1x07 - Luctus Sirenibus

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 7

'LUCTUS SIRENIBUS'

TEASER

OVER BLACK.

FADE IN:

INT. MAGIC SCHOOL - MAIN HALL - DAY (2095)

IT READS:

2095

The main hall of the Magic School seems bigger than it previously was. The tall bookcases full of books seem taller now. Children and teenagers wander around.

A young girl who doesn't look older than 8 with brown hair and brown eyes picks a book from one of the shelves and sits in one of the couches. She starts flipping its pages.

Not very far from her, there is a young boy with beautiful ocean blue eyes and brown hair, not older than 9, who leans against a bookcase. He looks at the girl and smiles. Then he turns to the bookcase he was leaning against and looks for a book. It doesn't take him long to find it. He picks it from the shelf and turns around. Decided, the young boy walks over to the young girl and stands before her.

The young girl notices his presence and, slowly, she raises her glare. She smiles as she sees the big smile on his face.

YOUNG BOY

Hi there.

YOUNG GIRL

Hey!

The young girl stands. The young boy has a British accent.

YOUNG BOY

I saw you picked Beauty and the Beast.

The young girl looks at the book she picked.

YOUNG GIRL

Yeah. It's my favorite fairytale.

YOUNG BOY

Why?

YOUNG GIRL

My mother reads it for me at night. Well, I mean, she used to. Now I'm old for that.

He smiles. Then he hands her the book he took from the shelf.

YOUNG BOY

Read this one.

The young girl looks at it and then she puts Beauty and the Beast on the couch. She takes the book he's giving her and reads the name on the cover.

YOUNG GIRL

'The Lion, the Witch and the Wardrobe'?

The young boy nods.

YOUNG BOY

You'll like it.

YOUNG GIRL

How can you be so sure about it?

YOUNG BOY

(shrugs)

You just look like someone who likes books and this one is a pretty good one.

YOUNG GIRL

I love books.

YOUNG BOY

Brilliant!

YOUNG GIRL

You're British.

YOUNG BOY

Is that bad?

The young girl smiles.

YOUNG GIRL

No. I love it actually.

The young girl reaches out her hand.

YOUNG GIRL (CONT'D)

I'm Prue, by the way.

The young boy grabs her hand and both shake hands.

YOUNG BOY

I'm Leo.

Both of them stare at each other smiling big.

THE IMAGE TURNS A BLUR AND ---

FADES TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - NIGHT (2116)

IT READS:

2116

No lights on. Prue is laying on the bed asleep.

CLOSE UP - Prue's face. Suddenly, her eyes pop open REVEALING A BLUE GLOW in them.

She lets out a cry of pain. Not too loud but loud enough to be heard. She gets quickly into a sitting position and grabs the back of her neck as she feels something burning there.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

No lights on. Leo lays on his bed asleep.

CLOSE UP - Leo's face. His eyes pop open REVEALING A YELLOW GLOW in them.

Leo tries to hold a cry of pain as he takes his right hand to the back of his neck as feels something burning there.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - NIGHT

While her eyes still GLOW BLUE, Prue tries to recover from the pain, but she doesn't seem to be able to. She closes her eyes and then opens them again. When she does, her eyes are normal now.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

Leo stands quickly out of bed. His eyes still GLOW YELLOW. He rushes towards the standing mirror, but before he reaches it, the pain gets harder and he stops. Closes his eyes and then opens them again. When he opens his eyes, they are normal. Leo approaches the standing mirror and tries to look at the back of his neck.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - NIGHT

ON THE BEDROOM'S DOOR - It opens. Persephone and Priscilla come in ready to use their powers.

Persephone and Priscilla stop as they see Prue sitting on the bed, rubbing her neck.

PERSEPHONE

What happened?

Prue looks at her sisters.

PRUE

What?

PERSEPHONE

We heard you screaming.

PRUE

I did ---

Prue cuts herself off.

PRUE (CONT'D)

I'm fine.

PRISCILLA

And why did you scream?

PRUE

I just had a bad dream.

PERSEPHONE

What was it?

Prue is about to answer but stops confused.

PRUE

I have no idea.

Prue looks at them.

PRUE (CONT'D)

But I'm fine.

Persephone and Priscilla look at Prue.

PRUE

Seriously.

PRISCILLA

Bad dream?

Prue nods.

PRISCILLA (CONT'D)

Okay.

(to Persephone)

Let's go.

Persephone nods. Priscilla turns around and walks out of the bedroom. Persephone stares at Prue.

PRUE

I'm okay.

Persephone nods and then turns to leave and closes the door. Prue gets off of the bed and walks over to the standing mirror. She tries to look at the back of her neck, but can't see a thing.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

Leo gives up trying to see anything in his back neck. He turns around and heads to the bed. He lays down and pulls the sheets up.

CAMERA APPROACHES THE BACK OF HIS NECK - It's almost imperceptible, but it can be seen. A small mark, mustard color, and the shape of a sun.

Leo closes his eyes and tries to go back to sleep.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - NIGHT

Prue also gives up from seen anything in the back of her neck. She turns around and walks over to her bed. She lays down and pulls the sheets up.

CAMERA APPROACHES THE BACK OF HER NECK - It's almost imperceptible just like Leo's mark, but it is there. A small mark, mustard color, and the shape of a moon.

FADE TO:

EXT. GOLDEN GATE PARK - NIGHT

It is dark.

ON FIRE - Flames are high. Branches are burning.

SOUND - A loud scream.

Someone burns at stake. A woman. She cries out loud.

Standing before her is the HUNTRESS. Her face covered with a hoody. Her smirk is the one thing that can be seen.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Theo James as Lucas Lacey

Kellan Lutz as Trace Thornton / Jitur

Lyndsy Fonseca as Natalie West

Aimee Teegarden as Adrianne Kelly

Peter Facinelli as Sebastian

Guest Starring

Catherine Bell as Alana Halliwell

Eline Powell as Arielle

Millan Tesfazgi as Aethelis

Devina Briggs as Aigathoe

Natalie Dormer as Nora Hunt

Michael Malarkey as Felix Dallas

Rose Liston as Dove

Luka Fellah as 8 years old Prue

Matthew Stagg as 9 years old Leo

James Cronin as Ancient One #1

James Thompson as Ancient One #2

Carl Zingle as Ancient One #3

Judith Sachs as Mrs. Francis

Unknown actors as Men

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: Luctus Sirenibus

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT (NEXT NIGHT)

AERIAL FOOTAGE all over the city at the sound of 'Sirens' by Pearl Jam.

Several places all over the city are being shown as the camera moves fast towards the coast.

FADE TO:

EXT. SAN FRANCISCO - OCEAN BEACH - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The sea is agitated. The moon seems bigger in the horizon line.

CLOSE UP - FEMALE FOOT. THREE PAIRS OF THEM. They walk towards the sea.

The CAMERA MOVES UP. Slowly, we realize that they wear no clothes.

When the camera stops in their faces, we see the faces of three women. They stare at the sea. ARIELLE, AETHELIS, AIGATHOE, all seem in their late 20s. All three of them have blue eyes. They stare seriously at the sea.

AETHELIS

We've got here.

ARIELLE

Now we can regain forces.

AIGATHOE

And get them to pay.

They keep walking towards the sea and enter the cold water.

MUSIC FADES OFF.

FADE TO:

EXT. P3 - NIGHT

People can be seen entering the club.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The bar is crowded. It is karaoke night. And a couple is singing a romantic song on the stage.

Gabriel, William, and Miranda are inside the round counter preparing some drinks. Outside the round counter are Persephone and Priscilla. They are having a margarita each.

PERSEPHONE

Oh, my God! I was really needing a night out.

Miranda is preparing some oranges for the drinks. William stares at what she's doing.

WILLIAM

They need to be thinner, Miranda.

Miranda rolls her eyes.

MIRANDA

I've done this before, Will.

WILLIAM

In New York.

PRISCILLA

C'mon, Will, don't be like that.

WILLIAM

The slices are too thick.

GABRIEL

Will is jealous that Miranda can prepare a better Bliss on the Beach than him.

They laugh.

Sitting at a table are Leo and Natalie. They hold hands across the table. They smile and laugh.

People dance at the sound of the karaoke songs.

OFF TO PAMELA - She approaches the counter. Aiden comes after her. Pamela seems to be mad.

PAMELA

This woman must be crazy.

They all look at her.

PAMELA (CONT'D)

She signed us for karaoke!

PERSEPHONE

Who?

PAMELA

Prue.

AIDEN

One of the waitresses approached Pamela and told her that you five were signed off.

PRISCILLA

Wait, five?

PAMELA

Yes. The four of us and Prue.

PERSEPHONE

But I don't sing.

PAMELA

Neither do I.

PRISCILLA

C'mon, guys, it'll be fun.

MIRANDA

Yeah. It's kinda cool.

The couple ends their song. Then the DJ. on the stage speaks.

DJ.

Ladies and gentlemen, please now welcome our beautiful manager and her team.

They all look at the stage.

PAMELA

Beautiful manager and her team. Give me a break.

Miranda comes out from the counter as people start cheering up.

MIRANDA

Let's go, ladies.

OFF TO PRUE - She comes from the warehouse holding hands with Lucas. She turns to him and kisses him. Then she walks up to the stage.

PERSEPHONE

Well, let's go.

Persephone and Priscilla head to the stage. Pamela grunts.

PAMELA

Grrrr! I'll kill her.

Prue takes the microphone from the D.J. Persephone, Priscilla, Miranda, and Pamela get on the stage. The DJ. hands them microphones as well.

DJ

Let's play '30 de Febrero'.

The song starts playing. MUSIC - 30 de Febrero.

PAMELA

Seriously? Spanish!

Prue takes the lead as the others just follow as best as they can the lyrics on the screen. They try to dance as well.

PRUE / PERSEPHONE / PRISCILLA / MIRANDA / PAMELA

Hoy me pides que regrese

Tú no crees que es demasiado tarde

Que ha cambiado de repente

Para que tenga yo que perdonarte

No, no voy a olvidar

Lo que tu me hiciste

No, no me trates de enredar

Recuerda que tú te fuiste

Si quieres otra oportunidad

Te juro que te la daré

¿Cuándo?

El 30 de febrero al atardecer

El día que llueva dinero

Cuando el mar esté seco

Y dos más dos sean tres

Ese día tú y yo volveremos

Everybody stares at them and dance. The boys laugh as the watch them. Leo and Natalie are also staring at the show. Lucas, now by the counter, watches them too. They are kind of good at it.

PRUE / PERSEPHONE / PRISCILLA / MIRANDA / PAMELA

Cuando el mundo pare, pare, pare de girar

Cuando el tiempo vaya, vaya, vaya para atrás

Cuando las sirenas dejen, dejen, dejen de cantar

Ese día tú y yo volveremos

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

¡Ha, ah, ah!

Aunque el hombre fue a la Luna

No te creas que todo es posible, no, no

Todo el daño que me hiciste

Aunque quieras es irreversible

No, no voy a olvidar ¡Ja¡

Lo que tú me hiciste

No, no me trates de enredar ¡Ja!

Recuerda que tú te fuiste

Si quieres otra oportunidad

Te juro que te la daré

El 30 de febrero al atardecer

El día que llueva dinero

Cuando el mar esté seco

Y dos más dos sean tres

Ese día tú y yo volveremos

Cuando el mundo pare, pare, pare de girar

Cuando el tiempo vaya, vaya, vaya para atrás

Cuando las sirenas dejen, dejen, dejen de cantar

Ese día tú y yo volveremos

¡Oh, oh, oh-oh-oh!

Ese día tú y yo volveremos

¡Oh, oh, oh-oh-oh!

Ese día tú y yo volveremos

¡Oh, oh, oh-oh-oh!

DJ

Yo no volveré, contigo otra vez

Tú me hiciste daño, mujer

Ya yo me cansé de ti, nena, vete por ahí

Hasta mi perro sabía que tú no eras para mí

Ponte guapa el 30 de febrero yo te llamaré

Ponte el vestido y los tacones que te regalé

Si quieres que vuelva, volveré

Tú espérame al atardecer

PRUE / PERSEPHONE / PRISCILLA / MIRANDA / PAMELA

El 30 de febrero al atardecer

El día que llueva dinero

Cuando el mar esté seco

Y dos más dos sean tres

Ese día tú y yo volveremos

Cuando el mundo pare, pare, pare de girar

Cuando el tiempo vaya, vaya, vaya para atrás

Cuando las sirenas dejen, dejen, dejen de cantar

Ese día tú y yo volveremos.

The song ends and everybody claps at their performance. All the five girls smile proudly at themselves.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT (TIME-LAPSE)

No music.

The club is a little bit quieter now. A lot calmer. There are no customers there. The DJ is packing his things. Prue is talking to the DJ.

Leo and Natalie are still at their table. Gabriel, William, Miranda, and Lucas are cleaning the bar. Persephone, Pamela, and Priscilla dance without music.

The DJ. Grabs his things to leave.

DJ

Guys, it was fun tonight. See ya, next week.

PERSEPHONE

Bye. Good show!

The others say goodbye and the DJ leaves. Prue walks over to the bar as Lucas comes out of the counter. They walk over to each other and Lucas puts his hands on her hips as she wraps her arms around his neck. Both kiss.

Leo looks at them through the corner of his eyes. Then he looks back at Natalie.

SOUND - Natalie's phone.

She picks it up.

NATALIE

(on the phone)

West.

Natalie listens to what she's been told.

NATALIE (CONT'D)

(on the phone)

Okay, I'll be right there.

Natalie hangs off the phone.

LEO

Do you need to leave?

Natalie nods.

NATALIE

Another one.

LEO

The Witch Hunter?

She nods.

NATALIE

That name stuck, huh?!

Leo smiles. She stands and so does Leo. Both approach each other. Natalie kisses him goodbye.

Through the corner of her eyes, Prue sees them. Then she turns to Lucas and smiles.

NATALIE

(to the others)

See you, guys.

The others wave Natalie goodbye. She walks out. Once she's out, ---

SOUND - BELLS.

Lucas looks up.

LUCAS

(to Prue)

I need to go.

Prue shoots him a look.

LUCAS (CONT'D)

They're calling.

PRUE

Didn't hear your phone ringing.

LUCAS

They don't use the phone.

PRUE

Oh! The bells?

Lucas nods.

LUCAS

You didn't listen?

Prue shakes her head.

LUCAS (CONT'D)

I guess your powers haven't come yet.

PRUE

Yeah, when is that going to happen?

LUCAS

I don't have an answer for that. Once you were born with them, I think they'll come naturally.

SOUND - BELLS.

LUCAS (CONT'D)

I really need to go.

He kisses her softly.

PRUE

Bye.

Lucas ORBS out. Prue turns around, takes a tray from the counter, and starts cleaning the tables. Leo walks over to the counter. Persephone, Pamela, and Priscilla walk over to the counter as well.

PERSEPHONE

It was a fun night.

GABRIEL

Yeah. You even sang.

PAMELA

I hope there are no records of that.

AIDEN

It may be.

Aiden smirks as he shows her his own cell phone.

PAMELA

Oh, you didn't.

AIDEN

(smirks)

I did.

Pamela shoots him a look.

MIRANDA

I'm so, so tired.

AIDEN

Yeah. Me too. I need to go or I won't be able to wake up for my meeting at Mirror's Magazine. And I still need to try to convince her to come too.

Aiden points to Prue.

AIDEN (CONT'D)

That woman hasn't set foot on it since ---

Aiden tries to remember.

GABRIEL

Ever?

Aiden nods.

PRISCILLA

Good luck trying to convince her.

The others agree.

LEO

It has been a long night for all of us. Why don't you guys head home?

WILLIAM

There's cleaning to do.

LEO

I'll stay.

They all look at Leo.

LEO (CONT'D)

Go home.

PAMELA

Are you sure?

Leo nods. They all look at Prue.

MIRANDA

No, really, are you sure?

Leo smiles and nods.

GABRIEL

But don't you have to work tomorrow?

LEO

I do. But now that I have an assistant ---

(look at Priscilla)

--- I have a more clear agenda.

Priscilla smiles.

WILLIAM

Well, then I say we should go.

PERSEPHONE

Yeah.

GABRIEL

(to Prue)

Hey, Prue?

Prue turns to them.

GABRIEL (CONT'D)

We are off.

PRUE

What? I won't clean alone.

GABRIEL

You won't.

They grab their things.

AIDEN

Don't forget the meeting, Prue.

PRUE

Not going.

They wave goodbye and leave the club. Leo stays. Prue stares at him as he stares back at her. Leo shrugs.

PRUE (CONT'D)

Don't you have to work tomorrow?

Prue walks over to the bar and puts the tray on the counter.

LEO

I can help.

Leo walks inside the counter and picks the glasses. She looks at him.

LEO (CONT'D)

Besides, I need to talk to you.

Prue sits on the barstool.

PRUE

Should I ask?

Leo shoots her a look.

LEO

The Witch Hunter.

PRUE

Isn't your girlfriend taking care of that?

Leo shoots her a look.

LEO

She's not my girlfriend, she's just ---

Leo cuts himself off.

LEO (CONT'D)

Listen, I just think we should take a look at it.

PRUE

We should be trying to find Alastair.

LEO

We haven't heard from Alastair since he came back.

Prue looks away.

LEO (CONT'D)

We don't even know how your Grandma and her sisters trapped him.

Prue looks at Leo.

LEO (CONT'D)

But this guy is real.

PRUE

We don't ---

LEO

We do know he's killing witches.

PRUE

How are you sure it's a he?

LEO

I never heard of a Huntress ever.

They stare seriously at each other.

LEO (CONT'D)

Please. Let's go dig into this.

They look each other in the eyes.

PRUE

Why me? Why didn't you ask any of the others?

LEO

Because you and I are the eldest here. I don't want to worry them. Especially the girls.

They keep staring at each other's eyes.

PRUE

You need to stop looking at me with those eyes.

LEO

(smiles)

Those are the only ones I have.

Prue sighs.

PRUE

Fine. Let's do it.

LEO

Brilliant!

Leo smiles. Prue stares at him for a few seconds.

PRUE

That accent of yours.

LEO

The only one I have.

Prue smiles.

PRUE

We won't leave until we clean it all.

LEO

The night is a child.

Prue stands and takes another tray. Leo watches her as she walks over to the tables. He grabs the glasses and puts them on the sink.

FADE TO:

EXT. MAYOR'S HOME - NIGHT

STILL.

FADE TO:

INT. MAYOR'S HOME - OFFICE - NIGHT

Only the light of the lamp on the desk lightens the room.

CLOSE UP - Someone signing some papers. A woman.

Before the person sitting at the desk, a woman in a hoody stands; the Huntress. She has her hoody on and the face of the person at the desk is not shown.

MYSTERIOUS WOMAN

Have you done it?

The huntress takes off the hoody and we finally can see her face. NORA HUNT (36) has blonde hair and blue eyes. She wears black clothes.

NORA

It's done.

Nora stares seriously at the mysterious woman.

NORA (CONT'D)

Are you going to send me to hunt them?

MYSTERIOUS WOMAN

Not yet.

NORA

Why not? How many more do I need to kill before you let me hunt the Halliwells?

MYSTERIOUS WOMAN

I don't want you to hunt the Halliwells.

NORA

I came a long way for that. You promised me.

MYSTERIOUS WOMAN

I know what I said.

NORA

Then?

(mad)

I'm doing the same I was before coming to the US.

MYSTERIOUS WOMAN

You came running away.

NORA

I came because they finally got their powers back.

MYSTERIOUS WOMAN

Which gave you an escape.

NORA

It was the opportunity of a lifetime. My family's responsibility.

MYSTERIOUS WOMAN

Killing witches is not a responsibility. It's suicide when there are Warrens around.

NORA

I promised my father I would take them down. He was unable to.

MYSTERIOUS WOMAN

I know. I've heard that story since you got here. But why can you understand that it is suicide?

NORA

And why do you keep sending me to hunt ordinary magic practitioners?

The mysterious woman stands. Only her back can be seen.

MYSTERIOUS WOMAN

If you go after them, they'll get close to me. And that's something I can't let happen.

NORA

Why are you so afraid of them?

MYSTERIOUS WOMAN

Afraid?

(laughs)

No, darling. I'm not afraid of them. I just don't want to be found.

(pauses)

Now, go. I'll send you a name soon.

Nora is not pleased with it.

MYSTERIOUS WOMAN (CONT'D)

Don't ever betray me, Mrs. Hunt. I can get the MI6 behind you. And you don't want it, do you?

Nora puts on her hoody and turns to leave. The mysterious woman sits back on her chair.

FADE TO:

EXT. SAN FRANCISCO - DAY (NEXT DAY)

FOOTAGE ALL OVER THE TOWN.

FADE TO:

INT. HALLIWELL MANOR - FOYER - DAY

ON THE FRONT DOOR - It opens.

Aiden comes in a rush.

AIDEN

(out loud)

Prue! Get your butt down here!

Persephone and Priscilla come downstairs.

PERSEPHONE

Hey, it's that a way to get into the house of three single ladies?

AIDEN

I'm late for the meeting.

PRISCILLA

You know Prue won't go.

AIDEN

I'm gonna take her if it is the last thing I do. They told me it was important for Prue to be there.

PERSEPHONE

Good luck with that.

PRISCILLA

But what is the meeting for?

AIDEN

New editor chief of Bay Mirror.

PRISCILLA

You two work for the magazine.

AIDEN

Yeah, don't forget that everything that happens in Mirror's Magazine has to be approved by Bay Mirror's editor chief.

OFF TO PRUE - She comes downstairs already dressed to go out.

Persephone, Priscilla, and Aiden turn their glance at her astonished. Prue stares at them.

PRUE

What?

AIDEN

I didn't have to pull you out of bed.

PRUE

I don't need anyone pulling me out of bed.

PRISCILLA

(sarcastic)

You prefer the other way around.

Persephone shoots Priscilla a look while Prue prefers to ignore it.

PRUE

(to Aiden)

Are we going or not?

AIDEN

Your car?

PRUE

I won't jump into that motto of yours.

AIDEN

Great.

Prue waves her sisters goodbye and walks out through the front door. Aiden looks at Persephone and Priscilla.

AIDEN (CONT'D)

Who's her and what did she do to Prue?

Persephone and Priscilla shrug. Aiden walks out of the house.

PRISCILLA

I think we should check the Book of Shadows for possessor demons.

PERSEPHONE

Pris!

Priscilla shrugs and walks over to the front door.

PRISCILLA

Later!

Priscilla walks out of the house. Persephone sighs.

FADE TO:

INT. HALLIWELL / COOP MANOR - MIRANDA'S BEDROOM - DAY

Miranda is laying on her bed covered by the sheets. Asleep. She seems to be having a bad dream.

OFF TO THE DOOR - It opens. Aiden peeks inside. He notices she's having some troubling dreams and walks over to her bed.

WILLIAM

Miranda?

She doesn't wake up. William lowers down at touches her shoulder.

WILLIAM (CONT'D)

Miranda, wake up.

Miranda speaks in her dreams.

MIRANDA

Mum --- don't --- don't go. Please.

William looks at her astonished.

MIRANDA (CONT'D)

(out loud)

No. Don't take her.

William grabs her shoulders and shakes her. He is getting worried.

WILLIAM

Miranda!

Then, Miranda pops her eyes open. She stares at William. William sits on the edge of the bed.

MIRANDA

What happened?

Miranda gets on a sitting position.

WILLIAM

You were having a dream.

Miranda stares seriously at William.

WILLIAM (CONT'D)

(looks at her)

It was about mum.

Miranda gets serious.

MIRANDA

I was dreaming about her.

(lowers her gaze)

I guess it became a nightmare.

WILLIAM

I'm gonna try to call your dad again.

MIRANDA

(looks at him)

Our dad.

WILLIAM

Your dad.

Miranda shoots him a look.

WILLIAM (CONT'D)

Don't look at me like that.

(stands)

I guess I'll try to scry for him later.

MIRANDA

We've done that and it didn't work.

WILLIAM

Well, we need to do something.

MIRANDA

I'm gonna call our old neighbors.

WILLIAM

Do you think he might be here in San Francisco?

MIRANDA

(shrugs)

Who knows?! We need to try everything we can. A smiling emoji and a 'yes, I did' text isn't enough.

William sighs.

WILLIAM

We are going to find him, okay?

MIRANDA

Promise?

William nods.

WILLIAM

We still need to talk about that hallucination of yours. The other day, remember?

Miranda looks at him.

MIRANDA

Will we talk about yours?

They stare at each other for moments, then, William turns to leave.

WILLIAM

I need to go to work and I'll try to find our old neighbors.

William walks out of the bedroom. Miranda sighs.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. THE UPPER REGIONS - DAY

Lucas walks back and forward. He seems worried. Sebastian comes walking towards him.

SEBASTIAN

Lucas!

LUCAS

Hey! Why are you, guys, keeping me here?

SEBASTIAN

Lucas, there are some things we need to know.

LUCAS

I told you already. They don't want to work with the Elders.

SEBASTIAN

I know. But we have to talk about those demons that have been showing up.

LUCAS

Yes?

SEBASTIAN

You said they were able to vanquish them.

LUCAS

Yes. Using the information the Book of Shadows gave them.

SEBASTIAN

The book wouldn't create that out of thin air.

LUCAS

So?

Sebastian looks seriously at Lucas.

SEBASTIAN

And those demons?

LUCAS

They left a symbol in their ashes.

Sebastian's expression hardens.

LUCAS (CONT'D)

Do you know anything about it?

Sebastian looks at him.

SEBASTIAN

Ever since you told me, I've been thinking and something popped into my mind. It was something my counselor told me back when I became an Elder.

LUCAS

And?

SEBASTIAN

I don't know much. I must do some research. I need to know if my suspicions are true.

LUCAS

Do you want me to help you?

Sebastian shakes his head.

SEBASTIAN

You can't. I need you to stay here while I don't come back.

LUCAS

How long?

Sebastian turns around.

SEBASTIAN

Just wait for me, Lucas.

Lucas stares at Sebastian as he walks away. Lucas is concerned.

FADE TO:

EXT. SAN FRANCISCO STATE UNIVERSITY - DAY

STILL view at the campus.

FADE TO:

INT. SAN FRANCISCO STATE UNIVERSITY - CLASSROOM - DAY

The classroom is full of students. Gabriel is at the front. He wears glasses. The whiteboard has something written in Latin.

GABRIEL

(to the students)

I'll email you all the text I need you to translate from Latin to English.

The students start packing their stuff into their backpacks.

GABRIEL (CONT'D)

See you next time.

The students start heading out of the classroom. Gabriel takes off his glasses and sits behind his desk.

OFF TO THE ENTRANCE - Adrianne comes in. She wears an elegant red skirt suit. She walks towards Gabriel's desk.

ADRIANNE

Professor Halliwell?

Gabriel glances at her.

GABRIEL

Professor Kelly?

Adrianne smiles at him.

GABRIEL (CONT'D)

How are you doing?

ADRIANNE

(smiles)

I'm great, thanks to all the indications you gave me so I don't get lost on this campus.

Gabriel smiles.

GABRIEL

I'm glad.

ADRIANNE

I was actually thinking if you could help me on something else.

Gabriel shoots her a pointed look.

GABRIEL

What is it?

ADRIANNE

Well. You know one of the matters I teach is History of Ancient and Dead Languages, right?

GABRIEL

A tricky matter must I add.

ADRIANNE

Indeed. But I like what's old.

Gabriel smiles.

ADRIANNE (CONT'D)

I mean, not everything, but you know what I mean.

Gabriel nods.

ADRIANNE (CONT'D)

The thing is that I came across a difficult text to read. I'm not sure if the issue is the language or the content of the text.

GABRIEL

Do you need my help on that?

Adrianne shoots him a sweet smile.

ADRIANNE

Would you do that?

GABRIEL

Of course.

Adrianne smiles big.

ADRIANNE

Oh, thank God. I know my job is temporary, but I don't want to screw it.

Gabriel laughs as she says that.

ADRIANNE (CONT'D)

I didn't say that out loud, did I?

Gabriel nods.

ADRIANNE (CONT'D)

Crap!

Adrianne covers her mouth again. Gabriel laughs and then she laughs again.

FADE TO:

INT. OFFICE BUILDING - LEO'S OFFICE - DAY

ON COMPUTER SCREEN - a report is being broadcast on a news channel.

REPORTER

It is the second woman in seven days. The Witch Hunter, as they're calling this serial killer, is moving fast and the detectives on the case aren't any closer to find him.

Leo is sitting at his desk staring at the computer screen. Priscilla comes in without knocking.

PRISCILLA

Leo?

Leo closes the computer screen immediately. Priscilla shoots him a look.

PRISCILLA (CONT'D)

Why did you close the computer?

LEO

Got tired of it.

Priscilla doesn't bite it, but she doesn't give it much importance.

PRISCILLA

Mrs. Potter called. She said she hasn't received the indemnity for the accident she suffered. She said the man is now saying that she was the one who jumped in front of the car.

LEO

He can't do that. We have a witness.

PRISCILLA

Yeah, the witness has said she didn't see a thing.

Leo is outraged.

LEO

That's a lie.

(pauses)

Put me in line with Mrs. Potter.

Priscilla nods and walks out of the office. Leo sighs. He opens the computer screen again.

ON COMPUTER SCREEN - Leo opens a new page and search for something.

ON LEO'S FACE - He is serious

FADE TO:

EXT. SAN FRANCISCO - STREET - DAY

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

Arielle, Aethelis, and Aigathoe walk at peace on the sidewalk. They wear clothes now. Jeans and a t-shirt.

As they pass by, men stop and stare at them.

The three women keep walking and the men walk after them. They seem hypnotized by them and the sound of their song.

FADE TO:

EXT. BAY MIRROR BUILDING - DAY

ON BAY MIRROR SIGN.

FADE TO:

INT. BAY MIRROR BUILDING - HALL - DAY

Prue and Aiden stand in front of the elevator. Prue seems nervous. Aiden looks at her.

AIDEN

Relax!

Prue shoots him a look.

PRUE

I shouldn't have come. You know I can't get inside.

AIDEN

Yes, you can.

PRUE

No, I can't. Too many memories. My mom ---

AIDEN

She was the editor chief. I know.

Aiden looks at her.

AIDEN (CONT'D)

You need to get over that.

PRUE

I can't. She loved this place. I would never ---

AIDEN

Live up to her name?

Prue looks to the side.

AIDEN (CONT'D)

In case you don't remember, I'm the first one in my family through my mother's side that didn't enter the academy.

PRUE

It's different.

Aiden looks at her for a few seconds.

AIDEN

Why don't you open up about that with someone? Leo?

Prue shoots him a look.

AIDEN (CONT'D)

C'mon, don't look at me like that. We all know that he can read you like no other can't. And all he has done was jumping in your bed.

Prue keeps staring at him while he blinks.

AIDEN (CONT'D)

Look, I'm just saying that you need to overcome that. And the fear of writing too.

PRUE

I'm not afraid of writing.

AIDEN

Then why Alex Miller hasn't written a word in years?

PRUE

Because Alex Miller is gone.

AIDEN

Prue Halliwell isn't.

Prue lowers her gaze.

PRUE

I can't write anymore.

At that moment, the elevator opens. No one there to come out. Aiden walks in. He looks at Prue.

AIDEN

Coming?

Prue looks at him and walks into the elevator.

FADE TO:

INT. BAY MIRROR BUILDING - REDACTION ROOM - DAY

The place seems bigger now. It has lighter colors than before. The elevator's door opens to an open area. Aiden and Prue step out of the elevator. Prue glances around.

AIDEN

We're here!

PRUE

It seems bigger.

And soon her eyes stop at something. Prue's face hardens.

AIDEN

Prue?

Aiden follows her look and he realizes where she's looking at.

PRUE

And then there's that.

On the left side of the redaction room, there are several photographs of previous editor chiefs.

ON PHOTOGRAPHS - It shows the photos and the names behind them. It reads:

PHOEBE HALLIWELL

WYATT HALLIWELL

PERI HALLIWELL

PHOENIX HALLIWELL

JONATHAN HALLIWELL

ISABELLE HALLIWELL

Prue stares at the photographs seriously.

PRUE (CONT'D)

How can I come here?

(looks at Aiden)

I'm not them.

AIDEN

You don't need to be.

PRUE

There was always a Halliwell in that chair or in Mirror's Magazine chair.

AIDEN

Well, it's been almost twenty years since a Halliwell sat on any of the editor chiefs chairs.

(glances around)

And we are about to meet a new one.

Prue glances around as well and something calls her attention.

OFF TO EDITOR CHIEF'S OFFICE - A man and a woman come from inside the office. THE CAMERA FOCUSES on the woman. Tall, brunette, brown eyes, middle-aged.

Prue stares astonished at the woman as the woman smiles at the man she's talking to.

PRUE

Oh, bullocks!

Aiden looks at where Prue is staring.

The woman smiles big and then, as if she can feel some eyes on her, she looks at Prue. She stares at Prue keeping the smile on her face. This woman's name is PHOEBE ALANA HALLIWELL (50).

FADE TO:

INT. HALLIWELL'S - DINING ROOM - DAY

Persephone comes from the back of the restaurant. She carries a bottle of wine and puts it on the counter. A young woman, DOVE PHINEAS (24), is setting the tables ready for lunch.

Persephone opens the wine bottle and pours some into a cup. Dove stares at her. Persephone swirls the wine and then smells the wine.

DOVE

Isn't too early for that?

Persephone sips the wine but doesn't swallow. She stares at Dove. Then she swallows the wine.

PERSEPHONE

This one is new. I was checking if it is a good choice for our main course.

Dove walks towards the counter.

DOVE

Is it?

Persephone smiles.

PERSEPHONE

It's perfect.

Persephone's smile fades from her face.

DOVE

He's a pain in the ass, isn't he?

Persephone looks at her.

PERSEPHONE

I'm a cook, a good one, must I say, but that man is driving me crazy.

From the kitchen, a man wearing a chef's coat comes in. He is about to say something but stops as he listens to Persephone. FELIX DALLAS (34) stares seriously at Persephone.

PERSEPHONE (CONT'D)

He makes me feel like I don't know what I'm doing!

Dove sees the chef standing behind Persephone.

DOVE

Pers ---

PERSEPHONE

I swear to God, that I'm gonna make that pain in the ass obey me. He can't just do what he wants to.

DOVE

Pers ---

PERSEPHONE

I own this place, dammit!

FELIX

And I own two Michelin stars.

Persephone's eyes widen.

FELIX (CONT'D)

Why would I work here?

Persephone and Dove stare at each other. Then Persephone turns around slowly. She stares at him.

PERSEPHONE

I didn't ---

FELIX

You did. So, how are you gonna make me obey you?

Persephone swallows.

PERSEPHONE

Chef Felix, I ---

FELIX

(cuts her off)

I wouldn't have taken this job if it wasn't for Mrs. Whitmore asking me. I'm used to working in the best restaurants, Mrs. Halliwell. So, don't try to teach me how to do my work.

Persephone stares seriously at him.

FELIX (CONT'D)

You may own the restaurant, but that kitchen ---

(points to the kitchen)

--- it's my territory.

Persephone looks to the side.

FELIX (CONT'D)

Now get your butt into my territory so I can show you a better option for that wine of yours.

Felix turns around and walks into the kitchen. Persephone turns around to Dove who shoots her a sorry look. Then Persephone turns around and walks into the kitchen.

FADE TO:

INT. BAY MIRROR BUILDING - OUTSIDE MEETING ROOM - DAY

The door to the meeting room opens. Prue is the first one to come out followed by Aiden.

AIDEN

Prue, wait!

PRUE

I shouldn't have come.

Other people come from the meeting room.

PRUE (CONT'D)

I can't believe she's here!

Alana comes from the meeting room.

PRUE (CONT'D)

I didn't need this.

ALANA

Prue?

Prue stops. Aiden stops as well. Alana stands behind them. Aiden turns around and smiles at her.

AIDEN

Mrs. Halliwell!

ALANA

(smiles at Aiden)

Please, Aiden, we are family.

AIDEN

Cousin Alana.

Alana smiles. Then she looks at Prue who's on her back.

ALANA

Prue?

Slowly, Prue turns around to face Alana who keeps a smile on her face.

PRUE

Aunt Alana!

ALANA

It is nice to see you, Prue.

PRUE

Sorry, I can't say the same about you.

Both stare at each other seriously.

FADE TO:

INT. BAY MIRROR BUILDING - EDITOR CHIEF'S OFFICE - DAY (SHORTLY AFTER)

ON PRUE - She is serious.

Prue stands in the middle of the office. Alana closes the office's door. Then, she looks at Prue and walks towards the desk.

PRUE

Editor chief. Seriously?

ALANA

They've been offering me this position ever since ---

PRUE

Mom died?

Prue looks at Alana. Alana nods.

PRUE (CONT'D)

What made you say yes this time?

ALANA

Well, things have changed, haven't they?

PRUE

So, you only came back because we got our powers back.

ALANA

I came back because I knew you and your sister were going to need some guidance.

PRUE

From you?

Prue smiles sarcastically.

PRUE (CONT'D)

Should I remind you that you left when we needed the whole family together?

Alana gets serious.

PRUE (CONT'D)

You never cared about us. Never did when mom was alive, lesser after she died.

ALANA

That's not true. I needed to leave.

PRUE

And we needed our Aunts. One of the closest people to our mother. But of course, silly us to think that you would be there for us. You never liked to live in the shadows of your eldest sister, did you?

Alana sits in her chair.

ALANA

I'm not going to discuss with you my reasons. And I always thought about you and your sisters.

PRUE

Christmas and birthday gifts meant nothing.

Prue smiles sarcastically.

PRUE (CONT'D)

You couldn't be any more different from them.

ALANA

If you're trying to make me leave, ---

(stands)

--- know that I'm not going anywhere, Prue.

They stare at each other.

PRUE

Yeah, be my guest. I'll email you my resignation letter.

Prue turns to leave.

ALANA

I won't accept it.

Prue turns around. They stare seriously at each other.

ALANA (CONT'D)

Tell your sisters I'll pay a visit soon.

Prue turns around and walks out of the office. Alana deep sighs. She sits back.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON MAP - Someone is scrying.

Miranda is scrying. While Pamela walks from a side to another. She's on the phone.

PAMELA

(on the phone)

No, Persie. Just wait --- Persie? Persie?

Pamela glances at the phone.

PAMELA (CONT'D)

I can't believe she hang up on me.

MIRANDA

What happened?

Pamela turns to Miranda.

PAMELA

Persie is having problems with our cook. Anyway, have you found anything?

Miranda shakes her head.

MIRANDA

I'm using this necklace. He gave it to me.

PAMELA

Maybe we should just wait for William.

MIRANDA

He texted. He hasn't been able to talk to our previous neighbors.

PAMELA

Well, at least he did that.

Miranda puts the crystal and the necklace on the table.

MIRANDA

I just want to find him, you know.

Pamela looks at her.

MIRANDA (CONT'D)

I know William doesn't believe that he's probably out there trying to find our mother, but I know he is.

PAMELA

How can you be so sure?

MIRANDA

He loved her, Pam. I know he did.

Pamela gives her a sympathetic look.

MIRANDA (CONT'D)

You know, the other day ---

Miranda lowers her gaze.

MIRANDA (CONT'D)

I saw myself trying to break a pinata.

(forces a smile)

I didn't like it, but mom said I was a strong girl and I could do it. But I never did.

(looks at Pamela)

After she left, I couldn't.

PAMELA

That's why you hallucinated with that. You never had her telling you that again.

Miranda nods.

PAMELA (CONT'D)

Have you told that to William?

Miranda shakes her head.

PAMELA (CONT'D)

Maybe you should.

Pamela sits beside her.

PAMELA (CONT'D)

He's your brother. You should stick together.

MIRANDA

I know, but he wishes I was never born.

Pamela holds her hand.

PAMELA

Don't say that. He loves you. He just doesn't know how to show you. He's grumpy and proud.

Miranda looks at Pamela and smiles.

MIRANDA

Thanks.

PAMELA

That's what family is for.

Both of them smile at each other.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - INSIDE NATALIE'S CAR - DAY

Natalie is driving. She's stopped in traffic.

NATALIE POV - Traffic queues.

Natalie is annoyed.

NATALIE

I hate traffic.

She uses her car onboard computer to make a phone call.

ON CAR ONBOARD COMPUTER - Leo's name appears.

SOUND - Ring tone.

Soon, Leo answers the phone.

LEO (O.S.)

Hey!

NATALIE

Tell me you haven't some sort of magical power.

LEO (O.S.)

What?

Leo sounds serious.

NATALIE

I'm kidding. I'm stopped in traffic. There are queues everywhere. This one hasn't moved a bit in half an hour.

LEO (O.S.)

An accident?

NATALIE

Don't know. Anyway, you asked me for the body found last night.

LEO (O.S.)

I did.

NATALIE

(curious)

Why are you so interested in it, Leo? I'm starting to think that you are taking me to bed to get information out of me.

LEO (O.S.)

(laughs)

I told you already, I'm curious about it. And I like to dig into things. And no, that's not why I'm taking you to bed.

NATALIE

(smiles)

You could have a career as a detective then.

LEO (O.S.)

It doesn't pay much.

Natalie laughs.

NATALIE

That's true. Anyway, yes, it was a woman. Same age group as the others. She owned an esoteric shop in downtown San Francisco.

LEO (O.S.)

And was executed as a witch.

NATALIE

Indeed.

(sighs)

He left a message again.

LEO (O.S.)

Will you share that message this time?

Natalie thinks for a bit.

NATALIE

The message said 'she's know burning in hell'.

(pauses)

Got an idea of what that means?

LEO (O.S.)

(sighs)

No.

NATALIE

Well, I should better leave you. See you later?

LEO (O.S.)

P3?

NATALIE

Karaoke night?

LEO (O.S.)

A duo will be playing tonight.

NATALIE

Then you'll take me to bed? You know, because last night you didn't.

Leo says nothing.

NATALIE (CONT'D)

Are you smiling?

LEO (O.S.)

Kinda. See you later.

NATALIE

See you.

Natalie ends the call. She looks at the queue ahead of her and sighs.

FADE TO:

INT. OFFICE BUILDING - LEO'S OFFICE - DAY

Leo holds the cell phone in his hands and stares at it for a few seconds. Then he puts the phone on the desk. Priscilla comes in.

PRISCILLA

You were right.

Leo looks at Priscilla.

PRISCILLA (CONT'D)

The witness agreed in talking to you. She's here.

LEO

Good.

PRISCILLA

Are you sure that man paid for her silence?

LEO

Pretty sure of that. Let her in and go to lunch.

Priscilla nods. She walks out of the office and soon, an old woman comes in; MRS. FRANCIS (70). Leo stands.

LEO (CONT'D)

Mrs. Francis. Thank you for coming.

MRS. FRANCIS

Your secretary was very persuasive on the phone.

Leo smiles. He motions her to sit. She does and then Leo sits as well.

LEO

I was told that you change your initial testimony.

MRS. FRANCIS

I just thought better and it came to my mind that Mrs. Potter indeed jumped in front of the car.

LEO

Are you really sure?

Mrs. Francis nods.

LEO (CONT'D)

So, if I happen to mention in court that there's a slight chance that you were paid to say that, ---

Mrs. Francis's eyes widen.

LEO (CONT'D)

--- they won't find anything to prove it, right?

MRS. FRANCIS

They wouldn't even be looking for proves.

LEO

Are you sure? I can be very persuasive.

MRS. FRANCIS

That's not how it works.

Leo stands and paces the office.

LEO

Let me tell you how it works.

He looks at her.

LEO (CONT'D)

I know the judge of the case.

Mrs. Francis looks at him with his eyes wide open. He gives her a victorious smile.

FADE TO:

EXT. OFFICE BUILDING - DAY

There's a big queue of cars in front of the building. Prue walks towards the office building and walks in.

FADE TO:

INT. OFFICE BUILDING - OUTSIDE LEO'S OFFICE / HALL - DAY

Prue comes in and is about to knock on the door when the door opens and Mrs. Francis comes out of it. She doesn't seem so happy. Prue looks at her as Mrs. Francis walks past her. Then Prue turns at Leo who is standing at the doorway.

PRUE

What's wrong with her?

LEO

(shrugs)

I won.

Leo smiles and signs her to come in.

LEO (CONT'D)

What are you doing here?

Prue walks in.

FADE TO:

INT. OFFICE BUILDING - LEO'S OFFICE - DAY

Leo closes the door. Prue puts her things on one of the chairs.

PRUE

We need to find a Witch Hunter, remember?

LEO

I do remember, but we agreed we would meet tonight.

Leo looks at her and suddenly remembers something.

LEO (CONT'D)

I actually can't tonight.

He grimaces. Prue sighs.

PRUE

Yeah, I completely forgot what we agreed. I just needed to see you.

Leo shoots her a look.

PRUE (CONT'D)

Don't give me that look, Leo. I can't explain this thing ---

She waves her hands before her chest.

LEO

Between us?

Prue shoots him a look. She swallows dry. Then she sits on one of the chairs. Her shoulders drop.

PRUE

Aunt Alana is back.

Leo goes to sit in the other chair beside her.

LEO

Is that a bad thing?

Prue looks at Leo. She drops the hard expression on her face and shows him the vulnerability in her.

PRUE

I hate her. She is not someone I wish to have in my life. She and mom never got along. they became the Charmed Ones because Grams pushed Aunt Alana, but she hated to walk on my mom's shadow.

LEO

I didn't know.

PRUE

After they grew up, things got better, but they never had a good relationship. After my mom's death, I heard a fight between Aunt Alana and my father. She wanted to force him to sell P3. My father didn't want to and neither Grams. Dad kept the club anyways. He bought it from them. My Aunts.

(lowers her gaze)

I used to like her.

(half-smiles)

She was my favorite. Aunt Piper Anne was harder on us. She played by the rules. But Aunt Alana, no. She used to takes us to the park and play with us. And then, when mom died, she left. After the fight and all that, she just ran out of San Francisco.

LEO

And that hurt you?

Prue looks at him and nods.

PRUE

I needed all those people close to my mother next to me. She was her sister. I needed to feel mom through my Aunts and she left. Years passed and she never even came to dad's funeral. I saw her at Grams' funeral, but she never even bothered to talk to me or my sisters. The most we've got from her were birthday and Christmas gifts.

Leo holds her hands in his.

PRUE (CONT'D)

She's a total stranger to me. And now she wants to be part of our lives to guide us.

LEO

Did she say that?

Prue nods.

LEO (CONT'D)

Maybe she feels guilty.

PRUE

I don't care what she feels, Leo. I'll hand in my resignation letter. I can't be close to her. I'll remember all those times I needed her and she wasn't there.

LEO

You can't do that. You don't have to change your life because of her. Besides, you don't set foot on Bay Mirror very often, do you?

Prue nods.

LEO (CONT'D)

Why?

PRUE

My mother was Bay Mirror's editor chief when she died. Every time I go there I feel like everybody is waiting for me to take my path towards it.

LEO

And you don't want to?

Prue shakes her head.

PRUE

I'm not my mother.

LEO

No, you're not. And you won't hand in your resignation letter just because of her.

Prue smiles. Leo touches her face softly.

LEO (CONT'D)

Thank you for talking to me.

PRUE

(smiles)

I don't know why I did that.

They look seriously at each other when ---

Priscilla rushes into the office.

PRISCILA

Leo?

Prue and Leo move away from each other. Priscilla stares at them.

PRISCILLA (CONT'D)

Prue? What are you doing here?

PRUE

I could ask you the same thing.

PRISCILLA

I work here.

PRUE

(forces a smile)

And that's why I won't ask.

Priscilla ignores her.

PRISCILLA

There's something you need to see.

Priscilla rushes to the windows.

PRISCILLA (CONT'D)

It's chaos outside.

Leo and Prue walk over to the windows.

PRUE

Oh, my God. It's worse than when I came in.

PRUE, LEO, AND PRISCILLA'S POV - Down in the street, there are lots of people walking in the middle of the avenue, not caring about the cars in the traffic. There are mostly men following three women.

PRISCILLA

This is not normal.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

ON LEO - He listens to the song. He is serious.

THE CAMERA FOCUSES ON PRUE AND PRISCILLA. They don't seem to listen to the song.

PRUE

They are following those three women in the front.

PRISCILLA

Do you think this is normal?

PRUE

There's nothing normal about this. What do you think, Leo?

No answer.

PRUE (CONT'D)

Leo?

Prue turns around and ---

BEAT. Leo is not there.

PRUE (CONT'D)

Leo?

Priscilla turns around.

PRISCILLA

Where is he?

Prue looks through the window again and then she rushes out of the office.

PRISCILLA (CONT'D)

Prue?

Priscilla grimaces and rushes out of the office as well.

FADE TO:

EXT. OFFICE BUILDING - DAY

Leo comes out of the building. He seems hypnotized and walks forward following the other men there. Every woman around stares astonished at what's going on.

Prue comes out of the building and glances around. She spots Leo on the middle of the other men and runs towards him.

PRUE

Leo?

Prue runs between the other men and reaches Leo.

PRUE (CONT'D)

Leo?

Leo doesn't stop. Prue glances around.

PRUE (CONT'D)

Look at me, Leo. It's Prue.

Prue grabs his arm and makes him stop.

PRUE (CONT'D)

Look at me.

Leo stands and he seems to be staring at her, but he isn't. Something pops into her mind.

PRUE (CONT'D)

Oh, dammit!

She grabs his face between her hands and kisses him on the lips. Leo puts his hands on her hips. Prue stops kissing him and they look at each other.

LEO

Prue.

PRUE

We are even now.

LEO

What's going on?

Leo tries to glance around, but Prue stops him. She covers his ears.

PRUE

Don't look. Don't listen.

Priscilla approaches them.

PRISCILLA

Prue?

Prue looks at Priscilla.

PRISCILLA (CONT'D)

She's looking at you.

Priscilla points to someone. Prue looks around and sees her there. Arielle stands staring seriously at Prue. Prue doesn't like the look on the woman's face.

LEO

Prue?

PRUE

Let's go.

Prue looks at Leo. He covers his own ears. The three of them run out of there.

FADE TO:

INT. SAN FRANCISCO STATE UNIVERSITY - LIBRARY - DAY

Gabriel and Adrienne are at one of the desks. A few books are open on the desk.

GABRIEL

So, this word here means ---

ADRIANNE

Witches?

Gabriel looks at her and smiles.

GABRIEL

Correct.

Gabriel looks at the text.

GABRIEL (CONT'D)

Why are you teaching texts about witches?

Adrianne glances at Gabriel and smiles.

ADRIANNE

It's part of our history, isn't it? Salem?

GABRIEL

Sure, but it's for an ancient and dead languages class.

ADRIANNE

And Latin is an ancient and dead language. I found records of the Salem Witch Trials written in Latin.

GABRIEL

Right.

ADRIANNE

You don't believe in witches, do you, Professor Halliwell?

Gabriel stares at her.

GABRIEL

Why do you ask?

ADRIANNE

(smiles)

Just wondering. As for me, I always thought they are out there. Trying to fit into our lives.

SUDDENLY, all phones in the library beep with notifications. Gabriel and Adrianne's phones too.

Whispers start all over the library. Gabriel and Adrianne check their phones.

GABRIEL

It can't be possible.

Gabriel stands.

GABRIEL (CONT'D)

I need to go.

ADRIANNE

Are you sure? Because it seems like every man in this city has gone insane.

GABRIEL

I need to. See you, Professor Kelly.

Gabriel packs his things and rushes out of there. Adrianne checks her phone again.

ADRIANNE

I need to talk to Trace.

She stands and walks out of there.

FADE TO:

INT. HALLIWELL'S - DINING ROOM - DAY

Just a few patrons are there. Dove is pouring some wine into a customer's glass. Persephone comes from the kitchen and glances around. She freezes when she sees Trace standing at the entrance.

PERSEPHONE

Trace?

Trace looks at her and smiles. He walks towards her.

TRACE

Hi.

He smiles big.

PERSEPHONE

I thought you gave up on me when you saw me and my friend arguing.

TRACE

Not a chance. I was mired in work.

Persephone smiles.

TRACE (CONT'D)

I was hoping to see you again.

PERSEPHONE

Of course. I'm here.

TRACE

Not here.

Persephone tries not to smile.

PERSEPHONE

So?

TRACE

I was wondering. Would you like to ---

PERSEPHONE

(cuts him off)

I'd love to.

Trace smiles.

TRACE

(smiles big)

Great. What if we start now? I mean, I haven't had lunch.

PERSEPHONE

Sure.

SUDDENLY, every phone beeps. All the patrons check their phones and they comment to each other the news they're seeing. Trace and Persephone check their phones too.

PERSEPHONE (CONT'D)

Uh, would you mind if I take a rain check on that invitation?

Trace stares at her.

TRACE

Something wrong?

PERSEPHONE

No, I just remember that I had something to do.

Persephone turns to Dove.

PERSEPHONE (CONT'D)

Dove, can you please take care of things for me?

DOVE

Sure.

Persephone looks at Trace.

PERSEPHONE

And Dove?

Dove looks at Persephone.

PERSEPHONE (CONT'D)

Hand this gentleman my phone number, please.

Dove nods. Persephone smiles at Trace and then turns around. She heads into the kitchen. Dove looks at Trace.

DOVE

Do you want me to write it down for you?

Trace looks at Dove and smiles.

FADE TO:

EXT. HALLIWELL'S - DAY

Trace comes out of the restaurant when Adrianne approaches him.

ADRIANNE

I knew I would find you here!

TRACE

What are you doing here, Adrianne?

ADRIANNE

You came after that witch.

TRACE

I told you I have plans.

ADRIANNE

Do those plans include jump inside her pants?

Trace shoots her a look.

ADRIANNE (CONT'D)

Careful, Trace. I'm not someone you want to mess with.

TRACE

I know what I'm doing.

Adrianne looks away.

TRACE (CONT'D)

But what are you doing here?

Adrianne looks at him.

ADRIANNE

Sirens.

Trace squints his eyes.

ADRIANNE (CONT'D)

At least that's what I think they are. Men are being lured by them.

TRACE

Them?

Adrianne nods.

ADRIANNE

You should go to the Underworld where they can't find you.

TRACE

I'm not afraid of Sirens.

ADRIANNE

I've encountered a few in the past. You think you can handle them, but you can't.

Both Trace and Adrianne stare at each other seriously.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. THE ANCIENT ONES REALM - DAY

The place is dark and it looks like a round room. THREE PEOPLE wearing long robes with hoods are sitting in tall chairs at the front. These three people are known as the ANCIENT ONES. There is a white circle at the front. Ancient One #1 WAVES his hand and Sebastian appears in the middle of the white circle.

ANCIENT ONE #1

Elder, we heard your call.

Sebastian stands and stares at them.

ANCIENT ONE #2

What is it that you seek?

SEBASTIAN

My lords, some things are happening down in the mortal world.

ANCIENT ONE #3

We've seen everything.

ANCIENT ONE #2

Lots of things happen in the mortal world.

SEBASTIAN

You've heard that the Warrens got their powers back?

ANCIENT ONE #1

We know everything.

ANCIENT ONE #3

We see everything.

ANCIENT ONE #2

They shouldn't have lost their powers in the first place.

SEBASTIAN

There was no way to vanquish Alastair. None that we knew of.

ANCIENT ONE #2

There was. But he put a hand on their weakness.

SEBASTIAN

But you knew he was trapped.

ANCIENT ONE #3

We know everything.

ANCIENT ONE #1

We see everything.

ANCIENT ONE #3

We knew he was trapped.

ANCIENT ONE #2

We don't intervene.

SEBASTIAN

I know.

(pauses)

What can you tell me of those demons? Is Alastair behind them? Is he sending them?

ANCIENT ONE #2

The demons with the symbol of the forgotten.

ANCIENT ONE #1

The rift was open.

ANCIENT ONE #3

They came through.

ANCIENT ONE #2

They keep coming through.

ANCIENT ONE #3

If the rift isn't closed soon, they'll take over as they once tried to.

SEBASTIAN

How do we do that?

ANCIENT ONE #2

You don't.

ANCIENT ONE #1

You already did.

ANCIENT ONE #3

All of you did all those centuries ago. But it won't work this time.

ANCIENT ONE #2

They should do it.

Sebastian stares at them.

SEBASTIAN

The Warrens and their enemy.

ANCIENT ONE #1

This time, they brought them here.

ANCIENT ONE #3

They opened the rift when they released their powers.

ANCIENT ONE #2

And Alastair.

SEBASTIAN

Where is the rift?

ANCIENT ONE #1

We don't intervene.

ANCIENT ONE #2

We've told you what we could.

SEBASTIAN

How do they stop them?

Dramatic pause.

ANCIENT ONE #3

The Hollow.

ON SEBASTIAN - He is serious.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE - DAY

Pamela and Miranda come rushing downstairs.

PAMELA

People are getting crazy, you know?

MIRANDA

Well, men are.

OFF TO THE FRONT DOOR - It opens. Prue and Leo come in. Leo covering his ears. Priscilla comes in after them and closes the door.

Pamela and Miranda look at him.

PAMELA

I'm glad you are finally here.

MIRANDA

The Book of Shadows hasn't done the thing it does.

PRUE

We don't need it. I know what it is.

Prue looks at Leo. He seems to be battling something in his head.

MIRANDA

What's wrong with him?

Prue gets closer to him.

PRUE

Are you still listening to the voices?

Leo nods.

LEO

It's getting stronger.

PAMELA

Hearing what?

Prue holds Leo's face between her hands.

PRUE

Leo, focus on me.

Leo and Prue stare at each other's eyes.

PRUE (CONT'D)

You can do it, right? Filter the voices and just listen to mine, okay?

Leo nods.

PRUE (CONT'D)

Can you do that?

Leo nods again. Prue turns to the others.

PRUE (CONT'D)

Sirens.

Pamela and Miranda glance at each other.

MIRANDA

What are Sirens?

PRISCILLA

Almost the same thing as mermaids. I learn that in school. Mythology class.

OFF TO GABRIEL - He comes rushing downstairs carrying the Book of Shadows.

GABRIEL

Sirens!

They all look at Gabriel. He reaches the bottom of the staircase and looks at them.

GABRIEL (CONT'D)

That's the only thing that comes to my mind.

Gabriel looks at Leo.

GABRIEL (CONT'D)

He heard her, didn't he?

PRISCILLA

Them. There were three at the front of those men.

GABRIEL

But it doesn't make sense. I mean, they work solo. And why luring so many men?

OFF TO THE FRONT DOOR - It opens again and Persephone and Aiden come rushing in.

PERSEPHONE

Turn on the news.

Pamela heads into the living room. The others follow.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Pamela turns on the TV.

ON TV - A reporter is at a beach.

Prue, Leo, Persephone, Priscilla, Gabriel, Miranda, and Aiden come in. They stare at the TV.

ON TV - Scenes of men walking into the sea.

REPORTER

They seem hypnotized. First responders have arrived at the local and they are trying to stop people from getting into the sea.

The eight of them stare at the TV.

AIDEN

They lure men to the sea.

GABRIEL

They'll drown.

MIRANDA

We need to stop them.

PRISCILLA

Where's Will?

PAMELA

He was on his way here.

(to Aiden and Gabriel)

You guys, didn't listen to it, did you?

GABRIEL

I came with my headphones on.

AIDEN

Yeah. I turned Prue's car radio to the max.

PRUE

You did what?

AIDEN

The car is fine.

Leo screams out loud.

LEO

Prue!

Prue looks at him. He sits on the couch. He looks at her.

LEO (CONT'D)

I hear them loudly.

PRUE

Focus on my voice.

PRISCILLA

Sorry to disappoint you, sis, but your voice can't stop theirs.

Gabriel puts the book on the couch.

GABRIEL

Something is not right. The information in the book doesn't fit what we've seen.

MIRANDA

I just wish William was here safe and sound.

Soon, the front door is heard and William comes in. Headphone on. He takes them off as he enters the living room.

WILLIAM

Can someone explain what the hell is going on?

PAMELA

Sirens. That's what's going on.

William stares astonished at them.

FADE TO:

EXT. TRACE THORNTON'S APARTMENT - LIVING ROOM - DAY

Trace is there pacing the room. Adrianne stares at him.

ADRIANNE

(mad)

Trace, you need to leave to the Underworld.

TRACE

I won't do such a thing. It's just Sirens.

ADRIANNE

That's the thing. Sirens. Not one, but three.

TRACE

It must be one of them.

Trace stops and looks at Adrianne.

TRACE (CONT'D)

Those demons. They must come from the same place as Rage and Kogan.

ADRIANNE

Sirens lived always among us.

TRACE

As you said, there are three of them.

Trace is thoughtful.

ADRIANNE

You need to leave.

TRACE

No, I need to take this chance.

ADRIANNE

(confused)

What?

TRACE

Imagine if they lure one of them? They men, I mean.

ADRIANNE

The Warrens?

Trace nods.

ADRIANNE (CONT'D)

You must be kidding me, right? You can get near them cause you see, they're going after the Sirens for sure. You are a man, Trace. And those demons are luring every man. Not only married man.

TRACE

I'll take my chances.

ADRIANNE

No.

Trace SHIMMERS out.

ADRIANNE (CONT'D)

(out loud)

Trace!

(mad)

Dammit!

Adrianne BLACK ORBS out.

FADE TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL VIEW fast motion at the city.

FADE TO:

EXT. PRESCOTT STREET - NIGHT

Arielle stands before the Halliwell manor. She stares seriously at it.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

The nine Warrens are there. Leo is sitting on one of the couches. He has some headphones on. He moves his body back and forth. Prue stares at him feeling pity.

Gabriel is scrying. Persephone calls for Lucas.

PERSEPHONE

Lucas!

The others just stand there.

MIRANDA

Why isn't he answering?

WILLIAM

Yeah, so much for a Whitelighter.

Priscilla gets closer to Prue.

PRISCILLA

(looks at Leo)

You are really worried, are you?

Prue looks at Priscilla.

PRUE

I am.

Prue then walks over to Leo and lowers down in front of him. He stares at her.

PRUE (CONT'D)

You're going to be okay.

Leo can't hear her, but he can read his lips. Leo nods. They hold hands.

PERSEPHONE

(out loud)

LUCAS!

Nothing happens.

ON CRYSTAL - It suddenly stops.

Gabriel glances at them.

GABRIEL

Guys?

They all look at Gabriel who looks them back.

GABRIEL (CONT'D)

She's here.

PRUE

Here?

Gabriel nods. Then, Leo takes the headphones out and holds his head with pain. He lets out a loud scream. They all turn to him.

PRUE (CONT'D)

Leo?

Leo looks at her.

LEO

I can't, Prue. I can't fight it anymore.

PRUE

You have to. Just listen to my voice. You just have to listen to my voice.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

SOUND - DOORBELL.

PERSEPHONE

Do Sirens knock?

Persephone walks towards the window and looks through it.

PERSEPHONE (CONT'D)

Oh, my God.

AIDEN

It's the Sirens?

Persephone looks at them.

PERSEPHONE

It's Trace.

PRISCILLA

Who's Trace?

PAMELA

The guy she has a crush on.

Persephone starts heading out of the attic.

PERSEPHONE

I'll be right back.

ON THE BOOK OF SHADOWS - It's on its pedestal. Its pages start turning by themselves.

WILLIAM

Look, the book.

Prue tries to put the headphone back on Leo's head. He looks at her.

LEO

It's getting louder.

He grabs Prue's hand. Gabriel walks over to the book, which has stopped turning pages.

ON THE BOOK OF SHADOWS - It shows the information that's been writing on a blank page. It reads:

'Luctus Sirenibus

They were the first Sirens. They can't have men as women can and so they are dammed to lure men to them. They desire all the men and won't stop at anything to get them as their slaves and keep them away from women. Use firepower on them.'

Gabriel looks at the others.

GABRIEL

Luctus Sirenibus.

WILLIAM

What does that mean?

GABRIEL

Mourning Sirens. We need firepower to vanquish them.

PRUE

Leo.

Prue turns to Leo.

PRUE (CONT'D)

Read my lips.

Leo nods.

PRUE (CONT'D)

We need your firepower to vanquish them.

Leo nods. Then the song is heard again.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

And Leo hears a voice in his head.

ARIELLE (O.S.)

Leo!

Leo swallows. Suddenly, Gabriel, Aiden, and William get serious.

BEAT. They heard the song.

Leo takes off the headphone.

PRUE

No. Don't do that.

Leo is serious. Prue tries to put the headphones back on Leo's ears, but he THROWS her back. She falls on the floor. Prue looks astonished at him.

PRUE (CONT'D)

Leo, it's me. Prue.

ARIELLE (O.S.)

Come to me, Leo.

PRUE

Leo?

Pamela, Miranda, and Priscilla look at Gabriel, Aiden, and William.

PAMELA

Girls?

MIRANDA

Yeah, I've noticed.

Prue stands and walks over to Leo, but he WAVES his hands and she's thrown flying across the room. He just used TELEKINESIS. Prue is astonished. Leo walks out of the attic. Prue stands. She, Pamela, Priscilla, and Miranda are about to leave the attic, but Gabriel, William, and Aiden stand in their way.

PAMELA

Oh, great. Just great!

The girls stare at one another.

FADE TO:

INT. HALLIWELL MANOR - FOYER / ENTRANCE - NIGHT

Persephone walks towards the front door. She opens it. Trace is there.

PERSEPHONE

Trace? What are you doing here?

He smiles.

PERSEPHONE (CONT'D)

How did you find me?

TRACE

Your employee told me.

PERSEPHONE

Right. Well, it's not the right time.

TRACE

Seriously? I thought we could go out, you know?

PERSEPHONE

Yeah, that would be great, but I'm sorta in some kind of emergency and ---

(forces a smile)

I can't.

Trace is about to say something, but then ---

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

Only Trace listens to it.

TRACE

Did you hear that?

PERSEPHONE

Oh, crap.

Persephone grabs his hand and drags him in.

PERSEPHONE (CONT'D)

Come in.

As they come in, Leo comes downstairs. He uses TELEKINESIS on them and both hit the ceiling. They fall on the floor unconscious. Leo walks past them and out of the manor.

FADE TO:

EXT. HALLIWELL MANOR - PORCH - NIGHT

Leo comes down the front stairs and stops in front of someone.

BEAT. Arielle is there smiling at him.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (TIME LAPSE)

The boys stop the girls from getting out of the attic. William throws Miranda against a couch using all his strength. Aiden is thrown on the floor by Pamela. He grabs her ankle and makes her fall on the floor. Gabriel stands before Prue and Priscilla.

PRUE

Get the hell out of our way, Gabs.

Gabriel stares at them.

PRISCILLA

We are just gonna have to punch him, you know?

PRUE

Remember the karate lessons?

PRISCILLA

(nods)

Let's do it.

Both girls kick Gabriel on the stomach.

PRISCILLA (CONT'D)

Sorry.

Gabriel stands and stares at them. Aiden gets up and grabs Pamela by her shoulders. She throws her against the couch next to Miranda.

PAMELA

Oh, Aiden, I'm gonna kill you.

PRISCILLA

(to Prue)

Again.

Prue nods. They are about to kick him again, but Prue stops.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

PRISCILLA (CONT'D)

Prue?

Prue seems hypnotized, just as the others.

ARIELLE

Prue? Come, Prue.

Priscilla stares at Prue.

PRISCILLA

Prue?

MIRANDA

What's wrong with her?

Aiden and William stand before Pamela and Miranda.

OFF TO THE DOOR - The other two Sirens come in. Aethelis and Aigathoe.

Pamela, Priscilla, and Miranda look at them. Aethelis and Aigathoe look at Prue.

AETHELIS

(to Prue)

Go.

Prue nods and walks out of the attic.

PRISCILLA

Prue?

Gabriel grabs Priscilla and throws her against the couch where Pamela and Miranda are.

MIRANDA

Are we screw?

Aethelis and Aigathoe stare at the girls.

MIRANDA (CONT'D)

We are, aren't we?

The three girls grimace.

FADE TO:

INT. HALLIWELL MANOR - FOYER / STAIRCASE / ENTRANCE - NIGHT

Prue comes downstairs. She passes by Persephone and Trace on the floor and it's like she hasn't seen them. She just walks out.

Not long after, Adrianne comes in. She glances around and sees Trace on the floor.

ADRIANNE

Dammit, Trace.

She approaches Trace's body and touches him. Then she BLACK ORBS out taking Trace with her. Persephone starts waking up. She glances around.

PERSEPHONE

Trace?

He is nowhere to be seen.

SOUND - People fighting in the attic.

Persephone looks up. She tries to stand.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - FOYER / ENTRANCE / STAIRCASE - NIGHT

Prue comes in from the front door. She walks at pace towards the staircase.

ARIELLE (O.S.)

Come, Prue. Join us.

Prue looks up. Then she walks upstairs.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Priscilla, Pamela, and Miranda are trying to get rid of Gabriel, Aiden, and William, respectively. The three men are grabbing them.

MIRANDA

Let me go, Will!

Aethelis and Aigathoe stand there watching them.

OFF TO THE ENTRANCE - Persephone comes in and stares at it.

PERSEPHONE

What the heck is going on?

Aethelis and Aigathoe look at Persephone. Persephone looks them back.

PERSEPHONE (CONT'D)

Are they ---?

PRISCILLA

Yes, sis, now do something.

Persephone waves her hands and uses MOLECULAR IMMOBILIZATION to freeze them. Also Gabriel, Aiden, and William freeze. Pamela, Priscilla, and Miranda manage to get free of them. Then each of them turns to the men and kick them in their stomach. They are thrown back and fall on the floor unconscious.

PERSEPHONE

Did you really have to do that?

PAMELA

Oh, you have no idea what they've done to us.

Persephone glances around.

PERSEPHONE

Where's Prue? And Leo?

PRISCILLA

Leo ran off. He heard the Siren's song.

MIRANDA

And Prue went after him.

PERSEPHONE

We need to go find them.

AT THAT MOMENT, Aethelis and Aigathoe start moving normally again.

MIRANDA

Seriously?

ON GABRIEL, AIDEN, AND WILLIAM - They recover conscience.

The four women stare at one another.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

ON THE DOOR - It opens. Prue stands at the doorway.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

Leo is standing staring at her seriously. Both Prue and Leo are hypnotized.

ARIELLE (O.S.)

Come, Prue.

Ariella, who's also there, comes closer to Leo. She touches his shoulder.

Prue walks into the room staring seriously at them. Arielle stands in front of Leo and he looks at her.

ARIELLE (CONT'D)

Isn't he beautiful?

Arielle glances at Prue from over her shoulders. Then she turns to Leo.

ARIELLE (CONT'D)

There's a way, you know, to keep him forever to yourself.

Arielle smiles at Leo and places a kiss on his neck.

ARIELLE (CONT'D)

Bed.

Leo steps back and sits on the bed only to lay back next. Arielle smirks at Prue.

ARIELLE (CONT'D)

Why would women have their bodies?

Arielle gets atop Leo. She looks at Prue.

ARIELLE (CONT'D)

Why can't we feel them the way women do?

Arielle leans over Leo's body and places kisses on his neck. Leo lays still, while Prue looks hypnotized at them. Arielle stares at her.

ARIELLE (CONT'D)

If we can't have them, why should you?

ON PRUE'S FACE - Her eyes get wet.

ARIELLE (CONT'D)

Join us, Prue, and you will have him forever.

Even being hypnotized, Prue knows what's going on.

Then Arielle hums a song. She strokes his chest and then his face.

ARIELLE (CONT'D)

Just say yes.

Arielle's lips touch Leo's lips and she starts kissing him while hums a song.

ON PRUE'S FACE - Her eyes get really wet. She knows what's happening.

ON LEO AND ARIELLE'S LIPS - Smoke rises from their lips.

And suddenly, a voice is heard.

PRUE (V.O.)

Leo!

Prue lips don't move, but it's like she's trying to communicate telepathically with him.

PRUE (V.O. / CONT'D)

Leo!

ON LEO'S EYES - Suddenly he gains consciousness of what's going on.

Leo reaches out his hands and a BLAST OF ENERGY comes from them throwing Arielle flying across the air.

Prue starts moving normally. Leo stands up and looks at her.

LEO

Prue?

Prue looks at him. They rush to each other. Leo kisses her forehead.

LEO (CONT'D)

You save me.

They look each other in the eyes.

LEO (CONT'D)

I heard your voice.

Prue is confused, but smiles. Through the corner of her eyes, she can see as Arielle stands.

PRUE

(looking at Arielle)

Hit her with all you've got.

Leo turns around and waves his hands. Using ELECTROKINESIS, Leo shoots a big blast of energy from his hands. Arielle is hit and lifted in the air while her body burst into flames which consume her entirely.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Pamela and Miranda are thrown against a wall. Gabriel grabs Persephone as William grabs Priscilla.

Aethelis and Aigathoe stare at them. Suddenly, they scream out loud. A scream of pain.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

Leo and Prue stare at the place where Arielle just was.

PRUE

I'll help with the cleaning.

Leo shoots her a look. She smiles.

SOUND - A loud scream.

LEO

Let's go.

The two of them rush out of there.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - NIGHT

The front door is open when Alana comes in and glances around astonished. Suddenly, Leo and Prue come rushing in from the front door.

Alana looks at them.

ALANA

Prue?

Prue and Leo look at Alana.

PRUE

(to Leo)

Go.

Leo nods and walks upstairs.

PRUE (CONT'D)

What are you doing here?

ALANA

Sirens.

PRUE

I know.

Prue shoots her an 'I know what I'm doing' look. Then turns around and walks upstairs as Alana watches her.

ALANA

Of course, you do.

Alana walks upstairs after her.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

The two Sirens are there shouting out loud. Then, they stop and stare at them. Then, they start humming a song. Gabriel, Aiden, and William cover their ears.

ACOUSTIC SOUND - A melodious and sad, angelic song of vocals.

Leo comes in and as he does he has to cover his ears. The music gets too loud. Leo looks at them, but he is unable to uncover his ears.

Prue comes in and spots Persephone, Priscilla, Pamela, and Miranda on a corner.

Alana comes right into the attic.

PRUE

Leo, hit them!

LEO

(out loud)

I can't!

Prue doesn't know what to do.

PRUE

We need firepower.

ALANA

You have firepower.

Prue turns to Alana.

ALANA (CONT'D)

You were too young, but you need to remember.

Prue looks at the two Sirens who are now staring at Prue.

AETHELIS

Join us, Prue.

AIGATHOE

You can be one of us.

ALANA

You need to remember, Prue.

(out loud)

Now!

And then Prue reaches out her hands and shouts out loud and ---

PRUE

Ahhhhhh!

JETS of flames (FIRE THROWING) come from both her hands and hit both Sirens vanquishing both of them. Their ashes are what remain of them.

Persephone, Priscilla, Pamela, and Miranda stand while Leo, Gabriel, William, and Aiden uncover their ears. They glance at Prue who looks at Alana.

PRUE

How did you know?

ALANA

Because I gave you the first doll you incinerated with that power.

(smiles)

You hated it. That was the first and last time you used that power. You really hated that doll.

PRUE

You are not good a picking presents.

Alana laughs.

ALANA

I know.

Both Prue and Alana stare at each other.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

Aerial view all over the town at the sound of 'Oceans Between Us' by The Icarus Account.

Several places all over the town are being shown.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Adrianne is sitting on the edge of the bed while Trace lays on the bed.

ON TRACE - He starts waking up. Soon, he stares at Adrianne sitting beside him.

TRACE

Adrianne?

Adrianne glances at them.

ADRIANNE

Damn, the witch hit you hard.

Trace looks at her confused.

ADRIANNE (CONT'D)

You were knocked down by one of them.

Trace gets into a sitting position.

TRACE

What happened?

ADRIANNE

The Sirens were vanquished.

TRACE

Damn!

ADRIANNE

They were three and they won.

(pauses)

Again. Are you really sure you want to go up against them?

Trace stares seriously at her and she knows he is.

ADRIANNE (CONT'D)

What is that you want from Alastair? Why risking your life?

TRACE

I'm a demon. That's what I do.

ADRIANNE

For the past nineteen years, you were very low on that.

TRACE

I was. I'm not anymore. This is what I do. This is what I am.

ADRIANNE

(stands)

Fine. Don't get vanquished.

Adrianne DARK ORBS out.

ON TRACE - He is serious.

FADE TO:

INT. THE UPPER REGIONS - DAY

MUSIC FADES OFF.

Lucas walks back and forth. He is worried. Soon, Sebastian walks over to him. Lucas stares at him.

LUCAS

Sebastian?

Sebastian seems worried.

LUCAS (CONT'D)

Why keeping me this long? Why couldn't I go down there? They've been calling me.

SEBASTIAN

There are some things you should know, Lucas, so you can guide them.

LUCAS

Is it about those demons?

Sebastian nods.

SEBASTIAN

They are known as the Forgotten and they are not from here.

LUCAS

So?

Sebastian stares seriously at Lucas.

SEBASTIAN

Listen carefully, Lucas. It is important.

Lucas nods.

SEBASTIAN (CONT'D)

In the time of Gods ---

Lucas listens as Sebastian starts telling him the story of the Forgotten Demons.

FADE TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

All the nine Warrens are gathered there and so it's Alana. Alana smiles at them.

ALANA

There are some faces here I never met. I've met Gabriel, William, and Aiden before.

Gabriel, William, and Aiden smile at Alana.

ALANA (CONT'D)

And Miranda you were very little last time I saw you.

MIRANDA

I can't say I remember you.

PAMELA

I guess you never met me either.

ALANA

(smiles)

I've seen you in magazines, TV ---

PAMELA

Yeah. That's me.

ALANA

(to Leo)

And you ---

LEO

It's Leo.

Alana stares at Leo seriously.

ALANA

Leo Matthews.

Prue stares seriously at Alana.

LEO

You know my name.

Alana half-smiles.

ALANA

(disguises)

From the Winkzy group.

PERSEPHONE

Why are you here, Aunt Alana? Why after all this time.

GABRIEL

I think we should leave you.

(to William and Miranda)

Maybe we get in time to watch the artists we hire for tonight playing.

William and Miranda agree.

AIDEN

(to Pamela)

I need to listen to some good music. Wanna go?

Pamela nods. Gabriel, William, Miranda, Pamela, and Aiden leave the room. Leo looks at Prue.

LEO

I should go.

Prue nods.

PRUE

See you at P3?

LEO

I'll be there.

Leo turns around and walks out of the room. Alana glances from Leo to Prue. Then she glances at her nieces.

PERSEPHONE

So?

Persephone as well as Prue seems not a bit receptive towards her Aunt.

ALANA

I thought it was time for me to finally accept that job at Bay Mirror.

Persephone glances at Prue. Then she looks at Alana.

PERSEPHONE

After all this time? Why now?

ALANA

I needed to come back. For you.

PRISCILLA

Sorry, Aunt Alana, but why now? You were never there. Not after mom died.

ALANA

I know I haven't been the perfect Aunt for you three.

PERSEPHONE

That's why you and mom were not always on the best terms.

ALANA

My relationship with your mother was a complicated one. But I loved my sister.

PRUE

But you didn't care for her daughters after she died.

ALANA

Look, girls ---

PERSEPHONE

We are not girls. Not anymore. You skipped that part of our lives. We are women now.

ALANA

I know. I just want to help.

PRUE

Help on what? We already have a team.

ALANA

But there's still so much you need to learn.

(glances at them)

I'm not going anywhere. Whether you like it or not, I'm staying.

PERSEPHONE

Don't count on me to treat you like our dear Aunt.

ALANA

I wouldn't like to take that title off Piper Anne.

PERSEPHONE

Good.

Alana smiles at them.

ALANA

I missed you, ---

(pauses)

--- girls.

Prue, Persephone, and Priscilla glance at each other.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION VIEW of the city.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The club is crowded. People wait for the performance of the artists.

Leo and Natalie are by a table.

NATALIE

So, it suddenly stopped. The men said they didn't remember a thing. Isn't it weird?

LEO

Very. About the other matter ---

NATALIE

Leo?

Leo looks at her.

NATALIE (CONT'D)

Can we forget the evil in this world for one night?

Leo smiles.

LEO

Fine.

NATALIE

Good.

Natalie kisses him from across the table.

Inside the counter, Persephone, Gabriel, William, and Miranda help to prepare drinks. Outside the counter are Priscilla, Pamela, and Aiden enjoying the music. Prue walks over to the counter.

PRUE

Okay, this is crowded.

PAMELA

Who are those artists you hired?

PRUE

You'll see.

The DJ gets on stage and speaks to the microphone.

DJ

Ladies and gentlemen, please welcome Ha-Ash!

Two female singers that are known as Ha-Ash get on stage and start singing.

SONG - '30 De Febrero' by Ha-Ash.

As the duo plays and sings, Persephone, Priscilla, Pamela, and Miranda smile at Prue. They know the song the sang on karaoke night. They enjoy the music.

OFF TO LUCAS - He walks over to Prue and touches her shoulder.

Prue turns around and looks at Lucas. Prue smiles at him.

PRUE

Hey!

LUCAS

We need to talk.

PRUE

Not now. But we will.

Prue warps her arms around his neck and kisses him passionately.

THE MUSIC KEEPS PLAYING LOUDLY.

The CAMERA MOVES AWAY.

FADE TO BLACK.

END OF EPISODE