1x16 - Mind of the Huntress

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 16

'MIND OF THE HUNTRESS

TEASER

OVER BLACK.

FADE IN:

EXT. MAYOR’S HOUSE - NIGHT

AERIAL FOOTAGE of the imposing residence. The garden lights lit the facade.

FADE TO:

INT. MAYOR’S HOUSE - OFFICE - NIGHT

Thomas stands near his desk on his back to the entrance. He’s staring at his iPad and by the look on his face, he doesn’t seem very pleased about what he’s reading.

THOMAS

Damn witch!

Thomas turns around and puts the iPad on the desk almost throwing it away. And that’s when he realizes he’s not alone there.

BEAT. Thomas stares seriously at Alastair who stands staring at Thomas with an evil smile on his face.

THOMAS (CONT’D)

You!

ALASTAIR

I’m sorry I didn’t knock. I haven’t gotten used to knocking.

THOMAS

Are you here to explain why the witch is still alive?

Alastair lets out a sarcastic smile and goes to sit. He then puts his hands together in front of his face as he stares at Thomas.

ALASTAIR

I don’t recall having to explain anything to you ---

(pauses)

--- ever.

THOMAS

I thought we had a deal. You had to kill the witch.

ALASTAIR

It was actually your son’s fault. He’s not very clever when it comes to picking his allies.

Thomas and Alastair stare at each other for a few seconds and then Thomas sits on his chair.

ALASTAIR (CONT’D)

It’s touching, actually. The reason why he tries to please me. He wants to find her. Elizabeth.

THOMAS

He cannot.

ALASTAIR

Are you so afraid of him? Oh, right. You took from him the thing he loved the most.

(smirks)

Yeah, that’s reason enough to be afraid of him.

THOMAS

I’m not afraid of him.

ALASTAIR

(sarcastic)

Right. Just like Elizabeth isn’t?

Thomas leans back on the chair.

ALASTAIR (CONT’D)

You two have been together for centuries. Creating the Soldiers of Fortune. Is she still fooling mortals for that purpose?

Thomas stares seriously at Alastair.

ALASTAIR (CONT’D)

Are you?

(smirks)

Tell me, is there still mortals out there with that gene? It’s been so long since you spread the virus that infected a considerable number of mortals who gave birth to other mortals. Mortals who carried a specific gene that when mixed with yours or Elizabeth or any other one of your kind create the fearless Soldiers of Fortune.

Thomas is serious.

ALASTAIR (CONT’D)

You should be proud. A Soldier of Fortune was also the Source of All Evil once. Oh, and let’s not forget that that gene got mixed with Halliwells’ gene. Damn, what a genealogy!

THOMAS

Is there a point to this conversation?

Alastair smirks.

ALASTAIR

(shrugs)

Oh, I just get nostalgic every once in a while. You know, I had many years locked down. It made me think.

THOMAS

You were released almost a century ago.

ALASTAIR

True. But then again, I got locked for almost twenty years.

Alastair stands and puts his hands on the desk leaning forward.

ALASTAIR (CONT’D)

And none of my allies cared to help me.

Thomas smirks.

THOMAS

Are you gonna charge me on that?

ALASTAIR

No. I have a proposal. If you say yes, I can assure you Trace won’t ever find out where to find Elizabeth and therefore you. He believes you’re dead, did you know?

Thomas stares seriously at Alastair.

THOMAS

What is it that you want?

Alastair smirks. He then paces the room. After a few seconds, he turns to Thomas.

ALASTAIR

The Huntress.

Thomas frowns.

ALASTAIR (CONT’D)

Oh, don’t pretend you don’t know what I’m talking about. I know you’re keeping her here. In the dungeons you and your wife magically created.

THOMAS

What do you want her for?

ALASTAIR

Don’t you want me to get rid of the witch?

(arms wide open)

I’m giving you a chance.

Alastair and Thomas stare seriously at each other.

FADE TO:

INT. MAYOR’S HOUSE - BASEMENT’S CELL - NIGHT

Nora, all dirty and unkempt is sitting in a corner. Her gaze is emptily staring at the walls of her prison.

OFF TO THE DOOR - It opens.

Nora looks at the person that walks in not actually seeing his true face until the light from the outside hits his face and ---

BEAT. It’s Alastair. He smirks.

ALASTAIR

Miss Hunt?

Nora tries to stand with some difficulties.

ALASTAIR (CONT’D)

I’ve heard you have your own revenge to accomplish.

Nora stares seriously at Alastair.

ALASTAIR (CONT’D)

(smirks)

And I’m willing to help you with that.

ON ALASTAIR - He keeps an evil smile on his face.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Kellan Lutz as Trace / Jitur

Lyndsy Fonseca as Natalie West

Christopher Heyerdahl as Alastair

Guest Starring

Freddie Thorp as Edward Matthews

Michael Malarkey as Felix

Natalie Dormer as Nora Hunt

Jodi Lyn O'Keefe as Elizabeth Turner

Stephen Dorff as Thomas Thornton

Abigail Cowen as Poppy Whitmore

Katharine McPhee as Isabelle Halliwell

Annabel Scholey as Morgan / The Enchantress

Luka Fellah as 7 years old Prue

Amy Sturdivant as Cathy Tate

Claudia Heinz as June

Unknown as Reporters

Unknown as Security Team

Unknown as Police Officers

Unknown as Protesters

Unkown as Demons

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: Mind of the Huntress

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the city at the sound of ‘Cold Heart’ by Elton John ft. Dua Lipa. Several places all over the town are shown as the music plays.

FADE TO:

EXT. HALLIWELL MANOR - DAY

STILL.

MUSIC KEEPS PLAYING IN THE B.G.

FADE TO:

INT. HALLIWELL MANOR - PERSEPHONE’S BEDROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

ON MIRROR - Felix is staring at his own reflection in the mirror. He’s shirtless. There’s a huge scar on his right shoulder.

Felix runs his hand over the scar. He is serious.

MUSIC FADES OFF.

OFF TO THE ENTRANCE - Persephone comes in. When she realizes he’s shirtless, she turns around.

PERSEPHONE

(on her back)

Oh, sorry.

Felix turns around and smiles.

PERSEPHONE (CONT’D)

(waving hands)

I didn’t know you were ---

Felix stares at her and smirks. He finds her attitude funny. She tries not to peek.

PERSEPHONE (CONT’D)

(nervous)

I didn’t --- I ---

Felix gets the shirt on.

FELIX

It’s safe to stare.

Felix hides a smile as Persephone turns around slowly. Then, both look at each other. She has an ashamed look on her face.

PERSEPHONE

Sorry.

FELIX

No. Sorry. I’m the one who has occupied your bedroom.

Persephone forces a smile.

PERSEPHONE

Don’t worry about that. You shouldn’t be up already.

FELIX

I’m feeling better.

PERSEPHONE

You sure? ‘Cause ---

FELIX

I’m fine.

Persephone nods. They stare at each other.

FELIX (CONT’D)

Actually, I’d feel better if you tell me what happened.

Persephone gets serious.

FELIX (CONT’D)

What attacked us?

PERSEPHONE

(swallows)

I’ve told you. It was a huge dog. With rage syndrome.

FELIX

I have some memories. They are fuzzy, but ---

Feliz walks over to the bed and sits.

FELIX (CONT’D)

(chuckles sarcastically)

It seemed like a big wolf.

Persephone lets out a nervous sarcastic smile.

PERSEPHONE

A wolf. Don’t be silly. Wolves in the city, that’s ---

(gets serious)

--- silly.

Persephone swallows. Felix stares at her. He might be suspicious of something.

FELIX

Well, I’m glad you are fine.

PERSEPHONE

Thanks to you.

Persephone smiles and lowers her gaze. He stands and walks over to her.

FELIX

Why didn’t you take me to a hospital?

BEAT. Persephone swallows.

PERSEPHONE

I told you already. It was risky to move you.

FELIX

Yeah, but you moved me here. Why not a hospital?

Felix and Persephone stare seriously at each other.

PERSEPHONE

I didn’t think. I just thought of calling a friend of mine. He was the one who healed you.

FELIX

I see. Well, I think it’s time for me to get back to my life and work. I’ve taken so much of your time.

PERSEPHONE

(worried)

Are you sure you’re feeling fine?

Felix frowns.

FELIX

Are you worried about me, Miss Halliwell?

Persephone smiles.

PERSEPHONE

When you were unconscious you used to call me Persie.

Felix smiles. They look each other in the eyes.

FELIX

Thank you for taking care of me, Persie. And ---

(arms wide open)

--- tell your cousin thanks for the clothes.

Persephone smiles and nods.

PERSEPHONE

I will. But ---

FELIX

I should go now. I want to go back to my kitchen. I can’t imagine the mess without me.

PERSEPHONE

But ---

FELIX

Thank you.

Felix kisses her cheek and walks out of the bedroom. Persephone sighs.

PERSEPHONE

Damn, Persie!

Persephone rushes out of the bedroom after him.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

Prue comes from the dining room. Priscilla comes following. Prue is annoyed.

PRUE

Priscilla, you’re honestly driving me crazy.

PRISCILLA

I just need to know.

Prue turns to Priscilla to face her.

PRUE

You don’t need to know a thing. Just let me be.

Prue turns around and walks over to the front door.

PRISCILLA

Prue, I’m a cupid and I need to know what happened there. Also, you and Leo ---

PRUE

(shoots her a look)

Would you shut up? Felix can hear you.

Priscilla glances around.

PRUE (CONT’D)

And Leo and I are none of your business.

Priscilla looks at her sister.

PRISCILLA

Are you two together?

Prue shakes her head astonished at her sister’s question.

PRUE

He and I can’t be a thing.

PRISCILLA

But ---

PRUE

Enough.

OFF TO FELIX - He comes downstairs. Persephone follows.

PERSEPHONE

But Felix, wait ---

FELIX

I told you. I’m feeling better than ever.

Prue and Priscilla glance at Persephone and Felix. Felix walks over to the front door.

FELIX (CONT’D)

Hello, girls.

PRISCILLA

You’re up!

FELIX

I’m feeling better.

PERSEPHONE

He wants to leave.

Prue crosses her arms.

PRUE

If he’s feeling better ---

PERSEPHONE

What happened to him was serious.

Persephone shoots glances at her sisters for support. Prue and Priscilla glance at each other.

FELIX

But I’m better.

PERSEPHONE

But ---

FELIX

Listen, I’m really worried about my kitchen. If you want to keep an eye on me, then come to the restaurant with me, ---

(smiles)

--- boss.

Felix smiles charmingly at Persephone. Prue and Priscilla hide a funny laugh. Persephone glances at her sisters. They shoot her a look. Persephone sighs.

PERSEPHONE

(to Felix)

Let me get my bag.

Felix smiles.

FELIX

I’ll wait for you outside.

Persephone nods. Felix smiles one last time to Prue and Priscilla and then walks out of the manor. Persephone glances at her sisters.

PERSEPHONE

I was waiting for a little support from you two.

PRUE

He’s feeling better, sis.

PERSEPHONE

He was, you know ---

(sighs)

He can become a werewolf if we don’t watch him.

PRUE

We? I have an Enchantress to find. And a huntress by the way.

PRISCILLA

(excited)

Oh, so you and Leo are gonna work together?

Prue rolls her eyes.

PERSEPHONE

Girls!

Prue and Priscilla look at Persephone.

PERSEPHONE (CONT’D)

Should I tell him what really happened?

Prue and Priscilla stare seriously at Persephone.

PRISCILLA

Exposing magic?

PRUE

Well, he’s kinda part of the magical community now, right?

They glance at each other.

PERSEPHONE

I better keep my eyes on him for the time being.

Persephone grabs her bag from the entrance furniture and then walks out of the manor. Priscilla turns to Prue.

PRISCILLA

Prue, please ---

PRUE

Leo and I are not a thing. So, drop it.

That said, Prue takes her bag and walks out of the manor as well. Priscilla is infuriated. She turns around and walks away into the house.

FADE TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION footage.

FADE TO:

INT. MAYOR’S HOUSE - LIVING ROOM - DAY

Thomas comes into the room followed by a furious Elizabeth.

ELIZABETH

I can’t believe you allowed such a thing.

Thomas turns to her.

ELIZABETH (CONT’D)

The Warrens will be dragged into this and they’d be dragged to me. To us.

THOMAS

He assured me they wouldn’t. That Trace wouldn’t find us.

ELIZABETH

And you believe him?

Thomas walks over to the drinking cart and pours himself a drink.

ELIZABETH (CONT’D)

It’s Alastair!

THOMAS

Just relax. They won’t track Nora’s trace to us. Now, put yourself together, dear wife, and get ready. You agreed to visit the homeless later today, remember?

Elizabeth shoots him an angry look.

THOMAS (CONT’D)

Alastair will keep his word. And in the process, he’ll drag the Warrens away from us.

ELIZABETH

We’ve been hiding for so long. If your son finds us ---

THOMAS

He won’t.

Elizabeth and Thomas stare seriously at each other.

ELIZABETH

Let’s hope you don’t regret it.

That said, Elizabeth turns around and walks out of the living room. Thomas has a sip of his drink.

FADE TO:

EXT. SAN FRANCISCO - BUSY STREET - DAY

Alastair comes walking and he’s not alone. Nora walks side by side with him. She seems better than before. She has had a change of clothes and cleaned herself.

NORA

So, you want me to drag their attention?

Alastair smirks.

ALASTAIR

Yes. They must look for you.

NORA

Can I kill?

ALASTAIR

You should. You see, I want to weaken them so I can get one thing for myself.

NORA

The Book of Shadows?

Alastair stops. He looks at Nora surprised at her sagacity. Nora stops and looks at him.

NORA (CONT’D)

That’s all demons want.

ALASTAIR

(smirks)

True. You’re correct.

(keeps walking)

I need that book. To get it, I need their bond to weaken.

NORA

Consider it done. When Elizabeth offered to help me and brought me here, I thought she wanted me to go after them. But she tricked me all the time. Made me go after people that weren’t even witches with active powers.

ALASTAIR

Oh, well. Elizabeth has always been a tricky demon. She only works on her own behalf.

Nora is thoughtful.

NORA

She seemed afraid.

Alastair looks at her.

NORA (CONT’D)

Of them, I mean. The witches.

ALASTAIR

They are not her biggest concern.

(smirks)

You see, Elizabeth did something in the past. Something that left a mark on a little boy’s heart. Ever since the boy has sworn to make her pay. She always lived in hiding.

(sarcastic smile)

After all, she has done the same to others. But she’s particularly afraid of this one.

(stops)

You see, the worse betrayal comes from those we trust the most.

NORA

Afraid? Elizabeth? Isn’t she one of the oldest demons?

ALASTAIR

Indeed. Mother of generations of demons. Many thought she was gone, but she was actually hiding.

NORA

She’ll have to run again, right? To hide?

ALASTAIR

(smirks)

Do your job, dear huntress. Worry not about demons. Witches are your thing.

NORA

Well, demons are evil too.

Alastair evil smiles. He puts a hand on Nora’s shoulder.

ALASTAIR

Stick to your job. You came here for the Warrens. Here’s a bonus for you.

(leans to whisper something to her ears)

Leo Matthews is the son of the man who condemned your father to death.

ON NORA’S FACE - She gets serious.

Alastair steps back.

ALASTAIR

Is that motivation enough?

NORA

(determined)

They will regret being born.

Nora walks away. Alastair evil smiles as he sees her walking away.

FADE TO:

EXT. HALLIWELL’S - DAY

STILL.

FADE TO:

INT. HALLIWELL’S - DINING ROOM - DAY

No customers there. Pamela comes from the back. She’s exasperated. Aiden comes following. She’s irritated at him.

PAMELA

I said no and no.

AIDEN

C’mon, Pam. It’s just dinner.

PAMELA

I don’t want to go.

AIDEN

It’s your father.

PAMELA

(turns to him)

No. It’s my stepmother. The awful woman who once was my colleague on the runway.

AIDEN

I seriously think you should go and take us all.

Pamela takes her hands to her hips.

PAMELA

No.

AIDEN

(shrugs)

Well, then I’m gonna take the invitation anyways.

PAMELA

What?

Aiden stares seriously at her.

AIDEN

Your father has messaged us all inviting us to a family dinner at Whitmore manor.

Pamela’s eyes go wide.

PAMELA

I can’t believe he did that.

AIDEN

Well, he did.

PAMELA

Oh, dad, dad!

Pamela is so mad.

OFF TO THE ENTRANCE - A red-haired girl walks in carrying a heavy backpack. She glances around. This girl is POPPY WHITMORE (26). Poppy smiles as she sees who she’s looking for.

Poppy is about to say something when Felix rushes in followed by Persephone.

PERSEPHONE

Felix, please, you need to take it easy.

Felix doesn’t stop at Persephone's words and walks over to the kitchen passing through Pamela and Aiden. Poppy stares at them open-eyed.

Pamela and Aiden stare at Felix as he walks over to the kitchen. Then Pamela and Aiden look at Persephone.

PERSEPHONE (CONT’D)

That man is going to be the death of me.

PAMELA

Well, make it a sweet, sweet death.

PERSEPHONE

It’s like he’s got all the energy in the world.

AIDEN

Well, he’s kinda different now.

Persephone shoots Aiden a look. No one seems to notice Poppy who walks over to them.

PERSEPHONE

(mad)

Can you keep your voice down?

Poppy stands near them.

PAMELA

You’re gonna have to tell him ---

Pamela notices Poppy there.

PAMELA (CONT’D)

--- eventually. Poppy!

Pamela is astonished at her sister’s presence there. Aiden and Persephone look at the visitor.

AIDEN

Poppy as in Poppy Whitmore?

Poppy smiles big and opens her arms as Pamela rushes to her and hugs her sister.

PERSEPHONE

The sister?

PAMELA

What are you doing here, crazy-head?

Both sisters keep hugging. They seem happy to meet each other. Aiden walks over to Persephone and both stare at the sisters. They finally part and look at each other grabbing each other’s hands.

PAMELA (CONT’D)

Why didn’t you tell me you were coming?

POPPY

You would probably tell mom who then would do what she could to stop me from coming.

Pamela grimaces.

PAMELA

Oh, please, don’t tell me you come for that ridiculous dinner?

POPPY

(shrugs)

Dad insisted.

Pamela lets out a long sigh.

PAMELA

I can’t believe it.

Aiden clears his throat calling the sisters’ attention. Pamela and Poppy look at Persephone and Aiden.

AIDEN

Are you going to introduce us?

Pamela rolls her eyes.

POPPY

Oh, no need. I think I know you guys already.

(walks over to Aiden)

You must be Aiden.

She hugs Aiden very happy to see him. Aiden is surprised.

AIDEN

Am I that obvious?

POPPY

Oh, you are always irritating my sister or so that’s what she’s told me, so I guessed.

Aiden sarcastic smiles and shoots Pamela a look. Pamela shrugs. Then Poppy walks over to Persephone and hugs her too.

POPPY (CONT’D)

Persie!

Poppy parts and stares at her.

POPPY (CONT’D)

I mean, I suppose because you are here and you are my sister’s business partner and ---

PERSEPHONE

You guessed right.

Poppy smiles big and hugs Persephone again.

PAMELA

Yeah, about that, my sister is the hugging type. She’s the alien of the family since no one is that sticky.

Poppy looks at Persephone and sarcastic smiles.

POPPY

You never complained about my hugs.

PAMELA

That’s because you’re my baby sister.

Poppy smiles big. She glances at them.

POPPY

So, is everybody going to my father’s dinner?

Pamela rolls her eyes. Persephone and Aiden glance at each other. Poppy glances at them with a huge smile on her face.

FADE TO:

INT. LEO’S OFFICE - OFFICE - DAY

Leo is on the phone and staring at his computer. He’s talking with a client.

LEO

(on the phone)

Yes. I’ve talked with the witness and we might have a chance to obtain compensation for workplace abuse. --- Of course, I’ll keep you posted. Have a nice afternoon.

Leo hangs off the phone and keeps focused on the computer.

SOUND - A knock on the door.

Leo raises his eyes from the computer to see who knocks on the door. BEAT. He gets serious. Leo stands staring at the visitor.

LEO

You.

THE CAMERA MOVES towards the entrance where Morgan stands smiling at Leo.

MORGAN

Hi.

LEO

What are you doing here?

Morgan walks more into the office. She puts her bag on the chair before the desk and keeps smiling at Leo.

MORGAN

I thought after all this time you would receive me with better manners.

LEO

We don’t have anything to say to one another. We’ve said all we had to say.

MORGAN

No. I haven’t.

Morgan sits before Leo. He stares at her seriously. Morgan signs him to sit. After a long suspicious look, Leo decides to sit in his chair.

MORGAN (CONT’D)

You’ve made quite a life here in San Francisco.

LEO

I’m doing well, yes.

MORGAN

Funny. I still remember a time when your dream was to be a partner in my father’s law firm.

LEO

That was a long time ago.

MORGAN

Five years is not a long time, Leo.

LEO

Five years are five years, Morgan.

Morgan forces a fake smile not pleased at his answer.

MORGAN

We were together for more than five years.

Leo leans back on the chair. He sighs.

MORGAN (CONT’D)

How could you throw that away?

LEO

We’ve talked about that already.

MORGAN

You keep telling me that you were not sure of your feelings at the time.

LEO

Well, I wasn’t. And after five years I know I took the right decision. Morgan, you and I wouldn’t work.

MORGAN

We would. I know it. If you only give us a chance.

LEO

I can’t.

Leo stands irritated.

MORGAN

I still love you, Leo.

LEO

But I don’t. Try to understand that.

Morgan stands and walks over to him. Leo doesn’t move.

MORGAN

Oh, Leo.

Morgan touches Leo’s face slowly.

MORGAN (CONT’D)

Don’t tell me that you love that detective. She’s not the right one for you.

LEO

I am the one who decides who’s the right one for me.

MORGAN

You’re blind.

Morgan gets closer and is about to kiss him, but Leo steps back. Morgan smirks.

MORGAN (CONT’D)

I’m sure we are made for each other, my love.

LEO

I’m sure we are not, Morgan.

They stare at each other.

LEO (CONT’D)

The right woman for me is out there, indeed. But she’s nothing like you.

Morgan gets serious.

MORGAN

I love you, Leo, and I’m not going to give up on you.

LEO

(mad)

I don’t, damn it!

(swallows)

I love another and there’s nothing you can do that’d change that fact.

And as Leo finished that, Morgan feels dizzy. Leo catches her in his arms.

LEO (CONT’D)

(worried)

Morgan?

Morgan blinks several times. Leo helps her to sit.

LEO (CONT’D)

Are you alright?

Morgan tries to recover. Leo kneels before her. She breaths fast and then stares seriously at him.

MORGAN

You’re mine!

That sounds different from the Morgan we’ve seen so far. Leo stands giving her a suspicious look.

LEO

What was that?

Morgan shakes her head. She looks at Leo.

MORGAN

(confused)

I --- I’ve been having some pressure drop.

LEO

You should go see a doctor.

Morgan stares seriously at him. Then she stands grabs her bag and looks at him again.

MORGAN

I won’t give up, Leo. I’m not handing you to another that easily.

There’s something in her glare. Something Leo can’t quite figure out what is.

Morgan walks out of the office as Leo watches her leave. He is serious.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. MAGIC SCHOOL - MAIN HALL - DAY

The room is empty. Prue comes in followed by Gabriel. She carries a couple of books. Prue seems irritated. It seems like Gabriel also wants to know what’s the deal with Prue and Leo.

GABRIEL

C’mon, Prue!

Prue walks over to a table and drops the books there.

PRUE

I’m so tired of you guys sneaking into my life.

GABRIEL

We are just worried about you.

PRUE

Then, don’t. I’m fine. Leo’s fine.

GABRIEL

What we want to know is if the two of you are fine.

PRUE

I just told you.

GABRIEL

I mean the two of you as a couple.

PRUE

We are not a couple.

Gabriel crosses his arms over his chest and stares seriously at her.

GABRIEL

We saw you two kissing the other night at P3.

Prue glances away and sighs.

GABRIEL (CONT’D)

And it wasn’t just a kiss. You danced a couple of songs together.

PRUE

And then we parted. If you kept watching us then you must have noticed that.

Gabriel sighs.

PRUE (CONT’D)

Leo and I can’t be together. Yes, the bloody block disappeared, but that’s all. Yes, we still have feelings for each other, but that’s all. We are not a couple.

GABRIEL

You and Lucas aren’t together and so he and Natalie broke up as well.

PRUE

Yeah. We ended that. We didn’t love them.

GABRIEL

Because you love each other.

Prue stares seriously at him.

PRUE

You know I can’t simply say that. I need to keep my mind focused on something else. I can’t forget that there’s an Enchantress out there that is willing to make my life a living hell if Leo and I fully assume our feeling for each other.

GABRIEL

Fully assume! So, you’ve partially assumed it?

Prue sighs.

GABRIEL (CONT’D)

That answer is enough for me.

PRUE

Would you drop it already?

GABRIEL

What happened in the middle ages?

PRUE

Gabs!

GABRIEL

Tell me.

Prue thinks for a few seconds about what to answer. Then she sighs.

PRUE

(swallows)

Leo and I are married.

Gabriel’s eyes go wide.

GABRIEL

What?

PRUE

It’s not official, but there was kind of a ceremony. Besides, it technically happened
ions ago.

GABRIEL

Kinda was? It was you and Leo, right? Right? Prue and Leo.

PRUE

Yes.

GABRIEL

Did you say yes willingly?

PRUE

I said some vows. He did also. I assume that’s the same as saying yes.

GABRIEL

You are married!

PRUE

C’mon, Gabs. For what matters that was a Handfasting. A promise to wed.

GABRIEL

A Handfasting?

Prue nods.

GABRIEL (CONT’D)

Prue, my grandparents' wedding ceremony was a Handfasting.

Prue swallows.

PRUE

It means nothing, okay? It’s not official. There are no papers.

GABRIEL

It doesn’t matter. You’re married.

PRUE

I’m not. Listen, you need to drop this off, and don’t tell anyone.

GABRIEL

Why?

PRUE

Because Leo and I agreed on keeping it between us. Now, let me work.

Prue sits on the desk and starts flipping the books trying to ignore Gabriel’s presence. Gabriel keeps staring at her.

SOUND - Prue’s phone. Someone’s calling.

Prue glances at Gabriel who keeps staring seriously at her. Prue takes a deep breath and answers the phone.

PRUE

Leo?

Gabriel smiles.

PRUE (CONT’D)

Yeah, I ---

(glances at Gabriel)

--- miss you too. But I’m keeping myself busy. I came to Magic School. --- No, I don’t know. But now we know that we lived in Scotland back then, so I can use that info to track the storybook. --- She what? --- What did she want? ---

Gabriel sits before Prue staring seriously at her.

PRUE (CONT’D)

Insistent, is she not? --- No, of course, I’m not jealous. I just ---

Gabriel shoots Prue a look. Prue grimaces.

PRUE (CONT’D)

I’m going to get back to work now, and we’ll talk later. ---

LEO (V.O.)

I --- you know.

PRUE

Yeah. Me too.

Prue hangs off the phone. Gabriel keeps staring at Prue.

GABRIEL

Did he say I love you?

PRUE

No, he didn’t.

GABRIEL

Then why did you say me too?

PRUE

(annoyed)

Drop it, Gabriel.

Gabriel smiles.

SOUND - Their phones. Notifications.

PRUE

It must be the Winkzy app. It has been on fire lately due to Pamela’s father’s dinner.

Gabriel starts checking his phone while Prue ignores hers and focuses on the books before her.

GABRIEL

Are you going to that dinner, by the way?

PRUE

I might.

Gabriel shoots Prue a look not believing what she just said. Then he checks the notification. Gabriel gets serious.

GABRIEL

It’s not a text.

PRUE

(not taking her eyes off the books)

So?

GABRIEL

The mayor’s wife.

Prue looks at Gabriel who hands her the phone. Prue takes a look at it and then stares astonished at Gabriel.

PRUE

I need to go.

GABRIEL

I’ll go with you.

Prue nods. Both stand and walk out.

FADE TO:

EXT. SAN FRANCISCO - UNDER A BRIDGE - DAY (SHORTLY AFTER)

There is a crowd there. Lots of people are protesting. Some carry posters saying:

Give them a proper home.

Look at the homeless.

Mayor sucks.

Promises are to be kept.

We stand with the homeless.

A limo is pulled over. A couple of big men part of the security team come from the back door. One of them helps the Mayor’s wife, Elizabeth, to come out.

Elizabeth glances around not pleased at the crowd there. She wears sunglasses and keeps them on. People’s voices turn louder. Elizabeth takes a deep breath. Some reporters approach her and start asking her questions.

REPORTER #1

Is it true that these people have returned here because there were no conditions in those shelters the Mayor put them in?

REPORTER #2

How will this new controversy affect the mayor’s campaign for the next term?

Elizabeth glances at them. Elizabeth’s assistant walks over to Elizabeth trying to make her way through the crowd. CATHY TATE (28) finally gets there. She leans over Elizabeth to whisper something to her.

CATHY

I tried to make them leave, but they don’t want to. Where’s the mayor?

ELIZABETH

He asked me to come.

The reporters keep asking questions.

CATHY

You must make some promises. I’ve found a new place for them.

Cathy hands Elizabeth an iPad. Elizabeth has a look at it and then glances at the crowd.

OFF TO PRUE AND GABRIEL - Both walk over to where Elizabeth is making their way through the crowd.

ELIZABETH

I’ve learned of these people's complaints.

REPORTER #1

These people, ma’am? Is that how your address those in need.

ELIZABETH

The homeless community of the Lane Bridge will be placed in another shelter.

PRUE

Why’s that?

Elizabeth turns around as she hears Prue’s voice. She stares at her.

PRUE (CONT’D)

(smiles)

Prue Halliwell. Bay Mirror, ma’am!

As soon as she hears Prue's name, Elizabeth gets serious.

PRUE (CONT’D)

Why weren’t they placed in a proper shelter for starters?

Elizabeth’s expression is unreadable.

ELIZABETH

The Mayor’s office has made a mistake trusting the well-being of this community in the wrong hands. Arranges are being made to take them to a proper shelter. I’m sure they’ll be please now.

Elizabeth turns around and walks back to her limo, but the crowd gets mad. People start pushing each other. With the confusion, Elizabeth falls to the floor. Gabriel, being a gentleman, walks over to her and helps her stand. As soon as he does, something weird happens.

IN GABRIEL’S MIND - He CAN HEAR SCREAMS. Screams of terror.

Gabriel lets go of her immediately and falls on the floor as the security team takes Elizabeth away and into the limo. Prue rushes to Gabriel.

PRUE

Gabs!

She lowers down.

PRUE (CONT’D)

What happened?

Gabriel seems confused. Prue helps Gabriel to stand and then both of them walk to a calmer spot while officers intervene to control the crowd.

PRUE (CONT’D)

So?

Gabriel stares seriously at Prue.

GABRIEL

When I touched her, I ---

PRUE

You what?

GABRIEL

I heard ---

PRUE

(impatient)

You heard what?

Gabriel is worried.

GABRIEL

Screams. Terror.

(pauses)

Death.

PRUE

What?

GABRIEL

Prue, I think I just got a new power.

Prue and Gabriel stare astonished at each other. Gabriel is confused.

FADE TO:

INT. BOOKSHOP - DAY

A young woman, JUNE (25) is there organizing some books on the shelves. She seems happy with what she’s doing.

SOUND - The front doorbell. It seems like someone has come in.

June turns around and smiles.

BEAT. Nora is there.

JUNE

Good afternoon. Can I help you?

NORA

(smirks)

Oh yes, you can.

Nora stares seriously at June as she’s planning something in her mind. Nora turns around and turns the door’s plaque from open to close.

ON NORA’S FACE - She smirks.

FADE TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION footage all over the city.

FADE TO:

INT. APARTMENT 303 - OPEN SPACE LIVING ROOM & KITCHENETTE - DAY

The room is dark. There’s not much furniture there. William comes in and glances around. He sighs. Miranda walks in right after him.

MIRANDA

Why are we here again? Last time we found nothing.

WILLIAM

I don’t know. I just feel there’s something here. Somewhere we haven’t looked at.

William starts pacing the room.

MIRANDA

A small kitchenette is attached to an even smaller living room. A closet that serves as a bedroom. I don’t even know how dad could live like this.

WILLIAM

I don’t know, Miranda. I just have a feeling, okay? I can sense that there’s something here.

MIRANDA

I’m gonna have a look in the bedroom again.

Miranda walks out of the room annoyed. William glances around.

WILLIAM

C’mon, Will, think. He wouldn’t just leave. He was smart. Dad and uncle Damien used tricks to hide their stuff.

MIRANDA (V.O.)

Did you say something?

WILLIAM

No. Keep digging.

William glances around.

WILLIAM (CONT’D)

If he wanted to hide something important, he wouldn’t hide it in plain sight. No. He was cautious.

William stands in front of a wall with a huge drawing and stares at it seriously. He runs his fingers through the wall.

WILLIAM (CONT’D)

This drawing ---

ON THE WALL - It seems normal, just a huge drawing of two feathers intertwining.

WILLIAM (CONT’D)

There’s something here. I can feel it.

SOUND - Phones. Notifications.

William ignores the phone and keeps running his fingers on the wall.

OFF TO MIRANDA - She walks in. Her phone is in her hand. Miranda is worried.

MIRANDA

Will?

William turns to her.

WILLIAM

There’s something in here, sis. I can feel it. Help me take this wall down.

MIRANDA

We can’t.

William stares seriously at her.

MIRANDA (CONT’D)

We have bigger things to focus on now.

William and Miranda glance at each other. Miranda seems really worried.

FADE TO:

INT. HALLIWELL’S - DINING ROOM - DAY

ON FELIX - He comes from the kitchen wearing his chef’s coat. He brings a dish and places it before Pamela who’s checking something on the computer.

Pamela shoots Felix a look. Persephone comes from the kitchen as well. Felix shoots Persephone a glance.

FELIX

(to Pamela)

Try it.

Pamela glances from Persephone to Felix, confused. Persephone crosses her arms over her chest.

PAMELA

What’s going on?

FELIX

Try it!

Pamela stares at the dish suspiciously. Then she takes the fork and tastes the dish. She likes the taste of the food, it can be told by the look on her face. Felix smiles and shoots a look at Persephone.

PAMELA

This is delicious. Is it for tonight’s menu?

Felix shakes his head.

FELIX

It is actually for ---

PERSEPHONE

We were hired to serve a dinner event.

PAMELA

What dinner? Why don’t I know about it?

Felix and Persephone stare at each other.

FELIX

Are you going to tell her or should I?

Persephone and Felix stare into each other’s eyes for a few seconds.

PAMELA

The two of you! Spit it out.

Persephone and Felix look seriously at Pamela.

PERSEPHONE

Your father got in touch.

PAMELA

(astonished)

My father?

PERSEPHONE

He wants us to prepare the food.

Felix nods.

PAMELA

What did you tell him?

FELIX

She wanted to ask you. I took the phone from her and said we would do it.

PAMELA

What?

PERSEPHONE

Yeah. That’s the chef you hired.

Felix shoots Persephone a look. Persephone shrugs.

PAMELA

I can’t believe it!

Pamela comes out the counter and puts her hands on her hips.

PAMELA (CONT’D)

(to Felix)

Why would you do that?

FELIX

Because it’s good for us. I’ve started working on the menu already.

PERSEPHONE

He has made the shopping list already.

OFF TO POPPY - She comes from the kitchen as well.

POPPY

Man, that chocolate cake was superb.

PAMELA

We are not preparing the food for my father’s dinner.

FELIX

You won’t have to worry about a thing. I’ll take care of everything.

PERSEPHONE

You need to rest.

FELIX

I feel better than ever. Full of energy.

Persephone and Pamela glance at each other.

PAMELA

Do something.

PERSEPHONE

Pam. It’s your father.

POPPY

Right, sis. Better Felix’s food than someone hired by our stepy.

PERSEPHONE

Stepy?

POPPY

Short for stepmother.

PERSEPHONE

I see.

FELIX

You won’t have to worry about a thing. I’m going shopping, this afternoon and getting everything ready for your father’s dinner.

PAMELA

But I’m not going.

PERSEPHONE

Are you sure you don’t want to think about it? It’s your father.

Pamela stares at Persephone and then at Poppy. Poppy nods.

PAMELA

(sighs)

I’m not going. Period.

FELIX

Well, with or without you, I’ll start working on that.

Felix turns around and walks over to Persephone.

FELIX (CONT’D)

I’m gonna need my sous-chef.

PERSEPHONE

I’m not ---

Felix and Persephone stare into each other’s eyes. Then Felix blinks. Persephone shoots him a look as he smirks and walks into the kitchen.

PERSEPHONE (CONT’D)

I swear, someday, I’m gonna kill him.

POPPY

After he saved you from a werewolf?

Persephone knows Poppy is right.

PERSEPHONE

Damn it!

PAMELA

Don’t count me in.

PERSEPHONE

If I have to be a sous-chef to that man that annoys me the most, you better go to your father’s dinner.

Persephone turns around and walks into the kitchen. Poppy walks over to her sister. Both stare at each other.

POPPY

C’mon, sis. Think about it. Now that our family is whole and that our powers have returned. Let’s give dad a chance.

PAMELA

That woman was my colleague, Poppy. She paraded on the runway side by side with me and hit on dad under my eyes.

POPPY

Okay, Pam, she was older than you at the time.

PAMELA

She was my mentor.

POPPY

Still, older than you.

PAMELA

She got pregnant on purpose.

POPPY

And it takes two for that. Dad is responsible as well. So, c’mon. And don’t forget that even after dad married her, you had her as a mentor.

PAMELA

I was a child.

Pamela sighs. She sits on the nearest chair.

PAMELA (CONT’D)

I grew up in that world. I was ten, remember? When mom took me to that photo shooting. Everybody was anxious for the Whitmore IT girl.

POPPY

Sis ---

Poppy kneels before her sister.

PAMELA

After that, dad only cared about his wife. She’s just six years older than me.

POPPY

Almost seven.

PAMELA

It doesn’t make it any different.

POPPY

Pam, you don’t have to accept her. But you can go to that dinner for dad and Milo. That kid is our brother and he’ll come into his powers soon. He’s gonna need us.

PAMELA

I know.

POPPY

Let’s do it for him, okay?

PAMELA

I’ll think about it. Is that okay?

Poppy smiles.

POPPY

There’s still hope for you.

Pamela laughs.

OFF TO PERSEPHONE - She comes from the kitchen holding her phone.

PERSEPHONE

Girls?

Pamela and Poppy stand and look at Persephone.

PAMELA

Okay, Persie, you better tell him what happened. He’s part of the magical community now after all.

PERSEPHONE

That’s not it.

Pamela and Poppy glance at each other.

PERSEPHONE (CONT’D)

We have some serious issues.

The three of them stare seriously at each other.

FADE TO:

INT. BOOKSHOP - DAY

THERE IS SMOKE. The sight is not clear.

OFF TO THE ENTRANCE - Natalie and Trace walk into the crime scene. Both of them are astonished at the sight of ---

What's in the center of the shop can be described as horrible.

A burned body sits on a burned chair almost falling apart. The body is unrecognizable.
Natalie and Trace stare at the body. Natalie can hide the horrified look on her face.

TRACE

Books were used to light the fire. Like an execution.

NATALIE

This is the Witch Huntress.

Trace glances at Natalie.

NATALIE (CONT’D)

Is there any sign that this woman was somehow related to witchcraft?

TRACE

CSI found a few amulets in her bag.

NATALIE

No personal itens taken?

Trace shakes his head.

TRACE

No. Who did it was only interested in burning this woman?

NATALIE

Can it get any worse than this?

OFF TO THE ENTRANCE - An officer walks in.

OFFICER

Detective?

Natalie and Trace turn around.

OFFICER (CONT’D)

It’s happened again.

Natalie and Trace stare seriously at the officer.

OFFICER (CONT’D)

It’s not far from here.

The officer walks out of the shop. Natalie and Trace glance at each other.

TRACE

It just got worse.

Natalie sighs. Trace glances at the dead body.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

Edward and Priscilla walk in a rush.

PRISCILLA

(calling out loud)

Is anyone at home?

Priscilla and Edward glance at each other.

PRISCILLA

I’m gonna call my sisters.

Edward nods. Priscilla seeks her phone inside her handbag. Once she finds it, she grimaces.

PRISCILLA (CONT’D)
My battery died. I’m gonna use the phone in the kitchen.

Edward nods.

EDWARD

I’ll try to find my brother.

Priscilla nods and walks out. Edward takes his phone out of his pants pocket when ---

BEAT. Nora comes from the living room. Edward is on his back to her so he doesn’t see her coming. Nora carried a baseball bat. She lifts it and hits Edward with enough strength to knock him down. Edward falls to the floor heavily. Nora glances at his unconscious body.

OFF TO PRISCILLA - She comes in.

PRISCILLA

It’s weird, the phone is off and ---

Priscilla stops still when she sees Edward unconscious on the floor. Then she looks at Nora who stands near Edward’s body. Nora smirks at her. Priscilla swallows.

ON NORA - She walks over to Priscilla.

FADE TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION VIEW.

FADE TO:

INT. LEO’S OFFICE - OFFICE - DAY

Leo walks back and forward as he tries to get in touch with someone on the phone.

LEO

C’mon, Eddy.

Edward isn’t picking up the phone. Leo hangs off mad. He checks his phone again and starts a video and watches it.

REPORTER (V.O.)

‘The Witch Huntress is back in San Francisco. After a period of silence, the Serial Killer known as the Witch Huntress returns to break havoc. Several shops all over San Francisco have been targeted by this mental person. The San Francisco Police Department is already investigating, but they don’t seem to be any closer than before.’

Leo turns off the video. He dials a number again.

FADE TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY

No one is there.

SOUND - Phone ringing.

ON PRUE’S PHONE - It’s on the desk and it can be seen who’s calling. It’s Leo. The phone stops ringing.

OFF TO THE ENTRANCE - Prue comes carrying some books. She seems annoyed. Gabriel follows behind. He also carries a couple of books.

PRUE

As if I hadn’t enough to worry about, now I have to find out what kind of new power you’ve got!

GABRIEL

I didn’t ask you to. Besides, we should find out what was that that I felt from the Mayor’s wife. I heard those screams when I touched her.

Prue puts the books on the desk and turns to Gabriel.

PRUE

So, what? Do you want to investigate Elizabeth Thornton?

GABRIEL

Why not?

Gabriel puts the books on the desk.

GABRIEL (CONT’D)

Do you want to spend all day with your face on the books looking for a power that explains why I heard screams?

Prue sighs.

PRUE

I guess that’s not a good idea.

But something pops into her mind.

PRUE (CONT’D)

But we can ask the Librarian.

GABRIEL

Better.

SOUND - Gabriel’s phone.

Gabriel picks up his phone as he walks away.

GABRIEL (CONT’D)

(on the phone)

Persie?

Prue turns and takes her phone to check the calls. She frowns.

PRUE

Leo?

GABRIEL

(on the phone)

Are you kidding me, right?

Gabriel turns to Prue.

GABRIEL (CONT’D)

(on the phone)

No, I’m with Prue. We’ll meet at the manor, then.

Prue looks at Gabriel.

PRUE

What happened?

GABRIEL

The huntress.

PRUE

What about it?

Gabriel seeks the news on his phone and then he hands it to Prue. Prue takes the phone and gets amazed as she reads the news. Prue looks at Gabriel.

PRUE (CONT’D)

Is this true?

Gabriel nods.

PRUE (CONT’D)

I had ten missed calls from Leo.

Prue dials Leo’s number. Soon after, he answers.

LEO (V.O.)

Prue?

PRUE

Leo. Have you seen the news?

INTERCUT - Between Prue and Leo.

LEO

That’s why I called. Are you okay?

PRUE

I’m at Magic School with Gabriel.

(looks at Gabriel)

We are going to Halliwell manor.

Gabriel nods.

LEO

This is our chance to catch her.

PRUE

Let’s do it. I’ll see you there.

Prue and Leo hang off the phone.

INTERCUT ENDS.

PRUE

Let’s go.

Gabriel nods and both walk out.

FADE TO:

INT. LEO’S OFFICE - OFFICE - DAY

Leo hangs off the phone. He then turns around to leave when ---

As Leo turns around, he’s knocked out with a baseball bat. He falls to the floor. Standing there holding the bat is Nora. She smirks.

NORA

Now we are game. First the brothers, then the others.

Nora moves aside as two DEMONS walk in.

NORA (CONT’D)

Take him.

The demons nod. Nora walks out.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

The scenario there is not good. Everything is out of place as if a fight took place there.

Persephone walks in followed by Pamela, Poppy, and Aiden. They stop as they notice the chaos there.

AIDEN

What the hell happened here?

PERSEPHONE

Good question.

(calls)

Priscilla?

No one answers.

PERSEPHONE (CONT’D)

Priscilla?

Persephone starts getting desperate. They walk into the house.

PAMELA

This is the perfect occasion for me to intervene with a new decor offer.

POPPY

It’s not funny, Pam.

Persephone notices something on the floor.

ON PRISCILLA’S PHONE - It’s on the phone. The screen is cracked.

Persephone lowers down and takes the phone. She then raises and shows them the phone.

PERSEPHONE

Guys?

AIDEN

Is that ---?

PERSEPHONE

Pris’ phone.

Persephone is desperate.

PERSEPHONE (CONT’D)

Where’s my sister, guys?

Poppy glances around.

PAMELA

Persie, calm down. We’ll find her.

POPPY

She wasn’t alone.

Poppy points at something.

ON THE FLOOR - Edward’s laptop bag.

Poppy takes the bag from the floor. The others look at it.

AIDEN

That’s Edward’s.

They start getting worried.

PERSEPHONE

Guys, do you think it was the ---

PAMELA

Don’t mention it. Don’t. C’mon. It’s just a huntress.

POPPY

A huntress that has murdered a considerable number of people. Witches or not.

AIDEN

Let me get in touch with Leo.

Aiden takes his phone from his pants pocket and dials a number. The girls look at Aiden.

AIDEN (CONT’D)

He’s not picking up.

PAMELA

Maybe he already left.

POPPY

Or maybe ---

PAMELA

Poppy!

OFF TO PRUE AND GABRIEL APPEARING - The two of them appear surrounded by white smoke. They used a potion to teleport from Magic School to there.

Prue and Gabriel glance around.

PRUE

What happened here?

The others look at Prue and Gabriel.

PERSEPHONE

The huntress. We believe she has Priscilla and Edward.

ON PRUE - She gets worried.

FADE TO:

INT. LEO’S OFFICE - ENTRANCE / OFFICE - DAY

William and Miranda come in.

MIRANDA

(staring at her phone)

We should be heading home. The others are probably waiting for us.

William walks into the office and stops.

WILLIAM

We were nearby. If this is the huntress’ doing then none of us should be alone.

MIRANDA

Leo has a damn teleportation power.

WILLIAM

Leo?

William glances around.

WILLIAM (CONT’D)

He doesn’t seem to be here.

MIRANDA

(checking her phone)

Well, the find my friends' app says his phone is here. The others are already at home.

WILLIAM

Leo?

No answer.

WILLIAM (CONT’D)

I have a feeling, Miranda.

Miranda shoots William a look. And then, something calls William’s attention. He lowers down and peaks under the desk.

WILLIAM (CONT’D)

Leo’s phone.

William stands and looks at Miranda.

WILLIAM (CONT’D)

This is personal now.

Miranda is worried. She dials a number on her phone.

FADE TO:

EXT. WOODS - DAY

There’s a cross made by painted blue leaves. The symbol of the witch hunters. There’s a stake at each end of the cross. And three witches at each stake. Wooden has been placed around each stake.

Nora stands at the larger arm staring at the three witches she has captured.

OFF TO A COUPLE OF DEMONS - They approach Nora from behind.

NORA

Have you placed the amulets?

The demons nod, but Nora doesn’t look at them. Somehow she knows they nodded.

NORA (CONT’D)

It does not matter if they find me. They won’t be able to cross that line.

(smirks)

And then, when these three are dust, I’ll head to the others.

(look over her right shoulder)

Tell Alastair the plan is in motion. Before the day ends, three Warrens will be gone.

The demons nod. Then they SHIMMER out. Nora looks at her victims in front of her.

THE CAMERA MOVES SLOWLY TO ALL THEIR FACES - It starts with Edward, then it moves to Priscilla, and ends in Leo’s face. All three of them are unconscious.

FADE TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION FOOTAGE all over the city.

FADE TO:

INT. S.F.P.D. - MAIN ROOM - DAY

There are only a couple of officers there. Natalie comes in followed by Trace. They both seem tired. Natalie goes to her desk and sits in her chair. Tired. Trace undoes the tie knot.

NATALIE

We really need to find this freak.

Trace stares seriously at her.

TRACE

Well, she is good. She doesn’t leave a trace.

NATALIE

There must be something we’re missing. We don’t know how many more people will perish. We don’t even know if her next victim is a woman or a man. It seems like she doesn’t have a type now.

TRACE

(thoughtful)

Witches.

NATALIE

Witches? Thornton, C’mon!

TRACE

(serious)

You don’t believe witches are real?

Natalie stands staring seriously at him.

NATALIE

This is not Salem.

TRACE

And how do you know for sure that those women that were condemned of witchcraft all those centuries ago were not witches?

NATALIE

Because witches don’t exist.

TRACE

Or maybe because you humans never looked in the right place.

They stare seriously at each other.

NATALIE

We humans? What are you? A spirit?

Trace shoots her a sarcastic smile.

TRACE

(sarcastic)

I’m more the demon type.

Natalie lets out a sarcastic smile.

NATALIE

Cut the crap, Thornton. Witches are not real and the serial killer is just another freak out there.

OFF TO THE ENTRANCE - William rushes in followed by Miranda who is trying to convince her brother to get out of there.

MIRANDA

This is not a good idea, Will.

WILLIAM

She might know something.

Natalie sees William approaching.

NATALIE

(inquiring look)

William?

Trace turns around and looks at the two visitors who approach Natalie and Trace.

NATALIE (CONT’D)

What’s wrong?

WILLIAM

What do you know about the witch huntress?

Natalie and Trace glance at each other.

NATALIE

That’s a private investigation, William. Why do you want to know?

WILLIAM

You’ve shared a few details with Leo, didn’t you?

Trace shoots Natalie a look. Natalie shrugs.

NATALIE

Nothing confidential.

(to William)

But why do you want to know about this matter?

WILLIAM

I need to.

NATALIE

Why?

William stares seriously at Natalie. Miranda stares seriously at William.

MIRANDA

(warning)

Will!

Natalie and Trace stare at one another.

WILLIAM

Leo, Edward, and Priscilla might be the huntress's next victims.

MIRANDA

Dammit!

NATALIE

What?

Natalie stares seriously at William.

TRACE

Wait, why would the huntress take them? Are they witches?

NATALIE

Thornton! No time for jokes!

(to William)

Tell me everything.

William nods. Miranda rolls her eyes.

FADE TO:

EXT. SAN FRANCISCO - DAY / EVENING

SHOOTS all over the town.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO’S BEDROOM - EVENING

Prue bursts into the bedroom. She glances around trying to find something. Pamela rushes in after her.

PRUE

(glancing around)

Where is it?

PAMELA

(glances at Prue)

What are you trying to find? We should be trying to find Leo and the others.

PRUE

(turns to Pamela)

I need something.

PAMELA

Care to tell me what?

Prue starts looking in the drawers.

PRUE

Something that belongs to the huntress. That’s how Leo and I found her last time.

PAMELA

Okay, that could work.

Pamela joins the search. Prue stops by the bedside table where she once found her mother’s letter to Warren, Leo’s father. She stares at the table and then opens the drawer. She takes a deep breath and then looks inside.

ON INSIDE THE DRAWER - A few items there. Isabelle’s letter can be seen. And there is what she’s looking for; the ring that once belonged to Nora’s father.

Prue takes the ring and stares seriously at it.

PRUE

Here it is.

Pamela looks at Prue.

PAMELA

A ring?

PRUE

(nods)

It has a coat of arms. It belonged to Finn Hunt.

PAMELA

And who’s that?

PRUE

Was. The huntress’ father.

PAMELA

Why didn’t you guys share that with the rest of us?

PRUE

We didn’t want any of you involved in this.

PAMELA

Well, we are now. Let’s use it to find her.

Pamela walks off. Prue stares at the ring seriously.

PRUE

Something tells me it won’t be that easy this time.

Prue walks out of the room.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - EVENING

Persephone and Gabriel stare astonished as Natalie and Trace and a couple of officers analyze the crime scene.

PERSEPHONE

(whispers to Gabriel)

Who called them here?

GABRIEL

No idea.

PERSEPHONE

This isn’t good.

Trace walks over to Persephone.

TRACE

Hey, huh ---

PERSEPHONE

What are you guys doing here? You can’t just walk in and start searching for whatever you are searching for without telling us a thing.

TRACE

Well, William came in saying that your sister and two cousins were the huntress's next
victim.

PERSEPHONE

What?

OFF TO WILLIAM AND MIRANDA - They walk in. Miranda rolls her eyes as she sees everybody there.

MIRANDA

(to William; sarcastic)

Well done, bro.

Miranda rushes to Persephone.

MIRANDA

I’m so sorry.

Persephone shoots Miranda a look.

TRACE

We are just looking for clues.

PERSEPHONE

This is my home, Trace. I’m sure none of this is related to that serial killer.

Natalie listens to what she just said.

NATALIE

How are you so sure about that?

(walks towards them)

What makes you so sure about it?

PERSEPHONE

Well, because ---

William walks over to them.

WILLIAM

Because that huntress kills witches and, clearly, none of us are witches.

GABRIEL

Not even practitioners.

MIRANDA

We don’t even believe in witchcraft.

They all nod. Natalie glances at them all.

NATALIE

Well, I don’t believe in either of that stuff either, but this freak is real and she’s killing people. So, time is of the essence and we must rush to find them.

Natalie turns around and approaches the officers. Trace looks at Persephone.

TRACE

I’m sorry, darling, but this is work.

PERSEPHONE

(rude)

Yeah, well, this is my home and I don’t like the invasion.

TRACE

We didn’t find a thing in Leo’s office, so maybe she left a clue here.

PERSEPHONE

Good luck with that.

Persephone rushes upstairs immediately.

GABRIEL

Don’t take it personally. She is ----

Gabriel doesn’t know what to say.

MIRANDA

Worried.

(forces a smile)

We all are.

Miranda rushes upstairs too.

TRACE

I’ll keep ---

Trace waves his index finger to say that he’s going to keep looking. He walks into the conservatory room disguisedly. Gabriel and William look at each other.

GABRIEL

(to William; accusing)

Did you really have to do it?

WILLIAM

She could know something.

GABRIEL

(whispers)

We are damn witches, Will.

William sighs. They don’t notice Natalie staring seriously at them. She doesn’t listen to what they are saying, but she stares seriously at them.

OFF TO THE ENTRANCE - Pamela comes in followed by Prue. Both of them stop and stare as they see what’s going on there.

PRUE

What the hell is happening here?

Natalie, William, and Gabriel look at them. Prue looks at Prue.

PRUE (CONT’D)

What the hell are you doing here?

Focus on the 'you'. Prue and Natalie stare seriously at each other.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING (CONTINUOS)

Trace peaks outside the room and once he’s sure no one is paying attention to him, Trace SHIMMERS out.

FADE TO:

INT. UNDERWORLD - ALASTAIR’S CAVE - EVENING (CONTINUOUS)

Alastair is there minding his own stuff and laughing like crazy as he does.

OFF TO TRACE - He SHIMMERS in behind Alastair.

ALASTAIR

(laughing)

I was wondering when you would show up.

Alastair turns around.

TRACE

Is it your doing?

Alastair stops laughing and gets serious.

ALASTAIR

What do you think?

TRACE

So, you know who this huntress is.

That was not a question.

ALASTAIR

Let’s say that I had a clue of where to find her.

TRACE

How? Not even my department was able to?

ALASTAIR

Right. The secret Magic and Supernatural Department. You know ---

(turns around)

--- I find it exceptional how a demon mixes so well in it. Especially, ---

(turns to Trace)

--- when the director is a witch. Hasn’t he found out who you are?

Trace smirks.

TRACE

I know how to do my job.

ALASTAIR

Right. And one would think that Warrens were smart witches.

TRACE

Well, to be fair, he’s not a Warren. Just married to one.

ALASTAIR

Right.

Alastair walks over to the Grimoire.

TRACE

Are you going to tell me how to find the huntress?

Alastair smirks. He then turns to Trace.

ALASTAIR

What makes you think I would?

TRACE

She’s risking exposure.

ALASTAIR

Why should I care?

TRACE

C’mon, Alastair. That’s not how we do things.

ALASTAIR

True. But I want them out of the way. All the Warrens. That would be the easiest way to put your hands on the book. And I’ve got in the huntress a good opportunity. If she breaks the Power of Three, it’ll get easier. The ideal would be to make them all disappear, but that might take a while. So, let’s break the power of three.

(smirks)

I thought she would start with the brothers, but I’m glad she took the chance to take one of the Charmed Ones.

TRACE

So, she won’t stop here? She’ll keep going after them?

ALASTAIR

(relaxed)

But of course. Why?

(stares seriously at Trace)

Are you worried about your witch?

Trace glances away. Alastair smirks.

ALASTAIR (CONT’D)

Don’t worry. It told her to leave that one for you.

Trace looks at him. Then he evil smiles.

ALASTAIR (CONT’D)

If you are smart you’ll find the connection to the one you’re looking for.

Alastair smiles sarcastically.

FADE TO:

INT. MAYOR’S MANOR - OFFICE - EVENING

Elizabeth stands still staring at the news on the TV. She’s serious and definitely not enjoying what’s being said.

OFF TO THE ENTRANCE - Thomas walks in.

THOMAS

What a day!

Elizabeth doesn’t even turn to him. She keeps staring still at the TV. Thomas walks over to his desk and sits on his chair. He then realizes she is silent.

THOMAS

Aren’t you talking to me?

Elizabeth turns to face him.

ELIZABETH

Have you seen what your irresponsibility brought?

Thomas stares at her seriously.

THOMAS

Alastair guaranteed me that she wouldn’t lead them to us.

ELIZABETH

Well, darling, I think it is time for us to prepare for our next move.

Thomas shoots her a look.

THOMAS

Next move?

ELIZABETH

We need to go down for a bit. Until this story is forgotten. We could go back to Japan. Do you remember the good times there a century ago?

THOMAS

Oh, you mean moving out? I thought we agreed in staying for another ten years here.

Elizabeth starts pacing the room.

ELIZABETH

You don’t understand. For centuries we hid from them. All of them. But none swore such an act of revenge as Trace did. He made sure that wherever we’d be, we’d hear about him.

THOMAS

Do you care to relax?

Thomas stands.

THOMAS (CONT’D)

Trace or any other of our children won’t find us. Not now and not ever. Have you ever heard of any of them finding any of us? We were never careless.

ELIZABETH

Weren’t we? Do you remember Rodriguez?

Thomas looks away as Elizabeth stares at him sharply.

ELIZABETH (CONT’D)

Wasn’t he careless when he got close to the Charmed Ones?

THOMAS

Rodriguez was under the Source’s command.

ELIZABETH

Right. But that’s not our mission. Our mission is to procreate with the descendants of those whom we infected with the demonic virus, remember?

THOMAS

And we always answered the Source’s call. That’s what Rodriguez did.

(leans on the desk)

He was careless, yes. But he proved they were not just three little witches, but the Charmed Ones. And yes, he perished along the way.

ELIZABETH

I don’t want to end like him.

THOMAS

We haven’t encountered any of the Charmed Ones.

Elizabeth’s mood changes. She gets rigid. Thomas notices.

THOMAS (CONT’D)

Elizabeth?

ELIZABETH

I’ve encountered one today.

Thomas stares seriously at her waiting for more.

ELIZABETH (CONT’D)

The one who’s been attacking you. She was there and also another one. When she mentioned who she was, I wanted to ---

Elizabeth clenches her wrist.

THOMAS

That was careless, Elizabeth.

ELIZABETH

(forces a smile)

As I said, I don’t want to end like Rodriguez.

Elizabeth turns around and walks out of the office. Thomas stares seriously at her as she leaves. He’s thoughtful.

FADE TO:

EXT. WOOD - EVENING

ON LEO’S FACE - He starts waking up. He blinks a few times trying to make sense of what happened and where he is.

LEO’S POV - He sees Nora standing in front of him holding a torch.

NORA

Welcome back, sunshine!

BEAT. Edward and Priscilla are already conscious. Edward and Priscilla glance at Leo who stares seriously at Nora.

NORA (CONT’D)

It took you long to wake up. I didn’t want to start our party without you being awake.

Leo starts moving trying to get rid of the ropes that keep his hands tied behind his back. It is clear that he also makes an effort to orb out, but it doesn’t work. Nora notices it.

NORA (CONT’D)

Don’t waste your time on that. Witches’ powers don’t work here. You see, I draw my family’s coat of arms on the floor. It’s quite symbolic, actually. Very ancient.

LEO

You won’t succeed.

Nora evil smiles.

NORA

You think they would find you? Oh, no. This time, no one would. You see, it’s not just because of that that I draw this symbol on the floor. I did it because it is also for protection. Protection from people like you. I found out that my dad used to do the same.

(sarcastic smile)

I never minded that. I just wanted to get the world rid of witches. Beings like you don’t have the right to exist.

PRISCILLA

You murdered people who were not related to magic at all.

NORA

(mad)

Shut up!

Edward shoots Priscilla a look.

NORA (CONT’D)

My family’s mission was called into question when my father was accused of murder. Murder?! He was making a favor to this world. But your father murdered him.

LEO

He was a killer.

EDWARD

What is she talking about, Leo?

NORA

Oh, ---

(looks at Edward)

--- you don’t know?

(smirks)

Your father put mine into prison. My father couldn’t live with the shame of the lie they had accused him of.

LEO

The lie? He was a serial killer. Just like you.

NORA

He was getting the world free of witches.

(pauses)

Imagine my surprise when I found out that the sons of the man I was raised to hate were no other than Warren’s descendants. The Warren Line of witches. Those who represent the biggest price for a witch hunter. And here I am. With three of them about to be burned at stake.

LEO

They will find us.

Nora smirks.

NORA

No. They won’t. As I said, the cross on the ground is protecting us. Plus the talismans are buried in the four edges of the cross. Talismans engraved with black tourmaline, my family’s protection stone. It also keeps you from using your powers.

(smiles big)

Are you still convinced someone would come to save you?

Leo and Nora stare at each other. Leo is serious, but Nora keeps a big evil smile on her face.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - EVENING

Prue and Natalie stand staring at each other. Gabriel, William, and Pamela stare at them. The officers are doing their job.

OFF TO TRACE - He comes from the conservatory room making sure no one notices him. Trace looks at them.

PRUE

I’m still waiting for a valid answer. What are you doing here?

NATALIE

And I’ve told you already. Leo is missing and so are his brother and your sister. I’m investigating.

PRUE

We don’t need your help.

NATALIE

It is a serial killer. Leo’s life might be in danger.

PRUE

(mad)

Then do your job and find him. What the hell are you doing here? He’s not here, is he? He’s out there somewhere at the hands of a freak witch huntress.

They stare seriously at each other. Then Natalie nods and turns to Trace.

NATALIE

She’s right. We won’t find him here.

TRACE

There must be a clue or ---

PRUE

There’s not. This person is very meticulous. She didn’t leave a thing behind.

NATALIE

We should work with we what we know.

TRACE

What do we know?

NATALIE

Let’s go, Thornton.

Natalie turns to Prue.

NATALIE (CONT’D)

I’m going to find him.

Prue is serious. She holds her feelings inside.

PRUE

Yeah.

Natalie signs the officers to leave. They do and she walks out after them. Trace is about to walk out but stops next to Pamela.

TRACE

Tell Persie I call later.

Pamela nods. Then Trace walks out. Prue turns to the door and uses TELEKINESIS to shut it down.

PRUE

I’ll find him first.

WILLIAM

I’m sorry, I call them here.

Prue turns to the others.

PRUE

Later. Right now we --

(takes a deep breath)

-- I need to find them.

Prue rushes upstairs. Gabriel turns to William.

GABRIEL

We don’t call cops, Will.

WILLIAM

I know. I just wanted to do something. And they could know more than we do.

PAMELA

Leo and Prue have been investigating the huntress for weeks. They’ve encountered her.

WILLIAM

I know, okay? I’m sorry. I just thought she could help.

GABRIEL

We cannot risk exposure, Will.

WILLIAM

I know.

PAMELA

If there’s anyone who can find them. That us. Or better the mad woman who rushed upstairs. She knows more about it than the rest of us.

Pamela walks upstairs. William stares at Gabriel with an apologetic glance.

WILLIAM

I really am sorry.

GABRIEL

(serious)

What’s your deal with that detective, Will?

William gets serious. He was caught by surprise.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

Persephone is by the window staring through it. Aiden, Poppy, and Miranda are there also. Poppy is by the BOS. She’s flipping pages.

POPPY

I always wanted to see it. I was told it was empty.

MIRANDA

It was before. It got full of spells and potions, demons' information, and whatever else there is in there, on that night.

Poppy smiles. Aiden is by the table scrying on the map.

AIDEN

It’s a shame it doesn’t say how to find them.

PERSEPHONE

They are leaving.

MIRANDA

I’m so sorry about what William did.

AIDEN

He was worried.

MIRANDA

And we are witches. If anyone can find them is us.

POPPY

Dad called me before. He wanted me to hide at Whitmore manor. No way I was going to miss this.

AIDEN

Well, I talked to Alana and Piper Anne. Both are at Magic School, and so is Owen. They are trying to find the huntress also.

POPPY

(anxious)

Oh, Magic School. I’m curious about it.

MIRANDA

Let’s focus on finding the others. You’ll have time to visit Magic School when it reopens. Whenever that is.

OFF TO THE ENTRANCE - Prue rushes in.

PRUE

(commanding)

Leave.

They all turn to Prue.

PERSEPHONE

Prue?

PRUE

Leave now.

PERSEPHONE

Do you know how to find them?

PRUE

(out loud)

I said, leave!

They all stare at each other. Then they just walk out of the attic. Prue closes her eyes as they walk out. Then she opens them, they are red. Prue heads towards the map, takes the crystal, and starts scrying using also the ring that belonged to Nora’s father.

PRUE (CONT’D)

Please. Show me where they are.

The crystal doesn’t stop.

PRUE (CONT’D)

(desperate)

Come on!

Nothing. Prue is desperate. She gets mad and throws the crystal and the ring away.

PRUE (CONT’D)

I need to find them, dammit.

Prue lets the tears she’s been holding run free.

PRUE (CONT’D)

You are weak, Prue. Dammit, you are weak. What kind of Twice Blessed witch are you? You can’t even save the one you love.

(gets on her knees; breaths fast)

The man you love. Leo.

And then, she feels it. The burning in the back of her neck. She takes her hand to her neck.

PRUE (CONT’D)

Dammit.

She cries out loud. And then ---

ON PRUE’S EYES - They GLOW BLUE. The glow disappears right after.

FADE TO:

EXT. WOODS - EVENING

Nora walks over to where Edward is tied at the stake. She glances at him and lowers the torch.

Terror can be seen in Edward’s face.

LEO

(out loud; desperate)

Leave him alone.

Nora smirks as she lights the wooden at Edward’s foot. She smirks. Edward is terrified. Nora walks over to Priscilla.

PRISCILLA

No, please no.

Leo gets more and more desperate.

LEO

Please, no.

He closes his eyes.

LEO (CONT’D)

Think, Leo. Think.

(opens his eyes; looks up)

Please, God. Don’t let me leave this world without seeing her one more time.

NORA

Praying won’t help you.

Nora stands before Priscilla. Priscilla stares seriously at Nora. She swallows. Then she looks at Leo.

PRISCILLA

(sensing him)

Allow yourself to feel it, Leo. That’s the only way for her to find us.

Leo looks seriously at Priscilla.

NORA

Shut up already.

Nora lowers down the torch and lights the wooden at Priscilla’s foot. Both Priscilla and Edward feel the heat close to them. Nora turns around and walks over to Leo.

LEO

You won’t win.

NORA

I have already.

LEO

No, you haven’t. There’s something bigger than you.

NORA

Magic?

LEO

(shakes his head)

Love. The woman I love will find us.

Nora lets out an evil laugh.

NORA

I bet.

At that moment, Leo feels the burning behind his neck. Nora stares at him, not understanding. Leo screams and at the same time starts laughing. Then it happens ---

ON LEO’S EYES - They GLOW YELLOW. The glow disappears right after.

LEO

You’ve lost.

Nora stares seriously at him and then lowers her torch.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

Prue still cries out loud holding her neck.

OFF TO THE ENTRANCE - Persephone, Pamela, Gabriel, William, Poppy, and Miranda walk in worried.

PERSEPHONE

Prue, what’s going on?

Prue tries to calm down. She looks at the ring and the crystal on the floor and then reaches out her hand and grabs the ring. She looks at it and ---

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - UNKNOWN TIME OF THE DAY (FLASHBACK)

Isabelle is sitting on the couch with a 7-year-old Prue. The Book of Shadows is in Isabelle’s lap. Younger Prue is turning pages. She seems down. Isabelle glances at her daughter.

YOUNGER PRUE

I want to be a great witch like you are, mom.

Isabelle smiles.

ISABELLE

You are, darling. You are a Twice Blessed witch. You can do anything. You know, I always wanted to be like my grandmother, the almighty Prue Halliwell. But I think I’m more like grandpa.

(smiles)

I used to admire them. They were true love and that was what made them truly powerful.

YOUNGER PRUE

True love?

Isabelle nods.

ISABELLE

They could do anything as long as they were together. Fought many battles. Got hurt. But they remained strong together.

YOUNGER PRUE

Are you saying that love is the answer to anything?

ISABELLE

But of course. When you do something with love, you can accomplish greatness.

Younger Prue smiles.

YOUNGER PRUE

Do you think I’m gonna find true love, mommy?

Isabelle smiles.

ISABELLE

Honey, of course, you are going to find true love. Believe me, you’ll find the purest and truest of love. Believe me.

YOUNGER PRUE

Like almighty Prue and Wyatt Halliwell?

ISABELLE

Well, who knows! Those two were real soul mates. I’m sure you’ll find yours. But remember, it won’t be easy, darling. True love might bring you pain and sorrow.

Isabelle lifts her daughter’s chin. Isabelle’s eyes get wet.

ISABELLE (CONT’D)

But I know you are strong enough to fight them and win. Because you are a Warren. And a Warren, darling, can do anything. You just have to do it with love and focus on the goal.

YOUNGER PRUE

I’ll do it with love, mommy, and focus on the goal.

ISABELLE

(smiles)

That’s my girl.

The image becomes a blur.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

ON PRUE - She stares seriously at the ring.

PRUE

With love.

Persephone approaches Prue and lowers herself down at Prue’s level.

PERSEPHONE

Sis? Do you know where to find them?

Prue, now calmer, looks at Persephone.

PRUE

No. But I know how to.

(glances at them all)

Love.

(smiles)

And unity.

Prue stands. Persephone stands too.

PRUE (CONT’D)

We can find them and save them. Together.

They all stare at Prue. Prue turns around. She glances at the ring in her hand.

ON HUNT’S RING - It is in Prue’s hand.

Prue clenches her wrist and closes her eyes, concentrating.

PRUE (CONT’D)

We can.

And at that moment, the scenario changes completely as they are PROJECTED to ---

FADE TO:

EXT. WOOD - EVENING

--- The woods where Leo, Edward, and Priscilla are.

PRUE’S POV - She realizes she’s now in the woods. Leo, Edward, and Priscilla are at the stake.

The others are amazed at what just happened.

GABRIEL

Okay, this was cool!

POPPY

How did we even end here?

Persephone looks at Prue.

PERSEPHONE

Freaking Prue Halliwell’s power.

Nora stands staring at Leo, then she realizes the visitors and turns around. Edward and Priscilla’s screams are heard.

Prue and Leo stare at each other.

PRUE

Found you.

Leo smiles. The fire gets intense. Persephone WAVES her hands trying to use her power on them, but it doesn’t work. Nora walks over to them never stepping outside the cross.

NORA

You can’t save them.

PRUE

We’ll see.

(over her shoulders)

Surround the cross.

(staring at Nora)

She’ll know what we are capable of.

Persephone, Gabriel, Pamela, William, Miranda, Aiden, and Poppy surround the cross.

NORA

(staring at Prue)

Whatever you are planning, it won’t work. But you must get ready. You’re next.

PRUE

I don’t think so.

PERSEPHONE

(keeps waving her hands)

I can’t freeze the flames.

GABRIEL

What do we do, Prue?

NORA

You can’t do a thing.

(shrugs)

There are a lot of amulets buried here.

PRUE

(smirks)

You clearly don’t know who we are.

PRISCILLA

(out loud)

Whatever you do, guys, do it fast. It’s burning.

Prue and Nora stare seriously at each other.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. S.F.P.D. - MAIN ROOM - EVENING

Natalie rushes in and walks over to her desk, mad. Trace walks calmly after her. There are other officers there.

TRACE

Okay, just relax. We are gonna find them.

NATALIE

No. That woman is smart and we don’t even have a clue where she might be.

TRACE

Let’s think. She took them from the office and the house. So, she’s gonna need a big place to do what she’s planning to do, right?

Natalie looks at him.

TRACE (CONT’D)

I mean, the victims we found today were found inside locations. Shops, houses. But she took the three of them to another place.

NATALIE

Right. She’s not working alone. Taking three at the same time.

TRACE

That’s not the point.

NATALIE

That is the point. She has help. We’ve been looking for one person.

TRACE

West! Focus. What place could be perfect for her ritual?

Natalie and Trace stare seriously at each other. Then something pops into Natalie’s mind.

NATALIE

The victim that escaped alive.

(nods)

The woods.

TRACE

Great.

NATALIE

Let’s go.

Natalie starts walking out.

TRACE

Wait, West. The woods are huge.

Natalie turns to Trace.

NATALIE

Let’s start with the same place she used before.

Natalie rushes out of the room. Trace shrugs.

TRACE

Damn woman!

He rushes after her.

FADE TO:

EXT. WOODS - EVENING

ON FLAMES - They are high.

Prue and Nora stand staring at each other. The others are around the cross. Edward and Priscilla scream out loud as the flames approach them. Leo stares straightly at Prue.

NORA

There’s no way you can save them.

PRUE

(looks at Leo)

Do you trust me, Leo?

Leo nods.

LEO

With my life, literally, love.

Prue smiles.

EDWARD

(freaking out)

We do too, but take us out of here. Quickly.

PRISCILLA

Yeah, quickly, please.

Prue glances at the others.

PRUE

What is the source of our powers?

The others glance at each other. Persephone, who stands behind Leo, stares seriously at Prue.

PERSEPHONE

Love. That’s what mom used to say. Love.

Prue smiles.

PRUE

And focus.

Prue starts lowering down. Nora stares at her wondering what she’s doing.

ON PRUE’S HAND - She puts a hand on the ground.

PRUE

(closes her eyes)

I’m a Twice Blessed witch. I can do whatever I want.

Persephone realizes what her sister is trying to do and starts waving to the others.

PERSEPHONE

Guys, she’s trying to channel us. Let’s help her.

WILLIAM

Channel us? How?

PERSEPHONE

She’s a freaking Twice Blessed witch, William. Now quickly, let’s help her.

Persephone reaches out her hands to the side. The others glance at each other a little skeptic but end up reaching out their hands too. It’s like they were holding each other’s hands in the distance. Nora glances at them and laughs madly.

NORA

Do you think you can tear down the protection around?

Leo laughs. Nora looks at him and her expression changes to serious.

NORA (CONT’D)

I’ll get my revenge. Your father took mine and I’ll take your lives in exchange.

LEO

You won’t succeed. You’ve lost the moment you messed with us.

The flames get closer to their foot. Edward and Priscilla keep crying out loud.

AT THAT MOMENT something happens.

From Persephone’s hands, some ENERGY comes out and goes towards the next two people beside her. William at her left and Gabriel at her right. They feel the same energy. The same happens to the others and soon it is like they are all united by that ENERGY. The edge of that ENERGY is Prue.

ON THE LEAVES ON THE GROUND - They start moving.

ON PRUE’S FACE - She opens her eyes.

Nora glances around and starts getting worried.

ON THE GROUND - The ground starts moving and it appears like some holes are opening on the ground. And then SOME OBJECTS start coming out from the ground.

Prue smirks. Nora gets into denial.

NORA
No. It’s not possible.

Prue stands as the amulets are being lifted in the air.

ON LEO - He smiles.

LEO

C’mon, love.

Prue stands and lifts her hands. She’s the one lifting the AMULETS in the air. Nora turns to her.

NORA

It’s impossible.

Prue lifts them in the air using TELEKINESIS. The others stare at what’s happening, amazed. Then, Prue joins all the amulets in the air until they merge into one another as Prue joins her hands together. And then ---

Prue parts her hands in a quick move.

ON THE MERGED AMULET’S - They part creating some kind of ENERGY that breaks whatever protection was surrounding the cross on the ground.

NORA

(mad)

NO!

At that moment, Persephone uses MOLECULAR IMMOBILIZATION and freezes the flames. Edward and Priscilla breathe in relief.

PRISCILLA

Take us out of here quickly.

NORA

No!

Nora turns around and is about to run, but ---

Prue uses TELEKINESIS again and throws her away. Leo ORBS out and as the others rush and try to find a way to get Priscilla and Edward free.

GABRIEL

How are we gonna take them out of there?

Leo ORBS in.

LEO

Leave it to me.

Leo ORBS Edward and Priscilla out and in again free. Then Leo turns to Prue. They smile at each other. Persephone WAVES her hands and the flames UNFREEZE.

LEO (CONT’D)

How?

PRUE

True love.

Leo and Prue rush toward each other and kiss each other.

PRUE (CONT’D)

I love you, Leo. I don’t care what happens next. I do.

Leo smiles big.

LEO

Good. Because I don’t care either.

Leo and Prue kiss again. Nora is on the floor recovering from the hit.

NORA’S POV - She sees the lit torch.

PAMELA

What are we going to do with her?

AIDEN

I have a few ideas.

(points to Prue and Leo)

But they clearly don’t care.

None of them notice when Nora rushes to grab the torch and rushes toward Prue and Leo. Still kissing Prue, Leo has an urge to open his eyes. Prue doesn’t notice Nora, but she is in Leo’s sight. They stop kissing. Leo steps to protect Prue and reaches out his hands. He uses TELEKINESIS to throw her backward. She ends up hitting the stake to which Priscilla was tied. She screams out loud as the fire reaches her.

NORA

No! You’ll pay for this.

They all stare at Nora as she is being burned at the stake.

NORA (CONT’D)

I’ll come back. I promise you this. I’ll come back for revenge.

LEO

Yeah. Good luck with that.

They all stare at it doing nothing.

PRISCILLA

Guys, she’s a mortal.

Prue holds Leo’s hand.

PRUE

We are not murderers, Leo.

Leo stares seriously at Nora. Then he waves his hand and ORBS Nora out and right in.

ON NORA - She screams in pain. Part of her body is burned.

SOUND - Police cars sirens.

Soon a couple of police cars are there and so is Natalie’s car. They all glance around.

GABRIEL

We are screwed.

WILLIAM

(sarcastic)

You think?!

OFF TO CARS - Natalie and Trace come out of Natalie’s car. Officers come out of their cars.

Natalie stares seriously at the scene.

ON PRUE AND LEO - They glance at each other.

FADE TO:

EXT. WOOD - NIGHT (LATER)

ON NORA - She’s laying on a litter and is taken into an ambulance. She seems in very bad condition.

There are more officers there now and so is a fire unit. The flames have been turned off. Natalie and Trace are talking to Prue and Leo. They are not holding hands. The others are nearby.

NATALIE

(to Leo)

So, this woman had a vendetta against you and your brother?

LEO

That’s what I said, yes.

TRACE

(to Prue)

How did you find they were here?

PRUE

Because she left a note.

TRACE

A note?

Prue nods. She has one of her hands on her back.

NATALIE

She took them and left a note? She never left a note before.

ON PRUE HAND BEHIND HER BACK - A piece of paper appears in the hand.

PRUE

Are you really trying to understand what’s in that freak’s mind?

Prue hands Natalie the piece of paper.

PRUE (CONT’D)

If you don’t believe me, there’s your proof.

Leo stares astonished at Prue but disguises it. Natalie looks at the piece of paper and then takes it. She looks at it and then sighs.

PRUE (CONT’D)

She wanted revenge on Leo. It was a personal vendetta.

NATALIE

(sighs)

Okay. We’re gonna have to make sure this handwriting belongs to her.

PRUE

Be my guest.

Natalie stares seriously at Prue.

TRACE

And again, you said she freaked out and lit all the stakes and then walked into the fire?

Leo and Prue nod.

LEO

Luckily, we managed to get her out.

TRACE

I see.

(sarcastic)

Very kind of you to save the woman who tried to murder you.

PRUE

Yeah. He is. We all are. She’s a human being.

Prue and Leo hold hands. Natalie notices it but disguises it by clearing her throat.

NATALIE

Anyway, next time, Prue, make sure you let us know.

PRUE

There won’t be a next time, Detective.

Emphasis on the Detective.

OFF TO THE OTHERS - They stare at Prue, Leo, Natalie, and Trace.

POPPY

How did she do that?

PRISCILLA

Conjuring. She’s a freaking Twice Blessed witch.

EDWARD

(to Poppy)

That means unlimited powers. And she has embraced them, finally.

Poppy glances at Edward.

EDWARD (CONT’D)

I’m Edward by the way.

POPPY

(smiles)

Poppy.

GABRIEL

(to Persephone)

Aren’t you going to talk to him?

PERSEPHONE

(sighs)

Again, too close for him to find out about us.

GABRIEL

Maybe it is time for you to tell him.

Persephone shoots Gabriel a look.

GABRIEL (CONT’D)

Unless you don’t plan to go further in your relationship.

Persephone gets thoughtful.

MIRANDA

(whispers; to William)

I know you have a soft spot when it comes to her, but next time don’t get her into our magical business.

WILLIAM

(shoots Miranda a look)

I don’t ---

Miranda shoots him a pointed look. William looks away.

OFF TO PRUE AND LEO - They finish the conversation with Natalie and Trace.

NATALIE

I’m gonna need to take your testimony at the station.

LEO

We’ll do it.

Natalie nods.

TRACE

If you’d excuse me.

Trace walks away and toward Persephone who walks towards him.

NATALIE

(to Leo; forces a smile)

I’m glad you’re okay.

Leo smiles at her. Natalie turns around as Leo puts an arm over Prue’s shoulder. Then Leo cups Prue’s face between his hands.

LEO

I love you.

Prue smiles.

PRUE

We are now in serious trouble because of that one sentence, Leo.

LEO

I don’t care. I love you, dammit. You were great.

PRUE

(smiles big)

I just thought of saving you. I couldn’t lose you. Or any of the others. This is my family.

Leo smiles. Then he kisses Prue.

LEO

I love you.

PRUE

(smiles)

I love you.

They kiss again. Natalie stares at them seriously.

FADE TO:

INT. MORGAN’S APARTMENT - BATHROOM - NIGHT

Morgan walks into the bathroom dressed to go out. She stares at herself in the mirror and then ---

ON MORGAN’S EYES - They TURN RED. Morgan smirks. Then her eyes turn to normal.

MORGAN

Hello, again!

Morgan evil smiles. Then she turns around and walks out of the bathroom.

FADE TO:

EXT. HALLIWELL’S - PARKING - EVENING

Felix comes from the restaurant happy and full of energy. He walks over to his car and reaches out his hand to open the door. He puts the hand on the handle and ---

BEAT. He pulls with such strength that the door is actually separated from the car. Felix holds the car’s door in his hand as if the door was as heavy as a feather.

FELIX

What the hell?!

Felix stares astonished at the door he’s holding.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

FOOTAGE all over the town at the sound of ‘Rewrite The Stars’ by Anne-Marie & James Arthur.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Trace has taken Persephone home. Persephone turns to Trace.

PERSEPHONE

Thanks for bringing me home.

TRACE

(smile)

I’m a cop, but I’m also your boyfriend, aren’t I?

Persephone shoots him a look.

PERSEPHONE

I guess.

Trace leans to kiss her. Persephone makes sure the kiss doesn’t last long.

PERSEPHONE (CONT’D)

I’m tired, Trace. Talk tomorrow?

Trace nods. He’s clearly not happy but lets it go. He leans to kiss her before walking inside the house. Once she’s inside, Trace gets serious.

TRACE

Rest, little witch. I have great plans for you.

Trace turns around and leaves.

FADE TO:

INT. MAGIC SCHOOL - MAIN ROOM - NIGHT

MUSIC FADES OFF.

Gabriel, William, Pamela, Edward, and Poppy are gathered there. They are sitting on the couches.

POPPY

So, this place is supposed to open soon?

GABRIEL

Yeah. Of course, we don’t know when that soon is. Piper Anne said it has to be on a special date.

POPPY

She thinks of everything then.

WILLIAM

You’ll love her.

EDWARD

But you’ll hate Alana. She’s a control freak.

POPPY

I’ve seen her texts in the Winkzy group. She seems caring.

GABRIEL

Control freak.

They all laugh.

OFF TO THE ENTRANCE - Aiden, Priscilla, and Miranda walk in. They bring some alcoholic drinks and glasses.

PRISCILLA

Look what we found in my auntie’s office.

PAMELA

Seriously?

AIDEN

Oh, yeah.

MIRANDA

We deserve it after the night we had.

Aiden, Priscilla, and Miranda take sit beside the others and start pouring the drinks.

PAMELA

Do you guys think that she will recover?

GABRIEL

The huntress?

Pamela nods.

GABRIEL (CONT’D)

I don’t know, but at least she’s alive.

POPPY

For a second, I thought Leo was going to leave her there.

PRISCILLA

I knew he wouldn’t.

AIDEN

C’mon, Pris. You thought he would.

EDWARD

Leo was mad. He would never. He acted out of the heat of the moment.

GABRIEL

True. Well, I say we toast.

They take a glass each.

GABRIEL (CONT’D)

To another fight won by the Warrens.

PAMELA

Oh, we aren’t over. You saw what happened there?

They all look at Pamela.

PAMELA (CONT’D)

(shrugs)

Prue and Leo?

EVERYBODY

Oh.

PAMELA

Right.

PRISCILLA

That had to happen sooner or later.

POPPY

So, that means that the Enchantress will appear in no time?

WILLIAM

Probably.

POPPY

But they had their pain erased, hadn’t they?

WILLIAM

They did, but after tonight who knows!

GABRIEL

Right. But thanks to that, we found you guys.

AIDEN

Projection.

EDWARD

How crazy is that, huh?!

PRISCILLA

As crazy as my sister being a Twice Blessed witch and embracing it. I never thought she would.

GABRIEL

(thoughtful)

I probably should share that I think I got a new power today.

They all glance astonished at Gabriel.

GABRIEL (CONT’D)

And I have no idea what it is.

PAMELA

What? What about the rest of us?

GABRIEL

Don’t look at me like that. I didn’t ask for it.

AIDEN

Did you have it before the Lost?

GABRIEL

I don’t think so. I still need to understand what it is about.

They sip their drinks. Then Pamela grimaces.

PAMELA

(changing subject)

Fine. We are going to my father’s dinner.

They stare at Pamela.

PAMELA (CONT’D)

Keep the enemy close, right?

They all laugh. THE CAMERA MOVES AWAY.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE - NIGHT

CLOSE UP - The front door. The lights are off.

SOUND - DOORBELL.

Persephone, wearing pajamas, walks over to the door and opens it. BEAT. Felix is there and stares at her seriously.

PERSEPHONE

Felix? Is there something wrong?

FELIX

I don’t know.

Persephone shoots him a look. They stare at each other.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Leo and Prue are sitting on the couch. He has an arm over her shoulders. With his free hand, Leo holds Prue’s right hand.

ON PRUE’S HAND - She wears the Hunt's ring.

Leo stares at the ring.

PRUE

I just knew I had to find you. Then I had a memory of my mother. She told me that I could do anything.

(smiles)

And I remembered.

(looks at him)

I’m a Twice Blessed witch.

Leo kisses her lips softly.

LEO

I’m proud of you.

Prue smiles. She then takes off the ring.

PRUE

This belongs to you.

Prue hands the ring to Leo.

LEO

No, it doesn’t.

Prue looks at him. Leo takes the ring.

LEO (CONT’D)

It belongs to her.

(looks at Prue)

For a moment, I was going to leave her there, Prue. Burning.

PRUE

But you didn’t.

LEO

(thoughtful)

I got so mad when I thought she could hurt you. Damn! She was close to hurting my brother and your sister.

PRUE

Well, thank God that wood was of bad quality and it didn’t burn fast.

Leo smiles.

PRUE (CONT’D)

She’s not our problem anymore, Leo. Something tells me that she won’t ever be the same again.

Leo forces a smile.

PRUE (CONT’D)

We have bigger issues now. My mark, I felt it burning again.

LEO

Me too. And I’m pretty sure my eyes glowed.

Prue nods.

PRUE

Same here.

LEO

That means ---

PRUE

That means that she’ll be here again in no time.

LEO

And we haven’t found a way to vanquish her.

PRUE

But we will.

(smiles)

Together.

LEO

(smiles)

We will.

Leo leans to kiss her. The intensity of the kiss grows by the second. Soon, Prue’s lying on her back and Leo is atop of her. Both keep kissing.

FADE TO:

EXT. HALLIWELL MANOR / PRESCOTT STREET - NIGHT

A car is pulled in front of the Halliwell manor. A few seconds after, someone comes out of the car. BEAT. It is Morgan. She stares at the Halliwell manor for a few seconds and then smirks.

MORGAN

This time it’ll be different. I had time to get to know this new life.

Morgan keeps the evil smirk on her face. She then gets into the car and drives away as ---

FADES TO BLACK.

END OF THE EPISODE