5x17 - Charmed by Darkness

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 5, EPISODE 17

'CHARMED BY DARKNESS'

TEASER

OVER BLACK.

FADE IN:

INT. AVATAR’S PLANE - BLACK AND WHITE ROOM - UNKNOWN TIME OF THE DAY

A group of Avatars is around the circular table. Omega and Sigma stand nearby. Sigma stares seriously at Omega.

SIGMA

That was pretty close.

Omega is serious.

SIGMA (CONT’D)

Undoing the amulets' protection and releasing the twins.

OMEGA

I was about to act when the White Witch arrived.

SIGMA

I also got pretty close, when the Red Witch arrived in the cave. One second later and she wouldn’t be needed.

OMEGA

Well, at least they are not wondering who saved them.

SIGMA

The Red Witch. Who would tell?!

Omega turns to Sigma.

OMEGA

Jared knows now.

SIGMA

But they don’t know he’s behind this.

OMEGA

We need Michaela. She must learn.

SIGMA

Do you want me to make her see?

Omega nods.

OMEGA

Yes. She needs to see and tell them.

SIGMA

What about the event that changed the reality? You know that’s the only way out now.

OMEGA

I’ve got the others working on that. In the meantime, I need to pay Jared a visit.

SIGMA

(surprised)

Why?

OMEGA

He must know we haven’t given up on having him join us for good.

SIGMA

Would we really trust him if he does?

Omega glances at the other Avatars.

OMEGA

Of course, not. But he’s one of us no matter what.

Omega keeps staring at the others as Sigma keeps staring at Omega seriously.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – GADREEL'S CAGE - UNKNOWN TIME OF DAY

ON A PAIR OF BLUE EYES - They stare at the ‘cellar’.

Gadreel, the Fallen Angel and vessel of Darkness, lays down on an all-in-white bed. He wears white pants and a white shirt. His arms are behind his head. He seems almost serene. He feels like one of the walls turns into bars and someone is outside.

GADREEL

Is it just me or you were just here a couple of days ago?

OFF TO HANDREEL - He stands outside the bars. He smiles.

HANDREEL

And here I thought you liked my company.

Gadreel gets into a sitting position and stares at Handreel.

GADREEL

Better than staying alone eternally.

Gadreel stands and walks over to the bars.

GADREEL (CONT’D)

What is it this time?

Handreel lowers his gaze. Then he glances at Gadreel.

HANDREEL

She has become a mother. Again.

Gadreel gets serious.

GADREEL

You like to hurt me, don't you?

HANDREEL

I don’t take any pleasure on that, Gadreel. You know that.

GADREEL

You promised not to visit me very often and here you are. Bringing me news about her.

HANDREEL

I know. But I believe I owed you that.

Gadreel stares seriously at Handreel.

GADREEL

You owed me?! Why?

HANDREEL

I should have fought harder to save you.

Gadreel lowers his gaze.

HANDREEL (CONT’D)

I know it’s you.

Gadreel looks away.

HANDREEL (CONT’D)

Lately. I’ve been talking to Gadreel and not to Darkness.

GADREEL

It is still in here.

HANDREEL

I know. And I dream with the day Gadreel takes over Darkness.

Gadreel looks at Handreel.

GADREEL

That won’t happen. It’s stronger.

HANDREEL

I have faith.

Both of them stare at each other.

GADREEL

Is she fine?

Handreel sighs.

HANDREEL

It is a mess down there.

GADREEL

You could intervene.

HANDREEL

I can’t. You know the rules.

GADREEL

Right. Free will.

HANDREEL

It surprises me that you want me to do something to fix things.

GADREEL

I just hate to ---

HANDREEL

I know.

Gadreel swallows.

GADREEL

I need to get back to my life. It’s almost time for my documentary about storms.

Gadreel turns around.

ON THE TV - It is turned on.

Gadreel stares at the TV as a show starts. Handreel stares at him for a few seconds then he turns around and walks away. The bars disappear and the wall appears.

ON GADREEL - He is serious.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Matt Bomer as Damon

Marisol Nichols as Bianca

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Alexandra Chando as Peri

Nina Dobrev as Patience

Matt Lanter as Matt


Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Robbie Kay as Alex

Dove Cameron as Michaela

Nikolaj Coster Waldau as Omega

Ming-Na Wen as Sigma

Jay Ryan as Armand

Marie Avgeropoulos as Alexia

Emilie de Ravin as Blanche

Katie McGrath as Ruby

Kirsten Vangsness as Vera

Kaya Scodelario as Loreto / Angel of Death

Mckenna Grace as 11 Years Old Christina

Jacob Tremblay as 11 Years Old Matt

Daniel di Tomasso as Gadreel

William Petersen as Handreel

Sir David Frederick Attenborough as Narrator (Voice only)

Unknown as Nacked Woman

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town at the sound of ‘Courage to Change’ by Sia.

CUT TO:

EXT. PRUE’S CONDO - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

STILL.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Nate is leaning back on the couch. Empty glass on his hand. He stares at nothing.

OFF TO CHARLOTTE - She comes from the main bedroom and stares at Nate with a pity look. She sighs. Then she walks over to him.

MUSIC FADES OFF.

CHARLOTTE

Nate, I can take him with me if you want.

NATE

No.

Charlotte sits beside him.

CHARLOTTE

You are not well enough to take care of Andrew.

NATE

He’s my son.

CHARLOTTE

Nate ---

NATE

Don’t say otherwise, Charlie. In here, ---

He points with the glass to his head.

NATE (CONT’D)

--- he’s my son.

CHARLOTTE

You need to see the truth, Nate.

Nate looks at her.

NATE

What is the truth? That bullshit you keep telling me about? Is that the truth? Is it? How can you tell?

Charlotte stares at him.

NATE (CONT’D)

That’s your truth. Not mine.

CHARLOTTE

I wish there was a way to make you see. If you don’t believe it, then believe the facts. Jessica lied to us all this time. She wasn’t who she said she was.

NATE

I don’t even know if that’s true.

CHARLOTTE

It is. She tried to take one of the babies. Her future self came to prove it. Both twins have two sets of memories.

Nate stares at Charlotte seriously.

NATE

How is she? My wife?

Charlotte sighs.

CHARLOTTE

Prue is recovering well. The delivery was hard and was forced, but luckily, she and the babies are fine.

NATE

My daughters.

CHARLOTTE

Wyatt’s daughters, Nate.

Nate stands mad.

NATE

Mine. She’s married to me.

Nate sounds mad.

NATE (CONT’D)

I’m her husband.

Charlotte stands.

CHARLOTTE

I wish you could see the truth. I must go now. If you need me ---

Nate turns his back on her and walks into the bedroom. Charlotte sighs. Then she BEAMS out.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY (INSIDE DREAM)

Jo stands alone surrounded only by darkness. She grabs her head desperately. Looks up and shouts out loud.

JO

Mom! Mom, please take me out of here. MOM!

Tears run down her face.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

The lights are off.

ON THE CRIBS - There are two of them. One of them has a blue blanket that covers baby Peri and the other one has a purple blanket that covers baby Patience. Both blankets have the symbol of the triquetra. Both babies are sleeping tightly.

ON THE BED - Prue and Wyatt lay down asleep. Wyatt has an arm around Prue who rests her head on his chest.

Out of a sudden, Prue wakes up abruptly. She breaths fast. Wyatt wakes up immediately.

WYATT

(worried)

Prue?

Prue breaths fast. She seems scared.

WYATT (CONT’D)

Honey, what’s going on?

Prue glances at Wyatt.

PRUE

I saw her.

Wyatt touches Prue’s face softly.

PRUE (CONT’D)

Jo. She was ---

Prue takes a deep breath.

PRUE (CONT’D)

She was calling for me. I heard her screams. Loudly.

WYATT

Love, you need to calm down.

Prue touches her chest and tries to breathe in and out. She glances at the cribs.

PRUE

I don’t want to lose them, Wyatt.

WYATT

You won’t. We won’t.

Prue gets off of the bed.

WYATT (CONT’D)

Love?

Prue walks over to the cribs and stares at them.

PRUE

They are so small.

Prue turns to Wyatt.

PRUE (CONT’D)

She was surrounded by darkness, Wy.

(pauses)

Jo. Our Tina was surrounded by darkness.

Wyatt gets off of the bed and walks over to Prue.

WYATT

When you say darkness you mean ---

PRUE

Darkness. His essence. I felt it around her.

Wyatt cups Prue’s face between his hands.

WYATT

Darkness is locked away in a cell somewhere outside of time and space. He has no powers over whatever place our Tina is.

PRUE

I know. But I can’t shake out what I felt.

Wyatt hugs her tightly.

PRUE (CONT’D)

And that woman is still out there.

WYATT

We’ll find her. I’ll keep interrogating Armand tomorrow. He must know more than he tells.

Prue nods.

WYATT (CONT’D)

Get back to bed, love.

Prue looks up at Wyatt.

PRUE

At least one thing is right.

She smiles and wraps her arms around Wyatt’s neck. Wyatt wraps his arms around her waist.

PRUE (CONT’D)

We are together.

WYATT

That’s where we belong. Together.

Both of them kiss passionately.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Jo is nearby the cribs. She glances at the babies and smiles. Tina and little Matt are nearby.

CHRISTINA

(to Jo)

There’s still hope inside of you.

Jo doesn’t answer. She stares tenderly at the babies.

LITTLE MATT

Maybe we should too.

Christina glances at little Matt.

SOUND - Micaro’s roar.

The three of them glance around.

JO

I won’t be afraid of a faceless entity.

CHRISTINA

That entity owns this place.

Jo turns to Christina and little Matt.

JO

I won’t be afraid. I’ve seen worse. I’ve faced worse.

Jo turns around and stares at the babies again. Christina and little Matt glance at each other.

THE CAMERA MOVES AWAY from them. Loreto is nearby, still, staring at them. Then she disappears using DARK WISPING.

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - NIGHT

Michaela lays on the bed asleep. She seems to be in an agitated dream.

CLOSE UP - Michaela’s face.

FLASHES TO:

INT. UNDERWORLD - CORRIDORS - UNKNOWN TIME OF DAY (MICHAELA’S DREAM)

Michaela wanders around the corridors. She’s following a male figure who runs fast. The person wears all in black. His hair is long and black. Michaela runs after him.
The male figure suddenly stops. Michaela stops. The male figure starts turning around slowly.

BEAT.

ON MICHAELA’S FACE - Her eyes widen as she sees the person in front of her.

A younger Jared is there.

YOUNGER JARED

She can’t find me. She can’t.

MICHAELA

You can see me?

Jared stares at someone, but it’s not Michaela. Suddenly someone walks through Michaela’s body.

BEAT. BEAT. That person is not other than Alexia, the Seer.

ALEXIA

I can offer you a way out.

Younger Jared stares seriously at Alexia.

ALEXIA (CONT’D)

A hiding place.

YOUNGER JARED

Where?

ALEXIA

Away from here.

Michaela stares from one to another. Then, a GREEN HOVERING FACE appears. Michaela gets scared staring at it.

HOVERING FACE

You must tell them.

Younger Jared and Alexia disappear. The place becomes darker.

MICHAELA

Who are you? What do you want?

The Green Hovering Face hovers around Michaela.

HOVERING FACE

Tell them. They must know who change their lives.

The Green Hovering Face hovers now in front of Michaela’s face.

HOVERING FACE (CONT'D)

Tell them!

And the Green Hovering Face then disappears.

FLASHES BACK TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - NIGHT

Michaela wakes up abruptly and gets into a sitting position. She's breathing fast.

MICHAELA

Jared. Jared.

Michaela swallows. She tries to breathe in and out to calm down.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

FOOTAGE all over the city as the night ends and the sun appears in the sky.

CUT TO:

INT. HALLIWELL MANOR - BASEMENT - DAY

Armand is there, locked inside a crystal cage. He sits on the floor. His beard has grown. He has been there for a few days now.

OFF TO THE ENTRANCE - Wyatt, and Chris come from upstairs.

Armand stares at them as they come walking down the staircase. Armand smiles sarcastically.

ARMAND

The Charming Brothers.

Armand stands.

ARMAND (CONT’D)

Planing on letting me go out today?

Wyatt and Chris stand before the cage.

WYATT

You do realize that you’re not getting out of this cage, don’t you? Not today, not ever.

Armand and Wyatt stare at each other.

WYATT (CONT’D)

Where is Jessica?

ARMAND

How should I know?

WYATT

You were working with her.

ARMAND

Yeah, and the damn bitch fled away leaving me here.

(with anger)

I really hope you find her and please, let me vanquish her.

CHRIS

(surprised)

Wow. Improvements. I can sense anger. It took you a few days.

ARMAND

(looks at Chris)

I guess this cage is messing with my head.

CHRIS

Good. Who’s Jessica?

Armand glances from one to the other.

ARMAND

(smiles sarcastically)

Months. You’ve spent years with her by your side and you never saw it.

WYATT

(rude)

Answer.

Armand stares at Wyatt and smirks.

ARMAND

We had good moments together, you know? In bed.

Wyatt is not shaken at the news.

ARMAND (CONT’D)

I guess you weren’t good at pleasing her.

WYATT

Not that’s of your business, but I never even tried. She’s not my wife.

Armand gets serious.

WYATT (CONT’D)

I guess you don’t know. It is fake. This ---

(opens his arms)

--- reality is fake. She is not married to me. And worse, she used you, and at the first chance she had, she left you here in our hands.

(smirks)

Who’s Jessica?

Armand is serious.

ARMAND

A warlock-demon.

(pauses)

Her father was a demon that was killed when he worked for one of the old factions.

CHRIS

She’s been evil all her life.

ARMAND

Yeah.

CHRIS

What else do you know?

WYATT

Does she have the power to change reality?

Armand smiles sarcastically.

ARMAND

You’re kidding me, right?

Wyatt and Chris look at him.

ARMAND (CONT’D)

I have no idea who would do this, but Jessica has no power to do it. If what you said is true, then someone bigger than Jessica did this.

CHRIS

Anything else?

ARMAND

She just wanted to steal one of the babies to raise as hers. She was planning in killing the mother after.

CHRIS

That’s not news.

ARMAND

That’s all I know.

WYATT

One last thing.

Wyatt and Armand stare at each other.

WYATT (CONT’D)

On that day we went down there to get the magic lamp ---

ARMAND

(cuts him off)

She was there. Yes.

Wyatt nods. Then he turns around. Chris turns around as well. Both brothers walk upstairs.

ARMAND (CONT'D)

Hey! You can’t keep me here. Hey!

Wyatt and Chris don’t turn back. They leave the basement. Armand keeps shouting.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Peri and Patience are there. Peri walks from one side to another. Patience is sitting quietly at the island counter.

PATIENCE

Per ---

Patience is cut off as Wyatt and Chris come from the basement. Peri stops and turns to them. Patience hops off the counter and turns to them too.

PERI

So?

Peri stares anxiously at Wyatt.

WYATT

I made you a promise.

Peri swallows.

WYATT (CONT’D)

Make sure he screams out loud.

Peri smiles big. She glances at Patience.

PERI

Want to show him a little bit of our twin power?

Patience nods. Both twins walk into the basement. Chris stares at Wyatt.

CHRIS

That daughter of yours is not so different from her evil version.

WYATT

Chris!

CHRIS

You just allowed your daughters to vanquish a demon.

WYATT

Well, Chris, that demon was Jessica's partner. Prue could have been ---

CHRIS

I know and I understand, Wyatt.

They stare at each other.

CHRIS (CONT’D)

I would do the same.

Wyatt takes a deep breath.

WYATT

What do we know, Chris?

CHRIS

Any luck in finding Jared?

WYATT

I’ve tried to call him a few times but he’s out of the radar.

CHRIS

Isn’t it weird?

WYATT

It is, but I mean, he was never much present.

CHRIS

Still, he’s Jessica’s brother.

Wyatt walks over to the coffee machine and pours himself a cup of coffee.

CHRIS (CONT'D)

Has Prue been able to sleep better?

Wyatt turns to his brother.

WYATT

She had another nightmare last night.

Chris makes a sad expression.

WYATT (CONT’D)

She’s been talking about Darkness, Chris.

CHRIS

What?

WYATT

She believes Tina is surrounded by Darkness.

Both brothers stare seriously at each other.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON THE BABIES - Both babies Peri and Patience are laying on the bed. They both are awake and have healthy faces.

Blanche is near them. Blanche smiles as she puts medical instruments inside her medical bag.

Prue stands near them with her arms crossed over her chest.

BLANCHE

Those two are perfect.

Prue forces a smile.

PRUE

Thanks.

Blanche stands and carries baby Peri from the bed to the crib. Prue carrieS baby Patience to the crib.

BLANCHE

I risk saying that they will be a handful
of work.

PRUE

They will.

Prue stares at the babies. Blanches glances at Prue.

BLANCHE

Now, you.

Prue turns to Blanche.

BLANCHE (CONT’D)

How’s your sleep? Do they keep you awake at night?

Prue forces a smile.

PRUE

No. They sleep well. Besides, Wyatt has been ---

(smiles)

--- the best.

BLANCHE

Then?

PRUE

It’s just ---

(takes a deep breath)

--- I’m not whole.

Blanche understands what she means.

PRUE (CONT’D)

And I have a feeling. A bad feeling, Blanche. A bad feeling that she’s in danger. Tina.

BLANCHE

I’m gonna give you some pills that’ll make you sleep.

PRUE

No, I don’t want any pills. I just need to find my daughter.

BLANCHE

For that, you need to feel good.

PRUE

I know.

Prue walks past Blanche and sits on the bed.

BLANCHE

Ruby has been very focused on finding out who might be behind this.

PRUE

In or out?

Prue shoots Blanche a look.

PRUE (CONT’D)

I can’t believe you let her out.

BLANCHE

Well, she helped, didn’t she. Besides, she went back to the tower willingly.

PRUE

She’s gonna trick you, you know? That’s what she does.

BLANCHE

I’m aware she might do that, but right now, she’s on our side.

PRUE

I want her away from my daughters. I don’t want her in the same place as Peri and Patience. Both babies or adults versions.

BLANCHE

Don’t worry, Prue. Let me worry about my sister.

PRUE

Good.

BLANCHE

Let’s go check on you.

PRUE

Oh, c’mon. I’m me!

BLANCHE

Well, you! I need to see if you’re healing well since you didn’t let me or Wyatt magically help.

Prue and Blanche stare seriously at each other.

PRUE

If I let you, would you stop peeking into my intimacy?

BLANCHE

White Witch’s word!

Prue sighs. Blanche smiles.

CUT TO:

EXT. BAY MIRROR - DAY

STILL.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Melissa comes from Wyatt’s office. She stands and calls for everyone’s attention.

MELISSA

Good morning, everyone.

All people there stare at Melissa.

MELISSA (CONT’D)

The big boss is not coming today either. He’s enjoying his family. So, I’ll be sailing the ship until new orders. Thank you.

Everybody gets back to their tasks. Melissa glances around. She notices someone wasn’t paying attention to what she said; Vera. The woman seems lost staring at the computer screen.

MELISSA (CONT’D)

Vera?

No answer from Vera.

MELISSA (CONT’D)

(raises her voice)

Vera?

Vera looks at Melissa.

MELISSA (CONT’D)

Are you okay?

VERA

Sure.

Vera stands quickly and walks out of the redaction room. Melissa stares at her astonished. Then Melissa walks over to Vera’s computer and stares at the screen. Melissa frowns.

ON COMPUTER SCREEN - There’s an animated image there of one of the zodiac signs; Taurus. The image fades as another appears, this time showing a demonic being.

Melissa steps back as she stares at the image.

MELISSA

What the hell?!

Melissa glances around. Then she walks away and into Wyatt’s office.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - DAY

A couple of employees are setting the tables ready for lunch. There are no patrons there. Melinda is by the counter. On the counter are three wine glasses and three wine bottles. She pours a bit of wine from one of the bottles into one of the glasses. Then does the same with the second wine bottle and then again with the third.

ON THE B.G. - It can be seen as someone is coming from the back; Piper.

PIPER

I can’t believe how I missed cooking in this kitchen.

Melinda smiles and turns around.

MELINDA

I missed seeing you cooking here.

Piper smiles.

PIPER

Things are different in New Orleans. People are more interested in snacks.

MELINDA

Well, it’s nice for a dinner with friends where people just want to chat. Besides, it’s New Orleans. Everything is so ---

Melinda tries to find a word for it.

MELINDA (CONT’D)

Free of spirit? Unattached?

PIPER

Well, I still prefer San Francisco’s way.

MELINDA

Well, mom, snacks have turned popular over the years. I was actually thinking on making a room for that.

PIPER

Here? At Halliwell’s?

MELINDA

Yeah, why not? We have space for that. We can build a covered terrace outdoors. That way we have the best of both worlds, normal and traditional food and snacks.

Piper shoots her daughter a door.

PIPER

I don’t know.

MELINDA

C’mon, mom. I know you don’t like changes, but sometimes they are needed.

PIPER

What if we talk about it when we get back to our normal and traditional life?

Melinda smiles.

MELINDA

Whenever that’ll be.

Piper agrees. She glances at the glasses of wine.

PIPER

Wine tasting?

MELINDA

Those are new.

Melinda signs her for her to taste. Piper smiles and then grabs one of the glasses. She has a sip of it and smiles. Melinda smiles staring at her.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - MAIN ROOM - DAY

Pandora is at her desk working on her computer. Eric walks in. He glances around and spots Pandora. He heads over to her. Pandora raises her glare and sees him approaching. She smiles.

PANDORA

You’ve got them?

Eric smiles.

ERIC

(sarcastic)

Good day to you too.

Eric sits across Pandora.

ERIC (CONT’D)

I got the results.

Pandora gets excited.

PANDORA

So?

ERIC

I don’t know what’s going to happen after this.

Pandora gets serious.

PANDORA

So, we were right?

Eric is serious.

ERIC

Nate won’t take it easy. He’s reluctant in believing Andy is not actually his son.

PANDORA

Well, he has to accept it.

ERIC

Not that easy, Pan. Believe me, I know what he feels. We don’t remember the way you guys do. For us, this is the life we have.

PANDORA

I know, but ---

ERIC

Andy is his son. That’s all he knows.

PANDORA

But we have DNA to prove he’s not.

Eric sighs.

PANDORA (CONT’D)

I know it is complicated, but ---

ERIC

It has to be done. But he won’t hand Andy to Julia that easily.

PANDORA

I know.

(sighs)

So, ---

ERIC

So?

Pandora wants to ask him something.

PANDORA

Have you been with, huh ---

ERIC

Ethan?

Pandora nods.

ERIC (CONT’D)

We work in the same place, you know. I see him very often.

PANDORA

Of course.

ERIC

He’s miserable.

Pandora’s eyes widen.

ERIC (CONT’D)

He hasn’t said anything, but he misses you.

PANDORA

Yeah, but he doesn’t want to accept who I am.

ERIC

Give him time.

PANDORA

It’s not easy when you see others in your family dating people who accept who you are.

ERIC

Everybody is different.

PANDORA

Well, you, Melissa, and even Mr. Hale are dealing pretty well with it.

ERIC

Mr. Hale?

PANDORA

Johnathan.

ERIC

Right.

PANDORA

(stands)

Let’s go talk to Nate.

ERIC

Jeez, you are full of courage, huh?

Pandora shrugs. Eric stands. Pandora takes her stuff and both walk out of there.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

Prue and Blanche come walking downstairs as Wyatt and Chris come from the dining room. They meet in the foyer.

WYATT

So?

Blanche smiles.

BLANCHE

All three are perfect.

(glances at Prue)

Especially the mother. She's healing faster than I thought.

PRUE

(smiles)

See, I didn’t even need your magic to heal.

Blanche smiles.

WYATT

I’m glad.

Prue and Wyatt smile at each other.

OFF TO THE ENTRANCE - The door opens and Bianca walks in.

BIANCA

Hey, guys!

CHRIS

Hi, honey!

Bianca closes the door behind her and approaches them.

BLANCHE

Well, I need to be going. Now, Bianca?

Blanche and Bianca look at each other.

BLANCHE (CONT’D)

I’ll be waiting for you at my office.

BIANCA

Me?

BLANCHE

Aren’t you pregnant?

Bianca nods.

BLANCHE (CONT’D)

I brought Matt to this world and I intend to do the same to ---

Blanche points to Bianca’s belly.

BIANCA

Oh, we haven’t picked a name for her.

BLANCHE

(sarcastic)

Why do they need obstetricians now-a-day if people come from the future to reveal what’s going to happen?

They all smile.

BLANCHE (CONT’D)

I need to go.

PRUE

Don’t let Red out.

Blanche glances at Prue.

PRUE (CONT’D)

I don’t want her near my daughters.

Blanche nods.

BLANCHE

See ya.

Blanche walks out of the manor. Wyatt puts an arm over Prue’s shoulder.

WYATT

She was kind of helpful there, you know?

PRUE

(glances at Wyatt)

I still don’t want her near them. Any of them.

OFF TO THE LIVING ROOM - THE CAMERA FOCUSES on someone appearing in the living room. BEAT. Loreto uses DARK WISPING to appear.

Chris notices Loreto appearing in the living room.

CHRIS

What the hell?!

Chris walks into the living room. Wyatt, Prue, and Bianca follow.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Loreto stands still as Chris, Wyatt, Prue, and Bianca walk into the living room. Loreto is serious. Chris is astonished.

CHRIS

What the hell are you doing here?

BIANCA

Loreto?

PRUE

Loreto? Wait, our ex-employee?

CHRIS

No. She’s an Angel of Death.

WYATT

What?

LORETO

I’m both.

All four are astonished. Loreto stares seriously at them.

CHRIS

You are Loreto?

BIANCA

You fooled me?!

LORETO

I needed to gain her trust.

PRUE

Who’s trust?

Loreto stares at them before answering.

LORETO

Jo.

And things start making sense in Prue’s head.

PRUE

(getting mad)

You dumb bitch!

Wyatt has to grab Prue before she jumps on Loreto.

PRUE (CONT’D)

I’m gonna end you. You took her.

LORETO

I did what I had to do. Besides, it wasn’t actually me.

Prue tries to get free, but Wyatt holds her tight.

PRUE

(mad)

Let go of me.

WYATT

Calm down.

CHRIS

(to Loreto)

What do you mean it wasn’t you?

LORETO

I was just there to make it easy for her.

PRUE

Easy? She was suffering, you ---

LORETO

Be careful with your language, Prue.

Prue and Loreto stare at each other. Prue tries again to get free. Wyatt lets her.

PRUE

She faded away from my sight. I saw her tears.

LORETO

I know.

PRUE

Where is she?

(out loud)

Where did you take her?

BIANCA

Is she in the afterlife? Is Matt?

LORETO

No.

CHRIS

Where are they then?

Loreto takes a deep breath.

LORETO

In the Plane of Nothingness.

WYATT

The what? We never heard of it.

LORETO

Of course, not. There are more things in Heaven and Earth, Wyatt.

(pauses)

Anyway, she asked me to tell you where she is.

PRUE

Bring her back.

Loreto and Prue stare seriously at each other.

LORETO

I can’t.

PRUE

What do you mean you can’t?

LORETO

As I said, I didn’t take her there. I was just there to make it easy. But I have no powers over that place. I risk saying there’s no way out of there.

WYATT

There is. Once we change this whole mess.

CHRIS

You guys know what’s going on and did nothing.

LORETO

It’s not in our powers to.

WYATT

Then who has powers to?

Loreto swallows.

LORETO

It’s bigger than us. Much bigger.

Loreto uses DARK WISPING to disappear.

CHRIS

Wait!

BIANCA

She’s gone.

They are all astonished.

CHRIS

What do we do now?

WYATT

I wish I knew.

Prue is serious. She stares at the place Loreto just was.

PRUE

Bigger than us.

(repeats)

Bigger than us.

Prue looks up.

PRUE (CONT’D)

He has watched over me.

The others look at Prue, confused.

WYATT

Honey?

PRUE

(looks at Wyatt)

I know who to call.

Prue looks up again as if she was staring at the sky.

PRUE (CONT’D)

Handreel, please. I know you’ve been watching over me all this time. I ask you, please, come to me. Help me. Handreel!

(sighs)

Please.

VIEW AT THE INSIDE OF THE CONSERVATORY ROOM - Handreel SPARKLES in.

Wyatt, Prue, Chris, and Bianca glance at the conservatory room and see him.
Handreel smiles at them.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (TIME LAPSE)

Handreel stands there staring at Wyatt, Prue, Chris, and Bianca.

PRUE

Thank you for coming.

HANDREEL

I knew you would call me someday.

CHRIS

(mad)

Was it needed? Why haven’t you intervene?

HANDREEL

We can’t.

(pauses)

Free will.

BIANCA

I’m sorry, but I’m a little lost here. Who is this?

PRUE

Handreel. An Angel.

BIANCA

An Angel?

(looks at Handreel)

Wait. An Angel?

Chris nods.

PRUE

I need your help.

HANDREEL

I can’t take her out of there.

WYATT

What do you mean you can’t? You owe us.

HANDREEL

I owe you nothing.

PRUE

(mad)

We locked your Darkness. Twice. So, yes, you owe us.

WYATT

You can help us. You’ve got superior powers.

HANDREEL

I don’t have the powers to take her out.

PRUE

Someone has.

HANDREEL

Indeed.

CHRIS

Who?

The four of them stare at Handreel waiting for an answer. Handreel stares seriously at Prue.

HANDREEL

The Plane of Nothingness is a place with no hope. There’s only darkness there. It was created to consume the purest of souls and erase any trace of hope.

Prue swallows.

HANDREEL (CONT’D)

You must know that there are risks.

PRUE

He?

Handreel nods.

WYATT

You mean ---?!

Prue stares seriously at Handreel. Wyatt glances from Prue to Handreel.

WYATT (CONT’D)

You can’t be serious.

PRUE

Do it.

WYATT

(astonished)

Prue!

PRUE

Ask him. I need my daughter back.

Prue’s eyes get wet.

WYATT

No.

Prue and Handreel stare seriously at each other.

PRUE

Bring both Jo and Matt home.

Handreel nods and SPARKLES out. Wyatt stares astonished at Prue.

WYATT

We should have thought that through.

PRUE

(mad)

It’s our daughter, Wyatt!

A tear runs down Prue’s face.

PRUE (CONT’D)

She sacrificed herself to save us. So, if I need to sacrifice my light to bring her
home, so be it.

Wyatt and Prue stare deeply at each other.

PRUE (CONT’D)

I hope you are with me on this because you are my light.

WYATT

And you’re mine.

Wyatt rushes to her and hugs Prue.

BIANCA

(to Chris)

What’s going on?

CHRIS

Darkness will be released.

Bianca stares astonished at Chris.

ON WYATT AND PRUE - They keep hugging.

CUT TO:

INT. HALLIWELL MANOR - BASEMENT - DAY

ON ARMAND’S FACE - He screams out loud.

The twins are there. Patience has Armand’s body tied by a PURPLE ENERGY LASSO.
Peri stands before Armand.

ARMAND

I’ve told you all I knew.

PERI

Oh, no. We are not looking for information.

PATIENCE

We just want to make you scream.

Armand is astonished.

ARMAND

You are supposed to be good.

PERI

(shrugs)

What can we do? We kinda like make demons suffer.

PATIENCE

It’s in our blood.

PERI

And well, we are pissed off ‘cause you locked us here while our mother was at the hands of that ---

PATIENCE

(cuts her sister off)

Language, Per.

Peri glances at Patience.

PERI

My sister is very sensitive to bad words.

Peri holds out her hands and hits him with BLUE BEAMS OF LIGHT. Armand screams.

PATIENCE

My ears are hurting, Per.

PERI

We have to make him scream.

PATIENCE

You’re gonna wake our little selves. Do you know how loud your cry is?

PERI

My cry?

Armand realizes both women are getting into a personal fight.

PATIENCE

You gotta admit that your cry is louder than mine.

PERI

I’m the eldest.

PATIENCE

What does it have to do?

PERI

My voice has to be louder.

PATIENCE

No, it doesn’t.

Patience turns off the ENERGY LASSO. Armand falls down on the floor. He seems tired.

PATIENCE (CONT’D)

Since you were a baby you always tried to be heard louder than me.

PERI

That’s not true. It’s not my fault that you have this sweet voice.

Armand stares at them. He sees his opportunity to escape. Peri and Patience’s voices get louder. They walk over to each other.

PATIENCE

What’s your problem with my sweet voice?

PERI

Oh, I have a lot of problems with it, alright?

Armand stands and ---

PERI (CONT’D)

Sweet Patience. So sensitive to cursing.

PATIENCE

Oh, Per, don’t go there!

Armand stares at them and is about to SHIMMER out when ---

PATIENCE (CONT'D)

Per!

The twins can see how Armand is about to disappear through the corner of their eyes. Both of them hold hands and ---

PERI

Now!

ON TWINS' HANDS AND ARMS - They start GLOWING and some ELECTRICITY starts running through their hands and arms.

Peri and Patience reach out their free arms and ELECTROKINESIS comes from them and hits Armand who burst into flames immediately. Soon, there’s nothing more than ashes in the place Armand stood up.

Peri and Patience stare at each other. They burst into a laugh.

PERI (CONT’D)

It works all the time.

PATIENCE

It does.

They look at each other and stop laughing.

PATIENCE (CONT’D)

Now, seriously. You always want to be heard louder than others.

PERI

That’s not true.

Patience shoots Peri a look. Peri turns around and starts walking upstairs. Patience shrugs and follows her sister.

CUT TO:

INT. GOLDEN GATE PARK - DAY

Damon and Junior are there training martial arts. Junior ducks the blow, slipping under Damon's outstretched fist. Junior quickly throws out his own fist in a fast jab, sending it into Damon's ribs with a satisfying crunch.

Damon grunts, doubling up but lashes out with a right hook. Junior slips backward, barely avoiding the blow. Unfortunately, the sudden movement upsets his balance, and he staggers backward. Damon, seeing his opportunity, leaps after him.

Both men stare at each other astonished.

JUNIOR

It’s really nice training with someone with such high resistance as I do.

Damon laughs.

DAMON

So, that’s your therapy now, huh?

They grab a towel each from the ground and wipe the sweat.

JUNIOR

Well, I can’t be Melissa’s shadow. She hates it. I tried martial art classes, but almost broke a guy’s neck and so ---

DAMON

Got it.

JUNIOR

Thank you for doing this with me.

DAMON

No prob. I was actually in need to do something like this too.

JUNIOR

Guess we all are gonna need therapy when we fix this mess, huh?

DAMON

We can always talk to Cass.

Junior laughs.

JUNIOR

True.

Both men smile when something calls for their attention.

Not far from where they are, people start running like crazy as if something was after them.

Junior and Damon glance at each other.

DAMON

What the hell is going on?

People run like crazy.

JUNIOR

Look!

Junior points at something that comes from within the woods ruthlessly. It looks like some sort of beast.

DAMON

Okay, that’s new!

People keep running. Junior and Damon stare astonished at the beast.

JUNIOR

What are we supposed to do?

DAMON

You’re the witch.

JUNIOR

And you’re the demon.

DAMON

Manticore.

(pauses)

Half.

Damon glances around and sees how people have run away and are not nearby. Then, using HYPER SPEED, Damon runs towards the best and hits it strongly. The beast falls on the ground. Damon stops. The beast seems inanimate on the ground. Junior runs over to Damon. Both of them stare at the beast.

CLOSE UP AT THE BEAST - The creature looks like the animated image in Vera’s computer.

JUNIOR

What the hell is this thing?

CLOSE UP AT THE BEAST - Suddenly the beast form starts disappearing and taking the shape of a woman. Naked.

DAMON

Right!

Junior puts his towel covering the woman’s naked body.

DAMON (CONT’D)

Yup. That’s new.

Both of them stare at each other.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – GADREEL'S CAGE - UNKNOWN TIME OF DAY

Gadreel is laying on the bed. The TV is on.

ON THE TV - It’s airing a documentary about storms.

NARRATOR (V.O.)

'The Great Hurricane of 1780, also known as Huracán San Calixto was the deadliest Atlantic hurricane on record. An estimated 22,000 people died throughout the Lesser Antilles when the storm passed through the islands. The hurricane struck Barbados likely as a Category 5 hurricane, with at least one estimate of wind speeds as high as 200 mph ---'

ON THE WALL - It turns into bars.

GADREEL

Again?!

Gadreel turns off the TV and stands. Handreel stands still outside the bars. Gadreel and Handreel stare at each other.

HANDREEL

You know what’s going on.

Gadreel glances away.

HANDREEL (CONT’D)

She asked me for help.

Gadreel glances at Handreel.

GADREEL

I know. I felt it.

HANDREEL

Can you?

Gadreel swallows. He is serious.

HANDREEL (CONT’D)

She’s suffering. Both of them are. Can you get the girl out of that place?

GADREEL

That place was made to hold souls that have no place in the world. No one is supposed to leave.

HANDREEL

Darkness made that rule.

GADREEL

I am Darkness and I created that place.

HANDREEL

Exactly. If anyone can take her out, that someone is you.

Gadreel doesn’t answer.

HANDREEL (CONT’D)

Do it for her.

Gadreel lowers his gaze.

HANDREEL (CONT’D)

If you really care about her ---

GADREEL

I can’t.

(pauses)

Not from here. You know that. I need to be there.

HANDREEL

You can try.

GADREEL

(mad)

I can’t!

Gadreel approaches the bars and grabs the bars. His blue eyes turn black. Then the blackness disappears and the blue eyes appear.

GADREEL (CONT’D)

Don’t you think I’ve tried?

Handreel stares seriously at him. For a few seconds, some emotions can be seen in Gadreel’s eyes.

GADREEL (CONT’D)

It kills me to feel her pain.

(pauses)

But I can’t do it from here. I need to be there.

HANDREEL

Taking you out of here ---

GADREEL

(cuts him off)

I’ll come back.

(pauses)

As soon as it’s done.

HANDREEL

I can’t trust you.

GADREEL

Don’t trust Darkness, but me. Gadreel.

Both of them stare into each other’s eyes.

GADREEL (CONT’D)

Come with me.

Gadreel reaches out his arm.

GADREEL (CONT’D)

Put it on me. The power inhibitor.

Handreel looks down at Gadreel’s arm. Then he glances at Gadreel.

HANDREEL

I ---

GADREEL

(cuts him off)

For her.

Both of them stare at each other for a few seconds.

HANDREEL

Very well.

Handreel WAVES his hand and suddenly ---

ON GADREEL’S ARM - A metal thick bracelet appears in Gadreels lower arm.

Gadreel looks at Handreel. Then Handreel WAVES his hand and the bars disappear.

HANDREEL (CONT’D)

You still can use your angel’s powers.

Gadreel nods.

HANDREEL (CONT’D)

Limitedly. Now take us there.

Gadreel nods. Then he touches Handreel’s shoulder and SPARKLES them both out.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF DAY

Baby Tina and Baby Matt are on the cribs. They cry loudly.

Christina and little Matt are nearby the cribs. They stare at their baby versions. Not far from them, Jo walks back and forward.

The roar of Micaro can be heard loudly.

JO

(desperate)

Stop. Stop.

Christina looks at Jo.

CHRISTINA

He can feel your hope.

JO

I won’t stop believing. I can’t stop believing. Mom and dad will find a way.

LITTLE MATT

The babies don’t stop crying, Jo.

Micaro roars loudly again.

JO

My God, I’m getting crazy.

CHRISTINA

Jo!

JO

(mad)

Stop.

Jo turns at them.

JO (CONT’D)

I need to keep believing, okay?

MATT (O.S.)

You must.

BEAT. Jo recognizes that voice. Slowly she turns around and ---

Matt, the adult version, stands there staring at her with a smile on his face.

MATT (CONT’D)

Your voice brought me here.

JO

Matt?

Matt opens his arms. Jo runs towards him and both of them hug tightly.

JO (CONT’D)

I’ve missed you so much, cous.

Christina and little Matt glance at each other.

MATT

Me too.

Matt and Jo break the hug.

MATT (CONT’D)

I heard you shouting out loud. I followed the sound of your voice.

They stare at each other.

MATT (CONT’D)

I was losing hope.

JO

But how are you here?

MATT

The same way you’re here. I had just arrived at our time and then it was all gone.

JO

It happened right after you and David left.

Jo holds Matt’s hands.

JO (CONT’D)

Someone changed reality and we no longer exist there.

MATT

What?

JO

They lost their memories. Only mom and I knew, but then mom lost her memories. And then ---

(sighs)

I think she remembers now, but they don’t know where we are.

LORETO (V.O.)

They do now.

Loreto uses DARK WISPING to appear. They all look at her.

JO

What did you say?

LORETO

What you heard. I’ve told them where you are.

Jo and Matt glance at each other. Jo and Matt smile. The babies stop crying. Christina and little Matt approach their adult versions.

JO

So they are coming? To save us?

Loreto is serious.

LORETO

They can’t.

MATT

What do you mean they can’t.

LORETO

There’s no way out of this place. At least they won’t find any. There’s no way out.

JO

There has to be.

LORETO

Why do you have to be so stubborn?

JO

Because I am a Warren. It runs in our blood.

LORETO

I’ve noticed.

JO

We don’t give up.

LORETO

I’ve noticed, okay?

MATT

So, what? They’ll leave us here and that’s all?

LORETO

Like I said, stubborn.

CHRISTINA

So?

Loreto glances at them all.

LORETO

They will reach the one in charge.

JO

Micaro?

LORETO

Micaro is the beast left to take care of this place, but he wasn’t the creator.

MATT

So, who is it?

LORETO

Someone scaring. The worst being that has ever existed. If he gets released, the balance will be in danger.

JO

Who are you talking about?

Loreto opens her arms.

LORETO

Look around. What do you see?

They all glance around.

LORETO (CONT’D)

What do you see?

Jo stares seriously at Loreto.

JO

Darkness.

Loreto swallows.

LORETO

You had to keep believing, didn’t you?

JO

It cannot be.

LORETO

It can. It is done.

SOUND - Micaro’s roar can be heard louder than before, almost as if it gets closer.

They all glance around.

LORETO (CONT’D)

No one’s safe now.

Loreto uses DARK WISPING to disappear. Jo is astonished.

CHRISTINA

Darkness is out free?

MATT

Jo?

JO

Mom.

Jo looks at Matt.

JO (CONT’D)

My mother, Matt. She’s not safe. And dad ---

MATT

I’m sure they thought it through.

JO

Did they? Or will they risk their own light for me?

Jo and Matt stare seriously at one another. Fear starts appearing in Jo’s eyes.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. HALLIWELL’S - DINING ROOM - DAY

No patrons there. Piper and Phoebe are at one of the tables having a meal and drinking wine.

OFF TO MELINDA - She comes closer to the table. Melinda is on the phone and it seems that she’s having some bad news.

MELINDA

(on the phone)

You gotta be kidding me, right, Chris?

Piper and Phoebe stare at Melinda whose facial expression reveals that problems are on the way.

MELINDA (CONT’D)

(on the phone)

Jessica is on the run. We are not any closer to getting back to our reality and now Darkness?

Piper and Phoebe glance at each other.

MELINDA (CONT’D)

(on the phone)

Of course, I’ll be alert. Keep me updated.

Melinda hangs off the phone. She stares at her mother and aunt.

PHOEBE

Did we hear correctly? Darkness?

MELINDA

It appears that Jo is in some kind of plane that was created by Darkness and he’s the only one that can take her out of there.

PHOEBE

My granddaughter?

Melinda nods.

MELINDA

Prue didn’t think twice.

PIPER

Does that mean that ---

MELINDA

(cuts Piper off)

Darkness is on the loose now.

Piper and Phoebe glance at each other worried.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - BLANCHE’S OFFICE - DAY

Blanche is at her desk and is on the phone. She seems also worried.

BLANCHE

(on the phone)

Thanks, for letting me know, Bianca. --- No, don’t worry. Ruby is protected by the tower’s magic. While she remains there, nothing from the outside can reach her. --- If you need me, let me know. Bye.

Blanche hangs off the phone.

CUT TO:

INT. WHITMORE MANOR - LIBRARY - DAY

Tamora is at the desk working on her laptop.

SOUND - Phone beeping.

Tamora checks the text on the phone and as she does her eyes widen astonished.

TAMORA

The hell!

Tamora closes down her computer and stands. She walks out of there quickly.

CUT TO:

EXT. PRESCOTT GROUP - DAY

STILL.

CUT TO:

INT. PRESCOTT GROUP - NATE’S OFFICE - DAY

The door is slammed open. Nate walks in furious. Pandora and Eric walk in behind him.

NATE

I said it on the phone. I don’t want to talk about this nonsense.

Eric closes the door behind him.

PANDORA

Nate, you need to be reasonable.

Nate turns around. Man, he really is furious.

NATE

Reasonable? You tell me that you need to talk about my son’s birth parents and you want me to be reasonable? I am his goddamn father. Whether you like it or not.

PANDORA

I wish that was true, but it isn’t.

ERIC

Nate, we ran a DNA test.

NATE

I don’t care.

PANDORA

(to Eric)

Show him.

Nate takes off his phone from his jacket and walks over to Nate and shows him some documents on his phone. Nate stares at it. His eyes start getting red.

NATE

DNA test?

PANDORA

Prue allowed us to take a sample from Andy.

NATE

(mad)

I don’t care what she did. You don’t get to come over here and tell me my son has other parents. Prue and I are his parents.

PANDORA

Nate! Wake up, man!

Pandora is rude.

PANDORA (CONT’D)

I know it’s hard to accept it. I know. My life is a mess as well, but you need to face the facts. Andy is not your son. Prue is not your wife. This is not your life.

Pandora and Nate stare seriously at each other.

ON NATE’S FACE - A tear runs down his face.

NATE

He’s my son. I can’t lose him too. I can’t.

Eric pats Nate’s shoulder.

ERIC

I know it’s hard, man. It’s hard for all of us. But when we get back to our lives, none of this will matter.

NATE

Are you sure of that?

Eric is serious. He lowers his gaze.

NATE (CONT’D)

That’s what I thought.

PANDORA

Nate?

Nate looks at Pandora.

PANDORA (CONT’D)

I know you’re hurting. Imagine Andy’s mother. Her pain for not having her baby in her arms.

Nate looks at the side.

PANDORA (CONT’D)

She has no memories of him, but she knows he’s out there.

Nate swallows. He is in pain.

PANDORA (CONT’D)

She just wants to hold him. To be his mother.

NATE

I can’t ---

More tears run uncontrollably down Nate’s face.

ERIC

Nate ---

NATE

Leave. Please, leave.

Nate gives his back on them. Pandora and Eric glance at each other. Eric and Pandora give up.

PANDORA

If you change your mind, call me.

Pandora and Eric walk out of the office.

NATE

He’s my son. My son.

ON NATE’S FACE - He is in so much pain.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

Jared stands leaning over the WATER PIT. He seems mad.

JARED

This is not what’s happening.

(mad)

Damn!

Jared steps back and holds out both his hands releasing a WAVE of ENERGY (ENERGY WAVES) that destroys the water pit.

Omega FADES in. He glances around and sees the destruction made by Jared’s release of power. Jared looks at Omega.

JARED (CONT’D)

What are you doing here?

Omega stares at Jared and smirks.

OMEGA

You really thought this plan of yours was going to work?

Jared lets out a sarcastic laugh.

JARED

You had something to do with it, didn’t you?

OMEGA

I may have given it  a push.

JARED

To force me to join you.

OMEGA

I offered you to become one of us, Jared. And I did it because I wanted you to work on the great design.

JARED

Right. Your dear Utopia.

OMEGA

That’s what we do.

JARED

Well, I want more than that.

OMEGA

You want power. Got it. Who doesn’t? But you see, there’s one power that’s stronger than anything else. And that one power is something that’s lacking on you.

(pauses)

Love.

JARED

I care not about love.

OMEGA

I know.

(opens his arms)

And that’s where your whole plan fails. Because they will find a way. Sooner or later.

JARED

I’ll do it again.

OMEGA

You can try. But you’ll always fail.

Jared turns his back on Omega.

OMEGA (CONT’D)

You’d do well in joining us. Think about it.

Omega FADES out.

JARED

I still have a card to play.

ON JARED - He is serious.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Prue stands near the cribs.

ON THE CRIBS - Babies Peri and Patience are asleep peacefully.

Prue glances tenderly from one to the other.

PRUE

You two are so beautiful.

Prue smiles.

BESIDE HER, Jared appears in INVISIBLE ASTRAL PROJECTION.

JARED / GADREEL

Prue?

Prue glances around. Jared’s voice sounds very much like Gadreel’s.

JARED / GADREEL (CONT’D)

It’s me, love.

Prue gets as white as chalk.

PRUE

No.

Prue shakes her head.

JARED / GADREEL (CONT’D)

I am back.

PRUE

It cannot be.

Prue walks away from the cribs. Jared follows.

PRUE (CONT’D)

It’s just in my head.

JARED / GADREEL

I’m coming for you, love. You’re mine.

PRUE

(out loud)

I said no.

Jared disappears.

OFF TO THE ENTRANCE - Wyatt rushes in. He’s worried.

WYATT

Love?

Prue turns around and looks at Wyatt. He notices she’s shattered.

WYATT (CONT’D)

What happened?

Prue sighs. She starts breathing fast.

PRUE

I heard his voice.

Wyatt frowns.

WYATT

Who’s voice?

PRUE

His.

Wyatt gets it. He walks over to her.

WYATT

Honey, ---

PRUE

It has happened before.

WYATT

It’s been years, Prue.

PRUE

No. I heard him a few days ago.

WYATT

(surprised)

What?

PRUE

I didn’t want to tell you because I didn’t want you to get worried.

WYATT

You should have.

PRUE

I know.

WYATT

Maybe all this was his plan to get out.

PRUE

You think? He’s been locked all these years. How would he do this from there?

WYATT

I don’t know. Maybe like last time. He has someone doing it for him.

Prue and Wyatt stare seriously at each other.

WYATT (CONT’D)

And now he’s out.

Wyatt turns around.

PRUE

It’ll be worth it if we get our daughter back.

Prue walks over to him and hugs him from behind.

PRUE (CONT’D)

We defeated him once.

Wyatt holds Prue’s hands.

PRUE (CONT’D)

We’ll do it again. And so Jessica. Maybe she’s the one working for him.

WYATT

She’s a demon-warlock.

Wyatt turns around.

WYATT (CONT’D)

I don’t believe she’s powerful enough to work for Darkness.

PRUE

Ignatius was a demon.

WYATT (CONT’D)

An ancient demon. I don’t think Jessica would be capable of that. Or better, I don’t think she would be valuable enough for Gadreel to use her.

PRUE

There’s a lot we don’t know about her.

WYATT

I wish I knew where she is.

PRUE

Have you found his brother? If she’s a demon-warlock, he is too.

WYATT

He’s nowhere to be found. But I can’t see him doing something like this. I mean, changing realities? Only a powerful being would do that, Prue.

PRUE

Yeah, you’re right. But they are somehow involved.

WYATT

I know.

Wyatt cups Prue’s face between his hands and kisses her.

OFF TO THE ENTRANCE - Peri and Patience walk in.

Peri and Patience smile as they see their parents sharing a romantic moment. They keep staring at them until they realize they are being watched. Prue and Wyatt stare at the twins.

PRUE

Hello, you two.

PATIENCE

I missed seeing you two like this.

WYATT

What? We are not like this in the future?

PERI

Oh, crap, Pat.

PATIENCE

Oh, no, I meant with my confused memories. Oh, not, the two of you ---

PERI

Pat!

PATIENCE

Please, don’t get me started.

Prue and Wyatt smile.

PATIENCE (CONT’D)

Sometimes it is too much considering we are your daughters.

WYATT

Okay, we get it.

They stare at one another. Then all of them get serious.

PERI

We were told that Darkness is being released.

WYATT

Yeah.

Patience walks over to her mother.

PATIENCE

Are you okay, mom?

PRUE

I’ll be once your sister is here and we all are back to our real lives.

PERI

Well, there’s one demon less in this world.

WYATT

Did you vanquish him?

PERI

We did.

(looks at Patience)

Twins power.

(looks at Wyatt)

Thanks for giving us the pleasure. I can’t deny that I enjoyed it.

PATIENCE

Me too.

PRUE

I would’ve enjoyed it. Actually, I miss that. Crushing someone’s heart or even ripping it out.

Prue is serious. They all stare seriously at her. Prue realizes their glances on her.

PRUE (CONT’D)

Right, I shouldn’t talk like this in front of you.

WYATT

No, it’s okay. That would be something I would do to that Armand.

PRUE

We still have Jessica.

WYATT

And whoever is behind this.

PERI

Okay, you two. Dad, you never like us to talk like that. Not matter how badly evil beings deserve it.

WYATT

Well, sorry, dear, but that’s exactly how I feel right now.

(sighs)

When I put my hands on Jessica, she’ll regret to be born.

PRUE

You are not gonna take that pleasure out of me, are you?

Wyatt and Prue stare at each other.

WYATT

Together.

Prue smiles.

PRUE

Together.

Peri and Patience stare at each other.

PATIENCE

You guys are scary, you know that?

PRUE

We better be. If Darkness gets free and decides to come for us, then ---

PERI

We’re gonna need the best versions of the two of you.

PRUE

Uh, sorry, best version?

PERI

Oh, that’s what you say. No regrets. So ---

PRUE

Hey, no ---

(looks at Wyatt)

I’m gonna be a terrible mother.

PATIENCE

You’re the best, mom.

Prue and Wyatt smile.

WYATT

Should I be jealous?

PERI

No way. You bought us our first car.

WYATT

(surprised)

Did I? Bay Mirror will pay that much, huh?

Patience shoots Peri a look. Peri shrugs. Wyatt and Prue stare at each other and for a moment, both of them feel a little bit of happiness. Soon, Prue remembers what’s missing in that picture. Wyatt notices.

WYATT (CONT'D)

We’ll get her back.

Prue forces a smile. Then, Wyatt approaches her and hugs her. Peri and Patience do the same. All four of them have a group hug.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris is there walking from a side to another. Bianca is standing by one of the windows staring seriously at him. She lowers her gaze trying to figure out what to say.

BIANCA

I can’t imagine how it was.

CHRIS

It was horrible. If he ---

Words don’t come out easily for Chris. Bianca stares at him with sad eyes.

CHRIS (CONT’D)

He can do it again.

(turns to Bianca)

And this time, he can really kill him. He can kill Wyatt.

BIANCA

Let’s think positively. Maybe he helps to bring Jo and our son back and then gets back to his prison.

CHRIS

You don’t understand, B. it’s Darkness. He wouldn’t go willing back to his prison.

Bianca moves over to him.

BIANCA

Let’s not put the cart before the horses, okay? Let’s wait.

AT THAT MOMENT, Junior ORBS in carrying a naked, unconscious woman. Damon SHIMMERS in right after.

Bianca and Chris stare at them astonished at the scene.

CHRIS

Do I want to know?

Junior and Damon stare at each other.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Jo and Matt stare at each other seriously. Christina and little Matt are close. The babies are still on the cribs.

JO

It’s so obvious. They are willing to risk anything for me.

MATT

No. They wouldn’t release Darkness.

JO

They would, Matt. Mom and dad would. I don’t know if I should jump of happiness or feel bad.

MATT

Tell me about it. But wait, Jo, we still don’t know. Darkness may not take you out of here.

JO

Us. If I leave, you do too.

MATT

Right.

JO

But I know what you mean. What if ---?

Jo turns around and starts thinking.

JO (CONT’D)

What if it’s all his plan?

MATT

Darkness?

CHRISTINA

He is locked down in his prison.

LITTLE MATT

He wouldn’t plan this from his prison, right?

JO

It’s Darkness. Remember when aunt Mel told us he chased mom from his prison.

MATT

True. But ---

(sighs)

--- I don’t know. Darkness wouldn’t need this.

JO

Right. He wouldn’t separate mom from dad only to have her married to Nate.

MATT

(astonished)

What?

Jo realizes Matt does not know what’s happened.

JO

Right. So, yeah, reality-warping. Mom and dad never got married and I wasn’t born. And Chris and Bianca, the same.

MATT

(astonished)

What?

Jo shrugs.

MATT (CONT’D)

That’s why we are here?

Jo nods.

MATT (CONT’D)

Because we don’t exist.

JO

Yeah.

SOUND - Micaro’s roar. It seemed closer.

They glance around.

JO (CONT’D)

How long have you been here?

MATT

I have no idea of the time.

JO

Yeah, me neither.

(smiles)

But now there’s hope.

SOUND - Micaro’s roar again. Closer.

CHRISTINA

It seems closer than before.

Jo and Matt turn at their younger versions.

LITTLE MATT

Your hope is making him come closer.

JO

Well, I won’t give up on hope and I suggest you either.

Christina and little Matt stare at Jo and Matt.

LITTLE MATT

But we are afraid of the beast.

JO

We are Warrens.

At that moment, a strong and uncontrolled wind is upon them. Shadows surround them.
Suddenly some sort of footsteps is heard closer and closer.

JO (CONT’D)

What’s going on?

CHRISTINA

It’s Micaro.

SOUND - Micaro’s roar.

The wind stops out of a sudden. The four of them glance at each other. Jo glances over her shoulder at the cribs and her eyes widen when she sees the babies hovering over the cribs.

JO

Oh, my God.

They all turn around to see how the babies hover over the cribs surrounded by what seems to be black and formless arms.

CHRISTINA

Micaro.

ON JO AND MATT - They are serious.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

ON THE DOUBLE DOORS - They are opened. Alex walks in. He glances around. He tries to locate someone.

OFF TO MICHAELA - She’s sitting in a corner. A book opened before her eyes. She sees Alex coming in and covers her face using the book, trying to pass unnoticed, but ---

Alex spots her trying to avoid him. He makes his way over to her and stands before her, waiting for her to drop the book and look at him.

After a few seconds, she finally does. Slowly she raises her glare at him and both their eyes meet each other.

ALEX

Why are you avoiding me?

MICHAELA

I’m not.

ALEX

You are.

Michaela grimaces.

ALEX (CONT’D)

What’s going on?

Michaela closes the book and takes a deep breath.

MICHAELA

I’ve been dreaming.

Alex stares seriously at her. He sits beside her. Astonished.

ALEX

Why didn’t you tell me? I thought you were not having any vision dreams because you were anxious.

MICHAELA

At first, it was that.

ALEX

And then?

Michaela looks at him. She thinks for a while.

MICHAELA

Then, I got scared.

ALEX

Scared of what?

MICHAELA

Of him. Alex, that person went to P3. He knew my name.

ALEX

Who is it?

MICHAELA

I can’t.

Michaela stands and walks away. Alex stands and follows.

ALEX

Mica, please.

MICHAELA

No, Alex.

(keeps walking away)

He did this to us. He invaded my dreams all those months ago.

(she turns around)

It scared the hell out of me.

Alex stops.

ALEX

I know.

MICHAELA

No, you don’t.

Michaela's expression saddens.

MICHAELA (CONT’D)

He is scary. He knows who I am and he knows what I can do. I ---

(swallows)

I still remember how scared I was of Prue. How I felt back then when I saw her in my mind. Killing me. My heart hurts every time those images pop into my mind.

ALEX

Prue would never hurt you.

MICHAELA

I know that now. But I can’t tell the same about Hazel Eyes.

ALEX

Did he threaten you?

Michaela nods.

MICHAELA

He did it then and he did it when he came to P3.

ALEX

Who is it?

MICHAELA

Alex ---

ALEX

Mica, our lives depend on a name.

Michaela stares seriously at him. Deep down she knows he’s right.

MICHAELA

I can’t.

ALEX

Jo’s life depends on it. Matt’s.

MICHAELA

(out loud)

I can’t.

Everybody there turns around to stare at them. Michaela notices it. Alex keeps staring at him.

MICHAELA (CONT'D)

My own life depends on it too.

And Michaela turns around and walks out of the library passing by Charlotte who comes in as Michaela leaves. Michaela doesn’t even stop. Charlotte stares astonished at her. Then Charlotte turns around and looks at Alex. She walks towards him.

CHARLOTTE

What’s wrong with her?

Alex looks seriously at Charlotte.

ALEX

She knows who Hazel Eyes is.

Charlotte smiles.

ALEX (CONT’D)

But she’s not telling.

ON CHARLOTTE’S FACE - She’s astonished.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON THE COUCH - The naked woman lays down there covered with a blanket. She is still unconscious.

Prue, Tamora, and Bianca stand staring at the woman.

TAMORA

How did we go from worrying about Darkness to having a naked woman laying on the couch?

PRUE

My couch.

Tamora shoots Prue a look.

PRUE (CONT’D)

I live here, right?

Tamora shrugs.

SOUND - Voices come from the conservatory room.

The three women head over to the conservatory room.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Junior and Damon are telling Wyatt and Chris what happened.

JUNIOR

Suddenly, we saw people running away from something.

Prue, Tamora and Bianca come in.

DAMON

Then we saw the beast. I used my hyper speed to knock him down.

CHRIS

Which you did.

DAMON

Which I did.

WYATT

When do we get to the part where the beast becomes a naked woman?

DAMON

Right after I hit her.

WYATT

Right. Did she say anything?

JUNIOR

She was totally knocked down.

TAMORA

I’ve texted Eric so he can check up on her since we don’t know if Whitelighter’s powers would work on her.

WYATT

(to Junior)

Can you check her identity?

JUNIOR

I’ll try to run her fingertips. First I need to change.

Junior remembers something.

JUNIOR (CONT’D)

Crap! Melissa. I promised to take her out tonight.

TAMORA

Uh, hello! Darkness on the loose. Naked woman on almighty Prue’s couch!

Prue smiles.

PRUE

(to Junior)

Just try to find out who she is.

SOUND - Front door opening and closing. Someone has arrived.

Soon, Piper, Phoebe, and Melinda walk into the room.

PIPER

Who had the brilliant idea of releasing Darkness?

Everybody turns to look at Prue.

PRUE

In my defense, that was the only solution to bring my daughter back. And he’s not alone. Handreel is with him.

PIPER

It doesn’t mean he won’t find a way to get free.

MELINDA

Mom’s right.

WYATT

We’ll handle him.

They all look at Wyatt. While that Phoebe moves towards the way that separates the conservatory room from the living room and peeks inside.

PHOEBE

Uh, kids?

They all look at Phoebe.

PHOEBE (CONT’D)

What is a naked woman doing on the couch?

CHRIS

That’s a beast!

BIANCA

Chris!

CHRIS

Sorry, honey, but that’s what she was before turning into a woman.

DAMON

Naked woman.

CHRIS

Naked woman.

MELINDA

Do I want to know?

CHRIS

Don’t.

They all stare at one another.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Handreel SPARKLES in bringing Gadreel. They both glance around.

HANDREEL

So this is it?

SOUND - Micaro’s roar.

HANDREEL (CONT’D)

Is that the entity you left taking care of the business?

Gadreel shoots Handreel a look.

GADREEL

Darkness did.

HANDREEL

Does it mean that Gadreel is on control?

Gadreel stares seriously at Handreel.

GADREEL

So far.

SOUND - Micaro’s roar again.

Gadreel turns around.

HANDREEL

What does it mean?

GADREEL

It means that it is close to them.

HANDREEL

What are we waiting for?

Gadreel walks over to where the sound came from. Handreel follows.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW of the city.

CUT TO:

INT. BAY MIRROR - WYATT’S OFFICE - DAY

Melissa is standing next to the window. She’s on the phone.

MELISSA

(on the phone)

No, I totally understand, honey. We’ll have plenty of time. But you say a beast? --- It’s curious. What kind of beast? --- No, sure. I’ll be waiting then. Bye. --- I love you too.

Melissa hangs off the phone. She turns around as someone knocks on the door.

MELISSA (CONT’D)

Come in!

Vera comes in. She brings some documents. Melissa walks over to the desk.

VERA

So, boss ---

Melissa sits and stares at Vera.

MELISSA

I like how that sounds.

VERA

Don’t get used to that. Wyatt will come back before you can say ‘published’.

Melissa shoots her a sarcastic smile.

MELISSA

I don’t plan on taking his place, you know?

Vera takes a deep breath and sits across the desk.

VERA

Anyway. I finished the column for next month.

Vera hands Melissa the documents. Melissa takes them.

MELISSA

Right. Chinese horoscope, right? So, which one is it this year?

Vera shoots her a look.

VERA

Snake. It is Chinese horoscope versus astrology signs.

MELISSA

(has a look on the papers)

Interesting.

VERA

(annoyed)

Will you please make sure Wyatt has a look on it?

MELISSA

Have you emailed him this?

Vera lowers her gaze.

VERA

I have a problem with my computer. The IT is working on it.

MELISSA

(interested)

Really?

Melissa puts the papers down on the desk.

MELISSA (CONT’D)

Does it have something to do with that creepy image you received?

Vera stares astonished at Melissa.

VERA

What?

MELISSA

Yeah, I peeked on it and it called my attention.

Vera stands mad.

VERA

You had no right to peek into my stuff.

Melissa is about to say something, but Vera hasn’t finished.

VERA (CONT’D)

You might be sitting on that chair now, but you’re not more than me here. I don’t allow you to sneak into my things. I trust you stay away from my business, Melissa.

MELISSA

But ---

Vera turns around and leaves the office. Melissa is astonished.

MELISSA (CONT’D)

Crazy woman!

Melissa leans back on the chair and sighs.

CUT TO:

INT. PRESCOTT GROUP - NATE’S OFFICE - DAY

Nate is at his desk. He’s having a drink. Another one. He seems really devastated. He has a sip of it.

OFF TO THE DOOR - Cassandra walks in.

CASSANDRA

Nate?

Cassandra looks at Nate’s state. She stares at him. Then she closes the door behind her and walks over to him.

CASSANDRA (CONT’D)

Nate?

Nate looks at Cassandra and she can see that he isn’t himself anymore. Nate is drunk.

NATE

What, Cass? Are you here to try to convince me that my son isn’t my son?

He sounds drunk.

NATE (CONT’D)

Because I won’t bite that. He’s my son. Prue’s my wife. I don’t care what you say.

CASSANDRA

You smell like alcohol.

Nate leans back on his chair. He raises the glass.

NATE

Right? Why don’t they do alcohol with a better smell, right?

CASSANDRA

Nate ---

NATE

No one is taking my son from me.

CASSANDRA

Nate, damn, listen to me!

Cassandra sounds mad. Nate stares at her.

CASSANDRA (CONT’D)

I need to take you home.

NATE

I don’t want to go home.

CASSANDRA

You’re right. I better take you to magic school.

NATE

Right. MY son is there. I want to be near him.

Cassandra sighs.

CASSANDRA

Come.

Cassandra walks towards him, takes the glass from him, and touches his shoulder.

CASSANDRA (CONT’D)

We better take you somewhere safe before Darkness decides to screw the world again.

NATE

Who?

Cassandra BEAMS out taking him.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Jo, Matt, little Matt, and Christina are there watching as Miraco’s unformed hands hold both baby Tina and baby Matt. The four of them are freaking out.

MATT

What do we do?

JO

I wish I knew.

MATT

We don’t have any powers in here.

JO

I know, Matt.

Micaro roars. The babies seem to be taken away by it.

JO (CONT’D)

(out loud)

Don’t.

ON THE BABIES AND MICARO - In the dark, a pair of eyes can be seen. YELLOW EYES.

And the roar again. Jo walks over to Micaro.

MATT

Jo, what are you doing?

JO

Saving us.

(to Micaro)

Leave them.

CHRISTINA

This is happening because you kept believing.

MATT

Shut up, little Jo.

CHRISTINA

Tina. It's Tina.

MATT

Whatever. Jo?

JO

(to Micaro)

Please. Leave them. You want me. I’m the one who keeps believing.

The babies stop hovering and are put back on the cribs. Micaro roars. Its shadow moves towards Jo. The yellow eyes approach her.

JO (CONT’D)

It’s me. I kept believing. I have hope. Lots of it.

Micaro roars again.

LITTLE MATT

It’s gonna take her.

MATT

Jo, step back.

JO

I can’t let it take the babies. We don’t know what’s gonna happen.

A shapeless hand approaches Jo and grabs her. She feels how it grabs her. Matt, Christina, and little Matt get worried.

LITTLE MATT

Jo?

MATT

(to Micaro)

Leave her!

The yellow eyes approach Jo even more and stare really close to her. Micaro roars really loud.

And then, ---

ON THE YELLOW EYES - They widen.

The shapeless arms stop grabbing Jo.

The others stare at it.

MATT (CONT'D)

What’s happening?

Micaro starts retiring. Micaro roars out loud. Jo turns at Matt, Christina, and little Matt.

JO

What did you do?

MATT

Nothing. We did nothing.

CHRISTINA

He’s just leaving.

LITTLE MATT

But why? How?

The four of them watch as Micaro leaves roaring out loud.

SOUND - Foot steeps.

The four of them glance around and ---

BEAT. They see how Gadreel approaches. Handreel walks behind.

CHRISTINA

Who’s that?

Gadreel approaches them.

GADREEL

It just follows orders.

They all stare at Gadreel.

MATT

Who are you?

Gadreel glances at them.

JO

It’s him.

Gadreel looks at Jo.

JO (CONT’D)

Darkness.

Gadreel and Jo stare at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

FOOTAGE all over the town as the day ends and the moon rises in the sky.

CLOSE UP - Still view at the Golden Gate.

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - NIGHT

Michaela is locked in her bedroom. She paces the room as some knocks on the door are heard.

CHARLOTTE (V.O.)

Michaela, open that damn door or I’ll take it down.

Michaela is nervous.

MICHAELA

Please, leave.

Michaela sighs desperate.

CUT TO:

INT. MAGIC SCHOOL - DORMS’ CORRIDOR - NIGHT

Charlotte and Alex are outside Michaela’s bedroom. Charlotte is mad.

CHARLOTTE

(knocks on the door)

I swear, I’ll knock down this damn door.

(knocks it hard)

Damn, Michaela!

ALEX

She’s not opening.

CHARLOTTE

(turns to him)

That damn girlfriend of yours.

ALEX

She’s not my girlfriend and can you please stop cursing?

CHARLOTTE

Don’t play the angel part with me now, Alex.

ALEX

Don’t get mad on me, okay?

OFF TO CASSANDRA - She comes in.

CASSANDRA

I left Nate in one of the bedrooms. He was too drunk to resist the sleeping potion.

ALEX

Are we using sleeping potions now?

CASSANDRA

He’s too shattered. We don’t need him to get all freaked out now while Darkness is out.

CHARLOTTE

He’s not out, out, you know? He’s ---

(sighs)

I don’t actually know what it means for him to be on that Plane of Nothingness. Have anyone gone to the Secret Library to check on that damn plan?

Cassandra and Alex stare at each other.

ALEX

Ella is on it. She’s also trying to find something about the beast.

CHARLOTTE

Beast?

CASSANDRA

Oh, yeah. Ella and Uncle Leo are trying to find something about some creature Junior and Damon found. Some sort of a beast that turned into a naked woman after being knocked down.

Charlotte stares astonished at them.

CHARLOTTE

You know what? One thing at the time.

Charlotte turns at the door.

CHARLOTTE (CONT’D)

Michaela, I’m serious. Open the door or I swear I’ll knock it down.

Charlotte holds out one of her arms aiming at the door.

ALEX

(to Cassandra)

What is she trying to do?

And ---

BEAT. The door COLLAPSES into dust. This power is called DISINTEGRATION.

ON CHARLOTTE’S EYES - They widen.

Michaela stares at them from within the bedroom.

Alex and Cassandra stare astonished at Charlotte.

CASSANDRA

How did you do that?

Charlotte stares astonished at her hand.

CHARLOTTE

I don’t know. I just felt I had to do it.

(stares at the nonexistent door)

And I did.

Alex and Cassandra glance at each other.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON THE BOOK OF SHADOWS - It is open. Someone is turning pages.

Melinda is sitting and the book is on her lap. She’s turning pages. Damon sits right next to her. Bianca, Chris, and Wyatt are there too.

Phoebe comes from the sitting room.

PHOEBE

The woman is still unconscious. I left Eric and Tam with her.

CHRIS

Well, we won’t know more until she wakes up.

PHOEBE

I’m gonna check on my granddaughters. I can’t leave Piper with them for too long or they’ll freak out with the terrible fairy tales she tells them.

Wyatt and Chris smile. Phoebe walks out of the room.

WYATT

(to Damon)

Anything?

DAMON

(shakes his head)

Nothing.

Chris checks on his cell phone.

CHRIS

Nothing from Magic School either.

DAMON

Well, to be fair, they don’t know how the beast looked like.

MELINDA

I sent them the scratch you draw.

DAMON

Still, it’s not a good one.

CHRIS

Let’s keep looking.

Melinda keeps turning pages.

WYATT

I’m gonna check on Prue.

Chris nods. Wyatt walks out of the room.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

ON PRUE’S FACE - She’s astonished.

PRUE

She is?

Pandora and Prue are there. Pandora has told Prue about baby Andy.

PANDORA

Julia is Andy’s mother.

Prue sighs.

PRUE

I knew it.

Pandora forces a smile.

PRUE (CONT’D)

Does Nate know?

PANDORA

Eric and I tried to talk to him, but he doesn’t care. He only cares about what he believes.

PRUE

That’s normal. Give him time to accept this.

PANDORA

You think he will?

PRUE

He has to.

Wyatt walks in.

WYATT

Hey.

Prue and Pandora stare at Wyatt.

WYATT (CONT’D)

Something wrong?

PRUE

It’s Andy. He is Julia’s son.

Wyatt’s eyes widen.

WYATT

Does she know?

PANDORA

I haven’t told her. I wanted to make sure Nate would allow her to see him.

WYATT

Of course. About Nate ---

Wyatt looks at Prue.

WYATT (CONT’D)

I spoke to Cass and ---

(takes a deep breath)

--- he is miserable. She found him drunk and took him to Magic School. To protect him both from himself and Darkness.

PANDORA

She did well.

Prue lowers her gaze.

PRUE

I destroyed the poor guy’s life.

WYATT

C’mon, Prue.

PRUE

I shouldn’t have told him.

WYATT

Yes, you should. Whether he likes it or not, this is the truth and he doesn’t deserve to be kept in the dark.

PRUE

Well, he is certainly on a dark place now.

PANDORA

He’ll come to accept it.

PRUE

I hope so.

They all stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

Piper is placing crystals inside the cribs. Peri and Patience stare at her seriously.

PERI

Grams, are you sure that’s really necessary?

Piper turns to the twins.

PIPER

What future do you come from? Haven’t you heard about Darkness?

PATIENCE

We have. I mean, in ---

PIPER

(cuts her off)

One of your set of memories. Got it.

Peri and Patience stare at each other. Phoebe comes in.

PHOEBE

Okay, Piper, stop driving the girls crazy.

PERI

Thanks, Aunt Phoebe.

Phoebe shoots Peri a look.

PERI (CONT’D)

Sorry. Grams Phoebe. I really need to erase one of the sets of memories once and for all.

PIPER

I’m not driving the girls crazy.

Phoebe walks over to the cribs, but Piper stops her.

PIPER (CONT’D)

Careful.

Phoebe shoots her a look.

PIPER (CONT’D)

Crystals.

PHOEBE

Piper!

PIPER

Paige’s idea. She was the one who invented the magical alarm, wasn’t she? This will work if Darkness or any other demonic freak tries to get close to them.

PHOEBE

And us too. Remember old times?

PIPER

Oh, c’mon. They ended up working properly.

PHOEBE

By the time Cassandra was born.

Piper shoots her a look.

PERI

You know what?

PATIENCE

The babies are safe and sound with the two of you so we ---

PERI

--- are going.

The twins complete each other’s sentences.

PERI (CONT’D)

See ya.

Peri and Patience turn to leave.

PIPER

It will protect them, Phoebe. Imagine that freaking Jessica coming here.

PHOEBE

Yeah, right. How many times will it be a false alarm?

PIPER

Oh, Phoebe.

Both of them keep arguing.

CUT TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - NIGHT

Michaela is sitting on one of the couches. Charlotte, Cassandra, and Alex stand in front of her. Michaela stares at them with scared eyes.

CHARLOTTE

Well? We are waiting.

MICHAELA

I’m not telling.

CASSANDRA

Did you see what she did to that door?

(to Charlotte)

By the way, what was that?

Charlotte shrugs.

MICHAELA

I won’t say. I fear for my own life.

Michaela stands annoyed.

ALEX

Michaela, our lives depend on that. That person changed everything for us.

MICHAELA

(turns to them)

It’s not that bad for me. I found my dad.

CHARLOTTE

You really don’t care about us.

MICHAELA

Of course, I do.

CHARLOTTE

Really? Because that’s not what it seems.

Michaela sighs.

MICHAELA

You didn’t see the look on his face. He’s scary. He will come for me if I say
something.

CHARLOTTE

We will go for him, Mica. We. The Destined Ones. Remember who we are.

MICHAELA

How could I forget? It’s all about you.

ALEX

Hey, Mica, don’t be unfair.

CASSANDRA

We’ve helped you. A few times, actually.

MICHAELA

Well, one of you will kill me in the future.

CHARLOTTE

That person helped you. Prue won’t kill you.

MICHAELA

I don’t know that. I just know what I saw. Who can assure me that it would be different?

CHARLOTTE

We do. She does. But believe me, if you don’t tell us who’s behind this, then you’ll have to face someone worse than Hazel Eyes.

MICHAELA

Who?

CHARLOTTE

A whole line of Warrens.

(opens her arms)

Are you sure you are enough for us?

CASSANDRA

Besides, Prue herself will do anything to get a peek at your mind.

MICHAELA

She wouldn’t.

CASSANDRA

She will.

ALEX

It’s almighty Prue Halliwell.

Michaela stares from one to another.

CHARLOTTE

Michaela, we are not the enemy, but if you decide to defy us, we won’t have another option but to do the same.

Michaela stares at them as they stare at her seriously. The decision is in her hands and she knows it. She hesitates. Charlotte, Cassandra, and Alex look at her seriously. Hiding the eagerness to know Michaela’s answer. Michaela takes a deep breath.

MICHAELA

You must know that he will do anything to stop you. I saw it in his eyes.

CHARLOTTE

We are sure he will.

MICHAELA

He’s a step ahead.

CHARLOTTE

We are too.

MICHAELA

(sighs)

I’m afraid of him.

ALEX

We won’t let anything happen to you.

Michaela nods.

MICHAELA

I know.

(pauses)

Fine. I’ll reveal his name.

(pauses)

To them. Wyatt and Prue.

Charlotte nods. Both Charlotte and Michaela stare seriously at each other.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Jo and Gadreel stare seriously at each other. Handreel, Matt, little Matt, and Christina stare at them.

HANDREEL

Gadreel ---

Gadreel raises his hand in a sign for Handreel to shut up. Gadreel walks over to Jo. Jo swallows.

JO

What ---

GADREEL

You!

Gadreel gets really close to her.

GADREEL (CONT’D)

You have so much of her inside of you.

HANDREEL

Gadreel, just release them.

GADREEL

I’ve been waiting for so long.

Handreel makes a move towards them, but he stops as some dark wind starts surrounding both Gadreel and Jo.

MATT

(to Handreel)

What’s going on?

HANDREEL

Darkness.

CHRISTINA

Do something.

Handreel is serious.

HANDREEL

I have no powers in this place.

Inside the wind dome, Gadreel and Jo stare at each other seriously.

GADREEL

I can see her inside of you.

Gadreel reaches out his right hand to Jo’s neck, stopping her from breathing normally.
Outside the wind dome, the others start getting desperate as they watch what’s happening.

ON GADREEL’S EYES - They turn black.

GADREEL (CONT’D)

She would give away her light only to save you.

JO

(breathless)

Please.

GADREEL

And I would finally have her as I always wanted to. All those centuries ago.

(smirks)

My perfect match. The perfect vessel.

HANDREEL

Gadreel!

GADREEL

Gadreel is not in control any more. He’s weak.

Jo is getting grey.

GADREEL (CONT’D)

He hadn’t it in him.

HANDREEL

Don’t let it control you, Gadreel.

Jo stares at Gadreel’s eyes. She’s having more and more difficulties in breathing. Jo’s veins start turning black.

JO

(begging)

Please ---

ON GADREEL - He is serious.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Prue and Wyatt walk in followed by Pandora. Chris, Bianca, Melinda, and Damon are still there.

PRUE

I’m gonna try and have a premonition from that woman.

DAMON

Naked woman.

PRUE

Whatever.

Prue heads over to the sitting room as Piper and Phoebe walk in. Before Prue can leave the conservatory room, something makes her stop.

Prue has a strong feeling. She holds her chest.

PHOEBE

(worried)

Prue?

Phoebe rushes to her daughter quickly. At that moment, Wyatt also feels something. He holds his chest.

CHRIS

Wyatt?

Both of them seem to be aching their chests.

PIPER

What’s going on?

PHOEBE

Prue?

Prue and Wyatt look at each other.

PRUE

It’s her.

Wyatt nods.

WYATT

She’s in pain.

CHRIS

Who?

Tamora and Eric come from the sitting room.

PRUE

Our daughter.

Wyatt and Prue stare at each other while others try to help them.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF THE DAY

Gadreel continues grabbing Jo’s throat.

JO

Please.

GADREEL

I will have her.

HANDREEL

Gadreel, please.

MATT

(desperate)

Jo!

HANDREEL

You can take over it.

JO

Please ---

Jo is almost fainting. Gadreel is not willing to let go of her.

HANDREEL

Take over, Gadreel. You can do it.

(pauses)

For her.

JO

For her. Please.

Gadreel is serious. His eyes are still black. Then ---

Suddenly, Gadreel withdraws his hand from Jo’s throat using all his strength.

GADREEL

Argh!

Gadreel falls on his knees on the ground. Jo breaths in and her colors get back to normal. The wind dome disappears.

HANDREEL

Gadreel!

ON GADREEL’S EYES - They turn back to blue.

Handreel approaches Gadreel. Gadreel looks up at Jo.

GADREEL

You must leave. I can’t hold it much longer. You all must leave.

Jo nods.

GADREEL (CONT’D)

Tell her that ---

Gadreel is using all his strength to hold Darkness.

GADREEL (CONT’D)

Tell her it isn’t me. She’ll understand. Tell her.

Jo nods. Then Gadreel WAVES his hand and soon, Jo, Matt, Christina, little Matt, and the babies disappear.

GADREEL (CONT’D)

You must take me back to my prison before he takes control again.

HANDREEL

I’m proud of you.

Handreel holds him by his shoulders and then SPARKLES out taking Gadreel with him.

SOUND - Micaro’s roar.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Prue and Wyatt are sitting next to each other. They seem calmer.

PIPER

Are you feeling okay now?

PRUE

She was in danger. I could feel it.

WYATT

Me too. It was as if all light was taken from me.

PRUE

Yeah.

(stands)

We need to find a way to get to her.

Wyatt stands too.

WYATT

Agree.

TAMORA

How?

PRUE

I don’t know. I just need my daughter.

(looks at Wyatt)

Wy?

WYATT

Let’s find a way.

Wyatt holds Prue’s hand and both are about to leave the room, but ---

JO (V.O.)

Mom?

Prue and Wyatt stop.

JO (V.O. / CONT’D)

Dad?

Prue and Wyatt stare at each other. Then, they turn around slowly and ---

BEAT. Jo stands there staring at them.

ON PRUE’S EYES - They get wet.

PRUE

Jo?

Jo nods and smiles.

WYATT

Honey, is it you?

Jo nods and smiles again. Her eyes get wet.

JO

It’s me.

Prue and Wyatt smile big. Both of them rush towards Jo and hug her tightly. She hugs them back.

JO (CONT’D)

I’m back. Mom, dad. I’m back.

Piper, Phoebe, Chris, Bianca, Melinda, Damon, Tamora, and Eric stare at the three of them.

PRUE

You’re here.

WYATT

You are back to us.

The three of them stare at each other.

JO

(to Wyatt)

Dad, you remember me. You remember me.

WYATT

I’m sorry, I didn’t before, honey.

Jo smiles.

PRUE

And I’m sorry too, my Tina.

JO

(caresses Prue’s face)

Oh, mom.

SOUND - A high-pitched noise.

They all glance around.

PIPER

That’s the alarm.

PRUE

The twins!

JO

The twins? How ---

Prue and Wyatt rush out of the room. Jo follows them. The others follow too.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

ON PERI AND PATIENCE’S FACES - They seem astonished.

PERI

Are you ---?

PATIENCE

Yup, I am.

Peri and Patience stand at the entrance of the bedroom. Soon, Wyatt and Prue rush in. They stop as they see what’s made the twin seem so astonished.

BEAT. Baby Peri and baby Patience are laying on the bed. Right next to them, sitting, is one-year-old Tina smiling at her younger sisters.

Jo rushes in as well and stops as she sees her younger self next to her sisters.

PRUE

Tina?

Baby Tina glances at her parents and smiles.

WYATT

Oh, my God.

Prue and Wyatt rush to the bed. Prue grabs her. Wyatt hugs both his wife and baby Tina.

JO

He let us all out.

Peri and Patience glance at Jo who stands between them.

PATIENCE

Hi, sis.

Jo glances at her right side and her eyes widen when she sees Patience there.

PERI

Glad to have you back.

Jo glances at her left and sees Peri there. Both twins smile.

PRUE

(to Tina)

Oh, you are so big. So, so big.

JO

Mom, dad?

Prue and Wyatt turn to Jo.

JO (CONT’D)

(to Prue)

He asked me to tell you something.

Prue swallows.

JO (CONT’D)

He said you’ll understand.

Prue gets serious.

JO (CONT’D)

He said that it isn’t him.

PRUE

What?

JO

It isn’t him.

WYATT

What does that mean?

Prue swallows.

PRUE

Gadreel is not the one using Darkness to scare me.

Wyatt holds baby Tina in his arms.

OFF TO CHARLOTTE - She BEAMS in bringing Michaela.

They all look at Charlotte and Michaela.

CHARLOTTE

(to Michaela)

Tell them.

MICHAELA

I know who’s behind this.

They all are serious.

ON MICHAELA - She is serious.

MICHAELA (CONT’D)

It’s Jared. Jessica’s brother. Jared.

ON PRUE AND WYATT - They are serious. Baby Tina smiles as her parents are serious.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

FOOTAGE of the city at the sound of ‘Angels’ by Robbie Williams.

CUT TO:

INT. SOMEWHERE OUTSIDE OF TIME AND SPACE – GADREEL CAGE - UNKNOWN TIME OF DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

In the white cell, Gadreel is sitting on the edge of the bed. His elbows rest on his legs. His eyes are blueish than ever. His thoughts are far away from there.

Handreel stands outside the bars staring seriously at him. He smiles and nods. Then he turns around and walks away. The bars disappear and the wall appears.

Gadreel lays down on the bed staring at the ‘ceiling’. His hands, behind his head. His thoughts, still away from there.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - NIGHT

Jared is on his knees on the ground. Omega stands right next to him.

MUSIC FADES OFF.

OMEGA

Accept it. You’ve lost.

Jared shakes his head.

OMEGA (CONT’D)

You cannot beat the Power of Nine. So, give up and join us.

JARED

(out loud)

NO! Never!

Omega stares at him, then, he FADES out. Jared looks up and shouts out loud. His face turns red with rage.

THE CAMERA MOVES AWAY and it ---

CUT TO BLACK.

END OF THE EPISODE