1x15 - Blood of My Blood, Bone of My Bone

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 15

'BLOOD OF MY BLOOD, BONE OF MY BONE'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the city.

FADE TO:

INT. HALLIWELL MANOR - PERSEPHONE’S BEDROOM - NIGHT

ON FELIX - He lies down on the bed, unconscious.

Persephone stands at the footboard of the bed staring at Felix. Her arms are crossed over her chest. She sighs.

SOUND - Doorbell.

Persephone glances over her shoulder, then she realizes there’s no one else at home and turns around. Persephone walks out of the bedroom.

FADE TO:

INT. HALLIWELL MANOR - STAIRCASE / ENTRANCE - NIGHT (CONTINUOUS)

Persephone comes walking down the stairs and heads to the front door.

SOUND - Doorbell again.

PERSEPHONE

(annoyed)

Coming.

She opens the front door and ---

BEAT. Trace is there.

ON PERSEPHONE - She’s surprised.

PERSEPHONE (CONT’D)

Trace?

ON TRACE - He smiles at her.

TRACE

Hello, darling!

ON PERSEPHONE - She stares seriously at him.

FADE TO:

INT. NATALIE’S APARTMENT - ENTRANCE - NIGHT

Natalie heads to the front door. She’s wearing pajamas and wears a messy ponytail. Natalie opens the front door and ---

Leo is there. He stares seriously at her.

NATALIE

(surprised)

Leo?

LEO

You’ve been avoiding me.

NATALIE

I just ---

LEO

Too much work?

Natalie lowers her gaze. Then she looks at him.

NATALIE

Something like that.

LEO

It’s been over a week since you and I parted after leaving P3.

NATALIE

I know. I ---

LEO

Can we talk?

They stare seriously at each other.

NATALIE

Are you going to tell me what’s happening between you and Prue?

Ouch! Leo was not waiting for that.

NATALIE (CONT’D)

I’m not stupid, Leo. I know there’s something there.

Leo and Natalie stare seriously at each other.

FADE TO:

EXT. MAYOR’S HOUSE - NIGHT

STILL.

FADE TO:

INT. MAYOR’S HOUSE - OFFICE - NIGHT

A man, THE MAYOR (THOMAS THORNTON, looks 40s), is sitting at the desk reading the newspaper. He seems very interested in what’s being said there.

OFF TO THE ENTRANCE - Elizabeth walks in and stares at Thomas. She smirks and then walks over to him. She stands behind his chair and puts both her hands on his shoulders. She massages his shoulders.

ELIZABETH

Are you still reading that column?

Thomas puts the newspaper down.

THOMAS

That witch’s words!

Elizabeth lowers down and kisses his cheek.

ELIZABETH

Well, darling, you are the mayor. When you took this position you knew you would be in the spotlight.

THOMAS

We need to take her out of the way.

ELIZABETH

We can’t draw attention to ourselves.

Thomas grabs Elizabeth’s right hand and pulls her on his lap. Elizabeth wraps his arms around his neck.

THOMAS

We could ask for a favor.

ELIZABETH

I’m sure he’s trying his worse to get rid of the whole Warren line.

THOMAS

But he hasn’t succeeded. He failed twenty years ago. I must know what’s on his mind now. Besides, he owes me a favor. I was the one who introduced him to the Dark Witch.

ELIZABETH

Just make sure we are not found.

Thomas smirks.

THOMAS

Have you decided what to do with the huntress you’ve locked down in our basement?

Elizabeth approaches her lips to his.

ELIZABETH

I just want her to suffer a little longer so she’ll know better before messing with me again.

And then both of them kiss each other.

FADE TO:

INT. MAYOR’S HOUSE - BASEMENT’S CELL - NIGHT

SOUND - A woman’s voice asking for release.

BEAT. Nora screams out loud inside the cell. She’s all dirty and unkempt.

NORA

Take me out of here. Elizabeth!

But no one comes to rescue her. She keeps screaming.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Peter Facinelli as Sebastian

Theo James as Lucas Lacey

Kellan Lutz as Trace / Jitur

Lyndsy Fonseca as Natalie West

Christopher Heyerdahl as Alastair

Guest Starring

Eric Bana as Richard Whitmore

Freddie Thorp as Edward Matthews

Michael Malarkey as Felix

Jodi Lyn O'Keefe as Elizabeth Turner

Stephen Dorff as Thomas Thornton

Rose Leslie as Iona

Ariane Rinehart as Willow

Erinn Ruth as Millie

Caitríona Balfe as Aila MacLeod

Jessica Reynolds as Eloise MacLeod

Nick Gehlfuss as Fletcher

Unknown as Servant

Unknown as Halliwell's employees

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: Blood of My Blood, Bone of My Bone

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT / DAY

AERIAL FOOTAGE all over the town as the night ends and a new day starts at the sound of ‘Light Switch’ by Charlie Puth.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - DAY

STILL.

MUSIC KEEPS PLAYING IN THE B.G.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - DINING ROOM - DAY

Pamela, Aiden, and Edward are at the dining table having breakfast. Aiden shoots Pamela a look every now and then.

ON PAMELA - She has a sip of her coffee.

MUSIC FADES OFF.

Edward is focused on his iPad.

AIDEN

So ---

PAMELA

I’m not talking to him.

Edward glances at them.

AIDEN

He’s your father.

PAMELA

I don’t accept that he’s bringing her into my territory.

AIDEN

Seriously, Pam?

EDWARD

(to Pamela)

Are you still mad at your father?

PAMELA

Mad? I’m not mad. I’m furious. He promised Whitmore manor to my sister and me.

EDWARD

So the fight is over the manor? I thought you wanted more attention from him.

PAMELA

Me? Please, I grew up knowing he prefers business rather than me.

Edward and Aiden glance at each other.

AIDEN

Pam, he just wants to talk.

PAMELA

Not talking. And if you know what’s best for you, you’ll shut up.

Aiden sighs. Pamela shoots Edward a look.

EDWARD

I didn’t say anything.

PAMELA

You better.

OFF TO LEO - He walks in.

Leo quickly pours himself a cup of coffee. The others look at him. Then Aiden takes his hand to his chest as if he was feeling some kind of pain.

AIDEN

Ouch!

EDWARD

(to Leo)

How did it go?

LEO

Don’t ask.

Leo puts the cup back on the table and turns to leave. Pamela, Aiden, and Edward glance at each other.

PAMELA

What happened to him?

SOUND - Front door closing with a bang.

EDWARD

He went to talk with Natalie last night.

PAMELA

(smiles)

Oh, really?

Edward stands and walks out of the room quickly. Aiden shoots Pamela a look.

PAMELA (CONT’D)

What? I’ve told you.

(shrugs)

I’m team Prue.

AIDEN

Your father?

PAMELA

I’m not speaking to him.

SOUND - Front door closing.

Aiden stares seriously at Pamela.

FADE TO:

EXT. HALLIWELL MANOR - DAY

STILL.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY

Prue comes from her bedroom and walks over to Persephone’s bedroom. She peeks inside and then turns around as she realizes Persephone is not there. Prue glances at the attic’s staircase direction. Then she walks over to the attic.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY (CONTINUOUS)

Persephone is sitting on the couch with the Book of Shadows on her lap. She flips page after page.

OFF TO THE ENTRANCE - Prue comes in and spots Persephone right away.

PRUE

Hey?

Persephone glances at Prue.

PERSEPHONE

(tired)

Morning. There’s fresh coffee in the kitchen.

Prue walks over to her and sits beside Persephone.

PRUE

Thanks. Did you spend the night up again?

Persephone nods.

PERSEPHONE

My bedroom couch is not very comfortable to sleep in.

PRUE

I told you already. There’s enough space in my bed for the two of us.

Persephone forces a smile.

PERSEPHONE

What about Lucas?

Prue half-smiles.

PRUE

We haven’t been sleeping together lately.

PERSEPHONE

Have you broken up?

PRUE

No idea. It’s complicated I guess.

PERSEPHONE

I see.

Persephone glances at the book. Prue looks at the book too.

PRUE

Found anything there?

PERSEPHONE

There’s not much about werewolves in here. It looks like they were very popular back in the nineteenth century, but our ancestors didn’t have any issues with them.

PRUE

Maybe you don’t need to worry about that.

PERSEPHONE

The Elder said that if he kills someone ---

PRUE

He won’t.

Persephone takes a deep breath.

PERSEPHONE

I guess I’m gonna have to keep an eye on him. But he needs to wake up, first. He’s been like that for over two days. Opens his eyes and closes them again. Like he’s not actually awake.

PRUE

And the injury?

PERSEPHONE

It hasn’t healed completely yet.

Prue stares at Persephone.

PRUE

I didn’t know you worried that much about him.

Persephone glances at her sister.

PERSEPHONE

He got hurt to protect me.

OFF TO THE ENTRANCE - Priscilla walks in.

PRISCILLA

Oh, so this IS where you two are hiding.

Priscilla walks over to them.

PRISCILLA (CONT’D)

Any change in Felix’s condition?

Persephone shakes her head.

PERSEPHONE

Last night ---

Prue and Priscilla look at Persephone.

PERSEPHONE (CONT’D)

--- Trace showed up.

PRISCILLA

At last!

PRUE

At last? Why at last?

PERSEPHONE

He was silent ever since that night of the dinner.

PRUE

Oh!

PRISCILLA

What did he say?

PERSEPHONE

Work. I wasn’t in the mood to talk, so we didn’t talk much. He just said he had a situation and couldn’t get in touch.

Prue and Priscilla glance at each other. Persephone notices their glances.

PERSEPHONE (CONT’D)

I know you two don’t like him.

PRUE

We didn’t ---

PERSEPHONE

Don’t lie. Not to me, Prue.

PRUE

Fine. I don’t. He’s not good for you.

PERSEPHONE

Says the expert.

Prue stares seriously at Persephone.

CLOSE UP - Priscilla takes her hand to her chest as she feels a pain in her chest. She presses her hand against her chest.

PRISCILLA

Ouch!

Persephone and Prue glance at Priscilla.

PRISCILLA (CONT’D)

(to Prue)

Damn to your repressed feelings.

Priscilla turns around and walks out of the attic. Prue and Persephone watch her leave.

PERSEPHONE

(to Prue)

Did you mean it?

Prue looks at Persephone.

PERSEPHONE (CONT’D)

What you said the other night.

Prue lowers her gaze.

PERSEPHONE (CONT’D)

That you cared.

Prue looks at Persephone.

PRUE

The effect of the full moon has passed, but ---

PERSEPHONE

I’ve read your column.

Prue nods.

PERSEPHONE (CONT’D)

You’ve been caring about those homeless people.

PRUE

Well, that’s my work. And it has paid off. The mayor has already sent his people to the site and some of the kids were already seen by doctors.

PERSEPHONE

So, the effect of the full moon hasn’t passed.

PRUE

(smiles)

Okay, fine, I’ve opened my eyes a bit, but I’m not going back to the same place I was before.

PERSEPHONE

What about your heart? Is it beating again?

SOUND - Doorbell.

PRUE

I need to go. I have a meeting with the suppliers at P3 and then I need to keep trying to find a way to vanquish the Enchantress.

Prue stands. Persephone smiles at her.

PRUE (CONT’D)

If you need anything ---

PERSEPHONE

I won’t call you.

Prue smiles.

PRUE

See ya.

Prue walks out of the attic. Persephone is thoughtful. She looks up at the ceiling.

PERSEPHONE

I know I’m not a cupid, but I have cupid genes from my mother’s side. So, Cupid, if you can listen to me, please, make my sister’s heart pound again.

(smiles)

Oh, and Leo’s too.

(pauses)

Thanks.

Persephone takes a deep breath and then gets back on the book.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

Priscilla walks over to the front door and opens it. She smiles as she sees Edward there and then ---

PRISCILLA

(pressing her hand against her chest)

Oh, that damn pain again.

Edward rushes to help her.

EDWARD

What pain?

And that’s when Priscilla sees him; Leo, standing there and staring at her.

PRISCILLA

You’ve got to be kidding me!

Edward glances from Leo to Priscilla.

PRISCILLA (CONT’D)

This can’t really go on. Every time I’m close to any of you I feel this pain in my heart and it's getting worse.

Leo shoots her an apologetic smile.

LEO

I’m sorry. I’m not doing it on purpose.

PRISCILLA

You could let Lucas undo it.

OFF TO PRUE - She comes down the stairs.

Leo walks in. Prue looks at them.

PRUE

Oh, Leo!

Priscilla’s pain gets stronger.

PRISCILLA

You two stop it.

Prue looks at Priscilla.

PRUE

It’s not my fault.

PRISCILLA

It is.

Priscilla grabs Edward’s hand and drags him inside the house. They walk into the living room. Prue and Leo look seriously at each other.

LEO

We need to sort this out.

PRUE

We do. But the only solution would be to ---

LEO

(cuts her off)

That’s not an option.

PRUE

Agree.

Prue notices something is bothering Leo. She stares seriously at him.

PRUE (CONT’D)

What is it?

LEO

(sighs)

I went to talk to Natalie last night.

PRUE

I really don’t want to know.

LEO

She knows about us.

PRUE

(surprised)

What? You told her?!

LEO

No, I didn’t. I couldn’t talk about it without opening up. We know how dangerous is to open up about what we feel about each other.

PRUE

Then?

LEO

She asked me and I didn’t answer. She asked me to leave and only come back the day I could come clean about us.

PRUE

Damn.

LEO

Yeah.

PRUE

Well, we must find that Enchantress soon.

LEO

And the Huntress. Now it became more complicated to get information about it since Natalie doesn’t want to see me.

PRUE

Well, we must keep scrying. We have to find her.

LEO

Well, it looks like she disappeared from the face of Earth. Since that night, we haven’t been able to find any trace of her.

PRUE

We could ---

PRISCILLA (O.S.)

The two of you please stop it!

Priscilla’s voice comes from the living room.

OFF TO PRISCILLA - She comes from the living room followed by Edward.

PRISCILLA (CONT’D)

I can’t take it anymore. It hurts a lot. Now more than ever.

Leo and Prue look astonished at her.

OFF TO THE ENTRANCE - Aiden breaks in.

Aiden looks at Leo and Prue.

AIDEN

Okay, the two of you. It’s enough.

Leo and Prue look at Aiden.

AIDEN (CONT’D)

Across the street! I was across the street and I felt it more than ever.

Priscilla looks at Aiden.

PRISCILLA

You too?

Aiden glances at Priscilla.

PRISCILLA (CONT’D)

The pain?

AIDEN

It hasn’t been as strong as a few seconds before when I walked out of the house.

(looks at Leo and Prue)

I knew the two of them were together.

EDWARD

Okay, this is turning into a very serious matter.

LEO

Well, sorry, but I don’t see how we can solve it.

PRISCILLA

I know a way to.

PRUE

(mad)

And that way is not an option. So, drop it.

At that moment, a HEART starts SHAPING near them, and soon someone BEAMS in. A RED WAVY hair woman, IONA (appears 30s), a Cupid.

IONA

Halò!

All of them look at Iona, who has a Scottish accent. Iona looks at Prue and Leo.

IONA (CONT’D)

(to Prue and Wyatt)

Oh, you two. How nice to see you again!

PRUE

Who the hell are you? And sorry, we never met before.

IONA

You haven’t. But you will.

PRISCILLA

Sorry, but you can’t step in here just like that.

IONA

I was sent here.

AIDEN

You are a Cupid!

Iona smiles big.

IONA

Indeed, I am.

PRUE

Why is a Cupid here?

SOUND - The grandfather clock strikes the time.

IONA

We have no time for explanations, eun gaoil.

Which means lovebirds in Gaelic. At that moment, behind Prue and Leo, a PORTAL APPEARS.

IONA (CONT’D)

Off you go!

All of them look astonished at the portal as the portal sucks Leo and Prue in.

PRUE

What? No.

PRISCILLA

Prue?

Leo and Prue disappear. Priscilla rushes towards the portal, but Edward grabs her hand. The portal CLOSES. They all turn to Iona.

PRISCILLA

Where the hell did you send them to?

IONA

Oh, dinnae fash. They’ll be fine.

Which means don’t worry. Priscilla, Aiden, and Edward stare astonished at Iona.

FADE TO:

EXT. HIGHLAND SCOTLAND - COUNTRYSIDE - DAY (MIDDLE AGES)

The PORTAL opens. Leo and Prue are thrown out of there. They glance around the open field. Prue and Leo are amazed at the view.

PRUE

Where are we?

Leo seems to somehow recognize the place.

LEO

I’m not sure, but this reminds me of Scotland.

Prue shoots Leo a look.

PRUE

What?

LEO

I spent my summers in Scotland. In the countryside. In my grandfather’s property near Inverness.

PRUE

That freak sent us to Scotland because ---?

Leo turns to Prue. She embraces herself as she feels chill.

LEO

Being in Scotland is the smallest of our problems, Prue.

PRUE

(confused)

It is?

Leo nods.

LEO

I don’t think we are in the twenty-second century anymore, Prue.

Prue stares seriously at Leo.

LEO (CONT’D)

I believe she sent us to the middle ages ---

(pauses)

--- in Scotland.

Prue and Leo glance astonished at each other.

FADE TO:

INT. UNDERWORLD - ALASTAIR’S CAVE - DAY (PRESENT)

ON GRIMOIRE - It is open on the pedestal.

Alastair stands next to the book on his back to the entrance.

ON ALASTAIR’S FACE - He smirks.

ALASTAIR

Took you long enough to come.

Alastair turns around and smirks. BEAT. Thomas is there. He wears a suit.

THOMAS

The demon Alastair! Being trapped for almost twenty years kept you from aging.

ALASTAIR

Is that the excuse for not helping me?

THOMAS

In my defense, I didn’t know you had been trapped. We wondered what had happened and yes, we suspected that the witches finally got to you, but that’s all. We knew nothing else.

ALASTAIR

Very bold of you to come here after all these years. Aren’t you afraid to unintentionally meet him?

Focus on the him. Thomas smirks.

THOMAS

I sensed you were alone.

ALASTAIR

And I guess you came to ask for a favor.

THOMAS

Well, you owe me.

ALASTAIR

I owe you?

THOMAS

C’mon, Alastair. I introduced you to the Dark Witch.

ALASTAIR

I kept secret all this time about you and that wife of yours. If Trace ever finds out that you two are closer ---

THOMAS

He can’t.

ALASTAIR

Are you afraid of what he can do?

THOMAS

He can’t and won’t do a thing, because he’ll never find out where we are.

Alastair smirks.

THOMAS (CONT’D)

About the favor ---

ALASTAIR

Speak.

Thomas and Alastair stare seriously at each other.

THOMAS

That witch. Prue Halliwell. She’s messing with me.

ALASTAIR

I see. The Mayor doesn’t like others to tell him what he should do. Tell me, does that life suit you? I mean, a demon playing a mayor. Isn’t it boring to change life every twenty years?

THOMAS

We’ve been managing it.

ALASTAIR

Right. What will come next? Farmers?

THOMAS

Can you or can’t you help me?

ALASTAIR

It’s actually curious. The both of you on the spotlight and he never noticed it. It must be the faces. He has no memory of it. Actually, he only remembers one face and it doesn’t belong to any of you.

THOMAS

Can you or can you not, Alastair?

Alastair stares seriously at Thomas.

ALASTAIR

Lucky you, the witch and his loved one had been sent to a time when Warren magic didn’t exist.

(smirks)

I might be able to work something out.

THOMAS

Great. I need her out of my way.

Thomas SHIMMERS out. Alastair smirks.

ALASTAIR

Don’t worry. I’ll have your son take care of that.

BEAT. He means ---

Wait, he means that Trace is Thomas’ son.

ON ALASTAIR - He smirks.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

ON PERSEPHONE - She’s astonished.

In front of Persephone are Priscilla, Aiden, and Edward. Iona is there too.

PERSEPHONE

What did you say? Prue and Leo were sucked into a portal?

Priscilla nods frantically while pointing to Iona.

PRISCILLA

They were. She did it.

Persephone glances at Iona.

PERSEPHONE

Who are you?

IONA

Oh, right, daoine.

Gaelic for people/guys.

IONA (CONT’D)

I’m Iona. A Cupid.

Persephone suddenly understands.

PERSEPHONE

Oh, he heard me.

Iona smiles and nods.

IONA

Well, Cupid was getting tired of the whole situation.

PRISCILLA

Can someone explain what’s going on?

Iona smiles big at them. Persephone looks at her sister.

PERSEPHONE

I begged Cupid to make Prue and Leo’s hearts beat again.

PRISCILLA

You did what?

PERSEPHONE

(to Iona)

So, what’s the plan?

IONA

Oh, we have a lot to do.

AIDEN

To help Prue and Leo?

IONA

Naw.

Translates to no.

IONA (CONT’D)

To help you two.

Iona points to Priscilla and Aiden. They look at each other.

IONA (CONT’D)

You spent all these years without proper training. That’s why you can’t control the pain in your chest every time you feel Prue and Leo's repressed feelings. So ---

PRISCILLA

So ---?

IONA

So, we need to learn how to relax.

Priscilla is astonished.

PRISCILLA

Relax?

Now is Iona who nods frenetically. Priscilla and Aiden glance at each other.

AIDEN

When you say relax ---

IONA

Relax.

PERSEPHONE

I need to check on Felix.

Persephone rushes out of the room. Priscilla glances at Edward.

EDWARD

(shrugs)

I have to work, lass.

And Edward walks out of the room too.

AIDEN

I --- I ---

IONA

You two are taking the day off.

PRISCILLA

You just sent my boss away, so ---

Iona smiles big at them.

FADE TO:

EXT. HIGHLAND SCOTLAND - COUNTRYSIDE - DAY (MIDDLE AGES)

Prue and Leo walk. Leo walks ahead of Prue. She embraces and rubs her own arms.

PRUE

Are you sure we came back in time?

LEO

Pretty sure. The landscape is similar to what I know, but in our time there are constructions near here.

PRUE

I’m gonna vanquish that freak the moment I go back. She could have sent us to a warm country at least.

Leo stops and turns to her. She stops too. Leo glances seriously at her. He starts taking his jacket off and then stops. They stare seriously at each other.

LEO

I ---

PRUE

I know. Keep your jacket.

LEO

(puts the jacket back on)

We need to find a way out of here.

PRUE

Why don’t we try orbing again?

Leo nods. He rushes to her and holds her hand, as he does, they feel the electric shock.

LEO

And that hasn’t changed.

PRUE

So it seems.

Leo focuses as he tries to orb, but nothing happens. Leo looks at her.

LEO

I can’t.

PRUE

But why?

Leo and Prue keep holding hands.

LEO

I have no idea.

They look each other in the eyes.

LEO (CONT’D)

But it is dangerous to stay here without powers.

PRUE

We lived almost twenty years without them.

LEO

We lived almost twenty years without each other.

PRUE

Leo ---

At that moment, they heard the sound of horses’ gallops. Leo and Prue turn around and see how a cartload approaches. The person up the cartload wears a cape with a hoody.

PRUE (CONT’D)

Should we hide?

LEO

There’s nowhere to hide.

The cartload approaches and stops next to them.

LEO (CONT’D)

Our clothes ---

The person up the cartload hops off and walks over to them. It is clear that this person wears clothes from another time.

PRUE

We are screwed.

LEO

At least we are together.

The person, a woman, stops in front of them. She takes the hood off and ---

BEAT. That’s Iona.

PAST IONA

Halò, eòin-ghaoil.

Which means hello, lovebirds. Prue and Leo glance at each other. Iona smiles happily at them.

PAST IONA (CONT’D)

I’m sorry, I wasn’t here on time to receive you, but I just got the message.

Prue and Leo stare astonished at her.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. HIGHLAND SCOTLAND - COUNTRYSIDE - DAY (MIDDLE AGES)

ON PAST IONA - She smiles happily.

Prue and Leo stare seriously at Past Iona.

PRUE

You just sent us here.

PAST IONA

Oh, that wasn’t me.

Prue and Leo seem confused.

PAST IONA (CONT’D)

I mean, it was, but not yet.

More confused looks from Prue and Leo.

LEO

Do you care to elaborate?

PAST IONA

What do you want me to elaborate?

LEO

I mean to explain.

Past Iona glances at them up and down.

PAST IONA

First, you’re gonna need to change.

PRUE

You need to explain first.

PAST IONE

Okay, quickly now. My future self uses to send me people in need so I can help them.

PRUE

Your future self?

Past Iona nods.

PAST IONA

She has been doing this ever since I became a cupid all those centuries ago.

LEO

So, you are a cupid?

PAST IONA

Didn’t I explain it to you before?

Prue and Leo stare seriously at her.

PAST IONA (CONT’D)

I mean my future self.

LEO

She didn’t.

PAST IONA

Lack of time. It always happens to me. I’m always late.

(walks to the cartload)

Now, off we go.

Prue and Leo glance at each other.

PAST IONA (CONT’D)

Sgiobalta, sgiobalta, sgiobalta.

Which means quickly, quickly, quickly.

PRUE

Hey, Gaelic girl!

Past Iona turns to them.

PRUE (CONT’D)

I don’t speak Gaelic.

LEO

Lucky for you, I learned a few things. She meant quick.

Leo walks over to the cartload. Past Iona smiles as Leo hops on the cart.

PRUE

Leo!

Leo glances at Prue.

LEO

Sgiobalta, Prue.

Prue grimaces and then she starts moving towards the cartload. She hops on as well and sits beside Leo. Both look at each other as Iona hops on too.

FADE TO:

INT. UNDERWORLD - ALASTAIR’S CAVE - DAY (PRESENT)

Trace is there. Alastair walks around him.

TRACE

The past?

Alastair nods.

ALASTAIR

In a time when Warren's magic didn’t exist. She and the other one, Leo, were sent there by a Cupid.

TRACE

How do you know that?

Alastair stops in front of Trace.

ALASTAIR

I have eyes everywhere.

Trace stares seriously at Alastair.

ALASTAIR (CONT’D)

Can you work something out to take the eldest out of the way?

TRACE

I thought you needed her. You know, like before. To take Warren’s powers.

Alastair smirks.

ALASTAIR

I did until I found a plan B. You see, last time I couldn’t get them to myself. But now it’s different. I have a way to destroy that family and get their powers.

Trace stares seriously at Alastair.

TRACE

How?

Alastair deviates his gaze from Trace to the Grimoire on its pedestal behind Trace. Trace turns around and looks at it too.

TRACE (CONT’D)

You’re not gonna tell me your plans, are you?

Trace looks at Alastair.

ALASTAIR

(thoughtful)

Before I was trapped all those years ago, I learned from a friend what to do to get the powers for myself. But they got me before I could.

(looks at Trace)

That’s why I need the book. I don’t need the eldest anymore. So, get her killed.

Trace nods.

TRACE

Fine. I know someone.

Alastair smirks.

ALASTAIR

You’ll be rewarded.

(pointed look)

How’s your witch?

Trace looks away. Alastair smirks.

ALASTAIR (CONT’D)

Maybe when this is all over you’ll be able to keep her.

TRACE

(mad)

I don’t want to keep her.

Trace’s expression changes. It hardens.

TRACE (CONT’D)

I want to end her.

Alastair smirks. They stare at each other.

FADE TO:

INT. HALLIWELL / COOP MANOR - ENTRANCE / STAIRCASE - DAY

William comes downstairs. He rushes to the front door and opens it. BEAT. Natalie is there. William is surprised.

WILLIAM

Natalie! What a surprise. I was on my way out.

NATALIE

Yeah, I was about to knock, I just ---

(waves)

I was ---

WILLIAM

You were distracted.

Natalie sighs. She nods.

NATALIE

Do you know if Leo is in?

WILLIAM

I haven’t seen anyone today.

OFF TO MIRANDA - She rushes downstairs.

MIRANDA

He’s gone.

She walks over to them and stops near William and Natalie. They look at Miranda.

MIRANDA (CONT’D)

Prue and Leo got on a getaway.

Natalie is surprised.

NATALIE

What?

Miranda tries to hide a smile.

MIRANDA

I need to go and take care of a few things at P3 because I don’t know how long my boss will be out.

Miranda rushes out of the house.

OFF TO GABRIEL - He comes downstairs too and walks over to them.

GABRIEL

It’s not a romantic getaway, believe me.

NATALIE

(sarcastic smile)

Right. Because there’s nothing romantic about the two of them.

WILLIAM

It’s not like that.

NATALIE

I don’t care, actually.

WILLIAM

You’re dating Leo. Of course, you care.

NATALIE

And it’s clear that he’s not that into me. But Leo isn’t what brought me here.

GABRIEL

So?

Natalie looks at William.

NATALIE

I think I found your father.

ON WILLIAM - He is serious.

William and Gabriel glance at each other.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - DAY

Pamela comes from the Halliwell manor followed by Persephone. Miranda meets them on the porch.

MIRANDA

Hey! I heard what was going on.

Pamela smiles.

PAMELA

Prue 1 - Natalie 0.

Miranda smiles.

PERSEPHONE

Guys, really, I’m kinda worried.

PAMELA

Don’t. It was cupid’s doing.

MIRANDA

How’s Felix?

PERSEPHONE

(shrugs)

The same.

PAMELA

Don’t worry. I’ll take care of everything. The substitute is doing good, so ---

PERSEPHONE

I know, but ---

(sighs)

Trace appeared last night.

PAMELA

Oh!

PERSEPHONE

Yeah. I’m sure he’ll come back.

PAMELA

Did he explain what happened?

PERSEPHONE

Work, apparently. You know, I just need to know that Felix will be fine so I can focus on my own problems.

PAMELA

You are really worried about him, aren’t you?

Persephone glances at them.

PERSEPHONE

He saved me. I must go and stay by his side.

Pamela and Miranda nod. Then Persephone turns around and walks up the front stairs. Then she walks into the house. Pamela and Miranda look at each other.

MIRANDA

Natalie is at the manor and I let her know Prue and Wyatt went on a getaway.

PAMELA

(smirks)

Oh, wicked.

MIRANDA

Team Prue, aren’t we?

PAMELA

Oh, yes.

MIRANDA

I just feel bad about Lucas. I kinda like him.

PAMELA

Yeah, me too. But he did wrong too when he tried to erase their feelings for each other.

MIRANDA

Yeah.

PAMELA

I need to go to the restaurant.

MIRANDA

And your father?

PAMELA

I don’t want to talk about my father.

MIRANDA

You can give me a ride and we can talk about your father.

PAMELA

I can give you a ride but we won’t talk about my father.

Pamela starts walking over to the limo parked across the street.

MIRANDA

Fine. Just give me a ride.

Miranda follows Pamela.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

There a three Yoga mattresses on the floor. Iona, wearing gym clothes, stands in front of her mattress.

OFF TO PRISCILLA AND AIDEN - They walk in also wearing gym clothes. They seem awkward.

Iona glances at them.

IONA

(cheerful)

Oh, good, you’re ready!

PRISCILLA

Why did we have to put this on? I’m not the working-out type.

IONA

Oh, this is just Yoga.

AIDEN

Yoga? Really? I thought we were going to practice boxing.

IONA

Boxing? That’s so violent. Now, come the two of ye.

Iona signs them to take their places.

IONA (CONT’D)

Let’s sit down.

Priscilla and Aiden glance at each other and then move towards their mattresses. Iona sits on hers and so do Priscilla and Aiden. The three of them are sitting in a yoga position.

IONA (CONT’D)

Now, let's straighten our backs.

They do.

IONA (CONT’D)

Now we take a deep breath.

They do.

IONA (CONT’D)

Close your eyes and let's think of a beautiful and calm place.

Aiden and Priscilla glance weirdly at Iona.

AIDEN

It’s this yoga or meditation?

Iona opens her eyes.

IONA

We start we meditation. You two are too gun tàmh!

Which means restless.

PRISCILLA

We are what?

IONA

C’mon, take a deep breath.

Priscilla and Aiden stare at Iona and then they take a deep breath.

IONA (CONT’D)

Close your eyes and think of a peaceful place.

Aiden and Priscilla glance at each other and shrug.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Past Iona and a couple of other young women are there, WILLOW and MILLIE (20s). Past Iona seems anxious.

IONA

Oh, c’mon the two of you. Gabh air adhart leis.

Which means get on with it. Leo comes from behind a folding screen. He wears medieval clothes. They look at him.

PAST IONA (CONT’D)

Oh, it looks good on you.

OFF TO PRUE - She comes from behind another folding screen. She wears a medieval dress that looks good on her.

They all look at them and stare mesmerized at her.

PRUE

(uncomfortable)

This is ---

(glances at them)

I can’t breathe.

PAST IONA

Oh, but you look ---

LEO

Bonnie.

Beautiful. Prue looks at Leo. Past Iona smiles at them.

PAST IONA

This is going to be easier than I thought.

Prue and Leo look at Past Iona.

PRUE

Okay, now can you explain what are we doing here? And where is here anyway?

PAST IONA

Irvine Chaisteal.

LEO

Irvine Chaisteal. Castle of Irvine.

(to Leo)

This place is a legend in my time.

PAST IONA

Twenty-second century right?

LEO

(nods)

But why are we here?

PAST IONA

To reconnect to each other. You two. And well, the location is because I work here.

PRUE

You are a cupid.

PAST IONA

Yes. And I work for the lady of this castle.

(pauses)

Aila MacLeod.

Leo raises his eyebrows.

LEO

What?

He recognizes the name.

PRUE

I’m not following.

LEO

Aila MacLeod was a very hard person. Well, if the stories are true.

PAST IONA

Oh, they are. That’s why I’m here. To soften her heart. She’s a very bloody woman.

PRUE

(astonished)

Right. And you brought us here.

PAST IONA

Oh, no, I don’t plan for her to know about you. We are just going to stay here and work on your hearts.

PRUE

Okay, listen, I can work on my heart in my own time. So, can you please send us back?

PAST IONA

No, I can’t. You’ll only go back when you manage to solve your thing.

Prue and Leo glance at each other.

SOUND - A knock on the door.

Willow goes to open the door. A servant is there.

SERVANT

Lady MacLeod wishes to see Miss Iona and her guests.

Willow turns to Past Iona.

PAST IONA

Oh, my! She knows.

Past Iona grimaces. She turns to Leo and Prue. Willow turns to the servant.

WILLOW

Tapadh leat.

Which means thank you. Willow closes the door.

PRUE

She can’t be that bad, can she?

Leo looks at Prue.

LEO

It’s not a good idea to be here without our powers.

PRUE

Oh, crap. We don’t have powers because ---

LEO

We are in a time before Melinda Warren.

Past Iona suddenly smiles.

PAST IONA

And you finish each other sentences. That’s so beautiful.

Prue and Leo stare astonished at Past Iona.

FADE TO:

INT. INT. IRVINE CHAISTEAL (CASTLE) - THRONE ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Upfront, at the throne, a woman with an imposing figure of a dark-haired woman. She wears a tiara and standing by her side is a younger woman who seems shy. The dark-haired woman’s name is Aila MacLeod (40s) and the younger girl is Eloise MacLeod (19), Aila’s daughter.

Standing in front of them is a man (FLETCHER, 30s). He keeps his head down. Aila and Eloise stare at him.

AILA

(to Fletcher)

I hope what you’ve told me proves true.

FLETCHER

I swear, my Lady, that my words are of true.

OFF TO THE ENTRANCE - The doors open. The servant walks in and walks over to the front.

The servant stops before the Lady of the castle and bows.

AILA

So?

SERVANT

It is true, my Lady. Miss Iona has some guests with her.

Aila glances at Fletcher.

FLETCHER

I told you, my Lady.

AILA

(to the servant)

Did you tell her to come?

SERVANT

I did.

AILA

Good. I want to see who those dhaoine are.

Which means people.

ON FLETCHER - He smirks.

FADE TO:

INT. INT. IRVINE CHAISTEAL (CASTLE) - OUT. THRONE ROOM - DAY (HIGHLANDS - SCOTLAND / TIME LAPSE)

The doors to the throne room open and Fletcher comes out. He glances around and then takes the right. He stops next to a painting and someone approaches.

BEAT. That someone is no other than Trace. He wears medieval clothes.

TRACE

So?

FLETCHER

It is done. Now Lady MacLeod will do her own magic.

TRACE

(smirks)

You, Dark Cupids!

FLETCHER

Trust me, Jitur. The best way to destroy a soul is to rip it apart from the soul mate.

TRACE

How are you so sure Lady MacLeod will follow your advice?

FLETCHER

Because her daughter has no perspective of a good or bad marriage.

TRACE

Well, do whatever you have to, but the female witch cannot return to the 22nd century. At least not alive.

FLETCHER

Worry not.

They stare at each other.

TRACE

Can you please send me back to my time?

FLETCHER

Of course. Upon my return, I’ll let you know how it ended.

TRACE

Great.

Fletcher WAVES his hand in front of Trace and a DARK HEART appears as well as a dark light. Soon, Trace is BLACK BEAMED out. And so, we can conclude that Fletcher is DARK CUPID.

ON FLETCHER - He smirks and then turns around.

FADE TO:

INT. HALLIWELL MANOR - PERSEPHONE’S BEDROOM - DAY (PRESENT)

Persephone is sitting on the couch. The Book of Shadows is on her lap. She flips through its pages. Felix is still lying unconscious on the bed.

SOUND - Persephone’s phone. A TEXT.

Persephone checks it and as she does she grimaces. Persephone sighs and ---

OFF TO FELIX - He moans.

Persephone puts the BOS and her phone aside and rushes to the bed.

PERSEPHONE

(worried)

Felix?

She sits on the edge of the bed and grabs Felix’s hand.

PERSEPHONE (CONT’D)

Felix, can you hear me?

He speaks some imperceptible words.

PERSEPHONE (CONT’D)

(glances up)

Lucas, can you hear me?

OFF TO LUCAS - He ORBS in.

LUCAS

Persie?

Persephone turns around.

PERSEPHONE

I can’t understand what he’s saying.

Lucas rushes to their side. He checks Felix’s fever.

PERSEPHONE (CONT’D)

Can you help him?

LUCAS

We can only wait now, Persie.

PERSEPHONE

It’s been almost forty-eight hours since the werewolf attacked. The Elder did the ritual on him. He was supposed to be better now.

LUCAS

It takes time, Persie.

FELIX

Water.

PERSEPHONE

(hopeful)

Water. He wants water.

Persephone pours some water into the glass on the bedside table and with Lucas’ help, they try to give Felix some water.

PERSEPHONE (CONT’D)

Here, Felix. Drink.

They manage to give him some water to drink. Lucas takes the glass and puts it on the bedside table.

FELIX

Persie?

Felix tries to open his eyes. Persephone looks at him.

FELIX (CONT’D)

What --- huh ---

PERSEPHONE

Don’t. You need to rest.

Felix closes his eyes again and goes back to sleep. Persephone looks at Lucas.

LUCAS

He’ll be fine.

Persephone nods. Lucas smiles at her.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - OUT. PERSEPHONE’S BEDROOM - DAY

Lucas comes from Persephone’s bedroom followed by Persephone. Lucas turns to her.

LUCAS

You just have to wait. He’ll be fine.

PERSEPHONE

I really hope so. This is all my fault.

LUCAS

(rubs her arms)

No, it’s not. Just be patient.

Persephone nods. Then Lucas lowers his gaze.

LUCAS (CONT’D)

So, I heard some things about Prue.

(looks at Persephone)

A cupid came?

Persephone nods.

LUCAS (CONT’D)

Right. They were sent back to the past by Cupid’s orders.

Persephone nods.

PERSEPHONE

So, that’s where they are! In the past.

LUCAS

Yeah, I don’t know when.

Persephone notices he’s down.

PERSEPHONE

I’m sorry, Lucas. I know you love her, but she doesn’t love you.

LUCAS

They can’t be together, Persie. At least not until ---

(sighs)

--- well, until the Enchantress is vanquished or stopped.

PERSEPHONE

Stop her is not an option, Lucas. She needs to be vanquished, otherwise, they won’t be truly happy.

LUCAS

I feel so bad for what I did, but I acted out of love.

PERSEPHONE

I know. But I think it’ll be better if you just move on.

LUCAS

Yeah, that’s probably for the best. Even because I shouldn’t even be dating Prue. It’s forbidden.

PERSEPHONE

(surprised)

What?

Lucas grimaces.

LUCAS

The Elders have forbidden again relationships between witches and whitelighters.

PERSEPHONE

So, you and ---

LUCAS

Yeah. It’s forbidden. She doesn’t know. I tried to tell her, but ---

Persephone grabs his hands.

PERSEPHONE

You must. Are there consequences?

LUCAS

They might keep me from coming here again. Or even assign you another whitelighter.

PERSEPHONE

We don’t want another.

LUCAS

I don’t want to leave you either. I’ve been tying up, but I can’t do that forever.

PERSEPHONE

Then talk to Prue. But probably after what they go through in the past ---

(confused)

--- or went through ---

(looks at Lucas)

You know what I mean, right?

LUCAS

That maybe I won’t need to worry about it.

Persephone forces a smile. Lucas sighs.

FADE TO:

EXT. HALLIWELL’S - DINING ROOM - DAY

Pamela is by the counter on the phone. The restaurant is crowded and the employees have their hands full.

PAMELA

(on the phone)

Huh, no. I need them for tonight. We have a group that has requested the wine specifically. --- Okay, I’ll be waiting for it.

She hangs off the phone.

OFF TO THE ENTRANCE - Richard Whitmore walks in and glances around.

PAMELA (CONT’D)

(to an employee)

Don’t forget the special dessert for table seven.

The employee nods. Pamela then glances at the entrance and sees her father there.

PAMELA (CONT’D)

(annoyed)

Oh, c’mon.

Richard looks at Pamela and smiles. Then he walks over to the counter.

PAMELA (CONT’D)

(rude)

What are you doing here, dad?

RICHARD

Is that a way to welcome your dear father?

PAMELA

You better take off the dear out. Dad, I’m not talking to you. Not until you insist on bringing that woman here.

RICHARD

That woman is my wife and she’s already here, Pam.

PAMELA

Staying in my house.

RICHARD

Well, to be fair you aren’t living there.

PAMELA

Because I need to be close to the action, dad.

RICHARD

Right.

Richard glances around.

RICHARD (CONT’D)

Look, I haven’t had lunch. Can we have lunch together and talk?

PAMELA

I’m not changing my mind.

RICHARD

Fine, but we haven’t talked ever since we ---

(waves)

--- you know ---

(whispers)

--- got our powers back.

Pamela stares at him.

RICHARD (CONT'D)

I want to know how things are going, Pam.

Pamela takes her hands to her hips. He smiles at her. Pamela takes a deep breath and then she gives in.

PAMELA

Fine.

An employee walks by and Pamela stops him.

PAMELA (CONT’D)

Prepare a table for me and dad, please.

The employee nods. Pamela glances at her father.

PAMELA (CONT’D)

Very well, dad. Let’s talk.

Richard smiles.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

All three of them, Iona, Priscilla and Aiden are doing a SIDE PLANK pose. Well, Iona is nailing it perfectly while Priscilla and Aiden try.

PRISCILLA

Seriously, who in hell invented yoga?

AIDEN

I’m used to working out, but this ---!

IONA

Oh, this is not just any workout. This is a way of living.

PRISCILLA

Way of living, right.

Priscilla falls to the floor.

PRISCILLA (CONT’D)

Damn!

Iona gets out of the pose. Aiden too.

IONA

Okay, let’s try another.

PRISCILLA

Why don’t we get back to meditation? I like the meditation thing better.

IONA

Meditation is good, but yoga will help you balance everything.

PRISCILLA

Who said I want to balance everything?!

IONA

Listen, if you want to control those feelings you have, you need to be balanced.

AIDEN

But why do we feel all that? I mean, we don’t even have other cupid powers.

IONA

You will get them with time. And for that you both need to be spiritually and physically prepared.

PRISCILLA

Prue should be here too. She’s also part Cupid.

IONA

Oh, I think she has a lot to work on right now.

(claps hands)

C’mon, let’s try another pose. We start with the Mountain pose and pass to Revolved Triangle pose.

Aiden reaches out his hand to help Priscilla to stand. Iona starts with the MOUNTAIN POSE and Priscilla and Aiden do the same. Then, Iona feels a strong pain in her head.

IONA (CONT’D)

Ouch!

She takes her hands to her head. Priscilla and Aiden stare at her.

PRISCILLA

What’s going on?

Iona shakes her head. She looks at them.

IONA

I just had some flashes of old memories.

PRISCILLA

Memories about what?

Iona gets serious.

IONA

Memories of things that never happened. Oh, magairlean.

Which means bullocks. Iona stares seriously at Priscilla and Aiden.

FADE TO:

INT. INT. IRVINE CHAISTEAL (CASTLE) - THRONE ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES)

THE DOORS open. Past Iona followed by Prue and Leo walk in. They walk up to the front where Aila and Eloise wait. Fletcher is also there.

Iona bows. Prue and Leo glance at each other and then they bow too. Then all three of them look at Aila.

AILA

Iona. Who are your guests?

PAST IONA

Lady MacLeod, these are my cousins from the Lowlands.

AILA

I see.

PAST IONA

This is Leo MacMatthews and Prue MacHallwiell.

AILA

What brings them here?

PAST IONA

Just visiting, my lady.

Past Iona glances at Fletcher.

AILA

This is Mr. Fletcher Fraser. My new advisor.

Past Iona stares seriously at Fletcher.

PAST IONA

Lady MacLeod, I would like to spend some time with my cousins. I ask for your authorization to use the gardens of the castle.

AILA

Oh, of course. You better prepare them.

Prue and Leo glance at each other.

PAST IONA

Prepare them, my lady?

AILA

You see, Iona, I was advised by my new advisor, that my nephew wants to invade our lands.

PAST IONA

Oh.

Past Iona glances at Fletcher who nods.

AILA

He claims that he is the rightful heir to my lands. I’m not giving it to him easily. But a treat is a treat and you remember I made a deal with him.

PAST IONA

Sure. To wait until your daughter's twentieth birthday. She’s to be married to your nephew might she not find another suitable husband.

AILA

Good memory.

(stands)

I’m not willing to give my lands to him.

Aila walks over to Iona.

PAST IONA

So, what are the plans, my Lady?

AILA

(stands in front of Iona)

To marry Eloise to someone else.

PAST IONA

Who?

Aila glance at Leo and smiles. Then she walks over to Leo and stops in front of him.

AILA

Leo MacMatthews seems like a suitable husband to Eloise.

ON ELOISE - She looks shyly at them.

ON LEO - He’s astonished.

Prue and Past Iona glance at them.

LEO

(nervous)

I’m --- I’m sorry, my lady, but ---

AILA

Are you married?

Leo is caught by surprise.

AILA (CONT’D)

And don’t dare to lie. I detect lies very easily.

Leo glances at Past Iona who nods.

LEO

I am not married, my lady.

Aila smiles.

AILA

Then, it’s settled. Tomorrow, ---

(turns around)

--- there will be a wedding in these lands.

Aila walks over to the throne and sits.

AILA (CONT’D)

Shall the groom and bride get ready for it.

ON LEO - He’s astonished.

Prue glances at Leo, worried.

AILA (CONT’D)

You may go now.

Past Iona bows and turns around. She motions for Prue and Leo to follow her.

AILA (CONT’D)

Oh, and Iona.

Past Iona, Prue and Leo turn to Aila.

AILA (CONT’D)

Miss MacHalliwell there should be handed to my nephew.

Prue’s eyes go wide.

AILA (CONT’D)

I’m sure he’ll find her suitable for a bride.

Past Iona nods. She turns around and walks out followed by Prue and Leo.

Once they are out, Aila looks at Fletcher.

AILA (CONT’D)

Make sure none of them leaves this castle.

Fletcher bows and then he walks out of the room. Aila grabs her daughter’s hand.

AILA (CONT’D)

My dear, Eloise. Are you pleased with the groom?

ELOISE

He’s very attractive, mother.

Eloise forces a smile. Aila smiles big.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - ROOM - DAY (HIGHLANDS - SCOTLAND / SHORTLY AFTER)

Willow and Millie are there doing some cleaning.

OFF TO THE ENTRANCE - Past Iona walks in followed by Leo and Prue.

LEO

That can’t happen. I’m not going to marry that child.

Prue shuts the door closed.

PRUE

And I’m not going to marry ---

(cuts herself off)

Who’s it that I’m going to marry?

PAST IONA

Lady MacLeod’s nephew. Lord Jamie McIntosh.

PRUE

What is it with the Mac’s names?!

WILLOW

What’s going on?

Past Iona turns to her servants.

PAST IONA

Lady MacLeod has ordered Leo to marry Eloise.

MILLIE

What? But he comes from the future.

LEO

Exactly. This is not my time. I should’ve said that I was married.

PAST IONA

She would know you were lying. She’s very good at that.

PRUE

Well, send us back.

PAST IONA

I can’t. I’m just a few centuries old. I can’t just create a portal and send you back.

LEO

Then what do we do? Because I’m not planning to marry that child.

MILLIE

Eloise is nineteen.

LEO

Like I said, a child.

PAST IONA

I need to think of something.

LEO

Well, think fast. I have a girlfriend in my time.

Prue shoots Leo a look.

PRUE

Oh, so you think you and Natalie will do fine?

Leo glances at Prue.

LEO

It’s not like I can be with the one I really want, is it?

Prue glances away. Past Iona, Willow and Millie look at them.

PAST IONA

We’ll work something out.

(turns to her servants)

Meanwhile, you pretend we are taking care of things. Ask for clothes for the groom to wear at the ceremony.

LEO

There won’t be a ceremony.

PAST IONA

I know. I’ll be working on the two of you. Maybe we can solve things quickly and a portal appears to send you back.

PRUE

Forward in time.

PAST IONA

Right.

(to the servants)

Falbh, falbh, falbh!

Which means go, go, go. The servants leave the room. Past Iona glances at Prue and Leo.

PAST IONA (CONT’D)

Now us.

Prue and Leo glance at each other.

PAST IONA (CONT’D)

What is it with the two of you? Why aren’t you together? You clearly love each other.

Prue sighs. Leo looks seriously at Prue.

LEO

We can’t be together.

PAST IONA

Why?

Leo looks at Past Iona.

LEO

Because we were cursed in another life and if we admit our feelings to each other, the Enchantress will find us and fight us. We don’t know how to vanquish her.

PAST IONA

(realizes something)

Oh, mo Dhia!

Which means my God.

PAST IONA (CONT’D)

You are them, are you not?

Leo and Prue glance at Past Iona.

PAST IONA (CONT’D)

Lady Elaine and Lord Benedict Pennington.

PRUE

How do you know?

PAST IONA

Oh, darling, that’s a sad story and happened here in Scotland a few centuries ago.

PRUE

What?

PAST IONA

(nods)

The couple from the Sun and the Moon tale?

LEO

What?

PAST IONA

There’s a tale ---

LEO

(cuts her off)

A tale?

Prue and Leo glance at each other.

PAST IONA

Ever heard about it?

LEO

I have, I never ---

(realizes something)

My grandmother told me about it when I was a toddler.

(glances at Prue)

I didn’t remember until now.

PAST IONA

It was written by their son.

Prue and Leo look at Past Iona.

PRUE

(anxious)

Do you know where the book is?

PAST IONA

The book has been lost for centuries.

Prue is disappointed.

PAST IONA (CONT’D)

But they were from here. From Inverness.

LEO

(surprised)

What?

PAST IONA

They were the lord and lady of this castle.

Prue and Leo glance at each other astonished at the revelation.

PRUE

Holly crap.

PAST IONA

Whatever that means!

LEO

We need to go back home. What do we do?

Leo and Prue glance at Past Iona.

PAST IONA

We need to unlock your hearts and make them beat again.

Prue and Leo glance at each other seriously.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (PRESENT)

Iona is sitting on a chair. Priscilla hands her a glass of water. Persephone, Aiden, and Lucas are there staring at Iona.

IONA

I’m feeling better, seriously. It's just that it’s the first time this happens to me.

PERSEPHONE

Can you elaborate?

PRISCILLA

She said she had some memories.

PERSEPHONE

Memories of what?

IONA

Of the past.

PERSEPHONE

Clearly.

IONA

(stands)

I sent Prue and Leo to Scotland.

PERSEPHONE

What time?

Iona glances at them.

IONA

Middle ages.

PERSEPHONE

(sarcastic)

Of course. And so?

IONA

And so, they were supposed to open up and, you know, unblock their hearts.

AIDEN

(sarcastic)

Because that’s clearly something they couldn’t have done in here.

IONA

Oh, they could, but that would awaken the Enchantress.

PRISCILLA

And that’s not going to happen in the middle ages?

IONA

They were sent to a moment where none of them existed. And not even the Enchantress. Besides, they are home.

PERSEPHONE

What?

IONA

It is where it all started. At Irvine Castle.

PERSEPHONE

Okay, fine and so?

IONA

Well, in the flashes I had I saw lady MacLeod announcing her daughter’s wedding to Leo MacMatthews.

PRISCILLA

Who’s that?

Aiden pokes Priscilla.

PRISCILLA (CONT’D)

(realizes)

Oh!

IONA

That’s not supposed to happen. Eloise MacLeod is to be married to Jamie McIntosh. And Leo and Prue were supposed to open up about their feelings.

LUCAS

Can you get to the bottom of it without mentioning Leo and Prue’s feelings?

IONA

Right, whitelighter.

Lucas shoots her a sarcastic smile.

IONA (CONT’D)

What I’m trying to say is that someone altered the curse of things.

PERSEPHONE

A demon.

Iona nods.

IONA

Somehow, someone knew Prue and Leo were sent back in time.

PERSEPHONE

And sent someone to mess with them.

PRISCILLA

Alastair.

LUCAS

That’s not possible. Why would he do that? First, he needs Prue if he plans to steal your powers again. She’s firstborn and Twice Blessed. Second, why would he want Leo married?

IONA

It’s not just Leo. It’s Prue too. If they don’t open up about ---

Lucas shoots Iona a look.

IONA (CONT’D)

--- that, the portal won’t open to bring them back. And besides, they have no powers there.

PERSEPHONE

What? And you mention that now?

Iona forces a smile.

PERSEPHONE (CONT’D)

Okay, so how do we bring them back?

IONA

We don't. Only one being would be able to mess with feelings and the curse of things related to questions of the heart.

LUCAS

Who?

IONA

(glances at them)

A Dark Cupid.

PRISCILLA

Oh, c’mon, there’s not ---

Iona is serious.

PRISCILLA (CONT’D)

Dark Cupids are a thing?

IONA

They live in hiding ‘cause there are just a few. But yes.

They all glance at each other.

AIDEN

So, how do we help them? Can we go back in time?

IONA

No. It was a portal opened by Cupid himself. This is something both of them need to work on. Even if we tried, we wouldn’t be able to get there.

PERSEPHONE

(sarcastic)

How great! I should have kept my mouth shut!

Persephone walks out of the room mad. The others glance at each other.

FADE TO:

INT. HALLIWELL’S - DINING ROOM - DAY

The restaurant is almost empty. Pamela and Richard are at a table, having a glass of wine and talking.

PAMELA

So, yes, Alastair has been quiet ever since.

RICHARD

Believe me, he’s not.

PAMELA

I suspect that he’s behind the attack at Halliwell manor the other day. Persie’s boyfriend was knocked out. And two nights ago, a werewolf attacked Persie and Felix.

RICHARD

A werewolf?

Pamela nods.

RICHARD (CONT’D)

Wow, I didn’t even know they existed.

PAMELA

Apparently.

RICHARD

And your powers? Are working fine?

PAMELA

Oh, yeah. I am able to slow things down.

RICHARD

(smiles)

Yeah, your mother went crazy a few times because of that.

PAMELA

(smiles)

I remember. Can you blame her? She’s a mortal married to a magic being and mother of two magic children.

RICHARD

(forces a smile)

Yeah.

PAMELA

And your powers, dad?

RICHARD

It’s the same as yours. Actually, both versions. Molecular Deceleration and Molecular Acceleration. Besides the whitelighters’ powers. I haven’t been able to heal yet.

PAMELA

Does Milo ---?

RICHARD

He hasn’t got any. He’s anxious to find what his powers are going to be.

Pamela nods and forces a smile.

RICHARD (CONT’D)

He misses you, you know? You are his big sister. Poppy visits often, now you ---

PAMELA

I can’t, dad. I can’t look at that woman’s face.

RICHARD

She’s my wife, Pam.

PAMELA

She was my colleague, dad.

Richard and Pamela look seriously at each other.

RICHARD

I would love you to understand, that I love her. I would love you to accept her.

PAMELA

Whitmore Manor is mine and Poppy’s, dad.

RICHARD

I know. But I’m alive, Pam. While I live, that manor belongs to me.

Richard and Pamela stare seriously at each other. Then she stands.

PAMELA

Then stay with it, dad. Give it to her. Whatever, I don’t care anymore. I found my place in this world already. I don’t need the Whitmore name to do that for me.

RICHARD

Pam, please, ---

PAMELA

(walks away)

Goodbye, dad.

Richard stares at his daughter as she walks away. He sighs.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET - DAY

William and Natalie walk over to the entrance of a building.

WILLIAM

Thank you for doing this, Natalie, seriously.

Natalie smiles at him.

NATALIE

It’s okay.

(points to the entrance)

Let’s go in.

William nods. They walk into the building.

FADE TO:

INT. BUILDING - CORRIDOR - DAY (CONTINUOUS)

William and Natalie come. They stop outside an apartment. They look at the door.

ON DOOR - It reads:

303

Natalie checks on the phone.

NATALIE

It is here. Apartment 303.

Natalie knocks on the door.

NATALIE (CONT’D)

Mr. Morgan?

No answer.

NATALIE (CONT’D)

Mr. Morgan, I’m from the S.F.P.D.

(pauses)

I just want to talk to you. Mr. Morgan?

Natalie and William glance at each other. Natalie shakes her head.

NATALIE (CONT’D)

Maybe he’s not home.

William knocks on the door.

WILLIAM

Dad? Dad, is me, William.

Nothing.

WILLIAM (CONT’D)

Dad?

OFF TO APARTMENT 304 - The door of the apartment in front opens. An old lady comes out.

OLD LADY

There’s no one there.

Natalie and William look at the woman.

NATALIE

What do you mean?

OLD LADY

Mr. Morgan is not there.

NATALIE

Do you know when he’ll come back?

OLD LADY

He left the apartment a few weeks ago.

Natalie and William glance at each other.

NATALIE

But the rent is still in his name.

OLD LADY

Yes. He comes and goes. But he has been gone for weeks now.

WILLIAM

Maybe he’ll come back.

The old lady shrugs. Natalie takes a business card from her pocket and hands it to the old lady.

NATALIE

Can you give me a call if Mr. Morgan returns home? It is important.

The old lady takes the business card and nods.

NATALIE (CONT’D)

Thank you.

The old lady walks inside her apartment. Natalie and William glance at each other.

NATALIE (CONT’D)

I’m sorry. Don’t lose hope. I’ll keep trying.

William nods. He smiles thankfully at her.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Prue and Leo are sitting in front of each other staring seriously at each other. Past Iona stands next to them staring at them.

PAST IONA

Just speak from the bottom of your cridheachan.

PRUE

Our what?

LEO

Hearts.

Prue shoots him a pointed look.

PRUE

How do you know Gaelic?

LEO

I learned. It’s in my veins. I have Scottish origins through my mother's side.

PRUE

Yeah, I knew it the moment I met you. The so charming British accent was more than just a British accent.

(sighs)

Charming.

PAST IONA

Good. We are making improvements. Now, keep sharing your feelings.

PRUE

Right.

Prue and Leo stare at each other, but none of them start.

PRUE (CONT’D)

I can’t.

Prue stands and starts pacing the room. Leo sighs.

PRUE (CONT’D)

We can’t just share our feelings. That damn Enchantress could show up and ---

PAST IONA

(cuts her off)

She won’t.

Prue and Leo stare at Past Iona.

PAST IONA (CONT’D)

Cupid wouldn’t send you here if it would put you in danger.

LEO

You mean that ---

PAST IONA

None of you exist here. I mean, none of your past lives. So, you can share. Open up.

Prue and Leo glance at each other.

LEO

There’s something else blocking us.

PAST IONA

Oh?

LEO

Our whitelighter tried to erase our feelings for each other.

PAST IONA

What a whitelighter you have!

PRUE

He didn’t. We still do have feelings for each other, but we are ---

PAST IONA

Colder?

Prue and Leo nod.

PAST IONA (CONT’D)

I can feel it. But you need to try because that’s the only way for the portal to open again.

PRUE

Crap.

OFF TO THE DOOR - Willow comes in.

They look at Willow.

WILLOW

Okay, things are moving fast. They are providing the dress for the bride as well.

PRUE

Great!

WILLOW

(to Prue)

There’s also a dress for you too.

PRUE

What?

WILLOW

They expect Lord McIntosh to arrive the day after tomorrow. The ceremony will happen upon his arrival.

PRUE

(sarcastic)

Oh, great. My future husband.

PAST IONA

We need to move.

(to Leo)

Leo, please.

Leo glances at Prue. Prue looks seriously at him.

LEO

I --- I ---

WILLOW

Ye say that ye love her.

Leo and Prue keep staring at each other.

PAST IONE

Come on, allow yourself to feel it.

Nothing.

LEO

(shakes his head)

I can’t. I can’t.

PRUE

This is useless. We are going to be trapped in here for the rest of our lives.

PAST IONA

No, we must find a solution. Something that gets you two into your hearts.

WILLOW

Oh, I know.

They all look at Willow.

WILLOW (CONT’D)

My cousin didn’t love her husband until ---

PAST IONA

Until?

WILLOW

Until that day. What he said touched her heart and they are in love until now.

PAST IONA

What day?

WILLOW

Handfasting.

PRUE

Hand what?

WILLOW

Handfasting.

PRUE

I know I’ll regret asking, but what the hell is a handfasting?

PAST IONA

A promise. A promise to wed. An unofficial wedding.

WILLOW

Exactly. The vows may open your hearts.

Prue rolls her eyes.

LEO

You’re saying that we should ---

PAST IONA

That’s the answer.

They all look at Past Iona.

PAST IONA (CONT’D)

The words said in a Handfasting can reach your hearts.

PRUE

You are asking us to marry each other.

PAST IONA

You love each other. So, what’s the problem?

(glances from Prue to Leo)

Do you or do you not want to go back to your time?

Prue and Leo stare seriously at each other.

PRUE

I have a boyfriend.

LEO

And I have a girlfriend.

PAST IONA

You two love each other. Sooner or later those relationships you are in will not fulfill you.

Prue and Leo keep glancing at each other.

LEO

Handfasting.

PRUE

Handfasting.

LEO

(sighs)

Let’s do this.

Prue nods.

PRUE

(sighs)

Together.

Past Iona nods and smiles.

OFF TO THE ENTRANCE - Millie walks in.

MILLIE

We have a problem.

(shuts the door closed)

I caught someone outside listening behind the door.

They all stare seriously at Millie.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - OUT. ROOM / CORRIDOR - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES / CONTINUOUS)

Fletcher is there staring at the door to the room where the others are. He then turns around.

FLETCHER

There’s not going to be a handfasting for sure.

He walks away.

OFF TO THE ROOM’S DOOR - Past Iona comes out followed by Prue, Leo, Willow, and Millie.

Past Iona glances around and sees Fletcher.

PAST IONA

I knew who you were the moment I laid eyes on you.

Fletcher turns around and stares at Past Iona and smirks.

PAST IONA (CONT’D)

What are you doing here?

LEO

Is he a demon?

WILLOW

Demon? Are demons real too?

Millie shrugs.

PAST IONA

Dark Cupids are very nasty creatures.

FLETCHER

Are we? I think otherwise. Cupids are nastier.

Fletcher WAVES his hand and throws Past Iona backward.

PRUE

(steps forward)

Hey!

Prue waves her hand, but her powers don’t work.

PRUE (CONT’D)

Crap!

FLETCHER

(rolls his eyes)

Witches!

Fletcher CLENCHES his fist. Prue presses her hands to her chest in pain. Past Iona stands. Leo rushes to Prue.

LEO

Prue.

PAST IONA

Stop it.

Fletcher lets go. Prue breaths in.

FLETCHER

There won’t be a handfasting. Lady MacLeod will learn of this right now.

Fletcher turns around and starts walking away. Prue lowers down and takes something from her boots. A dagger.

PRUE

Hey!

Fletcher turns around. Prue THROWS the dagger at him. It hits his heart. Fletcher screams in pain.

LEO

(amazed)

Good shoot.

PRUE

(smiles)

Thank you. I always carry that with me. Uncle Owen's gift.

Fletcher gets on his knees.

LEO

Why does he still breathe?

PAST IONA

(rushes to Fletcher)

He’s a Dark Cupid. It’s not a dagger that’s going to kill him.

Past Iona reaches Fletcher.

PAST IONA (CONT’D)

Prepare things. I’ll be right back.

Past Iona BEAMS out taking Fletcher.

LEO

Where did she go?

PRUE

She could have let me vanquish him.

LEO

You have no powers, mo ghràidh.

Which means my love. Prue shoots him a look.

PRUE

Whatever does that mean?

Leo stares seriously at her.

LEO

You don’t really want to know.

Willow and Millie glance at each other and smile.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - DUNGEONS’ CELL - DAY (HIGHLANDS - SCOTLAND/ MIDDLE AGES)

This cell floor is full of ROSES. Past Iona BEAMS in bringing Fletcher. She throws him away. Fletcher screams in pain.

PAST IONA

You’re gonna stay here.

Fletcher glances around.

FLETCHER

You can’t leave me here. I can’t use my powers in here.

PAST IONA

Good thing I decided to fill this cell with roses when I first came here. Roses are Dark Cupids' weakness.

FLETCHER

I’m gonna stop you.

PAST IONA

You won’t. You cannot change the course of things. Eloise is supposed to marry Lord Jamie McIntosh. It is writing, I was sent here to make sure that happens.

FLETCHER

And I was sent to stop those witches to go back home.

Past Iona shoots him a look.

PAST IONA

(realizes something)

You come from the future.

FLETCHER

Sure, I do. I will leave this place. You cannot do any arm.

PAST IONA

No, I can’t, but I won’t let you hurt love.

Past Iona BEAMS out. Fletcher pulls the dagger out of his chest. He then starts crying out loud for help.

FADE TO:

EXT. SAN FRANCISCO - DAY / EVENING (PRESENT)

AERIAL VIEW all over the town.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Iona walks back and forth. Priscilla and Aiden are staring at her.

PRISCILLA

Any new memory?

Iona shakes her head.

PRISCILLA (CONT’D)

I’m getting anxious. I think that doesn’t help, right?

Iona stops and turns to them.

IONA

You are right. It doesn’t help. We should meditate.

AIDEN

What? No. I don’t want to meditate.

IONA

We should. It will send good energies to them.

PRISCILLA

They are in the past.

IONA

Still. Come.

Iona motions them to come to the mattresses. Aiden and Priscilla grimace, but there they go.

IONA (CONT’D)

Let’s sit down.

They do.

IONA (CONT’D)

Close your eyes and imagine a wonderful landscape in highland Scotland.

Priscilla and Aiden glance at each other. Iona closes her eyes. Aiden and Priscilla do the same.

IONA (CONT’D)

Now, imagine Leo and Prue walking holding hands.

OFF TO LUCAS - He stares at them from the entrance. His hands are in his pockets.

IONA (CONT’D)

Imagine lots of love surrounding them.

ON LUCAS - He’s serious.

Lucas turns around and leaves.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - EVENING (CONTINUOUS)

Pamela, Miranda, and Persephone are there. The three girls are sitting and talking.

MIRANDA

So, we can’t do a thing?

Persephone shakes her head.

OFF TO THE ENTRANCE - Lucas comes in.

SOUND - FRONT DOOR.

Gabriel walks in too.

GABRIEL

Why in the world do women have to be this complicated?!

They all look at Gabriel.

LUCAS

Is that a rhetorical question?

Gabriel shrugs.

GABRIEL

What’s happening anyway?

PERSEPHONE

Prue and Leo were sent to the past.

GABRIEL

Through a portal, right? Yes, I heard.

PERSEPHONE

Well, apparently, something is happening there and we can’t do a thing to help.

GABRIEL

What?

PAMELA

Alastair. He’s behind this. He sent someone, I’m sure.

PERSEPHONE

Yeah, I’ve been thinking and it makes sense.

LUCAS

It wouldn’t fit. He needs her.

Persephone glances at Lucas.

PERSEPHONE

You’ve said that. Is that what happened to my mother?

Lucas stares seriously at Persephone.

PERSEPHONE (CONT’D)

We don’t really know what happened. I think is time for us to know what really happened.

LUCAS

Persie, I’m not allowed to talk about it.

PERSEPHONE

The same way you’re not allowed to date her?

PAMELA

(surprised)

What?

MIRANDA

(mutters; to Pamela)

Leo 1 - Lucas 0.

Gabriel and Persephone shoot Miranda a look. Miranda shrugs.

GABRIEL

(to Lucas)

Wait, you are not allowed to date Prue?

LUCAS

No. Whitelighters and witches are forbidden again.

Gabriel and Persephone glance at each other.

LUCAS (CONT’D)

It’s temporary, I believe. Just while we make up for the lost time.

GABRIEL

I see.

LUCAS

I tried to tell Prue, but ---

PAMELA

Instead, you tried to erase her feelings for Leo.

Lucas lowers his gaze.

PAMELA (CONT’D)

I’m sorry, Lucas, but we have enough secrets in this family. Just tell her when she comes back.

Lucas glances at them. They all nod.

GABRIEL

Where’s William?

MIRANDA

I texted him a while ago. He said he was heading to P3. The boss is out and I need to head there too.

GABRIEL

I’ll go with you.

MIRANDA

Great. Edward should join us there too.

GABRIEL

I’m gonna change clothes.

Miranda and Gabriel are about to leave.

PERSEPHONE

So, no one is actually worried about Prue and Leo?

Gabriel and Miranda glance at each other and then turn to the others.

GABRIEL

It was Cupid who sent them there, right?

Persephone nods.

GABRIEL (CONT’D)

Cupid will protect them.

Gabriel and Miranda turn around and leave.

PAMELA

I need to head to the ---

PERSEPHONE

Restaurant. I know.

PAMELA

Sorry, Persie, but until we know more, I don’t see how we can help.

PERSEPHONE

I know. It’s okay.

PAMELA

Let me know if something happens, okay?

Persephone nods. Pamela stands and walks out of the room. Persephone stands.

PERSEPHONE

I’m gonna check on Felix.

LUCAS

Okay.

Persephone walks out of the room. Lucas sighs.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY (CONTINUOUS)

Persephone is walking upstairs when ---

SOUND - DOORBELL.

Persephone stops and walks over to the front door. She opens it and ---

BEAT. Trace is there.

PERSEPHONE

(surprised)

Trace?!

TRACE

I waited all day for a text or a call.

PERSEPHONE

I was busy.

TRACE

Doing what?

PERSEPHONE

Family things.

TRACE

I see.

They stare at each other weirdly.

TRACE (CONT’D)

Can we talk?

PERSEPHONE

I ---

OFF TO LUCAS - He comes from the living room.

Lucas stares seriously at Trace. It might seem like he has recognized him, but no.

LUCAS

Persie?

Persephone turns to Lucas.

LUCAS (CONT’D)

Go.

Persephone sighs. Lucas walks upstairs. Persephone turns to Trace.

PERSEPHONE

I think we really need to talk.

Trace smiles. He reaches out his hand for her to grab it. She does. Then they both walk out of the manor.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - ROOM - NIGHT (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Prue walks back and forth. Nervous. Willow is there.

WILLOW

You should calm down.

Prue shoots her a look.

WILLOW (CONT’D)

You’re right. Brides cannot be calm.

Prue shoots her another look.

PRUE

I’m just worried about that Dark Cupid. I didn’t even know Dark Cupids were a thing.

WILLOW

What can I say about myself?! I’m new to all this magic stuff.

Prue stops and stares at her.

PRUE

Where’s Leo anyway?

WILLOW

(smiles)

The love of your life?

Prue rolls her eyes.

WILLOW (CONT’D)

Millie has taken him to get ready.

PRUE

Ready for what?

WILLOW

The handfasting. Iona said you should get ready too.

PRUE

Right. So, when you say get ready ---

WILLOW

We don’t have time to get new clothes.

PRUE

So?

WILLOW

You should write your vows.

PRUE

My vows?

WILLOW

Yes.

PRUE

I don’t know what to say.

Willow smiles big.

WILLOW

I could help you, but it has to come from your heart.

PRUE

My heart?

Willow nods frenetically.

PRUE (CONT’D)

My heart. Right.

Prue sits down and sighs.

FADE TO:

EXT. HIGHLANDS DAY / NIGHT (SCOTLAND / MIDDLE AGES / TIME LAPSE)

AERIAL FOOTAGE at the Highlands.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - CHAPEL - NIGHT (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Leo walks back and forth. He seems nervous. Millie is there staring at him.

MILLIE

Are you thinking about your vows?

Leo stops and stares at Millie.

LEO

Vows?

MILLIE

For the handfasting?

LEO

Right. Well, I spent my summers in Scotland, so, I’ve read about these rituals.

MILLIE

It should come from the heart. Your heart.

LEO

Of course. My heart.

OFF TO THE ENTRANCE - Past Iona walks in.

PAST IONA

The bride is coming.

Leo and Millie look at her. Past Iona smiles as she walks over to them.

PAST IONA (CONT’D)

Get ready for your bride.

Past Iona stands up at the front. She will perform the ceremony.

OFF TO THE ENTRANCE - Willow walks in and right after her, Prue comes in.

INSTRUMENTAL CELTIC MUSIC starts playing.

Willow walks over to the others. Leo looks at Prue and she looks back at him. They hold each other’s glare. Clearly, their hearts are beating fast. Then, Prue starts walking down the aisle toward Leo.

Prue stops as she reaches them. Leo and Prue keep staring at each other. Past Iona smiles at them.

PAST IONA

Please, join your hands.

Leo reaches out his right hand. Prue glances at it and swallows. Then she reaches out her hand and grabs his. ELECTRIC SHOCK. They stare at each other.

PAST IONA (CONT’D)

This is a symbolic binding of the hands. Throughout history in many different ways and many different parts of the world, the hands of the bride and groom were bound as a sign of their commitment to one another. The cords that will tie your hands are not permanent but perishable as a reminder that all things of the material eventually return to the earth, unlike the bond and the connection that is love which is eternal.

Leo and Prue stare at each other. Past Iona motions to Willow who approaches Leo and Prue and wraps a cord around their wrists in a figure 8 type fashion-the infinity symbol.

PAST IONA (CONT’D)

These are the hands that will passionately love you and cherish you through the years, for a lifetime of happiness. These are the hands that will countless times wipe the tears from your eyes: tears of sorrow and tears of joy. These are the hands that will comfort you in illness and hold you when fear or grief racks your mind.

Leo and Prue keep staring intensely at each other.

PAST IONA (CONT’D)

These are the hands that will hold you tight as you struggle through difficult times.

(pauses)

These are the hands that will give you support and encourage you to chase your dreams. Together, everything you wish for can be realized.

(pauses)

You might say your vows.

Leo sighs.

LEO

Prue, I ---

PRUE

I know.

Prue’s eyes are wet. Leo swallows.

LEO

‘Is tu fuil ‘o mo chuislean, is tu cnaimh de mo chnaimh.

Is leatsa mo bhodhaig, chum gum bi sinn ‘n ar n-aon

Is lesta m’anam gus an criochnaich ar saoghal

Is tu fuil ‘o mo chuislean, is tu cnaimh de mo chnaimh.’

Which literally translates to:

You are Blood of my Blood, and Bone of my Bone.
I give you my body, that we two may be one.
I give you my spirit, ‘til our life shall be done.
You are Blood of my Blood, and bone of my Bone.

Prue is touched by the words even if she doesn’t understand what he just said. Leo glances at Past Iona.

LEO

Did I say it right? My Gaelic is a bit rusty.

PAST IONA

It was perfect.

Leo smiles and nods. He glances at Prue.

LEO

I love you every minute, every second of my life. I love in every heartbeat. You ---

(eyes wet)

--- are my ruin and my everything.

Prue smiles. She's touched by his words.

PRUE

'Ye are Blood of my Blood, and Bone of my Bone.

I give ye my Body, that we Two might be One.

I give ye my Spirit, 'til our Life shall be Done.'

PAST IONA

Without knowing, both of you have said the same words.

Prue and Leo stare seriously at each other.

PRUE

(eyes wet)

I love you with every bone and every blood drop in my veins. You are my torment and my delight and the object of all my desires.

Leo smiles big at that. The others are emotional.

PAST IONA

(smiling)

Today, we ask that the infinite light of the divine shines upon this union. In that spirit, I offer a blessing to this couple.

(pauses)

Blessed be this marriage with the gifts from the east -- new beginnings that come each day with the rising sun, communication of the heart, mind, body, and soul.

(pauses)

Blessed be this marriage with the gifts of the south -- the light of the heart, the heat of passion, and the warmth of a loving home.

(pauses)

Blessed be this marriage with the gifts of the west -- the rushing excitement of a raging river, the soft and pure cleansing of a rainstorm, and a commitment as deep as the ocean itself.

(pauses)

Blessed be this marriage with the gifts of the north -- a solid foundation on which to build your lives, abundance and growth of your home, and the stability to be found by holding one another at the end of the day.

Leo and Prue keep staring at each other.

PAST IONA (CONT’D)

You are now one and for eternity one soul.

(to Leo)

You may kiss your bride.

(smiles)

Smourich!

A kiss. Leo and Prue stare at each other. Millie approaches them and takes the cord off. Then Leo gets closer. Prue is clearly nervous. Actually, both of them are.

PRUE

Leo ---

LEO

Allow ourselves to feel.

And there, Leo cups her face between his hands and then kisses her softly. Past Iona glances at Willow and Mille and smiles.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. IRVINE CHAISTEAL (CASTLE) - ROOM - NIGHT (HIGHLANDS - SCOTLAND / MIDDLE AGES)

Prue and Leo walk in alone. Prue gives her back to him. Leo stares at her.

LEO

Prue ---

PRUE

We don’t need to do this, Leo.

LEO

You heard Iona. It needs to be consummated.

Prue turns to Leo.

PRUE

We’ve done it before.

LEO

Not as a wed couple.

PRUE

Leo ---

MUSIC STARTS PLAYING - 'My Love Is Like A Red, Red Rose' by Eva Cassidy.

Leo rushes to her and puts his hands on her waist.

LEO

I’m done with this. Us. Apart.

They look at each other intensively.

LEO (CONT’D)

A love ye.

PRUE

Oh, Leo ---

LEO

Call me crazy, but I can’t hold it anymore. It’s like since we came here, what Lucas did isn’t working as before.

PRUE

I know. I almost freaked out when that woman said you had to marry her daughter.

LEO

Me too.

They keep staring at each other.

PRUE

Tha gaol agam ort.

Leo smiles.

PRUE (CONT’D)

Willow said that it means ---

LEO

I know what it means.

It means I love you. Leo pulls her close.

LEO (CONT’D)

I really want to make love to you. Badly.

Prue nods.

PRUE

Me too.

Not thinking twice, Leo and Prue kiss passionately. Prue wraps her arms around Leo’s neck. They keep kissing passionately. Then Leo starts undressing her as she helps him get rid of his jacket. Then both of them get down on the floor and keep kissing each other passionately.

FADE TO:

EXT. PRESCOTT STREET - NIGHT (PRESENT)

MUSIC FADES OFF.

Persephone and Trace come walking. None of them are saying a word. Trace glances at Persephone every now and then.

TRACE

You are very quiet.

Persephone forces a smile. She nods.

PERSEPHONE

I’m waiting for you to do the talking.

(looks at him)

You were the one who disappeared for days.

TRACE

I know. I ---

Trace stops. Persephone stops as well. They look at each other.

TRACE (CONT’D)

I am sorry. I should have said something, but I didn’t.

PERSEPHONE

Did that job keep you from texting?

TRACE

I was undercover. You know my work demands sacrifices.

PERSEPHONE

I know, Trace. But a text? I was worried.

Trace grabs her arms.

TRACE

I know, honey. I know. I’m sorry.

Persephone stares seriously at him.

TRACE (CONT’D)

Let me make it up to you.

Trace kisses her softly. Then Persephone sighs.

PERSEPHONE

Don’t do that again, Trace.

TRACE

I won’t.

Persephone nods. Trace kisses her again.

FADE TO:

EXT. SAN FRANCISCO - NIGHT / DAY

AERIAL FOOTAGE all over the city.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Iona is in a meditation sitting position.

OFF TO THE ENTRANCE - Priscilla and Aiden walk in wearing sports clothing. They grimace as they stare at Iona.

PRISCILLA

It’s only five in the morning.

Iona doesn’t answer. She seems very deep into her meditation. Priscilla and Aiden glance at each other.

PRISCILLA (CONT’D)

Should we worry?

Aiden shrugs. Both of them approach Iona.

AIDEN

Iona? Hey!

Aiden and Priscilla look at each other.

PRISCILLA

Yes, we should worry.

ON IONA’S FACE - She smiles.

Priscilla and Aiden stare at her.

PRISCILLA (CONT’D)

Iona?

Iona opens her eyes and smiles at them.

IONA

They are going to be just fine.

Priscilla and Aiden glance at each other.

FADE TO:

INT. IRVINE CHAISTEAL (CASTLE) - THRONE ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES)

ON PAST IONA’S FACE - She is serious.

Past Iona stares seriously at lady Aila MacLeod. Eloise stands still beside her mother’s throne. Behind Past Iona, Prue and Leo stand still gazing down.

AILA

Interesting.

OFF TO THE ENTRANCE - The doors open. Fletcher walks in a rush.

FLETCHER

Lady MacLeod, lady MacLeod!

Fletcher rushes up to the front. He stops in front of Iona staring at Aila. Prue and Leo look at Fletcher.

FLETCHER (CONT’D)

(gasping)

They are plotting against you.

AILA

Plotting? Interesting.

(forces a smile)

You see, Fletcher, ---

(stands)

--- I assigned you a simple task.

Aila walks over to Fletcher.

AILA (CONT’D)

To watch over them.

Fletcher swallows.

AILA (CONT’D)

Imagine my surprise when I found that you spent the whole night in the tavern while my daughter’s future husband married another.

Aila stands before Fletcher and gives him a terrifying glare.

FLETCHER

I didn’t ---

AILA

Run.

Fletcher stares seriously at Aila.

AILA (CONT’D)

Or I’ll have your guts ripped out of your body.

Fletcher and Aila glance intensively at each other. Then Fletcher turns around knowing what’s best for him. He looks at Past Iona who smirks at him. Then he rushes out of the room.

Then Aila turns at Past Iona and walks over to her. She stares still at Past Iona who faces Aila in the eyes.

AILA (CONT’D)

I could have you hanged for your treason.

PAST IONA

Believe me, my lady, it wasn’t my intention. I couldn’t just let true love be broken.

AILA

True love?

Aila glances at Prue and Leo.

AILA (CONT’D)

These two are true love?

PAST IONA

They are.

AILA

And how can you be so sure of that?

PAST IONA

In the same way that I am sure you and your husband were true love.

Aila glances at Past Iona. Then she moves towards Leo.

AILA

Leo MacMatthews.

(smirks)

You remind me of someone.

(pauses)

Tell me, is true love what you feel for this woman?

Aila glances at Prue.

AILA (CONT’D)

(looks at Leo)

Be honest. I can’t tell when someone is lying.

Leo stares seriously at Aila.

LEO

I do.

AILA

What is true love for you?

Aila and Leo look intensively at each other. Prue looks at them. Prue reaches out her hand and grabs Leo’s hand.

ON LEO AND PRUE’S HANDS - Electric shock.

PRUE

It can’t be explained.

Aila and Leo look at Prue.

PRUE (CONT’D)

It is like an electric shock. You are not waiting for it, but it hits you and the sensation is weird, but somehow you end up liking it.

(looks at Leo; eyes wet)

It can’t be explained. You have to feel it.

Prue sighs. Leo and Prue look at each other. Aila stares seriously at Leo and Prue.

AILA

What is an electric shock?

PAST IONA

My lady, I can explain it to you later.

(to herself)

If I ever find out what it is.

AILA

Very well.

Aila turns around and walks over to her daughter.

AILA (CONT’D)

(to her daughter)

I guess we are gonna have to marry you with Lord McIntosh.

Eloise smiles big.

ELOISE

Thanks, Mither.

Which means mother.

ELOISE (CONT’D)

I’ve always loved him.

Aila is astonished at her daughter’s answer. Past Iona glances at Leo and Prue. The three of them smile.

FADE TO:

INT. INT. IRVINE CHAISTEAL (CASTLE) - OUT. THRONE ROOM - DAY (HIGHLANDS - SCOTLAND / MIDDLE AGES / TIME LAPSE)

THE DOORS OPEN. Past Iona, Prue, and Leo (holding hands) come from the throne room. Willow and Millie have been waiting for them outside. The doors CLOSE behind them.
Past Iona turns to Leo and Prue and smiles.

PAST IONA

It is over.

LEO

(waving)

So, can you ---

PAST IONA

Oh, I told you. I didn’t open the portal. It was Cupid.

PRUE

So, it’s not over. Because I can’t see any portal opening.

Past Iona glance at them, seriously.

PAST IONA

Do you want to say it one last time before returning home?

Prue and Leo glance at each other.

PAST IONA (CONT’D)

Come on. Don’t be afraid. It doesn’t make you vulnerable. On the contrary. Love is what gives you strength.

(smiles)

Go on.

Prue takes a deep breath.

PRUE

(to Leo)

I love you. I do.

Leo smiles and nods.

LEO

I love you.

Leo pulls Prue into a kiss. Willow and Millie smile. Past Iona smiles as well.

OFF TO PORTAL - It opens behind Prue and Leo.

Leo and Prue part.

PAST IONA

The block is gone. Now just find that Enchantress and get rid of her once and for all.

Prue and Leo smile at Past Iona.

PRUE / LEO

Thank you.

Prue and Leo are sucked into the portal as Past Iona, Willow and Millie stare at them.

ON THE PORTAL - It closes.

Past Iona turns to Willow and Millie.

PAST IONA

Now, quickly. We must prepare for Eloise and lord McIntosh’s wedding. Gluais air adhart.

Which means move on. Willow and Millie smile and turn to leave. Past Iona smile and then follows the servants.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY (PRESENT)

Aiden helps Iona to stand. Priscilla is also there.

ON THE PORTAL - It opens and expels Prue and Leo out. Then it closes. Prue and Leo keep holding hands.

Iona, Priscilla, and Aiden glance at them.

PRISCILLA

You’re finally back! How did it go?

Prue and Leo glance at each other and then Prue lets go of Leo’s hand and walks out. Persephone walks in when Prue rushes out of the room.

PERSEPHONE

Oh, you’re back. Wait, Prue?

Persephone glances at Leo.

PERSEPHONE (CONT’D)

Leo?

Leo glances at them. Iona stares at him and smiles.

IONA

It did work. There’s no block anymore.

ON LEO - He swallows.

Leo sighs. Iona smiles at the others.

FADE TO:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the city at the sound of ‘Killing Me Softly’ by Citizen Queen.

FADE TO:

INT. UNDERWORLD - CORRIDOR - DAY

ON FLETCHER - He’s caught by his neck.

MUSIC FADES OFF.

Jitur, Trace’s demonic form, leans Fletcher against a wall.

JITUR

(mad)

You had to keep them there.

FLETCHER

(nervous)

I tried. I swear. But it’s true love. The truest of the truest. That’s the hardest one to end. You know. It has happened before.

Jitur and Fletcher glance at each other.

FLETCHER (CONT’D)

Wyatt and Prue Halliwell. Not even he was able to break through it. To end it.

Focus on the he. Jitur lets go of Fletcher.

JITUR

You deserve that I end your life.

FLETCHER

You can’t. You can’t kill a Dark Cupid.

ALASTAIR (O.S.)

But I can.

Behind Jitur, Alastair stands. They look at him and then Alastair THROWS a dagger straight at Fletcher. He blows up immediately as the dagger hits his chest. Jitur is astonished. The dagger falls down on the floor.

JITUR

How did you do that?

Alastair walks over to the dagger. Lowers down and takes it from the floor.

ALASTAIR

With this.

Alastair smirks as he stares at the dagger.

ALASTAIR (CONT’D)

The Celestial dagger.

Jitur turns to his human form, Trace.

TRACE

It’s a myth.

Alastair looks at Trace.

ALASTAIR

Not anymore. I brought it with me when I left Inferno. It was for centuries in Hades' possession. I couldn’t leave without it.

Trace glances at the dagger.

ALASTAIR (CONT’D)

It can kill pretty much everything.

TRACE

Even ---

ALASTAIR

(looks at Trace)

Yes. The one you seek for.

Trace looks at Alastair.

TRACE

Don’t you think it is time for you to tell me where she is?

ALASTAIR

(smiles)

She is in plain sight, Trace. Just open your eyes and you’ll find much more than just her.

Alastair smirks and then he FLAMES out.

ON TRACE - He’s serious.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - ENTRANCE - DAY

SOUND - DOORBELL.

Pamela walks over to the front door and opens it.

BEAT. Richard is there.

PAMELA

Dad?

RICHARD

I didn’t like how we left things yesterday.

PAMELA

Dad, I ---

RICHARD

Listen to me, cutie pie, I’m throwing a dinner in a few days. I want you to come. Bring the whole family if you’d like. It is a family reunion after all.

PAMELA

Your wife is not my family, dad.

RICHARD

But you are mine.

They stare at each other.

RICHARD (CONT’D)

Please.

Richard and Pamela stare seriously at each other.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - STREET - DAY (TIME LAPSE)

Richard comes from the house and walks over to his limo. Then ---

SEBASTIAN (O.S.)

Richard?

Richard stops. He slowly turns around and ---

BEAT. Sebastian stands there staring at Richard. Richard is surprised.

RICHARD

(surprised)

Grandpa?

Sebastian smiles at him.

ON RICHARD - He smiles.

FADE TO:

INT. NATALIE’S APARTMENT - ENTRANCE - DAY

Natalie walks over to the front door and opens it. BEAT. Leo is there.

NATALIE

(surprised)

Leo?

LEO

I’m sorry. I can’t do this anymore. I don’t love you.

Natalie realizes the truth he tried to hide.

LEO (CONT’D)

There’s another. There has always been another.

NATALIE

Pru ---

LEO

Don’t make me say what I feel for her. Because I can’t.

Natalie’s eyes get wet.

NATALIE

Does she feel the same?

Leo forces a smile.

LEO

Aye.

NATALIE

Then why aren’t you together?

LEO

(shrugs)

It’s complicated.

NATALIE

Complicated? Complicated is when you love someone that doesn’t love you back, Leo. But when the person you love, loves you back ---

(drops a tear)

--- you do whatever it takes for that person. You fight for that person. Complicated doesn’t exist.

Leo and Natalie stare at each other seriously. Natalie is emotional.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue is there walking back and forth. Then Lucas ORBS in. Prue glances at him.

PRUE

I’m glad you came.

Lucas forces a smile.

LUCAS

Before you start, you must know that I lied to you.

Prue frowns.

LUCAS (CONT’D)

Witches and whitelighters’ relationships have been forbidden.

PRUE

(surprised)

What?

LUCAS

I knew it since the moment I first came after you got your powers back, but I fell in love with you.

PRUE

Oh, Lucas.

LUCAS

I’ve been summoned for a trial.

PRUE

What?

LUCAS

They found out and so, I’ll ---

PRUE

They’ll punish you?

LUCAS

They are assigning you another whitelighter. I can’t see you again.

Prue is shocked.

LUCAS (CONT’D)

So, whatever you were going to say, just ---

(eyes get wet)

I love you, Prue. But you don’t.

PRUE

Oh, Lucas. I wish it was different, but I can’t fight it the way I would like to.

LUCAS

I’m sorry, I tried to erase your feeling for him.

PRUE

Whatever happened in my recent adventure, undid it. I mean, the pain is still kinda erased, but not what I feel.

Lucas nods.

LUCAS

Then, it’s all good. Just find that Enchantress and vanquish her.

Prue nods.

PRUE

I’m gonna miss you.

Lucas drops a tear. He wipes it out straight away.

LUCAS

(forces a smile)

I’ll miss you more.

And then Lucas ORBS out. Prue is desolated.

FADE TO:

INT. BUILDING - OUT. APARTMENT 303 / CORRIDOR - DAY

William and Miranda come. They stop at apartment 303’s door.

MIRANDA

Is it here?

William nods.

MIRANDA (CONT’D)

So, you want to break in?

WILLIAM

I’m gonna use my powers for that.

MIRANDA

Are you gonna astral ---

And as Miranda speaks William ASTRALS PROJECTS himself into the apartment.

FADE TO:

INT. APARTMENT 303 - ENTRANCE - DAY

ASTRAL WILLIAM is there. He glances around. The apartment is dark. Astral William rushes to the door and tries to open it. It turns out to be easy.

ASTRAL WILLIAM

Oh, okay.

Miranda and William stare at Astral William. Then Astral William disappears into William’s body. Miranda glances at William.

MIRANDA

That was cool, bro.

William smirks and walks inside. Miranda follows him.

FADE TO:

EXT. SAN FRANCISCO - DAY / NIGHT

AERIAL VIEW all over the city.

FADE TO:

EXT. HALLIWELL MANOR - NIGHT

STILL.

FADE TO:

INT. HALLIWELL MANOR - PERSEPHONE’S BEDROOM - NIGHT

Persephone is sitting on the couch staring at Felix who still lies on the bed.

SOUND - A knock on the door.

OFF TO THE ENTRANCE - The door is open. Prue stands there.

Persephone glances at her sister. Prue wears a short red dress. Persephone stands and walks over to Prue.

PERSEPHONE

Hey!

PRUE

I’m leaving already. Do you need anything?

Persephone smiles.

PERSEPHONE

You came back better.

PRUE

Stop it.

Persephone smiles big.

PERSEPHONE

I’m fine.

PRUE

What about that Trace?

PERSEPHONE

We are fine.

Prue grimaces.

PERSEPHONE (CONT’D)

Now you went back to your old self.

Prue smiles. Persephone stares at her.

PERSEPHONE (CONT’D)

How’s your heart?

PRUE

Beating.

PERSEPHONE

(smiles)

Good to know.

PRUE

I want to find that Enchantress, Persie, and I want to finish her. Banishing her is not an option.

PERSEPHONE

(nods)

I know. And count me in. But tell me, what really happened there?

Prue gets thoughtful.

PRUE

I would like to keep that to myself.

PERSEPHONE

(smiles)

So mysterious.

PRUE

Bye.

Prue turns around and leaves the room. Persephone smiles.

PERSEPHONE

Hey, red suits you.

PRUE (V.O.)

Don’t get used to it.

Persephone smiles. Then ---

FELIX (O.S.)

Persephone.

Persephone turns around and looks at Felix. She rushes to the bed. Once there, she realizes Felix’s eyes are open. He stares at her.

PERSEPHONE

Felix? How do you feel?

FELIX

(confused)

What happened?

Persephone stares seriously at Felix.

FADE TO:

EXT. P3 - NIGHT

People are heading into the club. The music can be heard from the inside.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The club is crowded. The band is playing and people are dancing. Inside the bar are Gabriel, Aiden, and Miranda.

GABRIEL

(to Miranda)

Nothing?

MIRANDA

Not in plain sight. William suspects there’s something there.

GABRIEL

Weird.

William approaches the bar and lands a tray on the counter.

WILLIAM

There’s something hidden there.

AIDEN

How can you tell?

WILLIAM

I just know.

Pamela, Priscilla, and Edward approach the bar.

PRISCILLA

(to Pamela)

So, you’re not going?

PAMELA

I’m thinking about it.

EDWARD

Well, I think you should go.

PAMELA

You just want to have dinner in a fancy house.

EDWARD

True.

PRISCILLA

(to Edward)

Well, you don’t deserve it. You left me alone with that cupid.

AIDEN

Hey!

PRISCILLA

And Aiden.

AIDEN

(to Pamela)

I’m actually glad you’re thinking of going.

Pamela grimaces at him.

OFF TO THE ENTRANCE STAIRCASE - Leo walks downstairs.

Gabriel sees Leo arriving.

GABRIEL

There he comes.

The others turn to see Leo reaching the bottom of the staircase.

OFF TO PRUE - She comes from the back and walks between the crowd.

Aiden sees Prue walking towards the bar.

AIDEN

And there she is.

They all look at Prue.

PRISCILLA

Oh, c’mon, I can’t ---

(cuts herself)

Hey!

(realizes something)

It has disappeared.

(to Aiden)

The pain.

Aiden nods.

AT THAT MOMENT, the music stops and a ballad starts playing. All people on the dancing floor start grabbing their pairs to dance to the romantic song.

MUSIC PLAYING - 'My Only One (No Hay Nadie Más)' by Sebastián Yatra and Isabela Merced..

And then, Prue and Leo’s gazes meet each other.

At the bar, the others watch.

Leo walks over to Prue. Couples start dancing around them. Prue and Leo stand in front of each other staring into each other’s eyes.

LEO

I ---

PRUE

I know.

(smiles)

Me too.

LEO

I can’t be away from you. Not anymore.

PRUE

Neither can I.

Leo gets closer. He puts his hands on her waist. She puts her arms around his neck.

LEO

Then let's not stay away anymore. You're my only one.

PRUE

She will show up soon.

LEO

We still have time on our side. We'll pick each other when we're falling.

Prue nods.

PRUE

And fix each other with our love.

LEO

Always.

Their faces are really close to each other

LEO (CONT’D)

Dance with me, ---

(smiles)

--- leannan.

PRUE

Yes, ---

(smiles)

--- leannan.

Which means sweetheart. Then, they kiss each other sweetly.

FADE TO:

INT. MORGAN’S APARTMENT - BATHROOM - NIGHT

MUSIC FADES OFF.

Morgan stares at herself in the mirror as she applies some lipstick. Then out of a sudden, she feels dizzy. She drops the lipstick and holds herself to the sink. She then looks at her reflection in the mirror.

MORGAN

What the hell?!

She stares at her own reflection in the mirror confused at what just happened.

THEN THE IMAGE ---

FADE TO BLACK.

END OF THE EPISODE