5x11 - Magical Trip Down Memory Lane

[Prue Brianna Johnna Halliwell]

DESTINED

'MAGICAL TRIP DOWN MEMORY LANE'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town.

The streets are deserted. Only a few cars can be seen.

CUT TO:

INT. DAMON’S APARTMENT - BEDROOM - NIGHT

Jo is lying on the bed in her back.

ON JO’S FACE - A tear runs down her face.

OFF TO THE DOOR - Melinda comes in holding a cup of tea. She approaches the bed.

MELINDA

I brought you this.

Jo looks at her and wipes off the tear. Then she gets into a sitting position. Melinda hands her the cup of tea.

JO

Thank you, Aunt Mel.

MELINDA

Drink it.

Jo has a sip of the tea.

MELINDA (CONT'D)

It would make you feel better.

JO

Thank you for letting me crash in here for this past few days.

MELINDA

I don’t think it’s a good idea for you and Prue to meet.

JO

You should have told me before what was happening to her.

MELINDA

We didn’t want to upset you.

JO

I know. It's ironic how hard I tried to push her before and now she is the one pushing me back.

(looks at Melinda)

I mean back in my time. I kept denying myself that she was my mother and now ---

MELINDA

We are gonna get her back.

Jo feels sad.

JO

I’m so sorry Chris and Damon have to sleep in the living room.

MELINDA

Don’t worry about that. We should get some sleep too. We need all the strength we can get to fight this.

A tear runs down Jo's face.

JO

I’m lost. My mother doesn’t remember me. My father either. I’m lost.

Melinda touches Jo’s face softly.

MELINDA

I might not remember you, but I know in my heart that you are my niece. I’m not gonna lose you.

Jo smiles.

MELINDA (CONT'D)

I’m your godmother, remember?

Jo puts the cup on the bedside table and hugs Melinda.

MELINDA (CONT'D)

I’m not letting you go anywhere.

ON MELINDA - She is serious.

MELINDA (CONT'D)

Never.

Melinda tries to believe her own words.

CUT TO:

INT. PRUE’S CONDO - BEDROOM - NIGHT

Just the lamps are on. Prue and Nate are on the bed, kissing. Their kisses are intense and passionate.

NATE

I love you so much, honey.

PRUE

I love you too.

Nate starts pulling Prue’s nightgown out, when ---

BEAT. She pulls back and covers her mouth. Nate looks astonished at her.

NATE

Again?

PRUE

I’m sorry.

Prue jumps out of the bed quickly and heads into the bathroom.

SOUND - Prue vomiting.

NATE

Crap.

Nate looks at the crib where Andrew sleeps peacefully.

NATE (CONT'D)

Mummy wasn’t this sick when she you were in her belly.

OFF TO PRUE - She comes from the bathroom.

Nate looks at her.

NATE (CONT'D)

Feeling better, honey?

PRUE

(shakes her head)

No.

She sits on the edge of the bed.

PRUE (CONT'D)

I think our babies don't want mummy and daddy to make love.

Nate caresses her arms.

PRUE (CONT'D)

I’m sorry, Nate. I think I can’t. Again, I can’t.

NATE

It’s okay. We can lay here together.

Both lay on the bed. Prue rests her head on Nate’s chest. Nate sighs.

The image turns watery as it ---

CUT TO:

INT. JARED’S APARTMENT - ROOM - NIGHT

ON WATER PIT - Prue resting her head in Nate’s chest can be seen.

Jared is by the Water Pit. He smiles.

JARED

Now things will roll as I planned. I just need a nephew or niece with Warren blood.

ON JARED - He smiles big.

CUT TO BLACK

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell / Uzriel / Cyrus / Marcus / William

Drew Fuller as Chris Halliwell / Zephyros

Sophia Bush as Prue B. J. Halliwell / Adriel / Korinna / Camilla / Isabelle

Blake Lively as Melinda Halliwell / Lysandra

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Matt Bomer as Damon

Marisol Nichols as Bianca

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Robbie Kay as Alex

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Stephen Amell as Johnathan

Dove Cameron as Michaela

Erica Durance as Alyssa

Kaya Scodelario as Loreto / Angel of Death

Michael Raymond-James as William Landon

Caitlin Gerard as Sabine Gordon

Max von Essen as Stephen Mayer

Betsy Baker as Suzette Blade

Christopher Stanley as Craig Morrison

Tracy Spiridakos as Julia

Unknown baby as Andrew

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the town at the sound of ‘Never Realy Over’ by Katy Perry.
A new day has started in San Francisco.

CUT TO:

EXT. PRUE’S CONDO - DAY

A few cars are driven in front of the building.

CUT TO:

INT. PRUE’S CONDO - BEDROOM - DAY

Bianca stands outside the bathroom.

SOUND - The flush toilet.

Seconds later, Prue comes out of the bathroom. She seems sick.

PRUE

Morning sickness. I’m tired.

Bianca walks towards her and helps her to sit on the bed.

BIANCA

Prue, we need to talk.

Prue looks up her.

PRUE

What is it?

Bianca sighs.

BIANCA

Jo.

Prue rolls her eyes.

PRUE

C’mon, B, I’m not hiring her back.

BIANCA

I think is very unfair, but that’s not what I want to talk about.

PRUE

Then?

Bianca sits beside her.

BIANCA

Who is Jo, Prue?

Prue looks at her, seriously.

PRUE

(cold)

An ex-employee.

Bianca sighs.

BIANCA

What else?

PRUE

Well, a person I don’t trust.

BIANCA

Why?

PRUE

I ---

Prue can’t say.

PRUE (CONT'D)

I don’t know. I just don’t trust her.

BIANCA

Have you thought that she could be your daughter from the future?

Prue stares seriously at Bianca for a few seconds then she burst into laughter. Bianca is astonished.

PRUE

My daughter?

Prue can’t stop laughing.

BIANCA

It could be possible.

PRUE

First, ---

Prue tries to calm down.

PRUE (CONT'D)

--- I have a son, not a daughter. Second, she’s blond so she cannot be one of the babies I’m expecting.

BIANCA

How do you know? Have you seen the twins’ faces?

Prue gets serious.

PRUE

I ---

(sighs)

I might have dreamt with them.

Bianca stands.

BIANCA

I think you really made a mistake pushing her back.

Prue rolls her eyes.

BIANCA (CONT'D)

As P3 manager, I suggest that we keep her until we find someone to replace her.

Prue looks seriously at Bianca. Then she rolls her eyes.

PRUE

Fine. But find someone really fast.

BIANCA

(smiles)

Thanks. Now, I’m going to work. Would you be okay alone?

Prue looks at the crib where Andrew sleeps.

PRUE

I’m not alone.

She looks at Bianca and smiles.

PRUE (CONT'D)

I’ll be better in a while, then I’ll take Andrew to Magic School. I think I might have plans for tonight.

BIANCA

What plans?

Prue stands and smirks.

PRUE

Don’t be noisy.

Prue walks past Bianca and heads towards the crib. She smiles as she glances at Andrew. Bianca sighs. Then she SHIMMERS out.

ON PRUE - She smiles big at the baby.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

ON MIRROR - It reflects the image of a 10 weeks pregnant woman.

Jessica stands before the mirror and smiles.

OFF TO WYATT - He comes from the bedroom and stares at her.

Jessica sees him through the mirror. She smiles and turns around to him.

JESSICA

What a difference from last week, huh?

Wyatt forces a smile. He goes to the bed and takes his jacket. He puts him on.

JESSICA (CONT'D)

Why don’t you take the day off? We could stay in bed all day.

She walks towards him and kisses him softly on the lips.

JESSICA (CONT'D)

I miss you.

WYATT

You are pregnant already, Jess.

JESSICA

It doesn’t mean we can’t have sex.

Wyatt looks at her.

WYATT

I need to work.

Jessica gets serious.

JESSICA

And I need my husband. I want you, Wyatt.

Wyatt lowers his gaze.

WYATT

I know I’ve failed you for the past weeks.

She approaches him and starts kissing his neck.

JESSICA

Stay.

Wyatt closes his eyes and pushes her back. She grimaces. He holds her face between her hands.

WYATT

I promise I’ll be home early and we can have one of those dates we used to.

JESSICA

Promise?

Wyatt nods. Jessica smiles big.

JESSICA (CONT'D)

You owe me that.

(sexual)

One last kiss.

Wyatt nods. She approaches him and kisses him passionately.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - JUNIOR’S BEDROOM - DAY

ON JUNIOR - He is astonished.

JUNIOR

So, it’s true?

In front of him, his mother Paige stands. She nods.

PAIGE

That’s who you are. A Warren descendant.

JUNIOR

And I knew it all this time, I just didn’t remember.

PAIGE

Was Jo who told you?

Junior nods.

JUNIOR

I asked her if my other me knew where I came from.

PAIGE

You are a Warren, son.

JUNIOR

God.

Junior sits on the edge of the bed and covers his face with his hands.

PAIGE

I wished we could have our memories back.

Junior looks at her.

JUNIOR

Me too. Because finding out things twice ---

SOUND - Bells.

They look up.

PAIGE

It’s me. Your Aunts are calling me.

JUNIOR

Are we any closer to getting back to normal?

PAIGE

We don’t even remember what’s normal.

Paige walks towards his son as kisses his forehead.

PAIGE (CONT'D)

Take care, honey.

Paige ORBS out. Junior stands and goes towards one of the bedside tables. He dials a number.

JUNIOR

Hey. Are you still mad at me?

(listens)

I know more about my mother. My biological mother. I need you.

He lowers down his gaze.

CUT TO:

EXT. WHITMORE MANOR - DAY

STOCK.

CUT TO:

INT. WHITMORE MANOR - MAIN BEDROOM - DAY

ON MIRROR - Sebastian’s reflection can be seen there. He is fixing his tie.

OFF TO TAMORA - She comes from the bathroom. She is wearing normal clothes.

TAMORA

You spent all night Up There and now you’re going to work?

Sebastian turns to her and goes to kiss her forehead.

SEBASTIAN

I’m not tired.

TAMORA

I know you don’t get tired. I was hoping you stayed at home and invite me to stay with you.

Sebastian laughs.

TAMORA (CONT'D)

Don’t make fun of me.

SEBASTIAN

I’m not.

Sebastian gets serious.

SEBASTIAN (CONT'D)

Honey, we are running out of time.

Tamora sighs.

TAMORA

I know.

SEBASTIAN

Besides, I’m just going to organize something at the company and then I’ll head Up There again.

TAMORA

Again? Sebs, you said they know nothing.

SEBASTIAN

It’s true. The Elders are not feeling any new power around.

TAMORA

Well, we know there’s something around.

SEBASTIAN

That’s why I must return there. They have doubts that this is not just a random demon who’s messing with Prue’s memories. And about Jo ---

TAMORA

What about her?

Sebastian takes a deep breath.

SEBASTIAN

They have no registers of her. They doubt she’s a real whitelighter.

TAMORA

Of course, they don’t have registers of her. She comes from the future and besides, she doesn’t exist in this reality.

SEBASTIAN

That’s what I’ve told them. Paige also did, but they don’t trust.

TAMORA

The Elders are good for nothing.

SEBASTIAN

Don’t say that.

Tamora shoots him a look.

SEBASTIAN (CONT'D)

Whoever did this, did a good job. So good that it made it hard for the Elders to believe.

TAMORA

We are alone in this. The Elders won’t help us. I know that.

SEBASTIAN

Don’t say that. I’ll talk to Fiona; she might be the only one to think there’s some truth to it.

TAMORA

Fine. I’ll be at the Museum; I don’t think I can keep watching Michaela coming up from her visions screaming.

SEBASTIAN

Still the hoovering face?

Tamora nods. Sebastian walks towards her and kisses her softly.

TAMORA

Call me if you find anything.

Sebastian nods.

SEBASTIAN

You too. I’m not taking the car.

Tamora nods. Sebastian ORBS out. Tamora sighs and turns around.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

ON MICHAELA’S FACE - Her eyes are closed. Suddenly, they get widen.

Michaela gets into a sitting position and screams.

Alex runs towards her quickly. Cassandra and Charlotte stand close to them.

CASSANDRA

Again.

Alex looks at Cassandra and Charlotte.

ALEX

Why is this happening?

Michaela seems shaken and tired.

ALEX (CONT'D)

Visions or normal dreams. Why is it happening?

CHARLOTTE

We don’t know, Alex.

CASSANDRA

The only explanation is that the hoovering face belongs to the one who changed our reality and found out what she’s doing.

Michaela seems really tired. She has big dark circles above her eyes.

MICHAELA

I need to sleep.

She’s desperate.

MICHAELA (CONT'D)

Please, do something. I need some sleep.

Cassandra and Charlotte exchange glances.

CASSANDRA

Isn’t there a potion or something we can give her?

CHARLOTTE

We’ve tried every potion Melinda knows to put someone to sleep. We even found a free of dreams potion, but nothing worked.

OFF TO PRUE - She BEAMS with the baby stroller. Andrew is asleep in the stroller.

PRUE

Hey!

Prue smiles at them. They all look at Prue.

CHARLOTTE

Prue? What are you doing here?

PRUE

I need someone to take care of baby Andy. I’m preparing a special dinner for Nate and well, ---

(smiles)

--- I need to be alone with him.

Cassandra and Charlotte exchange glances.

CHARLOTTE

I can take care of him, of course.

Prue smiles. She looks at Michaela and notices her state. Then she looks at her sisters.

PRUE

What’s wrong with her?

Michaela stands and walks towards Prue. She holds Prue by her arms.

MICHAELA

Make it stop. Please, make it stop.

Prue looks astonished at Michaela.

PRUE

What?

MICHAELA

You can make it stop. You are powerful. Make it stop.

Alex and Charlotte walk towards them and pull Michaela back.

CHARLOTTE

We need to take her to her bedroom.

Cassandra takes the stroller from Prue.

CASSANDRA

We take care of Andrew.

PRUE

What’s wrong with this girl?

CHARLOTTE

Alex?

ALEX

Come, Michaela. Let’s take you to your bedroom.

MICHAELA

I need it to stop.

Michaela starts crying. Alex helps her out of there. Prue looks at her sisters.

PRUE

What the hell is going on?

Cassandra and Charlotte exchange glances.

CHARLOTTE

She’s just traumatized. She can’t control her visions.

PRUE

I thought I had helped her.

CHARLOTTE

You did, but it got worse.

PRUE

Do you want me to ---?

CHARLOTTE

No. It’s okay. We’ll take care of it. Go do what you have to.

PRUE

If you need anything ---

CHARLOTTE

We’ll call you.

Prue walks towards the stroller. She lowers down and kisses baby Andrew softly. Then she looks at them and hands them the baby bag.

PRUE

See ya!

Charlotte and Cassandra smile. Prue BEAMS out. Cassandra turns to Charlotte.

CASSANDRA

Have you realized what she said?

Charlotte looks at Cassandra.

CASSANDRA (CONT'D)

She’s preparing a dinner date with Nate. A dinner date. Anything can happen on a dinner date. Mostly, sex.

CHARLOTTE

Crap.

CASSANDRA

Yes. She’ll be betraying Wyatt without even knowing.

CHARLOTTE

How do we know that it hasn’t happened yet?

CASSANDRA

Bianca has kept an eye on them.

CHARLOTTE

Gross.

CASSANDRA

Yeah, well. Better than having a regretful Prue.

CHARLOTTE

I’m calling Chris.

Cassandra nods. Charlotte walks out. Cassandra looks at Andrew.

ON BABY ANDREW - He is sleeping.

CASSANDRA

I know you are not my nephew, but you are so cute.

Cassandra takes the stroller out of there.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES - DAY

People going into the building.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - MAIN ROOM - DAY

Pandora is concentrated on searching for something on her computer. Her boss, Mr. Landon, comes and approaches her from behind.

WILLIAM

Mrs. Mitchell?

Pandora turns her chair around and looks up at him. She stands.

PANDORA

Mr. Landon?

WILLIAM

I was hoping you could clarify something for me.

Pandora nods.

WILLIAM (CONT'D)

I received an email from this institution.

PANDORA

What institution?

WILLIAM

An orphanage.

Pandora swallows.

WILLIAM (CONT'D)

Why are you looking for missing babies?

PANDORA

I ---

WILLIAM

Don’t tell me it’s one of the cases.

PANDORA

I have a good explanation for that.

WILLIAM

I’m listening?

Pandora glances around. Then she turns to William.

PANDORA

It’s a personal favor.

WILLIAM

To whom?

PANDORA

A friend of mine. She’s looking for her babies.

WILLIAM

If she left the babies in an orphanage ---

PANDORA

It’ll be difficult to get them back. I know.

WILLIAM

Then why are you looking?

PANDORA

She’s a good friend of mine.

WILLIAM

Forget about that, Pandora.

Pandora swallows. William glances at some files on Pandora’s desk.

WILLIAM (CONT'D)

What about that open case?

Pandora glances at one of the files on her desk.

PANDORA

I’m working on that, Mr. Landon. She was told the baby was born dead. But she doesn't know the cause.

William sighs.

PANDORA (CONT'D)

But I have an interview a the Memorial. Maybe I find something. They should have the childbirth reports.

WILLIAM

And the father?

PANDORA

She asked us to not contact the father.

WILLIAM

Well, I believe you take care of that and forget what has no solution.

PANDORA

Yes, Mr. Landon.

William turns around and leaves. Pandora sits back and sighs.

PANDORA (CONT'D)

There goes my hope of finding babies Jo and Matt.

She turns to her computer and glances at the file before her.

PANDORA (CONT'D)

And then, there’s a woman who's baby is dead and buried and believes someone lied to her.

Pandora rolls her eyes.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

The room is empty. The door opens and Melissa and Nate come in. They carry some files and land them on the table.

MELISSA

We need to get over this and fast.

NATE

Why?

MELISSA

I have this thing to take care of. How’s Prue?

Nate sits on one of the chairs by the oval table and Melissa sits across from him.

NATE

Well, this pregnancy is messing with her system. First, she seemed oblivious, now that things went back to normal and she became the Prue I knew, everything that goes into her mouth, comes out.

Melissa grimaces.

MELISSA

Poor Prue. Well, ---

(smiles)

--- At least you two are better now. I heard that things were complicated.

NATE

Yeah. For the first time since we met, I felt that we were over.

Melissa smiles.

MELISSA

Do you really think you and Prue are made for each other?

NATE

Why wouldn’t we? She loves me. I love her. Three children.

MELISSA

Well, if you are so sure.

NATE

I’m not the only one in love, so I heard.

Melissa’s eyes widen.

MELISSA

Well, yes. Well, you don’t know the full story. Even I don’t know.

NATE

What do you mean?

Melissa sighs.

MELISSA

Forget it. It’s complicated.

Melissa looks at her wristwatch.

MELISSA (CONT'D)

Wyatt and Mr. Hale should be here already.

NATE

And also Mrs. Sabine Gordon.

(pauses)

And her lawyer.

MELISSA

Craig Morrison should be here too.

NATE

It’s weird that no one has found him.

MELISSA

Yeah, it seems like it disappeared from the face of Earth.

Both of them look at each other.

CUT TO:

EXT. RESIDENTIAL AREA - STREET - DAY

Junior pulls his car over. Seconds later, Junior and Phoebe come from it.

PHOEBE

Thank you again for coming here with me.

JUNIOR

What I don’t understand, Aunt Phoebe, it's why are we worrying about this if we are trying to get back to our real lives.

Phoebe walks towards Junior and stares at him.

PHOEBE

Because life keeps moving. We don’t know what we would find. When Cole changed reality, your mother was the only one who remembered it. When she went back, time had passed. So, we guess it would happen the same. We won’t get back to the moment we were on when this happened.

JUNIOR

Are we sure of that?

PHOEBE

Are we sure of anything at this point?

Junior shakes his head.

PHOEBE (CONT'D)

Then, let’s find Craig.

JUNIOR

Are you sure he is here?

Phoebe takes a piece of old paper from her bag.

PHOEBE

This place is where I saw him in my vision.

She glances around.

PHOEBE (CONT'D)

Somewhere in here.

(turns to Junior)

This was his last report.

JUNIOR

And you felt him using this piece of old paper?

PHOEBE

Things have energy, sweetie.

(smiles)

I know what you are going through and maybe this has no sense for you, but life goes on.

JUNIOR

Well, now I know I’m a true Warren, so, ---

PHOEBE

You always were. Even if you were not blood-related to us, you always were a true Warren.

Junior smiles.

PHOEBE (CONT'D)

I’m sorry, I stopped you from using your girlfriend’s shoulder, but this is important too.

JUNIOR

Melissa isn’t ---

Phoebe shoots him a look.

JUNIOR (CONT'D)

Fine. She is.

Phoebe smiles.

PHOEBE

Let’s find Craig Morrison.

Junior nods. Both walk down the street.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON A SUITCASE - It’s next to the kitchen table.

CHRIS (O.S.)

It can’t.

The camera moves from the suitcase to Chris who’s on his back to the kitchen door. He’s on the phone.

CHRIS (CONT'D)

(on the phone)

If I know her, she’ll regret it more than anything.

CHARLOTTE (O.S.)

(on the phone)

So, what do you suggest we do? Tell her, ‘hey, sis, sorry, but you can’t have sex with your husband because he’s not your husband’.? She’d think we’re mad.

(sighs)

And sometimes I wonder if we are not.

CHRIS

(on the phone)

Despite all, I believe we are not, Charlie.

(sighs)

She can’t have sex with him.

OFF TO THE ENTRANCE - Ella comes and listens to what he says.

CHRIS (CONT'D)

(on the phone)

I’ll handle that. Bye.

Chris hangs off the phone and turns around. He stands frozen as he sees Ella there.

ELLA

Who can’t have sex with who?

Chris swallows.

ELLA (CONT'D)

Is this related to the explanations you wish you want to give, but you can’t.

CHRIS

Yes?

Ella rolls her eyes. She heads to the coffee machine and pours herself some coffee. Then she turns to Chris.

ELLA

I promised I wouldn’t insist on that, Chris, but if there’s something that I should know, you should tell me.

CHRIS

I know.

ELLA

If there’s something that helps me to make peace with the fact that you just trade me for another woman.

CHRIS

I didn’t trade you. You are not an object.

Ella has a sip of her coffee.

CHRIS (CONT'D)

I need you to understand that we are not meant to be.

ELLA

You are wrong.

Ella looks at the suitcase.

ELLA (CONT'D)

It should be me.

Chris glances at the suitcase and then at her.

CHRIS

You left your New Orleans plans for me. I know you have nowhere to stay here.

ELLA

I have friends here.

(smiles sarcastically)

For the past few days, I was wondering if it wasn’t better if you hadn’t stopped me from going to New Orleans all those years ago. I would have my shop there by now. I wouldn’t have married you. You probably would have a life with that girl, Andrea. She was into you and you never gave her a chance because of me.

Chris lowers his glance.

ELLA (CONT'D)

Maybe she wasn’t supposed to be either.

Ella puts the cup on the counter. Chris looks at her.

ELLA (CONT'D)

Maybe we were on the wrong place, at the wrong time.

CHRIS

We were happy. I know that, but it wasn’t real.

ELLA

(smiles sarcastically)

It was for me. You might forget that or pretend it wasn’t. But it was.

(sighs)

Anyway, I have a shop to run and I’m running late.

CHRIS

Would you ---

ELLA

No. I can drive. I need to get used to the lack of orbing in my life.

Ella walks past Chris, but before leaving, she glances at him over the shoulder.

ELLA (CONT'D)

I’ll leave the house by the end of the month. It was good we never got that place we were looking for.

She leaves the kitchen. Chris takes a deep breath. He glances at the suitcase and then he takes it. He walks out through the back door.

CUT TO:

EXT. HALLIWELL MANOR - BACK YARD - DAY

Chris comes from inside the house rolling the suitcase. He stops as he sees someone standing in front of him.

ON WOMAN - Only her back can be seen. She has long and brown hair and wears a long pink grow.

Chris is serious.

CHRIS

Who are you?

ON ALYSSA - She smiles.

ALYSSA

Someone that can help you.

Chris and Alyssa stare at each other; Chris is serious while Alyssa keeps her friendly smile on her face.

CUT TO:

INT. JARED’S APARTMENT - LIVING ROOM - DAY

ON JESSICA’S BELLY - The shirt is pulled up.

Jessica smiles big. Jared stands before her. He is serious.

JARED

That’s to win time?

Jessica pulls the shirt down. Jessica smiles.

JESSICA

I’ll get pregnant in the next few weeks. I promise. Now that Prue has forgotten everything.

JARED

Don’t relax.

JESSICA

I won’t. But now, Wyatt will have to go back to me. He promised me a date tonight. I’ll get him to bed no matter how much he pushes me back.

JARED

You’d better, sis. Now, this Michaela.

Jessica sits on the couch.

JESSICA

Are you sure she can be a problem?

Jared nods.

JARED

I’ve kept her apart for the past days, but I can’t keep doing that forever. You should try to get into Magic School and put an end on her.

JESSICA

Are you kidding me, right? You know I can’t get in. Luckily I was always able to escape from that.

JARED

Find a way.

Jessica stands.

JESSICA

How?

JARED

Didn’t you find a way to make your belly grow?

Jessica rolls her eyes.

JARED (CONT'D)

Then find a way to enter Magic School and finish Michaela.

JESSICA

Why do I always get the hard part?

JARED

(mad)

The hard part? Jess, I changed reality because of you.

JESSICA

No, dear brother. You did it because of your own. You’re just using me to get you an heir.

JARED

And in the meantime, you get what you always wanted.

Jared approaches her and both stare at each other in the eyes.

JARED (CONT'D)

You never had the balls to approach him in the first place. You were always in the back. I gave you the life you didn’t dare to make for yourself.

Jessica stares at him madly.

JESSICA

What did you want me to do? My twin brother, who was supposed to be next to me. To be my strength. The one who always took care of me left me for years.

JARED

I was running away.

JESSICA

(smirks sarcastically)

You thought on your own good. You never thought what I would feel without you. We were always a team and you left me.

Jared’s expression hardens.

JARED

I came back stronger.

They stare seriously at each other. He caresses her face softly.

JARED (CONT'D)

I missed you so much all those years, baby sis. My only goal was to come back to you.

(smiles)

It doesn’t matter my motto. I’m doing this for you.

Jared hugs her.

JARED (CONT'D)

We have an unbroken connection, sis.

Jessica hugs him back.

JARED (CONT'D)

Now ---

He pulls back and smiles at her.

JARED (CONT'D)

--- It would be easier for you to get into Magic School. I’m an Avatar.

JESSICA

Avatars have been in Magic School before.

JARED

That was then. The protection around the school is stronger now.

Jessica rolls her eyes.

JARED (CONT'D)

Find a way.

Both stare at each other seriously.

CUT TO:

EXT. CUPID’S TEMPLE - DAY

The temple is hovering over the Mediterranean Sea.

CUT TO:

INT. CUPID’S TEMPLE - MAIN SQUARE / CORRIDORS - DAY

Chris stands next to the fountain. He glances around. He seems amazed.

CHRIS

This looks ---

Alyssa stands nearby. She smiles.

ALYSSA

Lovely?

Chris turns to her.

CHRIS

Sorry, I was never in a place like this.

ALYSSA

Are you sure about that? Because I’m not anymore.

Chris gets serious.

CHRIS

I believe we never met.

ALYSSA

Again. Not that we have a memory of.

CHRIS

What do you mean?

ALYSSA

Our memories. They belong to an invented reality.

Chris is amazed at her affirmation.

ALYSSA (CONT'D)

Or at least, we believe we might be.

CHRIS

We?

ALYSSA

Well, apart from your whole family, I mean Cupid and me.

CHRIS

Cupid? Is he real?

Alyssa rolls her eyes.

ALYSSA

Three of your cousins are half cupids. Don’t tell me they never told you about what happens here.

CHRIS

To be honest, they don’t share too much.

ALYSSA

Well, it doesn’t matter now.

CHRIS

Right. You said you can help me.

Alyssa nods.

ALYSSA

Walk with me.

Chris nods. They walk.

ALYSSA (CONT'D)

You know our work is to match people who are supposed to fall in love, whether their love is for life or for some time. Some people just need to learn something from others.

(smiles)

That’s why few people stay with the same person forever while others date a lot and a few others love only once in a lifetime.

CHRIS

I understand that.

Alyssa smiles.

ALYSSA

Good. There’re also times where we do nothing to match a couple. Sometimes they are so meant to be that we don’t see the need to intervene.

Alyssa stops and stares at the view.

ALYSSA’S POV - It can be seen the bandstand surrounded by a green garden and by the line of the horizon, can be seen the Mediterranean Sea.

Chris looks at Alyssa.

ALYSSA (CONT'D)

That was Wyatt and Prue’s case.

Chris frowns. Alyssa looks at him.

ALYSSA (CONT'D)

Their souls never needed help to find each other. It might be due to the fact of their first lives came from heavenly places or because of a strong promise made a long time ago. Truth is that their souls are maybe the most perfect combination I’ve ever seen.

(pauses)

We never had to intervene in their lives. They always found each other.

(pauses)

Always but now.

CHRIS

They should be together.

ALYSSA

But they are not. Something happened that changed the path their souls were tracing. Something as ---

CHRIS

Someone changing reality.

ALYSSA

One of the possibilities, yes. Prue came here a few weeks ago and she said some things that made no sense for us until a few days ago. As if she had some memories we didn’t.

CHRIS

Memories from another life.

Alyssa smiles.

ALYSSA

If Prue is right and we are experiencing a fake reality, then we must fix it.

CHRIS

How? The only different memories I have come from a different reality that never really came to happen. And now, even Prue has forgotten the memories she said were
reals.

ALYSSA

She must remember again. You all must remember.

CHRIS

How do we do that?

Alyssa motions for them to keep walking.

ALYSSA

As I said, Wyatt and Prue are the most perfect match I’ve ever seen. The key for you all to get your memories and fix this mess lies within them.

Chris stops.

CHRIS

Wyatt must remember.

Alyssa turns to Chris and smiles.

ALYSSA

He needs to believe so he can make her remember.

CHRIS

But why couldn’t Prue make herself remember?

ALYSSA

Because he didn’t believe.

CHRIS

What if she would believe it now?

ALYSSA

She just forgot. The belief is within her.

Chris gets thoughtful. Then he looks at Alyssa.

CHRIS

I’m game. What do I need to do?

ALYSSA

(smiles)

Get him here and show him his past.

Alyssa takes the cupid ring from her finger.

ON ALYSSA PULLING HER RING OFF OF HER INDEX FINGER.

She hands it to Chris.

ALYSSA (CONT'D)

This will give you access in and out of this temple and its rooms, especially the Revelations’ Room.

Chris takes the ring. He looks seriously at Alyssa and nods.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

ON BIANCA AND JO - They’re hugging.

Melinda smiles as she looks at them. Bianca and Jo pull back from each other. While Bianca carries a smile on her face, Jo is serious.

BIANCA

I told you I would get you back in here.

Melinda approaches Jo and squeezes her right arm.

MELINDA

Thank you, Bianca. She needed something to cheer her up.

JO

Do you guys think I’m cheered up?

Bianca and Melinda get serious.

JO (CONT'D)

My mother doesn’t remember me.

MELINDA

We are gonna fix it, I told you.

JO

(mad)

How?!

Bianca and Melinda l at each other.

JO (CONT'D)

You don’t even remember! No one does.

BIANCA

You do.

Jo glances at them.

JO

I will fade from existence if this isn’t fixed and we aren’t any closer to it.

MELINDA

You need to have a more positive mind.

JO

I grew up in a bad world. How positive do you think my mind could be?

Jo gets irritated.

JO (CONT'D)

I didn’t have a mother or a father. None of them were there. I know now that she did what she could to protect me, but still, she wasn’t there. And now ---

A tear starts running down her face.

JO (CONT'D)

(wipes out the tear)

History is repeating, but this time I won’t be able to fix it.

MELINDA

How did you fix it last time?

Jo turns to Melinda.

JO

I died. Almost, I don’t know. My sisters and I joined forces. They attacked me and that brought mum and dad back.

Melinda and Bianca exchange glances.

BIANCA

Maybe we could ---

MELINDA

No. We can’t risk you.

JO

But that’s it.

Jo glances from one to another.

JO (CONT'D)

If I die ---

MELINDA

(out loud)

I said no.

Jo and Melinda stare at each other.

MELINDA (CONT'D)

We are not talking just about getting Prue’s memory back. We’re talking about getting all of our memories back.

BIANCA

Mel is right.

JO

But ---

MELINDA

It ends here. We’ll find another way.

CHRIS (O.S.)

I may know how to.

OFF TO CHRIS - He ORBS in.

The three of them look at Chris.

CHRIS (CONT'D)

I may have a solution.

MELINDA

What solution?

OFF TO CHRIS RIGHT HAND - He opens his wrist and shows them Alyssa’s ring.

JO

That’s a ---

CHRIS

Cupid Ring.

BIANCA

Where did you get that?

CHRIS

A cupid. I’m taking Wyatt to see his past.

JO

What?

CHRIS

He needs to believe.

Jo, Melinda, and Bianca look at one another.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over the town.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

Wyatt, Melissa, Nate, and Johnathan are sitting by the round table.

MELISSA

Well, we can’t wait any longer.

WYATT

We must. Jasmin said they were caught in traffic.

JOHNATHAN

I agree. We must get to the bottom of it and see what she has to say.

NATE

Well, I still think that having Craig Morrison here will help our case. If she is right and he made up the story with the late Mrs. Gordon, we are in big trouble, and Bay Mirror's credibility will be put at risk.

WYATT

For the first time in your life, you said something I agree with.

Nate and Wyatt exchange glances. The animosity between them is notorious. Johnathan glances from one to the other.

JOHNATHAN

Am I missing something here?

MELISSA

Family business. We should keep it cool, guys.

Wyatt and Nate sit back on their chairs.

SOUND - A knock on the door.

WYATT

Come in.

Chris peeks inside.

CHRIS

Hey!

WYATT

Chris! What are you doing here?

MELISSA

Yeah, you are on a sabbatical.

CHRIS

(to Wyatt)

I know how important this is, but I need your help with something.

Wyatt stares at him.

WYATT

I need to be here, Chris. We don’t know if Aunt Phoebe would get here in time.

Chris comes in.

CHRIS

It’s a family business.

JOHNATHAN

A lot of family business going on here, huh?!

(to Wyatt)

If it’s important, please, Wyatt, go. We’ll take care of it.

Wyatt glances at them.

WYATT

Just call me if you need me. I hope aunt Phoebe gets here in time.

Wyatt stands and approaches Chris and leans over him.

WYATT (CONT'D)

This better be good.

Chris smiles. Chris waves goodbye to the others. Both brothers leave the room.

SOUND - Melissa’s phone. It’s a text.

MELISSA

(looks at them)

Huh, Jasmine is coming up with Mrs. Sabine Gordon and her lawyer.

Nate and Johnathan exchange glances.

CUT TO:

INT. BAY MIRROR - PHOEBE’S OFFICE - DAY

Chris comes in followed by Wyatt who seems a little mad.

WYATT

Could you tell me why did you pull me out of the meeting?

Chris turns to Wyatt.

CHRIS

The meeting wasn’t even started and this is more important.

WYATT

It’d better be.

Chris approaches him and touches his shoulder. Wyatt shoots him a look.

CHRIS

This might confuse you at first, but I need you to trust me.

And just like that, a heart starts forming in Chris’ chest. Wyatt is astonished. Then, Chris BEAMS out.

CUT TO:

INT. CUPID’S TEMPLE - CENTRAL SQUARE - DAY

Chris BEAMS in with Wyatt. Wyatt pulls back and glances around. Then he turns to Chris.

WYATT

(astonished)

What the hell? Where did that come from?

CHRIS

Watch your mouth in here.

(shows him his hand)

I’ve got a cupid ring.

WYATT

What for?

CHRIS

It is needed.

Wyatt stares at the golden fountain.

WYATT

Is this Cupid Temple?

Chris nods. Wyatt glances around.

WYATT (CONT'D)

What are we doing here, Chris? Are you mad?

CHRIS

The whole world is, actually. And as Warrens, we need to do what we must to fix it.

Wyatt stares at Chris.

WYATT

What do you mean?

CHRIS

You need to see your past so you can believe what your present is and so we could have a chance to save our future.

WYATT

You sound like Prue.

Chris smiles.

CHRIS

She was right all the time, Wy. And now, we need you to believe.

Both of them look seriously at each other.

CUT TO:

INT. P3 - STOREROOM - DAY

Jo is there taking some drinks from the boxes.

ON JO’S RIGHT HAND - It seems to be fading away slowly.

Jo notices it and gets truly scared about it.

JO

What the hell?!

Some boxes fall on the floor as Jo jumps back with astonishment. Jo holds her hand up staring at it.

OFF TO THE DOOR - Loreto comes in. She glances around.

LORETO

What happened here?

Jo turns around and hides her hand from Loreto’s point of view.

LORETO (CONT'D)

It’s everything okay?

JO

Ye --- yeah.

Loreto looks at the boxes on the floor.

LORETO

What happened?

JO

I just ---

(nervous)

I think I saw a rat.

LORETO

A rat? Here?

Jo nods nervously.

LORETO (CONT'D)

We must find it.

JO

No.

Jo sounded very nervous.

JO (CONT'D)

Where’s Mel and Bianca?

LORETO

They needed to leave. It sounded like they had something important to take care of. Do you need help with something?

Jo shakes her head.

LORETO (CONT'D)

I’ll be out there if you need me.

Jo nods. Loreto turns around and leaves. Jo stares at her right hand. The whole arm is fading away already.

JO

I’m screwed.

ON JO’S ARM - It’s almost invisible.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. PRUE’S CONDO - KITCHEN / DINING AREA - DAY

ON THE COUNTER - It’s full of ingredients and kitchen tools.

Prue is behind the counter and she’s wearing an apron.

OFF TO CHARLOTTE - She BEAMS in.

As she sees her, Prue puts her hands on her wrist.

PRUE

How many times do I have to say that I don’t want people orbing, beaming, or whatever in here?

Charlotte shrugs.

CHARLOTTE

I just came to visit.

Charlotte looks around.

CHARLOTTE (CONT'D)

What the hell are you doing?

PRUE

Isn’t it obvious? Where’s my son?

Charlotte sits by the counter.

CHARLOTTE

He’s with his auntie Cassandra.

PRUE

(sarcastic)

Right, because she’s the right person to look after my son.

CHARLOTTE

Andrew is in good hands. Don’t worry.

They stare at each other.

CHARLOTTE (CONT'D)

Oh, please, don’t stop. I can just stand here watching.

PRUE

Watching me cook?

CHARLOTTE

It’ll be fun.

Prue shoots her a look, then she rolls her eyes and starts slicing onions while Charlotte stares at her.

CHARLOTTE (CONT'D)

I was thinking, have you ever thought about your past lives?

Prue glances at her then she looks back down at the onions.

PRUE

Never really thought about it.

CHARLOTTE

I have.

Prue looks at Charlotte.

PRUE

You have thought about my past lives?

Charlotte nods.

PRUE (CONT'D)

Why don’t you focus on yours?

CHARLOTTE

Oh, mines are not interesting. I rather think of yours.

Prue rolls her eyes.

PRUE

Well, I’ve encountered one of my past lives recently.

CHARLOTTE

Right, a Goddess.

Prue adds the onions into a pan. Then she starts slicing the tomatoes.

CHARLOTTE (CONT'D)

Crazy thing she and Osiris, huh?

PRUE

Creepy, better saying. They were brother and sister.

CHARLOTTE

Oh, but you know, their love ---

Prue looks at Charlotte.

CHARLOTTE (CONT'D)

True love. Have you ever wondered if you found your one and true love already?

PRUE

Why?

CHARLOTTE

I don’t know. Do you believe Nate is your soul mate?

PRUE

If I didn’t why would I be married to him?

CHARLOTTE

Oh, well, you might love him, but maybe that’s because you haven’t found the right one. Your real soulmate.

Prue puts the knife on the counter and stares at Charlotte annoyed.

PRUE

Well, I don’t know. But I guess Cupid wouldn’t let me marry someone who’s not my soulmate. Besides, part of me is a cupid.

CHARLOTTE

Right. But you know, some circumstances can make you go on a different path than the one you were supposed to take.

PRUE

You sound confused. I know why I was confused a few weeks ago. Hormones. What’s your excuse?

Charlotte looks aside.

PRUE (CONT'D)

Are you having second thoughts about Eric?

Charlotte looks at her.

CHARLOTTE

No way.

PRUE

So?

Charlotte shrugs.

SOUND - Prue’s phone. A text.

PRUE (CONT'D)

Can you see who is it?

Charlotte nods and takes the phone from the counter.

CHARLOTTE

(looking at the phone screen)

Dr. Blanche Dubois.

PRUE

What does she want?

CHARLOTTE

She says that she is still looking, but hasn’t found anything.

(looks at Prue)

What does she mean?

PRUE

No idea. Now, can I get back to my cooking?

Charlotte puts the phone back on the counter.

CHARLOTTE

What are your plans for tonight?

PRUE

A dinner date with my husband. And well, good sex on the mix. Now that I remember, can you take care of Andrew tonight?

Charlotte forces a smile.

CHARLOTTE

Why do you need the kid out of here?

PRUE

Because I don’t want anything to interrupt me and Nate. We haven’t you know what for weeks.

CHARLOTTE

Oh, well, couples don’t need to do that all the time.

Prue shoots her a look. Charlotte forces a smile. Prue rolls her eyes. Charlotte sighs.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - ROOM - DAY

Pandora is sitting and across from her is Julia. Pandora is having her case. Julia seems down. Pandora has her file opened before them.

PANDORA

We’ve talked to the Memorial and they said the baby was born dead.

JULIA

I know I did hear him cry.

PANDORA

There are no records of you having a baby that didn't die, Julia.

Julia lowers down her gaze.

JULIA

I know I heard his cry.

PANDORA

But you don’t even have memory of it. 

JULIA

I hear his cries at night. He calls for me. I feel it.

Julia swallows.

JULIA (CONT'D)

My baby boy.

Pandora takes a deep breath.

PANDORA

We’ll keep looking for it, Julia, I'm gonna ask for the records and have a look at it. If he is alive, we'll find out. Your husband ---

JULIA

He doesn’t believe me, I know. But it’s my instinct. Call it maternal instinct, sixth sense, whatever. I know I had a son and he is alive.

Both Julia and Pandora stare at each other.

SOUND - Pandora’s phone.

ON PANDORA’S PHONE - It’s on the table. Cassandra is calling.

Pandora glances at the phone and then at Julia.

PANDORA

We’ll keep trying, Julia. I’ll call you if I find something.

Julia nods.

JULIA

Thanks.

Julia stands and leaves the room. Pandora picks up his phone.

PANDORA

Hey, cous!

CASSANDRA (O.S.)

We need help over here, Pan. I’m taking care of baby Andrew, Charlotte is trying to stop Prue from having sex with Nate, Chris is doing I don’t know what with Wyatt,
Junior is assisting my mum and Mel is comforting Jo.

PANDORA

You are good with reports, you know?

CASSANDRA (O.S.)

I’m serious. Tam has made clear she can’t hear Michaela’s screams anymore. Alex and I are getting crazy.

PANDORA

She can’t sleep?

CASSANDRA (O.S.)

If she doesn’t get a good and long night's sleep soon, she’ll get crazy.

PANDORA

Have you guys tried medicines?

CASSANDRA (O.S.)

Huh ---

PANDORA

I can see you haven’t. I’ll ask Ethan for some and I’ll be there ASAP.

CASSANDRA (O.S.)

I’ll appreciate it.

Pandora hangs off the phone. She stands, takes the files, and leaves the room.

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - DAY

Cassandra hangs off the phone. She turns around. Alex is hugging a nervous Michaela. Cassandra and Alex exchange glances.

CASSANDRA

She’s coming.

Alex nods.

CASSANDRA (CONT'D)

I need to check on Andrew and I’ll be right back.

Alex nods again. Cassandra leaves the bedroom. Alex helps Michaela sit on the bed. He looks at her.

ALEX

We are going to help you, Michaela.

MICHAELA

I just need some sleep.

ALEX

I know.

Alex kisses Michaela’s forehead. He seems truly worried about her.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL - DAY

Jessica is mad.

JESSICA

I can’t get into it.

She SHIMMERS out and immediately, she SHIMMERS back in and is thrown against the staircase.

JESSICA (CONT'D)

Damn it!

Jessica stands.

JESSICA (CONT'D)

I need to think of a plan.

OFF TO THE ENTRANCE - Pandora comes in. She sees Jessica.

PANDORA

Hey!

Jessica turns to Pandora.

JESSICA

Hey, Pan. What are you doing here?

PANDORA

Well, I was going to Magic School when I remembered there was this ---

Pandora cuts herself up. Jessica shoots her a look.

PANDORA (CONT'D)

This herb.

JESSICA

Why would you need an herb?

PANDORA

Huh, well ---

She comes up with an excuse.

PANDORA (CONT'D)

--- There’s this girl there that hasn’t been able to sleep for days.

JESSICA

(fakes interest)

Really?

Pandora swallows.

PANDORA

Yeah, well. I remembered I used to have an infusion with it when I was nervous. It relaxed me. I’m taking some remedies too.

JESSICA

Interesting.

PANDORA

Yeah, well. I’m going ---

JESSICA

Sure.

Pandora walks past Jessica.

JESSICA (CONT'D)

(smiles)

I already know what to do.

Jessica walks into the dining room and then into the kitchen.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Pandora searches the cabinets for the herb. Soon, she finds it.

PANDORA

Here.

As she is about to ORB out, she’s gets frozen.

At the entrance of the kitchen, Jessica is standing. Her expression is serious as she’s keeping a mental connection. After a few seconds, she relaxes.

JESSICA

(smiles)

It worked. Thank you, daddy, for this power. It’s been a while since I used it. The last time was when I tried to speak to Wyatt at the bar I used to work in on the day he met with Prue.

(out loud)

Jared!

Behind her, Jared FADES in.

JARED

This better be good.

Jessica turns to him.

JESSICA

I found a way to enter Magic School.

Jared glances at Pandora. Jessica looks at her over her shoulder.

JESSICA (CONT'D)

Don’t worry. I used Body Immobilization.

Jared smiles sarcastically.

JARED

A power dad gave you. He stole it from a witch to give it to you.

Jessica smiles.

JESSICA

I’m gonna switch bodies with her. Once I’m in her body, I’ll get the mobility back, but you need to put my body to sleep.

JARED

(smiles)

Sounds like a good plan to me, sis. Let’s do it.

JESSICA

Leave for 30 seconds and then come back.

Jared FADES off. Jessica turns to Pandora.

JESSICA (CONT'D)

‘I’m in your body, you’re in mine.

It’ll last a short period of time.

You won’t remember wearing my skin,

But I'll be nice to yours while I’m in.

Pandora Mitchell, I wish to be’.

Some bright lights go from Jessica’s body into Pandora’s body and vice-versa.

Right then, Jared FADES in behind his sister’s body.

JESSICA (PANDORA)

What ---

Jared WAVES his hand and Jessica (Pandora) falls on the floor. Jared turns to Pandora.

PANDORA (JESSICA)

(smiles)

It worked.

JARED

Well played, sis.

Pandora (Jessica) looks at Jessica’s body.

PANDORA (JESSICA)

Take care of my body. Put it on the couch or something. I’m pregnant. I get sleepy.

Jessica smiles. Pandora (Jessica) ORBS out. Jared turns to his sister’s body.

JARED

I’m a bad influence to you, sis.

He lowers down and carries Jessica’s body in his arms.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

Pandora (Jessica) ORBS in. She glances around and smiles.

PANDORA (JESSICA)

Great.

OFF TO CASSANDRA - She comes from the double doors.

CASSANDRA

Pan!

Pandora (Jessica) turns around.

CASSANDRA (CONT'D)

Brought the medicaments?

Pandora (Jessica) touches the cross-body bag she carries.

PANDORA (JESSICA)

All here.

CASSANDRA

Come.

Both of them walk out of the hall as Pandora (Jessica) carries a big smile on her face.

CUT TO:

INT. P3 - PRUE’S OFFICE - DAY

ON BIANCA - She SHIMMERS in.

BIANCA

I came as fast as I could. Mel and I were coming up with a ---

Bianca cuts herself up as she sees something before her eyes.

Jo stands there showing Bianca both her arms fading away.

BIANCA

You’re fading away.

JO

It’s too late for me.

BIANCA

No, it’s not.

Bianca approaches Jo and stares seriously at her arms.

BIANCA (CONT'D)

Chris is with Wyatt. He’ll remember and everything will come back to normal.

JO

But mum doesn’t remember me.

BIANCA

Remember what you told us. Each one of them can bring each other back from whatever darkness they are in. We are going to fix this.

JO

What if it’s too late?

Bianca is speechless.

BIANCA

We, --- I --- I’m gonna get Mel. She’s with Damon. We were working on a plan to prevent her and Nate from ---

JO

Having sex?

Bianca nods.

BIANCA

I guess we need to trust Charlotte with this. I’m gonna get Mel and we’ll work out something.

JO

I’ll go with you.

BIANCA

No. We don’t know if moving you will accelerate the ---

Bianca waves at Jo’s body.

JO

Me fading away.

BIANCA

That.

JO

I’ll wait here. Run.

Bianca nods. Then she hugs Jo tightly. After pulling back, Bianca SHIMMERS out. Jo sighs.

OFF TO THE DOOR - It opens. Loreto comes in.

LORETO

It’s almost time, Jo.

Jo looks at Loreto. She’s astonished.

JO

Loreto, what ---?

LORETO

I’ve come for you, dear.

Jo tries to hide her arms, but it’s difficult.

LORETO (CONT'D)

I know, dear. It’s okay.

JO

Who are you?

Loreto smiles.

LORETO

I was sent to help with this. I mean to make it easier for you.

JO

To make what easy?

LORETO

I think you know.

Jo is serious.

JO

You’re an Angel of Death.

LORETO

Yours is a unique situation that required special handling. You need to trust me. There’s nothing to be afraid of.

JO

So, you say.

LORETO

You should not fight it. It’ll make it harder.

JO

I still got time. Stay the hell away from me!

Jo walks past Loreto and out of the office.

CUT TO:

INT. CUPID’S TEMPLE - REVELATIONS’ ROOM - DAY

Chris and Wyatt stand on the center of the round room. Its walls show the clouds outside. Wyatt stares at the statue of Cupid.

CHRIS

This is the Revelations’ Room. You need to see your past, Wyatt, so you can understand.

Wyatt turns to Chris.

WYATT

I’m having a déjà vu. I’ve been here before.

CHRIS

How do you know?

WYATT

I can feel it.

Wyatt looks at the walls that show the clouds.

WYATT (CONT'D)

There.

Chris looks at the walls.

WYATT (CONT'D)

I should see ---

Wyatt looks at Chris.

WYATT (CONT'D)

I’ve been here, Chris. I know that.

OFF TO THE WALLS - The clouds suddenly disappear and some images appear. Images from a faraway time. A time where he was not a mortal, but a heavenly being that fell from Grace.

The images show the dessert. Some people are there.

Wyatt and Chris stare at the images.

WYATT

Who are they?

The images focus on two of the people there; Prue and Wyatt, or as they were known back then, Adriel and Uzriel.

WYATT (CONT'D)

That’s ---

Wyatt is astonished and surprised.

ADRIEL

Here we are.

UZRIEL

The desert.

Adriel and Uzriel exchange glances.

UZRIEL (CONT'D)

I think we should change our names. It would be easier for us to fit in.

ANGEL

We would never fit in here.

UZRIEL

We’ll try to.

ADRIEL

I want to be called Isis.

Adriel looks at Adriel. He smiles.

UZRIEL

I want to be named Osiris.

ANGEL

I should be named Seth.

Uzriel and Adriel hold hands.

UZRIEL

Let’s go build our home on this Earth.

Uzriel and Adriel look at each other and smile. They walk.

The image turns into a blur. Wyatt turns to Chris.

CHRIS

Uzriel and Adriel then Osiris and Isis. Ancient Gods.

Wyatt shoots Chris a look.

CHRIS (CONT'D)

I think this ring ---

(looks at Alyssa’s cupid ring)

--- gives me some knowledge I shouldn’t have.

Wyatt turns to the cloudy walls as some images appear.

FLASHES TO:

EXT. BEACH - SOMEWHERE IN ANCIENT SPARTA - DAY - 470 B.C.

ON THE BODY OF A MAN LYING ON THE SHORE - He is wearing ancient Persian clothes, a soldier’s clothes. The waves hit his body. He is unconscious. The camera moves slowly to his face and ---

BEAT. This unconscious soldier has Wyatt’s face. His name in this life is Cyrus.

OFF TO PEOPLE - Two women come walking slowly. They both smile. BEAT. Their faces ---

They look exactly like Prue and Melinda, but are not other than one of their past lives; Korinna and Lysandra respectively. They wear ancient Greek clothes and seem middle class.

They stop as they see a body a few meters from where they are.

KORINNA

What is that?

LYSANDRA

I wish I knew.

Korinna moves forward.

LYSANDRA (CONT'D)

What are you doing?

KORINNA

It is a person there. He could be alive.

LYSANDRA

He might be an enemy.

KORINNA

He might need help.

Korinna runs fast towards the man. Lysandra glances around and calls out for a name.

LYSANDRA

Zephyros!

Korinna reaches the man and lowers down. She tries to take him out of the water.

KORINNA

Be alive.

She puts him on dry sand and lowers down.

OFF TO LYSANDRA - She comes with a man who has Chris’ face. His name is Zephyros.

ZEPHYROS

Korinna. What do you think you are doing?

Korinna looks at the man’s face. She lowers down to feel his breath.

KORINNA

He’s breathing.

Korinna looks at him. She touches his face.

LYSANDRA

He is a Persian. As I said, the enemy.

Korinna lowers down even more and touches her lips on him.

ZEPHYROS

What are you doing?

LYSANDRA

Our sister has gone insane. She is kissing a Persian.

ZEPHYROS

Korinna!

Korinna’s kiss takes air into the stranger’s lungs. She pulls back and stares at him as he takes a deep breath in.

STRANGER’S POV - His eyes open slowly and he sees Korinna surrounded by a shining light.

KORINNA

Are you okay?

Korinna helps him to get into a sitting position. Lysandra and Zephyros glance at each other.

The stranger looks at Korinna and smiles.

KORINNA (CONT'D)

Do you understand my language? I am Korinna. What’s your name?

CYRUS

The Gods are being kind to me.

Korinna smiles at him.

CYRUS (CONT'D)

My name is Cyrus. Where am I?

KORINNA

Sparta.

Cyrus stands quickly and stares at them with an astonished look.

CYRUS

You’re Spartans?

Korinna nods.

ZEPHYROS

And you are a Persian.

Cyrus looks at Lysandra and Zephyros.

KORINNA

Don’t be afraid. We won’t hurt you.

Cyrus and Korinna look at each other.

KORINNA (CONT'D)

We have nothing to do with this war.

CYRUS

A ridiculous war.

Korinna smiles.

KORINNA

It is ridiculous, indeed.

Cyrus smiles at her.

CYRUS

I couldn’t imagine they were heavenly beings among Spartans.

KORINNA

Neither I would say Persians could look so gentle.

Korinna and Cyrus stare and smile at each other.

FLASHES BACK TO:

INT. CUPID’S TEMPLE - REVELATIONS’ ROOM - DAY

ON WYATT - He is astonished.

ON THE WALLS - The images disappear.

Chris pats Wyatt’s shoulder.

CHRIS

Korinna and Cyrus lived a happy and long life. Lysandra and Zaphyros kept the secret and told no one he was a Persian. Cyrus and Korinna lived in Sparta until their death.

Wyatt turns to Chris.

WYATT

You were there.

CHRIS

From what you see that’s what you take in? But true, I was there!

Chris smiles.

WYATT

Why?

CHRIS

Why was I there?

WYATT

No, Chris. Why me and Prue?

CHRIS

Haven’t you understood?

Chris turns to the cloudy walls as new images start appearing. Wyatt turns to the walls as well.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO - DAY

FAST MOTION VIEW ALL OVER THE TOWN.

CUT TO:

EXT. RESIDENTIAL AREA - CRAIG MORRISON'S OLD FAMILY HOUSE - DAY

Phoebe and Junior stand outside a small house that seems abandoned. Both stare at the house.

JUNIOR

Are you sure?

Phoebe nods.

PHOEBE

He’s here.

JUNIOR

Do we ring the bell?

PHOEBE

No.

(looks at Junior)

We orb in.

Junior looks at Phoebe.

CUT TO:

INT. CRAIG MORRISON’S OLD FAMILY HOUSE - LIVING ROOM - DAY

The room is full of old furniture. It seems like no one has cleaned the house in years.

ON A CORNER - A man, CRAIG MORRISON (55), is sitting on the floor embracing his legs. He is shaking.

OFF TO JUNIOR - He ORBS in bringing Phoebe. They glance around.

PHOEBE

Oh, good.

JUNIOR

Good? Aunt Phoebe, this house hasn’t been clean in centuries.

PHOEBE

True.

Craig stands and stares at them.

CRAIG

What are you doing here? How did you come in?

Phoebe stares seriously at Craig.

PHOEBE

Craig? Is that you?

Craig stares seriously at her. He recognizes her, but it takes him a few seconds to remember who she is.

CRAIG

Phoebe?

Phoebe smiles.

CRAIG (CONT'D)

Phoebe Halliwell?

Phoebe nods.

CRAIG (CONT'D)

You were the editor chief of Bay Mirror.

PHOEBE

Am. I still am.

CRAIG

(steps back)

What are you doing here?

PHOEBE

Craig, we need your help. It’s about a matter of yours. It’s the last one you published before you handed me your resignation letter.

CRAIG

I don’t want to remember that. It has haunted me for years.

Phoebe and Junior exchange glances.

CRAIG (CONT'D)

I shouldn’t have accepted it.

JUNIOR

Accept it? Accept what?

Craig's expression turns into a confused one.

CRAIG

She said I’ll be rich with it. But it didn’t happen. I turned miserable.

PHOEBE

Who told you that?

Craig looks at them.

CRAIG

The invisible voice.

Phoebe and Junior exchange glances. Then Phoebe turns to Craig.

PHOEBE

You need to tell me everything about that invisible voice.

Craig stares at them.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

There are Melissa, Johnathan, and Nate as well as Sabine Gordon (28) and her lawyer, Stephen Mayer (40’s). They all stare at each other.

JOHNATHAN

Well, I think we both know why are we here. To reach an agreement about this whole situation.

SABINE

This is not just a situation, Mr. Hale. My father’s life was destroyed by my mother when she came up with that lie.

NATE

Mrs. Gordon, we understand that what happened with your father was an unfortunate situation ---

SABINE

(cuts him off)

An unfortunate situation?

Nate lowers his gaze.

SABINE (CONT'D)

My father went to prison for abuse. He never abused my mother. He was kind to her. She was the one who never had a kind act with him. My father came out of prison a different man. He was chased by demons.

Melissa and Nate exchange glances.

SABINE (CONT'D)

He died no long after. That matter put my father on jail and destroyed his life and therefore, mine.

NATE

You said you had proofs. Which are?

Sabine looks at her lawyer.

STEPHEN

Mrs. Gordon’s mother died a few months ago. Before, she recorded a video.

Johnathan, Nate, and Melissa exchange glances.

MELISSA

What was that video about?

SABINE

Let’s see it.

Johnathan and Nate exchange glances.

NATE

(surprised)

You brought it?

Sabine nods. She takes off a pen drive from her handbag and hands it to her lawyer who hands it to Nate.

NATE (CONT'D)

(to Melissa)

We need a device to watch this.

Melissa stands and heads to the bottom of the table. She takes the laptop and takes it to them.

Nate turns on the laptop.

SABINE

What she says there, it's serious. And it’s true.

JOHNATHAN

How do you know? We know that back then you used to live with your grandparents.

SABINE

True. I used to because I couldn’t live anymore there with them. Mum was aggressive with my father. My grandparents took me in so I wouldn’t watch it daily. Luckily, when my father came out of prison, I was old enough to take him into my home.

Nate puts the pen drive on the laptop.

NATE

It’s ready.

SABINE

Sit back. You’ll see a decrepit woman. Despite her young age, she seemed older than she really was.

Nate looks at Johnathan who nods.

ON LAPTOP - Nate presses the play button.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON BOOK OF SHADOWS - Someone is flipping through its pages.

Melinda is by the bookstand and is flipping through the Book of Shadows’ pages.

Bianca, Tamora, and Damon are also there. Tamora is on the phone.

TAMORA

Please, Sebs, they should have a way to prevent her from disappearing for good.

Tamora lowers her gaze. Damon and Bianca exchange glances.

TAMORA (CONT'D)

So, because they don’t have records of her it means that she deserves to disappear from existence? Don’t they even think of the possibility that she’s saying the truth?!

Tamora gets mad.

TAMORA (CONT'D)

Fine. Tell them to f ---

SEBASTIAN (O.S.)

Tam!

The others heard Sebastian’s voice.

OFF TO SEBASTIAN - He ORBS in.

Tamora hangs off the phone and stares seriously at Sebastian.

SEBASTIAN (CONT'D)

They don’t have the suspicion of a new treat.

MELINDA

Elders know nothing. We all should know that by now.

Melinda gets seriously as she finishes her sentence.

MELINDA (CONT'D)

My God.

They turn to Melinda.

MELINDA (CONT'D)

I don’t know why I said that. I don’t even deal with them that much.

DAMON

Maybe ---

(approaches Melinda)

--- Deep down you know it. You just don’t remember.

BIANCA

Well, the thing I know is that our niece is fading away from existence.

MELINDA

And we are not any closer to find out how to reverse it.

SEBASTIAN

How are things going at Magic School? And Prue?

DAMON

Charlotte has the feeling that Prue is closer to blow her out of the condo.

BIANCA

At Magic School, things are not better. The sleeping pills do not affect Michaela.

MELINDA

This book has nothing that can help us solving Jo’s situation.

TAMORA

What if we tell Prue the truth?

They look at Tamora.

TAMORA (CONT'D)

Maybe seeing her daughter fading away she ---

MELINDA

No. It wouldn’t.

They all glance at one another.

CUT TO:

INT. CRAIG MORRISON’S OLD FAMILY HOUSE - LIVING ROOM - DAY

Craig is sitting on an old couch. Phoebe glances at the couch before him with a sick face. She decides to sit before him. Phoebe looks at Junior who shakes his head meaning he won’t sit.

CRAIG

I started hearing this voice in my ears.

PHOEBE

What voice?

CRAIG

It told me to publish it.

Craig covers his face with both his hands.

CRAIG (CONT'D)

I didn’t want to, because there were no proves about it. What she said it happened ---

Craig looks at them.

CRAIG (CONT'D)

There were no proves.

PHOEBE

But, Craig, you had medical records and all that.

CRAIG

It didn’t belong to her. It was all a lie. The voice said I needed to publish the fact so Mr. Gordon would be taken to prison.

JUNIOR

But what voice?

CRAIG

I don’t know who was it. It talked to me. And then it stopped.

Craig stands.

CRAIG (CONT'D)

When Mr. Gordon was already on prison, it stopped.

Junior and Phoebe glance at each other.

SOUND - Phoebe’s phone.

Phoebe reads the text message she just got, then she stands.

PHOEBE

We should leave.

JUNIOR

Do we take him with us?

PHOEBE

No. I believe him. And there’s something else.

Junior nods.

CUT TO:

EXT. CRAIG MORRISON’S HOUSE - DAY (SHORTLY AFTER)

The door opens. Phoebe and Junior come out of it. Junior closes the door behind them.

JUNIOR

What is it, Aunt Phoebe?

PHOEBE

We must head to Bay Mirror quickly. Let’s orb there.

Junior nods. He and Phoebe hold hands. Then, Junior ORBS out taking her.

CUT TO:

EXT. BAY MIRROR - DAY - LATER

VIEW AT THE BAY MIRROR’S SIGN.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

ON LAPTOP SCREEN - It can be seen a woman who should be in her 60’s but looks older than that. Her name is SUZETTE GORDON. She’s sitting on a chair. The camera captures her whole body. She seems week.

SUZETTE

It started when Sabine was still young.

Phoebe, Junior, Johnathan, Nate, and Melissa watch the video. Before them are Sabine and Stephen. The last two are not watching the video.

ON THE LAPTOP SCREEN - Suzette keeps telling her story.

SUZETTE (CONT'D)

I started hearing this voice. At first, I didn’t know where it came from. It was a male voice. It was telling me to do horrible things.

(looks straight at the camera)

He told me to do it to my daughter. I couldn’t. I loved her and I couldn’t hurt her. I decided it was better to send her to live away from me. She came to visit and stayed for the weekends a few times. That’s when things got worse. While she was away, the voice told me to hurt my husband.

(sighs)

Jordan was a kind man. He loved me and he knew I was being haunted by this demon. He knew about the voices and tried to stop me, but I somehow became stronger than him.

(swallows)

Sabine was a young teenager when she saw the worse of it. She was standing in the doorway when I passed through with a knife in my hands. The voice asked me to hurt her, but I couldn’t, so he said to hurt Jordan. He was asleep. I entered our bedroom and he was lying in bed. I was going to kill him. I lay on him and was about to stab him. Sabine came in and screamed. Jordan woke up and saw me.

A tear runs down Suzette’s face.

SUZETTE (CONT'D)

Sabine never looked at me the same way. The voice said that Jordan had to suffer. He was suffering. He was, indeed. Sabine was sent for good to her grandparents’ house and she stayed away until it happened. The voice told me I should send him to prison. That’s when I met Craig. He knew I was lying, but the voice made him believe and he published the story. All the horrible things I did to Jordan ---

Suzette covers her face with her hands as she cries hard. Then she looks back at the camera.

SUZETTE (CONT'D)

It was published as if Jordan was the one to do that to me. It was all a lie.

(straight to the camera)

Sabine, I’m sorry. The voice hated your father and wanted to make him suffer. I was too weak to fight it. I regret it.

Behind Suzette, something happens. A male figure flashes in and out.

ON PHOEBE AND JUNIOR’S FACE - They exchange glances. It seems like the saw it.

Sabine notices the expression on their faces. She stands.

SABINE

(to Phoebe and Junior)

You saw it.

Phoebe and Junior look at Sabine.

SABINE (CONT'D)

You did.

JOHNATHAN

Saw what? Is she revealing the truth? Sorry to tell you, Mrs. Gordon, but your mother was crazy and she compelled Craig Morrison to publish a fake story. He was wrong, but it’s not his fault. There were also proves. Medical records and ---

SABINE

All a lie. You heard her.

PHOEBE

It’s true.

Johnathan, Nate, and Melissa look at Phoebe.

PHOEBE (CONT'D)

Craig said the same. Something made him believe the story.

JOHNATHAN

A voice?

Nate and Melissa exchange glances.

JOHNATHAN (CONT'D)

What? Both of them were crazy?

SABINE

They weren’t crazy. A demon was haunting them.

PHOEBE

Not a demon.

Sabine looks at Phoebe.

PHOEBE (CONT'D)

Maybe a spirit.

JUNIOR

Aunt Phoebe!

Nate and Melissa look at eaxh other with worried expressions.

PHOEBE

I mean, they believed they were haunted by a spirit.

Phoebe turns to Johnathan.

PHOEBE (CONT'D)

Mr. Hale, I believe we can publish a matter asking for forgiveness to Mrs. Gordon and to honor his father’s memory.

JOHNATHAN

But ---

NATE

I agree.

SABINE

That won’t bring my father back.

STEPHEN

Mrs. Gordon should be compensated for this.

Phoebe turns to Sabine.

PHOEBE

I think I know how to. Mrs. Gordon, can we talk in private?

STEPHEN

I don’t recommend it.

SABINE

It’s fine.

(to Phoebe)

Mrs. Halliwell knows how to compensate me.

Phoebe and Sabine stare seriously at each other.

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - DAY

The curtains are closed. Michaela is on her bed hugging her legs. Her eyes are red. She is crying hard.

ALEX (O.S.)

Michaela, please, open the door.

Michaela nods no.

CASSANDRA (O.S.)

Michaela!

Michaela cries even harder.

CUT TO:

INT. MAGIC SCHOOL - OUTSIDE MICHAELA’S BEDROOM - DAY

Alex, Cassandra, and Pandora (Jessica) are there.

PANDORA (JESSICA)

I think we should get in no matter how and force her to have the pills.

CASSANDRA

The pills won’t work, Pan. We’ve tried.

PANDORA (JESSICA)

Let me talk to her.

They look at her.

PANDORA (JESSICA) (CONT'D)

I’m used to dealing with this kind of situation. Teenagers.

Alex and Cassandra trade glances.

ALEX

She needs to sleep. That’s all she needs.

PIPER (O.S.)

We might have the solution.

They turn around. Piper and Paige come in and join them.

CASSANDRA

Aunt Piper, Aunt Paige!

ALEX

What are you guys doing here?

PAIGE

We heard what was going on. We might know a way to help her. But she must agree with it.

PANDORA (JESSICA)

What is it?

PIPER

We need to bind her powers.

Alex and Cassandra glance at each other.

ON PANDORA (JESSICA) - She is serious.

PIPER (CONT'D)

That’s the only way to stop her nightmares and put her to sleep.

PANDORA (JESSICA)

I don’t think that’s a good idea.

PAIGE

Why, honey?

PANDORA (JESSICA)

Well, because ---

ALEX

I agree. If that’s the way to help her.

PANDORA (JESSICA)

But ---

CASSANDRA

Let’s talk it through.

PAIGE

We’ll explain how it works. It won’t be permanent.

PANDORA (JESSICA)

Huh, guys, just the idea of binding her powers makes me sick. I’ll be right back.

Pandora (Jessica) walks out of there.

PIPER

What’s going on with her?

PAIGE

Maybe it brought her memories of when her powers were bound.

PIPER

Oh.

ALEX

How does it work?

Piper and Paige exchange glances.

CUT TO:

INT. P3 - DANCING FLOOR - DAY

A now transparent Jo walks back and forward.

JO

This isn’t good. This isn’t good.

OFF TO LORETO - She comes in.

LORETO

Jo?

Jo looks at Loreto.

JO

Get away from me?

LORETO

There’s no much time left. We must go.

JO

I said no. I can’t.

PURPLE ORBS surround Jo and she disappears.

LORETO

(sighs)

Halliwells are always the more difficult. Why it had to be me the chosen one to deal with this one?!

Loreto FADES OUT.

CUT TO:

INT. PRUE’S CONDO - KITCHEN / DINING ROOM - DAY

Charlotte is on a corner on the phone. Prue is still preparing dinner. There’re a few pans on the stove.

CHARLOTTE

(whispering; on the phone)

Well, I haven’t heard from Chris either. I don’t know what else to do, Damon.

Charlotte looks at Prue who is staring seriously at her. Charlotte turns around.

CHARLOTTE (CONT'D)

(whispering; on the phone)

No long until she blows me up out of here.

OFF TO SOMEONE ORBING IN - Jo ORBS in. She’s still transparent.

Charlotte and Prue look at her. Charlotte is astonished at the vision of a transparent Jo.

CHARLOTTE (CONT'D)

(on the phone)

My God, Damon, fast.

Charlotte hangs off the phone.

CHARLOTTE (CONT'D)

Jo!

PRUE

What the hell is happening to you?

Jo stares at her mother.

JO

I needed to say goodbye, mum.

PRUE

I’m not your mother.

JO

You will always be my mother. Even if you don’t remember.

CHARLOTTE

Jo, we’ll fix it.

JO

There’s no time.

Jo smiles at Charlotte, then she looks at Prue.

JO (CONT'D)

Take care, mum.

Jo vanishes.

CHARLOTTE

(worried)

No. No, no, no.

PRUE

What happened?

Charlotte turns to Prue.

CHARLOTTE

(mad)

She’s your daughter.

PRUE

I have a son, not a daughter.

CHARLOTTE

You will remember, Prue. I just hope it isn’t too late.

Charlotte BEAMS out.

PRUE

(cold)

Well, at least she’s gone for good. I didn’t like her.

Prue takes her apron out.

PRUE

Time for me to get ready for my husband.

Prue walks out of the kitchen and into the bedroom.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Melinda, Damon, Tamora, Sebastian, and Bianca are still there. Melinda closes the Book of Shadows, madly.

MELINDA

Nothing here!

Charlotte BEAMS in.

CHARLOTTE

She’s gone.

They look at Charlotte.

CHARLOTTE (CONT'D)

She vanished before my eyes. Prue did nothing. As she didn’t care.

MELINDA

Jo disappeared?

Charlotte nods.

TAMORA

What now?

BIANCA

My God.

Melinda goes to sit on the couch. She’s devastated.

DAMON

Guys, let’s think. If we get to fix this, she’ll come back.

SEBASTIAN

Yeah, maybe not as a grown-up, but as a child.

MELINDA

We don’t know that.

Damon sits beside Melinda and squeezes her hand.

MELINDA (CONT'D)

I keep thinking that if we only believed them from the start this wouldn’t be happening.

TAMORA

Yeah.

SEBASTIAN

We should not blame ourselves.

TAMORA

(to Bianca)

You believed her. We didn’t.

BIANCA

Jo had an answer for my emptiness.

SEBASTIAN

Guys, we won’t talk about Jo in the past.

DAMON

Yeah, we’ll get her back.

They all glance at each other. All of them are worried.

CUT TO:

INT. BAY MIRROR - PHOEBE’S OFFICE - DAY

There are Phoebe, Junior, Sabine, Nate, and Melissa. Phoebe is sitting at his desk. Sabine and Melissa are sitting across her. Nate and Junior stand.

MELISSA

A ghost?

NATE

We didn’t saw it.

SABINE

My lawyer didn’t see the ghost either.

PHOEBE

But you did?

Sabine nods.

MELISSA

Mr. Hale!

NATE

If we didn’t see it, maybe he didn’t as well.

JUNIOR

He would have freaked out.

MELISSA

True.

PHOEBE

Sabine, do you know who this man is?

SABINE

Never knew him, but on her deathbed, she whispered a name to me. Joseph.

PHOEBE

Do you recognize the name?

SABINE

Not at first. After talking to my grandparents, I got to know that Joseph was an old boyfriend of my mother. She left him to marry my father. A short time after, he committed suicide.

MELISSA

That’s horrible.

SABINE

Then I saw the video and at first, I thought I was getting crazy. But I wasn’t.

JUNIOR

I’m curious. Why can you see it?

PHOEBE

Sabine saw a lot of things during her young life. It made her sensitive to certain things.

SABINE

(staring at Phoebe)

Are you sensitive to certain things too, Mrs. Halliwell?

Phoebe smiles.

PHOEBE

That's one way to put it.

NATE

So, how does that leave us?

PHOEBE

Sabine, I know it won’t bring your father back, but we can post a matter revealing the truth of the facts and apologizing for our mistake.

MELISSA

I can take care of that.

JUNIOR

You better, ‘cause Craig Morrison is not in conditions for that.

PHOEBE

We can also get rid of the ghost.

Sabine stares seriously at Phoebe.

PHOEBE (CONT'D)

You heard his voice too, didn’t you?

Sabine lowers her voice.

PHOEBE (CONT'D)

We get rid of him and you get to live a normal life. Away from the ghost that haunted your family.

Sabine looks at Phoebe.

SABINE

Do that and I won’t sue Bay Mirror.

Phoebe stands and reaches out her hand.

PHOEBE

Consider it done.

Sabine stands and shakes hands with Phoebe. Then Phoebe turns to Junior.

PHOEBE (CONT'D)

We have work to do.

Junior nods.

SABINE

Thank you in advance.

Phoebe smiles.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. CUPID’S TEMPLE - REVELATIONS’ ROOM - DAY

ON WYATT - He is astonished.

WYATT

It can’t be.

Chris and Wyatt stare at the images on the wall.

ON THE WALL - The images show Wyatt and Prue’s past life as Camilla and Marcus.

FLASHES TO:

EXT. GARDENS - DAY - ANCIENT ROME

Both Marcus and Camilla come walking fast down the exterior gardens of the ancient city.

MARCUS

We are a step closer to freedom, my love.

Camilla smiles. Then, some noises are heard. People approach. Marcus and Camilla turn back. She sees the soldiers approaching as well as her father and Marcus' father.

CAMILLA

They found us.

Marcus turns around and sees them.

MARCUS

We have to keep running.

They walk faster. Camilla turns back and gets to see her father ordering a soldier to use his bow. While that, Avilius tries to stop it, but Aurelius' soldier is already aiming to shoot. Camilla gets scared. The soldier shoots.

CLOSE UP: ARROW FLYING.

SLOW MOTION SCENE - Camilla freezes in panic. Marcus turns around and sees the arrow coming straight to him. Camilla looks at Marcus and looks back at the arrow. She starts crying. Steps in front of Marcus and soon the arrow hits her in the chest. Marcus holds an injured Camilla in his arms. From the other side, Aurelius and Avilius see Camilla being hit. Maxima and Cassia appear to see Camilla being hit. Both women hold each other's hand.

NORMAL MOTION SCENE

Marcus puts Camilla on the floor. The girl is in pain.

MARCUS (CONT'D)

Camilla! Camilla, talk to me.

The woman is almost fainting.

CAMILLA

Marcus ---

She's weak. Marcus trembles. He cries.

MARCUS

My love. Why did you do it?

Camilla smiles.

CAMILLA

I could not live without you.

MARCUS

What about me? I can't live without you.

CAMILLA

(almost dying)

We will find each other again. In another life. Promise me, Marcus.

(smiles)

Promise me that we will see each other again in another life.

Marcus cries.

MARCUS

My love ---

CAMILLA

(really weak)

Promise me, love.

MARCUS

(crying; swallows)

I promise you, that no matter how long it takes us, I will find you and you will find me in every life we live.

(pauses)

Because I love you and you love me. Always and forever, my love.

Camilla smiles. Marcus approaches her lips and kisses her sweet. Then Camilla closes her eyes and dies. Marcus cries desperately.

MARCUS (CONT'D)

Camilla! No.

He tries to calm down. He looks at her. He stares for moments at the arrow. He takes it off Camilla's body. Takes a deep breath.

MARCUS (CONT'D)

(looks at Camilla)

Soon, my love.

He stabs himself with the arrow. Soon he starts bleeding. Lies down next to Camilla and dies. 

CLOSE UP: MARCUS AND CAMILLA'S FACE.

FLASHES TO:

INT. CUPID’S TEMPLE - REVELATIONS’ ROOM - DAY

ON WYATT’S FACE - A tear runs down his face.

The walls turn into clouds again.

CHRIS

That promise was kept. It wasn’t needed actually. Both your souls are bound together. But that promised made the bound even stronger.

WYATT

(swallows)

They never got to be happy.

CHRIS

They didn’t. Then.

Wyatt looks at Chris.

CHRIS (CONT'D)

They have a chance now.

Wyatt lowers his glance.

WYATT

There was a time ---

Wyatt turns around and stares at Cupid’s statue.

WYATT (CONT'D)

--- I used to dream about the two of us together. When she dated Damon, I wanted to kill him.

(turns to Chris)

Since I laid eyes on her back then when she was a baby, ---

(smiles)

--- Yes, I remember, since that day, Chris, I knew I would love her more than anything.

CHRIS

Then believe, Wy. Believe.

Wyatt looks at him.

ISABELLE (O.S.)

(smiling)

I have something important to tell you.

Wyatt and Chris turn to the walls where it shows Isabelle and William Halliwell. Isabelle runs to her husband and hugs him.

WILLIAM

Well, here I am.

William kisses his wife.

CHRIS

(looks at Wyatt)

Your last past life. Isabelle and William Halliwell.

WYATT

Halliwell?

CHRIS

(smiles)

Allen Halliwell’s parents.

ISABELLE

(smiling)

I couldn´t be happier.

WILLIAM

(anxious)

Tell me, then.

Isabelle takes a deep breath.

ISABELLE

I´m pregnant.

William smiles.

WILLIAM

Really?

William hugs his wife.

WILLIAM (CONT´D)

(happy)

I can´t believe it.

ISABELLE

You better do because it´s true.

William touches Isabelle´s face.

WILLIAM

You have no idea how happy I am.

The images disappear and are replaced by the clouds.

Wyatt turns to Chris.

WYATT

Did we ---?

CHRIS

You two were happy.

WYATT

I love her, Chris.

Chris smiles.

CHRIS

You always did, brother.

Wyatt looks at Cupid’s statue.

CUT TO:

EXT. SAN FRANCISCO - DAY

The sun is setting and the moon starts appearing in the sky.

CUT TO:

INT. MAGIC SCHOOL - MAIN HALL - EVENING

Alex, Cassandra, Piper, and Paige are there.

ALEX

(mad)

We can’t do that. It’s like taking her powers from her.

PIPER

We won’t be taking her powers, Alex.

PAIGE

We’ll be making sure that she doesn’t get any visions in her sleep while we don’t solve this situation.

CASSANDRA

They’re right, Alex. And Michaela needs some rest.

Alex takes a deep breath.

ALEX

Fine. But only if she agrees.

PIPER

We won’t do it if she doesn’t.

Alex nods.

CUT TO:

INT. MAGIC SCHOOL - MICHAELA’S BEDROOM - EVENING

Michaela is in her bedroom walking from a side to another. Her eyes are red.

OFF TO PANDORA (JESSICA) - She ORBS in.

PANDORA (JESSICA)

Michaela.

Michaela turns around and looks at her.

MICHAELA

I don’t want anyone here.

Pandora (Jessica) tries to approach her.

PANDORA (JESSICA)

I have the solution to your problem.

Michaela stares at her.

MICHAELA

The pills won’t work.

PANDORA (JESSICA)

I know what could work.

Both stare at each other. Pandora (Jessica) is about to wave her hands, but ---

SOUND - A knock on the door.

ALEX (O.S.)

Michaela, open the door. We might have found something.

Michaela turns around and looks at the door. Pandora (Jessica) ORBS out. Michaela opens the door. Alex comes in followed by Cassandra, Piper, and Paige. Michaela turns around and is surprised as she can't se Pandora there.

MICHAELA

Where’s ---

PIPER

We need to talk.

Michaela turns to them.

MICHAELA

You know how to make me sleep without having that hovering green face haunting me?

CASSANDRA

We thought of binding your powers.

PAIGE

It’ll keep you from having visions.

PIPER

We believe it might help you. Once this mess is fixed, you get them back.

Michaela glances at them.

ALEX

Do you agree, Michaela?

Michaela turns around at the place where Pandora (Jessica) was just in. Then she turns to them.

MICHAELA

Do it.

Piper and Paige look at each other and nod.

PIPER

Let’s get our hands on the potion.

Paige nods and both leave the room.

CASSANDRA

It won’t be forever, you know.

Alex and Michaela glance at each other.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - EVENING

Pandora (Jessica) stands next to the bed where Jessica’s body lays on. Jared is by the window.

PANDORA (JESSICA)

I was close.

JARED

You failed.

Pandora (Jessica) turns to him.

PANDORA (JESSICA)

At least I tried.

Jared looks at her.

JARED

Well, at least they are going to bind her powers. That would stop her from having visions of me.

PANDORA (JESSICA)

Now you can get back to your water pit.

Jared shoots her a sarcastic look.

JARED

You need to switch back.

PANDORA (JESSICA)

Can you make her forget?

JARED

I can’t mess with her mind again, sis. Let’s hope she and the others believe it was a demon. She didn’t see you anyway.

PANDORA (JESSICA)

Fine.

Pandora (Jessica) stands on her back to Jessica’s body. Jared FADES out.

PANDORA (JESSICA)

(chants)

‘I’m in your body, you’re in mine.

It has been for enough time.

Let’s switch back, to what it was,

Jessica Lare, I am.’

Jared FADES in behind Pandora’s body which faints in his arms.

ON JESSICA’S EYES - They pop open.

Jessica gets into a sitting position.

JESSICA

Take her.

JARED

By the way, something is happening upstairs. I didn’t want to leave your body alone so I don’t know what is it. Find out.

Jessica nods. Jared FADES out taking Pandora. Jessica takes a deep breath.

OFF TO THE DOOR - It opens. Ella peeks inside.

ELLA

Hey, you!

Jessica turns to the door.

JESSICA

Hey!

ELLA

What are you doing here?

Ella enters.

JESSICA

Oh, you know, I get sleepy.

(touches her belly)

Pregnancy secondary effects.

Ella lowers her gaze. Jessica stands and walks towards her.

JESSICA (CONT'D)

Sorry, El. I wish you could know ---

ELLA

It’s okay.

JESSICA

You will get Chris back.

Jessica holds Ella’s hands between hers.

JESSICA (CONT'D)

I can feel it.

Jessica smiles.

ELLA

Thanks. Do you know what’s going on upstairs? They are locked down in the attic. I tried to open the door and it’s closed from the inside.

JESSICA

Really?

Ella nods.

JESSICA (CONT'D)

Let’s go find out.

Both women get out of the room.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

Melinda, Damon, Tamora, Sebastian, Charlotte, and Bianca are there. Melinda puts the Book of Shadows on its pedestal while the others look at her.

CHARLOTTE

Are we giving up?

MELINDA

We won’t. We’ll keep trying.

TAMORA

Our only hope is Wyatt.

BIANCA

Let’s have faith.

CHARLOTTE

A little complicated to have some now.

DAMON

Girls, we need some rest. I think rush is not helping.

SEBASTIAN

Yeah, it might be actually obstructing our reasoning.

DAMON

True.

MELINDA

While that, our niece is out there. Lost in time and space.

TAMORA

Maybe lost forever.

MELINDA

When Prue gets back her memories, she'll ---

BIANCA

Guys!

They look at Bianca.

BIANCA (CONT'D)

Faith. Have faith.

They all glance at one another.

DAMON

Let’s get some rest.

They all nod. Damon approaches Melinda and takes her hand. He SHIMMERS out with her. Sebastian also approaches Tamora and hugs her. They ORB out. Charlotte looks at Bianca.

CHARLOTTE

Don’t forget to unlock the door.

Bianca nods. Charlotte BEAMS out. Bianca turns to the door and walks towards it. She turns the key and opens the door. Then she SHIMMERS out.

Soon after, Jessica and Ella come in. They look at the door and then come in.

JESSICA

There’s no one here.

ELLA

Well, probably they left.

Jessica glances around and her eyes stop at the Book of Shadows.

JESSICA

(staring at the book)

I still don’t understand why they put it back there.

ELLA

(glances at the book)

Some things have been happening. It’s been needed.

JESSICA

It attracts evil.

ELLA

It fights evil, Jess. Come, ---

(turns around)

--- Let’s make us some dinner. We need to feed that baby.

Ella leaves the attic. Jessica stares at the Book of Shadows, seriously.

CUT TO:

INT. CEMETERY - EVENING

ON A TOMBSTONE - IT READS:

JOSEPH ANTONY BLADE

1974 - 2004

‘Loved son’.

Phoebe and Junior stand before the tombstone and stare at it. Phoebe holds a bottle with a green potion.

PHOEBE

Can you orb his bones out of there?

JUNIOR

Sure.

Junior WAVES his hands up and soon the dirt and Joseph's skeleton lift up out from the ground.

PHOEBE

I’m having a strong déjà vu.

Junior looks at Phoebe.

PHOEBE (CONT'D)

Last time it was my sister Prue who did that whith a ghost who was trying to murder all males in a family.

JUNIOR

Let’s make sure this ghost doesn’t get to that?

Phoebe nods. Then Phoebe takes the lid of the bottle of potion.

PHOEBE

Alright. Here goes nothing.

Phoebe drops the liquid on the bones entirely.

ON THE BONES - They burn as the potion touches them.

JUNIOR

It is done.

Phoebe and Junior watch as the bones turn into ashes.

CUT TO:

INT. PRUE’S CONDO - DINING ROOM / ENTRANCE - EVENING

ON DINING TABLE - It’s all set for a romantic dinner. There’re candles there.

The only light in the place comes from the candles.

OFF TO THE FRONT DOOR - It opens. Nate comes in. He holds his briefcase and stops as he sees the table. Nate smiles. He closes the door behind him and puts the briefcase on the floor.

OFF TO PRUE - She comes from the bedroom wearing a short red dress that doesn’t hide her pregnant belly. Her hair is loose on her shoulders. She smiles at Nate.

Nate looks at Prue and his smile gets bigger.

NATE

Is this all for me?

PRUE

For us. I think we deserve it, don’t we?

Nate smiles and walks fast towards her. He pulls her close and both share a passionate kiss.

PRUE (CONT'D)

Maybe we should start with dessert.

Nate smiles and keeps kissing her as both of them head into the bedroom.

CUT TO:

INT. CUPID’S TEMPLE - REVELATION’S ROOM - EVENING

Wyatt stares at the Cupid statue. Chris stares at him.

WYATT

I can’t believe this, Chris. It’s too insane. I mean, ---

Wyatt turns to Chris.

WYATT (CONT'D)

--- I know I love her, but we ---

CHRIS

You are meant to be, Wyatt. Please, believe it.

Wyatt is nervous. He doesn’t know what to do.

OLDER PRUE (O.S.)

Hey, you!

Wyatt and Chris turn to the cloudy walls. The clouds disappear while a ten years older version of Prue appears. She’s in the Halliwell Manor. Walking towards her, Wyatt comes in or a ten years older version of him.

Wyatt and Chris stare seriously at it.

OLDER WYATT

Hey, wife!

They walk towards each other and kiss.

OLDER PRUE

I’ve missed you all day.

OLDER WYATT

I had a full day at work. Where are our little witches?

Older Prue smiles.

OLDER PRUE

Just got them into bed. Tina was so excited that she didn't want to fall asleep.

OLDER WYATT

Well, she takes after her mother. When she gets something in her mind, not easy to make her give up on that.

WYATT

Tina?

CHRIS

Jo.

Wyatt swallows.

OLDER WYATT

But I love you, no matter what.

OLDER PRUE

Well, I love you too. Actually, I’ve been in love with you since the beginning of times and I’ll love you until the end of times.

OLDER WYATT

We’re bound for eternity. No matter how many try to pull us apart, we always find our way to each other.

Prue smiles.

OLDER PRUE

We’ve done that a lot, haven’t we?

OLDER WYATT

Do you think we are done doing that?

OLDER PRUE

Who cares?! We always find our way back.

They kiss again. The image FADES AWAY and the clouds appear again.

ON WYATT - He’s serious.

WYATT

We always find our way to each other.

Wyatt turns to Chris.

WYATT (CONT'D)

I believe it.

Chris smiles.

WYATT (CONT'D)

Our souls are bound together, Chris.

CHRIS

They are.

They stare at each other.

WYATT

I need her.

CHRIS

She needs you too, Wyatt. Now more than ever.

Wyatt nods. Then he ORBS out. Chris smiles and looks at the statue of Cupid.

CHRIS (CONT'D)

I hope this works.

ON CUPID’S STATUE.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - NIGHT

Prue and Nate are on the bed. Nate unzips Prue’s dress as he keeps kissing her. Then ---

BEAT. Nate is STILL. Prue pulls back and stares at him.

PRUE

Nate?

She looks aside and sees Wyatt standing by the doorway.

PRUE (CONT'D)

(surprised)

Wyatt?

Prue gets off the bed and walks towards Wyatt.

PRUE (CONT'D)

What the hell are you doing here?

WYATT

Stopping you from doing something you’ll regret.

PRUE

Are you crazy? I wouldn’t regret making love to my husband.

WYATT

I am your husband.

Prue is astonished.

PRUE

Okay, now I know you’re out of your mind.

WYATT

I’m not. I might not remember, but I believe.

Wyatt approaches her and both stay inches from each other.

MUSIC STARTS PLAYING: JENNIFER RUSH ‘POWER OF LOVE’

WYATT (CONT'D)

We always find our way to each other, Love.

Wyatt pulls her to him and kisses her passionately. As he does, a WAVE comes from them and into the whole room.

CUT TO:

INT. DAMON’S APARTMENT - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Melinda is sitting on the couch.

OFF TO DAMON - He comes in holding a cup of coffee.

Damon walks towards Melinda and hands her the cup of coffee. When she’s about to take her, the WAVE passes through her. She stops still and then looks at Damon.

MELINDA

I remember.

They stare at each other.

CUT TO:

INT. P3 - DANCING FLOOR - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Bianca is there. She glances around and takes a deep breath. Chris ORBS in before her. They look at each other.

BIANCA

(a tear running down her face)

She’s gone. Jo.

At that moment, the WAVE passes through Chris. He stands still for moments, then he stares seriously at Bianca.

CHRIS

I finally remember.

Chris rushes to her and hugs her.

CUT TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING ON THE BACKGROUND.

ON BABY ANDREW - He sleeps tightly in Cassandra’s arms.

OFF TO CHARLOTTE - She comes in and stares at them.

The WAVE passes through them. Both stare at each other astonished.

CASSANDRA

Do you ---?

Charlotte nods.

CHARLOTTE

My memories. They are back.

Both of them smile.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Tamora and Sebastian are there sitting side by side.

OFF TO A CONFUSED PANDORA - She comes in.

Tamora and Sebastian look at her.

TAMORA

Did the pills work?

PANDORA

I guess it wasn’t needed. They bound her powers. And I was there, but don't remember ever getting into ---

Pandora is cut off by the WAVE that passes through Tamora and Pandora. They get serious and stare at each other.

TAMORA

My God!

SEBASTIAN

What?

Tamora looks at Sebastian.

PANDORA

Our memories.

TAMORA

They’re back.

The three of them glance at one another.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Melissa is lying on the bed leaning her back on the headboard. She’s reading a book.

OFF TO JUNIOR - He ORBS in.

Melissa takes her eyes from the book and stares at him.

At that moment, the WAVE passes through Junior. His expression changes. He looks astonished at Melissa.

MELISSA

What is it?

JUNIOR

It’s all back.

They stare at each other.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Piper, Phoebe, and Paige are sitting by the table. They are having coffee.

PAIGE

(to Piper)

I should take you back to New Orleans.

PIPER

Yeah. We need to keep digging.

PHOEBE

We will.

At that moment, the WAVE passes through them. At first, they stare still astonished. Then they glance at one another.

PHOEBE

Our memories ---

PIPER

Your daughter was right.

They stare at one another.

CUT TO:

INT. PRUE’S CONDO - BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Nate is still frozen in the bed. Wyatt and Prue are still kissing. Prue pulls back and stares astonished at him.

PRUE

Why did you ---

She cuts herself off as everything gets back to her mind. Wyatt stares seriously at her. She takes a moment to think. Then she looks at him.

PRUE (CONT'D)

Honey?

Wyatt smiles big.

WYATT

It’s me, love.

Prue smiles big.

PRUE

I’m so sorry. I forgot about us.

WYATT

It’s okay. We are back.

They kiss each other. Then, Prue turns to Nate.

PRUE

Why is he still here?

WYATT

I don’t know.

Prue turns to Wyatt.

PRUE

Wait.

Prue’s expression hardens.

PRUE (CONT'D)

Tina.

(looks at him)

She’s gone. She faded away before my eyes and I didn’t even care.

Prue's eyes get wet. A tear runs down Prue’s face.

PRUE (CONT'D)

(cried hard)

I forgot my daughter and now we lost her.

WYATT

We’ll get her back.

PRUE

Where is our daughter, Wyatt? Where is she?

Wyatt pulls her to him and hugs her tightly. Prue cries in his arms.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF DAY

MUSIC FADES OFF.

ON JO’S FACE - She’s unconscious.

The camera moves away from her face. There’s nothing there. The place is all black; floor, walls (if there's any). Jo’s body lays on the black floor. Nothing else; no one else is there.

CUT TO BLACK.

END OF THE EPISODE