5x20 - The Curse of the Mummies’ Tombs

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 5, EPISODE 20

'THE CURSE OF THE MUMMIES' TOMBS'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

STILL view at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - NIGHT

ON THE BOARD - It is full of post-its with notes.

Prue stands there staring at it. She is serious. Then she walks over to the board and touches the post-it where IT READS:

LEAH - DEAD

Prue tries to get a premonition from it, unsuccessfully.

PRUE

(to herself)

What happened, Leah? Help me here.

OFF TO THE DOUBLE DOORS - They open. Someone walks in.

Jo walks in and stops as she sees her mother staring at the board. She sighs.

JO

Mom?

Prue doesn’t turn to Jo.

JO (CONT’D)

Let’s go home. It’s late.

Prue withdraws her hand from the board.

PRUE

I need to find the event.

JO

You’ve been trying for days.

PRUE

I just need a vision.

JO

I’ve tried, Patience tried, Grams Phoebe tried ---

(sighs)

No visions.

Prue turns to Jo.

JO (CONT’D)

(tired)

Let’s go home. Dad and the twins are waiting for us. You promised we would have a family dinner tonight.

Prue forces a smile.

PRUE

Well, it’s not complete, is it? The family? The babies are ---

JO

(cuts her off)

Safe. The four of them. In Cupid’s Temple.

Jo walks over to her mother.

JO (CONT’D)

C’mon, let’s go home.

Jo reaches out her hand. Prue looks at it, then she looks at Jo.

PRUE

You know I can beam out, do you?

JO

You can and you can heal yourself now and you have also your own supernova. Let me show off now, please.

Prue smiles. She grabs her daughter’s hand. Then Jo ORBS out taking her mother with her.

CUT TO:

EXT. NATIONAL MUSEUM - WAREHOUSE - NIGHT

Only a few lights are on. In the center of the room, the COFFINS of Osiris and Isis are there. They almost don’t need any light to lighten them. Some almost magical light comes from them.

Tamora stands still staring at them. She takes a deep breath.

TAMORA

Isis and Osiris. What secrets lie within you two?!

She sighs. Then she turns around and ---

BEAT. She jumps scared. Someone stands right there staring at her. A man.

TAMORA (CONT’D)

Damn, you scared me!

ON A TALL MAN - His name is ENZO ROSSI (40).

TAMORA (CONT’D)

Enzo?

Enzo smiles at Tamora.

TAMORA (CONT’D)

Oh, my God! It’s you!

Enzo smiles and opens his arms. Tamora goes to hug him.

ENZO

Come stai, ragazza?

Which means ‘how are you girl?’. Yes, he’s Italian. They break the hug.

TAMORA

I’m fine. But what are you doing here?

Enzo looks at the coffins.

ENZO

I came to make sure no one ever opens those coffins. And also, I’m seeking help in closing their tombs for good.

Tamora stares seriously at Enzo. He has a determined look on his face.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Katie Cassidy as Melissa

Special Guest Starring

Alexandra Chando as Peri

Nina Dobrev as Patience

Matt Lanter as Matt


Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Katie McGrath as Ruby

Antonio Cupo as Enzo

Diogo Morgado as Alvaro Alarcão

Lisa Goldstein as Ismene

Parker Mack as Asher

Unknown as Demons

Unknown as Museum Team

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the city at the sound of ‘My Universe’ by Coldplay X BTS.
FOOTAGE at San Francisco’s most iconic landmarks.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STILL.

MUSIC KEEPS PLAYING IN THE B.G.

CUT TO:

INT. HALLIWELL MANOR - DINING ROOM - NIGHT

MUSIC FADES OFF.

Prue, Wyatt, Jo, Peri, and Patience are having a family dinner. Jo and her sisters seem to be enjoying the evening. Wyatt smiles staring at his daughters while they talk. Prue stares at them, but she’s not that cheerful.

PATIENCE

--- So, yes, while I used my powers on him, Peri just stood there staring at me.

PERI

I knew what was going to happen, but you were so full of yourself that you didn’t listen to me.

PATIENCE

You could have told me that he would shoot his green venom while being vanquished.

JO

(surprised)

Oh, my God! What happened?

Peri and Patience stare at Jo.

PATIENCE

You showed up and used your force field to protect me from it.

JO

Me?

Peri and Patience nod. The three of them laugh. Wyatt smiles at them. He then glances at Prue.

JO (CONT’D)

All of my memories are from a time where the three of us were not that close.

PERI

Right, ‘cause we were the evil twins.

JO

You were.

(remembers)

We never used our powers on each other. I guess mom ---

(stares at Prue)

--- forbade you from doing anything against me.

PERI

Well, of course, you are our sister.

Wyatt looks at his daughters.

WYATT

Prue always protects her family. And when you love something, you protect it.

Jo, Peri, and Patience look at Wyatt.

JO

And so do you.

Wyatt smiles at them.

WYATT

Do we have this? In the future? Do we do family dinners?

Peri and Patience stare at each other. Then they look at Wyatt.

PERI

Of course, we do, dad.

Wyatt smiles.

PRUE

We must make sure that happens.

They all stare at Prue.

PRUE (CONT’D)

I’m sorry, girls. I should be with my mind here, but ---

JO

You need to give it a break.

Prue nods.

PATIENCE

I wish I could help, but nothing occurs to me.

WYATT

You are helping.

(glances around)

You prepared all this.

PERI

Yes, she knows how to cook. How surprising!

Patience shoots Peri a look.

PRUE

(to Patience)

You are.

Prue grabs her youngest daughter’s hand over the table.

PRUE (CONT’D)

Thank you.

PERI

Luckily, she didn’t get the crazy genes.

They all look at Peri.

PERI (CONT’D)

Oh, it’s just that Jo and I are more hot-headed while Patience is the sweeter one of
us.

Patience smiles. Then she holds Peri’s hand.

PATIENCE

You two can be hot-headed, but ---

Peri grabs Jo’s hand.

PATIENCE (CONT’D)

--- without you, I’d be lost.

Jo grabs Wyatt’s hand and smiles. Wyatt turns to Prue and holds her hand.

JO

I can’t wait to know that life.

WYATT

You will.

PRUE

As soon as we vanquish Jared, the three of you are going back to your time. We don’t want to mess with things more than they already are.

(to Wyatt)

And you are totally right. When we love something, we protect it.

Prue and Wyatt smile. They all glance at each other and smile.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - NIGHT (LATER THAT EVENING)

Jo is already in bed, sleeping. Her sleep seems to be agitated as she moves in bed.

THE CAMERA APPROACHES HER FACE - Her eyelids also move.

FLASHES TO:

INT. PLANE OF NOTHINGNESS / ENCHANTED DREAMWOOD (INSIDE NIGHTMARE)

Jo, wearing pajamas, stands glancing around. She seems scared.

JO

(shouting out loud)

Mom? Dad?

No answers.

JO (CONT’D)

Where are you? Peri? Pat?

Still no answers. Suddenly, the ambiance around her starts to change. Now it looks more like hazy woodland. Jo glances around. She’s now wearing a long white dress.

JO (CONT’D)

What’s going on?

She glances around, but there’s nothing there, only dead trees.

JO (CONT’D)

Where’s everybody?!

Then suddenly, she sees a woman standing on her back somewhere far off with an owl flying nearby.

JO (CONT’D)

Mom?

Indeed the figure looks a lot like Prue from the back. Jo goes to move towards her, however, she gets trapped on a branch and can’t keep moving towards the person.

ON JO’S EYES - They go wide.

FLASHES BACK TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - NIGHT

ON JO’S FACE - Her eyes go widen.

Sitting on the edge of the bed is Peri. She has been trying to wake her up.

PERI

Are you okay?

Jo gets into a sitting position. She seems shattered.

PERI (CONT’D)

What happened to you?

Jo stares seriously at Peri.

JO

It was just a dream?

PERI

What kind of dream?

Jo thinks for a few seconds if she should tell her sister.

JO

I was on that plane.

Peri understands.

PERI

You haven’t talked to anybody about it.

JO

Mom didn’t want to listen to it when I came back. She’s the one who can understand what I felt.

PERI

Because of Darkness?

Jo nods.

PERI (CONT’D)

Why don’t you try me?

Jo stares at her sister seriously.

JO

I’m okay, Per. I am. It was just a dream.

Both of them stare seriously at each other. Peri is not convinced about it, but she drops it.

PERI

I’ll be in my bedroom if you need me.

JO

It’s not your bedroom yet.

PERI

It’ll be. In the future.

Jo forces a smile. Peri shoots her sister a supportive look and then she stands and walks out of the bedroom. Jo stares seriously at the door as Peri closes it after leaving.

THE CAMERA MOVES TOWARD THE WINDOW - There, an OWL stands on the window sill and it seems to be staring seriously at Jo. Then the Owl takes off.

CUT TO:

INT. CONDO - BALCONY - NIGHT

Bianca is wearing her pajama. She’s sitting on one of the outdoor chairs having a glass of milk. She is thoughtful. Matt, also wearing pajamas, stares at her from the door.

MATT

Mom?

Bianca turns to Matt. She half-smiles as she sees him. Matt walks over to her and sits beside her.

MATT (CONT’D)

What are you doing here alone?

BIANCA

I couldn’t sleep.

MATT

Is there something bothering you? You’ve been off lately.

BIANCA

I’m fine. Seriously. I just ---

Bianca touches her belly.

BIANCA (CONT’D)

I’m just entering my sixteen weeks.

(smiles)

She’s started kicking.

Matt looks at her.

MATT

Can I?

Matt wants to touch Bianca’s belly. She puts the glass of milk aside takes his hand and puts it over her belly. Matt looks at the belly then he smiles. He looks at Bianca.

MATT (CONT’D)

She kicked!

BIANCA

(smiles)

She did. I guess she knows you're her brother.

Bianca grabs Matt’s hand between hers.

BIANCA (CONT’D)

I’m really glad I got to meet you.

MATT

Mom ---

BIANCA

Your old self, I mean. And your baby self. I still don’t remember, but ---

MATT

You will, soon.

They smile at each other.

BIANCA

What’s her name?

MATT

My sister’s?

Bianca nods.

MATT (CONT’D)

I’m not going to tell you.

BIANCA

Why? It’ll be easy to pick her name.

MATT

Yeah, I’m sure you won’t have any difficulty in picking a name for that little phoenix of yours.

BIANCA

Right. She’ll be a Phoenix witch.

Matt nods.

MATT

The gene doesn’t pass to us men.

BIANCA

Yeah, but if you ever have a daughter you can pass it to her.

Matt nods.

BIANCA (CONT’D)

Maybe she’ll be able to do what I haven’t.

(sighs)

Unite the Phoenix coven.

MATT

Well, in my time, that didn’t happen.

BIANCA

That’s why we must change what’s wrong now.

Matt nods.

MATT

Let’s go have some sleep.

BIANCA

I’ll be in a minute.

Matt nods. He stands and leaves the balcony. Bianca then looks up at the sky.

BIANCA (CONT’D)

I wish I had more time.

She lowers her gaze. She’s got sadder than before.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - NIGHT

Tamora and Enzo are there. She’s sitting at her desk and he sits across from her.

TAMORA

Do you really believe what you're saying?

Enzo is serious.

ENZO

It’s all there. I’ve translated it and the message is clear. There’s a curse. If someone opens those coffins, a curse will be released.

Tamora looks at the documents in front of her. She takes a deep breath.

TAMORA

Curses involving tombs are myths, Enzo.

ENZO

Are they? Tam, please. I know you believe in that kind of thing.

TAMORA

Enzo ---

ENZO

The message is clear, Tam. Open them and a curse will be released.

Tamora leans back on her chair.

TAMORA

I’m so tired of curses.

ENZO

Then, help me to stop them from being opened.

Tamora stares seriously at Enzo. She sighs.

TAMORA

We’re gonna need help.

Both of them stare seriously at each other.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

SHOOTS all over the city.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STILL.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON CUP OF COFFEE - Someone is pouring coffee into a cup.

Jo is a mess. She has dark circles under her eyes. She takes the cup and sips her coffee.

OFF TO THE ENTRANCE - Peri and Patience walk in.

Patience walks over to the coffee machine while Patience goes to sit at the table.

PERI

Morning.

Jo just nods to them.

PATIENCE

What’s wrong with you?

JO

I couldn’t sleep.

PERI

(shoots Jo a look)

Nightmares?

Peri stares at them.

PATIENCE

Nightmares? Are you having nightmares?

JO

I’m fine.

PERI

(pouring coffee into two cups)

She’s not. She had a nightmare last night. Only woke up because I woke her up.

PATIENCE

What was it about?

PERI

She’s not telling.

Peri takes the two cups and walks over to the table. She hands Patience one of the cups.

JO

I said I’m fine.

PERI

It is related to the plane of Nothingness.

PATIENCE

You never mentioned what happened there.

JO

Yeah, I don’t want to talk about it.

SOUND - The toaster.

Jo walks over to the toaster and puts the toasts on a plate. She then takes the plate and walks over to the table placing the plate on the table. Then she sits.

PERI

You should.

JO

I said I don’t want to.

PATIENCE

Why don’t you talk to mom? She’s probably the best person to whom you could talk about Darkness.

JO

I said I don’t want to.

PERI

You should.

JO

(mad)

Damn! You two are a pain in the ass.

PERI

We are your sisters.

JO

(rude)

You seemed to forget that bitchy wife lure you.

Peri shoots her sister a look.

PERI

In my defense, it’s hard when one has two sets of different memories in one’s mind.

Peri and Jo stare seriously at each other.

PATIENCE

Girls, please.

Patience grabs one toast and has a bite.

PERI

Talk to mom, Jo. She needs to know.

PRUE

Needs to know what?

Prue walks into the kitchen. She heads straight to the coffee machine and pours herself a coffee. Jo, Peri, and Patience stare at each other. Coffee poured, Prue turns to them and shoots them a look.

PRUE (CONT’D)

So? What is it that I need to know?

JO

Nothing, mom.

PRUE

Well, it must be something if the three of you were arguing.

PATIENCE

We were just talking, mom.

Prue stares at them.

JO

(changing subject)

What’re the plans for today?

PRUE

Same old plan.

JO

Mom, you need a rest from it.

PERI

Yeah, maybe you and Jo can spend some quality time together.

Peri shoots Jo a look. Jo shoots her a mad look. Prue stares at them.

PRUE

Okay, spit it out.

Jo is about to say something when Prue’s phone beeps.

JO

Mom, it’s just that ---

Prue checks her phone. Her eyes go wide.

PRUE

Change of plans.

PATIENCE

Something wrong?

Prue looks at them.

PRUE

(to Jo)

Can we talk later?

(shows them her phone)

It’s Tam. She says it’s important.

JO

Of course. It’s nothing important.

Peri rolls her eyes.

PATIENCE

We can keep digging.

Prue glances at them.

PATIENCE (CONT’D)

The three of us.

PRUE

(sighs)

Okay. But if you get a premonition of some sort, you call me, okay? Going after Jared isn't allowed, are we clear?

Jo, Peri, and Patience nod.

JO

As water.

Prue nods.

PRUE

Fine. Tell your dad I had to leave.

(starts moving out)

Love you, girls.

PERI / PATIENCE

Love you, mom.

Prue smiles at her daughters. Prue leaves.

JO

Love you, mom.

Peri and Patience stare at Jo. Jo shrugs.

JO (CONT’D)

She’s busy. You heard her. God, Phoenix, Matt, and Peyton weren’t that annoying.

PERI

They are not your siblings.

Jo rolls her eyes. Stands and walks out of the kitchen. Peri and Patience glance at each other.

CUT TO:

EXT. BAY MIRROR - DAY

STILL.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Wyatt walks over to his office followed by Melissa and Chris. They walk into the office.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

All three of them walk in. Wyatt heads to his chair.

MELISSA

Apart from the Vera issue, everything has been normal around here.

WYATT

The Vera issue? It’s that what we’re calling it?

MELISSA

What do you want me to call it?

Chris smiles.

CHRIS

Crisis on Vera’s Planet?

Wyatt and Melissa stare seriously at him.

CHRIS

Sorry, I was watching some DC movies last night with Matt. Can you believe he’s a fan of Captain Marvel?

WYATT

Well, she’s a woman.

CHRIS

Well, I’m a DC guy. Wonder Woman is the best.

MELISSA

You need to get out more often.

CHRIS

Sorry.

Melissa turns to Wyatt.

MELISSA

Anyways, I’ve been a good replacement for you.

Wyatt shoots her a look.

WYATT

Replacement? Are you planning to take my place?

MELISSA

Of course, not. But if you guys need to keep focusing on getting us back to where we belong, I can take care of the ship.

WYATT

I know and thank you for doing it, but I believe it is clear that we are not going back to the moment we left, so we better worry about our workplaces.

MELISSA

Isn’t there any way? For real?

CHRIS

No, there isn’t.

WYATT

We are passed beyond the due date. And for things to go back to normal we need to find the event, go back in time, and change it.

MELISSA

And we are not even close to it.

CHRIS

Well, Prue is sure that it is related to Leah.

MELISSA

The Source’s heiress.

Melissa sighs.

MELISSA (CONT’D)

What’s gonna happen to us? The ones who can’t remember? We are talking about a year.

CHRIS

We know. But we have no answer for that.

MELISSA

Yeah. Well, I’m gonna prepare myself. Got an interview with that Egyptologist.

CHRIS

Right. Tamora has been busy lately.

MELISSA

Well, good she contacted me to take the exclusive.

WYATT

Go.

Melissa nods. She turns around and leaves the office. Chris and Wyatt turn to each other.

CHRIS

She’s right. What’s gonna happen to them?

WYATT

I wish I knew.

Both brothers stare seriously at each other.

CUT TO:

INT. MAGIC SCHOOL - DINING HALL - DAY

The room is big. There are a few tables. Some students and teachers are there having breakfast. Ella is sitting at one of the tables having breakfast. She’s having a yogurt.

OFF TO THE ENTRANCE - Nate walks in. He glances around.

Ella sees Nate. She waves her hand to him. Nate sees her and walks over to her.

NATE

I was told that breakfast was here.

ELLA

(smiles)

Morning to ya. Yes, it’s here. It’s kinda good the food.

NATE

How does it work?

ELLA

Self-service.

Nate forces a smile. He then sits across from her.

NATE

I never thought I would be staying here.

ELLA

Don’t you have a home? I mean, not the condo, but your own place.

NATE

Probably, but no one knows where it is.

ELLA

It sucks.

NATE

What about you?

ELLA

New Orleans. I don’t want to go back to New Orleans. Well, not just yet anyway.

They stare at each other.

ELLA (CONT’D)

How are you holding up?

NATE

I’m a mess. Everything I knew is fake.

ELLA

Yeah. It sucks. I just want this nightmare to be over. I need my life back whatever it is.

Nate smiles.

NATE

I couldn’t agree more.

ELLA

You are welcome to help me.

NATE

On what?

ELLA

Avatar’s potion. There must be a recipe somewhere. I’m on it.

NATE

I thought that witch was on it.

ELLA

Oh, Ruby? She is. But you see, she’s evil, so I prefer to do my own search.

NATE

Well, I’ve got vacations from work, so ---

ELLA

Great. Go and have coffee. You look miserable.

Nate smiles and stands. He walks over to the food. Ella keeps having her yogurt.

CUT TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - DAY

Charlotte comes in followed by Pandora.

CHARLOTTE

Are you kidding me, right?

Charlotte turns to Pandora.

PANDORA

No. I’m not.

CHARLOTTE

Pan, we are in the middle of a crisis!

PANDORA

I know. But we are always in the middle of a crisis.

They stare at each other.

PANDORA (CONT’D)

Please, Charlie. It’s just one night.

OFF TO THE ENTRANCE - Cassandra walks in.

CASSANDRA

What’s going on? I mean, apart from everything that’s going on?

Charlotte and Pandora look at Cassandra.

CHARLOTTE

Pan wants to go clubbing.

CASSANDRA

(looks at Pandora)

In the middle of a crisis?

Pandora nods.

CHARLOTTE

That’s what I said.

CASSANDRA

I’m in.

Pandora smiles.

CHARLOTTE

What?

CASSANDRA

We need to recharge. We’ve been focusing on Jared, Avatars, reality-warping, and some freak event. We must relax. Maybe then we can get our heads on the price.

PANDORA

(smiles at Charlotte)

See? My point exactly.

Charlotte sighs.

CHARLOTTE

(gives up)

Fine. Let’s go clubbing tonight.

PANDORA

Cool.

Pandora and Cassandra smile. Charlotte rolls her eyes.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. NATIONAL MUSEUM - DAY

STILL.

CUT TO:

INT. NATIONAL MUSEUM - EXHIBITION ROOM - DAY

The pieces from Alvaro Alarcão’s collection are being placed in their place. A few workers are there. Tamora is there staring at the workers.

OFF TO THE ENTRANCE - Prue walks in. She glances around and spots Tamora.

Prue walks over to Tamora.

PRUE

This better be good.

Tamora turns around and smiles as she sees Prue.

TAMORA

Morning, to ya!

PRUE

I already texted you a good morning.

TAMORA

Right. Jeez! Wake up on the wrong side of the bed?

PRUE

Didn’t sleep at all. Have you forgotten I ---

Prue glances around. Then she lowers her voice.

PRUE (CONT’D)

--- have been trying to take us out of this mess.

TAMORA

No, I haven’t. I just think there’s another mess we need to get out of.

PRUE

What?

TAMORA

Follow me. Mel is already here.

Tamora turns around and walks away. Prue stares confused at Tamora.

PRUE

Mel?

Prue shrugs and follows Tamora.

CUT TO:

INT. NATIONAL MUSEUM - WAREHOUSE - DAY

ON THE COFFINS - They are still shining with a bright light.

Other pieces are there as well, but the place seems emptier.

Melinda stands there staring at the coffins. She has some papers in her hands.

Tamora and Prue come in. They approach Melinda and the tombs.

TAMORA

She’s here.

Melinda turns around and stares at them.

MELINDA

(to Prue)

Hey.

Prue nods at Melinda.

PRUE

So, what’s going on?

Tamora points to the coffins.

TAMORA

This is going on.

Prue looks at the coffins.

PRUE

Did you ask me to come because of some mummies?

TAMORA

They are not just some mummies.

MELINDA

Don’t you recognize the faces?

Prue walks over to the coffins and stares at them.

PRUE

Not really.

MELINDA

(smiles)

It must be of the angle you’re looking at them.

PRUE

What the hell!

TAMORA

It’s you. And Wyatt.

Prue’s eyes go wide.

TAMORA (CONT’D)

They caught your eyes well.

Melinda shoots Tamora a look.

PRUE

I’m lost.

TAMORA

That’s new.

MELINDA

Isis and Osiris.

Prue looks astonished at Melinda.

MELINDA (CONT’D)

Those coffins supposedly belong to them.

Prue turns to the coffins.

PRUE

So, this is my past life’s mummy?

TAMORA

And Wyatt’s.

PRUE

But how is that even possible? They were considered Gods.

MELINDA

Well, apparently Gods had the right to be mummified.

Prue stares astonished at the coffins.

TAMORA (CONT’D)

And they are part of tomorrow’s exhibition. And what’s worse, the crazy man plans to open them.

Prue turns to them.

TAMORA (CONT’D)

The thing is that a curse will be released if they open the damn coffins.

PRUE

They cannot open them. Those are the coffins of ---

(pauses)

--- Gods. Fake, but still.

MELINDA

Yeah. I agree.

TAMORA

Then we must find a way to get those back to Egypt and lock the chamber for good.

The three of them stare at one another.

CUT TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - DAY

Jo, Peri, and Patience are there. The board is nearby.

JO

Well, mom is sure that whatever happened is related to Leah, so we must try to find all we can about Leah.

PERI

Okay.

PATIENCE

But mom already did. She said the only thing she found was a note in the Source’s book saying that she was dead.

JO

She was the Source’s freaking heiress. There must be more.

PERI

And we are going to find it.

PATIENCE

Why don’t we ask that girl? Michaela?

JO

She has asked a few days away from this. The girl found about Jared anyway, so --- besides, she tried once and saw nothing.

PATIENCE

Mom is the best shoot. I mean, she had a connection with Leah, right?

PERI

Let’s try to find something.

OFF TO THE ENTRANCE - Nate and Ella come in.

ELLA

Hey, girls!

Jo, Peri, and Patience turn to them.

JO

Hey.

Jo, Peri, and Patience stare at Nate weirdly.

NATE

Hi.

PATIENCE

Hi, da ---

Patience cuts herself off.

PATIENCE (CONT’D)

Nate.

Nate smiles at them. Ella signs Nate to follow her.

ELLA

We are going to focus on finding the ingredients for the Avatar’s potion.

JO

Do you think you can find it?

ELLA

I’ve got to try.

(she stares at the board)

You girls are on the event task?

Jo nods.

JO

Mom asked us to.

NATE

How is she?

Jo stares at Nate.

JO

She’s fine.

Nate nods.

NATE

Well, what can I do to help?

ELLA

(to Nate)

There’s a book about ancient Egypt in the ancient civilizations section, want to get it?

Nate glances around.

NATE

And where is that supposed to be?

PATIENCE

I can show you.

Nate looks at Patience. She smiles.

PATIENCE (CONT’D)

Come. I’ll give you the tour.

Patience walks away. Nate looks at Ella and she nods. Jo and Peri stare at each other. Nate follows Patience.

CUT TO:

INT. NATIONAL MUSEUM - WAREHOUSE - DAY

Prue, Melinda and Tamora are there. They glance around as some workers are taking some pieces out. The women look at one another.

Enzo walks in and glances around. He sees Tamora and walks over to her.

ENZO

Cara mia!

Which means ‘my dear’. He takes Tamora’s hand and plants a kiss on the knuckles. Prue and Melinda stare astonished at the scene. Enzo realizes Prue and Melinda’s presence.

ENZO (CONT’D)

Who are these two beautiful ladies?

TAMORA

My cousins.

Enzo walks towards Melinda and takes her hand. He plants a kiss on her knuckles.

TAMORA (CONT’D)

Melinda.

ENZO

Bella!

MELINDA

Engaged.

Enzo grimaces.

TAMORA

(points to Prue)

And Prue.

Enzo takes Prue's hand and does the same he did to Tamora and Melinda.

ENZO

Bellissima!

PRUE

(smiles)

Married.

Enzo grimaces again. He looks at Tamora.

ENZO

Don’t you have a single cousin to present to me?

TAMORA

My sister.

ENZO

It’ll work.

TAMORA

It’s complicated.

Enzo grimaces. The woman smile. The workers leave the warehouse.

MELINDA

So, who’s this?

TAMORA

This is Enzo Rossi.

Enzo smiles.

TAMORA (CONT’D)

We met back when I went on that trip to Europe, but he's now living in Egypt. He is a curator at The Museum of Egyptian Antiquities.

ENZO

Tam contacted me a few weeks ago because of the collection she’s hosting.

TAMORA

Enzo found out those coffins belong to Isis and Osiris.

ENZO

And they cannot be open or a curse will be unleashed.

MELINDA

(to Enzo)

You don’t believe in curses, do you?

Enzo shoots Melinda a look.

ENZO

It admires me that you ask me that considering.

PRUE

Considering what?

Enzo shoots Tamora a look. Tamora rolls her eyes.

TAMORA

He knows about us.

Prue and Melinda shoot Tamora a look.

TAMORA (CONT'D)

He knows we are witches.

PRUE

(sarcastic smile)

What?

MELINDA

Witches? Us?

Tamora glances from one to the other.

PRUE

Are you mental?

Tamora shrugs.

TAMORA

I didn’t have another option. He kinda saw me vanquishing a Ghoul in Rome.

Enzo smiles.

ENZO

Ragazze, don’t worry. Your segreto is safe with me.

PRUE

Is it?

Prue shoots Enzo a look. Enzo nods. Prue gives in.

PRUE (CONT’D)

What kind of curse?

Enzo smiles. He walks over to the coffins.

ENZO

Mummies' tombs are surrounded by legends. Legends of ancient curses that could be unleashed in case they are opened.

(turns to them)

I’ve heard stories of some that actually happened.

MELINDA

That’s true.

Enzo smiles at Melinda.

ENZO

These aren’t different. Considering who these tombs belong to. No one ever found a tomb of a God. Let alone two. The chambers where these were found remain intact. As if time hasn’t passed there.

PRUE

Why do you think is that?

ENZO

(opens his arms)

Isn’t it obvious? They belong to Gods. Horus, their son, made that temple for them.

PRUE

Wait? Temple?

Enzo smiles.

TAMORA

According to Enzo, there are more chambers near those where Isis and Osiris’ chamber was found.

ENZO

And it’s big.

PRUE

They can keep digging.

ENZO

They are.

Prue looks at the coffins.

ENZO (CONT’D)

It needs to be closed and its whereabouts must be hidden.

Prue approaches Isis's coffin and reaches out her hand.

ENZO (CONT’D)

You can’t ---

PRUE

I can.

(looks at Enzo)

This one is my past life.

Enzo’s eyes go wide. Prue touches Isis's tomb. She closes her eyes. Then she opens them and looks at Enzo.

PRUE (CONT’D)

Yes. Welcome to our charming world.

(turns to Tamora and Melinda)

These coffins need to return home and that temple needs to remain hidden.

MELINDA

Agree.

TAMORA

Let’s work on a plan.

They all nod and stare at each other.

CUT TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - DAY

Bianca comes in followed by Matt. Ella, Jo, and Peri are there. Ella is at one of the tables while Peri and Jo stare at the board.

MATT

Hey!

Matt walks over to Jo and Peri.

JO

Hey, cous!

Bianca walks over to Ella who looks at her.

ELLA

Hey. You look ---

BIANCA

I know.

Bianca has black circles under her eyes. Bianca sits across from Ella.

ELLA

What’s going on?

Bianca shakes her head.

BIANCA

Nothing. Can’t I help you?

ELLA

I thought you were going to see Rae today.

BIANCA

She can’t. She believes she found someone who knows where Siobhan is and wants to follow that person.

ELLA

Another Phoenix witch?

Bianca nods. They keep talking as THE CAMERA MOVES to where Jo, Peri, and Matt are. Matt stares seriously at Bianca and Ella. Jo looks at him.

JO

Hey! What’s wrong?

Matt looks at Jo and forces a smile.

MATT

Nothing.

JO

I’ve known you my whole life, so, split it out.

Matt takes a deep breath. Peri looks at them.

MATT

Something is going on with her.

PERI

Something is going on with all of us. For example, why is Patience taking so long?

JO

True. She and Nate should’ve been back already.

MATT

Patience and Nate are together.

PERI

(forces a smile)

They are.

JO

Maybe she is feeling the same you felt when Jessica ---

PERI

(cuts her off)

Don’t mention that woman. It hurts.

JO

She’s not your mother.

PERI

I know. But still.

Matt turns to the board.

MATT

Have we found anything?

Jo yawns. Peri and Matt look at her.

PERI

What was that?

Jo disguises.

JO

I’m fine.

PERI

You’re not.

MATT

What’s going on?

PERI

She’s been having nightmares.

JO

It’s nothing.

MATT

Should we be worried?

JO

(mad)

I’m fine. Okay? I’m just going to have a coffee and I’ll be right back.

Jo turns around and leaves the library. Matt and Peri look at each other. Peri seems worried.

CUT TO:

INT. MAGIC SCHOOL - CORRIDOR (SHORTLY AFTER)

Jo comes walking down the corridor. She yawns again. She scratches her eyes. She feels weak and leans against a wall.

JO

What the hell?!

Then Jo simply faints.

FLASHES TO:

INT. ENCHANTED DREAMWOOD (INSIDE NIGHTMARE)

Jo is there again. She glances around. She’s surrounded by haze.

JO

Again.

Then again, she sees the woman standing on her back far off with an owl flying nearby. The woman looks like Prue from the back. Jo goes to move towards her, however, and like before, she gets trapped on a branch. She tries to get off of it. She pulls her dress strongly and falls on the ground full of leaves.

The Owl flies towards Jo and starts flying around her. Jo looks at the woman who’s still on her back.

JO (CONT’D)

Please?

ON THE WOMAN - She turns around slowly and ---

It is not Prue. But her hair looks a lot like Prue’s. Jo stares seriously at the woman.

JO (CONT’D)

You are not my mother.

The woman walks over to her. She reaches out her hand to help Jo. Jo grabs the woman’s hand and stands.

JO (CONT’D)

Thanks.

They look at each other seriously. Then the woman smile. It seems like she’s about to say something, but ---

FLASHES TO:

INT. MAGIC SCHOOL - CORRIDOR - DAY

Matt is lowering down Jo trying to wake her up.

MATT

Jo? C’mon!

Jo opens her eyes and looks at her.

JO

Matt?

Matt helps her to stand.

MATT

What the hell is happening to you?

JO

I don’t know.

The both of them stare seriously at each other.

CUT TO:

INT. MAGIC SCHOOL - ANCIENT CIVILIZATIONS SECTION - DAY

Patience and Nate are at the small table. They seem relaxed and talking. Patience laughs. Nate smiles looking at her.

PATIENCE

Seriously. I wanted to catch the cat and you ran after me like crazy.

Nate smiles.

PATIENCE (CONT’D)

You kept saying, doll, come back here.

NATE

Doll?

PATIENCE

Yes.

Patience and Nate stare at each other smiling.

PATIENCE (CONT’D)

I kinda miss it.

Their smiles fade.

NATE

It actually never happened, did it?

Patience’s expression saddens.

PATIENCE

I’m sorry.

Nate lowers his gaze.

PATIENCE (CONT’D)

I shouldn’t have told you all these stories that will never come to happen.

Nate looks at her.

NATE

No, thank you.

He gets thoughtful.

NATE (CONT’D)

All this craziness has made me realize that we can’t take anything for granted. I was so sure that Prue, Andy, and even you and your sister were mine no matter what, and in the end ---

(sighs)

--- I had nothing.

PATIENCE

That’s not true. We are family. You might not be my father, but we have the same blood. I’m sure you’ll find what’s yours soon.

NATE

Thanks.

OFF TO PERI - She walks in.

PERI

Hey!

Peri stops as she sees the two of them.

PERI (CONT’D)

Sorry, huh ---

NATE

We took too long.

Nate takes the book that’s on the table and stands.

NATE (CONT’D)

(to Patience)

Thank you, ---

(smiles)

--- doll.

Peri frowns. Nate walks out. Patience stands. Peri shoots her a look.

PERI

Care to elaborate?

PATIENCE

I felt I had to talk to him.

PERI

Do you think it was a good idea? Because in his mind he’s your father.

PATIENCE

In his mind, he’s our father. Remember, Prue had two daughters.

PERI

Only that one of them was taken by ---

(grimaces)

--- that woman.

PATIENCE

And that woman is dead, Per. You’ve got to get over that.

PERI

I know. But I can’t. I can’t forgive myself for being so stupid. I hurt mom and dad.

PATIENCE

They understand.

PERI

But I don’t. Pat, I’m the smart twin.

PATIENCE

(annoyed)

Hey!

PERI

I mean, I don’t fall for that kind of thing.

PATIENCE

You know? You keep telling Jo she must talk to mom about what happened back there on that plane. Well, you should talk to one of them two.

PERI

I don’t ---

PATIENCE

You do.

Peri seems mad.

PERI

You know what? We have no time for that. There’s something wrong with Jo.

PATIENCE

What happened?

PERI

She fainted.

Peri turns around and walks out. Patience follows.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

Wyatt is at his desk. Chris walks in and he’s on the phone. Wyatt looks at him.

CHRIS

(on the phone)

No, wait, B, but is she okay? --- Right, please keep me posted. Love you.

Chris hangs off the phone.

WYATT

What’s going on?

CHRIS

Jo fainted at Magic School.

Wyatt stands worried.

WYATT

What?

Chris tries to calm him down.

CHRIS

She’s okay. It must be stress.

WYATT

She’s a freaking Twice Blessed witch.

CHRIS

Reason enough to suffer from stress.

Wyatt shoots his brother a look.

CHRIS (CONT’D)

She’s fine, Wyatt.

WYATT

I must call Prue ---

(takes his smartphone)

--- and go to her.

CHRIS

No need to. Okay?

Wyatt shoots him a look.

CHRIS (CONT’D)

Mel texted. Isis and Osiris coffins are in San Francisco.

WYATT

What?

CHRIS

You better sit down.

Wyatt sits on his chair and leans back. He stares seriously at Chris.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Junior is by the Book of Shadows. Ruby is sitting at the table. There’s a lot of papyrus on the table and some ancient books.

RUBY

(sarcastic)

So, there weren’t any criminals to be caught?

Ruby doesn’t take her eyes from an old papyrus. Junior glances at her then he focuses again on the BOS.

JUNIOR

You know, Ruby, I’m not interested in talking. You just keep finding the ingredients for the potion and I keep ---

RUBY

(cuts him off)

Finding a spell to protect your dearest one?

Ruby looks at him. Junior looks at her.

JUNIOR

What?

RUBY

I might not be able to use my powers, but I can still read people.

JUNIOR

I don’t want to be read.

RUBY

It’s a gift. I can’t avoid it.

Junior keeps staring at her.

RUBY (CONT’D)

I can’t help you, you know?

JUNIOR

I certainly don’t want your help.

RUBY

I know a spell.

Junior stares seriously at her.

RUBY (CONT’D)

To keep her safe from danger.

Ruby smiles at him.

RUBY (CONT’D)

It won’t cost you anything.

JUNIOR

Why don’t I believe you?

RUBY

You can. I’m in a good mood and willing to do good.

JUNIOR

Still. I don’t believe you.

RUBY

I’m gonna do it anyway.

Ruby takes a notebook and a pen and starts writing something.

JUNIOR

I said I don’t want it.

Ruby finishes the spell. She takes the paper out of the notebook and stands. She walks over to him.

RUBY

(hands him the paper)

Here. It’ll keep her safe.

Junior looks at the paper. He doesn’t take it. Ruby shrugs and puts the paper on the BOS.

RUBY (CONT’D)

Up to you.

She turns around and walks back to the table. Junior stares seriously at the paper.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FAST MOTION footage all over the town.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - DAY

Prue, Melinda, Tamora and Enzo are there. Tamora is sitting in her chair while Enzo and Melinda sit across from her. Prue stands near the window, arms crossed.

MELINDA

(checks the documents in her hand)

So, what kind of curse are we talking about?

ENZO

According to the translation I made, ---

TAMORA

Enzo is a specialist in ancient Egyptian.

Melinda shoots Tamora a look.

ENZO

As I was saying, from the translation I made, it seems like that curse would release bad luck, illness, and death to the ones who open those coffins.

MELINDA

All that, huh?

Enzo nods.

TAMORA

So, what do we do? We must take them back to Egypt.

PRUE

We'll replace the coffins.

They all look at Prue.

PRUE (CONT’D)

We use magic to create fake coffins. Empty maybe.

ENZO

That could actually work. They have no idea what’s inside of them.

MELINDA

How can this man own such a treasure anyway?

ENZO

Oh, he paid ‘molto’ money to the Egyptian government. He owns the right to keep digging on that temple and own all the pieces he finds.

Molto translates to a lot.

MELINDA

(shocked)

Is that even possible?

ENZO

The ‘uomini’ has money.

Uomini translates to man.

OFF TO THE ENTRANCE - Asher comes in a rush.

ASHER

Tam?

They all look at Tamora’s assistant.

ASHER (CONT’D)

He’s here.

TAMORA

Who?

BEAT. A tall man, wearing a very elegant and expensive blue suit comes in; ALVARO ALARCÃO (30’s) walks in.

ALVARO

Miss Mitchell?

Tamora stands.

TAMORA

Mr. Alarcão!

Enzo stands and turns around. Alvaro is surprised to see Enzo there. Apparently, they know each other.

ALVARO

You? Here?

Alvaro has a Portuguese accent.

ENZO

I haven’t given up on taking those coffins back home.

Alvaro laughs.

ALVARO

In your dreams. I own them.

ENZO

They belong to Egypt. They are part of history. They are not to be used for your own personal satisfaction.

ALVARO

The Egyptian government seems not to agree with that.

TAMORA

Gentlemen, please.

ALVARO

(looks at Tamora)

Miss Mitchell, I have no idea what this man is doing in here, but I trust you keep him away from my exhibition.

TAMORA

Mr. Rossi was sent to cover the exhibition.

She lies.

ALVARO

Is he a journalist now?

Melissa walks in.

MELISSA

He’s not, but I am.

They all turn to Melissa.

MELISSA (CONT’D)

(to Alvaro)

Melissa Cooper. I’m with Mirror’s Magazine.

ALVARO

Right. Good, you came already.

PRUE

(to Melissa)

What are you doing here?

MELISSA

I got to cover the exhibition.

TAMORA

The exhibition is not until tomorrow.

ALVARO

Oh, but the show starts tonight.

(to Melissa)

Let’s go. I want you to see the pieces.

(turns to Enzo)

Whatever you are doing here, you’re not welcome.

Alvaro and Enzo stare seriously at each other. Then Alvaro turns and leaves the room.

TAMORA

What did he mean?

ASHER

He’s gonna open the coffins tonight.

Their eyes go wide.

MELISSA

(confused)

What’s going on?

ALVARO (V.O.)

(out loud)

Miss Cooper?

Melissa shrugs. She turns around and leaves.

TAMORA

Asher, make sure they don’t open those coffins.

Asher nods and walks out. They stare at one another.

MELINDA

What do we do now?

PRUE

We stop it.

ON PRUE - She’s determined.

CUT TO:

INT. MAGIC SCHOOL - BEDROOM - DAY

Jo is lying on a bed. Matt, Peri, Patience, Bianca, and Ella are there.

JO

Guys, I am fine.

BIANCA

You fainted. You seem tired.

JO

Aunt B, I’m fine.

Jo wants to get up, but Bianca stops her.

BIANCA

You are going to have some rest, okay? Just half an hour.

ELLA

Bianca is right. You spend months inside the Plane of Nothingness and let’s be honest. You haven’t had much time to rest with all that has happened.

JO

But ---

BIANCA

You heard her.

Jo shoots Bianca and Ella a look.

JO

(mad)

So, you two are friends now?

Bianca and Ella stare at each other.

ELLA

I guess we became a big family.

Jo glances at Matt. Matt lowers his gaze.

BIANCA

(to Jo)

Rest.

Bianca turns to leave and then she puts her hands on her back.

MATT

Mom? Are you okay?

BIANCA

I’m fine. It’s just my back.

ELLA

Come, Bianca, I think I can help with that.

Bianca nods. Bianca turns to Jo.

BIANCA

Rest or I’ll call your mother and father here.

Jo sighs annoyed. Then Bianca and Ella walk out of there.

PERI

See, my memories are confused, but Bianca, I mean aunt Bianca, she’s pregnant with Phoenix, isn’t she?

Matt and Jo nod.

PERI (CONT’D)

Does she know?

PATIENCE

Per!

PERI

No, it’s important. We can stop it.

JO

Mom knows. When the time comes ---

PERI

We can find and stop Siobhan now.

MATT

I’ve thought the same.

JO

We don’t know where she is.

PATIENCE

Someone does.

They look at Patience.

PATIENCE (CONT’D)

Rae. She was tracking Siobhan.

JO

Girls ---

PERI

We can go after her.

MATT

We could try.

Patience turns to Matt.

PATIENCE

We can both go.

PERI

You both?

PATIENCE

Someone has to stay with Jo.

JO

I don’t need a babysitter.

PERI

She’s right. Besides, Bianca and Ella are here.

JO

You heard mom. We should focus on the event.

PERI

We won’t find the event. We don’t know Leah. Mom is the one who can find what event to change. And while you rest we could ---

MATT

Let’s do it.

JO

Matt!

Matt shrugs.

MATT

Sorry, Jo, but I have to try.

Jo sighs.

JO

(gives up)

Fine. But take care.

PERI

You too.

PATIENCE

Don’t leave this bed.

Jo nods.

MATT

Follow me.

Matt ORBS out followed by Peri who ORBS out too and Patience who BEAMS out. Jo leans back on the bed.

JO

I guess resting a bit won’t do any harm.

She closes her eyes and tries to have some rest.

CUT TO:

INT. MAGIC SCHOOL - DINING HALL - DAY

Some students are there. Bianca is at a table. Ella approaches her with a cup of tea. She puts it in front of Bianca.

ELLA

Take this. It’ll help you with back pain.

Bianca looks at Ella and then at the tea.

BIANCA

What is it?

ELLA

(sits down)

Just a mix of herbs.

Bianca shoots her a suspicious look.

ELLA (CONT’D)

C’mon! It’s not poison. I’m over that.

Bianca takes the cup and has a sip of it. She grimaces as she tastes it.

ELLA (CONT’D)

I didn’t say it had good taste.

Bianca forces a smile.

ELLA (CONT’D)

What’s going on?

Bianca shoots her a look.

BIANCA

What do you mean?

ELLA

It’s not only the pregnancy, Bianca.

BIANCA

(sarcastic)

You know me that well?

ELLA

I don’t, but you got your son back, and still, you are not truly happy. I wonder why.

Bianca lowers her gaze.

BIANCA

I guess I’m just feeling insecure.

ELLA

About what? Chris loves you. As much as it hurts me, I gotta admit it.

Bianca looks at the side.

ELLA (CONT’D)

There’s nothing to be insecure about.

Bianca looks at Ella.

BIANCA

I’m worried about not being there for my kids.

Ella gets serious.

ELLA

What?

BIANCA

What if I don’t get to see them grow up? Becoming adults? Learn their magic? Marry? Have kids of their own?

Bianca’s eyes get wet.

BIANCA (CONT’D)

(catch in her throat)

What if they don’t have me while growing up?

ELLA

Why in heaven are you having those thoughts?

BIANCA

Why not? It’s normal.

ELLA

The hormones. I heard they mess with women. Listen to me, Bianca. Nothing is going to happen to you, okay? You’ll see your children growing up.

BIANCA

You don’t know that.

ELLA

You are a freaking Halliwell now, Bianca. This family is able of the impossible.

BIANCA

Some things are inevitable.

ELLA

(mad)

Stop it, okay. And don’t ever think about sharing those things with Chris. He’ll hurt to listen to that madness.

Bianca and Ella stare at each other.

BIANCA

You care for him.

Ella looks at the side.

BIANCA (CONT’D)

You love him.

Ella looks at her.

ELLA

He loves you.

BIANCA

El, ---

Bianca grabs Ella’s hands. Ella is surprised at that.

BIANCA (CONT’D)

If the day where I am not part of Chris’ life ---

ELLA

Stop it.

BIANCA

Listen to me.

(takes a deep breath)

Promise me that you’ll be there for him.

ELLA

What?

BIANCA

Promise me, you’ll keep loving him.

ELLA

Bianca ---

BIANCA

Promise.

Ella and Bianca stare seriously at each other. Ella swallows.

ELLA

Nothing is going to happen to you. After this whole mess is fixed, I’ll go back to New Orleans and you and Chris will be very happy with Matt and that baby that’s coming. But ---

(pauses)

--- if anything ever happens to you, ---

(eyes get wet)

--- I promise that I’ll be there for him.

Bianca smiles. A tear drops down her cheek.

BIANCA

Thank you.

(smiles)

Thank you.

Both women stare at each other.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

Wyatt and Chris are still there. Wyatt is astonished.

WYATT

What?

Chris nods.

CHRIS

Yep.

Wyatt sighs.

WYATT

I wish I had one day, only one day without a magical problem.

CHRIS

Yeah, we are witches. That’s not gonna happen. Maybe when the next generation takes over.

WYATT

Shouldn’t we go to help them?

CHRIS

Mel said it would be suspicious. But ---

(stands)

I can’t stay here so, I was thinking we could both go down there.

WYATT

Jared?

Chris nods.

WYATT (CONT’D)

What about my daughter?

CHRIS

She’s not alone. If there’s something wrong with her, they’ll call.

Wyatt sighs.

WYATT

Wyatt and Chris are on a trip down there.

CHRIS

Like old times where we were two.

WYATT

Prue used to sneak after us.

CHRIS

Yeah, men, she was natural at grabbing your arm the right moment when orbing out.

Wyatt smiles.

WYATT

It was simpler back then.

CHRIS

We are happier now.

WYATT

True.

(stands)

Let’s go.

Both brothers are about to ORB out, but then ---

CHRIS

We should better walk out the front door first.

WYATT

True.

Both brothers walk out of the office.

CUT TO:

INT. MAGIC SCHOOL - BEDROOM - DAY

ON JO’S FACE - She is asleep.

FLASHES TO:

INT. ENCHANTED DREAMWOOD (INSIDE NIGHTMARE)

Jo is in the hazy woodland again. She’s wearing a white dress.

JO

Hello?

Jo glances around.

JO (CONT’D)

Where are you?

She seems the woman and the owl standing far from her.

JO (CONT’D)

(out loud)

Hey! I’m back.

The woman turns around. The owl flies toward Jo. Jo tries to deviate herself from the owl. The woman walks over to Jo.

JO (CONT’D)

Who are you?

ISMENE

Ismene is my name. I am the keeper of this place.

JO

Ismene. Why am I here? Where is here?

ISMENE

It’s an enchanted dream world. It lives in your head.

JO

Dreamworld?

Ismene nods.

ISMENE

Is a getaway world. To where those in need run to.

JO

In need of what?

ISMENE

Knowledge.

JO

I don’t understand.

ISMENE

I can help you. I can give you all the answers.

JO

Answers to what?

Ismene smiles. There’s something in that smiles, something not trustable, but she plays friendly.

ISMENE

Answers to everything.

JO

Will it’ll help me find out the event that changes our life?

Ismene nods.

JO (CONT’D)

What do I have to do?

ISMENE

(smiles)

You have to let me in.

Jo stares seriously at Ismene.

ON ISMENE - She keeps a fake smile on her face.

CUT TO:

INT. NATIONAL MUSEUM - EXHIBITION ROOM - DAY

Melissa and Alvaro are walking among the art pieces. Melissa is holding an iPad. Some workers are placing other pieces there.

MELISSA

So, all these pieces came from Egypt?

ALVARO

They do indeed. Some are from my current expedition.

MELISSA

In the Valley of the Kings?

ALVARO

Exactly. We discovered a couple of chambers first. Then an exert found out those chambers were part of a much larger thing.

Melissa types something on her iPad.

ALVARO (CONT’D)

A temple.

MELISSA

(looks at him)

A temple?

ALVARO

Buried in sand.

Melissa’s eyes widen.

MELISSA

So, there are more chambers.

Alvaro stops and smiles.

ALVARO

Much more. That temple is larger than it meets the eye.

MELISSA

And those coffins you found. To whom do they belong?

Alvaro’s smile goes larger.

MELISSA (CONT’D)

Don’t tell me you found Cleopatra’s tombs.

ALVARO

I believe that’s my next achievement.

MELISSA

So?

ALVARO

Those conffins I found belong to Isis and Osiris.

Melissa’s eyes go wide.

MELISSA

Wait.

(astonished)

The Gods?

Alvaro nods.

MELISSA (CONT’D)

But Egyptian Gods --- any Gods are just myth.

ALVARO

All myths started as truth.

Alvaro keeps walking. Melissa follows.

ALVARO (CONT’D)

I want you to cover my life tonight.

MELISSA

The opening is tomorrow.

Alvaro turns to Melissa.

ALVARO

I can’t keep the rest of the world from being apart from this major discovery.

MELISSA

(realizes)

You’re opening the coffins!

ALVARO

For the whole world to see.

Alvaro smiles big. He turns around and keeps walking. Melissa is astonished.

SOUND - Melissa’s phone.

Melissa takes off the phone from her bag. She picks it up.

MELISSA

(on the phone)

Hey, honey! --- No, I can’t speak. I’m covering your sister’s exhibition.

(grimaces)

And something tells me that it won’t go that well.

She grimaces.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

Matt, Peri, and Patience wander around.

PERI

If only we knew where to find Rae.

MATT

In my time, Jo and I went to this part of the Underworld to vanquish a coven of Phoenix witches.

Peri and Patience stop and stare at Matt.

PATIENCE

You what?

MATT

They killed an innocent, okay?

PATIENCE

Huh!

They keep walking.

MATT

Maybe we find something.

PERI

Maybe we don’t.

PATIENCE

What if we run into that Jared?

MATT

That would do too.

PERI

He’s an Avatar. We can’t go up against him.

PATIENCE

Are we chickens now?

PERI

No, we are cautious.

PATIENCE

If we were, we wouldn’t be here. Mom said ---

PERI

I know what mom said. But ---

PATIENCE

(cuts her off)

We can’t just sit and wait.

MATT

Girls!

PATIENCE

Suddenly, I had a bad feeling.

Peri turns into Patience.

PERI

Stop it.

PATIENCE

C’mon, Per. You know I can’t ignore my feelings.

PERI

Try. We must do something to stop Aunt Bianca from dying.

PATIENCE

What if we are not supposed to.

Matt looks at them.

MATT

Will you two focus?

Peri and Patience stare at Matt and then their eyes go wide.

BEHIND Matt, a couple of demons SHIMMER in.

PERI

We’ve got company.

Matt turns around and looks at the demons.

MATT

Oh, hey guys. Care to inform us where we can find Siobhan, the Phoenix witch?

Both demons stare at each other.

DEMONS

Witches!

The demons turn to them. Matt, Peri, and Patience WAVE their hands and ---

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL VIEW all over the city.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - NIGHT

Prue, Melinda, Tamora and Enzo are there. They are talking about the plan to take the coffins out of there.

PRUE

So, are we clear?

They all nod.

PRUE (CONT’D)

Recap. We get into the warehouse and ---

Prue points to Melinda.

MELINDA

I freeze the whole room.

TAMORA

Then Prue beams out with the coffins and Enzo.

ENZO

To the Valley of the Kings.

TAMORA

And Mel and I cast a spell on some old boxes to turn them into a perfect replica of the coffins.

MELINDA

Which will be empty.

ENZO

And it’ll be a great disappointment.

PRUE

Meanwhile, I’ll find a way to hide the temple again.

TAMORA

Great. All set, then.

PRUE

Let’s go.

They are about to leave, but Asher comes in. He seems distressed.

TAMORA

Asher? What happened?

ASHER

I’m sorry. I tried. He doesn’t listen.

TAMORA

What happened?

Asher takes a deep breath.

ASHER

He’s opening them.

(pauses)

As we speak. He’s opening the tombs.

Prue, Melinda, Tamora and Enzo stare at each other.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK

FADE IN:

INT. NATIONAL MUSEUM - WAREHOUSE - NIGHT

THE COFFINS shine more than ever. A cameraman is shooting the coffins as Alvaro stands beside the coffins. Some other people are there near the coffins. Melissa is watching the whole scene from far. She seems worried. Alvaro speaks to the camera.

ALVARO

Welcome, followers. I’m on the live stream now to show you my recent findings.

(pauses)

As you may know, the opening of my recent exhibition happens tomorrow, but I want to show you my most precious items.

He turns to the coffins.

ALVARO (CONT’D)

The tombs of the Gods were opened and the coffins of two of the oldest mummies have been found.

(looks at the camera)

Yes, they were real. And they are here.

Alvaro signs the men nearby to approach the coffins.

ON MELISSA - She turns around. She’s expecting something.

Prue, Tamora, Melinda, Enzo and Asher come in. They approach Melissa.

MELISSA

I couldn’t stop him.

PRUE

(to Melinda; whispers)

Freeze them.

MELINDA

(looks around)

I can’t. They are recording it.

MELISSA

They went live.

MELINDA

I can’t do it, Prue.

TAMORA

Well, we must do something.

ALVARO

(signs the workers)

Open them.

MELISSA

My God.

The workers position themselves around the coffins.

TAMORA

Prue?

Prue doesn’t know what to do. The workers touch the covers.

ENZO

Do something.

PRUE

I can’t.

TAMORA

But Prue ---

PRUE

Exposure.

TAMORA

But the curse ---

And BEAT. The workers lift the covers and start moving them ---

And as they do so, a weird WIND comes from inside the coffins and FILLS THE PLACE. The air becomes sandy. The workers put the covers on the ground. They all try to cover their faces to protect their eyes from the sand. They all start coughing, especially those who opened the coffins and Alvaro.

The cameraman walks away from the camera and then the camera starts to spark. Soon, the camera is on fire. Alvaro looks astonished at it. The sand starts fading.

MELINDA

It’s the curse.

MELISSA

What curse?

The sand disappears completely. They all glance around. People are confused. Some workers try to turn off the fire from the camera.

TAMORA

What do we do now?

PRUE

Enzo?

Enzo looks at Prue.

PRUE (CONT’D)

Who will the curse attack?

Enzo is serious.

ENZO

Those who opened it and ---

(looks at Alvaro)

--- him.

They all look at Alvaro. He seems mad at the failure that just happened. The fire doesn’t stop. Then, some workers, trying to leave, stumble into boxes and fall on the floor.

PRUE

Bad luck.

ENZO

Next. Illness.

Prue and Enzo look at each other.

ENZO (CONT’D)

How will you break curses?

Prue looks at the coffins.

PRUE

I’m still trying to figure that out.

ON PRUE - She is serious.

CUT TO:

INT. MAGIC SCHOOL - BEDROOM - NIGHT

Jo is still lying down asleep. Bianca and Ella are there watching her.

ELLA

Damn, it looks like she was really needing some sleep.

Bianca seems worried.

BIANCA

I don’t know. She seems too quiet.

ELLA

She’s asleep.

BIANCA

I’ve known her enough to know that she’s not supposed to sleep this deeply.

ELLA

Should we worry?

Bianca walks over to Jo and stares seriously at her.

ON JO’S FACE - Suddenly, she wakes up.

Bianca and Ella stare at each other. Jo glances at them. She breathes fast.

BIANCA

(sitting next to her)

Are you okay?

Jo stares at them weirdly.

JO

I am.

BIANCA

You were scaring us.

JO

Why?

Jo tries to get out of bed slowly glancing at one and the other.

BIANCA

Are you feeling better?

JO

Better?

ELLA

You fainted.

JO

Right.

Jo is acting weird.

JO (CONT’D)

I did. And yes, I feel better, ---

(stares at Ella)

--- Ella.

Jo glances from one to another and smiles.

JO (CONT’D)

I’m hungry.

Jo walks out of the bedroom. Bianca and Ella stare at each other.

ELLA

Well, she seems rested.

Bianca is not so sure of that. She stares at the exit.

CUT TO:

INT. MAGIC SCHOOL - CORRIDOR - NIGHT

Jo comes out of the bedroom. She seems different. She walks confidently.

ON JO - She smirks.

FLASHES TO:

INT. ENCHANTED DREAMWOOD (INSIDE NIGHTMARE)

Jo, wearing the white dress, stands in the middle of the hazy woodland. She glances around.

JO

(out loud)

Ismene? Ismene, where are you? You said it will give me knowledge. Ismene?

No one answers. Jo starts getting desperate.

FLASHES TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

AERIAL VIEW all over the town.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

Prue comes walking downstairs. Wyatt comes following.

WYATT

Prue, c’mon, just wait.

Prue turns to Wyatt.

PRUE

I can’t.

WYATT

You just came and now you’re leaving.

PRUE

Yes, we still haven’t found all the people involved in the opening of the coffins. By this time, some of them might start feeling illness by now.

WYATT

Fine. Let me help.

PRUE

Wy ---

WYATT

Please.

Prue and Wyatt stare at each other. Deeply.

PRUE

Fine.

Wyatt smiles.

PRUE (CONT’D)

Where are our daughters?

Jo / Ismene comes from the dining room holding a cup and wearing pajamas. She has a big smile on her face.

JO / ISMENE

Hey, mom, dad!

Wyatt and Prue look at her.

PRUE

Hey! Are you okay?

Jo nods.

PRUE

I know I promised to talk to you last night, but I was in the middle of something.

JO / ISMENE

It’s okay. I’m feeling better.

Jo / Ismene walks past them and starts climbing the stairs.

PRUE

Hey?

Jo / Ismene turns to them.

PRUE (CONT’D)

Where are your sisters?

JO / ISMENE

I don’t know. Sleeping?

Prue and Wyatt stare at each other.

PRUE

I and your father will be dealing with the mummies' thing.

Jo / Ismene nods.

PRUE (CONT’D)

Have you found anything?

JO / ISMENE

(forces a smile)

No. I’ll keep digging.

Jo / Ismene smiles big and then turns around.

JO / ISMENE (CONT’D)

Have fun.

She walks upstairs. Prue and Wyatt look at each other.

WYATT

Well, she seems ---

PRUE

Good.

Wyatt nods.

WYATT

Shouldn’t we be happy about it?

PRUE

I don’t know. Let’s just fix one thing at a time.

Wyatt nods. Then, Prue BEAMS out followed by Wyatt who ORBS out.

CUT TO:

INT. HALLIWELL MANOR - MELINDA’S BEDROOM - DAY

Jo / Ismene walks in and walks over to the standing dress. She looks at her reflection on the mirror and ---

BEAT. Jo’s image is not reflected. Ismene’s reflection is there.

She smiles wickedly.

OFF TO THE DOOR - It opens. Peri and Patience come in. The wear normal clothes.

Jo / Ismene, shattered, turns around and sees them. She then moves away from the mirror.

PERI

Hey!

PATIENCE

We went to Magic School and were told you had left.

JO / ISMENE

(forces a smile)

Yes, well, I was feeling tired.

PERI

Aunt Bianca said you slept the whole afternoon.

JO / ISMENE

I did, but still.

Jo / Ismene puts the cup on the chest of drawers and opens the drawers and takes some clothes out of it.

PERI

We went on a hunt for Siobhan.

JO / ISMENE

Really, why?

PERI

Why?

Peri and Patience can’t hide their surprise at that question. They stare at Jo / Ismene.

PERI (CONT'D)

To stop her before she causes aunt Bianca’s death.

Jo / Ismene stares at her trying to disguise.

JO / ISMENE

Of course. You did well.

PATIENCE

You sure? Because you said mom would deal with it when the time comes.

JO / ISMENE

Oh, well, I changed my mind. Anyway ---

Jo / Ismene stares at them.

JO / ISMENE (CONT’D)

Want to go shopping? I need a change.

PATIENCE

Shopping? This is not our time, Jo.

JO / ISMENE

And that’s reason enough to not look good?

Jo / Ismene takes some clothes and walks out of the bedroom. Peri and Patience look at each other.

PERI

Did she look weird to you?

PATIENCE

Weird? No. That’s simply not Jo.

Both sisters stare at each other.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

Charlotte, Cassandra, and Pandora are there wearing night dresses. They look wasted. All three are having coffee.

CASSANDRA

It wasn’t a good idea.

CHARLOTTE

It wasn't.

PANDORA

It was cool.

Charlotte and Cassandra stare at Pandora.

CASSANDRA

Was it?

Pandora nods.

CASSANDRA (CONT’D)

You danced with twenty guys.

PANDORA

It was actually twenty-five.

Charlotte and Cassandra look at each other.

CHARLOTTE

What were you trying to do, Pan?

CASSANDRA

Wasn’t it obvious? Take Ethan out of her head.

PANDORA

I didn’t sleep with any of them, okay?

CASSANDRA

At least that.

Pandora shoots them a look.

CHARLOTTE

Pan?

Pandora has a sip of her coffee.

PANDORA

I can’t. I’ve tried to keep myself busy. But now that Julia has her son back, nothing keeps my head from thinking about Ethan.

CASSANDRA

Have you tried to talk to him?

PANDORA

He asked for time. I can’t push him.

CHARLOTTE

It has been time enough, Pan. What? Are you waiting eternally for him to decide?

PANDORA

No. I was actually waiting for things to go back to normal.

CHARLOTTE

Right. But think, if in this reality he can’t accept it, what makes you think that back in our real lives, it’ll be different?

PANDORA

He has accepted me there.

CHARLOTTE

For how long will it last?

CASSANDRA

Yeah. See the future. Your daughter was not part of the gang because you lived away.

Pandora glances from one to another.

PANDORA

I know. But I love him.

CASSANDRA

Have you told him that?

Pandora stares at them. The answer is clearly no.

CHARLOTTE

Then, what are you waiting for?

PANDORA

(grimaces)

A good night's sleep?

Charlotte and Cassandra smile and grab Pandora’s hand.

CASSANDRA

We all do.

All three of them smile.

CUT TO:

EXT. NATIONAL MUSEUM - DAY

STILL.

CUT TO:

INT. NATIONAL MUSEUM - MEETING ROOM - DAY

Some of the workers are there sitting on a few chairs. They are feeling bad. Melissa and Tamora are there giving water bottles to them.

Melinda and Enzo walk in. They glance around.

MELINDA

This is bad.

ENZO

We have to find the others soon.

MELINDA

Junior and Sebastian are on that. Do we know where Alvaro is?

ENZO

(shoots her a look)

He’s responsible for this mess.

MELINDA

He doesn’t deserve it.

OFF TO THE ENTRANCE - Junior walks in. He seems worried.

Junior approaches the others.

TAMORA

Did you find the four men?

Junior glances at them all.

JUNIOR

All dead.

They all are shocked.

JUNIOR (CONT’D)

Sebastian has gone to the hotel where Mr. Alarcão is staying.

TAMORA

As much as I don’t like him, I hope he’s fine.

They all glance at the ill men.

CUT TO:

INT. NATIONAL MUSEUM - WAREHOUSE - DAY

ON THE COFFINS - They are still open.

Wyatt and Prue stand there staring at the coffins.

WYATT

So, how do we stop the curse?

PRUE

I have no idea. Enzo has some photos of the inside of the chambers they were found. We believe those Egyptian hieroglyphs have the answer.

Wyatt looks at her.

WYATT

Have you peeked inside?

Prue shakes her head.

PRUE

I haven't had the courage.

WYATT

That's not you.

PRUE

True.

Wyatt grabs her hand. Prue grabs his. He nods.

Then both walk towards the coffins and peek inside.

ON THE COFFINS - In each of the coffins, a mummy lies there. They seem to be in good condition. In their chest, there’s a stone; a Ruby.

Wyatt and Prue stare at the mummies seriously.

WYATT

I guess we already know why I like to give you rubies.

Prue smiles.

PRUE

Luckily you have the means to go find those rubies straight from the source.

Wyatt smiles.

WYATT

Our first bodies are there.

PRUE

Crazy, huh?!

WYATT

Crazy.

(looks at her)

Timeless.

(smiles)

Eternal?

Prue looks at him and smiles.

PRUE

Eternal.

Wyatt kisses her lips softly.

OFF TO ENZO - He walks with some documents.

ENZO

(sarcastic)

Oh, il marito, I see.

'Il marito' means 'the husband'. Wyatt and Prue turn to Enzo.

PRUE

Wyatt, this is Enzo Rossi. Tam’s friend.

Enzo smiles at Wyatt. Both men shake hands.

PRUE (CONT’D)

Have you found anything?

Enzo nods.

ENZO

I can’t tell for sure, but I’m almost certain that we must close those coffins and get them back to their resting place.

WYATT

Do we know who cursed the tombs?

ENZO

No the coffins. The coffins are sacred. The curse was cast to protect them after what happened with Set.

PRUE

Right. The God of War.

Enzo nods.

ENZO

He and Horus were enemies.

WYATT

Well, Horus had reasons to hate Set.

ENZO

Indeed. And so, he did it to protect Osiris and also Isis. Did you know Set had a weird obsession with his sister Isis?

Wyatt and Prue stare at each other.

PRUE

We read that somewhere.

ENZO

(suspicious)

Right. Anyway, we must put those coffins back into their resting chambers.

ALVARO (V.O.)

No way.

They all turn around. Alvaro stands there staring at them. He has dark circles under his eyes, looks feverish.

CUT TO:

INT. NATIONAL MUSEUM - WAREHOUSE - DAY (SHORTLY AFTER)

The four of them are still there.

ALVARO (CONT’D)

They belong to me and I've decided to show them to the world.

Wyatt and Prue stare at each other.

PRUE

Mr. Alarcão, are you okay?

Alvaro stares at them. Then he suddenly faints. Wyatt runs towards him and places his hands over his body. Prue and Enzo approach them.

PRUE (CONT'D)

Wyatt?

Wyatt looks at them.

WYATT

It’s not working.

ENZO

What’s not working?

PRUE

We need to move fast.

ENZO

How? The others just started getting weak. This man seems to be at the doors of death.

PRUE

He is. He’s the one in charge after all.

Tamora walks in.

TAMORA

Guys, Sebs called. He hasn’t found ---

Tamora looks at Alvaro on the floor.

TAMORA (CONT’D)

--- him. What happened?

WYATT

He’s worse than the others.

TAMORA

What do we do?

Wyatt checks Alvaro’s vitals.

WYATT

His heartbeats are weak.

Prue glances at the coffins. She tries to think fast. Then she turns to Wyatt.

PRUE

(to Wyatt)

Make sure he doesn’t die.

(to Tamora)

We are taking those coffins back to Egypt.

TAMORA

Okay.

PRUE

(to Tamora)

Bring Mel here. We need the Power of Three.

Tamora nods and walks out of there.

WYATT

What are you gonna do?

PRUE

Watch.

Prue turns to the coffins. She WAVES her hands and using TELEKINESIS she puts the covers of the coffins back in their places, both at the same time.

ON ENZO’S FACE - He is astonished.

ON THE COFFINS - The covers are back in place.

Prue turns to Enzo.

ENZO

That was ---

PRUE

(cuts him off)

Cool? Yes. Now get ready to travel.

ENZO

What?

PRUE

I have no idea where their temple is located. So, you focus on it while I take us there.

Melinda, Tamora, and Junior come in.

TAMORA

We’re here.

PRUE

Great. Let’s go.

TAMORA

What do we do when he wakes up and doesn’t see the coffins here?

PRUE

Right, huh, Wyatt ---

WYATT

I and Chris will find a solution.

PRUE

Great.

(to Melinda and Tamora)

Let’s go.

Prue, Melinda, and Tamora walk over to the coffins. They touch the them and they look at Enzo who looks astonished at them.

PRUE (CONT’D)

What are you waiting for?

ENZO

Right.

Enzo walks quickly towards them. He grabs Prue’s hand.

PRUE

(to Enzo)

Isis and Osiris temple.

Enzo nods. He closes his eyes. Then all of them plus the coffins BEAM out. Wyatt and Junior stare at each other.

WYATT

Let’s take him out of here.

Junior nods. He lowers down to help Wyatt carry Alvaro out.

FLASHES TO:

INT. ENCHANTED DREAMWOOD (INSIDE NIGHTMARE)

Jo is there. She seems desperate. She shouts out loud.

JO

Ismene?

Jo starts realizing she was tricked.

JO (CONT’D)

I was so stupid.

She walks around.

JO (CONT’D)

She used me to take over my body. I must be so desperate that I didn’t realize it.

(out loud)

Ismene!

Her voice sounds really loudly.

FLASHES TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

ON PATIENCE’S EYES - She seems to be in trance.

Peri, Matt, Bianca, and Ella are near her. Bianca is on the phone.

PERI

Pat?

MATT

What happened to her?

PERI

She’s having a vision.

Suddenly, Patience comes out of the trance. Peri walks over to her.

PERI (CONT’D)

Pat?

Patience looks at her sister.

PATIENCE

She’s in trouble. Jo. She was in some sort of woodland.

They all look at each other.

ELLA

But she seemed so fine last night.

PERI

She didn’t this morning.

PATIENCE

She wanted to go shopping.

MATT

Shopping? No matter the reality, Jo hates to go shopping.

PATIENCE

Exactly.

BIANCA

She’s not picking up.

MATT

I can’t feel her either.

PERI

We do it the old way.

Peri takes Bianca’s phone.

BIANCA

Hey.

PERI

Sorry. I haven’t had time to get one.

Peri starts typing something on the phone.

ELLA

What’s the old way?

PATIENCE

It’s an app to find people based on their location.

ELLA

Oh, that’s old for us too. It has been around for years.

PATIENCE

It’s new for you. Old for us.

PERI

Found her.

BIANCA

That fast?

Peri looks at Bianca.

PERI

I’m the fast sister.

Peri hands Bianca the phone.

PERI (CONT’D)

Let’s go.

Matt and Patience nod. Then Matt and Peri ORB out. Patience BEAMS out.

Bianca and Ella stare at each other. Nate walks in.

NATE

Have you found her?

(glances around)

Where are they?

ELLA

I think they went to some kind of woodland.

BIANCA

No, that’s where Jo is.

ELLA

They went for Jo.

BIANCA

I have the feeling that that girl isn’t Jo.

The three of them stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - GOLDEN GATE PARK - DAY

Jo / Ismene comes walking and carrying a few bags. She wears a short red skirt and a black top, sunglasses, and her hair is combed in a high ponytail. Not the normal look for the normal Jo.

An OWL flies around her. Jo / Ismene smiles.

JO /ISMENE

Came to find me, dear?

The Owl land on a park bench. Jo / Ismene puts the bags on the same bench.

JO / ISMENE (CONT’D)

Soon, this body will be ours and no one will stop us. I risk saying that we also will be able to use her powers.

The Owl looks at her.

JO / ISMENE (CONT’D)

Yes, of course, she’ll be trapped and we’ll be able to merge. Just a few more hours and it’ll be done.

PERI (V.O.)

Not so fast, ---

Jo / Ismene turns around.

PERI (CONT’D)

--- sis.

Peri WAVES her hands and uses MOLECULAR IMMOBILIZATION on Jo / Ismene. And so the Owl is frozen as well.

MATT

How do we take her out of here? There are people around.

Peri and Patience glance around. They see the Owl frozen.

PATIENCE

Look at it.

PERI

I froze her and the Owl got frozen too.

MATT

Let’s take them both out of here.

PATIENCE

We need a distraction.

Patience and Peri glance around.

ON A LAKE - There are some fountains in the middle.

Peri and Patience look at each other.

PERI

Are we thinking the same?

PATIENCE

Twins connection.

PERI

(to Matt)

Get ready to orb out with her.

Matt nods. He approaches Jo / Ismene.

PATIENCE

Take the Owl.

Matt nods. Peri and Patience stare at the lake and focus on them. Then, both of them hold hands. They WAVE the free hands and suddenly ---

ON THE LAKE - The fountains start to pour water out uncontrollably.

People outside the lake start getting wet and running away.

Matt touches the Owl and Jo / Ismene and ORBS out taking them.

Peri and Patience stare at each other and smile.

CUT TO:

INT. MAGIC SCHOOL - BEDROOM - DAY (SHORTLY AFTER)

Jo’s body is lying on the bed. Peri, Patience, Matt, Bianca, Ella, and Nate are there.
The Owl is also there.

NATE

Will she be okay?

PERI

I don’t know. How are we going to get rid of whatever demon is possessing her?

PATIENCE

I think only Jo can.

MATT

How?

Patience walks over to Jo and sits beside her.

PATIENCE

I’m gonna try to get into her head. She’s in a dream world, Per.

Peri knows what her sister means. Peri nods.

BIANCA

How?

PERI

Patience has psychic abilities.

BIANCA

Oh!

PATIENCE

I can work my telepathy to talk to her.

PERI

Do that.

Patience nods. Then she grabs Jo’s hand and ---

FLASHES TO:

INT. ENCHANTED DREAMWORLD - (INSIDE NIGHTMARE)

Jo is still there. She walks around. Tired. The white dress is torn.

JO

(mad)

C’mon!

Jo lowers down and starts to cry.

JO (CONT’D)

Mom, Dad, please take me out of here.

She embraces herself.

JO (CONT’D)

I’m afraid of the dark.

And that’s definitely a dark place.

PATIENCE (V.O.)

Jo?

Jo glances around. She stands and ---

BEAT. Patience stands there.

Both sisters stare at each other.

JO

Pat?

PATIENCE

Listen to me. A demon took over your body.

JO

Ismene. She promised me knowledge. I’m so stupid.

PATIENCE

No. Listen. You need to come out of here. This is a dream world. You are the only one that can find your way out.

JO

How do you know?

PATIENCE

Because I’ve been here before. In a place like this. My own dream world and found a demon just like you did.

JO

Did you trust the demon as I did?

PATIENCE

I did.

SUDDENLY, the Owl starts flying around Patience trying to scare her. Patience tries to scare her away.

PATIENCE (CONT’D)

Find your way out of here, Jo.

JO

I don’t even have powers.

Patience hits the Owl which for a little bit flies away.

PATIENCE

Remember who you are. ‘I can’t’ is not part of our dictionary.

The Owl returns and flies around Patience. Jo stares seriously at it.

IN FRONT OF JO - Ismene appears. Jo stares seriously at her.

JO

You tricked me.

ISMENE

I promised you knowledge.

Ismene reaches out her hands to touch Jo’s head, but Jo pushes her away.

JO

You made me think you could give me the answer I needed.

Ismene stands. Patience tries to fight the Owl but it flies high.

PATIENCE

Jo!

Jo looks at Patience.

PATIENCE (CONT’D)

Fight it.

Then Patience disappears. Ismene tries to approach Jo.

ISMENE

Don’t fight it.

Jo stares seriously at her. The Owl flies nearby.

JO

You know what we do to demons?

Ismene doesn’t answer.

JO (CONT’D)

We vanquish them.

Jo WAVES her hands and blows up the Owl using MOLECULAR COMBUSTION. Ismene looks as the Owl is vanquished and shouts in despair.

ISMENE

No!

Ismene turns to Jo and is about to walk over to her, but she BLOWS up herself. Jo’s eyes go wide. Then she disappears.

CUT TO:

INT. MAGIC SCHOOL - BEDROOM - DAY (CONTINUOUS)

Jo wakes up and gets into a sitting position. All the others stare at her.

PATIENCE

You did it.

JO

(to Patience)

You’ve been in a dream world before?

BIANCA

What?

Patience nods.

NATE

Can someone tell me what the hell is a dream world?

They all stare at each other.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION AERIAL VIEW all over the city.

CUT TO:

EXT. EGYPT - SAHARA DESSERT - DAY

FAST MOTION AERIAL VIEW of the Sahara desert.

SOUND - Egyptian music.

CUT TO:

EXT. VALLEY OF THE KINGS - SAND MOUNTAIN OVER ISIS AND OSIRIS TEMPLE - DAY

SOUND - Egyptian music.

Some workers are there.

CUT TO:

INT. ISIS AND OSIRIS TEMPLE - MAIN CHAMBER - DAY

MUSIC FADES OFF.

ON THE COFFINS - They are in the middle of the chamber.

The chamber is full of wonders. Relics. Treasures.

Prue, Melinda, Tamora and Enzo are there. Prue, Melinda and Tamora glance around.

MELINDA

This place is big but claustrophobic.

TAMORA

Yeah. My God! All these relics.

ENZO

They belonged to Isis and Osiris. Mr. Alarcão only took the coffins out.

PRUE

Why keep all these objects here?

ENZO

I guess he didn’t want to show the whole thing at once.

Melinda and Tamora see and touch the objects. Prue stares at the images on the wall. Something is calling for her attention.

PRUE

Girls?

Melinda and Tamora look at Prue.

PRUE (CONT’D)

Look at this.

Melinda and Tamora approach her.

PRUE (CONT’D)

Enzo, can you translate these hieroglyphics?

Enzo approaches them.

ENZO

I can try.

Enzo stares at the wall.

ENZO (CONT'D)

It seems like a recipe.

Tamora looks at the side and something calls for her attention. She walks over to it.

MELINDA

A recipe to what?

ENZO

There’s a word here.

He points to the word.

ENZO (CONT’D)

Avatar.

Prue looks at Enzo.

PRUE

What did you say?

TAMORA

Prue?

Prue turns to Tamora. She’s holding a box with only two ancient Egyptian vials.

TAMORA (CONT’D)

I’ve seen this before.

ON PRUE’S FACE - She is astonished.

MELINDA

Yeah, I’ve seen that before too. In the BOS.

Prue walks over to the box.

PRUE

Who created the Avatars’ vanquishing potion?

MELINDA

Anubis, according to Ruby.

ENZO

Anubis was the God of the Dead.

Prue takes one of the vials.

PRUE

(to Enzo)

Avatar?

ENZO

That’s the word.

Prue glances at Melinda and Tamora.

PRUE

Take pictures. We’ve just found gold.

Melinda and Tamora smile.

CUT TO:

EXT. EGYPT - VALLEY OF THE KINGS - DAY (SHORTLY AFTER)

VIEW at the sand mountain.

Prue, Melinda, Tamora and Enzo stand far from it.

ENZO

Can you hide it?

TAMORA

We’ve never done that before.

MELINDA

Prue?

PRUE

I know. The elements.

MELINDA

Can we ---?

PRUE

Let’s try.

Prue stands in the middle of Melinda and Tamora.

PRUE (CONT’D)

We are the Charmed Ones. Let’s channel earth.

All three of them stare seriously at the sand mountain. Then, all three WAVE their hands and ---

ON THE SAND MOUNTAIN - Suddenly, it starts moving. The workers start running away, because it feels like an earthquake. It lasts for a few seconds, but it’s enough to cover the entrance and to look entirely different. Then it stops trembling.

Enzo is amazed looking at it.

ENZO

Sorprendente.

Prue, Melinda and Tamora turn to Enzo.

TAMORA

Enzo ---

ENZO

Your secret is safe with me.

PRUE

You saw what we can do.

ENZO

Believe me, I want to be your friend.

The three women smile.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL view all over the town.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - DAY (LATER)

ON ALVARO’S FACE - His normal colors are back.

Tamora stands in front of him.

ALVARO

Contamination?

TAMORA

Yes, but everything is okay now.

ALVARO

Okay? Four workers died.

TAMORA

Yeah, well, it’s not that okay for them, but most of you are okay now.

Alvaro sighs.

ALVARO

Well, will proceed as scheduled. The opening is tonight.

TAMORA

Yup.

ALVARO

And the coffins will be open.

TAMORA

For sure.

Alvaro and Tamora stare seriously at each other. Then Alvaro walks out of the office. Tamora sighs.

CUT TO:

INT. NATIONAL MUSEUM - MEETING ROOM - DAY

The workers caught by the curse seem better. They are leaving the office. Melissa and Junior are there.

JUNIOR

All is well when it ends well.

MELISSA

Yeah.

JUNIOR

Are you okay?

MELISSA

This is becoming my life. I better be okay.

JUNIOR

Sorry.

MELISSA

Are you kidding me? I love you and your life so, ---

She kisses him. Junior smiles.

MELISSA (CONT’D)

I must get ready for tonight’s exhibition.

Melissa turns around and leaves the room. Junior takes a piece of paper from her jacket pocket and stares at it.

JUNIOR

Sorry, Ruby, but no, thanks.

Junior tears the paper apart and throws it in the bin. Then he walks out.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL view all over the city.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Ruby is there as well as Melinda, Wyatt, and Chris. She is staring at a phone screen.

MELINDA

So, can you?

Ruby looks at them.

RUBY

I can try. There are some ingredients here that won’t be easy to find.

WYATT

We all can help.

CHRIS

There are only two of them. We need more.

RUBY

Are you going after the whole team of Avatars?

WYATT

If we have to.

RUBY

(nods)

Fine. Let’s do it.

They all nod.

CUT TO:

INT. HALLIWELL MANOR - PRUE & WYATT’S BEDROOM - NIGHT

Prue and Jo are there. Jo is telling her mother about her experience in the Plane of Nothingness.

JO

I tried to remain strong. Not only for me but for my younger versions. They tried to make me lose faith. I guess they were afraid. Then, I learned Darkness was the only one who could take me out of there and ---

PRUE

Did you fear for me?

JO

(nods)

And dad. Both mostly you. He tried to ---

Jo takes a deep breath.

JO (CONT’D)

He tried to infect me with darkness. I resisted as much as I could and then ---

(pauses)

--- then Gadreel took over.

Prue’s eyes go wide.

JO (CONT’D)

He stopped. For you. He did.

PRUE

Gadreel took over Darkness?

Jo nods.

JO

But still hunts me, mom. What if he gets out and comes after you and dad again?

Prue grabs Jo’s hand.

PRUE

Darkness is my biggest fear.

JO

I know.

PRUE

But I have embraced it, remember? Ruby couldn’t break me. Darkness wouldn’t either.

JO

But he almost did, mom.

PRUE

Yeah, he did. But I have something that makes me stronger than Darkness.

(smiles)

Your father.

Jo smiles.

JO

What if it ever gets me, mom?

PRUE

You’ll fight it. And you’ll win. You are my daughter, you are your father’s daughter. And you are a Warren.

JO

And Warrens are capable of anything, right?

PRUE

(smiles)

Hey, the Charmed Ones just made Earth move.

Jo smiles.

JO

Yeah. We are capable of anything when working together. 

Prue nods. Then, she gets thoughtful.

PRUE

When we work together!

Prue stands.

JO

What is it, mom?

Prue turns to Jo.

PRUE

Gather everybody at Magic School.

(pauses)

I have a plan.

ON PRUE - She’s determined.

CUT TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - NIGHT (LATER)

Prue, Wyatt, Chris, Melinda, Charlotte, Cassandra, Tamora, Pandora, Junior, Jo, Matt, Peri, and Patience are there. Prue stands in front of them.

WYATT

(to Prue)

Honey, what is it?

PANDORA

Yeah, Prue, we are curious.

TAMORA

I was in the middle of an exhibition, you know?

PRUE

Forget that. This is more important.

(pauses)

I know how to find out what the event is.

They are surprised.

PRUE (CONT’D)

We all need to focus on it, so I can channel you all and see.

JUNIOR

Will it work?

Prue smiles.

PRUE

We are Warrens. That’s enough.

They all look at each other.

CHRIS

Let’s do it.

Prue turns around and walks over to the board. The others look at it. Prue reaches out her hand and is about to touch the board when ---

TO BE CONTINUED...

CUT TO BLACK.

END OF THE EPISODE