1x08 - It's Not Easy Being Green

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 8

'IT'S NOT EASY BEING GREEN'

TEASER

OVER BLACK.

FADE IN:

INT. MAGIC SCHOOL - LIBRARY - OUTSIDE RESTRICTED AREA - DAY (2095)

IT READS:

2095

Little Prue (8) walks between the bookcases. She's suddenly pulled by someone in an adjacent room.

FADE TO:

INT. MAGIC SCHOOL - LIBRARY - RESTRICTED AREA - DAY (2095)

Prue is pulled in by little Leo (9). Prue stares astonished at his blue eyes.

PRUE

Leo?!

LEO

It took you long enough.

PRUE

I had to sneak out from Aunt Piper Anne's class.

LEO

I know. I sneaked out of class too.

PRUE

Why the rush?

LEO

I need to show you something.

Leo walks away. Prue glances around.

PRUE

Are we in ---?

LEO

(cuts her off)

In the restricted area. Yes.

PRUE

We can't be here, Leo.

Leo turns to her.

LEO

Yes, and that's exactly why we must be here.

PRUE

Because we can't?

Leo nods.

PRUE (CONT'D)

That doesn't make any sense.

LEO

We are Warrens, Prue.

Prue shrugs.

LEO (CONT'D)

Aren't you curious about this place?

PRUE

Of course, I am.

LEO

There are secrets of the magic community that we are unaware of.

PRUE

You know we'll grow up, right? We'll get there.

LEO

Do you really want to wait until we are fifteen and can read all these books?

Prue stares at Leo as he shoots her a 'you know I'm right' look. Prue sighs.

PRUE

You know I don't.

Leo smiles big.

LEO

Then, what are we waiting for? I actually found an interesting one while I was waiting for you.

Leo walks towards a bookcase and takes a book from the shelf. The book seems ancient.

LEO (CONT'D)

There's something in here that caught my attention.

She approaches him while he opens the book and finds what he's looking for.

LEO (CONT'D)

(stares at her)

Have you ever heard of something called the Hollow?

Prue looks curiously at him.

PRUE

I can't say I have.

LEO

(smiles)

You're gonna love this.

Both smile at each other mischievously.

FADE TO:

EXT. MONTANA STATE - NIGHT (PRESENT)

IT READS:

PRESENT

FADE TO:

INT. MONTANA STATE - GARDEN - NIGHT

ON THE RIFT - The purple light that emanates from the inside of the rift shines brighter than ever.

Someone walks out of the rift.

CLOSE UP - FADED GREEN HANDS.

Someone comes from it. A female. She's naked and all her body has a shade of faded green; JADE (appears 30s).

Jade glances around. Closes her eyes and breaths in. When she opens her eyes, she stares at someone staring seriously at her; Alastair.

He stands there seriously looking at her. She looks curiously at him.

JADE

Envy. What a wonderful new World.

ALASTAIR

It's an old one as a matter of fact.

Jade approaches him.

JADE

Who are you? Why is the rift open?

ALASTAIR

Two questions. Two answers.

(smirks)

A friend and I don't know.

JADE

I never had friends.

ALASTAIR

Consider me one. I can help you get what you want.

JADE

What is it that I want?

Alastair smirks again.

ALASTAIR

To feel envy. I can feel it from you.

JADE

Why can't I feel it from you?

Alastair and Jade stare seriously at each other.

ALASTAIR

Because I don't have human feelings.

JADE

But you want something. What is it?

ALASTAIR

The destruction of the Warrens.

Jade smirks.

JADE

Are they humans?

ALASTAIR

(laughs)

Oh, my dear, they are Witches and I can assure you there are more humans now than whatever era you came from.

Jade smirks. They stare at each other.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Theo James as Lucas Lacey

Kellan Lutz as Trace Thornton / Jitur

Lyndsy Fonseca as Natalie West

Aimee Teegarden as Adrianne Kelly

Christopher Heyerdahl as Alastair

Guest Starring

Catherine Bell as Alana Halliwell

Tammin Sursok as Jade

Rachael Ancheril as Weeping Wife

Natalie Dormer as Nora Hunt

Rose Liston as Dove

Alycia Debnam-Carey as Jillian

Catherine Bérubé as Callie Jones

Nicki Burke as Doris

Luka Fellah as 8 years old Prue

Matthew Stagg as 9 years old Leo

Linda Goranson as Mrs. Neil

Unknown actresses as Shoe Shop customers

Unknown actors as Coffee Shop customers

Unknown actor as Guy Pamela kissed

Unknown actor as Medical Examiner

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: It's not Easy Being Green

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the town at the sound of 'All I Know So Far' by Pink.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - BATHROOM - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Leo comes in. He wears only the pants of his pajamas. He looks at himself in the mirror. He is serious. Leo rubs the back of his neck as if something is bothering him there. He turns his head to his left and then to his right. Then he looks himself in the mirror and sighs.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - DAY (MOMENTS LATER)

MUSIC KEEPS PLAYING IN THE B.G.

Leo comes from the bathroom and stops staring at the bed.

ON THE BED - Natalie lays there asleep.

ON LEO'S FACE - He is serious.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER / STAIRCASE / ENTRANCE - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Pamela is kissing goodbye a guy passionately. She pulls apart.

Leo comes walking downstairs and looks at them.

She waves him goodbye. The guy opens the door and leaves. Pamela turns around smiling. She sees Leo come downstairs and smiles big at him.

MUSIC FADES OFF.

PAMELA

It wasn't that good for you, huh?

Leo grimaces.

PAMELA (CONT'D)

Is she still in?

LEO

Don't start.

PAMELA

I'm not starting anything. But you just look miserable.

OFF TO AIDEN - He comes from the living room.

AIDEN

Seriously?

Leo and Pamela look at Aiden.

AIDEN (CONT'D)

One just looks too happy and the other one looks too sad.

Leo and Pamela shoot him a look.

LEO

I don't look too sad.

AIDEN

Got a mirror in your bedroom?

(to Pamela)

Or did you forgot that when redecorating?

Pamela rolls his eyes.

PAMELA

(to Aiden)

Not our fault that you didn't get to bring anyone home last night, Aiden.

Pamela takes her way into the dining room.

AIDEN

I was about to ---

(follows her)

--- if it wasn't for her ex to call.

(to Leo)

But honestly. You look miserable.

Leo rolls his eyes. The three of them walk into the dining room.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

ON AN BOTTLE OF ICED ENGLISH TEA LATTE - It is taken out of the fridge.

Leo pours some Iced English Tea Latte into a cup. Pamela and Aiden pour themselves coffee as they stare at Leo.

AIDEN

I don't know how you can drink that.

PAMELA

I've tasted tea with milk and ---

Makes a disgusting sound. Leo turns to them.

LEO

You don't appreciate the good stuff.

PAMELA

I was born in the middle of good stuff for the matter.

Leo has a sip of his iced English tea latte.

PAMELA (CONT'D)

(to Leo)

So, spit it out, what's going on?

LEO

I don't know what you mean.

AIDEN

Oh, I do. C'mon, men. You take a beautiful woman to your bed and you look like nothing.

LEO

I'm just tired.

PAMELA

You are not tired. You just got the wrong woman to your bed.

LEO

You two promised to drop it.

AIDEN

Man, it's clear that you ---

LEO

(cuts him off; mad)

No. It's not clear, okay? That's part of the past. We've moved forward.

PAMELA

So, this thing between you and the Officer up there is serious?

Leo nods.

LEO

She's a detective.

PAMELA

And I'm a damn rich woman.

Aiden has a sip of his coffee.

PAMELA (CONT'D)

A woman, Leo. I know what I see when I look at you. It's a shame you don't see it. But hey, if you want to be with her, be my guest.

Pamela puts the cup of coffee on the island counter.

PAMELA (CONT'D)

I need to go to work, anyway.

AIDEN

Work?

Aiden looks at her as if she said something weird.

PAMELA

Yes. I own a restaurant, remember?

AIDEN

Half of it.

PAMELA

Half of it. Whatever. I'm leaving.

AIDEN

Want a ride?

PAMELA

In that motorbike of yours?

Aiden nods.

PAMELA (CONT'D)

I rather fight Jitur and lose.

OFF TO THE ENTRANCE - Natalie comes in already dressed.

NATALIE

Who's Jitur?

They all look at Natalie.

PAMELA

(sarcastic)

My personal boogeyman.

Pamela walks past her and out of the kitchen. Natalie shoots Leo a look. Aiden glances from Leo to Natalie.

AIDEN

(to Natalie)

Don't mind her. She's had a bad night.

Aiden stands.

AIDEN (CONT'D)

Work calls.

Aiden walks out of the kitchen quickly.

LEO

Can I offer you something?

NATALIE

I don't have much time. I should have been by the station already, but what's that you having?

LEO

Iced English tea latte.

Natalie grimaces.

NATALIE

Oh, milk and tea. There's a lot of wrongs in that.

LEO

It's good.

NATALIE

I believe you. But I'll take breakfast on my way to the station. I'm not a fan of tea.

She walks towards him.

NATALIE (CONT'D)

Last night was ---

She kisses him. Leo kisses her back.

NATALIE (CONT'D)

(smiles)

--- great.

Leo smiles at her.

LEO

It was.

NATALIE

This thing between the two of us is becoming complicated, Mr. Matthews.

Leo stares at her seriously.

LEO

It is, indeed.

She smiles and kisses him again.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER - DAY

Prue and Lucas are kissing near the front door.

LUCAS

Why can't I keep my hands off of you?

They laugh and kiss again. Then they pull apart.

PRUE

You better get going.

Lucas nods.

LUCAS

Gather everyone here tonight. We really need to talk.

PRUE

Fine. I will. And ---

LUCAS

And?

Prue bites her lower lip.

PRUE

You can take me on a date, you know?

Lucas shoots her a look. He smiles.

LUCAS

(surprised)

What?

PRUE

Yeah, I mean, it is about time.

LUCAS

I thought you didn't do relationships, Miss Halliwell.

PRUE

(smiles)

I don't. But everybody already knows about us, so it makes sense.

LUCAS

It makes sense?

PRUE

Don't get me wrong. And just do it. Get a table on a restaurant, buy me flowers ---

(pauses)

Wait, do people still give flowers?

LUCAS

Don't ask me, I've been gone for almost twenty years.

PRUE

And I haven't gone on a date in ages.

Lucas smiles. He puts his hands on her hips and pulls her closer.

LUCAS

Do you want to go on a date with me?

PRUE

(smiles)

Yes.

Lucas kisses her. And then he ORBS out while kissing her. Prue stares astonished at where he just was.

PRUE (CONT'D)

Oh, he didn't!

She turns around and walks into the dining room.

FADE TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON A TRANSPARENT TAKEAWAY CUP - Iced English tea latte is being poured into it.

Prue comes into the kitchen as Persephone covers the takeaway cup.

PERSEPHONE

Iced English tea latte to take away.

Prue smiles at Persephone as Persephone hands her the cup.

PRUE

Thank you.

PERSEPHONE

Leaving already for P3?

PRUE

No. I'll stop by Bay Mirror first.

PERSEPHONE

Aunt Alana?

PRUE

She texted me.

PERSEPHONE

Are we really opening the doors for her to come in?

PRUE

We are giving her the benefit of the doubt.

PERSEPHONE

It surprises me that you are saying that. You were the first to condemn her.

PRUE

I know. But I also want to find out what really happened for her to leave and not care for us all these years.

PERSEPHONE

You said it yourself. She had a big fight with dad and she never was on the best of terms with mom.

PRUE

Yeah, well, she's here now. And we are not like her. We don't turn our back on family.

Persephone smiles.

PERSEPHONE

You've changed so much in the past weeks.

PRUE

Don't.

PERSEPHONE

C'mon, Prue.

PRUE

Don't. Same old Prue here.

PERSEPHONE

Well, at least Alex is gone.

OFF TO THE ENTRANCE - Pamela comes in.

PAMELA

Ready to go?

PERSEPHONE

Yeah. And by the way, I have a date at lunchtime so I need you to take care of the restaurant.

PRUE / PAMELA

(surprised)

A date?

Persephone turns her back on them.

PRUE

With whom?

PERSEPHONE

Not telling.

Prue takes her takeaway cup. Pamela looks at it.

PAMELA

(points to the cup)

What is that?

Persephone turns to them.

PRUE

Iced English tea latte.

PAMELA

Do you like that?

PRUE

I love it. My favorite drink to start a day.

PERSEPHONE

(sarcastic)

Not counting gin tonic to end a night.

Prue shoots her a look.

PAMELA

Since when?

Pamela seems very curious about Prue's drink tastes.

PRUE

Well, the gin tonic ---

PAMELA

(cuts her off)

Not the gin tonic. The tea.

Prue glances at the takeaway cup in her hands and then at Pamela.

PRUE

I don't remember. I was little I guess.

(glances at Persephone)

I'm leaving. Don't forget tonight. Lucas wants to talk to us.

Persephone nods. Prue walks out of the kitchen. Pamela glances at Persephone.

PAMELA

That's curious.

PERSEPHONE

What's curious?

PAMELA

Do you know what's Leo's favorite drink to start a day?

Persephone and Pamela stare at each other for a few moments, then the answer hits Persephone.

PERSEPHONE

No?

PAMELA

Yes.

The two of them look at each other.

FADE TO:

EXT. PRESCOTT STREET - OUTSIDE HALLIWELL MANOR / OUTSIDE MATTHEWS / MITCHELL MANOR - DAY

Prue comes out of the manor and walks down the front stairs. Leo and Natalie come from the manor across the street. Prue walks over to her car while Leo accompanies Natalie to her car.

Prue glances at them unintentionally. Leo and Natalie look at her as well. Prue waves hello and Leo waves hello too. Then Prue walks into her car and starts the car. Leo and Natalie see how she drives away.

Natalie then turns to Leo and kisses him.

NATALIE

See you tonight.

LEO

I have a meeting, but sure we can meet after.

NATALIE

(smiles big)

Great. Dinner?

Leo smiles. Natalie kisses him again. Then she walks into the car and drives away. Leo turns around and heads into the manor.

FADE TO:

INT. PRUE'S CAR - DAY

Prue is driving her car. She is serious.

PRUE

Why is she always there?!

(grimaces)

Detective West!

Prue turns on the music. She takes her right hand to the back of her neck and rubs it.

FADE TO:

EXT. BAY MIRROR - DAY

People are seeing coming in and out of the building.

FADE TO:

INT. BAY MIRROR - EDITOR CHIEF'S OFFICE - DAY

ON ALANA'S FACE - She's serious. Then she forces a smile.

Someone is sitting in front of Alana across the desk. BEAT. It is William.

ALANA

I don't seem to understand your question, William.

WILLIAM

You must know something.

ALANA

I wasn't living in San Francisco when your mother left.

WILLIAM

Left? So you think she left?

ALANA

I don't know, William.

Alana stands and paces the room.

ALANA (CONT'D)

I remember my mother commenting that she left a note.

WILLIAM

She did.

ALANA

(looks at him)

Saying that she couldn't live with Damien anymore because of his alcoholism.

William looks at her.

ALANA (CONT'D)

I wish I knew more.

WILLIAM

Did you know her?

ALANA

We weren't that close. I've met with her in family reunions and so, but that's all.

WILLIAM

Do you believe she could leave Miranda and me just like that?

Alana stares at him. William stands. Alana doesn't know what to answer.

WILLIAM (CONT'D)

Was she so miserable with my Uncle that she had to leave?

ALANA

Damien was like a father to you. No matter what he did, he loved you like a son.

WILLIAM

Jo told you that?

Alana shoots him a look proving him right.

ALANA

She did, but I also saw it. Back then, when Amelia and Derek married, things were calmer and I used to be more present. She was devastated when your father died.

William lowers his gaze.

ALANA (CONT'D)

And so Damien. It was like he lost his other half.

(smiles)

They just had one another to hold on to. And of course, you.

William looks at her.

ALANA (CONT'D)

Your mother and Damien needed each other.

WILLIAM

He has my father's face.

ALANA

True. But they were different.

WILLIAM

Do you have any idea where he is?

Alana thinks for a while.

ALANA

I haven't spoken with Damien in years. Even in the Winkzy group, he doesn't talk that much. But maybe you should try to talk to Owen.

WILLIAM

Uncle Owen?

ALANA

Oh, that's how you treat him?

WILLIAM

He was an Uncle for us.

ALANA

My nieces treat him like that too.

William's expression is a yes to that affirmation.

ALANA (CONT'D)

Well, Isabelle, Alex, Cecilia, and Owen were always best friends so, it makes sense.

WILLIAM

Yeah, so, imposing your presence on them it's not a way to approach them.

Alana smiles.

ALANA

I know.

WILLIAM

Thank you.

ALANA

You'll find them. If Amelia is alive ---

William looks away.

ALANA (CONT'D)

Let me know if you need anything.

William nods. Alana smiles at him.

FADE TO:

EXT. SAN FRANCISCO - GOLDEN GATE PARK - DAY

Alastair comes walking down one of the streets inside Golden Gate Park. Jade follows. She wears jeans and a t-shirt and her skin is normal now.

JADE

Twenty-first century did you say?

Alastair smirks and nods.

JADE (CONT'D)

I can't believe I spent centuries away.

Jade glances around with rage.

JADE (CONT'D)

How long have you been here?

ALASTAIR

Too long to count. I might be as older as you.

JADE

Those damn good beings ---

Alastair shoots her a look.

ALASTAIR

Who are you talking about?

Jade looks at him.

ALASTAIR (CONT'D)

Who trapped you?

JADE

Some horrible beings. They created us and then tried to destroy us. Worse, they got some others to do it.

Alastair looks at Jade interested in what she said.

JADE (CONT'D)

I won't go back there. It was horrible. All of them always trying to see who was the best. To see who was going to be in charge of that damn prison world.

ALASTAIR

So, it's another world?

JADE

I have no idea. I remained all this time away from them. It was horrible. So much envy there.

ALASTAIR

Isn't that what you like?

Jade stares seriously at Alastair.

JADE

Not like that. It was too much. And I couldn't take it from them. I can't take it from demons or anyone with evil inside.

ALASTAIR

Very decent of you.

JADE

No decent. I can't just absorb so much envy.

(looks at Alastair)

I just can't.

Jade looks away.

JADE (CONT'D)

You said you were going to take me to some Witches.

ALASTAIR

I am. But see, they might not be the most jealous people in the world.

(forces a smile)

They are decent Witches. Fight for the greater good.

JADE

The greater good put me away. Locked me in a forsaken world. But if they don't feel envy, I can't take it from them.

ALASTAIR

Can you use it to end them?

Jade and Alastair stare seriously at each other.

JADE

I need to feed myself of it.

Alastair smirks. He turns around and stares at a group of boys playing ball.

Then Alastair's voice can be heard, but his lips don't move.

ALASTAIR (V.O.)

You two.

Two of the boys stop playing ball immediately.

ALASTAIR (V.O / CONT'D)

Approach.

The two boys walk towards Alastair and Jade as the others watch them. Soon, realizing the two boys are not going to come back, the others take the ball and walk away. The others two stand in front of Alastair and Jade. Alastair turns to Jade.

ALASTAIR (CONT'D)

What can you feel?

Jade looks at the boys. She feels something from them.

JADE

(smirks)

Oh, the one in the right wants the other one's sneakers.

(confused)

What are sneakers?

ALASTAIR

Some kind of shoes.

JADE

(staring at the boys)

The other one envies his friend's family dynamics.

ALASTAIR

Can you take that horrible feeling from them?

Jade smiles.

JADE

Of course.

Jade focuses hard on the boys. Then suddenly the boys start gaining a greenish color. They get on their knees in pain.

Alastair smirks. From the boys, a green smoke comes and Jade absorbs it. The boys fall down on the floor.

JADE (CONT'D)

It is done.

Jade looks at Alastair and smiles as her skin GLOWS green. Alastair smirks and walks away. Jade follows.

ON THE BOYS - Their skin has a shade of green. They are dead.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. SAN FRANCISCO P.D. - MAIN ROOM - DAY

Trace is at Natalie's desk. He is running a search on the computer.

ON COMPUTER SCREEN - Internal Search Engine. Trace types a name in the searching field. It reads:

ELIZABETH TURNER

The results appear. It reads:

0 RESULTS FOUND.

Trace grimaces.

OFF TO NATALIE - She walks into the room and walks towards her desk.

NATALIE

What are you doing at my computer?

Trace glances at her and forces a smile.

TRACE

You are late.

NATALIE

I got stuck in traffic.

TRACE

Yeah, sure.

He stands. She walks towards her chair and sits.

NATALIE

Tell me, Special Agent Thornton, what do your friends at the bureau think of this Serial Killer we are chasing?

TRACE

Well, Detective West, they seem to know nothing more than we do. This freak is killing magic practitioners.

NATALIE

Witches.

TRACE

You don't believe in Witches, do you?

NATALIE

I only believe what I see.

Trace leans over the desk in an intimidating attitude.

TRACE

Have you seen any Witches recently?

Natalie stares at him seriously.

NATALIE

I've seen women dead. At stake. As Witches. San Francisco is known now as the modern time Salem.

TRACE

No.

Trace stands straight.

TRACE (CONT'D)

My colleagues know nothing. But they are pushing.

NATALIE

We need to find this freak.

TRACE

Yes, we do.

SOUND - Trace's cell phone.

Trace excuses himself and walks to a corner. He answers the phone.

TRACE (CONT'D)

(on the phone)

Adrianne?

ADRIANNE (O.S.)

Trace.

(pauses)

I'm here.

TRACE

(on the phone)

Here? Where?

ADRIANNE (O.S.)

The manor.

Trace's expression hardens.

TRACE

(on the phone)

What are you doing there?

ADRIANNE (O.S.)

I wanted to get the book for you so you can stop doing what that damn demon asks you to.

TRACE

(on the phone)

Get out of there. The book won't let you take it.

ADRIANNE (O.S.)

I'll try. I have a plan.

TRACE

(on the phone)

Get the hell out of there.

But Adrianne hangs off the phone.

TRACE (CONT'D)

(on the phone)

Adrianne?

He hangs off the phone.

TRACE (CONT'D)

(on the phone)

Damn!

Trace is serious.

OFF TO NATALIE - She was on the phone. She hangs off and stands.

NATALIE

Thornton!

Trace turns to Natalie.

NATALIE

We have work to do.

Natalie takes her gun out of one of the drawers and stares at him. Trace nods and both of them walk out of there.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON THE BOOK OF SHADOWS - It is on its pedestal.

Adrianne stands near it.

ADRIANNE

C'mon, pretty book. I'm a friend.

Adrianne WAVES her hand over her face and, using GLAMOURING, she turns into LUCAS.

ADRIANNE / LUCAS

It's me. The Whitelighter.

She walks closer to the book and reaches out her hand. She tries to touch it when ---

THE BOOK uses his protecting field to THROW Adrianne away. The book also is thrown to the floor away from Adrianne. As she hits the floor, she turns into herself again.

She tries to stand.

ADRIANNE

Damn!

SOUND - Steps approaching.

Adrianne BLACK ORBS out.

OFF TO THE ENTRANCE - Miranda walks in and glances around. Miranda sees the book on the floor.

CLOSE UP - Book of Shadows on the floor.

MIRANDA

Weird.

Miranda walks towards the book and takes it from the floor.

FADE TO:

EXT. NEIGHBORHOOD - DAY

View at several houses in a quiet neighborhood.

FADE TO:

INT. HOUSE - LIVING ROOM - DAY

ON A DEAD MAN ON THE FLOOR - His chest is covered in blood.

Near him, a woman, CALLIE JONES (30s), is on her knees. She's holding a knife and cries inconsolably.

CALLIE

No, no, no. What have I done? What have I done?

She leans over the man's dead body.

Near her, a GHOSTLY WOMAN stands. She has long hair and dark eyes and looks not older than 30. She wears a long white gown. The Ghostly Woman stares seriously at Callie.

ON GHOSTLY WOMAN'S FACE - She smirks.

FADE TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over San Francisco.

FADE TO:

EXT. SAN FRANCISCO STATE UNIVERSITY - CAMPUS - DAY

Students are seeing everywhere.

FADE TO:

INT. SAN FRANCISCO STATE UNIVERSITY - COFFEE SHOP - DAY

The coffee shop is crowded. At one of the tables are Gabriel and Jillian having coffee. They seem to share a pleasant conversation.

GABRIEL

So, when I was about to correct him, he just said, ---

(quoting)

--- 'Sorry, Professor, google translator lied to me'.

Gabriel and Jillian laugh.

JILLIAN

Oh, my God, the kid uncovered himself.

Gabriel nods.

GABRIEL

He had no vocation for Latin at all. He's now doing Management.

JILLIAN

Nothing to do.

GABRIEL

Nothing to do indeed.

They smile at each other. Then Gabriel gets serious and stares at her. She gets serious too.

GABRIEL (CONT'D)

So, 11 p.m. Tonight?

Jillian stares at him. She smiles.

JILLIAN

P3?

GABRIEL

P3. Got the night off from P3 and gotta enjoy it as a customer.

Jillian smiles big.

JILLIAN

I'll be there.

Gabriel smiles. Then Jillian stands.

JILLIAN (CONT'D)

I need to get back to work. Thanks for lunch.

Gabriel smiles at her.

GABRIEL

See you tonight.

Jillian smiles at him and then turns to leave. As she walks out of the coffee shop, Adrianne comes in. She glances around. Gabriel sees her and waves her. Adrianne looks at him and then walks over to him.

ADRIANNE

Professor Halliwell.

GABRIEL

Didn't we agree in using our first names?

Adrianne smiles. Gabriel signs her to sit. She does.

GABRIEL / ADRIANNE

So ---

Gabriel and Adrianne smile.

GABRIEL

Please.

ADRIANNE

I never got to thank you for helping me, Gabriel.

GABRIEL

There's no need.

ADRIANNE

Of course, there is. I want to do something to thank you.

GABRIEL

You don't need to, Adrianne.

ADRIANNE

I do. What about dinner tonight?

Gabriel grimaces as he has other plans.

GABRIEL

I can't.

ADRIANNE

Oh.

Adrianne tries to sound disappointed.

ADRIANNE (CONT'D)

Girlfriend?

GABRIEL

Yes. Well, we haven't given it a name yet.

ADRIANNE

Double oh. I'm sorry. I didn't ---

GABRIEL

It's okay.

ADRIANNE

It's just that you've been so friendly to me.

GABRIEL

I'm sure other professors ---

ADRIANNE

They don't see me the way you do.

(smiles)

You treat me like a Professor. Which I am.

Adrianne lowers her gaze. She's clearly trying to get pity from him. And she does.

GABRIEL

I'll tell you what.

Adrianne looks at him.

GABRIEL (CONT'D)

My cousin owns a bar. P3. have you heard of it?

Adrianne nods.

GABRIEL (CONT'D)

Why don't you head there tonight? I might introduce you to my friends and family.

Adrianne smiles big.

ADRIANNE

I would love that.

Gabriel smiles.

GABRIEL

We are settled then.

Adrianne keeps smiling big. Gabriel has a sip of his coffee.

FADE TO:

INT. CORONER'S OFFICE - FRIDGE ROOM - DAY

The bodies of the two boys that were killed by Jade are laying on a litter each. Their skin has a faded shade of green.

Next to the litters are the Medical Examiner, Natalie, and Trace. Trace and Natalie stare at the boys.

NATALIE

What's the cause of the dead?

MEDICAL EXAMINER

I'm still trying to figure it out. I've run a few tests to examine the content of the stomach.

NATALIE

Poison? Could it be poison?

The Medical Examiner shrugs. Trace looks seriously at the boys.

MEDICAL EXAMINER

I'll have the results soon.

NATALIE

Let us know.

The Medical Examiner nods. Then he walks out. Natalie stares at Trace.

NATALIE (CONT'D)

What do you think?

TRACE

(looks at her)

Poison can be a very reasonable explanation.

But Trace doesn't believe what he just said. Natalie glances from one body to the other.

FADE TO:

EXT. P3 - DAY

Prue's car is parked outside. And so there's another car.

FADE TO:

INT. P3 - BAR / DANCING FLOOR - DAY

Prue and Alana stand at the center of the dance floor. Alana glances around.

ALANA

I still remember the last time I was here.

Alana looks at Prue.

ALANA (CONT'D)

(forces a smile)

It was right before I moved to Washington. We came here. Piper Anne, your father, and I.

PRUE

To sign the papers?

Alana takes a deep breath.

ALANA

It was hard for me, Prue.

PRUE

(sarcastic)

Really? It didn't look like that.

ALANA

(forces a smile)

I know. I never was too attached to this place. Isabelle was the one who wanted to keep it. Family heritage, she called it.

PRUE

Mom loved this place.

ALANA

Everybody did. I just didn't have the courage to keep it. Too many memories.

Prue lowers her gaze.

PRUE

I didn't want to. I tried not to care for so long. My sisters pushed for so long to make me take my place as the manager and I ---

(sighs)

--- I didn't care. Until one day, I was pushed too far and ---

ALANA

Were you?

Prue looks at her.

ALANA (CONT'D)

Pushed too far? Or did you just listen to the voice of reason?

Prue smiles. Alana looks at her and smiles.

ALANA (CONT'D)

The burden of being Prue.

Prue doesn't understand. Alana smiles.

ALANA (CONT'D)

Mom always said that being Prue came with great responsibility. That's why she never treated Isabelle by Prue. She wanted to spare her daughter of the weight of that name.

PRUE

Well, she certainly didn't spare me.

ALANA

Because she knew.

Prue and Alana stare at each other.

ALANA (CONT'D)

You reminded her so much of her mother.

PRUE

(smiles sarcastic)

The almighty Prue Halliwell?

Alana smiles and nods.

ALANA

She was almighty indeed. And so my grandfather. Every one of them, actually. The Destined Ones. Prudence is the most common name in our family tree, though only a few get to use it.

Alana walks over to Prue.

ALANA (CONT'D)

It was about time this family had someone to call Prue.

PRUE

I'm not almighty.

ALANA

There's so much about you that you are unaware of.

Alana speaks as if she knew something.

PRUE

What do you mean?

Alana turns around to avoid Prue's glance on her.

PRUE (CONT'D)

Aunt Alana?

Alana turns to Prue and forces a smile.

ALANA

I mean that all these ---

(waves her hands)

--- It's all new for you. And your sisters. And also to the others. Speaking about the others, hum, Leo?

Prue looks at her.

PRUE

What about Leo?

ALANA

I've noticed that the two of you ---

PRUE

There's not the two of us when it comes to Leo and me.

ALANA

I just noticed the glances between you.

PRUE

There's not ---

ALANA

(cuts her off)

There is. I'm half cupid, remember?

Prue stares at her.

PRUE

Have you got your cupids' powers back?

Alana shakes her head.

PRUE (CONT'D)

Then don't try to get all cupid on me.

ALANA

I wouldn't even dare.

PRUE

Good. Well, You've seen the bar already. Now ---

ALANA

Now, I'll go.

They stare at each other.

ALANA (CONT'D)

But I'll be close, Prue.

Prue rolls her eyes. Alana smiles.

ALANA (CONT'D)

You can lie to yourself as much as you want, but remember, you can't ever escape your destiny.

Prue stares at her. Alana smiles and then turns around. She walks out of the bar. Prue sighs. She's thoughtful.

FADE TO:

INT. RESTAURANT - LUNCHROOM - DAY

Persephone is at one of the tables waiting for someone. The waitress brings her a cup of soda. She shoots her a thankful smile. Persephone has a sip and glances around.

OFF TO THE ENTRANCE - Trace comes in. He glances around and spots Persephone.

Persephone looks at him and smiles. Trace walks over to Persephone.

TRACE

I'm so sorry.

PERSEPHONE

(smiles)

It's okay.

Trace takes his seat.

TRACE

I had a case.

PERSEPHONE

Is it about the Witch Hunter?

Trace stares seriously at her.

TRACE

No. He hasn't shown up lately.

Persephone nods. She seems worried.

TRACE (CONT'D)

You don't need to worry. I'm sure we'll catch that serial killer fast.

PERSEPHONE

I hope so. He just kills women, right?

Trace nods.

PERSEPHONE (CONT'D)

Do you have any clues?

Trace shoots her a look.

PERSEPHONE (CONT'D)

I'm sorry. I know you can't share information.

TRACE

I can't indeed.

PERSEPHONE

But you certainly can talk about your job.

Trace nods.

TRACE

It's boring.

PERSEPHONE

Being an FBI agent?

TRACE

Talking about me. I rather talk about you.

Persephone tries to hide a smile.

TRACE (CONT'D)

Don't.

He touches her hands and shoots her a seductive look. Persephone looks at him.

TRACE (CONT'D)

You look beautiful when you smile.

Persephone looks at his hands over hers. Then she looks at Trace and smiles.

PERSEPHONE

Thank you.

Trace smiles. He withdraws his hand.

TRACE

So, tell me, who's Persephone Halliwell?

PERSEPHONE

(smiles)

A cook. A bar owner. A woman. A sister.

TRACE

I remember you mentioned you had two sisters.

PERSEPHONE

I do. Prue and Priscilla.

TRACE

All 'P' names?

PERSEPHONE

All 'P' names. It's kinda a tradition in our family. Since the Salem ---

Persephone cuts herself up.

TRACE

What were you going to say?

Persephone thinks for a few seconds.

PERSEPHONE

Well, uh, the first of my family line with a 'P' name was someone born a little before the Salem witch trials.

Trace raises his eyebrows.

TRACE

Was she born a Witch?

Persephone gets serious at his question. Trace notices the effect the question had on her.

TRACE (CONT'D)

Just kidding.

PERSEPHONE

I know. It's just that I always thought of it as a horrible thing.

TRACE

Well, I promise that I won't let that happen again. You're protected.

Trace half-smiles.

PERSEPHONE

I'm not a Witch.

TRACE

Of course, you aren't, silly.

Trace smiles at her.

OFF TO ANOTHER TABLE - A woman stares at them seriously. This woman is no other than Nora, the Huntress.

FADE TO:

INT. OFFICE BUILDING - LEO'S OFFICE - DAY

Leo is at his desk lost in his thoughts. He is leaning back in his chair while staring through the window, but not actually seeing anything. He sighs. Only he knows what thought occupies most of his mind. Then, he takes his hand to the back of his neck and rubs it. He grimaces.

OFF TO THE ENTRANCE - Priscilla comes in.

PRISCILLA

Leo, I finished the report for your case about the Railay's sisters.

Leo keeps rubbing his neck.

PRISCILLA (CONT'D)

They might win the case against that man. They have good chances. Besides, with you as their lawyer ---

Priscilla notices Leo is not paying attention to her.

PRISCILLA (CONT'D)

Leo?

Leo is brought back from his thoughts.

LEO

Hey.

PRISCILLA

You didn't listen to anything I said.

Leo sighs.

LEO

Sorry, Pris. I didn't indeed.

Priscilla notices he keeps rubbing his neck.

PRISCILLA

Something wrong?

LEO

No, it's just ---

(grimaces)

--- it burns.

PRISCILLA

Do you want me to check it?

LEO

No, it's okay. It's nothing. What were you saying?

SOUND - A KNOCK ON THE DOOR.

Priscilla turns around and both Priscilla and Leo stare at the door.

Natalie stands there with takeaway food.

NATALIE

I thought we could have lunch together.

(looks at Priscilla)

Sorry, Priscilla. I simply forgot about you.

PRISCILLA

(forces a smile)

It's okay. I will meet Miranda for lunch.

She turns to Leo as if asking if she can leave. Leo nods. Priscilla walks out of the office. Natalie comes in and places the food on the desk.

LEO

You didn't have to.

NATALIE

No, but I needed to.

Natalie walks towards Leo. He stands and she puts her arms around his neck.

NATALIE (CONT'D)

I saw two kids dead.

She kisses him softly. He puts his arms around her waist and kisses her.

LEO

What was the cause of death?

Natalie smiles at him.

NATALIE

Why are you so interested all the time in my cases?

LEO

(disguises)

Just making conversation. But was it related to ---

NATALIE

The Witch Hunter?

Leo nods.

NATALIE (CONT'D)

No. Maybe poisoning. They were green.

Leo squints his eyes.

NATALIE (CONT'D)

It was horrible.

She kisses him again, but this time he pulls back.

LEO

What about the Witch Hunter?

NATALIE

Quiet for the past days. I feel like he's playing with us. When we relax a bit, he strikes back.

Natalie kisses him again.

NATALIE (CONT'D)

So, tonight ---

They stare into each other's eyes.

NATALIE (CONT'D)

What about dinner? We could go out. Your cousins' restaurant maybe?

LEO

(smiles)

Sounds good.

Natalie shoots him a look.

NATALIE

What's wrong with you? You seem distant.

LEO

I'm just ---

He looks at her and then smiles.

LEO (CONT'D)

Forget it. I don't want you to feel me distant.

She smiles as he pulls her closer to him and kisses her passionately. He leans her against the desk. Natalie undoes his tie while he helps her to sit on the desk. They keep kissing passionately.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. NEIGHBORHOOD - DAY

A car is pulled over in front of a house. William comes out of the car and stares at the house in front of him. He sighs.

WILLIAM

(to himself)

Well, you are here now. Who knows and maybe someone saw him recently.

He walks towards the house and reaches the front door. He rings the bell. He doesn't have to wait long enough. An elderly woman opens the door. She smiles.

WILLIAM (CONT'D)

Mrs. Neill?

The woman nods.

WILLIAM (CONT'D)

My name is William Palmer.

The woman doesn't recognize him.

WILLIAM (CONT'D)

I'm Damien Morgan's son. He was the previous owner of this house.

And now she knows.

MRS. NEIL

Of course. How can I help you?

WILLIAM

I just have a question. By any chance, has my father showed up here recently?

MRS. NEIL

Oh, no, boy. The last time I saw your father was when my husband and I moved here. I never saw him again.

WILLIAM

He never reached out to you or ---

MRS. NEIL

No. Why would he?

William stares at the woman for a few moments, then he sighs.

WILLIAM

Thank you.

Mrs. Neil smiles at him and then enters the house closing the front door. William turns around. He sighs again and moves towards his car.

SOUND - A LOUD SCREAM.

William glances around trying to figure out where the scream came from and then sees it.

A young woman stands in the middle of the road staring at Callie who comes from her house. She is covered in blood. She seems disturbed.

William stares at Callie.

WILLIAM (CONT'D)

What the ---

And then William sees it.

Right beside Callie, the Ghostly Woman stands staring at Callie.

WILLIAM (CONT'D)

(sarcastic)

Of course, there had to be a reason for me to be here right now.

William grimaces.

FADE TO:

INT. SHOE SHOP - DAY

Two women are inside the shop. One is trying out a pair of red high heels shoes while the other one stares at them.

WOMAN #1

(looks at her friend)

Do they look good on me?

WOMAN #2

They do, but they are too expensive.

Jade walks into the shop. Her skin is not green. She glances around.

WOMAN #1

Money is not a problem for me. My husband wants to keep me happy after I found he was having a case with his assistant.

WOMAN #2

So, you are gonna cross the limits of his credit card?

WOMAN #1

That's exactly what I'm going to do.

The woman with the red shoes takes them off.

WOMAN #1 (CONT'D)

I don't care for the price.

WOMAN #2

I wish I had money to spend on a pair of shoes as beautiful as those ones.

Jade stares at both women. Then she smirks. Jade focuses her glances on woman #2. Woman #1 goes to pay for the shoes. The only thing woman #1 knows, is that her friend is laying on the floor.

WOMAN #1

What ---

Woman #1's eyes widen with horror.

ON WOMAN #2 - Her skin is green.

Jade's skin GLOWS green. She turns around and walks out of the shop at the same time as Priscilla and Miranda walk in. Priscilla and Miranda stare at Jade as she walks out. Then they turn to the scene inside the shop. Priscilla and Miranda look at each other. Then the two of them walk out of there.

FADE TO:

INT. HALLIWELL'S - DINING ROOM - DAY

Pamela is by the counter on her computer. Dove comes from the kitchen.

DOVE

Lunch was a success today.

Pamela smiles.

PAMELA

It was indeed. I believe we are going to have to hire more people.

DOVE

Does that include a new cook?

Pamela looks at Dove.

PAMELA

Is Felix quitting?

Dove shakes her head.

DOVE

Not that I know.

Pamela breathes relieved.

PAMELA

Thanks, God.

DOVE

But Persephone and he might kill each other someday.

Pamela smiles.

PAMELA

They'll get along.

OFF TO THE ENTRANCE - Aiden comes in.

Dove looks at Aiden as he comes in.

DOVE

Well, I could get along with that one.

Pamela turns around and sees Aiden as he walks towards them. Pamela looks at Dove and smiles.

AIDEN

Girls!

Dove smiles at Aiden. He smiles at them.

PAMELA

Hi, you.

DOVE

I'm gonna take my break now.

Dove says that to Pamela without taking her eyes off of Aiden.

PAMELA

Sure.

Dove winks at Aiden and then turns around. She walks into the kitchen. Aiden turns to Pamela. She smiles at him.

PAMELA (CONT'D)

She's interested, you know?

AIDEN

On what?

PAMELA

You.

Aiden's eyes widen.

AIDEN

Really?

PAMELA

Oh, for the love of God, Aiden. Go ahead.

AIDEN

Are you sure? She's your employee.

PAMELA

For the record, she was hired by Persie and not by me.

Aiden smiles at her.

PAMELA (CONT'D)

But whatever you do make sure you don't do it here in my restaurant.

AIDEN

Gotcha!

Aiden starts moving towards the employees' area.

PAMELA

And don't forget we have a meeting with Lucas later today.

AIDEN

I won't.

Aiden walks into the employees' area. Pamela sighs.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

William comes into the attic and rushes towards the Book of Shadows. He starts flipping page after page.

WILLIAM

(to the book)

You could just do whatever you do to show us the demon we are looking for.

Gabriel comes in.

GABRIEL

Hey, I saw you rushing into here. What's going on?

William looks at him.

WILLIAM

I think I just saw a demon.

GABRIEL

A demon?

WILLIAM

I guess.

GABRIEL

One of those ---

WILLIAM

I have no idea.

William keeps turning page after page and ---

WILLIAM (CONT'D)

Found it!

GABRIEL

Uh?

William looks at Gabriel.

WILLIAM

It is here.

Both seem surprised. Gabriel walks over to William and the Book of Shadows. Both of them look at the book.

WILLIAM (CONT'D)

It is the first time we found a demon in the book.

GABRIEL

It is not a demon.

ON THE BOOK OF SHADOWS' PAGE - The Weeping Wife.

WILLIAM

The Weeping Wife?

William and Gabriel look at one another.

GABRIEL

Is that what you're looking for?

William nods.

WILLIAM

I saw her.

William starts telling Gabriel about what he saw in that neighborhood he went to.

WILLIAM (CONT'D)

I went to my old neighborhood.

GABRIEL

The one you lived in before your father moved to New York?

William nods.

WILLIAM

I just went to check if he showed up at our old house.

GABRIEL

And?

WILLIAM

He never went there. When I was about to leave, I saw a woman. She was covered in blood and standing right beside her was this ---

William points to the book.

WILLIAM (CONT'D)

(confused)

--- spirit?!

The two of them stare at the book's page.

GABRIEL

It's the spirit of a widow.

WILLIAM

She killed her husband out of rage for his betrayal.

GABRIEL

Look at this.

Gabriel reads from the book.

GABRIEL (CONT'D)

'Unknown identity, she has been seen for centuries wondering about. She found her husband cheating on her and, in a fit of blind rage, she kills her husband stabbing him in the heart. The Weeping Wife hunts women who don't trust their husbands. She encourages them to kill their husbands cause she believes she doesn't deserve to suffer alone.'

WILLIAM

Well, that's the right one.

Gabriel looks at him.

WILLIAM (CONT'D)

That woman covered in blood killed her husband. I was there when the cops came.

Gabriel sighs. They turn to the book.

GABRIEL

It says how to vanquish her.

WILLIAM

Let's do it.

Gabriel shoots him a look.

WILLIAM (CONT'D)

I didn't want to go there. Miranda suggested we should and I didn't want my sister to get there.

GABRIEL

Because it wasn't the best years of your lives.

WILLIAM

Exactly.

GABRIEL

So you preferred to do it yourself to spare your baby sister.

WILLIAM

Don't ever tell her why I did it.

Gabriel smiles.

GABRIEL

She's your sister, man. There's no shame in loving her.

WILLIAM

I know.

Gabriel looks at the book.

GABRIEL

Let's go vanquish this version of La Llorona.

William looks at the book. Both of them stare seriously at the book.

WILLIAM

Is that correct?

GABRIEL

It appears so.

WILLIAM

Does she even have a heart?

Gabriel shrugs.

GABRIEL

Bite me!

Both of the stare at the Book of Shadow.

ON BOOK OF SHADOWS' PAGE - The CAMERA FOCUSES on the bottom of the page where the information about how to vanquish the spirit can be found. It reads:

'Stab her through the heart with a specially made silver blade'.

Gabriel and William look at each other.

FADE TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL FOOTAGE all over the city.

FADE TO:

EXT. HALLIWELL MANOR - ATTIC - NIGHT

Persephone is there. She is wearing a short black dress while she paces the room. She stares at her wristwatch.

Lucas ORBS in. Persephone looks at him.

PERSEPHONE

It was about time.

Lucas shoots her a look and she realizes he's very elegant.

PERSEPHONE (CONT'D)

Do you always dress like that to talk to us? Cause I never noticed it.

Lucas smiles.

LUCAS

I'm taking your sister on a date.

Persephone's eyes widen.

PERSEPHONE

Which one?

LUCAS

Uh, Prue.

PERSEPHONE

Are you sure? Because I know Prue and she doesn't do dates.

LUCAS

Well, I'm pretty sure she's expecting me to take her on a date.

Persephone is surprised. She puts her hands on her hips.

OFF TO THE ENTRANCE - Leo, Pamela, and Aiden come in. Out of the three, Leo is the one who looks like he's also going on a date. Not that Pamela and Aiden look bad themselves.

PAMELA

Okay, here we are. Can we make this quickly cause the restaurant is full today?

PERSEPHONE

Is it?

PAMELA

You would know if you cared to show your face there today.

PERSEPHONE

I'm sorry.

PAMELA

Don't worry. I'll cover you tonight too.

PERSEPHONE

(smiles)

Thanks. I'll be there before closing time.

LEO

Where's everybody?

PERSEPHONE

I've been trying to reach Gabs and Will and none of them is answering their phones. Not even Priscilla and Miranda. I have no idea where they are. I just found the book opened into this page.

Persephone points to the book.

PERSEPHONE (CONT'D)

The Weeping Wife.

AIDEN

Is that one of those demons with the symbol?

Lucas walks over to the Book of Shadows and stares at it.

LUCAS

I don't think so. This legend is old.

PERSEPHONE

La Llorona old?

LUCAS

Well, there are actually several Weeping Women out there. The Weeping Wife cries her own crime. Murdering her husband.

PAMELA

(sarcastic)

That's splendid.

LEO

Well, maybe that explains why they aren't here. Maybe they are after a Weeping Wife.

PERSEPHONE

And not let us know?

LEO

Well, how hard could it be to vanquish a Weeping Wife?

They all stare at each other.

FADE TO:

INT. HOUSE - LIVING ROOM - NIGHT

The room is dark as it seems to be the rest of the house.

Gabriel and William walk in. Both of them with their phone flashlight on.

GABRIEL

Are you sure this is the house?

WILLIAM

I saw the woman coming out of here.

GABRIEL

What are we hoping to find?

They glance around.

WILLIAM

They didn't found the murder weapon.

GABRIEL

How do you know?

WILLIAM

I read it on the internet.

GABRIEL

We should have told the others.

WILLIAM

Why? It's just a Weeping Wife.

GABRIEL

Just?

Gabriel shoots him a look. William shrugs.

Gabriel points the flashlight to the center of the living room.

ON THE FLOOR - The blood can still be seen there.

GABRIEL (CONT'D)

Damn. Poor guy!

William looks at it.

WILLIAM

In the heart.

Gabriel looks at William.

WILLIAM (CONT'D)

I read it on the internet.

GABRIEL

Maybe we should start using the internet for demons' stuff.

WILLIAM

Funny.

William lowers down and points the flashlight under the furniture. He seems to find something.

WILLIAM (CONT'D)

Found it.

Gabriel looks at him. William rushes to a floor lamp and he's about to move it.

GABRIEL

Hey!

William looks at him.

GABRIEL (CONT'D)

Fingerprints.

WILLIAM

Right!

Gabriel signs him to move away. William moves away. Gabriel stares at the floor lamp and uses TELEKINESIS to move it. He does and ---

ON THE FLOOR - A kitchen knife.

WILLIAM (CONT'D)

Got it.

William lowers down and takes the kitchen knife.

GABRIEL

That's gonna leave fingerprints too.

WILLIAM

We'll clean it after. That woman isn't guilty of killing her husband. Did you bring the map and the crystal?

Suddenly Gabriel stays very quiet staring at something.

GABRIEL

I guess we won't need it.

Gabriel points to something behind William. Slowly, William turns around and ---

BEAT. The Weeping Wife stands there in her ghostly figure staring at them.

Gabriel and William look at each other.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Persephone is on the phone. The others stare at her. She hangs off.

PERSEPHONE

No one is picking up. I'm getting worried.

PAMELA

I'm sure they are fine.

OFF TO THE ENTRANCE - Prue comes in wearing a short silver dress.

PRUE

Okay, I'm here!

Everybody looks at Prue. Leo and Lucas can't help to see how beautiful she looks.

LUCAS

You look ---

LEO

(whispers)

Beautiful.

LUCAS

Beautiful.

Prue smiles. Lucas walks towards her and kisses her softly on the lips.

ON LEO'S FACE - His eyes GLOW YELLOW.

Leo turns around and rubs the back of his neck. Pamela looks at him and notices something's wrong.

PAMELA

(to Leo)

Are you okay?

Leo turns to her and when he does, his eyes are not glowing yellow anymore.

LEO

Yeah, I am.

Pamela shoots him a suspicious look. Leo looks at Prue just as she looks at him. She lowers her gaze.

PRUE

So, let's start the meeting.

LUCAS

That could be great if Gabriel, William, Priscilla, and Miranda showed up.

PRUE

(glancing around)

Where are they?

AIDEN

We don't know. None of them are picking their phones.

PERSEPHONE

But we believe they are after a Weeping Wife.

PRUE

A what?

AIDEN

One of the many versions of La Llorona.

PRUE

Oh, those beings are real?

LUCAS

They are.

PAMELA

Well, why don't you tell us what this is about, Lucas?

LUCAS

I prefer to talk to all of you since it's a matter concerning the nine of you. Actually, the whole Warren line, but since the nine of you are here in the same place.

PAMELA

Well, we can meet tomorrow morning. I hope they show up by then.

PERSEPHONE

Yes, ---

(checks her wristwatch)

--- that's great, cause I have a date and my date is supposed to arrive in ---

SOUND - DOORBELL.

PERSEPHONE (CONT'D)

Now.

Everybody stares at Persephone.

PAMELA

Twice in the same day?

Persephone waves them goodbye and walks out of the attic. They all look at one another.

PRUE

Twice? The same guy?

Pamela nods.

PRUE (CONT'D)

That's new.

(to Lucas)

Should we go too?

Lucas nods. He grabs Prue's hand and both walk out of the attic.

LUCAS

Tomorrow!

Pamela and Aiden look at each other. Leo walks out of the attic as well.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR HALL - NIGHT

Prue and Lucas come from the attic. They come in smiling.

LEO (O.S.)

Prue?

They turn around. Leo is there. Prue and Lucas stare at Leo.

LEO (CONT'D)

(to Prue)

Can we have a word in private?

Prue glances at Leo and then she turns to Leo.

PRUE

Sure.

Prue approaches him and both move away from Lucas. They talk in a low voice to not be heard.

PRUE (CONT'D)

What is it?

LEO

The Witch Hunter.

PRUE

Have you find anything else from your ---

(pauses)

--- girlfriend?

LEO

No. The last thing I knew was of that message he left.

PRUE

She.

Leo shoots her a curious look.

LEO

She?

PRUE

Yeah. You said he, but I have a feeling it's a she.

LEO

How do you know?

PRUE

Just a feeling.

LEO

Well, just a feeling, any idea where do we go from here?

PRUE

Well, right now I'm gonna go on my date, and tomorrow we'll figure that out.

LEO

A date?

Leo shoots her a look.

PRUE

Uh, yes.

LEO

You don't do ---

PRUE

I know. It doesn't mean I'll marry him.

Leo and Prue stare at each other.

LEO

And the others?

PRUE

If they need us, they'll call us. Relax.

LEO

Are you possessed by some demon?

PRUE

I'm pretty sure I'm not. I just had a talk with Aunt Alana. She put me in a bad mood.

Leo shoots her another look.

PRUE (CONT'D)

I've decided I won't let her change my mood. Go on your date and we'll talk tomorrow.

LEO

How do you know that I ---

Prue shoots him a look.

LEO (CONT'D)

Just a feeling.

Prue smiles.

PRUE

Have fun.

LEO

I hope you don't.

They stare at each other and then Prue approaches Lucas.

PRUE

I'm ready to leave.

Leo looks at them.

LUCAS

I was thinking of orbing out.

PRUE

(smiles)

Oh, great.

Lucas puts an arm around her waist.

LUCAS

Hold on tight.

Lucas looks at Leo who keeps staring at them and then Lucas ORBS out taking Prue.

LEO

Hold on tight? Hold on tight! It's freaking orbing. Not like he's taking her to fly.

Pamela and Aiden come from the attic.

PAMELA

Are you all right?

LEO

(mad)

I've been better.

Leo walks quickly out of there. Pamela and Aiden look at each other.

AIDEN

Can you give me a ride to Halliwell's?

PAMELA

Dove?

Aiden nods.

PAMELA (CONT'D)

Come. My driver is waiting.

The both of them walk out of there.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET - NIGHT

Jade walks at pace down the road. Priscilla and Miranda walk behind her keeping their distance.

PRISCILLA

Her skin has become normal again.

MIRANDA

I know, but I'm sure she's a demon.

PRISCILLA

Shouldn't we call the others?

MIRANDA

Now we see where she heads to.

Jade stops in front of a Coffee shop and stares at the inside through the display window. Priscilla and Miranda stop. They stare at Jade.

PRISCILLA

What should we do?

MIRANDA

I'm sure this is one of those demons.

PRISCILLA

Reason enough for us to head home.

MIRANDA

Like chicken?

PRISCILLA

No. To check the book.

Then Jade walks into the Coffee shop.

MIRANDA

Let's go.

Priscilla and Miranda walk into the coffee shop.

FADE TO:

INT. COFFEE SHOP - NIGHT

Jade sits at a table. Priscilla and Miranda walk in and sit at a table as well. Nearby, a couple of men are having a conversation.

MAN #1

You should listen to me. You need to talk to them and come clear about your sexuality.

MAN #2

It's my parents we are talking about. They are old school. Like really old school. From last century.

MAN #1

Still, they should know.

MAN #2

I wish I was more like you. Actually, I wish I had your life. You have a good job, a wife, a career. While I ---

Jade stares seriously at the men. She smirks as she listens to the conversation.

PRISCILLA

(whispers to Miranda)

Look.

Man #2's skin starts taking a shade of green.

MIRANDA

Is he ---

Priscilla nods.

Man #2 starts feeling bad. Jade's skin starts getting green. Priscilla and Miranda stare at Jade.

PRISCILLA

Oh, my God!

MIRANDA

She's a demon.

PRISCILLA

What do we do?

Priscilla and Miranda see how Man #2 falls on the floor unconscious. Everybody in the coffee shop rushes to help.

Jade stands and walks out of the coffee shop. Priscilla and Miranda stare at her as she leaves.

PRISCILLA (CONT'D)

Time to head to the manor?

MIRANDA

Immediately.

Both Priscilla and Miranda walk out of the coffee shop quickly.

FADE TO:

EXT. HOUSE - LIVING ROOM - NIGHT

ON WILLIAM - He is thrown against a wall.

Gabriel is across the room also on the floor.

The Weeping Wife stands in the middle of the living room.

WEEPING WIFE

Leave.

Gabriel and William stand and stare at her.

WILLIAM

You are the one who needs to leave. Others don't need to do what you did.

WEEPING WIFE

No one understands my pain.

WILLIAM

Killing your husband because he cheated on you? That's no way to make him pay. That's no way to erase your pain.

GABRIEL

Not even inducing others to do so.

WEEPING WIFE

They wanted it.

WILLIAM

Want is one thing. Doing it is another.

WEEPING WIFE

You need to ---

William and Gabriel stand. The Weeping Wife stands still as if she is feeling something. Then the Weeping Wife starts moving out of the room.

GABRIEL

Where is she going?

WILLIAM

I don't know.

She is out of the room.

GABRIEL

Let's go.

They go after her.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Priscilla and Miranda rush into the attic and walk over to the Book of Shadows. Priscilla is trying to reach someone on the phone.

PRISCILLA

No one is picking up.

MIRANDA

We can do this.

PRISCILLA

Can we?

They look at each other. Then Priscilla looks up. Miranda is thoughtful.

PRISCILLA (CONT'D)

Whoever you are, we need to know how to vanquish this demon woman.

MIRANDA

Envy.

Priscilla looks at Miranda.

PRISCILLA

What?

MIRANDA

Green. Envy. The man was green.

PRISCILLA

And so was the woman in the shoe shop.

Miranda nods. Priscilla looks up again.

PRISCILLA (CONT'D)

(out loud)

Did you hear that? Something related to envy. Please tell us.

Priscilla and Miranda stare at each other.

ON THE BOOK OF SHADOWS - Magically, the book opens itself and starts flipping pages alone.

PRISCILLA (CONT'D)

Thank you.

ON THE BOOK OF SHADOWS - It stops on one page and some text starts appearing. It reads:

'JADE,

Envy. One of the seven sins and one of the worsts. It can consume one person from the inside. Jade can feel the smallest shadow of envy inside one person. Just as her sister Rage, make her feel too much to handle'.

Priscilla and Miranda look at one another.

PRISCILLA (CONT'D)

The smallest shadow of envy.

MIRANDA

We must find the others.

PRISCILLA

And Jade.

MIRANDA

GPS tracking?

PRISCILLA

Good idea. I'll scry for Jade.

Priscilla and Miranda nod. Miranda takes her phone out of her pocket while Priscilla walks over to a bookcase to search for the crystal and the map.

FADE TO:

EXT. HALLIWELL'S - NIGHT

The restaurant is full of people. All the tables are occupied. Dove and Pamela are by the counter.

DOVE

Chef Felix is being a total success tonight.

PAMELA

I wish Persephone was here to watch.

DOVE

Well, if she was probably Chef Felix wouldn't surpass himself.

PAMELA

Oh, she gets on his nerves.

Both women smile.

OFF TO THE FRONT DOOR - Prue and Lucas come in.

Pamela stares at the front door and smiles as she sees them coming in.

PAMELA (CONT'D)

Now things will get better.

DOVE

You don't have a table for them. You gave another couple the table that was booked for them.

PAMELA

I know. And I gave a four-seat table to Leo and Natalie.

DOVE

Yeah, I wonder why.

Pamela shoots Dove a sly look. Then Pamela walks over to Prue and Lucas.

PRUE

I think we won't have a table.

PAMELA

Hello. How was the movie?

PRUE

Was fine.

LUCAS

Pamela, you promised me you'd booked me a table.

PAMELA

Oh, I know. And I have.

Pamela gives them her best smile.

PAMELA (CONT'D)

Come.

Pamela signs them to follow her. They do. Pamela takes them to a table with four seats. Two of the seats are occupied by Leo and Natalie. Pamela makes a sound with her throat.

PAMELA (CONT'D)

Ahem!

Leo and Natalie, who were having a nice conversation, look at Pamela. Leo can't help but see past Pamela. His expression hardens when he sees Prue and Lucas. Prue lowers her gaze.

PAMELA (CONT'D)

I'm sorry, guys, we had a small issue with the reservations and we accepted more reservations than tables available. And this lovely couple ---

(points to Lucas and Prue)

--- don't deserve to pay for me and my staff's mistake. So, I was wondering, would you mind sharing a table? Take it as a double date.

Pamela smiles big at Leo and Natalie. Natalie looks at Prue and Lucas. Prue and Lucas look at each other.

PRUE

I think that's not necessary.

NATALIE

Nonsense. Join us, please.

Leo looks at Natalie. He is surprised at her attitude.

PAMELA

(smiles big)

Great.

Pamela turns to Prue and Lucas and signs them to sit. Prue and Lucas look at one another.

LUCAS

Why not?!

Prue sighs. Then Prue and Lucas go and sit. Prue beside Natalie and Leo beside Lucas. Pamela keeps her big smile on her face.

PAMELA

I'll send a bottle of our special wine. What about our special dish of the night? Leo and Natalie have ordered it.

Lucas smiles at Pamela.

LUCAS

It sounds perfect. Thank you.

Pamela turns around and walks over to the counter. Suddenly, the mood at the table has shifted. The four of them seem awkward.

Pamela reaches the counter and smiles at Dove.

PAMELA

I want the best wine for them and two more specials.

DOVE

Why the wicked smile on your face?

Pamela smiles bigger.

PAMELA

Wicked? I? Oh, no. I just see what others can't.

Pamela turns around and looks at the table where Prue, Leo, Lucas, and Natalie are.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - ENTRANCE - NIGHT

The light is off. The door opens. Trace comes in and turns on the light. He walks in and motions for someone to walk in too.

BEAT. Persephone walks in. She glances around.

PERSEPHONE

A nice apartment downtown. It must cost a fortune.

TRACE

I can't complain about my bosses.

Persephone looks at him and smiles. Trace closes the front door. Persephone bites her lower lip.

PERSEPHONE

I don't do this.

TRACE

Do what?

Persephone smiles shy.

PERSEPHONE

Going to a man's apartment on our first date.

TRACE

For the record, this is our second date.

PERSEPHONE

Still.

Trace shortens the distance between them.

PERSEPHONE (CONT'D)

We barely know each other.

TRACE

And yet, I feel like I've known you my whole life.

She smiles.

PERSEPHONE

Seriously?

Trace nods and gets dangerously close to her. He takes her jacket and purse and puts them on the entrance furniture. Then he turns to her and puts his hands on her hips. She lowers down her gaze.

TRACE

You are so beautiful.

Trace lifts her chin and both their eyes meet each other. Persephone can't hide she's nervous. She nervously touches his chest. Trace lowers down a bit approaching his face to hers. His body is really close to hers. He leans her against the wall behind her.

TRACE (CONT'D)

I can't wait for you to try my bed.

PERSEPHONE

Trace ---

His name came out of her mouth in a whisper and he approaches his lips to the curve of her neck. Persephone closes her eyes as she feels his lips on her skin. Trace presses his body against hers.

PERSEPHONE (CONT'D)

Trace ---

Trace runs his hands down her body and lifts one of her legs up. He presses his body against hers again.

PERSEPHONE (CONT'D)

(moans)

Oh!

Trace presses his lips to hers and lifts her other leg and then he carries her towards the bedroom while kissing each other passionately.

FADE TO:

EXT. NEIGHBORHOOD - NIGHT

The Weeping Wife walks at pace down the street. Gabriel and William follow.

WILLIAM

Where do you think she's going?

GABRIEL

I'm not a psychic. Got the silver blade?

William nods.

WILLIAM

Your father kept one of his blades in the attic.

Gabriel shoots him a look.

GABRIEL

Don't ever let him find out what did we take it for.

WILLIAM

Well, this one is small.

William takes a silver blade dagger from the back of his pants. Gabriel opens his eyes as he sees the dagger.

GABRIEL

Crap! Did he forget that one in the attic?

William nods.

GABRIEL (CONT'D)

He'll kill us if he finds out we used it to kill a spirit.

WILLIAM

First, we need to use it.

They look at the Weeping Wife. She has stopped in front of a house.

WILLIAM (CONT'D)

I guess is showtime.

The Weeping Wife disappears. Gabriel and William look at each other.

GABRIEL

Let's go.

Gabriel and William walk into the house.

FADE TO:

EXT. P3 - NIGHT

People are entering the club. The music is pumping.

FADE TO:

INT. P3 - DANCE FLOOR / ENTRANCE - NIGHT

The club is crowded. The DJ plays the music as people are dancing on the dance floor.

Adrianne, wearing a short red dress, walks into the club. She glances around.

OFF TO JILLIAN - She's at one of the tables having a drink. She checks her wristwatch.

Adrianne reaches the bottom of the entrance staircase and walks over to the counter. She addresses the bartender.

ADRIANNE

Have you seen Gabriel?

The bartender shakes his head.

ADRIANNE (CONT'D)

A margarita, please.

The bartender nods. Adrianne turns around. She's serious.

FADE TO:

INT. HALLIWELL'S - DINING ROOM - DAY

The restaurant is still full. Dove moves towards one of the tables carrying a bottle of champagne. BEAT. Those two in the table are Alastair and Jade. Jade has normal skin.

ALASTAIR

(to Dove)

Thank you.

Dove puts the bottle on the table. Smiles at them and then she turns around. Dove walks over to the counter where Pamela is standing and glancing around.

DOVE

Weird couple that one.

PAMELA

Which one? Tonight seems like Valentine's night.

Dove looks at Alastair and Jade's table. Pamela follows her glance.

PAMELA (CONT'D)

Too young for him.

DOVE

They seem everything but in love.

PAMELA

Well, I'm more interested in those ones.

Pamela looks at Leo, Prue, Lucas, and Natalie's table.

PAMELA (CONT'D)

I wish I was a fly.

At Leo, Prue, Lucas, and Natalie's table, the mood is still weird. Natalie and Lucas seem to do all the talk.

NATALIE

--- So, yes. When they offered me I didn't hesitate to come.

LUCAS

Well, San Francisco has its charms.

NATALIE

Indeed.

Natalie looks at Leo, smiles, and puts her hands over his.

Back to Alastair and Jade's table, Alastair signs Jade to look at Leo and Prue's table.

ALASTAIR

What can you feel from them?

Jade looks at them and smirks.

JADE

Oh, yes.

(looks at Alastair)

Witches?

ALASTAIR

Two of them are Warrens. Soon, the nine will be here.

JADE

I can't wait for it.

ALASTAIR

Then don't.

Alastair smirks.

Back at Prue and Leo's table, Prue sees how Natalie caresses Leo's hand softly. Prue deviates her glare from it.

PRUE

Have you found anything about the Witch Hunter?

Lucas and Leo look at Prue.

PRUE (CONT'D)

What? I'm a woman. I'm afraid.

Natalie shoots her a look.

NATALIE

Are you a Wicca practitioner?

PRUE

(serious)

I'm not.

NATALIE

Then you should not worry. He only cares for Wicca practitioners.

PRUE

He?

Leo shoots Prue a look.

PRUE (CONT'D)

So, it's a he?

NATALIE

We don't know yet.

Prue forces a smile and then shoots Leo a look.

NATALIE (CONT'D)

I'm sorry, I can share more about it.

Prue takes her glass of wine.

PRUE

Of course, that rule doesn't apply to Leo.

Leo shoots her a look.

LUCAS

Let's talk about something else, shall we?

NATALIE

Couldn't agree more.

LEO

Great.

PRUE

So, ---

Leo rolls his eyes.

PRUE (CONT'D)

What are the plans for the rest of the night?

LEO

What are yours?

Leo and Prue stare at each other. Natalie looks from Leo to Prue.

NATALIE

Well, I might take Leo to my apartment.

Prue looks at Leo.

PRUE

Is that so?

Prue puts her hand over Lucas's hand.

LUCAS

I think we should not get into those private businesses.

PRUE

Why not? We all know what happens after these kinds of dates, don't we?

NATALIE

Of course.

LEO

I'm on this with Lucas.

PRUE

Actually, we all know what happens between four walls.

Prue has another sip of her wine. Natalie holds Leo's hands tightly.

NATALIE

(looks at Leo)

Oh, yes, we do.

Prue looks at their hands together and suddenly ---

ON PRUE'S FACE - Her face gains a shade of green.

Leo and Lucas notice it and ---

Leo stands quickly.

LEO

(to Prue)

Can I have a word in private?

Prue looks at Leo. Natalie is about to look at her, but Leo's voice sounds harder.

LEO (CONT'D)

Now!

Lucas stares at Prue while she stands. Leo drags her out of there quickly. Natalie stares at Lucas.

NATALIE

What happened?

LUCAS

Eh, I will find out. Wait here.

Lucas stands and follows Prue and Leo.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. HALLIWELL'S - EMPLOYEES ROOM - NIGHT

Leo drags Prue inside. She's mad.

PRUE

Would you mind letting go of me?

LEO

Would you mind explaining what the heck is going on with you?

Prue turns and stares at him. She gives him a pointed look.

PRUE

Couldn't you just pick another place to take her?

LEO

Oh, jealousy? Really?

PRUE

I'm not jealous.

LEO

Clearly, you are. You're getting green.

PRUE

(mad)

Give me a break, Leo.

LEO

No, seriously.

Leo drags her to a mirror. She looks herself on the mirror and ---

YES. She has a green shade on her skin.

PRUE

What the hell?

LEO

I told you.

Lucas comes in.

LUCAS

What's going on?

Leo and Prue turn to Leo.

PRUE

I'm getting green.

Pamela comes in a rush. Rushing, Priscilla and Miranda come right after her.

PAMELA

We have a problem.

MIRANDA

And it is right outside.

Leo, Prue, and Lucas stare at Priscilla, Miranda, and Pamela.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

Trace and Persephone lay on the bed. Both only covered by the red sheet. She has an arm over his chest. He caresses her hair.

PERSEPHONE

That was ---

TRACE

Yes?

Persephone looks at him.

PERSEPHONE

I swear I don't do this kind of thing.

TRACE

It seemed to me like you've done it before.

Persephone smiles shyly.

PERSEPHONE

Yes, of course, but I mean ---

Trace cuts her off with a kiss.

TRACE

I know what you meant.

Persephone smiles and lays her head on his chest. Then she looks at the clock on the bedside table.

PERSEPHONE

Oh, my God, it's so late.

Persephone starts getting off of the bed. Trace looks at the clock.

TRACE

It's only 11 o'clock.

PERSEPHONE

Yes. Remember when I told you Pamela had a full house?

Trace nods.

PERSEPHONE (CONT'D)

I told her I would be there before closing. I need to rush.

Trace starts getting off of bed too.

TRACE

I'll take you there.

PERSEPHONE

I'll appreciate it.

Trace approaches her and kisses her back neck.

TRACE

If you promise me that we'll do this again.

She arches her head.

PERSEPHONE

Definitely yes.

Trace smirks. Persephone pulls her dress on.

FADE TO:

INT. HOUSE - LIVING ROOM - NIGHT

ON A MAN LYING ON THE FLOOR - He seems to be unconscious.

A woman, DORIS (40s), is on the floor right beside the man's body. She holds a knife-

Near her is the Weeping Wife.

DORIS

I can't.

WEEPING WIFE

Do it. He deserves it. He cheated on you.

DORIS

He cheated on me.

WEEPING WIFE

Do it.

Doris raises up her hands and is about to the man's chest when Gabriel rushes to her and holds her hands fighting to take the knife from her hands.

WEEPING WIFE (CONT'D)

Leave. Now.

At that moment, the Weeping Wife stops moving and fades in and out.

William stands behind her holding the dagger to her back. The Weeping Wife lets out a loud scream and then she blows up. Gabriel manages to take the knife from the woman's hands. Doris seems calmer now.

DORIS

What happened?

Gabriel sighs.

GABRIEL

You just tried to kill your husband.

Doris looks at them.

DORIS

Who are you?

GABRIEL

Friends.

Gabriel and William stare at each other.

GABRIEL (CONT'D)

Can we leave now?

William nods. He reaches out his hands and helps Gabriel to stand. Gabriel turns to Doris.

GABRIEL (CONT'D)

Call 911.

Doris nods. William and Gabriel walk out of there.

FADE TO:

INT. HALLIWELL'S - EMPLOYEES' ROOM - NIGHT

Leo, Prue, Lucas, Pamela, Priscilla, and Miranda are there.

PRUE

(to Priscilla and Miranda)

Are you saying that a demon is out there?

PRISCILLA

Two actually.

Prue stares at her sister.

PRISCILLA (CONT'D)

Alastair is out there.

PRUE

Of course, he's behind this!

LUCAS

You guys can't confront Alastair now.

PRUE

Try to stop me.

LUCAS

Well, first ---

Lucas stands in front of Prue.

LUCAS (CONT'D)

--- you are green.

Prue and Lucas stare at one another.

MIRANDA

She's lucky not to be dead.

They all look at Miranda.

MIRANDA (CONT'D)

The others died. They were green and dead.

Priscilla stares at Prue.

PAMELA

We need to take everyone out of here.

LEO

Yes, we do. Natalie ---

LUCAS

I'll do that. I can take her out of here.

Leo nods. Lucas turns to Prue.

LUCAS (CONT'D)

I'll be back as soon as possible.

Prue nods. Then Lucas kisses her softly on the lips. Leo looks at them and ---

ON LEO'S FACE - He gains some shade of green too.

PAMELA

Crap.

Pamela rushes to Lucas.

PAMELA (CONT'D)

Go. Go. I'll take everybody out.

Pamela drags Lucas out of the room.

MIRANDA

I'll help.

Priscilla stares at Prue and Leo. Prue looks at Leo.

PRUE

You're green.

PRISCILLA

And not dead.

Prue and Leo look at Priscilla.

PRISCILLA (CONT'D)

There must be some explanation.

(serious)

Prue was envious of Natalie and Leo was envious of Lucas.

PRUE

No, we ---

PRISCILLA

(mad)

Don't lie.

LEO

I was jealous.

PRUE

Leo!

LEO

It's true.

Prue looks away.

PRISCILLA

But you are not dead.

PRUE

(mad)

Stop saying that.

PRISCILLA

I'm trying to find an explanation for the two of you not being dead.

Priscilla stares at them seriously.

LEO

Reach any conclusion?

Suddenly, Priscilla's jaw drops. Somehow she's feeling something from them.

PRISCILLA

(astonished)

You belong to each other.

PRUE

What?

PRISCILLA

You both were envious of something that was actually yours. That's why it didn't kill you.

LEO

That doesn't make any sense.

PRISCILLA

I'm the half cupid here and I think it makes a lot of sense.

PRUE

You are half nothing yet.

PRISCILLA

I was born like this, sis.

Prue turns around.

PRISCILLA (CONT'D)

You belong to each other.

Prue doesn't turn to Priscilla. Leo stares seriously at Prue.

FADE TO:

INT. HALLIWELL'S - DINING ROOM - NIGHT (SHORTLY AFTER)

All customers are leaving. Lucas is near Natalie.

PAMELA

I'm sorry, guys. Come back tomorrow. Drinks are on the house.

Dove comes closer.

DOVE

We are leaving, Pam.

PAMELA

Sure.

DOVE

Felix doesn't understand what's happening.

PAMELA

I'll talk to him tomorrow.

Dove nods and walks out of the room.

NATALIE

But where is Leo?

LUCAS

He had to take Prue home. She wasn't feeling well.

NATALIE

Why didn't you take her?

LUCAS

Eh, I don't know. Come. I'll take you.

NATALIE

I can get a cab.

LUCAS

Great. I'll get you to the cab.

PAMELA

Guys?

Lucas takes Natalie to the door. Natalie stops and stares at Pamela.

NATALIE

Food poisoning?

Pamela shrugs.

PAMELA

Eggs. Who would guess?!

Natalie and Lucas walk out of the restaurant. Pamela closes the front door.

MIRANDA

Where the hell are they?

PAMELA

Maybe they left.

MIRANDA

I don't think so.

OFF TO PRUE, LEO, AND PRISCILLA - They come in.

LEO

The employees left.

PRUE

Where are they?

MIRANDA

We don't know.

PRISCILLA

Guys, they are here.

Priscilla knows. She is staring at Alastair and Jade who come from the restrooms area. They all turn around. Alastair smirks.

ALASTAIR

And so we met again.

Leo, Prue, Priscilla, Pamela, and Miranda stare seriously at Alastair and Jade.

Alastair and Jade smirk at them.

ON THE SCREEN IT READS:

TO BE CONTINUED...

FADE TO BLACK.

END OF THE EPISODE