t ask for better.

PATIENCE

It’s true. We were lucky.

PERI

Never doubt it.

PRUE

(to Peri)

You did.

PERI

But I saw it, right? I saw the truth.

JO

And we can’t wait to go back to our time and live the life we deserve with the two of you.

PATIENCE

We are the product of true love after all.

PERI

And love is the strongest magic of all.

Wyatt and Prue stare at them.

WYATT

I guess we won’t have much trouble with our daughters.

PATIENCE

Oh, don’t even think that. You will.

Prue and Wyatt smile.

JO

Don’t worry about us, mom. Don’t think of what happened. It’s over. And it’ll be a bad memory when the Destined Ones finally put an end on Jared.

WYATT

Tonight.

PRUE

You’re trusting me on this?

Wyatt lifts Prue’s chin and makes her look at him.

WYATT

We are trusting us.

Prue smiles. She looks at her daughters.

PERI

In the last case, you can use that supernova to take Ruby down.

PRUE

What?

PERI

Oh, crap.

Patience shoots Peri a look.

PERI (CONT'D)

Oh, well. I don’t know if it’ll work on Ruby, but it’ll come in handy several times in the future.

PATIENCE

Yeah, if you shut up.

WYATT

True. Don’t say anything else.

The five of them hold hands.

JO

Let’s vanquish Jared once and for all then?

Prue and Wyatt look at each other.

PRUE

Together?

WYATT

For eternity.

They smile at each other. Jo, Peri, and Patience smile.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

ON MELINOE - She wanders around walking at pace. It’s like her foot doesn’t even touch the ground.

Then she suddenly stops.

ON MELINOE’S FACE - She smirks.

MELINOE

Found a way to escape your captors?

Beat. Melinoe turns around. Staring at her, imposing, it's no other than Jared. He smirks.

JARED

They are not my captors and yes, I found the right moment to flee.

MELINOE

I never took you for the fleeing type.

JARED

I’m not. All this time I’ve been waiting for the right moment to leave that goddammit place.

MELINOE

You are one of them.

JARED

My goals are different.

MELINOE

You still want to change things back, do you?

JARED

I want my sister back. I want a Warren heir. And I want her gone.

MELINOE

Wow. You got to hate her.

JARED

If it wasn’t for her, Jessica would be alive and my plans would have worked out.

MELINOE

Why did you keep her alive?

JARED

If she was dead, the rest of them would’ve been broken. I didn’t need them broken. Especially Wyatt.

MELINOE

But now the rules have changed.

JARED

But I don’t have enough power to do it myself.

Melinoe walks towards Jared and both stare at each other in the eyes.

MELINOE

Do you want me to do it?

JARED

Can you?

MELINOE

(smirks)

I’m a Goddess. I can do what I want.

Melinoe runs her fingers through his face.

MELINOE (CONT’D)

But I can’t call for attention. If my father finds out ---

JARED

We can deal with your father together.

They stare at each other seriously.

JARED (CONT’D)

I owe you that after all.

MELINOE

It wouldn’t be the same, Jared. If I do, it wouldn’t be like the reality you shaped. It would alter everything.

JARED

I don’t care.

MELINOE

Bringing your sister back to life isn’t also easy.

Jared’s expression hardens.

JARED

But it can be done.

MELINOE

It can, indeed. But it’ll have a price. She’s already on another plane and there are some rules that not even Gods can break.

JARED

What would be the cost?

MELINOE

(smirks)

A life.

JARED

Great. Take Prue’s.

MELINOE

So be it.

Melinoe and Jared smile at each other.

CUT TO:

INT. PRESCOTT GROUP - ELEVATORS HALL - DAY

Cassandra is focused on her smartphone as she waits for the elevator.

ON THE ELEVATOR - The door opens and Brie is about to walk out of the elevator.

Both women run into each other.

CASSANDRA

Oh, hey, sorry.

BRIE

No, it’s okay.

They stare at each other. Cassandra smiles at Brie.

CASSANDRA

You really look familiar.

BRIE

(disguises)

I don’t think we ever met.

CASSANDRA

It might be, but still, I can’t shake the impression that I do.

BRIE

I need to go.

Brie walks past Cassandra. Cassandra watches her leave.

CASSANDRA

I wish I remembered where do I know her from.

Cassandra walks into the elevator. The doors close.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt, Prue, Chris, Bianca, Melinda, Tamora, Pandora, Charlotte, Jo, Matt, Ruby, Blanche, Peri, and Patience are there. They are all in a circle.

WYATT

We cannot do it here.

CHRIS

It has to be neutral ground.

RUBY

They cannot suspect a thing.

PRUE

And they cannot even suspect Alyssa is there.

CHARLOTTE

What if they suspect something? I mean, it’s there any guaranty that Omega will come alone?

BLANCHE

None. But that’s why I’ll be there too.

PATIENCE

And so will I. Blanche and I can combine our mental powers to control any other Avatar.

TAMORA

What about Jared?

WYATT

We can lose time. We must be prepared to appear as soon as Jared is found and brought there.

MATT

I thought the idea was to find his whereabouts.

PRUE

It was, but Ruby thinks he can manipulate Omega to bring Jared to our presence.

CHRIS

And that’s when we show up.

WYATT

And put an end to it.

BIANCA

I can help too.

CHRIS

No way.

BIANCA

Chris, I can use my power striping on them.

CHRIS

No. You’re pregnant. You’re going to Magic School.

Bianca is not pleased.

BIANCA

I’m not weak, Chris.

CHRIS

I never said that. But you’re pregnant.

PRUE

Chris is right.

Bianca shoots Prue a look.

PRUE (CONT’D)

You need to stay safe.

BIANCA

You can’t protect me forever.

PRUE

No. Just as long as I can.

Prue and Bianca stare seriously at each other.

PRUE (CONT’D)

I meant us. As long as we can.

And suddenly Bianca realizes that Prue knows more than she tells.

MATT

I can stay with you, mom.

BIANCA

No.

Bianca looks at Matt.

BIANCA (CONT’D)

You should go. One last fight before getting back to your time.

MATT

But ---

BIANCA

We’ll have all the time, son.

Bianca and Matt stare at each other. She holds his hands and smiles at him.

PERI

Well, let’s do it.

JO

Let’s get this over with.

PANDORA

It’s about time.

All of them are determined.

CUT TO:

INT. HALLIWELL MANOR - FOYER / ENTRANCE / STAIRCASE - DAY

The front door opens. Junior and Cassandra come in.

JUNIOR

I’m so eager to get this over with.

CASSANDRA

So, do I. Hey ---

Cassandra turns to Junior.

CASSANDRA (CONT’D)

How do I do to investigate someone?

Junior’s eyes go wide.

JUNIOR

Who do you want to investigate?

CASSANDRA

No one that matters. It’s just this woman. She started working at Prescott Group a month ago and every time I see her I can shake off the feeling that I know her. But I can’t remember who she is.

JUNIOR

Why don’t you look for her on social media?

CASSANDRA

Like Facebook and Instagram?

Junior nods.

CASSANDRA (CONT’D)

Oh, I don’t know. I’m the company’s psychologist, I don’t think that would be very professional of me.

JUNIOR

That wouldn’t indeed.

CASSANDRA

Can you check her for me?

Junior shoots her a look.

JUNIOR

Cass ---

CASSANDRA

I just really need to know where I know her from.

Junior sighs.

JUNIOR

Text me her name later.

CASSANDRA

(smiles)

You are the best.

OFF TO PANDORA - She comes downstairs followed by Peri.

PANDORA

Oh, great! You are finally here.

JUNIOR

So, is it today?

PERI

Finally.

CASSANDRA

Okay. What’s the plan?

PERI

First, Ruby gets to walk free and then she'll be ready to become an Avatar.

Cassandra and Junior glance at each other. They are astonished. Then they turn to Pandora and Peri.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FAST MOTION FOOTAGE all over the city.

CUT TO:

EXT. WOODS - NIGHT

ON A BONFIRE - It is circled by stones. Its flames lit the open space between the trees.

ON FEMALE BAREFOOT - She walks in circles around the bonfire.

THE CAMERA MOVES UP SLOWLY up the woman. Beat. Ruby, wearing a red hooded cape pulled over her head.

RUBY

I know you can hear me.

Ruby looks at her left hand. The power inhibitor bracelet is not there.

RUBY (CONT’D)

And I’m ready to take your offer.

ON RUBY’S FACE - She smirks.

CUT TO:

INT. AVATAR’S PLANE - BLACK & WHITE ROOM - OUTSIDE TIME AND SPACE

Omega is alone at the round table. In the center of the table, the image of Ruby in the woods can be seen.

ON OMEGA - He smirks.

OFF TO SIGMA - She’s comes rushing in.

SIGMA

He’s gone.

Omega turns around and stares at her.

SIGMA (CONT’D)

He tricked me and now he’s gone!

OMEGA

Jared.

Omega looks at Ruby's holographic image over his shoulder. Then he turns to Sigma.

OMEGA (CONT’D)

Get him back. I’m gonna get us a temporary Alfa.

Sigma nods and FADES out. Omega turns around and stares at Ruby’s image. Then he just FADES out.

CUT TO:

EXT. WOODS - NIGHT

Ruby keeps walking in circles around the bonfire. Suddenly, she stops and smirks.

RUBY

It took you long.

Ruby turns around. Beat. Omega steps out of the shadows.

OMEGA

I wasn’t exactly paying much attention to you.

Ruby shoots him a look.

RUBY

Give me a little credit, huh?!

Ruby walks over to Omega.

OMEGA

Why am I here, Ruby?

RUBY

Centuries ago you proposed me something.

OMEGA

To join the Avatars. I did. And you refused it. You refused it then and you refused it all the times after that.

RUBY

I did. But I’ve changed my mind.

OMEGA

Ruby, until recently you were working with them.

Ruby smirks.

RUBY

Oh, I was just having fun. I don’t have much inside the Tower.

OMEGA

Still, you always said you worked alone.

RUBY

Yeah, but I saw how interesting it can be to be one of you.

OMEGA

We don’t work for good or evil, Ruby.

RUBY

Of course. You just want your dearest Utopia.

Omega walks past Ruby while Ruby herself stares at the woods and nods. She then turns to Omega.

RUBY (CONT’D)

I want to be part of it, Omega.

THE CAMERA MOVES AWAY FROM THEM - Someone is hiding behind a tree with a thick trunk; Blanche.

Blanche touches her ear. She’s using an earbud.

BLANCHE

(whispering)

Alyssa, be prepared.

THE CAMERA MOVES BACK TO RUBY AND OMEGA - They keep talking.

OMEGA

I just have some difficulties believing you.

RUBY

You shouldn’t. I’m trustable.

Omega smiles sarcastically.

OMEGA

You’re kidding me, right?

RUBY

I wouldn’t change reality for sure. The way he did. I prefer free will.

OMEGA

You didn’t use free will when you turned Prue and Wyatt into the Source and Queen of All Evil.

RUBY

But that’s the thing, I did. They chose to embrace what I was offering. Oh, well, Wyatt did. I didn’t just snap my fingers and change it.

OMEGA

I admit that I should’ve been more careful about Jared, but ---

RUBY

Where is he anyway?

Omega shoots her a look.

OMEGA

You’ll have plenty of time to meet him once you become one of us.

RUBY

(walks over to him)

Oh, please. Can you just call him here so I can meet the biggest mistake you’ve made?

Omega smirks.

OMEGA

So, this is what this is about.

(serious)

You don’t want to join us.

RUBY

I don’t know why you think that.

OMEGA

Why would you want to see Jared?

RUBY

(smirks)

To show him how a real evil mind works.

OMEGA

Forget it.

Omega turns around and ---

BEAT. Alyssa stands there in front of Omega.

OMEGA (CONT’D)

You.

Alyssa and Omega stare seriously at each other.

ALYSSA

You should’ve stopped it when it was time.

OMEGA

What ---?

Omega is cut off. Ruby approaches her hands over to Omega’s head and holds her hands on either side of Omega’s head. She uses MIND MANIPUTALITION on him while some kind of electricity-like beams come from her hands. Omega screams.

ALYSSA

(to Omega)

You always wanted more powers.

OMEGA

(in pain)

No.

Omega gets on his knees.

ALYSSA

Back then, you tried everything you could to drag me into this with you.

OMEGA

No.

RUBY

More.

ALYSSA

I thought we had something real. Forbidden yes, and I was willing to give up on everything, but you only saw one way out.

Omega yells out loud.

ALYSSA (CONT’D)

You had to become an Avatar.

OMEGA

I wanted to change it all. Our lives.

ALYSSA

Without losing power, is that right?

OMEGA

(yells)

Yes.

RUBY

It’s working.

At that moment, the Destined Ones plus Matt, Jo, Peri, and Patience appear using their ORBING and BEAMING powers. Blanche comes from the shadows.

RUBY (CONT’D)

Keep doing it.

ALYSSA

We had it all.

OMEGA

I didn’t have you.

Omega yells out loudly again.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. UNDERWORLD - CAVE - NIGHT

Melinoe and Jared stand in front of each other, holding hands.

JARED

Kill her.

Melinoe nods. Some BLUE LIGHTS come from their hands and fill the entire cave.

MELINOE

Don’t let go of me until is completed.

Jared nods.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

A BLUE LIGHT BATHS the city.

CUT TO:

EXT. WOODS - NIGHT

THE BLUE LIGHT BATHS the woods.

They all glance around.

OMEGA

No!

TAMORA

What was that?

Omega yells out loud. Suddenly, Prue feels something. She takes her hands to her chest.

PRUE

Wyatt!

Wyatt looks at Prue.

RUBY

(to Alyssa)

Don’t stop, Alyssa.

ALYSSA

We could have been better than this.

WYATT

(to Prue)

Prue, what are you feeling?

Everything is happening at the same time. Prue feels a strong pain in her chest.

PRUE

It hurts.

Prue has no strength to stand and falls on the ground. Everybody looks at it, but Ruby.

RUBY

(to Alyssa)

Alyssa!

Alyssa nods.

ALYSSA

(to Omega)

This is what you created.

Wyatt, Jo, Peri, and Patience rush to Prue who lies on the floor.

JO

(holding Prue’s hand)

Mom?

PRUE

It’s him.

PERI

(to Ruby)

Ruby!

PATIENCE

We are losing her.

WYATT

(to Prue)

Please, love, don’t let him win.

PRUE

I can’t.

WYATT

You can.

Wyatt takes Prue’s face between his hands.

WYATT (CONT’D)

You are almighty Prue, remember?

PRUE

I don’t ---

Prue has some difficulties talking. Omega keeps yelling.

PRUE (CONT’D)

--- feel that almighty now.

CHRIS

(to Ruby)

Ruby, we need Jared here fast.

MELINDA

C’mon!

ALYSSA

Be good. Please, Henrik.

Omega looks at Alyssa as she pronounces the name he once used.

OMEGA

I’m sorry.

Omega closes his eyes and stops fighting Ruby’s powers.

WHILE THAT, Prue is almost passing out.

JO

Mom, please.

WYATT

Prue?

Everybody is around Prue. Blanche rushes to her sister and she herself holds her hands on either side of Omega’s head. Ruby and Blanche look at each other.

BLANCHE

We can do it.

Ruby nods.

JO

Mom!

Prue closes her eyes. Wyatt, Jo, Peri, and Patience are desperate.

WYATT

Prue!

PERI / PATIENCE

Mom!

RUBY

I got him! Summon him here!

Omega yells out loud once again and ---

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Melinoe and Jared are eye-closed and keep holding hands when suddenly, Jared FADES out. Melinoe opens her eyes.

CUT TO:

EXT. WOODS - NIGHT

The BLUE LIGHT BATHS the woods inversely.

CUT TO:

INT. SAN FRANCISCO - NIGHT

The BLUE LIGHT BATHS the city inversely.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

The BLUE LIGHT BATHS the cave inversely and hits Melinoe right in the chest. She’s thrown back as she’s hit, but recovers right after. She glances around. An angry expression on her face.

CUT TO:

EXT. WOODS - NIGHT

ON OMEGA - He is lying on the floor. His eyes are open staring at the sky. Ruby, Blanche, and Alyssa stand staring at him.

Nearby, Wyatt, Jo, Peri, and Patience are down next to Prue. Wyatt is still trying to wake her up.

WYATT

Prue? Please, love. Don’t leave me.

Wyatt leans over her and touches her lips with his lips. The rest of them stare at it devastated.

SUDDENLY, Jared FADES in next to the bonfire. He glances around.

JARED

No.

He sees Prue unconscious on the ground and that’s when he laughs.

JARED (CONT’D)

She has gone down. She has.

They all look at Jared. Wyatt raises his glare at Jared. Fury is all over his face. Jared gets serious.

JARED (CONT’D)

That’s for my sister.

Jared is about to FADE out, but Wyatt uses ELECTROKINESIS on Jared. Jared is lifted in the air by Wyatt’s powers. He screams out loud.

WYATT

You have no idea how I can make you suffer for this.

Jo, Peri, and Patience lean over Prue’s body.

ON PRUE’S FACE - She opens her eyes slowly.

PRUE

Wait for me.

Everybody is astonished at the sound of Prue’s voice. Jo, Peri, and Patience look at their mother and smile.

JO

Oh, mom!

Wyatt drops Jared on the ground. Jared's clothes are burned. Wyatt turns around and Prue stands with the help of her daughters. Prue looks at Wyatt.

PRUE

I want to have the pleasure to see him perish.

Wyatt nods. Jared glances at them. He knows what comes next, but has no time to react as Wyatt SUMMONS a vial in his hand and throws it to Jared.

ON THE VIAL - It lands near Jared’s feet.

Jared looks at it as the vial releases a gray smoke and it enters Jared’s body. Jared lies back on the ground. Dead.

Omega stares at it from where he’s lying. He then moves his eyes to Alyssa.

ON RUBY’S HAND - She drops a vial on the ground next to Omega.

The same happens. The second vial releases a gray smoke and enters Omega’s body.

OMEGA

(to Alyssa)

I’m sorry.

Omega dies. Alyssa drops a tear.

Wyatt and Prue look at each other.

WYATT

It’s over.

Prue nods as her three daughters hug her. Wyatt rushes to them and hugs them. Alyssa BEAMS out as Jared and Omega’s bodies become dust scattered through the air. Blanche and Ruby look at each other. Blanche smiles. Ruby nods.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

A few days pass at the sound of ‘Legends’ by Kelsea Ballerini.

CUT TO:

INT. AVATAR’S PLANE - BLACK AND WHITE ROOM - DAY

MUSIC FADES OFF.

Sigma stands there in front of the group of Avatars.

SIGMA

Omega and Jared are gone and we are more vulnerable now than ever. We lost Alpha, Beta, and Gamma a few years ago. Now we’ve lost Omega and Jared who was also our new Zeta. We also lost the chance to find replacements for an Alpha, a Beta, and a Gamma.

(pauses)

We are weak, but we’ll keep fighting. We won’t stop until we find replacements for those we lost.

All the Avatars nod.

SIGMA (CONT’D)

We are down now, but we’ll be back stronger.

ON SIGMA - She has a determined look.

CUT TO:

EXT. HALLIWELL MANOR - ATTIC - DAY

Prue, Wyatt, Blanche, and Ruby are there.

PRUE

(to Blanche)

Are you sure this is what you want to do?

Blanche and Ruby stare at each other. Then Blanche looks at Wyatt and Prue.

BLANCHE

I know what I’m doing. I think it’s time for me and Ruby to have a chance as sisters.

WYATT

Do you trust her to walk out there freely?

RUBY

If you’re worried about me having powers out there, I can assure you that I won’t use them to turn the two of you into your best versions.

Wyatt and Prue shoot Ruby a look.

BLANCHE

It won’t work if we don’t trust each other.

PRUE

It’s the freaking Red Witch.

BLANCHE

It’s my sister.

Prue and Wyatt stare at each other.

BLANCHE (CONT’D)

We just need the chance we never had before.

WYATT

Because she killed your parents.

RUBY

I did. And believe me, I regret it. As I regret all evil I caused.

PRUE

I don’t believe you.

RUBY

You should. We are more alike than you think.

PRUE

I’m nothing like you.

RUBY

You are. You’ve embraced your darkness. Let me have a chance to embrace mine and to be able to live with it and don’t let myself be tempted.

Prue and Ruby stare seriously at each other.

BLANCHE

If I ever feel that Ruby is up to something evil, I ---

RUBY

(cuts her off)

You’ll put me back in my Tower. Yes. I know. And you two ---

(to Wyatt and Prue)

--- can use the supernova on me.

Prue smiles.

PRUE

That sounds tempting.

BLANCHE

It won’t be needed.

(looks at Ruby)

I believe I can trust you.

WYATT

Well, if that’s your decision ---

BLANCHE

It is.

WYATT

Good luck.

Blanche smiles.

BLANCHE

Good luck to you guys too and if you ever need me ---

RUBY

They will call, don’t worry.

BLANCHE

Oh, about Bianca. I’ll be here for the baby's birth. Make sure she has some rest.

PRUE

Okay, we will. Safe travels.

RUBY

Take care of the two of you and make sure no other freak messes with you. I won’t be available all the time to save the day.

PRUE

Thank you, Ruby.

Ruby smiles big.

RUBY

It wasn’t that bad, was it?

Prue and Ruby smile at each other.

BLANCHE

Let’s go.

RUBY

Lead the way.

Blanche WHITE SMOKES out and Ruby RED SMOKES out. Prue turns to Wyatt.

PRUE

I believe we might be growing in Ruby’s heart.

Wyatt smiles. Then he grabs her arms. Both stare at each other.

WYATT

It’s game over. Ruby, Jared. It’s past.

PRUE

It is, isn’t it?

Wyatt nods.

WYATT

We’ve got our baby daughters back in the house.

PRUE

Where they belong.

They approach each other.

WYATT

We are good now.

PRUE

Finally.

He leans over her and starts kissing her softly.

OFF TO THE ENTRANCE - Melinda comes in a rush.

MELINDA

Okay, you two stop it.

Prue and Wyatt get apart. They look at Melinda as she approaches Prue and grabs her arm.

PRUE

What the heck has gone into you?

MELINDA

We have some important errands to run.

PRUE

About what?

MELINDA

Oh, you’ll see. Now beam us out of here.

PRUE

What?

MELINDA

Whitmore Manor, please.

Melinda winks at Wyatt as this one smiles. Prue seems confused. Then Prue BEAMS out taking Melinda.

ON WYATT - He smiles.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan and Nate are there. Johnathan is sitting in his chair and Nate sits across from him. They are talking. Nate seems to be incredulous about something. Johnathan laughs.

NATE

I can’t believe you haven’t freaked out.

JOHNATHAN

I have no reasons to, man. Listen, my grandmother used to believe in witches. Okay, I admit that I didn’t believe it back then, but when Cassandra told me who she and her family was, I recalled what grandma used to say.

Nate shakes his head.

NATE

It’s been months and I’m still freaking out.

Johnathan gets serious and stares at Nate.

JOHNATHAN

And how are you?

Nate sighs.

NATE

Getting there. I’m still trying to process the whole thing. Magic, witches, magic school, reality-warping. Man, I know I was once infected with Darkness, but ---

JOHNATHAN

Hey, it’s your family!

NATE

Distant relatives.

JOHNATHAN

Prue is your ex-wife.

Nate smiles.

NATE

Not legally speaking.

Johnathan half-smiles.

JOHNATHAN

So, Darkness? Was he really that bad?

Nate shoots him a look.

NATE

Oh, believe me. I don’t like to remember.

Both men smile.

NATE (CONT’D)

I’m so glad it’s finally over now.

JOHNATHAN

Are you going?

Nate stares seriously at Johnathan.

NATE

Yeah. I’m gonna watch my ex getting married again.

Johnathan laughs.

SOUND - A knock on the door.

JOHNATHAN

Come in.

OFF TO BRIE - She walks into the office.

JOHNATHAN (CONT’D)

Miss Donovan.

Johnathan shoots Nate a look. Nate and Johnathan stand. Brie looks at them.

BRIE

Oh, I’m sorry. I didn’t know you were in a meeting.

JOHNATHAN

It’s an off-work meeting.

Brie smiles as she approaches them.

JONATHAN (CONT’D)

Nate and I were just talking about the past.

BRIE

Sometimes the past should stay in the past.

NATE

Indeed.

Nate and Brie look seriously at each other. Then Brie lowers down her glance. Johnathan notices as she blushes. Then Brie looks at Johnathan.

BRIE

I wanted to tell you that the new contracts are ready. I’ve booked a meeting for next week.

JOHNATHAN

Perfect.

(to Nate)

She’s getting better than you, you know?

Nate shoots him a look.

BRIE

I’m learning from the best, aren’t I?

Brie and Nate look at each other. Nate smiles.

NATE

I did nothing.

Both smile. Johnathan glances at them.

JOHNATHAN

You two go get a ---

Nate shoots Johnathan a look.

JOHNATHAN (CONT’D)

--- coffee. Clearly, both of you are needing some caffeine in your system.

Nate and Brie look at each other.

CUT TO:

INT. PRESCOTT GROUP - OUT. CEO’S OFFICE - DAY (SHORTLY AFTER)

Johnathan's assistant is doing her work at her desk. Brie comes from the CEO’s office.

BRIE

I’ll send you the documents for Mr. Hale to check.

The assistant nods. Nate comes from the CEO’s office.

NATE

Brie?

Brie turns around and looks at Nate.

BRIE

Yes?

Nate walks over to her. The assistant focuses on her work.

NATE

So, coffee?

Brie smiles.

BRIE

Sounds good.

NATE

Great. Also, I have this thing later ---

BRIE

Thing?

NATE

A wedding. I mean, it’s not a wedding it’s my ---

Nate cuts himself off.

NATE (CONT’D)

My cousins are renewing their vows.

BRIE

I see.

NATE

Would you like to be my plus one?

Brie smiles shily.

BRIE

I’m sorry.

NATE

Oh.

BRIE

No. It’s just that I promised my mother I would stop by her place.

NATE

It’s fine.

BRIE

Really, Nate. I would love to, but it’s my mother’s birthday.

NATE

It’s fine.

BRIE

But we can have coffee, right?

NATE

Coffee it is.

Both of them smile and walk out as the assistant watches them leave and smiles.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

ON JUNIOR - He is serious.

JUNIOR

So?

Junior is sitting on the couch and Christopher sits across the center table from him.

CHRISTOPHER

I’ve taken my decision.

JUNIOR

I’m listening.

Christopher sighs.

JUNIOR (CONT’D)

C’mon, Christopher.

Christopher stares at Junior.

CHRISTOPHER

I never thought I could escape my father’s lifestyle. Then Paige and Henry came and they help me.

JUNIOR

They got you into jail.

CHRISTOPHER

Indeed, but it helped me. I turned out better.

JUNIOR

I know and I’m glad.

CHRISTOPHER

I swore to myself that I would never get into that life again.

JUNIOR

Great. I don’t think you should ---

CHRISTOPHER

(cuts him off)

I’ll do it.

Junior is astonished.

JUNIOR

What?

Christopher nods.

CHRISTOPHER

I’ll do it. The Tiger was my father's hitman. I never liked him. Actually, I feared him.

JUNIOR

You really don’t need to do that.

CHRISTOPHER

I do. It’s my chance to right one of my father’s wrongs.

JUNIOR

No. What he did it’s not your fault. He dragged you into that life.

CHRISTOPHER

I was too weak to escape and ended up doing what he wanted.

JUNIOR

You weren’t weak.

CHRISTOPHER

I was, son.

Junior is about to say more, but Christopher stops him.

CHRISTOPHER (CONT’D)

I’ll help you catch the man.

Junior sighs.

CHRISTOPHER (CONT’D)

I need you to do this for me. And for you.

JUNIOR

Dad ---

Beat. Christopher’s eyes go wide when he listens to Junior call him dad.

JUNIOR (CONT’D)

I mean, Christopher.

CHRISTOPHER

You called me dad.

JUNIOR

It came out.

Christopher smiles.

CHRISTOPHER

I’m going to deserve it, son. I’m going to prove to you that I can be your father.

JUNIOR

You don’t need to do that to prove me. You’ve been doing good all these years.

CHRISTOPHER

And I want to do more. Please, son.

(pauses)

Let me do it.

Junior and Christopher stare at each other seriously. Then Junior sighs.

JUNIOR

Fine.

Junior and Christopher stand. Christopher opens his arms. Junior goes to hug him.

CHRISTOPHER

I’ll be fine.

JUNIOR

(sighs)

I hope so.

THE CAMERA MOVES to a corner where Henry stands staring at them. Henry smiles.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

EXT. WHITMORE MANOR - DAY

STILL.

CUT TO:

INT. WHITMORE MANOR - LIVING ROOM - DAY

There are two mannequins with two bridal dresses and some gowns on the couches.
Prue and Bianca are sitting on two chairs as their hair are being made. Melinda, Tamora, Pandora, Charlotte, Cassandra, Ella, Melissa, and Michaela are there. Tamora is trying to do Prue’s hair while Charlotte is working on Bianca’s hair.

BIANCA

You guys have gone mad.

CHARLOTTE

Mad? We need to celebrate after all we’ve gone through.

PRUE

Well, I have three children to take care of.

CASSANDRA

Oh, don’t worry. Mom, aunt Piper, and aunt Paige are on it.

PANDORA

Also, Aunt Prue is joining them.

ELLA

The two of you, just relax while we take care of you.

Prue and Bianca look at each other.

PRUE

(to Bianca)

Did you know?

BIANCA

Had I known, I would have shimmer out to the North Pole.

PRUE

Where are my children anyway? The adult versions I mean? We should be trying to get them back to their time.

MELINDA

They are working on it. After the party, they’ll leave. Not every child is lucky enough to be present in the parents’ matrimony.

BIANCA

They won’t remember a thing.

MELINDA

Still. Besides, someone needed to get the place ready for a double ceremony.

ELLA

I think I’m wearing yellow.

They all look at Ella.

ELLA (CONT’D)

What? Technically I was never married to him, so ---

TAMORA

All exes should be like you and Nate.

MICHAELA

Let’s face it. It is fun.

PRUE

Do you want to lose your heart?

Michaela gets serious. Then Prue smiles.

PRUE (CONT’D)

Kidding.

Michaela relaxes.

CHARLOTTE

Hey, Mic, don’t take Prue too seriously.

PRUE

Better do.

BIANCA

(to Prue)

You’re evil.

Prue smiles.

BIANCA

Hey, but what are the guys doing?

TAMORA

Same as us.

BIANCA

No.

MELINDA

Oh, yes.

They all laugh.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Peri and Patience walk in carrying a floral arrangement. Matt is there placing some chairs before a beautifully decorated altar with a flowery arch. Jo walks in carrying some candlesticks. Peri and Patience place the arrangements on the floor next to the altar as Jo places the candlesticks on the altar. Then they look at it.

JO

Looks good, huh?

Matt looks at his cousins.

MATT

Too many flowers, isn’t it?

Yeah. There are lots of flowers there.

PATIENCE

You don’t know about weddings, Matt.

PERI

And yet, he’ll be one of the firsts.

JO / MATT

What?

PERI

What?

Jo and Matt stare seriously at each other. Patience pokes Peri.

PERI (CONT’D)

The future has changed.

PATIENCE

We don’t know if that one has.

PERI

Oh, well, what’s the matter? They don’t know what year we come from.

JO

Do you mean us?

Jo and Matt look at each other.

MATT

No.

PERI

Oh, no, you will. Not to each other, of course.

Matt and Jo are astonished.

JO

When you say you ---

PERI

Get over it, sis.

PATIENCE

Per, please shut your mouth.

PERI

Fine.

OFF TO LEO AND COOP - They come in carrying wine bottles.

COOP

Kiddos, do you need help here?

PATIENCE

The men’s party is in the attic, grandpas.

LEO

Matt?

MATT

(still astonished)

Are those to be drunk?

Leo and Coop nod.

MATT (CONT'D)

Great. ‘Cause I need it. Enough wedding stuff for me.

Matt walks out of there. Leo and Coop stare at the girls. Peri and Patience shrug.

LEO

You three should go get ready too.

PERI

We will.

Leo and Coop walk out of the room. Jo turns to her sisters.

JO

Would you mind elaborating?

Peri and Patience glance at each other.

PATIENCE

She won’t remember when we’ll get back anyway.

PERI

(shrugs)

His name is David.

Jo smiles. Peri and Patience start telling her what they know.

CUT TO:

EXT. CAFFEE LE PARADE - ESPLANADE - DAY

Piper, Phoebe, Paige, and Prudence are there with Tina, baby Matt and babies Peri and Patience. Tina and baby Matt are in Phoebe and Piper’s lap respectively. Babies Peri and Patience are in the twins’ stroller.

PRUDENCE

Who had the brilliant idea to celebrate with tea?

PAIGE

Oh, honey, we are grannies now. Grannies celebrate with tea.

PHOEBE

Especially when they are babysitting their grandchildren.

PRUDENCE

I’m not a granny.

PAIGE

I guess we are. Grandaunties.

Prudence grimaces.

PIPER

(to Prudence)

Oh, don’t complain. You don’t have a single grey hair yet while the three of us have to dye ours.

PHOEBE

True.

PAIGE

Oh, don’t complain, Phoebe. You’ve always dyed your hair.

PHOEBE

So do you.

Paige smiles as she runs her fingers through her red hair.

PIPER

And then again she went back to red.

PHOEBE

I never tried red.

PRUDENCE

I think I should try blond sometime.

PIPER / PHOEBE

No.

They all laugh.

PRUDENCE

So, this is what our lives have become. Celebrating with tea.

PHOEBE

When Alex gets married you can pay for the champagne.

PRUDENCE

Alex is too young for that.

PAIGE

Oh, but now he’s dating that girl. Michaela.

PRUDENCE

The Firestarter.

PIPER

The girl is sweet.

PRUDENCE

A little weird if you ask me.

PIPER

Oh, Prue.

They all smile.

PRUDENCE

Anyway. A wedding between those two would have to be allowed.

PIPER

Rules are not as they were before.

PRUDENCE

Still, not every whitelighter is allowed to have relationships.

PAIGE

(to Prudence)

You did.

PRUDENCE

They owed me. And it wasn’t until after Piper’s. Anyway, we are not here to talk about Alex but to celebrate the end of this horrific year.

PIPER

Finally, everything is back to normal.

PHOEBE

Whatever normal means.

PAIGE

Let’s toast to that.

PIPER

With tea?

PAIGE

We’re grannies now.

They all laugh. Each one of them takes their cups.

PIPER

To what do we toast?

PHOEBE

(raises her cup)

A world without Jared?

Paige raises her cup.

PAIGE

To our lives. With the good and the bad.

PRUDENCE

(raises her cup)

To our children.

PIPER

(raises her cup)

To our grandchildren.

They toast and then have a sip of tea. Phoebe stares seriously at babies Peri and Patience.

ON BABIES PERI AND PATIENCE - They sleep peacefully on the stroller.

PHOEBE

It’s a shame I’m not in my twenties or thirties anymore. I would have another baby.

Prudence, Piper, and Paige look at her.

PIPER

Another?

PAIGE

Yeah, right.

PHOEBE

No, seriously. A fourth.

The four women laugh.

PIPER

Oh, Phoebe.

THE CAMERA MOVES AWAY as they keep laughing.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FOOTAGE all over the town at the sound of ‘Unconditionally’ by Kate Perry.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The exterior of the house is beautifully lit.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The conservatory room is beautifully decorated and lit. Family and friends are reunited there: Nate, Eric and Charlotte, Melinda and Damon, Ethan and Pandora, Johnathan and Cassandra, Junior and Melissa, Tamora and Sebastian, Alex and Michaela, Ella, Christopher, Piper, with baby Matt on her lap, and Leo, Prudence and Andy as well as A.J. and Allen, Phoebe, with Tina on her lap, and Coop, Paige and Henry, Jo, Peri carrying her baby self and Patience carrying her baby self.

Wyatt and Chris are on their back at the altar as well as Alyssa who smiles as ---

OFF TO THE ENTRANCE - Prue and Bianca each at Matt’s side walk in. Matt walks them all the way to their lovers.

Bianca wears a beautiful ivory chiffon a-line gown that highlights her belly with a goddess-draped bodice and ties back. Prue wears a beautiful pearl chic lace wedding dress with deep-plunge, off-the-shoulder bodice, and a trumpet skirt.

Alyssa smiles as the brides approach them. Wyatt and Chris turn around and see their beautiful wives. They smile. Matt hands Prue to Wyatt and Bianca to Chris. They each Prue and Bianca stay face to face with their husbands. Matt goes to sit beside Jo.

MUSIC FADES OFF.

MUSIC STARTS PLAYING IN THE B.G. ‘Forever Ain’t Enough’ by Ronan Keating.

ALYSSA

Beloved ones, we are gathered here to celebrate love. Love united Prue and Wyatt and Bianca and Chris. Love has turned them into their better versions. Love has won every battle they fought.

(pauses)

You have shared your joys and sorrows and you have dreamed as one. And now you are here to reinforce the vows each one of you proclaimed on the day you married.

(pauses)

Now Wyatt and Prue, please join hands. Chris and Bianca, please join hands.

Both Wyatt and Prue, and Chris and Bianca hold hands.

ALYSSA (CONT’D)

You may say your vows now.

CHRIS

Bianca, I’ve never in my life had a moment of doubt. When it comes to you, I absolutely know what my heart wants. Even when my memory was fuzzy, my heart knew you. You are my dearest one and my reason for living.

(pauses)

It is better to love wisely, no doubt: but to love foolishly is better than not to be able to love at all. I love you.

Bianca smiles.

BIANCA

Chris, Winnie the Pooh was my favorite story while growing up. There’s a quote there that I'd like you to keep on your mind.

(smiles)

“If ever there is tomorrow when we’re not together…there is something you must always remember. You are braver than you believe, stronger than you seem, and smarter than you think. But the most important thing is, even if we’re apart…I’ll always be with you.” I love you.

ON JO AND MATT’S HANDS - Jo grabs Matt’s hand.

Matt gives Jo a thankful smile.

WYATT

Prue, every time I look into your eyes, I learn the most important language of them all. The language that everyone on Earth should be capable of understanding in their hearts.

(pauses)

Love. Love is older than humanity, more ancient than the desert. I can only hope that everyone on Earth can encounter such love. Bigger than any desert, profound as any sea and ancient as time itself. I love you now. I loved you then. I’ll love you for eternity.

Prue smiles.

ON JO, PERI, AND PATIENCE - They smile and wipe a tear.

PRUE

Wyatt, my love, you are my better self. My good angel. My always and forever. I am bound to you as you’re bound to me. You are my heart, my life, and my only thought. Your soul and mine are the same because one cannot live without the other. I can’t live without you.

(a tear runs down her face)

My heart only beats for you. I breathe for you. My eyes see for you. My voice speaks for you. My legs walk for you. And my arms ---

(smiles)

--- always need you. I love you for eternity.

Wyatt and Prue kiss and so do Chris and Bianca. All the presents clap celebrating love. Some of them also wipe lone tears.

The whole room is filled with joy.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (HOURS LATER)

Matt, Jo, Peri, and Patience are there. Prue, Wyatt, Bianca, and Chris are also there. Parents and children stare at each other.

JO

Well, it’s time.

PATIENCE

I wish we could stay longer.

MATT

Especially because we could do more.

PRUE

We take care of things from now on.

Prue grabs Matt’s hand. He nods.

WYATT

Time to go kids.

CHRIS

We’ll miss you.

Matt walks over to Bianca and hugs her tight.

MATT

Be safe, mom. And don’t forget that I love you.

BIANCA

And I love you, honey.

Bianca drops a tear. Matt looks at her.

CHRIS

(to Matt)

You are not going to tell us her name, are you?

Matt smiles.

MATT

I’m sure you’ll figure it out.

BIANCA

Is it a P name?

Matt smiles and nods. Chris hugs his son. Jo, Peri, and Patience go to hug Wyatt and Prue.

PERI

We love you.

JO

To the moon and back.

WYATT

And to the moon again.

They hold hands.

PATIENCE

Don’t ever forget that love is the strongest magic of all.

WYATT

We know that, honey.

Prue and Wyatt smile at each other.

PRUE

We are proof of that.

BIANCA

Shouldn’t be better if one of us goes with them just to make sure?

PRUE

No.

They all look at Prue. She smiles.

PRUE (CONT’D)

This time, it’ll work out.

BIANCA

If that’s your feeling ---

PRUE

It is.

CHRIS

We love you, guys.

Jo, Peri, and Patience go hug Chris and Bianca. Matt hugs Wyatt and then he goes to hug Prue.

MATT

(to Prue; whispering)

Aunt Prue ---

PRUE

I’ll do my best.

Prue and Matt look at each other. Matt nods.

MATT

I love you.

Prue touches Matt’s face softly. She smiles at him.

PRUE

Time to go.

Matt turns to the others.

MATT

I made some modifications to the spell.

ON THE A WALL - There’s a large Triquetra drawn on the wall.

Jo, Matt, Peri, and Patience wall over to the Triquetra. Then they cast the spell.

MATT / JO / PERI / PATIENCE

‘Hear these words,

Hear the rhyme,

Heed the secrets my heart hides.

Move us now,

In time and space,

Take us back

to where each one of us belongs.

Send us back,

To our rightful place and time’

A portal opens where the drawn Triquetra is. One last time, they look back at their parents and then look forward. All four of them walk into the portal. Then the portal closes.

Wyatt, Prue, Chris, and Bianca glance at each other.

BIANCA

I wish we could know they are fine.

PRUE

We can.

Wyatt, Chris, and Bianca look at Prue.

BIANCA

Please.

Prue nods. She reaches out her hand for the three of them to hold it. Wyatt, Chris, and Bianca grab Prue’s hand and she’s taken into a PREMONITION.

FLASHES TO:

INT. HALLIWELL MANOR - JO’S BEDROOM - DAY (PREMONITION)

Jo is there standing in front of the mirror staring at her reflection. She is wearing a beautiful white wedding dress. The dress is a stunning ivory strapless tulle ball gown complete with a sweetheart neckline and a beautifully pleated bodice. The look is completed with a blooming sash and a slowing veil. Her hair is beautifully combed with a classic low chignon.

SOUND - A knock on the door.

JO

Come in.

OFF TO THE DOOR - Matt, wearing a beautiful navy blue tuxedo.

Jo turns to him as Matt shuts the door. Matt stands staring at her.

MATT

You look beautiful.

JO

You look pretty handsome too.

Matt walks over to her. He reaches out his hands. Jo and Matt join hands.

MATT

We made it this far, huh?

JO

With ups and downs.

MATT

And we survive.

Jo smiles.

JO

We did.

Matt takes a deep breath.

MATT

Are you happy?

JO

I am. You?

MATT

The happiest man alive.

They both smile. Jo drops a tear.

JO

We were born almost at the same time.

MATT

And we are marrying at the same time.

JO

I love you, cous.

MATT

And I love you too, little cous.

Matt and Jo hug.

OFF TO THE DOOR - Peri and Patience come in and shut the door.

PERI

Enough, you two.

Jo and Matt get apart and turn to them.

PATIENCE

Everybody is here already.

PERI

Our parents are already down there waiting for you two.

PATIENCE

And so it’s David. Matt, you need to join David.

MATT

Where’s Phoenix?

PERI

She’s helping Mattea to get ready.

PATIENCE

Are you two ready?

Jo and Matt look at each other.

JO

As ready as we’ll ever be.

PERI

Then what are we waiting for?

MATT

Let’s do it.

The four of them hold hands and smile at each other.

THE PREMONITION ENDS.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue comes back from her premonition. She looks at Wyatt, Bianca, and Chris.

CHRIS

So?

PRUE

They are fine. They will do well.

Wyatt, Chris, and Bianca smile. Then Bianca feels a strong kick.

CHRIS

Honey?

BIANCA

(smiles)

I’m okay. It’s just this little phoenix.

CHRIS

Phoenix.

They all look at Chris.

BIANCA

What?

CHRIS

Phoenix is a great name.

Prue smiles. Chris looks at Prue.

CHRIS (CONT’D)

Right?

PRUE

It is beautiful.

BIANCA

Phoenix?

Chris nods.

BIANCA (CONT’D)

I like it.

Chris nods.

BIANCA (CONT’D)

Phoenix it is.

Chris and Bianca kiss.

CHRIS

Time to go home.

Bianca nods. Chris ORBS out taking her. Wyatt turns to Prue who suddenly gets serious.

WYATT

Love?

Prue looks at Wyatt.

WYATT (CONT’D)

You got serious out of a sudden.

PRUE

There’s something I haven’t told you, but I’m running out of time.

WYATT

What is it about?

PRUE

Bianca. She ---

Prue doesn’t know how to say the words.

PRUE (CONT’D)

She’s running out of time.

WYATT

What?

PRUE

We must find Siobhan before she causes Bianca’s death.

Wyatt gets serious.

PRUE (CONT’D)

It will happen on the day Phoenix is born.

ON WYATT - He is astonished.

PRUE (CONT’D)

We have to stop it.

Wyatt nods. They are worried.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FAST MOTION FOOTAGE.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

ON THE ENTRANCE - Siobhan walks in. She’s wearing a black training suit with a hoody.

Siobhan stops as she sees someone standing on her back. A woman.

SIOBHAN

Who the hell are you?

Beat. The woman turns around. Melinoe stares at Siobhan.

MELINOE

What happened to all the leather?

SIOBHAN

Again, who are you?

Melinoe smirks.

MELINOE

The one who’s going to help you get your revenge.

Melinoe and Siobhan stare at each other.

ON MELINOE’S FACE - She smirks wickedly.

CUT TO BLACK.

END OF THE EPISODE