5x08 - The Truth Won't Set You Free

[Prue Brianna Johnna Halliwell]

DESTINED

'THE TRUTH WON'T SET YOU FREE'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over the town at the sound of ‘Alors On Danse’ by Stromae.

Several places all over the town are been shown.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

MUSIC FADES OFF.

ON THE BOOK OF SHADOWS - It is opened on a page:

The Truth Spell Page

Pandora is standing in front of the BOS. Her eyes are fixed on the Warren Book of Shadows. She is thoughtful. Serious.

PANDORA

Cast it or not cast it?

She touches the page of the book where the spell is.

PANDORA (CONT'D)

I can’t.

Pandora closes the book. Determined not to cast the spell. Then she ORBS out.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Chris is having a cup of coffee by the counter. Ella is preparing some French toasts.

CHRIS

Both of them?

ELLA

Well, ---

Ella says as she puts the toasts in two plates and hands one to Chris.

ELLA (CONT'D)

--- I haven’t seen him. Apparently, he left before she woke up.

CHRIS (CONT'D)

Weird. He has been leaving earlier and coming home very late in the night.

ELLA

How are things at work?

Ella takes her plate and sits on the table.

CHRIS

Normal.

ELLA

Well, something must be happening. He’s been acting weird. Not normal behavior for someone who is going to be a father.

CHRIS

So, it’s true.

ELLA

You know it is.

Ella takes her toast to her mouth.

CHRIS

I don’t know. It’s just that they’ve been trying for so long that it almost seems impossible for this to be happening.

ELLA

It should be happening for us too. If only ---

CHRIS

Ella! It will happen when it’s supposed to.

ELLA

(stands)

Not that soon. You haven’t even touched me for weeks. You’ve been sleeping in Mel’s old bedroom.

CHRIS

Well, I’m not in the mood. And besides, at least sleeping in another room has kept us from fighting before bedtime.

ELLA

Oh, really?

Ella crosses her arms before her chest and stares at him with a mad expression on her face.

ELLA (CONT'D)

Not in the mood? And about Bianca? Will you get on the mood with her? Will you sleep in your own bedroom if it was her there waiting for ya?

CHRIS

Enough!

Chris puts his cup on the counter. He has gone into his nerves. He is mad and it can be seen by the expression on his face.

CHRIS (CONT'D)

I’m tired of this. You know what?

They stare at each other.

CHRIS (CONT'D)

I’m done. This is over.

ELLA

What?

And just like that, Chris ORBS out.

ELLA (CONT'D)

Chris! Chris, come back here immediately. CHRIS!

Ella seems astonished. She doesn’t know what he meant. Actually, she knows, she just can’t believe it.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Jensen Ackles as Eric

Katie Cassidy as Melissa


Special Guest Starring

Sol Esteves as Melinoe

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Nikolaj Coster Waldau as Omega

Ming-Na Wen as Sigma

Chris Wood as Ethan

Stephen Amell as Johnathan

Scarlett Pomers as Lucinda

Unknown actors as Mr. Wells 

Unknown actresses as Raven Witches

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the town at the sound of ‘Don’t Start Now’ by Dua Lipa.

Several places all over the town are being shown as the music plays.

CUT TO:

EXT. P3 - DAY

MUSIC KEEPS PLAYING.

Prue’s car is parked outside.

CUT TO:

INT. P3 - PRUE’S OFFICE - DAY

TWO BODIES. Very close to each other. Their hips touching each other. Their hands touching each other's bodies over their clothes. THIS IS A FAMILY SHOW!

Prue and Wyatt are kissing each other passionately.

WYATT

I couldn’t go to work without having a good day kiss from you.

Prue smiles.

PRUE

I couldn’t either.

They keep kissing each other.

WYATT

Wait.

Wyatt pulls apart.

WYATT (CONT'D)

What about the girl?

PRUE

What girl?

WYATT

Jo.

PRUE

Oh, don’t worry about her.

Prue approaches him and kisses him. Wyatt puts his hands on her waist.

OFF TO THE DOOR - SOMEONE OPENS IT.

Beat. Jo comes in.

JO

Prue, I ---

Jo stops as she sees both her parents kissing each other. Wyatt and Prue pull apart immediately.

WYATT

(to Prue)

Don’t worry about her, huh?

Prue half-smiles.

JO

(smiles)

I’m sorry, I ---

WYATT

Look, this is not what you think.

JO

Oh, isn’t it? I’ve done that. I’ve been there. I think I know what kissing looks like.

Prue and Wyatt exchange glances.

PRUE

Jo ---

JO

Please, don’t stop because of me.

Jo can’t stop smiling.

WYATT

Why are you smiling? This is serious.

JO

Oh, no. Don’t worry. Nate and Jessica won’t hear a thing from me. Trust me.

WYATT

Nate and Jessica.

Wyatt looks at Prue.

PRUE

Wyatt, don’t blow it, okay?

WYATT

It’s not fair what we’re doing to them, Prue.

Prue lowers her glaze. Wyatt turns to Jo.

WYATT (CONT'D)

Please, don’t say anything about this.

(turns to Prue)

Talk to you later?

Prue looks at him and nods. Then Wyatt leans over her and kisses her cheek. Then he ORBS out. Prue turns to Jo.

PRUE

Seriously that you had to mention them?

JO

Sorry, mum. But since when have you’ve been hooking up with dad?

Prue looks at her.

PRUE

Hooking up? What language is that?

JO

That’s exactly what I caught you both doing.

Prue sighs.

PRUE

Since the night I came back from ancient Egypt.

JO

Oh! It was the passion of Isis and Osiris that inspired you?

Prue stares at Jo.

PRUE

Very funny.

Jo smiles.

JO

I’m just so happy.

PRUE

Well, there’s no reason to celebrate. He hasn’t remembered that I’m his wife.

JO

True. But he will. And now, I must tell you something. I don't know how he does, but ---

Jo, suddenly, turns serious.

PRUE

What is it?

JO

Remember when Chris heard me calling you mum? I think Chris knows that I’m yours and Wyatt’s daughter.

PRUE

(surprised)

What? How?

JO

Well, he is not 100% sure, but still. He suspects that I’m your daughter and said that I have some resemblances to Wyatt.

PRUE

Did he confront you with that?

Jo nods.

PRUE (CONT'D)

That’s a good sign. 

JO

I think that too. But there’s more you should know.

PRUE

About?

JO

Well, ---

Jo gets a little bit nervous.

JO (CONT'D)

It’s about Jessica.

PRUE

That slut.

JO

Mum, please.

PRUE

Look, honey, I really don’t want to hear anything about her, okay?

JO

But, mum ---

PRUE

No, Jo. Please. Not now.

Prue walks out of the office. Jo turns to her as she leaves and sighs.

JO

You should know that she’s pregnant, mum.

Jo walks out after Prue.

CUT TO:

EXT. NATIONAL MUSEUM - DAY

A couple heading up the stairs towards the entrance.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA’S OFFICE - DAY

Tamora comes in followed by her sister, Pandora.

PANDORA

I’m telling you. It’s not a good idea.

Tamora, who’s carrying some documents, puts them on the desk and turns at Pandora.

PANDORA (CONT'D)

It could backfire. It always does.

TAMORA

You are thinking too much on the consequences. What have you done to my sister?! You must be an impostor.

Tamora smiles making fun of Pandora.

PANDORA

It’s not funny, Tam. You know what happens when we cast spells without thinking it through. 

TAMORA

I do know what happens. I’m the responsible twin, remember?

PANDORA

Ja, ja. Very funny again.

TAMORA

Look, Pan, ---

Tamora leans on the desk.

TAMORA (CONT'D)

--- Don’t you want to find out how your boyfriend would react if you tell him the truth about us?

Pandora nods.

TAMORA (CONT'D)

Then do it. Just make sure you don’t get anyone else into it.

PANDORA

Easy to say.

TAMORA

Easy to do. The other option is for you to tell him the truth.

PANDORA

I can’t.

TAMORA

Have you tried?

PANDORA

No.

TAMORA

Then?

OFF TO THE ENTRANCE - Sebastian comes in.

TAMORA (CONT'D)

Hey, you!

Tamora walks towards Sebastian and both share a kiss. Pandora rolls her eyes.

SEBASTIAN

Ready for lunch?

TAMORA

Yes. 

(to Pandora)

Do you want to join us?

PANDORA

No. I’m meeting Ethan.

TAMORA

Well, good luck with that.

(to Sebastian)

Where are we going?

SEBASTIAN

I booked us a table at Halliwell’s.

TAMORA

Great. I’m dying to try the new special. Bourbon Pecan Chicken!

Sebastian smiles.

SEBASTIAN

Let’s go. See ya, Pan.

PANDORA

Enjoy!

Sebastian and Tamora leave the office.

PANDORA (CONT'D)

How can she eat and don’t get fat?!

Pandora grimaces. Then she ORBS out.

CUT TO:

INT. DAMON’S APARTMENT - ENTRANCE - DAY

Melinda opens the entrance door. Chris is there and as soon as Melinda opens the door, he looks seriously at her.

MELINDA

So, it’s serious?

Chris nods. He comes in. Melinda closes the door behind him.

CHRIS

Pretty serious.

Melinda signs him to walk into the living room. They both head in.

CUT TO:

INT. DAMON’S APARTMENT - LIVING ROOM - DAY

Chris and Melinda come in.

MELINDA

You’re worrying me.

Chris turns to Melinda.

CHRIS

You’ve been spending time with Jo.

MELINDA

Yes, I have.

CHRIS

So?

MELINDA

So, what?

CHRIS

Do you believe in this insanity?

MELINDA

The reality-warping thing?

Chris nods.

MELINDA (CONT'D)

I’m tempted to.

Chris sits and Melinda sits across from him. They stare at each other.

CHRIS

What if I tell that I am tempted to believe it too?

Melinda’s eyes widen.

MELINDA

I know my reasons. Which would be yours?

CHRIS

Jo. She’s Prue’s daughter.

Melinda doesn’t seem surprised. Chris notices it.

CHRIS

Which you knew.

MELINDA

She told me about it.

CHRIS

Well, I heard her calling Prue mum when we first met her. Then, I’ve been noticing some similarities. Not only with Prue but also with ---

MELINDA

Wyatt.

Chris looks at Melinda. He is surprised.

MELINDA

She told me that too.

CHRIS

She confirmed that to you?

Melinda nods.

CHRIS (CONT'D)

And you believe her?

MELINDA

Honestly, Chris, I do.

Melinda stands. She walks towards the window and then turns to Chris.

MELINDA (CONT'D)

The other day when we went to ancient Egypt, I’ve seen how right that was. Isis and Osiris were no other than Prue and Wyatt’s past life.

CHRIS

(surprised; stands)

What? But how?

MELINDA

Apparently, they were Angels who fell from grace and became the Gods of Egypt. Both of them were a couple. Just like we’ve read it in history books.

Chris gets thoughtful.

MELINDA (CONT'D)

They loved each other. Deeply. So, I wonder ---

Chris and Melinda look at each other.

CHRIS

There was a time I thought they would end up together.

MELINDA

They are cousins, Chris.

CHRIS

Destined to be together. That might change all the things we believe in, Mel. We don’t live an ordinary life.

MELINDA

No, we don’t.

Melinda takes a deep breath.

CHRIS

She was right about us being Destined Ones. That wasn’t just a rumor. It was truth and not some random thing that demons came up with.

MELINDA

And the Charmed Ones. The three of us are the new Power of Three.

CHRIS

Maybe she’s right about this too.

MELINDA

Yeah.

CHRIS

But there’s something that can complicate it all.

MELINDA

Which is?

CHRIS

Jessica is pregnant.

Melinda’s eyes widen again.

MELINDA

What? When?

CHRIS

I just learned that the day the three of you traveled back in time.

MELINDA

Why haven’t I learned about it?

CHRIS

I asked Ella not to tell anyone. And I guess Jess and Wyatt haven’t shared it either.

Melinda sits astonished with the news.

MELINDA

That complicates it all.

(looks at Chris)

What if we go back to that reality Prue says that is the right one? What happens to the baby?

CHRIS

I don’t know, Mel. What I know is that if Prue and Jo are right, we can’t live this fake life.

Chris and Melinda stare at each other seriously.

MELINDA

What do we do?

Chris shrugs. Melinda buries her face between her hands. Chris takes his hands towards his hips and takes a deep breath.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

A woman comes walking down the dark corridors of the Underworld. She wears normal clothes. Jeans and a tank green top with knee-length high heels boots. She’s a redhead. Her long hair is loose around her shoulders. Her name is LUCINDA JONES(30’s).

Lucinda seems carefree and barely realizes the figure that appears before her.

OFF TO - Omega FADES in before Lucinda.

Lucinda stops and shoots Omega a look. She doesn’t know him, but for his looks, she can tell what he is.

LUCINDA

Not a place for ya.

OMEGA

Not a place for you either, Lucinda.

LUCINDA

How do you know my name?

OMEGA

If you know what I am, you know that I know people’s names.

Lucinda looks him up and down.

LUCINDA

What do you want?

OMEGA

A favor.

Lucinda smiles sarcastically.

LUCINDA

A favor?

(laughs)

What would an Avatar need from a witch like me?

Lucinda walks around Omega looking him up and down.

OMEGA

An evil witch, you mean.

Omega turns to her.

OMEGA (CONT'D)

Expelled from her coven because her sister witches didn’t like her methods.

LUCINDA

You know nothing, Avatar.

Omega half-smiles.

OMEGA

I know a lot. And I know that you want revenge from your sister witches.

Lucinda looks aside. Then she looks straight to Omega.

LUCINDA

I have no powers against them. Their powers together are stronger than my singular power.

OMEGA

I can help with that. You just have to do something for me.

LUCINDA

Which is?

OMEGA

I need you to kidnap someone for me.

LUCINDA

Who?

Omega smirks.

OMEGA

Prue Halliwell.

Lucinda stares at him astonished.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

Some ambulances are parked outside.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - COFFEE SHOP - DAY

Ethan and Eric take their coffee from the counter and head to a table where they sit.

ETHAN

It’s like sometimes she seems like she’s hiding something from me.

Eric has a sip of his coffee while looking at Ethan.

ERIC

Hiding something like what?

ETHAN

I don’t know. Sometimes is like she wants to say something but she doesn’t. She disguises.

ERIC

(disguising)

You must be imagining things.

ETHAN

Yeah, it must be that. But I don’t know. I feel that there must be something missing between Pan and me.

OFF TO THE ENTRANCE - Pandora comes in.

She spots Eric and Ethan straight away and walks towards them.

PANDORA

Hey, you two!

ERIC

Hey, Pan!

Ethan stands up and kisses her.

ETHAN

You didn’t say you were coming.

PANDORA

I wanted to surprise you. Lunch together?

ETHAN

Oh!

Ethan looks at Eric.

ETHAN (CONT'D)

We just had lunch.

PANDORA

(disappointed)

Oh!

Ethan notices the disappointment on her face.

ETHAN

But I still have time to spend.

Ethan looks at Eric who nods.

ETHAN (CONT'D)

I can keep you company while you have lunch.

PANDORA

You do?

Pandora’s face lightens. Ethan nods.

PANDORA (CONT'D)

Great!

ETHAN

I’m gonna take off my robe and I’ll be right back.

Pandora nods. Ethan leaves. Eric stands and looks at her.

ERIC

Have you ever thought of telling him your secret?

Pandora looks at Eric.

ERIC

He knows you’re hiding something.

PANDORA

I know.

ERIC

Then?

PANDORA

I’m just ---

ERIC

Afraid?

Pandora nods.

ERIC (CONT'D)

If your love is real, nothing can’t break you two apart.

Eric smiles. Pandora shoots him a thankful smile. Then Eric leaves. Pandora is thoughtful.

CUT TO:

INT. UNDERWORLD - CORRIDORS - DAY

Lucinda and Omega are staring at each other, seriously.

LUCINDA

You must be insane.

Omega smiles.

LUCINDA (CONT'D)

I don’t have powers to do so. It’s Prue damn Halliwell!

OMEGA

You won’t do it alone.

LUCINDA

What do you mean?

OMEGA

I can get you a few demons.

Lucinda laughs sarcastically.

LUCINDA

Demons? You must be kidding me. I work for them. I get them potions and spells they need. In exchange, they let me stay here peacefully.

OMEGA

I can get a few to help you.

LUCINDA

Why are you messing with the Halliwells? Do you have a short memory? Don’t you know that they blew your plans in the past?

OMEGA

I haven’t forgotten that. But I have my reasons.

They stare at each other.

LUCINDA

What am I supposed to do to her?

OMEGA

Just kidnap her. You must not hurt her.

LUCINDA

What’s the point?

OMEGA

I have my reasons.

(pauses)

I’m gonna tell you what you must do. Now, listen to me.

Lucinda nods. Omega talks, but his voice is mute.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FAST MOTION footage all over the town.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Prue is sitting by the counter at her computer. Jo is sitting beside her while Bianca is inside the counter checking some beverages. Every now and then Bianca and Jo exchange glances.

PRUE

I don’t know why I bother checking those numbers. I should be trying to get to my real life.

BIANCA

How are going things between you and Nate?

PRUE

Not going.

Jo and Bianca exchange glances.

JO

Mum has been hooking up with Wyatt.

Prue raises her eyes from the screen and shoots Jo a look.

JO (CONT'D)

Hooking up.

BIANCA

But Nate ---

PRUE

He’s not my real husband.

BIANCA

He doesn’t know that. Do you think he deserves that you betray him?

PRUE

I’m not betraying him.

Prue seems mad.

JO

Mum, there’s something you must know.

PRUE

About the slut?

Jo nods.

PRUE (CONT'D)

I told you I don’t want to hear anything about her.

JO

But this is important.

Jo and Bianca exchange glances. Prue notices this is important. She closes her laptop and stares at them.

PRUE

Spit it out!

Jo takes a deep breath.

JO

We found out a few days ago and didn’t know how to tell you.

PRUE

Tell me what?

Jo takes a deep breath.

JO

Jessica is pregnant.

Prue’s eyes widen.

PRUE

What?

JO

Mum, you must remain calm.

PRUE

Calm?

Prue starts getting anything but calm.

PRUE (CONT'D)

She can’t be pregnant.

BIANCA

But she is.

PRUE

It can’t be.

Prue stands and starts pacing the place.

PRUE (CONT'D)

She can’t. Wyatt wouldn’t ---

Prue starts breathing fast. Jo approaches her.

JO

Mum, he thinks he is married to her.

Prue turns to Jo.

PRUE

He’s not! He is my husband.

Prue gets dizzy. Jo tries to hold her.

JO

Mum, are you okay?

Bianca approaches them quickly.

BIANCA

Prue?

Prue looks at them.

PRUE

I’m okay. I need to see Wyatt.

JO

Mum ---

Prue BEAMS out. Bianca and Jo exchange glances.

JO

What are we going to do?

Bianca doesn’t know. Both of them look at each other.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

Jared is pacing the cave. He seems mad. Jessica stands close to the Water Pit. She looks down at it, but there are no images there.

JARED

You are so stupid, Jess!

JESSICA

What would you want me to do? At least this way he won’t think about Prue.

Jared turns to her, mad.

JARED

Are you sure about that, sis? Has he touched you since he found out you’re pregnant?

Jessica looks aside.

JARED (CONT'D)

He hasn’t! What are you going to do when everybody starts questioning why your belly hasn’t shown?

JESSICA

I plan to get pregnant till then. I still have the potion you gave me. But I must tell you, it’s not that powerful. The other day, when I used it, it seemed like it was going to work, but it didn’t.

Jared walks quickly towards her and holds her strongly by her upper arms.

JARED

Find a way to get pregnant quickly, sis! Otherwise, you’ll get to suffer the weight of my rage.

Jessica manages to get off him.

JESSICA

Are you crazy? You came up with this plan full of faults.

(pauses)

You could have erased her from existence.

JARED

I couldn’t. You know that! I’ve told you many times.

Jared turns around, mad.

JARED (CONT'D)

Leave!

(pauses)

Leave and make sure you get your husband to bed soon.

Jessica rolls her eyes and then SHIMMERS out.

JARED (CONT'D)

Your fool.

Jared cries out loud.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

ON THE DOOR - It opens. Pandora comes in glancing around.

PANDORA

Hello? Anybody at home?

No one answers.

PANDORA (CONT'D)

(to herself)

I’d better check the whole place and make sure.

She enters the house closing the door behind her and heads inside.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Melissa is by her desk. She is smiling as she checks her cell phone.

OFF TO THE DOUBLE DOORS - They open and Chris comes in followed by Melinda.

MELINDA

Are you sure this is a good idea? Wyatt won’t believe us just like that.

CHRIS

I know. But what else can we do?

Melissa raises her eyes and sees them. She stands and walks towards them.

MELISSA

Hey, guys! Mel? What are you doing here?

CHRIS

We need to speak to Wyatt.

MELISSA

He is in his office. Came in serious and hasn’t left the office since then. He hasn’t even got lunch.

MELINDA

Is that so?

Melissa nods.

MELISSA (CONT'D)

I’ve tried to talk to him, but ---

CHRIS

Okay. We’ll see what's going on.

MELISSA

Good luck.

Chris and Melinda head towards Wyatt’s office.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

Wyatt is sitting at his desk. He is staring seriously at a frame.

ON THE FRAME - It is a photo of Jessica. She is smiling in the photo.

WYATT

What am I doing?!

He sighs.

WYATT (CONT'D)

I’m going to be a father. This is wrong.

(pauses)

But why does it feel so right?

OFF TO THE DOOR - It opens. Chris and Melinda come in.

CHRIS

Wyatt?

Wyatt raises his eyes to them.

MELINDA

Can we talk to you?

Wyatt nods. He puts the frame right beside his computer.

WYATT

What are the two of you doing here?

Chris closes the door and both approach Wyatt’s desk. They both sit across Wyatt.

MELINDA

Chris has told me that Jessica is pregnant.

Wyatt looks down.

MELINDA (CONT'D)

For someone that’s going to be a father, you seem sad.

Wyatt looks at her.

MELINDA (CONT'D)

Isn’t that what the two of you wanted for so long? A child?

WYATT

Why are you asking me that, Mel?

MELINDA

Because you were supposed to be happy, Wy. Why aren’t you?

Wyatt stands.

WYATT

I am.

CHRIS

No, you are not, Wyatt. We know you.

Wyatt turns to them.

WYATT

I’m just ---

MELINDA

Confused?

Wyatt looks at Melinda for a while then he nods.

MELINDA (CONT'D)

Who’s responsible for that confusion of yours?

WYATT

What do you mean?

MELINDA

You and Jessica loved each other very much. And now, out of a sudden, you seem like you don’t love her that much.

WYATT

Of course, I do. I just ---

Melinda stands.

MELINDA

You just don’t love Jessica the way you did. Maybe you never loved her for real.

Wyatt swallows.

CHRIS

(stands)

Wyatt, there’s something we must talk about.

WYATT

What is it?

Melinda turns to Chris. Then she turns to Wyatt.

MELINDA

Nothing important.

CHRIS

Mel?

Melinda turns to Chris and shoots him a look.

WYATT

What is it?

Chris looks at Wyatt.

CHRIS

(lying)

We were just worried about you, Wyatt, and you must know that no matter what, we’ll support you.

WYATT

Thanks, guys, but ---

Melinda turns to Wyatt.

MELINDA

You seem very confused, Wyatt. Know that you can talk to us about what’s bothering you, okay.

WYATT

Thanks.

MELINDA

We must go.

Melinda turns to Chris and shoots him a look to follow her. Chris half-smiles at Wyatt and then follows his sister. They leave the room as Wyatt watches them leaving.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Melinda comes followed by Chris.

CHRIS

Mel, we were supposed to tell him what we know.

Melinda turns to Chris.

MELINDA

We know nothing, Chris. We are suspicious of something but have no proves.

Chris sighs.

MELINDA (CONT'D)

We need more.

CHRIS

You might be right.

MELINDA

We need to talk to Jo.

CHRIS

Jo?

MELINDA

Yes. Now, come.

Both Melinda and Chris head out.

ON MELISSA - She is still smiling as she checks her text on her cell phone.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Junior is sitting on the couch. He is staring at his cell phone and smiling. Tamora ORBS in front of him.

TAMORA

Hey!

Junior jumps.

JUNIOR

Jesus! Tam, what the hell?

TAMORA

Jesus and hell in the same sentence? Junior!

JUNIOR

You scared the hell out of me.

TAMORA

If you’d stop staring as a fool at that phone of yours, you wouldn’t get scare of anything.

JUNIOR

Very funny, you.

TAMORA

Have you seen Pan? I’ve tried to call her, but can’t reach her.

JUNIOR

Have you tried to sense her?

TAMORA

I don’t like to sense her. Don’t want to show up unannounced.

JUNIOR

Well, I haven’t seen her.

Tamora and Junior sit side by side.

TAMORA

What are you doing home, anyway?

JUNIOR

(sarcastic)

Day off, sis. Some of us need them.

TAMORA

Who’s that?

JUNIOR

Who's who?

TAMORA

The one that keeps you far away from here.

Junior stands.

JUNIOR

No one. I’m out!

Junior walks out the room.

TAMORA

Someday, I’ll find out who you’re dating, J.

JUNIOR (O.S.)

Not a chance!

Tamora smiles. Then she takes a deep breath.

TAMORA

Let’s try to sense my sister.

Tamora sits back.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Pandora is standing before the Book of Shadows. The book is open.

ON BOS’ PAGE - It is open on the Truth Spell page.

Pandora takes a deep breath.

PANDORA

Okay, you win!

She is serious.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

ON WYATT - He ORBS in. Right then, Prue BEAMS in.

They look at each other.

WYATT

You sounded serious.

PRUE

Because this is serious.

(pauses)

Is Jessica pregnant?

Wyatt swallows.

OFF THE FRONT DOOR - Jessica comes in and spots them. She doesn’t like it, but tries to disguise.

JESSICA

Honey?

Prue turns around and sees Jessica. Wyatt looks at his wife.

JESSICA (CONT'D)

Prue? Came to visit?

Jessica closes the door behind her and approaches them. Jessica puts her arms around Wyatt’s neck and kisses him passionately.

Prue’s makes a disgusting face.

Jessica and Wyatt pull apart. Then Jessica turns to Prue.

JESSICA (CONT'D)

Have you heard the news?

Prue and Jessica stare at each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Pandora has her hands over the book and starts chanting.

PANDORA

(chanting)

‘For those who want the

truth revealed,

Opened hearts and secrets

unsealed,

From now until it's

now again,

After which the memory

ends.

Those who now are

in this house,

Will hear the truth

from other's mouths.’

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

Prue and Jessica stare at each other. Jessica has a big smile on her face. Wyatt stares at them.

JESSICA

So? Have you?

WYATT

Jess, please.

PRUE

I have.

JESSICA

Won’t you congratulate me, then?

PRUE

Never.

Prue turns to Wyatt.

PRUE (CONT'D)

Is it true that she’s pregnant?

Wyatt nods.

PRUE (CONT'D)

Why didn’t you tell me?

WYATT

I didn’t want to hurt you.

JESSICA

What? Why would you be afraid of hurting her?

WYATT

Because I care a lot about her.

JESSICA

What?

Wyatt is surprised at his own words.

WYATT

I don’t know why I said that.

PRUE

Oh, you don’t, huh? So, you don’t care about me?

WYATT

Of course, I care about you.

Jessica is mad.

JESSICA

This is unbelievable. You aren’t even denying it.

PRUE

Indeed!

OFF TO THE ENTRANCE - Tamora comes in.

TAMORA

Hey, guys!

They turn to Tamora.

WYATT

Life saver. Thank you.

PRUE

What are you doing here?

TAMORA

Sensed my sister here. I’m worried she could do something stupid.

Tamora grimaces as she realizes what she said.

PRUE

What kind of stupidity could Pan do?

TAMORA

Casting a spell.

Again, Tamora is surprised at what she said.

TAMORA (CONT'D)

I don’t know why I said that.

PRUE

A spell?

Tamora nods.

PRUE (CONT'D)

No, she didn’t. She wouldn’t.

WYATT

She wouldn’t what?

JESSICA

Oh, Love, why do you care. This woman is mental.

PRUE

I’m not mental. Who do you think you are to speak to me like that?

JESSICA

I’m the one who is going to turn your life into a living hell.

WYATT

(surprised)

Jessica!

Prue smiles.

PRUE

Oh, I like this. Let her speak.

(to Jessica)

What is it that you have against me?

It seems like Prue has already figured out what’s going on.

JESSICA

You’ve taken everything from me! That’s why I hate you this much.

PANDORA (O.S.)

Guys?

OFF TO THE STAIRCASE - Pandora comes downstairs.

PANDORA (CONT'D)

What are you guys doing here?

They look at Pandora.

WYATT

Having a discussion, isn’t it obvious?

PANDORA

Yes, it is.

PRUE

What the hell did you do, Pan? Please tell me you didn’t cast the Truth Spell.

ON PANDORA - She makes a guilty look.

WYATT

The Truth Spell?

PANDORA

I did.

Prue rolls her eyes.

PRUE

Why in the world would you do that?

PANDORA

I wanted to see Ethan’s reaction when he learns that I’m a witch.

WYATT

You have any idea what you did?

PANDORA

I thought no one was at home.

JESSICA

What does this Truth Spell do?

PRUE

Isn’t it obvious? It makes you say the truth.

JESSICA

What?

Jessica starts getting worried.

WYATT

(to Pandora)

When did you cast it?

PANDORA

Just now.

PRUE

The four of us were caught in the middle.

JESSICA

What does it mean?

PANDORA

It means that we will hear the truth from other’s mouth every time we ask something.

PRUE

But they will also hear the truth from ours mouth.

JESSICA

What? That’s terrible.

PRUE

Oh really?

(smiles)

Why are you so ---

JESSICA

Stop it right there. Don’t finish any question. I’m out.

And just like that Jessica runs out through the from door.

PRUE

She’s hiding something. Why else would she run from me?

TAMORA

You can be scary sometimes.

Prue shoots Tamora a look. Tamora shrugs.

WYATT

This is serious.

(to Pandora)

Can you undo it?

PANDORA

(shaking her head)

It last 24 hours.

PRUE

Of course, it does!

TAMORA

Good. I won’t be any closer to none of you. You might want to ask what I think of you.

PANDORA

I’m so sorry, guys.

OFF TO LUCINDA - She comes from the dining room. Following her, two demons come.

LUCINDA

Sorry to come in without an invitation.

They turn to her.

WYATT

Who the hell are you?

LUCINDA

Just an ordinary witch.

Lucinda grimaces.

LUCINDA (CONT'D)

Don’t know why I said that. The thing is that I came for something and I won’t leave till I get it.

They stare at each other.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. P3 - DAY

STILL.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Jo is pacing the place. She seems worried. Bianca is leaning on the counter with her hand holding her face while she stares at Jo.

BIANCA

You’ve got my head spinning.

JO

This is bad, Bianca. That child can’t be born!

BIANCA

Look, Jo ---

Bianca comes out of the counter and walks towards Jo who hasn’t stopped pacing.

BIANCA (CONT'D)

--- It’s an innocent child.

Jo stops suddenly and looks at Bianca.

JO

A child that’s not supposed to exist.

OFF TO CHRIS AND MELINDA - He ORBS in bringing Melinda.

Bianca spots them. Both Chris’ and Bianca’s eyes meet each other.

BIANCA

(excited)

Chris!

Chris smiles. Melinda glances at his brother and notices the shiny smile on his face. Jo stops pacing and looks at them.

JO

What’s going on?

Melinda looks at Jo while Chris and Bianca don’t look away from each other.

MELINDA

(to Jo)

We came to talk to you.

(looks at Chris)

Right, Chris?

That interrupts Chris and Bianca’s eye connection.

CHRIS

What?

(looks at Melinda)

Yeah. Sure.

JO

About what?

Chris and Melinda walk towards Jo and Bianca.

MELINDA

(to Jo)

Chris told me you already know about Jessica’s pregnancy.

JO

I do.

MELINDA

I give it your father doesn’t have an affair outside marriage, right?

JO

That baby can’t be born.

CHRIS

It’s a baby. It’s not its fault.

JO

You don’t understand. There’s no Jessica where I come from. Prue and Wyatt only have me and now they are expecting my sisters.

Chris and Melinda glance at each other.

JO (CONT'D)

I mean ---

BIANCA

Jo is nervous.

Chris and Melinda look at Jo and Bianca.

CHRIS

I believe you.

JO

(surprised)

What?

CHRIS

You are Prue and Wyatt’s daughter.

Jo’s eyes widen.

JO

You believe me?!

Chris nods.

MELINDA

I’ve told Chris all you’ve shared with me.

CHRIS

Any idea who did this?

BIANCA

We believe Siobhan might know.

CHRIS

Siobhan? Why would she know?

JO

Just a feeling.

CHRIS

Then, we should find Siobhan and make her talk.

JO

We are on that, Chris. I’ve been a few times down there asking for her.

MELINDA

Down there?

JO

The Underworld.

CHRIS

Alone?

JO

I am the daughter of the most powerful witches that have ever existed.

CHRIS

Okay, got it. You are fearless.

MELINDA

We should keep trying to find her.

Jo turns around and is thoughtful. The three of them notice.

MELINDA (CONT'D)

What is it, Jo?

JO

I wish dad knew and believe it.

Jo turns to them.

CHRIS

That won’t be an easy thing. He’s married to Jessica and thinks that she’s having his baby.

JO

They are together.

Melinda and Chris look at her.

JO (CONT'D)

Mum and dad.

MELINDA

What?

BIANCA

Yeah, we just found out.

CHRIS

Prue and Wyatt? He hasn’t told me.

JO

Of course, he hasn’t, Chris. He believes he's married to Jessica.

CHRIS

It’s Uncle Chris to you!

Jo stares at him and smiles.

JO

Uncle, Chris.

Chris smiles too. Then he looks at Bianca. Bianca lowers her gaze. Chris gets serious. He looks at Jo.

CHRIS

I need to know more.

JO

About Prue and Wyatt?

CHRIS

About me.

Bianca and Chris look at each other.

CHRIS (CONT'D)

About us.

Chris and Bianca keep staring at each other.

CUT TO:

INT. HALLIWELL MANOR - STAIRCASE / PARLOR / ENTRANCE - DAY

ON THE HANDRAIL - It breaks as Pandora hits it. She has been thrown in the air.

Lucinda stands smiling.

Wyatt, Prue, and Tamora look at her.

LUCINDA

Now the guy and the blondie.

The demon on Lucinda’s right WAVES his hand and creates two FIREBALLS. He throws them towards Wyatt and Tamora. Both of them ORB out and don’t get hit. The FIREBALLS hit the walls.

Prue turns to Lucinda and the demons.

PRUE

It's enough!

Prue WAVES her hands, but suddenly she is FROZEN with her hands on the air.

PRUE (CONT'D)

(surprised)

What?

PANDORA

Prue?

Pandora starts getting up.

PRUE

I can’t move.

(out loud)

WYATT!

LUCINDA

He can’t hear you.

Lucinda walks towards Prue while Pandora watches them.

PANDORA

Stay away from her.

Lucinda smiles and stands in front of Prue.

LUCINDA

Ready to go?

And just like that both Lucinda and Prue FADE out.

PANDORA

Prue!

Both demons SHIMMER out. Wyatt and Tamora ORB in.

WYATT

Why the hell couldn’t we orb in sooner?

TAMORA

Bite me.

Pandora reaches the bottom of the staircase.

PANDORA

She took her.

Wyatt and Tamora look around.

PANDORA (CONT'D)

She took Prue.

Wyatt looks at Pandora.

ON WYATT’S FACE - He is serious.

CUT TO:

INT. UNDERWORLD - CAVE - DAY (LATER)

ON PRUE’S FACE - She is serious staring at something.

Prue is locked into a magical cell. The bars shine with a red tone. Prue glances around.

PRUE

Déjà vu!

Prue can move normally.

PRUE (CONT'D)

It reminds me of Zola.

(sighs)

God, I wish I had to fight Zola right now. It felt really great to vanquish her the way Leah and I did.

(smiles)

I must be getting mad. I miss Leah. Jesus!

OFF TO LUCINDA - She comes in.

LUCINDA

Who are you talking to?

Prue looks at Lucinda and rolls her eyes.

PRUE

Myself. Sometimes I need to speak to someone as smarter as I am. Meaning, I.

Lucinda smiles.

LUCINDA

Not that smart, otherwise you wouldn’t be here.

PRUE

That’s part of the plan.

(smirks)

Get caught. Get free. Fight. Vanquish.

Lucinda smiles.

PRUE (CONT'D)

Who the hell are you?

LUCINDA

I told you already. I’m just an ordinary witch.

Lucinda grimaces.

LUCINDA (CONT'D)

I don’t know why I said that.

Prue smiles. She knows that Lucinda will be forced to tell the truth.

PRUE

Why are you doing this?

LUCINDA

Someone just wanted you here and want some other person desperately looking for ya.

Lucinda grimaces again.

PRUE

Who?

Lucinda is about to answer, but she doesn’t and glances weirdly at Prue.

LUCINDA

I don’t remember.

PRUE

How come?

LUCINDA

I just remember someone asking me to get you here, but can’t remember the face.

PRUE

What’s in there for you?

LUCINDA

Revenge.

PRUE

To whom?

LUCINDA

My coven sisters. Hey, why ---

PRUE

(cuts her off)

Who are they?

LUCINDA

The Raven Coven.

(mad)

Enough!

Lucinda turns around and walks out of the cave.

PRUE

Hey, come back here!

But Lucinda doesn’t. Prue grimaces.

PRUE (CONT'D)

So, she doesn’t care about me. Someone is behind this. And I bet that someone is also behind this reality wrapping.

ON PRUE - She is serious.

CUT TO:

INT. UNDERWORLD - OUTSIDE CAVE - DAY

Lucinda comes out of the cave. She almost runs into Omega who FADES in before here.

LUCINDA

Hey!

OMEGA

Good job.

LUCINDA

(remembering)

It was you! You asked me to kidnap her. Why didn’t I remember when she asked me?

OMEGA

She’s under a Truth Spell. That’s why I took your memory of me temporarily.

LUCINDA

I told her of my plan of revenge.

OMEGA

Is she secure?

LUCINDA

She won’t get out of that cage. And no one will find her.

Omega smiles.

OMEGA

Someone will.

Lucinda shoots him a look.

OMEGA (CONT'D)

You can go, now.

LUCINDA

Where’s the weapon that’ll help me fight my sisters?

OMEGA

Of course.

Omega reaches out his hands towards Lucinda’s body and a WHITE LIGHT emanates from them towards her. Her body is filled with it. Moments after, the light stops.

OMEGA (CONT'D)

There. They won’t be able to hurt you, but your powers will be enough to fight them.

Lucinda smiles.

LUCINDA

Can you send me home?

Omega smirks. Then he WAVES his hands and Lucinda FADES out.

OMEGA

I must make sure he finds her.

Omega FADES out.

CUT TO:

INT. P3 - DANCING FLOOR - DAY

Chris, Melinda, Bianca, and Jo are sitting at the table. Chris and Bianca look at each other.

CHRIS

Married?

JO

Yes.

Chris looks at Jo.

CHRIS

And Ella?

JO

(lowers her gaze)

She’s just a friend.

Chris swallows.

JO (CONT'D)

You two also have a son.

(pauses)

Matt.

CHRIS

A son?

Chris is astonished.

BIANCA

I saw him once. And sometimes I hear him crying.

CHRIS

What?

BIANCA

It’s like I miss him even when I don’t remember him.

MELINDA

So, the memories you have ---

BIANCA

It’s just like yours. From this fake reality.

JO

See why we need to undo this fast? Matt and I can ---

Jo lowers her gaze. Melinda reaches her hand and holds Jo’s.

MELINDA

You and Matt won’t fade away.

JO

I don’t even know where Matt is. He is probably lost between realities. Just like baby Christina.

CHRIS

Baby Christina?

JO

I am Christina. Mum calls me Tina. I’m Jo for the others.

MELINDA

I like it. Tina.

JO

Don’t call me Tina. I’ve spent my whole life hating it and haven’t get used to it. Actually, I think I’ll never will, even knowing mum and dad are good now.

CHRIS

You got me lost again.

JO

Oh, I tell you the whole thing. So, a few ---

Jo is cut off by the arrival of Wyatt, Tamora, and Pandora. The three of them ORB in.

JO (CONT'D)

(stands; surprised)

Wyatt!

The others look at Wyatt, Tamora, and Pandora.

CHRIS

What’s wrong?

Wyatt seems worried.

WYATT

Prue.

(pauses)

She was taken.

Chris, Melinda, Bianca, and Jo exchange glances.

CUT TO:

EXT. ALL MYTHIC’S SAN FRANCISCO - DAY

VIEW AT THE SIGN of Ella’s shop. The sign is of a yellow font with a green background.
Peasants pass by. Some stop by the show window and stare at it.

CUT TO:

INT. ALL MYTHIC’S SAN FRANCISCO - DAY

Jessica is there pacing the room. She seems very worried. Ella stands behind the counter arranging the stones’ box.

JESSICA

Could it be worse?!

Ella raises her glance at her.

ELLA

You need to calm down. You are right, a Truth Spell can be something serious, but hey, we’ve got nothing to hide.

Jessica keeps placing the place.

ELLA (CONT'D)

Unless you have.

Jessica stops and looks at Ella.

ELLA (CONT'D)

Have you something to ---?

JESSICA

(outraged)

Don’t finish that question. But of course, not. I’m an open book.

ELLA

Then why are you so worried?

JESSICA

Oh, well. I could say something I don’t want to.

ELLA

Like what?

JESSICA

Imagine if you ask how many men I slept with before Wyatt.

ELLA

Oh, that!

JESSICA

Of course, what else?

ELLA

I don’t know. It seems like you might have something to hide.

JESSICA

I don’t.

Jessica walks towards Ella. Ella looks at the stones as she keeps arranging them inside the box.

JESSICA (CONT'D)

How are you and Chris?

ELLA

Not well. I think he might ask for the divorce.

Ella looks at Jessica.

ELLA (CONT'D)

Why did I say that?

JESSICA

Because that’s what you think of this whole situation with, Chris. Ella, you need to fight for your husband.

ELLA

I don’t know what else to do.

JESSICA

Get pregnant.

Ella shoots Jessica a look.

ELLA

What?

JESSICA

You want that.

ELLA

Yes, I do. But it hasn’t happened yet and it won’t happen if Chris and I don’t get back together.

JESSICA

It only takes one night.

ELLA

We tried more than one night. Just like you did, remember?

JESSICA

Yes, but it worked for me.

ELLA

Yeah, it did. Funny you didn’t find out sooner. Every time you and Wyatt had sex you used to take a pregnancy test.

JESSICA

Well, some tests are not trustable.

ELLA

Have you booked an appointment at the doc?

Jessica is caught by surprise.

JESSICA

I haven’t.

ELLA

Jess, you need to be followed.

JESSICA

I know. I will.

ELLA

Good.

Jessica lowers.

JESSICA

I need to go.

ELLA

Where?

JESSICA

See my brother.

Jessica turns around and leaves the shop as Ella watches her.

ELLA

It just takes one night.

Ella is thoughtful.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt is flipping through the Book of Shadows. He’s desperate. Chris, Melinda, Bianca, and Jo are there. Tamora and Pandora are also there.

Chris and Melinda glance at each other.

CHRIS

Wyatt!

Tamora approaches Chris.

TAMORA

What is wrong with him?

WYATT

Nothing is wrong with me.

Tamora shrugs.

TAMORA

I just never saw you that way because of Prue.

PANDORA

Never happened something like this to her.

WYATT

I just need to find her.

TAMORA

We will.

Jo walks towards Wyatt.

JO

You need to hear me out.

Wyatt doesn’t look at Jo. Then, Jo touches Wyatt’s arm.

JO (CONT'D)

Wyatt!

Wyatt stops and looks at Jo.

WYATT

The demon might be here in the book.

JO

It might or it might not. We’ll find Prue.

Wyatt swallows.

TAMORA

If Jessica sees you that way because of another woman ---

Wyatt looks at her.

WYATT

She’s my cousin.

TAMORA

She's my cousin too. And I want to find her too.

CHRIS

Guys, we must think. Wyatt, get yourself calmer. We can handle this.

WYATT

But ---

MELINDA

Wyatt, please. Tam and Pan also saw the demon. If it is in the BOS, we’ll find it.

After thinking it through, Wyatt gives in.

WYATT

I’ll clear my head. Be right back.

Wyatt leaves the attic.

PANDORA

Why is he reacting this way?

CHRIS

It’s Prue, she’s pregnant. He loves her.

Chris is astonished at what he said. Melinda shoots him a look and then she tries to fix what Chris just said.

MELINDA

He meant as a cousin.

TAMORA

Right.

PANDORA

Yeah, true. But she knows how to take care of herself.

MELINDA

We don’t know which conditions she is in.

PANDORA

Just the best time for me to cast a Truth Spell.

CHRIS

You did what?

Chris, Melinda, and Jo are astonished.

JO

The Truth Spell?

PANDORA

I did, okay. I need to know what would be Ethan’s reaction if I tell him I’m a witch.

JO

Oh ---

(pauses)

He’ll get used to it.

PANDORA

How do you know?

JO

I’ve seen it.

(grimaces)

I mean, I’ve got a feeling.

Jo shrugs.

CHRIS

Look, Pan. Do what you must do. We take care of things here.

PANDORA

Are you serious?

CHRIS

Yeah.

MELINDA

Don’t waste the Truth Spell.

Pandora smiles and then ORBS out.

TAMORA

(to Jo)

How do you know he’ll get used to it?

JO

I said it already. I've seen it. I mean, it's just a feeling.

TAMORA

Who are you for real?

Jo feels a strong will to answer, but Chris stops her.

CHRIS

Someone who can help.

TAMORA

Help on what?

MELINDA

On fixing a reality wrapping issue.

Chris and Jo look at Melinda who just realizes what she said.

MELINDA (CONT'D)

Crap.

(shrugs)

She had to find out eventually.

TAMORA

Find out what? That you all are getting crazy? What’s that reality wrapping thing?

CHRIS

A problem we must solve.

Tamora is about to ask something else, but ---

CHRIS (CONT'D)

Tam!

Tamora looks at Chris.

CHRIS (CONT'D)

Stop asking questions. We must focus on finding Prue now.

Tamora shrugs. Chris walks towards the Book of Shadows.

JO

I’d better go check on Wyatt.

Melinda nods and smiles at her. Jo walks out of the attic.

TAMORA

Wyatt is not very fond of that girl.

Melinda shoots Tamora a look. Tamora shrugs again.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - ENTRANCE - DAY

Pandora is about to walk in when someone jumps into her; Charlotte. Both cousins look at each other.

CHARLOTTE

Pan!

PANDORA

Sorry, I was distracted.

CHARLOTTE

I can see. What are you doing here?

PANDORA

I came to tell Ethan the truth about me.

Charlotte shoots her a look.

CHARLOTTE

What?

PANDORA

Yes. I need to know what his reaction will be. I cast the Truth Spell.

CHARLOTTE

Do you care to lower your voice?

Charlotte glances around. Some people are entering and leaving the hospital.

CHARLOTTE (CONT'D)

We are in a public place.

Pandora looks around.

CHARLOTTE (CONT'D)

And what the hell! The ---

(whispers)

Truth Spell?

Pandora nods.

PANDORA

I had to.

CHARLOTTE

Good luck with that.

Charlotte is about to walk away, but ---

CHARLOTTE (CONT'D)

Wait! Does it affect me too?

PANDORA

Only if I or one of the people caught by the spell ask you something.

CHARLOTTE

Who else is under the spell?

PANDORA

Wyatt, Prue, Jessica, and Tam. Oh, and Prue is missing. Some freak demon took her.

CHARLOTTE

What?

PANDORA

Yes. Don’t tell Aunt Phoebe or she’ll freak out. I need to go.

Pandora turns around and gets in. Charlotte is astonished.

CHARLOTTE

These things are getting normal around here!

She turns around and leaves.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan is sitting by his desk. His laptop is open before him. Cassandra is sitting across from him as well as Nate.

JOHNATHAN

Well, these numbers look good.

CASSANDRA

We just had a couple of cases of stress at work last month.

JOHNATHAN

What’s being done to help them?

CASSANDRA

I suggested temporarily leave. They agreed and both are at home.

JOHNATHAN

Good.

(turns to Nate)

Nate, what about that matter of ours?

Nate seems a little distracted.

JOHNATHAN (CONT'D)

Nate?

Nate looks at Johnathan.

NATE

What?

JOHNATHAN

The process against Bay Mirror.

NATE

Oh, right. Well, ---

(takes a deep breath)

--- The daughter is decided to sue us.

JOHNATHAN

Have you checked those proves she claims she has?

NATE

I’ve just got the authorization earlier today.

JOHNATHAN

Good.

CASSANDRA

Can I ask who was the Journalist who published the story?

Nate looks at Cassandra.

NATE

Craig Morrison.

CASSANDRA

Don’t remember him.

NATE

It was ten years ago. I’m gonna need to check somethings with him.

JOHNATHAN

Does he still work at Bay Mirror?

NATE

No. He left Bay Mirror ten years ago.

JOHNATHAN

Well, do that. Let’s hope this doesn’t get to court.

SOUND - CASSANDRA’S CELL PHONE.

She takes her phone and looks at them.

CASSANDRA

My sister. I should get this.

Nate looks at Cassandra. He hopes she says which sister is calling.

CASSANDRA (CONT'D)

Charlie.

Nate lowers his gaze. Cassandra stands and answers the phone.

CASSANDRA (CONT'D)

(on the phone)

Hey!

(listens)

What? Does mum know? And dad?

(pauses)

Okay, I’ll tell him.

(listens)

More?

(listens)

Okay, I won’t get close to them. Bye.

Cassandra hangs off the phone. Nate and Johnathan look at her waiting for her to say something. Cassandra turns around and stares at them.

JOHNATHAN

Something wrong?

CASSANDRA

Oh, huh ---

Cassandra looks at Nate.

CASSANDRA (CONT'D)

Prue.

Nate stands.

NATE

What happened?

CASSANDRA

It seems like she is nowhere to be found.

Nate looks at Cassandra as she hopes he reads the expression on her face that says ‘someone took her’. Nate doesn’t understand.

NATE

What do you mean?

CASSANDRA

Oh, you know, a friend convinced her to go out and now no one can’t find her.

Nate's eyes widen.

NATE

Oh.

CASSANDRA

Yeah.

JOHNATHAN

Is that something to be worried about?

Johnathan stands. Nate turns to him.

NATE

Can we finish this later?

JOHNATHAN

Sure. Go take care of your wife.

Nate nods and then leaves the room. Johnathan looks at Cassandra.

JOHNATHAN (CONT'D)

Is it serious?

CASSANDRA

It might be, or it might not. It’s my big sister. She can handle herself.

JOHNATHAN

He seemed worried.

CASSANDRA

He worries a lot about Prue.

JOHNATHAN

Don’t you?

CASSANDRA

As I said, she can handle herself. If not, I’ll be called to help.

Johnathan motions her to sit. She does. Then he sits across the table.

JOHNATHAN

I hope they make amends.

CASSANDRA

Yeah, me too.

Johnathan smiles.

JOHNATHAN

Dinner tonight?

CASSANDRA

Mr. Hale, ---

JOHNATHAN

We can talk about business if you prefer, Mrs. Halliwell.

Cassandra smiles.

CASSANDRA

In that case, ---

(pauses)

Yes.

Johnathan smiles big. Both stare at each other.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - ERIC’S OFFICE - DAY

Eric is at his desk while Ethan is sitting across from him. Both are having a conversation. By the look on their faces, is serious.

ERIC

Look, it might be nothing. Just give her time.

ETHAN

I just feel that there's something missing.

ERIC

Well, the women of this family are special, Ethan. Have that in mind.

ETHAN

Says the guy who dated two of them.

Both men laugh.

OFF THE DOOR - Pandora comes in while both men are laughing.

PANDORA

Hey, guys!

Eric and Ethan look at her.

PANDORA (CONT'D)

(to Ethan)

I was told I could find you here.

Pandora glances from one to another.

ETHAN

Hi, sweetie.

Ethan rises and approaches her.

ETHAN (CONT'D)

Twice in one day! How good.

Pandora smiles.

PANDORA

Well, yeah.

Pandora doesn’t know what to say.

PANDORA (CONT'D)

What were you guys laughing about?

ERIC

Oh, we were commenting how complicated the women of your family are.

PANDORA

Really?

Eric gets serious as he realizes what he said.

PANDORA (CONT'D)

Does Charlie know you think she is complicated?

ERIC

I never told her using those exact words. Wait, what the ---

PANDORA

(smiles)

Never mind. I won’t tell her.

(turns to Ethan)

Honey, can we talk?

ETHAN

Well, I have a patient to visit, but yes.

PANDORA

Good. There’s something I must tell you.

Ethan and Eric glance at each other.

ETHAN

Can we go to my office?

PANDORA

I rather take you somewhere else.

ETHAN

Okay.

Ethan turns to Eric.

ETHAN (CONT'D)

I’ll be right back.

Eric nods. Pandora signs goodbye to Eric, then both Pandora and Ethan leave the office. Eric gets thoughtful.

ERIC

Something is going on.

He sits leaning back on his chair.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

Wyatt is sitting on the edge of the bed. Head down. He is holding a photo with no frame and stares at it.

SOUND - A knock on the door.

Wyatt does not raise his eyes from the photo.

OFF TO THE DOOR - Jo peeks inside.

JO

I know you don’t like me, but can I come in?

Wyatt raises his glare from the frame and looks at her. He says nothing so, Jo decides to come in. She closes the door behind her and approaches Wyatt.

JO (CONT'D)

Can we talk?

WYATT

What makes you feel that I want to talk to you?

Jo lowers her gaze.

JO

I’m not the enemy, Wyatt.

Wyatt looks at the photo. Jo tries to peek. She sits beside him.

JO (CONT'D)

It’s the three of you.

(smiles)

You guys took that photo when teenagers.

Wyatt looks at her.

WYATT

What would you know?!

JO

Well, first, it’s obvious that you were teenagers back then. Second, I’ve seen that pic before.

Wyatt frowns.

WYATT

I always kept it in my drawer. Never showed it to anyone.

JO

There was a time that it was on the bedside table.

Wyatt frowns even more.

WYATT

How do you know?

JO

I told you, I’ve seen it before, and stop asking me questions otherwise I will be obligated to tell you what you are not prepared to hear yet.

WYATT

Which i---

JO

Don’t.

Jo takes a deep breath.

JO (CONT'D)

Look, Wyatt, you must focus now on finding Prue.

WYATT

In case you haven’t noticed that’s exactly what I was trying to do.

JO

I know. And if someone can find her, that would be you.

WYATT

Why?

JO

Because she’s the love of your life. Don’t you know that?

Wyatt lowers his gaze to the photo.

ON THE PHOTO - Teenagers Wyatt, Prue, and Chris.

Then Wyatt looks at Jo.

WYATT

I do.

Jo smiles.

WYATT (CONT'D)

But she’s my cousin.

JO

(smiles)

Destiny doesn’t care about that.

Jo takes Wyatt’s hand. He looks at it and then at Jo.

JO (CONT'D)

You two are capable of the impossible. So, do the impossible and find her.

Wyatt nods.

WYATT

Thank you.

JO

Don’t thank me. Believe me when I say that I do it not only thinking of the two of you but on my own benefit.

Wyatt shoots her a look.

JO (CONT'D)

Did I say that out loud?

Wyatt nods.

JO (CONT'D)

(takes a deep breath)

Whatever. Let’s get her back.

Wyatt nods again and looks at the photo again.

CUT TO:

EXT. PRESCOTT STREET - DAY

Omega and Sigma are staring at the Halliwell Manor.

ON THE HALLIWELL MANOR.

SIGMA

What makes you think he can find her?

Sigma looks at Omega.

OMEGA

True love.

SIGMA

He doesn’t remember loving her.

OMEGA

He doesn’t need to remember.

Omega smiles and looks at Sigma.

OMEGA (CONT'D)

He just has to feel.

Both of them look at the manor again.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - DAY

ON A SMALL BOTTLE - The liquid inside is blue.

Jared is holding the bottle and then he raises his glance and looks at the person before him.

JARED

How does it work?

Melinoe is before Jared. She walks around him.

MELINOE

You have to bless it with the blood of a witch or warlock.

Jared turns to her.

MELINOE (CONT'D)

You might be an Avatar now, Jared, but you carry the blood of a warlock.

JARED

Very well. Then?

Melinoe stops and stands in front of him. They look each other in the eye.

MELINOE

It has to be drunk gradually. Two drops twice a day.

JARED

Two drops? It will take forever for her to drink it all.

MELINOE

Believe me, it will be faster than you think.

Jared rolls his eyes.

MELINOE (CONT'D)

When the last drops are spilled, a chant must be made.

JARED

Which is?

Melinoe approaches him and whispers something to his ears that is not heard. Once she’s finished, she pulls back and both of them stare at each other.

MELINOE

Do you need to write it down?

JARED

No. I will remember.

Melinoe smiles.

MELINOE

The real memories will be replaced gradually. By the end of the bottle, little will remain for the person to remember anything.

JARED

And the fake memories?

MELINOE

Those will be the only ones the person will have.

Jared smirks.

MELINOE (CONT'D)

I hope that you know how to pay me this favor, Jared.

Jared approaches her. Their faces are inches from each other.

MELINOE (CONT'D)

When my time comes to prove my father who I am ---

JARED

I’ll be there.

Jared smirks and leans over her. Now their lips are really close.

JARED (CONT'D)

In the meantime ---

And Jared kisses her passionately. Moments later, they pull apart and stare at each other.

MELINOE

I must go now. Your sister is coming.

Melinoe smiles and FADES out surround by blue flames. Right away, Jessica SHIMMERS in right where Melinoe was. Jared smiles.

JARED

Sister.

Jessica realizes that his brother has a happy expression.

JESSICA

What's with the good mood?

JARED

Am I that transparent?

JESSICA

I’ve known you my whole life, brother. Of course, you are transparent to me.

Jessica looks down at the bottle on Jared’s hand.

JESSICA (CONT'D)

What’s that?

JARED

(smirks)

This is the answer to our prayers.

Jessica shoots him a look.

JARED (CONT'D)

This potion is going to make Prue forget her old memories. Soon, she’ll only remember the life I gave her.

Jessica smiles.

JESSICA

Really? How did you get it?

JARED

It was ---

Suddenly Jared stops talking and stares at his sister seriously.

JARED (CONT'D)

A Truth Spell?

Jessica frowns.

JESSICA

How do you know?

JARED

I’m an Avatar. Those things don’t work with me. Why are you under a Truth Spell?

JESSICA

It seems like that Water Pit of yours doesn’t show you everything.

JARED

I wasn’t watching.

JESSICA

Right.

Jessica starts pacing the cave.

JESSICA (CONT'D)

Pandora. She cast it.

(turns to Jared)

That’s why I’m here. I need to stay away for the next ---

She checks her wristwatch.

JESSICA (CONT'D)

--- Twenty-one hours.

Jared takes a deep breath.

JESSICA (CONT'D)

I’ll text Wyatt saying that I’m staying with my brother this night.

JARED

Good.

JESSICA

When?

Jared looks at Jessica. She points to the bottle.

JARED

Soon.

Both brother and sister stare at each other.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - DAY

Nate pulls his car over and comes out of it. He climbs the stairs towards the manor’s front door.

CHARLOTTE (O.S.)

Nate?

Nate turns around and sees Charlotte.

NATE

Hey! News about Prue?

CHARLOTTE

None. I was going in.

NATE

Let’s go in together.

Both of them head into the Halliwell Manor.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FOOTAGE all over the town as the sun disappears from the sky and the moon starts shining brightly.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - ETHAN’S OFFICE - NIGHT

Pandora is there walking from a side to another. She seems very nervous.

OFF TO THE DOOR - Ethan comes in a rush. He looks at Pandora.

ETHAN

Honey!

Pandora turns around and looks at Ethan.

ETHAN (CONT'D)

I’m sorry. It was an emergency. A patient of mine came in the E.R. Poor kid. Broke a leg while climbing a tree.

PANDORA

Is he okay?

ETHAN

She. Yes, she is.

Pandora forces a smile. Ethan notices she is nervous.

ETHAN (CONT'D)

Honey, are you okay?

PANDORA

No, actually, I’m not. I’m very nervous.

ETHAN

Why?

PANDORA

Well, because I just have about fifteen hours to tell you the truth about me.

Pandora realizes what she said. Ethan gets serious. He approaches her.

ETHAN

Is it about your family emergencies every once in a while?

PANDORA

Yes. I mean, they are more frequent now than they were before. But yes.

ETHAN

Well, what is it?

Pandora takes a deep breath.

PANDORA

I’m a witch.

Ethan is taken by surprise. Then, he starts laughing. Pandora is astonished.

ETHAN

A witch?

(keeps laughing)

Pan, honey, you’re funny.

PANDORA

It’s true.

ETHAN

Yeah, right.

Ethan really thinks she’s toying.

PANDORA

You don’t believe me.

ETHAN

Honey!

Ethan stops laughing.

ETHAN

You are not serious.

Pandora swallows and then holds his hands.

PANDORA

Better if I show you.

And then, Pandora ORBS out taking Ethan with her.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Pandora ORBS in bringing Ethan with her. He looks at her not understanding and then he looks around. The guy almost has a heart attack as he realizes where they are.

ETHAN

(astonished)

What ---

(babbling)

--- How ---

Pandora has to hold him because he suddenly starts feeling dizzy.

PANDORA

I told you. I am a witch. Actually, half-with.

Ethan looks at her.

PANDORA (CONT'D)

With magical powers.

Ethan’s eyes widen.

ETHAN

A witch?

Pandora nods.

PANDORA

This is my secret, Ethan. I and my whole family ---

(pauses)

--- We are witches. We protect people using our magical powers.

ETHAN

But how?

PANDORA

I was born this way. We come from a long line of witches.

ETHAN

And you used one of your powers to bring us here?

Pandora nods.

PANDORA

It’s called orbing. It’s a teleportation power. From my other half. Whitelighter.

Ethan is confused.

PANDORA (CONT'D)

I’ll tell you everything.

Ethan nods. Pandora glances around and then looks at Ethan.

PANDORA (CONT'D)

Maybe we should go to a lower place.

ETHAN

Yeah, please.

Pandora half-smiles and then ORBS out taking him.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

ON PRUE’S MOUTH - She shouts out loud.

PRUE

SOMEBODY?

Prue sighs.

PRUE (CONT'D)

(annoyed)

Oh, come one. What’s the point in taking me here and leave me here?!

Prue starts breathing fast.

PRUE (CONT'D)

(mad)

I’m getting an anxiety attack.

Prue grimaces.

PRUE (CONT'D)

I wish I could fight back.

Prue touches her belly and lowers her gaze.

PRUE (CONT'D)

I guess mummy can’t take us out of here this time. Not even with all the powers I have. If only ---

(half-smiles)

--- If only your daddy remembered the connection we have ---

(shouts out loud)

C’ME ON!

No one comes.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - NIGHT

Johnathan and Cassandra are having dinner. The restaurant is full. They laugh.

JOHNATHAN

This has been an interesting evening, Miss Halliwell.

Cassandra laughs.

CASSANDRA

Indeed.

Cassandra’s phone is on the table and vibrates. Cassandra checks it and her expression changes. It darkens. Johnathan notices it.

JOHNATHAN

News about your sister?

Cassandra shakes her head.

CASSANDRA

I’m sure she’s okay.

Cassandra sounds worried.

JOHNATHAN

You’re sure?

CASSANDRA

(half-smiles)

It’s Prue damn Halliwell. She can handle herself. Her own words.

Johnathan smiles.

JOHNATHAN

Well, I think that if she’s missing, you guys should call the police.

CASSANDRA

It won’t be necessary.

Johnathan shoots her an inquisitive look.

JOHNATHAN

You seem too relaxed for someone who doesn’t know where her sister has gone too.

CASSANDRA

Believe me, I’m not. I just know Prue and I know things will work out fine.

JOHNATHAN

If you say so.

OFF TO THE FRONT ENTRANCE - Junior and Melissa come in hand on hand.

MELISSA

You know this is your cousin’s restaurant, right?

JUNIOR

She’s not here tonight. Everyone is worried over Prue.

MELISSA

Right. But you aren’t.

JUNIOR

I’m sure they’ll find her. We are not used to this kind of stuff every week and since Prue started acting weird this kind of thing has been happening a lot.

(pauses)

If they need me, they call me.

OFF TO CASSANDRA AND JOHNATHAN - Cassandra notices Junior and Melissa’s arrival.

CASSANDRA

Oh, shut up!

JOHNATHAN

(astonished)

What?

Cassandra notices Johnathan's confused look.

CASSANDRA

It’s my cousin.

Johnathan turns around and both of them look at Junior and Melissa who also notice their presence there. Junior and Melissa glance at each other.

MELISSA

We have been caught!

Junior and Cassandra stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris and Melinda are by the Book of Shadows. Tamora and Charlotte are there scrying. Wyatt and Nate are sitting on the sofa as Jo sits on the middle of them.

NATE

I feel useless.

Charlotte turns to Nate.

CHARLOTTE

You are not, Nate.

Chris and Melinda glance at each other.

CHRIS

We’ve seen this book from front to back ---

MELINDA

And from back to front.

CHRIS

There’s no one here with the characteristics Wyatt and Tam described.

Chris closes the book.

TAMORA

We are not having any luck on this either.

Melinda checks her wristwatch.

MELINDA

(looks at Chris)

It’s been hours.

NATE

(looks at Wyatt)

Tell me again, why you didn’t protect her?

Wyatt looks at Nate.

WYATT

I tried to, okay?

They all stare at the two of them.

TAMORA

You two aren’t going to start the fight all over again, are you?

NATE

(stands; furious)

I just wish I knew why was she taken when the most powerful witch was in the same room as her.

WYATT

(stands; mad)

I blame no one but me, believe me.

NATE

Oh, you should.

Both men start raising their voices.

NATE (CONT'D)

What was she doing here anyway?

WYATT

She came for answers.

NATE

Of what?

Jo stands and gets in the middle of them.

JO

You know what? That’s enough. My ---

Chris and Melinda shoot Jo a look.

JO (CONT'D)

--- Prue is missing. It’s not time for the two of you to fight.

CHARLOTTE

The girl is right.

JO

Jo. My name is Jo.

Charlotte shoots her a sorry look. Jo takes a deep breath.

JO (CONT'D)

Where’s Andrew?

CHARLOTTE

At Magic School.

JO

(to Nate)

Why don’t you go for him?

(to Charlotte)

Can you take him?

NATE

I’m not leaving without knowing where my wife is.

WYATT

As you said, you are useless here.

Nate makes a move towards Wyatt and is about to punch him, but Jo WAVES her hands and FREEZES Nate. Everybody stares at her.

TAMORA

How did you do that?

JO

Because I have powers to.

CHARLOTTE

How?

MELINDA

Thank God, it's you asking that question. She has that power, okay.

CHRIS

Jo is right. Charlie, you should better take Nate to Magic School. Stay there with him and the baby.

CHARLOTTE

Fine.

Charlotte approaches Nate and touches his arm. Then she BEAMS out taking him.

TAMORA

You guys know there’s a lot of explanation here, right?

Jo looks at Wyatt.

JO

Don’t ask. You are not ready for the truth yet.

Jo turns to the others.

JO

I think I know how to find Prue.

Jo turns to Wyatt.

JO (CONT'D)

You must focus on her and on what you feel about her.

ON WYATT - He is serious.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

Bianca is pouring some tea into two cups and puts the cups on a tray.

OFF TO ELLA - She comes in and is shocked as she sees Bianca there.

ELLA

What the hell are you doing here?

Bianca turns around and stares at Ella.

BIANCA

I’m not here to fight.

ELLA

You’d better have a good explanation.

BIANCA

I do. Making tea for two nervous men. Prue is missing.

ELLA

What?

BIANCA

What you heard. And now, if you excuse me, I must take the tea to the attic.

Bianca is about to walk out, but Ella steps in front of her.

ELLA

Not yet.

Both stare at each other.

ELLA (CONT'D)

Don’t think you can come between me and Chris and win.

BIANCA

I’m not trying to separate you and Chris, Ella, but what’s meant to be will find a way to be.

ELLA

Are you saying that you and Chris are meant to be?

BIANCA

I’m not saying anything. Now, please ---

Bianca stares seriously at her. Ella then steps aside and lets her pass. Bianca leaves the kitchen.

ELLA

I’m not handing Chris without a fight.

Ella is serious.

CUT TO:

INT. HALLIWELL’S - DINING ROOM - NIGHT

Cassandra, Johnathan, Junior, and Melissa are together at a table. Junior and Cassandra are sitting side by side, they exchange weird glances.

MELISSA

So, this is funny, huh?

They all look at Melissa.

MELISSA (CONT'D)

So, Mr. Hale, I work at Bay Mirror.

JOHNATHAN

Is that true?

Melissa nods.

MELISSA

Mirror’s Magazine to be more specific.

JOHNATHAN

Oh, I do believe I’ve read some of your works.

MELISSA

Really?

JOHNATHAN

Yeah. You uncovered the ex-Mayor dark business.

MELISSA

(smiles big)

I did.

Johnathan and Melissa keep taking. Junior leans over Cassandra.

JUNIOR

How much for your silence?

Cassandra looks at him.

CASSANDRA

You keep my secret and I keep yours.

JUNIOR

If it is a secret, why coming here?

CASSANDRA

Same reason you came, cous. Melinda is at home.

Junior nods agreeing with her point of view.

JUNIOR

Prue?

CASSANDRA

Nothing yet.

JUNIOR

Do you think they need us?

CASSANDRA

Charlie sent a text saying that they know nothing yet, but if they need extra help, they call.

JUNIOR

Good.

CASSANDRA

Let’s enjoy the meal.

JUNIOR

Agree.

Cassandra and Junior stop whispering and joying Johnathan and Melissa’s conversation.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STILL.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris, Melinda, Tamora, Bianca, Jo, and Wyatt are there. Tamora, Chris, and Melinda look at Jo and Wyatt as Jo helps Wyatt to focus.

Wyatt is standing in the middle of the attic surrounded by a circle of candles. Jo stands outside the circle of candles.

WYATT

What do I have to do?

JO

Close your eyes and think of Prue.

Wyatt shoots her a look.

JO (CONT'D)

Trust me.

TAMORA

This is insane.

Chris shoots Tamora a look.

CHRIS

Almost insane, but it’ll work.

Tamora shoots him a look. She seems confused at it all.

TAMORA

You guys have some explanations to do.

Chris nods.

Back to Wyatt and Jo, Wyatt closes his eyes.

JO

Now, fill your heart with thoughts about her. Every good memory you have of her.

TAMORA

(sarcastic)

Good memory? Really?

Wyatt opens his eyes and they all look at Tamora.

TAMORA (CONT'D)

(to Jo)

Is that your idea of making this work? Wyatt and Prue have it all, but good memories.

Wyatt turns to Jo.

WYATT

(to Jo)

This is not going to work.

JO

You haven’t even tried.

MELINDA

Let’s stay quiet for Wyatt to focus.

Melinda shoots Tamora a look. Tamora shrugs.

JO

C’mon, Wyatt.

Wyatt takes a deep breath. Then he closes his eyes again and tries to focus.

JO (CONT'D)

Take your mind to Prue.

Wyatt keeps his eyes closed, but nothing happens.

JO (CONT'D)

Breath in.

(pauses)

Breath out.

Wyatt gets exasperated. He opens his eyes.

WYATT

I can’t. I can’t. This isn’t working.

Wyatt is about to walk out of the circle of candles, but Jo steps in and approaches him. She holds his hands.

JO

Wait. You can do this.

WYATT

No, I can’t. I can’t.

Wyatt is desperate. Jo tries to calm him down.

CHRIS

Wyatt, just focus on her.

WYATT

(mad)

No, I can’t. I’m useless.

And at that moment, the windows open with the wind. They all turn around.

ON JO - Her hair moves with the wind and suddenly she starts hearing a voice.

VOICE

‘The product of true love’

JO

(confused)

What?

They all look at Jo.

MELINDA

It was the wind.

The wind continues.

JO

Did you hear that?

TAMORA

Hear what?

VOICE

‘Jo, you are the product of true love.’

Melinda and Tamora go to the windows and close them.

JO

(understands)

The product of true love.

Chris looks at Jo as she holds Wyatt’s hands again.

JO (CONT'D)

Look at me.

Wyatt looks at her.

JO (CONT'D)

We can do this together. Chanel me.

WYATT

(confused)

What?

JO

Just do it.

They both hold hands. 

JO (CONT'D)

Close your eyes.

Wyatt does and Jo closes her eyes too. The others look at them.

JO (CONT'D)

Relax.

Both of them breathe in and out.

JO (CONT'D)

Think of her. Not with your mind, but with your heart. Remember the moment you admitted to yourself what you feel for her.

ON TAMORA - She is confused.

Chris and Melinda glance at each other.

JO (CONT'D)

Now, look at her.

The windows open again with the wind, but Wyatt and Jo remain focused.

JO (CONT'D)

You know where she is.

(pauses)

Get to her.

And suddenly, Wyatt is surrounded by a pink light and soon is BEAMED out of there.

Melinda, Chris, and Tamora and astonished. Jo opens her eyes and smiles.

JO (CONT'D)

It worked.

TAMORA

What just happened?

Chris and Melinda glance at each other.

MELINDA

She deserves to know.

Chris nods.

JO

Are you sure?

Chris nods. Then he turns to Tamora.

CHRIS

We might be leaving in a reality-warping.

TAMORA

What?

Melinda nods.

TAMORA (CONT'D)

You’re kidding me, right?

JO

You need to know the truth.

TAMORA

And what is the truth? Who are you, Jo?

JO

(swallows)

I’m Prue and Wyatt’s daughter.

ON TAMORA - She is astonished.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Prue is sitting on the ground in a meditation position. She has her eyes closed and seems focused.

Outside the magical cage, Wyatt BEAMS in.

ON PRUE’S FACE - Her eyes open. Her face lightens as she sees Wyatt.

PRUE

You came!

Prue stands.

WYATT

I found you!

Prue raises and approaches the bars.

WYATT (CONT'D)

Are you okay?

PRUE

Better now that you’re here.

They hold hands.

PRUE (CONT'D)

I can’t get out of here. My powers don’t work.

Wyatt glances around.

WYATT

Okay, ---

(steps back)

--- Back off.

PRUE

What are you going to do?

WYATT

Something I’ve never done.

PRUE

How do you know it’s going to work?

WYATT

I feel bold.

Prue steps back as well as Wyatt. He reaches out his hands and focuses strongly on the bars.

ON THE BARS - They blow up and disappear completely.

Prue is astonished.

PRUE

Hot.

Wyatt looks at her.

WYATT

Ain’t I the most powerful witch?

PRUE

That’s an understatement.

They walk towards each other.

PRUE (CONT'D)

You and me both.

Wyatt pulls her to him and kisses her passionately.

PRUE

Missed me?

WYATT

I was getting mental.

They kiss again. Then Prue pulls back.

PRUE

We must save the coven.

WYATT

What coven?

PRUE

The witch who kidnapped me. She’s after revenge against her coven. The Raven Coven.

WYATT

Do you know where to find her?

Suddenly, Prue hears a voice.

VOICE

‘Klamath.’

PRUE

Did you hear that?

WYATT

Heard what?

Prue looks at Wyatt.

PRUE

I know where they are. Follow me.

Prue BEAMS out. Wyatt ORBS out right after her.

CUT TO:

EXT. KLAMATH NATIONAL FOREST - NIGHT

ON A BONFIRE - The fire is high.

Around the bonfire are five women with their hands tied on her back.

Lucinda walks around them.

RAVEN WITCH #1

Lucinda, please. You don’t have to do this.

RAVEN WITCH #2

Please, Lucinda.

Lucinda laughs.

LUCINDA

(mad)

I don’t have to do this? You expelled me out of the coven.

RAVEN WITCH #1

Lu, we were wrong in expelling you, but we can work this out.

LUCINDA

No, we can’t. You are going to pay for what you did to me.

RAVEN WITCH #3

You have no powers against us.

LUCINDA

Don’t I?

(laughs)

I’ve got you under my control. Now, each one of you is going to meet her maker.

Lucinda reaches out her hands towards the bonfire and suddenly five flames raise. Lucinda moves one of her hands and sends one of the flames towards Raven Witch #3. The fire burns her.

OFF TO PRUE AND WYATT - Prue BEAMS out and Wyatt ORBS in.

Wyatt and Prue look at it. Prue uses CRYOKINESIS and sends a blast of ice towards the woman. The fire is turned off.

Lucinda looks at Wyatt and Prue.

LUCINDA (CONT'D)

What the hell?!

Lucinda WAVES her hands and then sends the flames towards Wyatt and Prue.

Wyatt and Prue both reach out their hands towards the flames and the flames stop before them.

PRUE

Who sent you?

LUCINDA

I don’t know.

Lucinda sends more flames towards them. Both Wyatt and Prue keep stopping them in the air.

PRUE

Who?

LUCINDA

I don’t know.

WYATT

(out loud)

Prue!

It’s getting hard to hold the flames.

PRUE

(to Lucinda)

Too bad!

Wyatt and Prue move back their arms and then forwards sending the flames towards Lucinda.

The fire hits the witch who screams out loud.

PRUE (CONT'D)

Last chance! Who sent you?

LUCINDA

I don’t remember. He took off my memory.

And the fire consumes Lucinda. Her body is burnt. She stops crying out loud.
Wyatt and Prue exchange glances.

PRUE

Someone sent her.

WYATT

We’ll find out.

Prue nods.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town at the sound of ‘Side Effect’ by The Chainsmokers ft. Emily Warren.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

ON ETHAN - He is astonished. His face is lightened by the only light in the room that comes from the standing lamp.

Ethan is sitting on the couch and Pandora is in front of him.

ETHAN

All this you’ve told me ---

Ethan takes a deep breath.

ETHAN (CONT'D)

--- It’s mind-blowing.

PANDORA

I know. It is a lot.

ETHAN

A lot? Pan, I just learned that you are a witch who fights demons.

PANDORA

I know.

Pandora holds Ethan’s hand.

PANDORA (CONT'D)

How do you feel about it?

ETHAN

I don’t know.

PANDORA

Ethan, I need to know if you are with me on this. If you are capable of staying with me while I live this life.

Ethan looks aside.

ETHAN

I don’t know.

PANDORA

Ethan ---

Ethan raises.

ETHAN

I don’t know, Pan. You have to give me some days to process this.

Pandora raises. Both look each other in the eyes.

PANDORA

I need to know now, Ethan. I can't wait a few days.

ETHAN

But I can’t give you an answer now.

Pandora lowers her gaze.

ETHAN (CONT'D)

I need to go now.

Ethan kisses her forehead. Then he leaves. Pandora sits on the couch and buries her face between her hands.

OFF TO TAMORA - She ORBS in.

TAMORA

Prue’s safe.

Tamora looks at Pandora.

TAMORA (CONT'D)

Hey. What’s going on?

Pandora starts crying. Tamora sits beside her and hugs her.

TAMORA (CONT'D)

Everything will be fine, sis.

Both sisters hug each other.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Prue and Wyatt are there hugging each other.

WYATT

I was so afraid.

PRUE

You found me.

They pull back and stare at each other.

WYATT

What are we doing?

PRUE

I love you.

WYATT

I love you too, but ---

PRUE

Jessica?

Wyatt nods.

WYATT

She’s pregnant, Prue.

PRUE

And that’s very wrong.

WYATT

I think I need to think.

PRUE

I know your feelings about me, Love. You just have to remember. Just like you did when you find me because what happened is us. You found me, because of the bond between us. And when we fought the witch?

Wyatt lowers his gaze. Prue touches his face softly.

PRUE (CONT'D)

I’ll give you time, but know that I am your destiny. Not her. Not this fake life.

Prue pulls his face down and kisses his lips softly. Then she BEAMS out. Wyatt takes his hands to his hips and takes a deep breath.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The club is empty. Only Bianca is sitting by the counter. She is having an alcoholic drink.

OFF TO CHRIS - He ORBS in.

Bianca raises her glance. She is surprised to see him there.

BIANCA

Chris? What are you doing here?

CHRIS

I needed to see you.

Bianca feels her heart beating faster.

BIANCA

Ella ---

CHRIS

Forget her. From what I know now, my marriage is over.

And Chris rushes to her and kisses her passionately. Bianca kisses him back.

OFF TO JO - She ORBS in and smiles as she sees them.

Without being noticed, she heads towards the back of the club.

CUT TO:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

VIEW AT THE TOWN.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

Wyatt comes from the bathroom already dressed to work.

OFF TO THE DOOR - Jessica comes in.

They look at each other.

JESSICA

We’ll talk when this damn spell ends.

WYATT

I just want to tell you that I’m happy for the baby.

Wyatt approaches her and kisses her forehead. Then Wyatt leaves the room.

ON JESSICA - She smiles.

CUT TO:

INT. PRUE’S CONDO - KITCHEN - DAY

Prue pours come hot cocoa into a cup and some cinnamon on the top.

Prue turns to the sink and washes the dishes. As she does that, Jared FADES in and smiles. He pours two drops of the potion on the coco.

ON POTION - Two drops fall on the coco.

Prue senses something. Jared FADES out. Prue turns around and nothing there. Prue finishes the dishes and turns to her cocoa.

OFF TO NATE - He comes from the bedroom.

Nate approaches the kitchen counter. Both Prue and Nate look at each other.

NATE

We must talk.

PRUE

I agree. Everything I told you ---

NATE

I just need to know one thing.

Prue has a sip of her cocoa.

NATE (CONT'D)

What’s really going on, Prue? Why are you acting so weird towards me and our son? Why?

PRUE

You above all deserve to know the truth, Nate. I’m not the Prue you know and love.

NATE

Then who are you and where is my Prue?

Prue is about to answer, but suddenly she feels unable to.

PRUE

I ---

Prue’s confusion is notorious to Nate.

PRUE (CONT'D)

I --- huh.

It’s like she has a blank in her mind.

NATE

Prue?

Prue looks at Nate. She is serious.

PRUE

You know what? I’m so confused. It’s been confusing for me lately. I need to ---

She points to her bedroom and feels dizzy. Nate rushes to help her.

NATE

Are you okay?

Prue shakes her head.

PRUE

I felt the floor spinning.

NATE

Come. You need to rest.

Nate takes her in a bridal style and takes her to the bedroom.

OFF TO JARED - He FADES in. Jared smirks.

CUT TO BLACK.

END OF THE EPISODE