1x12 - The Witches, the Huntress, and the Demon

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 12

'THE WITCHES, THE HUNTRESS, AND THE DEMON'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION AERIAL VIEW all over the town.

ON THE SCREEN, IT READS:

ONE MONTH LATER

FADE TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - NIGHT

ON THE DOUBLE DOORS - They open. Piper Anne walks in carrying a big smile on her face.

The Librarian is near the entrance. He's holding a large book. He looks at Piper Anne and smiles as he sees the big smile on her face.

LIBRARIAN

Nice to see a happy face around here.

PIPER ANNE

I have reasons for it. Everything is looking good. In a couple of weeks Magic School with re-open.

LIBRARIAN

Good news, indeed.

PIPER ANNE

We had so many hands helping.

LIBRARIAN

Have your kids and husband gone back to New Orleans?

Piper Anne nods.

PIPER ANNE

They had to return to their jobs, but they'll show up eventually.

Piper Anne glances around.

OFF TO PRUE - She is at one of the desks and seems focused on the books she has before her.

LIBRARIAN

(to Piper Anne)

She has been like that for hours.

Piper Anne glances at the Librarian.

LIBRARIAN (CONT'D)

Weeks, actually.

PIPER ANNE

They are still avoiding each other, huh?

LIBRARIAN

Oh, they talk. On the phone. Texting would be a better word to describe it saying. She tries to find the fairytale book and he's on the investigation about Witch Hunters' genealogies.

Piper Anne sighs.

PIPER ANNE

Well, at least they are not totally apart.

LIBRARIAN

I know I'm just a librarian, but I'm all in favor of two of them having a happy ending.

Piper Anne smiles.

PIPER ANNE

You've seen many great romances throughout history.

LIBRARIAN

I've read them all.

The Librarian smiles.

OFF TO THE ENTRANCE - Lucas walks in.

LUCAS

Hey!

Piper Anne and the Librarian turn to Lucas.

LUCAS (CONT'D)

(to Piper Anne)

Someone's here to see you.

PIPER ANNE

Who?

Lucas motions her to follow him. Piper Anne and the Librarian glance at each other. Then, Piper Anne and Lucas walk out of the library. The Librarian turns to Prue who is still focused on her readings.

FADE TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - NIGHT

The main library has been cleaned and tidy. It's almost ready to receive students.

Someone stands still in the center of the room. Someone with a long golden gown. An Elder. Sebastian. He has his hands clasped together in front.

OFF TO THE ENTRANCE - Piper Anne walks in and freezes as she sees who's there waiting for her. Lucas walks in after her.

Sebastian glances at Piper Anne and smiles.

SEBASTIAN

Piper Anne!

Piper Anne smiles and walks over to him.

PIPER ANNE

Sebastian Whitmore! How long!

Piper Anne and Sebastian hug each other.

SEBASTIAN

Too long.

Lucas comes closer. Piper Anne and Sebastian break the hug and stare at each other.

PIPER ANNE

It's so nice to see you. Seeing you here brought my grandparents to my mind.

SEBASTIAN

The almighty Prue and Wyatt Halliwell.

Piper Anne smiles.

PIPER ANNE

The almighty Destined Ones.

Sebastian nods. Piper Anne's smile fades.

PIPER ANNE (CONT'D)

Should I ask what brings you here?

SEBASTIAN

(opens his arms)

This. Everything.

PIPER ANNE

You are not going to try to stop us from re-opening, are you?

Sebastian shakes his head.

PIPER ANNE (CONT'D)

Because we've claimed this place before. We'll do it again. My great-grandmothers ---

SEBASTIAN

I know, Anne, and we, Elders, won't stop you. I just want you to know that we are here.

PIPER ANNE

They don't want you around.

SEBASTIAN

But we are. The Upper Regions are fully open now. Everything you all need ---

PIPER ANNE

I know, but, Sebastian, you must know that some of us that are not willing to open the door to you and your companions.

SEBASTIAN

I know, but ---

PRUE (O.S.)

What's this?

Piper Anne, Sebastian, and Lucas turn to see Prue standing at the entrance staring at them. She doesn't sound friendly.

PRUE (CONT'D)

An Elder!

PIPER ANNE

Prue ---

PRUE

After all this time?

Prue walks towards them not taking her glance off of Sebastian.

PRUE (CONT'D)

What are you doing here?

SEBASTIAN

Prue ---

PRUE

Don't Prue me.

(mad)

You don't get to come here after all this time as if nothing had happened.

SEBASTIAN

My intentions ---

PRUE

I don't care. Magic School is ours. Piper, Phoebe, and Paige claimed this place back once. We're doing it again.

SEBASTIAN

I know, but ---

PRUE

No, buts. Elders have no place here.

PIPER ANNE

Prue, you don't know who he is.

Prue turns to Piper Anne.

PRUE

And I don't care.

Prue turns to Lucas.

PRUE (CONT'D)

Can you take me home? I'm done for today.

Lucas nods. He approaches Prue and holds her hand. Then Lucas ORBS out taking her. Piper Anne glances at Sebastian.

PIPER ANNE

I'm sorry.

SEBASTIAN

It's okay.

OFF TO THE ENTRANCE - Miranda and Pamela walk in. They stop as they see Piper Anne and Sebastian there. Pamela stares at Sebastian.

SEBASTIAN (CONT'D)

She has reasons to be like that.

PIPER ANNE

But ---

SEBASTIAN

I must go now, but I'll be close.

Piper Anne nods. Then Sebastian ORBS out. Piper Anne sighs. Miranda and Pamela approach Piper Anne.

PAMELA

Who was that?

Piper Anne turns to them.

PIPER ANNE

Oh, it was ---

PAMELA

An Elder, right?

Piper Anne nods.

PAMELA (CONT'D)

I don't know why, but his face seemed familiar to me.

Piper Anne forces a smile.

PIPER ANNE

(disguises)

He must have one of those faces.

(starts walking out)

I must go now. See you girls.

Piper Anne walks out of the room. Miranda and Pamela glance at each other.

MIRANDA

Weird.

Pamela shrugs.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Theo James as Lucas Lacey

Kellan Lutz as Trace Thornton / Jitur / Replica Trace

Lyndsy Fonseca as Natalie West

Aimee Teegarden as Adrianne Kelly

Peter Facinelli as Sebastian

Guest Starring

Catherine Bell as Alana Halliwell

Naomi Watts as Piper Anne Halliwell

JR Bourne as Owen Smith

Freddie Thorp as Edward Matthews

Natalie Dormer as Nora Hunt

Jason Winston George as The Librarian

Boris Kodjoe as Ezzon

Jodi Lyn O'Keefe as Mysterious Woman / Elizabeth Turner

Jessica Garza as Lori

Annabel Scholey as Morgan Granger / The Enchantress

Unknown actors as P3 employees and customers

Unknown actors as officers

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: The Witches, the Huntress, and the Demon

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the city at the sound of 'The Lazy Song' by Bruno Mars.

Several places all over the town are being shown as a new day starts.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

MUSIC KEEPS PLAYING IN THE B.G.

ON AIDEN - He is standing behind the island and staring at some scene before his eyes. He has a sip of his coffee just staring at the scene unfolding before his eyes.

OFF TO PAMELA - She walks in and stops as she looks at the same scene Aiden is staring at. She rolls her eyes as she walks over to Aiden and grimaces a sick face.

BEAT. What motivated their attitudes is not other than the making-out performed by Leo and Natalie. Leo is sitting at the table while Natalie sits on his lap. She wears Leo's shirt while Leo is on his pajama pants and shirt.

Pamela and Aiden look at each other. Aiden hands her a cup of coffee and she takes it. Then they both look at Leo and Natalie again.

FADE TO:

INT. HALLIWELL / COOP MANOR - DINING ROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Gabriel and Miranda are sitting at the table having breakfast.

OFF TO WILLIAM - He comes in and joins them.

Miranda hands her brother the orange juice jar and William pours himself some. Gabriel has a bite of his toast. William smiles at them as he puts some scrambled eggs into his plate.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Persephone comes from her bedroom as Priscilla comes from hers. Both look at each other and smile. Then they both walk off.

ON PRUE'S BEDROOM'S DOOR.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Prue comes from the bathroom. She's wearing a nightgown and stops staring at Lucas who's putting his jacket on. Prue walks over to him and wraps her arms around him from the back. Lucas smiles.

MUSIC FADES OFF.

PRUE

Leaving already?

Lucas turns around and lifts her chin. He kisses her softly.

LUCAS

I have work to do.

PRUE

Couldn't you just be P3's assistant manager?

LUCAS

If you need me I'll be there. We've talked about that.

PRUE

Right. Day job and night job.

Prue walks over to her walk-in closet.

PRUE (CONT'D)

I'll get ready in a minute so you can drop me at Magic School.

Lucas stares at her.

LUCAS

I can't.

Prue turns to him.

LUCAS (CONT'D)

I'm running late.

PRUE

Do whitelighters have a schedule?

Lucas shoots her a look.

LUCAS

Please, Prue. You know I'm trying to catch up with my previous charges.

PRUE

I guess we were supposed to be the priority.

LUCAS

You are, but it doesn't mean I don't have other obligations. Besides, things have been calmer for the past month.

PRUE

Yeah, I know, but we barely see each other.

LUCAS

I stayed last night.

Lucas walks over to the bedside table and takes his phone. He checks the time.

PRUE

Yeah, but ---

LUCAS

I'm running late.

Lucas rushes to her and gives her a quick kiss. Prue has no reaction as he ORBS out immediately.

PRUE

But ---

(sighs)

--- who's gonna take me to Magic School?!

Prue grimaces. Then she turns around and walks into the walk-in closet.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

Leo, Pamela, and Aiden are sitting at the table. Aiden and Pamela stare seriously at Leo as he has a sip of his coffee while checking the news on his phone.

LEO

Oh, last night the mayor announced he was going to launch his campaign for next term.

Both Aiden and Pamela keep staring at him.

OFF TO NATALIE - She walks in already wearing normal clothes.

Natalie walks over to them. Leo looks at her.

NATALIE

I need to go. Running late for a meeting.

PAMELA

(to herself)

Thank God!

Natalie didn't listen.

NATALIE

Did you say something?

PAMELA

(disguises)

If you're late you should better go.

Pamela can't hide her displeasure in having Natalie there. Leo stands quickly and walks over to Natalie.

LEO

I'll take you to the door.

Natalie smiles and both walk out of there. Aiden turns to Pamela.

AIDEN

You can't really disguise your animosity towards her, huh?

PAMELA

How many times do I have to say that I'm ---

AIDEN

(cuts her off)

Team Prue. Yes, I know. But they cannot be together and none of them seem to care.

PAMELA

That's because of what our dear whitelighter did.

AIDEN

It was needed.

Pamela looks at Aiden and shoots him a look.

PAMELA

You don't like her also. I can see that.

AIDEN

I just don't like them making out in every corner of the house. It's decadent.

Pamela raises her eyebrows.

PAMELA

Decadent for you, right? How long has it been since you had someone?

AIDEN

Not of your business.

PAMELA

Losing talents, huh?!

Aiden shoots her a sarcastic smile.

AIDEN

I haven't been looking, okay? With work and learning everything I can about our new life, I haven't had proper time to focus on my sex life.

PAMELA

Right. Excuses. You are still feeling miserable cause Dove drop you. I'm a witch also, and I can find time to date.

Aiden stands.

AIDEN

I'm not interested in hearing about your last achievement in the sexual department. And I've said already that I don't want to hear Dove's name again.

Aiden walks out of the kitchen. Pamela lets out a long sigh.

FADE TO:

EXT. PRESCOTT STREET - DAY

William comes from Halliwell / Coop manor as Natalie comes from Matthews / Mitchell manor. Both see each other from across the street. Then, William walks over to her with a smile on his face.

WILLIAM

Have you moved in already?

Natalie smiles at him.

NATALIE

Well, I guess that won't happen that soon since I've noticed I'm not as welcomed as I thought.

Natalie points to the Matthews / Mitchell manor. They look at each other.

NATALIE (CONT'D)

Pamela seems not to like me. I can't understand why.

WILLIAM

(disguises)

Oh, don't mind her. Pam is very protective of Leo.

Natalie shoots him an intriguing look.

NATALIE

Should I be worried?

WILLIAM

(shakes his head)

No. It's not like that. She's just ---

NATALIE

(cuts him off)

Protective?

William forces a smile and nods.

OFF TO MIRANDA - She comes out of the Halliwell / Coop manor and walks over to William's car. She looks at William and Natalie across the street for a few seconds.

MIRANDA

Will?

William turns to Miranda. Then he turns to Natalie.

WILLIAM

I must go. I need to drop my sister off at the Library. She has an assignment for college.

NATALIE

Of course.

WILLIAM

Don't worry about Pam.

Natalie smiles at him. Then William crosses the street while Natalie gets into her car and drives away. Miranda stares seriously at William.

MIRANDA

Seriously?

William shoots her a look.

MIRANDA (CONT'D)

She's the enemy.

WILLIAM

Not my enemy.

MIRANDA

Team Prue, remember?

William sighs.

WILLIAM

They cannot be together.

MIRANDA

Yet.

William shakes his head and gets into the car. Miranda exhales and gets into the car as well.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE / ENTRANCE - DAY

Prue comes downstairs as Persephone and Priscilla come from the dining room. Prue looks at her sisters.

PRUE

(relieved)

Oh, Persie, I'm glad you're still here. I've run out of potions.

Persephone shoots her a look.

PRUE (CONT'D)

I need to go to Magic School, but I've run out of potions to take me there.

PERSEPHONE

(rude)

Why don't you ask your boyfriend to take you there?

PRUE

He left already.

PERSEPHONE

Then go prepare yourself some potions.

Persephone walks past Prue and takes her handbag. She cheeks if she's got her phone and personal stuff in there.

PRUE

Can you prepare some for me?

Persephone shoots her a look.

PERSEPHONE

You're a witch.

PRUE

I know.

Priscilla stares at Persephone surprised at her attitude.

PERSEPHONE

Then go prepare yourself the potions you need. I'm running late for work.

PRUE

Why are you being like that?

PERSEPHONE

Really, Prue?

PRUE

What?

PERSEPHONE

Nothing, Miss cold-hearted!

PRUE

You know that lately, potions backfire on me. And I can't understand why.

PERSEPHONE

As I said, I can't.

Persephone turns around and walks out of the manor. Prue is astonished. Then she turns to Priscilla.

PRISCILLA

(raises her hands)

Oh, I can't prepare potions. I'm not good at it.

PRUE

I don't understand Persie's attitude.

PRISCILLA

You don't? Are we going to pretend you haven't been some kind of Ice Queen for the past month? Actually, you are not the only one.

Prue rolls her eyes.

PRUE

If you're not gonna help me, then don't bother me.

Prue walks inside the dining room.

PRISCILLA

(turns to her)

There's an option, you know?

Prue turns to Priscilla.

PRISCILLA (CONT'D)

You can ask him for a ride.

Emphasis on the 'him'. Prue and Priscilla stare at each other. Priscilla smiles at her.

FADE TO:

EXT. WOODS - DAY

ON A TENT - It is located in an open space between the trees. Near it, there's a turned-off bonfire.

Someone comes from inside the tent. BEAT. This person is Nora. She wears a pajama. It looks like she has been staying there for a few nights now. She glances around breathing the morning air. Then she grimaces.

NORA

(to herself)

She has to take me out of here. I can't keep doing this.

ON NORA - She is serious.

FADE TO:

INT. TRACE'S APARTMENT - LIVING ROOM - DAY

ON TRACE - He walks in already dressed up. He wears a black suit with a tie.

Trace stops as he realizes someone's presence. Beat. Adrianne is there sitting quietly on the couch. She smiles as she sees him coming in. Trace stares seriously at her.

ADRIANNE

Missed me?

TRACE

What are you doing here?

Adrianne stands and walks over to him in a very provocative way.

ADRIANNE

Seriously?

Leans to him and ---

ADRIANNE (CONT'D)

(whispers to his hear)

A month and all you've got to ask me is what I am doing here?

TRACE

What would you want me to say?

Adrianne smirks.

ADRIANNE

What about an I've missed you, Adrianne. Where have you been? I was getting crazy for not knowing your whereabouts.

Trace and Adrianne stare seriously at each other. Then Trace smirks.

TRACE

You disappeared after the encounter we had near Halliwell manor.

ADRIANNE

I was reachable.

(shrugs)

The University? You knew I was there.

TRACE

Still on the witch's trail.

Adrianne smirks.

ADRIANNE

We agreed I would get close to him. It's not my fault that in the meantime you've fallen for the Charmed One.

TRACE

I haven't.

Adrianne shoots him a look.

ADRIANNE

Have some respect. Don't take me by a fool. I've known you for years. I've shared your bed for real.

TRACE

Oh, so that's what this is about? You have finally decided to play the jealousy card.

ADRIANNE

You're mine, darling.

TRACE

I belong to no one.

ADRIANNE

(smirks)

And yet you answer to Alastair. Tell me, ---

She starts walking around him.

ADRIANNE (CONT'D)

--- hasn't he gone mad yet? 'Cause, you haven't been able to hand him the Book of Shadows, I mean.

Trace holds her arm.

TRACE

Listen to me, Adrianne.

He holds her arm behind her back.

TRACE (CONT'D)

Don't mess with my business. I won't warn you again.

ADRIANNE

I won't let you laugh at me, Trace.

TRACE

Don't mess with my plans. If you dare to interfere with my plans, I'll make you pay.

Adrianne laughs sarcastically and then she BLACK ORBS out. Trace is annoyed at the recent visit. He sighs.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - DAY

Priscilla comes out of the manor, Prue following behind.

PRUE

I'm not sure this is a good idea.

Priscilla turns to her sister.

PRISCILLA

I'm sure it's the best. You need a ride to Magic School and he can, so c'mon, then.

Priscilla walks down the stairs. Prue shakes her head in disapproval and then follows her younger sister.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - PORCH - DAY (CONTINUOUS)

A taxi pulls over. Morgan gets out of the taxi and says something to the driver. Priscilla and Prue come and stare at her. Morgan looks at them and smiles.

MORGAN

Oh, hello.

Priscilla and Prue look at each other. Then they look at Morgan.

MORGAN (CONT'D)

(to Priscilla)

Remember me?

PRISCILLA

Morgan.

Morgan walks over to Priscilla and Prue.

PRISCILLA (CONT'D)

You went to Leo's office a few weeks ago. I thought you had gone back to the UK.

MORGAN

I had. I left in such a rush. I had some business to attend to, but now I'm back.

PRISCILLA

Does Leo know?

MORGAN

I was hoping to surprise him.

Prue lets out a sarcastic smile. Morgan looks at Prue.

MORGAN (CONT'D)

We haven't been introduced.

Prue looks at Morgan and gives her a clear fake smile.

PRUE

Yeah. Not interested in being introduced.

Morgan looks Prue up and down.

MORGAN

You must be one of the cousins.

PRUE

And you must be the ex.

PRISCILLA

Prue is my sister. Big sister.

MORGAN

I see.

PRISCILLA

Look, huh, Morgan. Leo ---

MORGAN

Won't see me. I know. He was clear that day I showed here at this same spot. According to him, there's no talking between us. But I can't leave it the way he wants me to. I'm determined to have him back.

PRISCILLA

Why now?

Morgan smiles.

MORGAN

Because I love him as intensively as before.

PRISCILLA

He left you at the isle.

MORGAN

And I still love him. Look, you are a stranger to me. I don't feel comfortable sharing my personal life with strangers so ---

PRUE

(cuts her off)

Then why are you?

Prue shoots her a look. Prue and Morgan stare seriously at each other. Holding each other's glance. Priscilla notices the tension.

PRISCILLA

Huh, Morgan, I'll let Leo know you're back. Are you staying in the same hotel as before?

After a few seconds, Morgan turns to Priscilla and forces a smile.

MORGAN

I am. I appreciate it if you let him know I'm back.

Priscilla forces a smile. Then Morgan turns around and walks over to the taxi. She gets into the taxi. Priscilla turns to Prue.

PRISCILLA

Was that all jealousy?

Prue shoots Priscilla a look as the taxi is driven away.

PRUE

Jealousy? Me? There's nothing between Leo and me and it won't ever be.

PRISCILLA

Right.

Priscilla turns around and heads towards the manor. Prue follows. Once at the door, Priscilla knocks.

PRUE

You know we have a key, do you?

PRISCILLA

You know we have manners, do you?

Shortly after, the door is opened and ---

BEAT. Leo is there. He can hide his surprise to see Prue there.

LEO

Prue?

Prue looks at him and forces a smile. Priscilla rolls her eyes.

PRISCILLA

How long since the last time you saw each other?

Prue looks away.

PRISCILLA (CONT'D)

This can't go on.

PRUE

Pris! We've talked about this.

LEO

(to Prue)

I was going to text you later.

Prue nods.

PRUE

Same here. I haven't found a thing.

Priscilla rolls her eyes again.

PRISCILLA

(sarcastic)

That's all your lives have become. Texting each other.

LEO

Pris?

PRISCILLA

Right. Well, anyway. I'm going to work, boss. You must know that Morgan is back in town.

LEO

What?

PRUE

(sarcastic)

A friendly soul.

The sarcasm is notorious in Prue's voice.

PRISCILLA

I told her you wouldn't want to see her, but ---

LEO

Thanks.

Leo looks at Prue again. She keeps staring away. Priscilla rolls her eyes.

PRISCILLA

Now, Prue needs a ride.

Prue shoots Priscilla a look.

PRISCILLA (CONT'D)

To Magic School. Okay, bye.

And just like that, Priscilla turns around and walks off as Prue and Leo stare at her surprised at her attitude. Then Leo and Prue look at each other.

LEO

A ride?

Prue forces a smile.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY (SHORTLY AFTER)

Prue is on her back to Leo who stares at her seriously.

LEO

So?

Prue turns around to face him.

PRUE

I ran out of potions.

Leo shoots her a look encouraging her to continue.

PRUE (CONT'D)

And all the potions I've tried to prepare lately have backfired on me.

LEO

Really? Curious.

PRUE

(curious)

What's curious?

LEO

I quit preparing potions because of the same reason.

Prue and Leo fix their glare on each other.

PRUE

That's curious, indeed.

Then Leo looks away breaking whatever enchantment was keeping their glare on each other.

LEO

What about your boyfriend?

(looks at her)

Couldn't he take you?

Prue sighs.

PRUE

Was late for work.

LEO

I see.

PRUE

Can you ---

(swallows)

--- take me?

Leo nods.

LEO

Of course.

Prue half-smiles. They keep staring at each other.

PRUE

So she's back.

Leo is confused.

PRUE (CONT'D)

Morgan.

LEO

I swear I don't know what's on her agenda.

PRUE

I don't care, Leo.

LEO

I know you don't.

Again, fixing eyes on each other.

LEO (CONT'D)

How have you been?

PRUE

(coldly)

Good. Better than ever. Life goes on, right?

LEO

Indeed.

PRUE

You?

LEO

Better than ever.

Both of them keep the cold treatment at each other.

LEO (CONT'D)

I should better take you to Magic School, right? Let's not ---

PRUE

(cuts him off)

Tempt it.

LEO

Exactly.

PRUE

Fine with me.

LEO

Great.

PRUE

Great.

They keep staring at each other. None of them make a move towards each other.

PRUE (CONT'D)

Can we ---

She waves her hands.

LEO

Of course.

Leo walks over to her and reaches out his hand for her to hold it. Prue looks at it for a few seconds.

LEO (CONT'D)

I can't orb you out without touching you.

Prue looks at him.

PRUE

You need to practice.

LEO

I'm sure you don't have time to wait while I practice.

PRUE

I don't.

He shoots her a look. She reaches out her hand to hold his and ---

ON THEIR HANDS - As soon as they touch each other, they feel an electrical shock.

Both Prue and Leo pull back their hands and stare at their hands. Then they look at each other.

PRUE (CONT'D)

Did you feel that?

LEO

I did.

They stare at each other seriously. Then Leo reaches out his hand again. Prue looks at his hand and then she holds his hand.

ON THEIR HANDS - They hold each other. Again an electrical shock, but this time they don't pull apart.

Leo and Prue stare at each other, then Prue nods, and Leo ORBS out taking her.

FADE TO:

INT. MAGIC SCHOOL - MAIN LIBRARY - DAY (CONTINUOUS)

No one is there. Leo ORBS in bringing Prue. As soon as they arrive, Prue lets go of Leo's hand.

PRUE

Thanks.

She tries not to look at him.

PRUE (CONT'D)

I must get to the Secret Library. I want to find that storybook ASAP.

LEO

Yeah. I should get back to the hunter.

PRUE

Huntress. You've got all the books you could from the Librarian?

LEO

I did.

OFF TO THE ENTRANCE - The Librarian walks in holding a huge leather tome opened in half. He is so focused on the reading that he doesn't notice Prue and Leo's presence at first.

LIBRARIAN

Oh, this is interesting.

Leo and Prue turn to him.

PRUE

What is it?

The Librarian raises his glare from the book and looks at them.

LIBRARIAN

Oh, you're here?!

(stares at them serious)

Together.

Leo and Prue speak at the same time.

PRUE

He gave me a ride.

LEO

I gave her a ride.

Leo and Prue look at each other. Then they turn to the Librarian.

Leo (CONT'D)

What's interesting?

The Librarian, who seemed lost in his thoughts, shakes whatever kept him away out.

LIBRARIAN

I found this book about old families of hunters in Europe. It seems to be updated. Well, kinda.

LEO

Is there any clue that could lead us to this hunter?

PRUE

Huntress.

LEO

(to Prue)

Can you stop correcting me?

Prue rolls her eyes. Leo looks at the Librarian.

LIBRARIAN

We must have a look at this. So far I've encountered inactive families, but there might be something in here.

LEO

Can it wait?

It seems like the idea hasn't pleased Leo.

LEO (CONT'D)

I was heading to work.

LIBRARIAN

We've been waiting to find anything about this hunter ---

Prue shoots the Librarian a look. He notices it.

LIBRARIAN (CONT'D)

(corrects himself)

Huntress.

Prue smiles.

LIBRARIAN (CONT'D)

We've been trying to find anything about it for a month and found only dead ends. I have a feeling.

PRUE

You have a feeling?!

LIBRARIAN

Hey, c'mon. Let's give it a try.

Prue sighs.

PRUE

Fine. I think it won't do any harm.

The Librarian looks at Leo.

LEO

Okay. Let me ask Pris to take care of the office today.

The Librarian nods. Leo walks off to a corner. The Librarian stares at Prue who sighs as she feels him staring at her. Then she rolls her eyes and walks out of the library. The Librarian smiles.

FADE TO:

EXT. HALLIWELL'S - DAY

STILL.

FADE TO:

INT. HALLIWELL'S - DINING ROOM - DAY

There are no patrons there. Persephone is by the counter revising some bills. Pamela comes from the back focused on her phone.

PAMELA

I just got in touch with all the selected applicants.

Persephone doesn't turn to her. Pamela approaches Persephone and puts the phone down.

PAMELA (CONT'D)

We must find someone to replace Dove soon.

PERSEPHONE

Just don't hire someone who exasperates me the way Felix does.

Pamela shoots Persephone a look.

PAMELA

You are on a first name basis now, huh?

Persephone shoots Pamela a look.

PERSEPHONE

I'm being too nice since he started calling me 'young chef'.

Pamela smiles.

PERSEPHONE (CONT'D)

Seriously, Pam, I'm gonna kill him one of these days.

PAMELA

Oh, just relax.

Persephone goes back to focus on the bills.

PAMELA (CONT'D)

All's good?

Persephone nods.

PERSEPHONE

(smiles)

This past month was great. Yes.

SOUND - Persephone's phone. She's got a text.

Persephone checks it and smiles. Pamela notices it.

PAMELA

So, you and that Trace character. When are you going to introduce him officially?

Persephone turns to Pamela and smiles.

PERSEPHONE

I'm actually trying to organize a dinner.

Pamela smiles.

PERSEPHONE (CONT'D)

To introduce him to my sisters.

Pamela's smile fades.

PAMELA

C'mon. We are family.

PERSEPHONE

He could feel intimidated.

PAMELA

(rolls her eyes)

Intimidated? The guy works for the FBI.

PERSEPHONE

So?

Pamela is annoyed.

PAMELA

I just want to see him for myself.

PERSEPHONE

You have.

PAMELA

It's not the same.

PERSEPHONE

I'm not gonna let you have an opinion on my love life the same way you do with Prue and Leo's.

PAMELA

They don't listen to me anymore. They are so cold when we mention the other's name.

PERSEPHONE

Yeah. Have you noticed that weird things are happening to them?

PAMELA

I have. The other day Leo tried to use his powers to vanquish this demon from the rift we found and his power got uncontrolled. He wasn't able to turn it off even after the demon was vanquished.

PERSEPHONE

I heard. Prue's attempts to make potions have backfired on her lately.

PAMELA

Do you think this is all related to the erasing pain situation?

Persephone nods.

PERSEPHONE

I do. I'm just waiting for the moment it backfires on all of us. It didn't happen before, but ---

PAMELA

They didn't have powers before.

PERSEPHONE

True.

PAMELA

The solution would be to go back to what it was and risk that the Enchantress returns before we find a way to get rid of her.

Persephone and Pamela stare seriously at each other.

PERSEPHONE

We can't let that happen.

PAMELA

No, we can't.

(changing subject)

By the way, have you talked to Piper Anne?

PERSEPHONE

Why?

PAMELA

I'm curious. Last night there was this man at Magic School. I had the feeling that I knew him.

PERSEPHONE

What man?

PAMELA

An Elder.

Persephone's eyes go wide.

PERSEPHONE (CONT'D)

An Elder? Who?

Pamela shrugs.

PERSEPHONE (CONT'D)

Why don't you ask her?

PAMELA

She said he had one of those faces.

Pamela looks past Persephone.

PAMELA (CONT'D)

But I'm gonna find out eventually.

Pamela has a determined look on her face. Persephone stares at Pamela while something pops into her mind.

PERSEPHONE

And I'm gonna gather my boyfriend and my sisters tonight.

Persephone turns around, takes her phone and walks off.

FADE TO:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE of the city.

FADE TO:

INT. LEO'S OFFICE - DAY

Priscilla is sitting at Leo's desk filling some data. She seems very concentrated.

SOUND - A KNOCK ON THE DOOR.

Priscilla takes her eyes from the computer and they go wide as she sees who's there.

OFF TO THE ENTRANCE - Beat. Edward is there with a backpack on his back. He smiles.

Priscilla smiles as she sees him there.

PRISCILLA

(joyful)

You're back!

She stands while he opens his arms and she runs into his arms. And then ---

BEAT. Both share a kiss. Then Edward puts her on the floor and both stare at each other.

PRISCILLA (CONT'D)

I thought you were going to stay for another month there.

EDWARD

Oh, no way. I got everything done.

Priscilla smiles.

EDWARD (CONT'D)

I wanted to surprise you.

PRISCILLA

How did it go?

EDWARD

Well. They took my decision well and told me they'd be glad to have my here working at the San Francisco office.

PRISCILLA

I'm so glad.

EDWARD

Me too. But even if they hadn't a place for me in the US office, I would quit anyway. But luckily CIBERIX has an office here.

Edward pulls Priscilla closer and kisses her.

EDWARD (CONT'D)

Did you miss me?

Priscilla nods.

PRISCILLA

More than I would like to admit.

EDWARD

Really?

Priscilla smiles and wraps her arms around his neck.

PRISCILLA

I'm so glad you're here.

EDWARD

How are things?

PRISCILLA

Do you want the short version or the long one?

Edward shoots her a look.

EDWARD

Short.

Priscilla nods and sighs.

FADE TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - DAY

Owen comes in and starts looking for something all over the place. Gabriel walks in after him and stares at his father.

GABRIEL

Dad?

OWEN

(mumbling)

Where did I put it?!

GABRIEL

Dad, please stop and look at me.

OWEN

I can stop. I need to meet Piper Anne at Magic School.

GABRIEL

(mad)

Stop it!

Owen stops and looks at his son. Gabriel fixes his eyes on him.

GABRIEL (CONT'D)

What's really going on? Why aren't you eager to return to China to mom?

Owen seems not to want to answer. He puts his hands on his hips.

GABRIEL (CONT'D)

What's really going on between you and mom?

OWEN

(swallows)

It's not serious.

Gabriel's eyes go widen.

GABRIEL

What isn't serious?

OWEN

Your mom and I --- we are kinda on a break.

GABRIEL

A pause?

Owen nods.

GABRIEL (CONT'D)

You're getting divorce?

Owen rushes to answer.

OWEN

No. No. No. No. We are not.

(pauses)

We won't. It's just a phase.

GABRIEL

A phase? Dad!

Owen takes a deep breath.

OWEN

When you got your powers back, she wanted to tell you to go and join us in China. She wasn't agreeing with you joining this fight.

GABRIEL

What?

OWEN

We had a fight. Huge.

GABRIEL

Over me?

OWEN

Over everything. She wanted to use blackmailing to take you away from here.

GABRIEL

(astonished)

What?

OWEN

Remember that heart condition she said she had?

Gabriel nods.

OWEN (CONT'D)

She never did. She was healthy all the time. She used to do it to keep you away from trouble.

GABRIEL

Trouble? Dad! I was never into trouble.

OWEN

I know, but she believes it was because she kept playing the heart condition card.

GABRIEL

I can't believe it!

OWEN

You better. When you got your powers back she wanted to use that card again. When I said I wasn't agree, she said that I was right. That it should be me.

Gabriel shoots him a pointed look.

OWEN (CONT'D)

Since I'm a mortal ---

GABRIEL

She wanted you to use the same card.

Owen nods.

OWEN

And I refused again. A few weeks later I took a flight and I came here. She believes I'm keeping you out of trouble.

GABRIEL

Dad ---

OWEN

I know is wrong. But she said to not go back without you, so ---

GABRIEL

I'm not moving.

OWEN

I'm not asking you to. I'm just buying us some time.

Gabriel is speechless.

OWEN (CONT'D)

You are our only son. After what happened twenty years ago ---

GABRIEL

(cuts him off)

Won't happen again.

They stare at each other.

OWEN

Don't get mad at her.

GABRIEL

I flew several times to Shanghai because of a non-existent health condition.

OWEN

Yeah, but all the expenses were actually paid by us.

Owen forces a smile, but Gabriel is dead serious. Owen's smile fades from his face.

OWEN (CONT'D)

I better find that book and meet Piper Anne.

Owen rushes out of the room quickly.

ON GABRIEL - He is serious.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. PUBLIC LIBRARY - DAY

Pamela's car is parked outside. The driver is standing outside.

OFF TO MIRANDA - She's coming out of the library.

The driver goes to open the door of the car and Pamela gets out of the car. Miranda sees her there and stops. Pamela smiles at Miranda. Miranda walks over to her.

MIRANDA

I don't remember asking you for a ride.

PAMELA

Were you going to ask your dear brother?

MIRANDA

I was going to meet him for lunch actually. What are you doing here? How did you know I was here?

PAMELA

Locate my Friends app.

Miranda rolls her eyes.

MIRANDA

Right. That app. What do you want?

PAMELA

Remember that man from last night?

Miranda nods.

PAMELA (CONT'D)

I need to find out who he is.

MIRANDA

Why are you so interested?

PAMELA

Because I know him. I know I do. Just don't remember who he is.

MIRANDA

Is that important?

Pamela nods. Miranda stares at her for a few seconds and then sights. Pamela smiles.

FADE TO:

EXT. MAYOR HOME - DAY

STILL

FADE TO:

INT. MAYOR HOUSE - OFFICE - DAY

Nora stands seriously at the mysterious woman sitting behind the desk. The woman stares at Nora. Her face is not shown.

NORA

I can't keep this up. Living in the woods as if I was a beggar.

MYSTERIOUS WOMAN

You are in better conditions than beggars. They don't even have a tent to sleep in. That could actually be a good thing to propose to my dear husband.

NORA

I'm serious.

MYSTERIOUS WOMAN

Me too.

The Mysterious Woman stands and the CAMERA is on her back. Both women look at each other.

MYSTERIOUS WOMAN (CONT'D)

I told you to keep a low profile.

NORA

There are tons of witches in this city ---

MYSTERIOUS WOMAN

(cuts her off)

That you need to eradicate. Yes, I know. But you can't. the Warrens are on your trail. If you do a wrong move you'll attract more than the Warrens and the SFPD attention to you.

Nora looks away.

MYSTERIOUS WOMAN (CONT'D)

Have you forgotten what happened back in England? Should I remain you how your father died? How MI6 found him? By any chance, do you know that the FBI and the MI6 work very closely now-a-days?

NORA

(mad)

I know. But I can't keep this up.

MYSTERIOUS WOMAN

Just a few more weeks. Until they drop the investigation. When they find a big nothing, they'll drop it. I'm working on that.

NORA

I'm tired of hiding.

MYSTERIOUS WOMAN

Whether is that or risking your life.

Nora stares seriously at the Mysterious Woman. She's not pleased with it.

FADE TO:

EXT. MAYOR'S HOME - PORCH - DAY (SHORTLY AFTER)

Nora comes out of the manor. As the door closes behind her, Nora glances around.

NORA

I'm not one to stay quiet. Sorry, but my blood is asking for witches' blood.

Nora walks off, determined to break havoc.

FADE TO:

EXT. S.F.P.D - DAY

STILL.

FADE TO:

INT. S.F.P.D - MAIN ROOM - DAY

Natalie is at her desk on a phone call.

NATALIE

(on the phone)

Yes, I'm sure you do, but we need to look into this carefully, Miss ---

Natalie sighs. It seems like the person at the other end has interrupted her. Natalie rolls her eyes.

OFF TO THE ENTRANCE - Trace comes in and walks immediately towards Natalie's desk.

NATALIE (CONT'D)

(on the phone)

Sure. Listen, I can assure you that we'll have a look into it. Thanks.

Natalie hangs off the phone and looks at Trace.

TRACE

Another fake clue about our witch hunter?

Natalie stands and takes her bottle of water. She has a sip.

TRACE (CONT'D)

Should we have a look into it?

Natalie takes a paper sheet from her desk and hands it to him. Trace has a look at it.

TRACE (CONT'D)

We've been here before.

Natalie nods and puts the bottle back on the desk.

NATALIE

It was the same woman who called two weeks ago sure that her neighbor was the person we're looking for.

They stare at each other.

NATALIE (CONT'D)

I do believe that person is not in San Francisco anymore.

TRACE

Why would you think that?

NATALIE

Because nothing has happened for weeks now.

TRACE

Well, maybe this person is giving it some time.

Natalie shoots him a look.

NATALIE

If I recall correctly, you were the one believing this person was off town already.

Trace smiles.

TRACE

I still do, West.

NATALIE

Then?

Trace looks away.

NATALIE (CONT'D)

(funny)

Oh, I see. You don't want to drop this investigation. Have you become fond of me, Thornton?

Trace looks at her.

TRACE

Don't be too cocky.

Natalie laughs.

NATALIE

Don't worry.

SOUND - Trace's phone.

Trace checks the text he has just received and smiles. Natalie notices it. He looks at her.

TRACE

There are other matters that got me fond of.

NATALIE

I see.

Trace answers the text quickly.

NATALIE (CONT'D)

Well, as crazy as it sounds, we should really check on this tip.

TRACE

Let's do it quickly. I have an important dinner tonight.

Natalie smiles at him. She takes her badge and cell phone from the desk and both walk off.

FADE TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - DAY

Prue is focused on some books on a desk. Well, she's trying to stay focused on the book before her, because not far from her Leo and the Librarian discuss something. They are at a desk with the book the Librarian found before. There's also a laptop before them. Leo is checking something on it as they speak.

LIBRARIAN

All these families have one or another member active.

LEO

Okay, the Mortons cannot be, cause, their social media places them in Syria.

LIBRARIAN

Are there any active witches in Syria?!

Leo shoots the Librarian a look.

LEO

Next name?

The Librarian takes a look at the book and turns some pages.

LIBRARIAN

(excited)

Oh, this one.

(surprised)

Oh, I remember these people. They were trouble in Scotland in the seventeenth century.

Leo shoots the Librarian a look.

LEO

In Scotland?

The Librarian nods.

LIBRARIAN

Hunt. Finn Hunt. That's the last record in this family tree.

LEO

(thoughtful)

Finn Hunt?

The Librarian nods.

LIBRARIAN

Do you recognize that name?

LEO

I don't know. It sounds familiar, but ---

Prue raises her eyes from the book and stares at them.

LEO (CONT'D)

I used to spend my summers in Scotland. Maybe I heard that name there.

LIBRARIAN

Maybe.

Leo gets back to the laptop and types something there.

LEO

Finn Hunt.

He stares at the computer.

ON LAPTOP SCREEN - Some results appear.

LIBRARIAN

There's a brief history about this family in here. Yeah, it says something about the terror they caused in the seventeenth century in Scotland. They were responsible for the secret witch hunt carried by them and their followers. They were also involved in the Great Scottish Witch Hunt.

LEO

1587. I know.

LIBRARIAN

(staring at the book)

Richard Buchan died in 1587. It was said that it was a witch who killed him.

(looks at Leo)

Richard Buchan was a witch hunter.

Prue keeps staring at them. Leo finds something on the internet results.

LEO

Here. Finn Hunt was arrested twenty-five years ago in England.

Leo looks astonished at the screen.

LEO (CONT'D)

The MI6 and the FBI worked together to find him and arrest him.

Prue, no longer focused on her own search, stands and walks over to their desk.

LEO (CONT'D)

He was sentenced to life in prison after murdering six women in England and Scotland and another three in Maine.

Leo stays silent for a few seconds, then he looks at Prue.

PRUE

What happened to him? Is he still in prison?

LEO

He's dead.

PRUE

Well, then it cannot be him, right?

Leo is shattered for some reason.

LEO

He left a child.

LIBRARIAN

Then, there it is. That child must be carrying his father's work. Does it say the name?

PRUE

Isn't it in the book?

The Librarian shakes his head.

LIBRARIAN

It is scratched.

PRUE

What? How?

LIBRARIAN

I don't know. Maybe a protection amulet. Some amulets can make us disappear from the records.

Prue seems to be amazed by that information. Leo is still shattered. Prue looks at him.

PRUE

Leo?

Leo looks at Prue.

LEO

It was my dad.

(pauses)

He was behind Finn's capture.

Prue is open-mouthed.

LIBRARIAN

Warren?

Leo nods.

LIBRARIAN (CONT'D)

Right. Warren was part of the ---

The Librarian shuts up immediately as he sees both Prue and Leo staring at him.

LEO

He was part of what?

LIBRARIAN

Uh, there's, huh, ---

PRUE

Speak.

The Librarian swallows.

LEO

Please.

LIBRARIAN

(nods)

The FBI and the MI6 joined years ago and created special and secret units. The FBI started and then MI6 joined. Both organizations worked on protecting the magical community and also mortals from the magical community.

PRUE

Come again?

The Librarian nods.

LIBRARIAN

(to Leo)

Your father was working for the MI6 department.

LEO

I guess there's a lot to find out about dad.

LIBRARIAN

It was MI6.

LEO

I was his son.

Leo stands.

LEO (CONT'D)

I gotta go home.

LIBRARIAN

What about the hunter?

PRUE

Huntress.

LEO

I have a box with some stuff that belonged to dad. I never saw what was inside. Never had the courage to. I guess it's time.

PRUE

Do you want me to go with you?

Leo looks at Prue. His eyes meet hers and both stare fixedly at each other.

LEO

Four eyes are better than two, right?

Prue nods. She approaches Leo. Leo reaches out his hand. Prue looks at it.

LEO (CONT'D)

Oh, c'mon.

Prue nods. She grabs his hand and then Leo ORBS out taking her. The Librarian stares at the place they just were.

LIBRARIAN

Do that. I'll be staying here just waiting.

The Librarian sighs and stares at the laptop. Then he starts his own search.

FADE TO:

INT. MAGIC SCHOOL - HEADMISTRESS OFFICE - DAY

Piper Anne is organizing some books on the shelves with Owen's help. They also talk about Owen's situation.

PIPER ANNE

Why didn't you say something?

OWEN

I didn't want to. Cecilia is going to kill me when she finds out what I did.

PIPER ANNE

Cecilia was always sweet. She wouldn't. She is just afraid. All that had happened for the past twenty years has shaken us all.

OWEN

Yeah, but she was never a chicken. She's part Phoenix Witch!

PIPER ANNE

Yeah, but she dropped that life. Phoenix's powers became part of the Warren powers and so she lost them too. Just as the rest of us lost our whitelighters or cupids powers. She was the powerless leader of a coven of Phoenix Witches.

OWEN

They were there for her. The other Phoenixes.

PIPER ANNE

I know. But you know Cecilia suffered some losses too. So, ---

OWEN

I know, but she is a freaking Warren witch.

PIPER ANNE

Freaking Warren witches are allowed to be afraid sometimes. Talk to her. Tell her what you've seen. Tell her how strong this new generation is.

Owen sighs.

OWEN

She's your cousin.

PIPER ANNE

(smiles)

Once removed. Your wife.

SOUND - A knock on the door.

PIPER ANNE (CONT'D)

Come in.

OFF TO THE DOOR - It opens. Pamela and Miranda walk in.

Piper Anne and Owen look at them.

PIPER Anne (CONT'D)

Girls? What are you doing here?

PAMELA

Oh, we just wanted to talk.

Piper Anne and Owen exchange glances.

OWEN

Something wrong?

PAMELA

Oh, no, it's just, huh ---

MIRANDA

(quickly)

Pam just wants to know who was the man from last night. The Elder.

OWEN

(astonished; to Piper Anen)

The Elder?

Piper Anne forces a smile.

PIPER ANNE

Why are you so interested?

PAMELA

I believe I've seen him before.

PIPER ANNE

Probably. He was an ally before the Lost. You probably saw him then.

PAMELA

My father was never too into the witching thing, so ---

PIPER ANNE

Yes, your father was more focused on carrying the family business, but I can assure you that he was always present when Jo Halliwell called.

OWEN

Maybe he took you to one of those reunions organized by Jo.

PIPER ANNE

Yes.

PAMELA

What's his name?

Piper Anne gets serious suddenly. She is clearly thinking about something.

PIPER ANNE

Paul.

Liar.

PAMELA

Paul? He doesn't have a Paul's face.

Piper Anne nods.

PIPER ANNE

Look, he was just interested in knowing what were our plans to open the school. Just that. We won't see much of him.

Pamela seems not convinced but drops it.

PAMELA

Fine.

(to Miranda)

We should go now.

Miranda nods. Pamela turns around and leaves. Miranda forces a smile at the others and then walks out of there. Piper Anne and Owen stare at each other.

FADE TO:

INT. MAGIC SCHOOL - CORRIDOR - DAY (CONTINUOUS)

Pamela and Miranda come from the headmistress' office. Pamela stops talking. She's serious. Miranda looks at her.

MIRANDA

Are you okay?

PAMELA

She was lying.

MIRANDA

What?

Pamela turns to Miranda.

PAMELA

I know a liar from distance. My dad used to lie to me.

(imitating her father)

'Oh, honey, sorry. Daddy would love to be there, but there's so much work to do'. Or my favorite one: 'Pammy, I promise that next summer I'll take you to Disneyland'.

(smiles sarcastically)

I did go to Disneyland, but he never came with me. Too much work.

MIRANDA

It doesn't mean Anne is lying.

PAMELA

She is and I need to find the truth.

Pamela walks off. Miranda sighs. Then Miranda follows Pamela.

FADE TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

FOOTAGE all over the city.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

Trace is standing in front of the mirror fixing his tie. He's getting reading for his dinner night.

TRACE

They must believe it's me there.

Trace turns around and ---

BEAT. There's someone else there. A demon. EZZON (40s), stands staring at Trace. He wears all in black.

EZZON

It'll be easy. My replicas look exactly like the original.

TRACE

Good. Will it sound and talk like me?

Ezzon nods.

EZZON

It'll be linked to you.

TRACE

How so?

EZZON

Well, if something happens to you, he'll feel it and if something happens to the replica, you'll feel it.

TRACE

Okay, it's just dinner so, nothing will happen. I just need time to figure out how to break the book's protection.

EZZON

No one has ever done that.

TRACE

No one of them was me. So, ---

(opens his arms)

--- how do I look?

Ezzon smirks.

TRACE (CONT'D)

Do it.

Ezzon WAVES his hand in front of Trace and ---

BEAT. Out of Trace's body, comes another Trace. Both look exactly the same. Both Traces look at each other and smile.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - ATTIC - NIGHT

Prue and Leo are sitting on the floor. Before them, there's a box. Closed. Leo stares seriously at it. Prue looks at Leo.

LEO

I've been trying to find the courage to open it and look at its content.

PRUE

So, you don't know what's in there?

LEO

Personal stuff. It had my name when I found it.

PRUE

Funny. There's one with my name on it in the attic.

Leo looks at her.

LEO

Did you ---

PRUE

I did. Looked at the inside and closed it immediately. Never opened it again.

LEO

So, you understand what I feel.

PRUE

But we must open it. There are probably answers for what we're looking for inside this box.

LEO

Probably.

PRUE

Then? Go ahead.

Leo nods. He then starts opening the box and peeks inside. He starts taking its content out. A few personal items and a few journals.

SOUND - Prue's phone.

Prue grabs her phone who's next to her on the floor and checks the text. She grimaces. Leo looks at her.

LEO

Boyfriend?

PRUE

Sister.

(rolls her eyes)

She wants me to go to dinner tonight. Apparently, her boyfriend is coming.

LEO

So?

PRUE

So, I don't like him.

LEO

If you need to ---

PRUE

I don't want to. I don't like him.

LEO

It's Persie.

PRUE

I don't care. This is important.

Leo stares at her seriously.

PRUE (CONT'D)

Would you?

LEO

This is important.

PRUE

Exactly.

LEO

I think our priorities differ from theirs.

PRUE

Probably. Don't care.

Leo grabs one of the journals and hands it to Prue. She opens it. Leo does the same with another journal.

FADE TO:

INT. HALLIWELL MANOR - DINING ROOM / FOYER / ENTRANCE - NIGHT

Persephone is staring at her phone screen. She is nervous. Priscilla and Edward come from the kitchen carrying a wine bottle and some glasses.

PRISCILLA

Anything?

Persephone turns to them.

PERSEPHONE

I'm gonna kill Prue.

PRISCILLA

I would support you on that, but, and don't think I'm playing the devil's lawyer, but you were not friendly towards her earlier.

Persephone shoots Priscilla a look.

PERSEPHONE

She has been the ice queen for the past month and you wanted me to be nice?

PRISCILLA

(forces a smile)

You are the nice sister.

SOUND - Doorbell.

Persephone takes a deep breath and turns around to leave the room.

PRISCILLA (CONT'D)

(to Edward)

I know I don't want to be here.

EDWARD

Play nice.

PRISCILLA

Why there isn't a demon's attack when we need one.

Edward shoots Priscilla a look. Meanwhile, Persephone opens the door to find Trace there. Or else, Trace's replica.

PERSEPHONE

Honey!

Replica Trace smiles as he shows her the wine bottle he's brought.

PERSEPHONE (CONT'D)

Come in.

REPLICA TRACE

I hope I'm not late.

Persephone forces a smile.

PERSEPHONE

You're not.

Replica Trace walks in and peeks her cheek.

ON PERSEPHONE - She tries to look happy.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

ON THE BOOK OF SHADOWS - It lays on its pedestal.

Trace SHIMMERS in and looks at the book. He smirks.

FADE TO:

EXT. SAN FRANCISCO - AVENUE - NIGHT

This is a busy avenue. Lots of people there. Some are walking fast, some are just taking their time. There are open shops and restaurants on both sides of the street.

Nora walks at pace. She seems focused on something or someone.

Not far from her, a young woman is making her way. She's wearing a uniform. It seems like she works in a restaurant. LORI (26) walks quietly between all the people that cross her path. She doesn't realize that she's actually being followed.

Lori walks into an alley. Nora looks at it. She glances around, smirks, and then she looks into the alley herself.

FADE TO:

EXT. P3 - NIGHT

View at the entrance as people are lining up to get in.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The club is not crowded, but there are a few people already in. A couple of employees are at the counter. Gabriel is inside the bar when Aiden walks in. Gabriel looks at him. The only music comes from the DJ box.

GABRIEL

Oh, thanks, God, you are here already.

AIDEN

Hey, just finished work.

GABRIEL

You're a freelancer, man, you don't do extra hours.

AIDEN

That was before Alana took over.

Aiden starts preparing drinks to help Gabriel.

AIDEN (CONT'D)

Where's the boss?

GABRIEL

Engaged in something. William is getting more drinks from the back.

AIDEN

And the assistant manager?

Gabriel shrugs.

GABRIEL

He'll come later I guess.

AIDEN

I see.

OFF TO WILLIAM - He comes from the back carrying a beer box.

William walks into the bar and puts the box on the counter. He starts taking the bottles out.

WILLIAM

I checked on the artist. He's demanding a Vodka Martini. Two rocks. Shaken. Not stirred.

GABRIEL

Who is him? James Bond?

Aiden laughs. William shoots him a look.

AIDEN

Let me handle that. A Vodka Martini.

Aiden starts preparing the Vodka Martini.

AIDEN (CONT'D)

So, all these people are here this early because of this James Bond character?

GABRIEL

Yes. The guy has been having a huge success lately with his new album, so ---

WILLIAM

Anyway. I've texted Miranda. She was supposed to be here earlier, but Pamela got her onto something. They are stuck in traffic.

GABRIEL

I hope she arrives soon, cause ---

Gabriel looks at the entrance staircase.

ON ENTRANCE STAIRCASE - More people coming in.

GABRIEL (CONT'D)

--- this is about to get crowded.

Aiden and William see as more people come into the club.

FADE TO:

EXT. HALLIWELL MANOR - NIGHT

STILL.

FADE TO:

INT. HALLIWELL MANOR - DINING ROOM - NIGHT

Persephone, Priscilla, Edward, and Replica Trace are there having dinner. However, they seem not to be enjoying themselves.

Priscilla and Edward glance at each other every now and then, while Persephone talks nonstop and Replica Trace just smiles at her.

PERSEPHONE

So, yes, one day I woke up and decided I wanted to be a cook. I mean, what would change for me? I used to do all the cooking at home already.

(laughs)

Grams used to say that my tomato sauce was heavenly.

REPLICA TRACE

(smiles)

That's wonderful.

Priscilla forces a smile.

EDWARD

Who wants more wine?

Edward grabs the wine bottle and pours some into their glasses.

REPLICA TRACE

(to Persephone)

I'm so amazed at what you've accomplished.

PERSEPHONE

Thanks, honey.

Priscilla rolls her eyes. Edward pokes Priscilla. Persephone smiles at them.

PERSEPHONE (CONT'D)

It's a shame Prue couldn't come.

REPLICA TRACE

I would like to get to know her.

PERSEPHONE

I guess this is a good reason to arrange another dinner date.

PRISCILLA

Right. Let's hope that Prue doesn't arrange another last-minute thing not to come.

Persephone shoots Priscilla a look.

EDWARD

I'm sure Prue had good reasons.

PERSEPHONE

I hope she does.

Persephone turns to Replica Trace as he smiles at her.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Trace stands in front of the Book of Shadows staring at it seriously. Ezzon SHIMMERS in.

EZZON

Everything is under control down there.

Trace looks at Ezzon.

TRACE

Good. Keep it that way.

Ezzon doesn't leave. Trace reaches out his hand towards the book.

EZZON

Be careful.

Trace looks at Ezzon.

TRACE

I can't feel its force field.

EZZON

Then why are you risking? The book will defend itself.

TRACE

I've got this.

Trace takes a small vial from his pants pocket. The liquid inside has a baby blue color.

EZZON

It's that what I think it is?

Trace smirks. He takes off the vial's cover and starts spreading the liquid over the Book of Shadows.

TRACE

It lowers objects' defense.

Ezzon laughs.

EZZON

It's the freaking Warren Book of Shadows.

TRACE

Go down there and check all is okay.

Ezzon shoots Trace a look and then SHIMMERS out. Once he's alone, Trace reaches out his hand and gets really close to the Book of Shadows. He is almost touching it, but ---

BEAT. The Book of Shadows protects himself. Trace is THROWN backward landing heavily on the table and then on the floor. He is unconscious.

FADE TO:

INT. HALLIWELL MANOR - DINING ROOM - NIGHT

Persephone, Priscilla, Edward, and Replica Trace are still there.

SOUND - Things breaking.

Persephone and Priscilla look at each other immediately. And then, something happens.

Replica Trace is THROWN backward hitting the wall behind him. Persephone rushes towards him immediately.

PERSEPHONE

Trace? Honey?

He is unconscious. Priscilla and Edward look at each other.

OFF TO EZZON - He hides behind the conservatory room wall. He grimaces.

FADE TO:

EXT. WOODS - NIGHT

ON FIRE - The flames are low.

BEAT. The girl Lori is about to be burnt at stake. She is unconscious. Nora walks around the bonfire glancing at Lori.

ON LORI - The girl is opening her eyes slowly. As her eyes try to adjust to the scenario, the horror in her face increases.

LORI

What?!!!

NORA

Welcome back.

Nora stands before Lori.

LORI

Who are you? What's this?

Lori is terrified.

LORI (CONT'D)

Who are you?

NORA

I like to think of myself as a savior. You see I try to get this world rid of people like you.

LORI

People like me? What the hell are you talking about? Take me out of here.

NORA

I can't. Sorry, but no sorry. You deserve this, Lori.

LORI

How do you know my name?

Nora points to something on the floor.

ON THE FLOOR - Lori's bag. Her documents are scattered out of the bag.

NORA

I must confess that I was surprised. Not a single amulet?

Lori shoots Nora a look.

LORI

Amulet? What are you talking about?

NORA

Witches normally carry Wiccan stuff and your bag is totally normal. But I'm too smart. People like you can't fool me.

LORI

People like me?

NORA

A witch?

LORI

A witch? I'm not a witch.

NORA

(mad)

Don't deny it.

(gets calmer)

I saw you leave that shop.

LORI

What shop? Lady!

NORA

The magic shop.

Lori stares seriously at Nora.

LORI

You are the witch hunter? You are the freak who's killing women all over the city.

NORA

Freak? Oh, no. I'm the savior.

LORI

(out loud)

You are a freak! I'm not a witch.

Nora approaches the torch she has lit nearby and grabs it. She walks back to the bonfire.

NORA

I'm gonna get this city rid of people like you.

Lori stares at Nora terrified as Nora holds up the torch really close to the wood.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - ATTIC - NIGHT

Leo and Prue keep reading the journals.

PRUE

Your father kept records of every job.

LEO

He was meticulous.

Prue looks inside the box and finds a small plastic bag.

PRUE

What's this?

She shows him the bag. There's an object inside with a tag. Leo takes the bag and looks at it.

LEO

(reading from the tag)

'Hunt'.

Prue stands and starts looking for something in the drawers of a cabinet. Leo looks at her.

LEO (CONT'D)

What are you doing?

PRUE

Is there a map in here? And a crystal?

LEO

I have no idea.

Leo stands and starts looking for a map too. Soon, Prue finds a map and a scrying crystal inside one of the drawers.

PRUE

Take it out.

Leo opens the bag and takes the object.

ON OBJECT - It is a ring with a coat of arms.

Prue unfolds the map on the table and hovers the crystal over it. Leo hands her the ring. She hovers the crystal with the ring. But the scrying crystal seems to be uncontrolled.

LEO

(noticing it)

What's happening?

PRUE

It's my powers. They are not working properly lately.

Leo stares at it as the crystal continues acting uncontrolled. Leo then gets closer to Prue and holds the hand she's holding the crystal with.

BEAT. Suddenly the crystal starts hovering normally over the map. They both look at each other. Then, in no time, the crystal stops. Leo and Prue look at where the crystal has stopped.

LEO

The woods.

Prue withdraws her hand.

PRUE

Can you take us there?

Leo nods. He grabs her hand quickly.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Trace is still on the floor, unconscious. He starts waking up slowly. He glances around and realizes what just happened.

TRACE

Hell!

Ezzon SHIMMERS in.

EZZON

Quickly. They're coming.

Trace has just time to SHIMMER out, but Ezzon is there when Priscilla and Edward walk in.

PRISCILLA

Demon!

Ezzon turns to them and then SHIMMERS out. Priscilla and Edward look at each other.

PRISCILLA (CONT'D)

He tried to steal the book for sure.

EDWARD

Let's get to Persie.

Priscilla rushes to the Book of Shadows and takes it. Then both of them rush out of the attic.

FADE TO:

EXT. WOODS - NIGHT

The flames are getting higher. Lori screams loudly. Nora stares as the flames approach Lori.

OFF TO LEO AND PRUE - He ORBS in bringing Prue behind Nora.

As Leo and Prue see what's happening, Prue uses TELEKINESIS to attack Nora from behind. Nora flies in the air landing across the bonfire.

PRUE

Damn, I wanted to blow her up.

Nora gets on one elbow and realizes what just happened. She looks at Leo and Prue. Then stands as quickly as she can and starts running out of there taking the only thing reachable for her; her backpack. Prue is about to run after her, but Prue stops her.

PRUE (CONT'D)

She's running away.

LEO

And she will die if we don't save her.

Leo points to Lori who cries for help. Prue looks at Lori.

PRUE

What do we do?

LEO

Any idea how to turn those flames off?

PRUE

I can only increase them.

LEO

Yeah, you better stay away.

Leo stares seriously at Lori.

PRUE

Leo?

LEO

I don't know if I can do it.

PRUE

Do what?

Leo reaches out his hand for Prue to hold it.

PRUE (CONT'D)

Do you want to orb us out of here?

LEO

Just hold my hand.

Prue doesn't argue with him and holds his hand quickly. Leo keeps staring at Lori and then ---

BEAT. Lori is surrounded by BLUE LIGHTS and soon she's ORBED out of there.

Prue and Leo's eyes go wide.

Lori ORBS in landing heavily on the floor. Leo rushes to her.

LEO (CONT'D)

Oh, I'm sorry. I don't have much practice on that.

Prue stares at them. Lori looks at Leo, a little calmer than before.

LORI

Witches are real?

Leo and Prue look at each other.

PRUE

You are not a witch?

Lori glances from Leo to Prue.

LORI

No.

PRUE

Then why was she after you?

LORI

She saw me coming out from a Wiccan shop. But I was just visiting my friend. I'm not a witch. I didn't even know they were real. You are real.

Prue lowers down next to Lori.

PRUE

You can't tell anybody.

LORI

Are you good?

LEO

We just saved your life.

LORI

Your secret is safe with me then, but that woman tried to kill me.

LEO

Call detective West.

PRUE

(reproaching)

Leo!

LEO

She needs to know.

Prue rolls her eyes.

LEO (CONT'D)

But please don't mention us.

LORI

Don't worry. I won't say anything about you. Just make sure you find her and make her pay.

LEO

We intend to.

Lori forces a smile at them. Prue and Leo stare at each other.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Persephone and Priscilla are there.

PERSEPHONE

Are you sure?

Priscilla nods.

PRISCILLA

Edward and I saw him.

PERSEPHONE

But it doesn't explain what happened to Trace.

Edward comes in from the conservatory room.

EDWARD

He hasn't said anything. I think there's something wrong with him.

Persephone and Priscilla glance at each other.

FADE TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

Trace and Ezzon are there. Ezzon is desperate.

EZZON

They saw me.

TRACE

Let me think.

EZZON

Your replica suffered some damage.

TRACE

But I'm feeling fine.

EZZON

He is a visual replica of you. He doesn't have your powers or any power.

TRACE

Damn it. What do we do?

EZZON

We need to take the replica out of there quickly.

They stare at each other.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON REPLICA TRACE - He seems lifeless. Stares at the front fixedly.

Persephone, Priscilla, and Edward look at him. Then Persephone lowers down in front of him.

PERSEPHONE

Trace? Honey? Talk to me.

PRISCILLA

He seems like a vegetable.

PERSEPHONE

That demon did something to him. I'm sure of it.

PRISCILLA

I must look for him in the Book.

OFF TO THE ENTRANCE FROM THE DINING ROOM - Trace and Ezzon hide there.

PERSEPHONE

(to the replica)

Trace? Please say something. Oh, my God. I should call Lucas to heal him.

EDWARD

I'm trying to use my powers on him, but his mind seems empty.

PERSEPHONE

He hit the wall hard.

EDWARD

Yeah.

At that moment, Leo ORBS in bringing Prue.

PRUE

Sisters?

Persephone and Edward look at Prue and Leo whose eyes go wide as they see Replica Trace there.

PRUE (CONT'D)

Oh, crap!

EDWARD

He's a vegetable. Empty-minded.

Prue and Leo look at Replica Trace.

LEO

What happened?

Priscilla walks in.

PRISCILLA

Finding the demon will take time.

Priscilla looks at Leo and Prue.

PRISCILLA (CONT'D)

Oh, good. Now we have a firepower.

OFF TO TRACE AND EZZON - Trace looks at Ezzon. He knows what to do and he does it. Trace grabs Ezzon and throws him inside the conservatory room.

Priscilla sees how Ezzon stumbles as coming in.

PRISCILLA (CONT'D)

There he is. The demon.

They all look at Ezzon. Not thinking twice, Leo grabs Prue's hand and with the free hand, he shoots BEAMS of ENERGY from his hand. Ezzon screams loudly as he's being vanquished. Not long after, he blows up.

BEAT. As Ezzon blows up, Replica Trace blows up too. Persephone is terrified at the vision and lets out a loud scream.

PERSEPHONE

No.

They all look at it. Persephone gets on her knees covering her face with her hands. Prue lets go quickly of Leo's hand. Leo shoots her a look then he looks at Persephone.

LEO

Can someone explain what's going on here?

BEAT. At that moment, Trace walks into the room pretending to be a little dizzy.

TRACE

Persie?

ON PERSIE - She is astonished.

They all turn to Trace. Persephone rushes quickly to him.

PERSEPHONE

Trace?

TRACE

What happened? Someone knocked me down when I went to the toilet.

Priscilla and Prue look at each other.

PERSEPHONE

(lying)

A thief went into the house. But everything is okay, now.

(hugs him)

You'll be fine now.

The others look at them seriously.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE at the sound of 'Deja Vu' by James Arthur.

FADE TO:

EXT. WOODS - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The scene where Lori was about to be burned alive is now full of officers. Natalie is there. Officers are taking pieces of evidence from the crime scene. Lori is being checked by the paramedics. Natalie glances around. Something calls for her attention.

ON AN OBJECT - It is on the ground.

Natalie lowers down and stares at the object. She puts on some gloves and grabs the object from the ground. She stares at the necklace with a plaque. The plaque has a symbol.

BEAT. It looks like the same symbol as in the ring found by Leo and Prue among Warren's stuff.

ON NATALIE - She is serious.

FADE TO:

EXT. P3 - NIGHT

MUSIC FADES OFF.

People are lining up to enter the club. The music from inside the club is pumping.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The band that is playing is being an enormous success. People dance at the sound of its music. At the bar are Gabriel, Aiden, William, Pamela, and Miranda. All five of them are inside the bar watching the band.

AIDEN

The Vodka Martini was worth it, huh.

Aiden is enjoying the band. Pamela is serious. Gabriel notices there's something going on.

GABRIEL

(to Pamela)

What's wrong with you?

Pamela looks at him.

PAMELA

I just have the feeling that people are keeping things from me.

GABRIEL

Join the club.

PAMELA

What happened?

GABRIEL

Mom and dad. They had a huge fight over me.

PAMELA

What?

GABRIEL

It seems like my mother's heart condition was a lie.

Pamela's eyes go wide.

AIDEN

Hey, you two. Forget problems tonight.

Aiden walks over to Pamela and grabs her hand.

AIDEN (CONT'D)

Let's go dance.

PAMELA

No, Aiden.

AIDEN

Hey. It's time for us to make amends, so let's go dance.

Aiden shoots her a puppy eyes look. Pamela gives up.

PAMELA

Fine.

Aiden smiles and drags her out of the bar and into the dancing floor.

WILLIAM

We should do the same.

MIRANDA

I agree with my brother.

WILLIAM

(shoots Miranda a look)

I already said I'll give you a ride tomorrow. Don't need to agree with me to convince.

Miranda shoots him a look.

MIRANDA

I'm not.

GABRIEL

Go. I need to prepare some drinks.

William and Miranda get out of the bar and join Aiden and Pamela on the dancing floor. Gabriel stares at them and forces a smile, but his own problems don't leave his mind.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE - NIGHT

Persephone and Trace are kissing each other. Then they break the kiss.

PERSEPHONE

I'm so glad you are okay.

TRACE

I just can't understand how the thief came into the house.

PERSEPHONE

Well, it doesn't matter. He went off immediately as he realized there were people in.

TRACE

Right.

PERSEPHONE

Are you sure you don't want me to take you home?

TRACE

No. I'm fine. Seriously.

PERSEPHONE

Okay.

Trace opens the front door, kisses Persephone goodbye, and then walks out. Persephone shuts the door. Then she walks into the living room.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT (CONTINUOUS)

Leo, Prue, Priscilla, and Edward are there. Persephone comes in. She seems mad.

PERSEPHONE

(to Prue)

Can you explain to me why in hell you didn't come earlier?

Prue stares at her sister.

PRUE

We had a more important matter to deal with.

PERSEPHONE

More important?

Persephone glances from Leo to Prue.

PERSEPHONE (CONT'D)

The two of you?

Leo and Prue glance at each other.

PERSEPHONE (CONT'D)

You spent a month avoiding being in the same place at the same time and now when I need my big sister you decide to hang out together with Leo.

LEO

We weren't hanging out.

PRUE

We were after the witch huntress.

PERSEPHONE

(mad)

Don't care.

PRUE

Well, I do. I don't care about that Trace.

PERSEPHONE

He's my boyfriend.

PRUE

(out loud)

Don't care. Do whatever you want with him. I have better things to think of.

PRISCILLA

Prue, c'mon.

PERSEPHONE

That's enough.

LEO

Prue's right.

They all stare amazed at Leo.

LEO (CONT'D)

We went after the huntress. She's killing innocents.

PERSEPHONE

My boyfriend is also an innocent. And the two of you are good for each other. The Ice Queen and Jack Frost.

Persephone turns around and leaves the room mad.

LEO

What did she mean?

EDWARD

You haven't noticed, have you?

Leo and Prue look at Priscilla and Edward.

EDWARD (CONT'D)

You've been acting icily. For the past month.

PRISCILLA

Ever since you erased your pain. You seem not to care about anything.

PRUE

But we do care.

PRISCILLA

Yeah. You care in finding the huntress, the storybook, a way to vanquish the Enchantress. But not us.

EDWARD

(to Priscilla)

Let's go.

Edward grabs Priscilla's hand and both walk out of there. Prue turns to Leo.

PRUE

I didn't know they were feeling that way.

LEO

Apparently, they are.

PRUE

Do we care?

Leo and Prue stare seriously at each other.

LEO

We should.

PRUE

But do we?

Their eyes fixed each other.

LEO

I just want to get this over with.

PRUE

Me too.

LEO

Our powers ---

PRUE

They are failing. It's probably related to this too.

Leo takes a step towards her.

LEO

Maybe we should ---

PRUE

(steps back)

No. I can't go back there. I can't feel that pain again.

LEO

I don't want that either.

PRUE

Then this is good. Not to care. I can deal with my sisters.

LEO

Should we stay away from each other again?

PRUE

I don't think we can. Our powers ---

(smiles sarcastically)

--- apparently, work better when we are together.

LEO

Yeah. Not avoiding each other anymore then.

PRUE

And we have that huntress to find.

LEO

You were right. It's a she.

Prue smiles. Then Leo walks past her and out of the room.

SOUND - Front door.

Prue sighs.

OFF TO LUCAS - He ORBS in behind Prue.

LUCAS

Prue?

Prue turns around and looks at him.

PRUE

Hey, you.

LUCAS

I'm sorry.

Prue shoots him a look.

LUCAS (CONT'D)

I didn't want to leave in a rush this morning.

PRUE

It's okay. I found my way into Magic School.

Prue walks towards him and puts her hand on his chest.

PRUE (CONT'D)

Did you do what you had to?

LUCAS

(nods)

I'm all yours.

Prue smiles.

PRUE

Good.

She wraps her arms around his neck and pulls him into a kiss. Then Lucas ORBS out taking her.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - PORCH - NIGHT

Leo is reaching the front door when Natalie's car is pulled over. Leo turns around as she turns off the car and gets out of the car. Natalie smiles and walks over to him.

NATALIE

You won't believe what happened.

She wraps her arms around his neck.

NATALIE (CONT'D)

The witch hunter struck again.

Leo stares seriously at her.

LEO

Have you got any clue of who this person might be?

Natalie kisses him softly.

NATALIE

I'll tell you while we make love.

Leo smiles. Then he opens the front door and both of them walk inside the manor.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

Trace walks in. She takes off his jacket and the tie and throws them into the bed.

TRACE

(mad)

Dammit!

Adrianne BLACK ORBS in behind him. She stares at Trace who sees her through the mirror. Then he turns around.

ADRIANNE

Something wrong?

TRACE

Twice on the same day. You must miss me.

ADRIANNE

I do.

Adrianne walks towards him and touches his face softly.

ADRIANNE (CONT'D)

I can help you relax.

TRACE

I had a plan to get the book.

ADRIANNE

I know. It didn't work out.

TRACE

I had a potion to weaken the book's protection.

ADRIANNE

It didn't work, I supposed?

Trace looks at her.

ADRIANNE (CONT'D)

It's the Warrens' Book of Shadows, Trace. How naive are you?

TRACE

The demon assured me it would work.

ADRIANNE

Of course. But it didn't.

TRACE

Why are you here?

Both stare seriously at each other.

ADRIANNE

(smirks)

I just wanted to see you fail.

(whispers on his ear)

It has weakened you.

(smirks)

That witch has weakened you.

Adrianne smirks wickedly. Then she BLACK ORBS out. Trace is serious.

FADE TO:

EXT. MAYOR'S HOUSE - NIGHT

STILL.

FADE TO:

INT. MAYOR'S HOUSE - OFFICE - NIGHT

A shattered Nora stands before the Mysterious Woman who's sitting behind her desk.

NORA

They were too close.

MYSTERIOUS WOMAN

Your foolish woman.

The Mysterious Woman sounds mad.

NORA

(mad)

I was tired of hiding.

The Mysterious Woman stands.

MYSTERIOUS WOMAN

You've attracted their attention to you when I asked you specifically not to.

NORA

(out loud)

Yeah, but why? Why are you so afraid of them? Why are you so afraid of the Warrens?

MYSTERIOUS WOMAN

(puts her hands on the desk)

I'm not afraid of them, your stupid woman. I just want them away.

NORA

(puts her hands on the desk too)

I can't. One of them killed my father. In front of my eyes. I saw him die in front of my eyes. Can you imagine how that feels?

They stare at each other.

NORA (CONT'D)

Of course, you don't. A demon like you doesn't know what loving someone means.

The Mysterious Woman then WAVES her hands and suddenly Nora is THROWN back against the wall hitting it hard. Nora falls unconscious on the floor. The Mysterious Woman walks over to her and stands staring at Nora.

THE CAMERA shows the woman's face slowly. BEAT. This woman is no other than ELIZABETH TURNER (looks 40s). Elizabeth stares seriously at Nora on the floor.

FADE TO BLACK.

END OF THE EPISODE