1x02 - A Charm-Astic Fear of Everything

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 2

'A CHARM-ASTIC FEAR OF EVERYTHING'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the town at the sound of 'Courage to Change' by Sia.

Several places all over the town are shown.

FADE TO:

EXT. HALLIWELL MANOR - DAY

STILL.

MUSIC KEEPS PLAYING IN THE B.G.

FADE TO:

INT. HALLIWELL - 1ST FLOOR CORRIDOR / HALL - DAY

MUSIC KEEPS PLAYING IN THE B.G.

Persephone comes from her bedroom wearing pajamas and walks straight to Prue's bedroom. She knocks on the door, but no one answers. She opens the door.

MUSIC FADES OFF.

PERSEPHONE

Prue?

Persephone walks in.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - DAY

No one is in the bedroom when Persephone comes in. She glances around.

PERSEPHONE

Prue?

She walks over to the bathroom and knocks. No answer. She opens the door and peeks inside.

PERSEPHONE (CONT'D)

Again!

She grimaces. She glances at the bed.

ON THE BED - It's not made. The Book of Shadows is on the bed.

PERSEPHONE (CONT'D)

At least the book is free.

Persephone walks over to the bed and takes the book. She walks out of the bedroom.

FADE TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR / HALL - DAY

Persephone comes from Prue's bedroom as Priscilla comes from her bedroom. She wears pajamas and sees Persephone leaving Prue's bedroom.

PRISCILLA

What were you doing there?

PERSEPHONE

She's not here.

PRISCILLA

What else is new?

PERSEPHONE

She stayed at home when we left for P3.

PRISCILLA

It's Prue. We don't try to understand her.

PERSEPHONE

I thought she was changing.

PRISCILLA

Yeah, well, some things never change. I need coffee.

Priscilla walks out towards the stairs. Persephone looks at Prue's bedroom door and sighs. Then she follows Priscilla.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - DAY

ON LEO'S FACE - His ocean blue eyes are open.

Leo is lying on his side facing Prue who's lying on her side as well. She is still asleep.

ON PRUE'S FACE - She starts waking up. Her eyes open slowly. When she sees Leo's eyes, she smiles.

LEO

This time you didn't run away in the middle of the night.

He kisses her softly. Then they both stare at each other.

PRUE

Is it morning already?

Leo nods.

PRUE (CONT'D)

God, I fell asleep.

She gets into a sitting position and starts getting dressed.

PRUE (CONT'D)

I need to go before anyone finds out I slept here.

LEO

(sarcastic)

And she is running in the morning.

Prue turns to Leo and sighs.

PRUE

We shouldn't have ---

LEO

(gets into a sitting position)

Don't.

Leo puts his boxers on and gets out of the bed.

LEO (CONT'D)

So, I guess we won't talk about this either.

PRUE

Leo ---

LEO

Don't Leo me, Prue. You were the one who knocked on my door last night.

PRUE

I still don't do relationships.

LEO

I'm not asking you to marry me. I just want us to talk about what happened between us.

PRUE

(getting off the bed)

A mistake. That's what happened.

(takes her robe)

I need to go.

LEO

Oh, no. First, we talk.

Prue puts the robe on and starts walking towards the bedroom door.

LEO (CONT'D)

Prue?

She doesn't turn to face him and opens the door. BEAT. Adrian was about to knock on the door. His eyes widen as he sees Prue opening the door. Prue freezes. Awkward.

AIDEN

(surprised)

Prue?

PRUE

(swallows)

Aiden, hi!

Leo stares at them, then he walks towards them.

AIDEN

(to Prue)

What are you doing here?

PRUE

I ---

She tries to think of something fast.

PRUE (CONT'D)

I was just ---

(swallows)

--- breakfast. I know you guys haven't gone shopping and so, I came to invite you for breakfast.

LEO

Yeah, what she said.

Aiden looks at them up and down.

ON PRUE AND LEO'S BODIES - Leo is only wearing boxers and Prue is wearing her nightgown and the robe on.

AIDEN

Dressing like that?

Prue and Leo look at each other. Aiden stares at them trying to figure out what's going on.

PRUE

Well, I just left home like this and ---

LEO

She caught me by surprise.

AIDEN

Really? I didn't hear you knocking.

PRUE

I didn't.

LEO

She didn't.

AIDEN

So, you just came in and entered Leo's bedroom, just because?

PRUE

Yeah.

This couldn't be more embarrassing.

PRUE (CONT'D)

I knocked first.

LEO

She did.

Prue and Leo look at each other again. Aiden smiles sarcastically.

AIDEN

Okay, if you say so.

PRUE

I say so and I need to go.

AIDEN

Thank you for the invitation, but Pamela's butler brought us breakfast.

(to Leo)

I came to let you know.

PRUE

Great. Good. Enjoy your breakfast. I'm leaving.

Prue walks past Aiden and leaves as the two men watch her. Aiden shoots Leo a look.

AIDEN

So ---

Leo shoots him a pointed look.

LEO

I'll start sleeping with my pants on.

Aiden smiles. Leo turns around and heads into the bathroom. Aiden smiles big. He has figured the whole thing out.

FADE TO:

INT. HALLIWELL MANOR - DINING ROOM / ENTRANCE / FOYER - DAY

Persephone and Priscilla are at the dining table having breakfast. They are still wearing pajamas. Priscilla has a sip of her coffee.

PERSEPHONE

Are you seriously leaving your job?

PRISCILLA

I told you already. I'm not feeling it anymore. I need to find something that fulfills me.

PERSEPHONE

Gotcha. I feel the same about the restaurant. It's my dream. I remember me and Grams cooking those big family lunches.

PRISCILLA

(smiles)

It was nice then. Dad was the soul of those family lunches. It all became shadowy after he died.

Persephone forces a smile.

PERSEPHONE

We'll have that back.

ON THE FRONT DOOR - Prue comes in.

Persephone and Priscilla glance at her as she comes in. They look at each other. Persephone stands. Prue seems not to notice them at first.

PRISCILLA

(to Persephone)

Okay, that's a first.

PERSEPHONE

Prue?

Prue looks at them. Persephone and Priscilla notice the way she's wearing.

PERSEPHONE (CONT'D)

Where were you?

PRUE

(speechless)

I was just ---

(glances from one to the other)

I went for a walk.

PERSEPHONE

Wearing that?

PRUE

(rude)

Something wrong with my clothes?

PERSEPHONE

No. Just that you normally wear something more decent to go for walks.

PRUE

Right. Because this isn't decent.

PERSEPHONE

I didn't say that. If you don't want to talk ---

PRUE

(cuts her off)

I couldn't sleep, okay? So, I went for a walk. Period.

PERSEPHONE

Fine.

PRUE

I need to change. I'm going to find the beverages supplier later at P3.

PRISCILLA

Another first.

Persephone shoots Priscilla a look. Priscilla grimaces.

PRISCILLA (CONT'D)

Sorry.

Persephone turns to Prue.

PERSEPHONE

I'll have a meeting with the bank later, so I won't be able to go with you. It's okay for you to negotiate a new contract with them on your own?

PRUE

I'll manage it. Now I really need to get ready.

Prue walks upstairs. Persephone looks at Priscilla.

PERSEPHONE

I didn't buy it.

PRISCILLA

You shouldn't. She was getting laid.

PERSEPHONE

(mad)

Priscilla!

PRISCILLA

It's true. She had it written all over her face.

PERSEPHONE

Had what written?

PRISCILLA

Oh, you know. The 'I had a great sex night, but now I regret it, though it was really great' face.

Persephone's eyes widen.

PERSEPHONE

You got all that just by looking at her?!

Priscilla nods.

PERSEPHONE (CONT'D)

I don't know, Pris. You saw the way she was dressing.

PRISCILLA

Who knows, maybe he is someone that lives nearby.

Persephone gets thoughtful.

PRISCILLA (CONT'D)

I saw that look on her face only once five years ago.

Persephone stares seriously at her.

PERSEPHONE

And you remember it because ---

PRISCILLA

Because it was on the night Grams died.

PERSEPHONE

Well, whatever it is, if she needs to talk she'll look for us.

PRISCILLA

She won't.

They look at each other. Priscilla has a bit of her toast.

PRISCILLA (CONT'D)

Are you really applying for a loan?

PERSEPHONE

If I want to open my restaurant, that's the way to start.

Persephone sits again and has a sip of her orange juice. She's thoughtful.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - DAY

An all-sweaty Trace is lying on his bed shirtless. A bandage covers his injury on his shoulder. He turns in bed delusional.

TRACE

No. No.

He screams loudly in pain.

TRACE (CONT'D)

You can't do that to her. Leave her.

Suddenly, his eyes pop open as terror takes him. He sits up abruptly. He breaths fast as if he was running a marathon. The pain again.

Trace holds his shoulder as he lets out a loud scream filled with pain. He takes the bandage out and stares at the injury. The part of the shoulder where he was cut is covered in dark-red blood.

TRACE (CONT'D)

(enraged)

Damn witch. She'll pay me.

He puts the bandage back covering the injury. He then tries to reach for his cell phone on the bedside table. He searches for a number and then speaks to it recording a message.

TRACE (CONT'D)

Adrianne, bring me the Demonic Healer. My place. Fast.

He sends the message and puts the phone back on the bedside table.

TRACE (CONT'D)

I'll meet you again, witch, and you'll wish you'd never been born.

Trace has a decided look on his face.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Theo James as Lucas Lacey

Kellan Lutz as Trace Thornton

Lyndsy Fonseca as Natalie West

Aimee Teegarden as Adrianne Kelly

Christopher Heyerdahl as Alastair

Guest Starring

Lou Ferrigno Jr. as Razgal

Anton Starkman as Trevor

Austin Butler as Thomas

Charlotte Kavanagh as Sarah

Robert Moloney as Demonic Healer

Bryce Cass Xavier

Alisha Mullally as Jena

Diana Bologna as Kristen Wesley

Hari Nef as Karima May

Noel Arthur as Holden

Scott Speedman as Rob

Unknown actor as Teenager Boy

Unknown actor as Man

Unknown actors as Police officers

Unknown actors as Demon #1 and #2

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: A Charm-Astic Fear of Everything

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. ABANDONED WAREHOUSE - DAY

The place seems careless and abandoned. Many pallets are rotting outside the building. No people or cars or any sign of human life can be seen.

FADE TO:

INT. ABANDONED WAREHOUSE - DAY

Inside the warehouse, things don't look better; tons of racks full of rotten card boxes and covered in spider web give the place a haunted look.

Deeply into the warehouse, a man figure walks at a pace. He wears all black. His hair is long and loose over his shoulders. His face has a wicked look. His eyes are fixed on something.

BEAT. A young woman (SARAH, 26) is hanging tied up by her wrists with steel chains that hang from the ceiling. Her body falls heavily on the ground. Her clothes are covered in dust. Her eyes are blank. A tiny breath slips through her mouth. This man is a demon named Razgal (looks 30's).

The man walks over her and stands inches from her face. He gestures his right hand before her face and a blue glow can be seen leaving her as he breaths in absorbing it entirely.

He smiles wickedly and gets his face closer to hers.

RAZGAL

Good, my dear. Fear is consuming you and is feeding me.

CLOSE UP - The women's eyes. They seem lifeless.

FLASHES TO:

EXT. STREET - NIGHT (FEAR WORLD)

The same woman is seen running down the street. She is running from something. She screams loudly.

From behind her, something can be seen chasing after her.

CLOSE UP - Giant SPIDER.

The gigantic arachnid uses its eight long legs to approach the woman.

SARAH

(frightened)

No!

She falls on the floor. The gigantic spider gets over her. The woman's look is one of terror. She sees how the fangs approach her.

FLASHES BACK TO:

INT. WAREHOUSE - DAY

CLOSE UP - The woman's face. She lets out a loud scream and then faints.

Razgal looks at her seriously.

RAZGAL

That fast?

He seems annoyed.

RAZGAL (CONT'D)

I was hoping you endure longer. I guess you are useless now.

Razgal WAVES his hands and the chains get lose. The woman falls on the floor apparently lifeless. Razgal turns around and walks away.

FADE TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

Gabriel and Miranda are having breakfast. They are sitting across from each other at the table. Miranda is checking something on her iPad, while Gabriel checks the news on his smartphone. Suddenly, Miranda jumps in excitement.

MIRANDA

(excited)

I got it. Oh my God. I got it.

Gabriel raises his eyes from the smartphone and stares at her. She looks at him.

MIRANDA (CONT'D)

Before coming here I handed one of the most important projects I had at college. The idea was to draw some drawings to illustrate a scene from every chapter in a book. My teacher's sister is a writer and she chose my project for her book.

GABRIEL

(smiles)

That's excellent news.

Miranda smiles big.

CAMERA FOCUSES ON WILLIAM - He comes in and stares at them as he walks over the coffee machine and pours himself a cup of coffee.

WILLIAM

Morning.

Gabriel and Miranda turn to him.

MIRANDA

Morning, bro.

William notices Miranda's excitement.

WILLIAM

Why the excitement this early?

GABRIEL

It's not because you come out of bed grumpy that everyone should.

MIRANDA

Wouldn't be Will if he had a smile on his face at this time of the day.

GABRIEL

True.

Gabriel and Miranda smile. William looks at them and forces a smile.

WILLIAM

For the record, I came home late last night.

MIRANDA

So did we.

WILLIAM

What's god for you, might not be good for me, you know?

MIRANDA

You work on P3. Didn't know you complained about it.

GABRIEL

He didn't.

MIRANDA

Oh, then what's annoying him is my presence here.

Miranda stands and walks over to her brother.

MIRANDA (CONT'D)

Better get used to it, Will, cause I'm not leaving anytime soon.

WILLIAM

Then, please, don't listen to music at 6 0'cock in the morning.

MIRANDA

I was meditating.

WILLIAM

And this house is over two hundred years old. Tin walls.

GABRIEL

Hey, you two. Stop it.

They look at Gabriel.

GABRIEL (CONT'D)

Please.

William puts the cup of coffee on the counter.

WILLIAM

You know what? I need to work.

MIRANDA

Don't you want to know why I'm excited?

WILLIAM

Not interested.

William walks out of the kitchen without looking back. Miranda is annoyed.

MIRANDA

I thought we were bonding.

GABRIEL

Don't mind him. He is just ---

MIRANDA

He hates me, Gabs. I am the sister he never wanted. I exist because his father died and our mother married mine which was also his uncle.

GABRIEL

You gotta admit that the story is not easy to accept, Miranda.

MIRANDA

Well, in my father's defense, he was my uncle's twin. Same face. Can you blame my mother?

Gabriel smiles.

MIRANDA (CONT'D)

Me neither.

(sighs)

Well, I'm gonna send some emails and let college know that I'll be taking online classes. Then I need to find a job.

Miranda takes her iPad and her cup of coffee and leaves the kitchen.

SOUND - Knock on the back door.

Gabriel looks at the door and through the window, he sees Persephone waving. Gabriel signs her to come in. She opens the door and comes in.

PERSEPHONE

Hey!

GABRIEL

Up this earlier?

Persephone checks the time on her cellphone in her hands and then looks at Gabriel.

PERSEPHONE

Working hours, cous.

GABRIEL

I know. I think I just miss my bed.

PERSEPHONE

Well, someone didn't this night.

Gabriel shoots her a look.

GABRIEL

(curious)

What do you mean?

Persephone sits across from him.

PERSEPHONE

Prue didn't sleep in her bed tonight. I mean, at least she didn't wake up in her bed this morning.

GABRIEL

What else is new? Wouldn't be the first time.

PERSEPHONE

Well, it's the first time she comes home wearing sleeping clothes.

Gabriel's eyes widen.

PERSEPHONE (CONT'D)

I shouldn't mess with my sister's sex life, but it got me wondering.

GABRIEL

About what?

PERSEPHONE

What you said. About Prue and Leo. I mean, you don't go out for a walk wearing a short nightgown, right?

GABRIEL

Do you want me to talk to her?

PERSEPHONE

No. I just needed to share my thoughts.

GABRIEL

Should we worry?

PERSEPHONE

She's a big woman, Gabs. Having us getting nosy will throw her apart from us.

GABRIEL

Then?

PERSEPHONE

If there's something between them, they won't be able to keep it a secret for long, right? I mean, why would they not tell us?

GABRIEL

It's Prue.

PERSEPHONE

And it's Leo. We don't know him well, but he is not like her.

GABRIEL

So, you think.

PERSEPHONE

So, I think.

(pauses)

Maybe we are just overreacting.

(smiles)

But I would like to have Leo as my brother-in-law.

Gabriel laughs.

GABRIEL

Too much, Persie.

PERSEPHONE

He is cute.

GABRIEL

I wouldn't know.

Both cousins laugh together.

FADE TO:

INT. UNDERWORLD - ALASTAIR'S CAVE - DAY

CAMERA FOCUSES ON - Two demons kneeling before Alastair. Their heads down.

Alastair is staring at them seriously.

ALASTAIR

Not a trace of him?

The demons shake their heads.

ON ALASTAIR'S FACE - He is not pleased.

DEMON #1

One thing we know.

(looks up at Alastair)

He didn't get the Book of Shadows.

DEMON #2

We've watched the witches this morning and they seemed normal.

ALASTAIR (CONT'D)

(sarcastic)

Even if they weren't, how would you know?!

Alastair turns his back on them.

ALASTAIR (CONT'D)

Leave.

Both demons stand up and walk out of the cave.

ALASTAIR (CONT'D)

Where the hell are you, Jitur?

Alastair is serious.

FADE TO:

INT. TRACE'S APARTMENT - BEDROOM - DAY

Trace is awake laying on the bed as the DEMONIC HEALER (looks 40s) is examining his injury.

At a corner, staring at them is Adrianne (looks 28). She stares at them.

Trace screams in pain as the Demonic Healer puts some sort of ointment.

DEMONIC HEALER

You know why they took your flesh, don't you?

Trace glances at him.

TRACE

I might have an idea. But they won't succeed.

DEMONIC HEALER

(glances at Trace)

I believe you know what happened to the most famous demon of your kind?

Trace shoots him a look.

TRACE

Are you finished?

By the tone, it seems like Trace didn't like what the Demonic Healer said.

DEMONIC HEALER

You're gonna need more than an ointment to heal that. You need a Whitelighter.

TRACE

(sarcastic)

Lucky me. The Upper Regions are locked down, where the hell do you suggest I find one?

The Demonic Healer glances at Adrianne who glances him back. Then he turns to Trace.

DEMONIC HEALER

They will open up eventually.

TRACE

In the meantime, I die.

DEMONIC HEALER

I've done what I could. Find a Whitelighter to heal you.

The Demonic Healer FADES off. Trace glances at Adrianne as she walks over him and sits on the edge of the bed.

ADRIANNE

Are you insane? The witches get their powers back and you go straight to them?

TRACE

If there's a time where they're vulnerable is now. They don't know how their powers work.

ADRIANNE

Apparently, they do since they left you in that state.

TRACE

I don't need a lecture, Adrianne.

ADRIANNE

Alastair comes back and you don't lose time to follow his orders. You are a freaking member of the Brotherhood of the Thorn, Trace. A soldier of fortune. You don't need Alastair.

Trace gets into a sitting position with effort and grabs Adrianne by her left arm.

TRACE

We pledge loyalty to him years before the Lost. We gained power in the Underworld since that. We became what we once were. We got our revenge for what they did to our brother.

Adrianne smiles sarcastically.

ADRIANNE

(sarcastic)

Which one? The one who fell in love with one of them and was killed by them or the one who was helped to become a human? Oh wait, both I supposed.

(lets go of him)

Both of them chose to stand by the witches.

TRACE

And we chose to get revenge.

ADRIANNE

You are doing the same Belthazor did. He was under the Triad's order and you're under Alastair's. Don't count me in, Trace.

She turns to leave.

TRACE

A Whitelighter, Adrianne.

Adrianne stops and turns to him.

ADRIANNE

What makes you think I can find one?

TRACE

You are a damn Darklighter and I'm the demon you love. If I trust someone to do it, that someone is you.

Adrianne rolls her eyes and then turns to leave. She slams the door closed. Trace is serious.

FADE TO:

EXT. SAN FRANCISCO - AVENUE - DAY

Several people walk down the busy avenue.

A couple comes from inside a shop. They are carrying some bags and come holding hands. JENA (20's) and XANDER (20's)

JENA

Those clothes look so good on you.

XANDER

Thank you, honey. I now need to stop by an ATM to check my account.

They enter an alley where there is an ATM.

BEAT. Razgal is leaning against the wall. He looks at them up and down.

Xander puts his card on the ATM. Jena glances suspiciously at Razgal who keeps staring at them.

JENA

(whispers; to Xander)

Honey, fast. I don't like the way that man is looking at us.

Xander looks at Razgal over his shoulder. At that moment, Razgal starts walking towards them.

JENA (CONT'D)

Let's go, Xander.

The ATM is taking too long. Razgal is already close to them.

JENA (CONT'D)

Xander ---

Razgal stares at them and smirks.

RAZGAL

Fear. What are your fears?

Xander turns around.

XANDER

Look man, we want no trouble.

RAZGAL

Oh, troubles. Fear might be trouble to most.

Razgal smiles big. Jena and Xander glance at each other. Razgal WAVES her hands before them. Suddenly, Jena and Xander seem to have problems moving.

JENA

Xander, I can't move.

XANDER

Me neither.

Razgal smiles.

RAZGAL

Fear can freeze you, weak souls.

Terror is all over Jena and Xander's face. Razgal puts his hands on their shoulders and then he SMOKES out.

OFF TO A TEENAGER BOY - He is standing nearby with his cell phone pointed to the alley where Razgal, Jena, and Xander were. The boy has it all recorded.

BOY

(to himself)

This must be on the internet fast.

He starts typing something on his phone as he walks away.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. P3 - DAY

STILL.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Prue is at the counter. Her laptop is on before her. She glances at her cell phone to check the time.

PRUE

Not punctual.

CAMERA FOCUSES ON THE ENTRANCE - Gabriel comes down the entrance stairs.

GABRIEL

Speaking alone?

Prue glances at Gabriel.

PRUE

My salvation.

Gabriel smiles as he walks over to her.

GABRIEL

Don't get too excited. I just stopped by before heading to work.

PRUE

To that work of yours where they keep you as a substitute teacher.

GABRIEL

I like doing that, Prue. And for the record, I heard that the Latin teacher I'm replacing is retiring soon, so I may be given a more permanent position.

PRUE

Good.

Gabriel looks at the laptop and then at Prue.

GABRIEL

Are you checking P3's numbers?

PRUE

Shouldn't I?

Gabriel nods.

PRUE (CONT'D)

My email inbox has three thousand unread emails.

Gabriel nods.

GABRIEL

Your fault. You should have checked them sooner. Anyway, for the most part must be spam, and those which aren't, we've already taken care of.

PRUE

Anyway, I need to check them. As I need to change our beverage supplier. Punctuality is not his thing.

GABRIEL

Her. It's a she.

PRUE

(rolls her eyes)

Still.

Prue turns her attention to her computer and starts eliminating some emails. Gabriel stares seriously at her.

GABRIEL

Persie told me you didn't sleep at home.

Prue grimaces annoyed.

PRUE

Of course, she did.

GABRIEL

Is it someone I know?

Prue turns to Gabriel.

PRUE

Big brother on me? Spare me.

GABRIEL

You know I worry about you and your sisters. We grew up as siblings.

PRUE

I know and I appreciate it, but I never like people getting nosy on me.

GABRIEL

So, it's true. You slept with someone.

PRUE

I didn't ---

(sighs)

It wasn't important. It shouldn't have happened anyway.

GABRIEL

It should have some importance since you are shattered at it.

PRUE

I'm not ---

Gabriel shoots her a look. Prue sighs.

PRUE (CONT'D)

I don't want to talk about it. I need to forget about it.

GABRIEL

If you ever need to talk about it ---

PRUE

I know where to find you. And I don't get nosy on your private life.

GABRIEL

That's because I tell you everything.

PRUE

True.

Both laugh.

CAMERA FOCUSES ON THE ENTRANCE - A man, LUCAS LACEY (looks 30), comes down the entrance stairs.

Prue glances at the entrance as Lucas comes downstairs.

PRUE

Well, well, well.

Gabriel follows Prue's glance. Then he turns to Prue and smiles.

GABRIEL

That's not the beverage's supplier.

PRUE

(smiles)

It might be my next date.

Gabriel smiles. Lucas walks towards them.

GABRIEL

We are closed today, mate.

LUCAS

I'm sorry, but the door was open.

PRUE

How can I help you?

Prue looks him up and down. Lucas is a very attractive man. He certainly knows the effect he has on women.

LUCAS

I came for the position of assistant manager.

PRUE

The what?

Prue seems to know nothing about it.

GABRIEL

That's my cue to go.

PRUE

Wait ---

GABRIEL

Talk to Persie.

Gabriel kisses her forehead and then turns to leave. Prue sighs. Then she turns to Lucas.

PRUE

Assistant manager, huh?

Lucas nods.

FADE TO:

INT. NATIONAL BANK - MEETING ROOM - DAY

Persephone is at the table. No one else is there. She seems nervous and glances around.

SOUND - Phone rings.

Persephone takes the phone from her bag and checks who's calling.

PERSEPHONE

(annoyed)

Prue!

She picks up the phone and forces a smile.

PERSEPHONE (CONT'D)

(on the phone)

Prue? What's going on? --- Oh, right, forgot to tell you. --- Hey, don't get mad on me. With all the things we are dealing with, I thought we could use extra help. --- You don't need to interview him. I already did that earlier on the phone. Just hire him. Is he cute?

(smiles as she listens to her sister's answer)

Then, what are you waiting for? Just hire him.

OFF TO THE ENTRANCE - A man in a suit comes in, ROB GREGORY (30).

Persephone glances at him.

PERSEPHONE (CONT'D)

I need to go, bye.

Persephone hangs off the phone as Rob sits across the table. Persephone glances at him with a big smile on her face.

ROB

Mrs. Halliwell, I don't have good news for you.

Rob is serious. Persephone's smile fades away.

FADE TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Prue stares seriously at Lucas. He forces a smile.

PRUE

It seems like you've got the job.

LUCAS

You haven't asked me anything.

PRUE

I don't need to. My sister did.

LUCAS

But you are the owner?

PRUE

One of the owners. I manage the place. Well, I've been managing it for the past week at least. So, it's me you'll be reporting to.

Lucas smile.

PRUE (CONT'D)

When can you start?

Lucas is about to answer when Prue's phone rings.

SOUND - Prue's cell phone.

She signs Lucas to wait a moment and picks up the phone immediately. She turns her back on Lucas. He looks her up and down. He smiles.

PRUE (CONT'D)

(on the phone)

Hey, Thomas! --- Sure, I can. --- Great. I'll be there in thirty.

Prue hangs off the phone and turns to Lucas who disguises.

PRUE (CONT'D)

Sorry. Something came up. Can you start today? As in now?

LUCAS

(eyes widen)

Sure.

PRUE (CONT'D)

Great. I have another job and they need me. You can use my laptop to get to know the theorist. The username is 'prue freaking halliwell'. No spaces. The password is 'charmed'. No capitals.

Prue takes her bag from the counter. And then walks away. Lucas watches her leaving.

LUCAS

Prue freaking Halliwell?

(smiles)

I guess I'm gonna like it here.

He smiles big.

FADE TO:

EXT. ROAD CONSTRUCTION - OUTSIDE BUILDING - DAY

Several people are there manifesting. Some hold signs. It can be read things such as:

STOP THE DEMOLITION

HELP THEM WITH MEDICINES

FIND HIM A HOME

And some other things.

At the entrance of the building, some police officers are standing. A social worker, KARIMA MAY (20s), comes out of the building as a man walks over the entrance; Leo, wearing a blue suit, approaches her.

KARIMA

Dr. Matthews, glad to see you.

They shake hands.

LEO

Miss May. I came as fast as I could.

KARIMA

It's okay. They won't leave the loft. What can you tell me about your clients? Can they give us more time?

LEO

I managed to buy us a day, but my clients are irreducible. They want to start the construction ASAP.

KARIMA

I understand, but they have nowhere to go.

LEO

Can't social services find them a place to go?

KARIMA

We tried, but the only solution is to separate mother and soon and she doesn't want to stay away from him.

They both seem worried.

OFF TO A CAR APPROACHING - Prue's car. She stops the car and comes out carrying a photography bag.

As Prue walks over to the building, she takes the camera from her bag. A man walks over to her; THOMAS (30s).

THOMAS

Alex!

Prue looks at him.

PRUE

It's Prue now.

Thomas shoots her a look.

PRUE (CONT'D)

Long story. What's the story here?

THOMAS

This company bought the building and the construction company has come to start demolition, but a mother and her son are not willing to leave.

PRUE

Why?

THOMAS

She's very sick and lost her job due to that. He is underage. They have nowhere to go.

PRUE

And social services? Can't they find them a solution?

THOMAS

So far the solution is to keep them in different institutions.

PRUE

But that's not fair.

Thomas motions her to follow him. They walk over to the building. Prue holds her camera and starts shooting.

PRUE (CONT'D)

They can't keep mother and son apart.

THOMAS

Yeah, well, that's why these people is manifesting.

Prue glances around.

PRUE

A mother and a son should never be kept apart. What they're doing is wrong.

(looks at Thomas)

Are they demolishing?

THOMAS

I don't know. The new owners of the building haven't spoken. They don't want to come public.

PRUE

Cowards.

THOMAS

But their lawyer is there.

Thomas points to someone at the entrance of the building. Prue shoots the entrance.

THOMAS (CONT'D)

I was thinking of giving Alex Miller the chance to write the story.

PRUE

I don't ---

She cuts herself off.

PRUE'S POV THOUGHT CAMERA'S LENSE - Leo can be seen at the entrance of the building with Karima.

Prue lowers the camera.

PRUE (CONT'D)

(amazed)

Leo?!

Thomas looks at Prue.

THOMAS

This is a story for Alex Miller, Prue.

Prue looks at Thomas.

PRUE

I don't do that anymore, Thomas. Alex Miller has given up writing.

THOMAS

A shame.

PRUE

I think I can get you a pronouncement from the new owners.

THOMAS

How so?

Prue looks at Leo.

PRUE

I know the lawyer.

Prue walks between the protesters and towards the entrance of the building.

OFF TO LEO AND KARIMA - They talk.

LEO

I don't think they can hold it any longer. The works should have started a week ago.

KARIMA

I know, but I don't know what else to do.

PRUE (O.S.)

Leo?

Leo looks away and his eyes meet Prue's.

LEO

(surprised)

Prue?

Leo turns to Karima.

LEO (CONT'D)

I'll see what I can do while you see what you can do.

Karima nods and smiles. Leo walks over to Prue.

LEO (CONT'D)

Prue? What are you doing here?

Prue smiles as she shows him the camera.

PRUE

Work.

LEO

Photography?

Prue nods.

LEO (CONT'D)

I didn't know.

PRUE

Yeah, managing a nightclub was not in my plans.

LEO

So, that's how you see people? Through a camera lens.

They stare at each other.

PRUE

I was thinking, can your clients pronounce in public about this whole situation?

LEO

So, that's the only matter we are going to talk about?

PRUE

Leo ---

LEO

Prue.

Prue sighs.

LEO (CONT'D)

I tell you what. Have lunch with me and I get you a meeting with my client.

PRUE

I'm not a reporter. My friend is.

LEO

Then I'll get your friend a meeting with my client.

Prue looks at Thomas from over her shoulder. He smiles at her. Then she turns to Leo.

PRUE

Fine. You win, but only because I'm hungry and you'll certainly take me to fish and chips and I never ate fish and chips before.

Leo smiles.

LEO

I'll make a few phone calls. Meet me in fifteen.

PRUE

I'll be shooting.

Leo and Prue smile at each other. Then Leo walks away while she watches him. She sighs.

FADE TO:

EXT. OFFICE BUILDING - DAY

STILL.

FADE TO:

INT. OFFICE BUILDING - EXT. OFFICE - DAY

Priscilla, holding an envelope, stands before a door with a nameplate. It reads:

DR. KRISTIN WESLEY

Priscilla takes a deep breath and knocks on the door. From the inside, a voice can be heard.

KRISTEN WESLEY

Come in!

Priscilla puts her hand on the handle and walks in.

FADE TO:

INT. OFFICE BUILDING - DR. KRISTEN WESLEY OFFICE - DAY

KRISTEN WESLEY (40s) is at her desk working on her computer. Priscilla comes in. Kristin doesn't look at her.

PRISCILLA

Dr. Wesley, I ---

KRISTEN WESLEY

(cuts her off)

I'm glad you came, Priscilla. I need you to find me the Morrison's file.

Priscilla stares at her, no moving. Then Priscilla glances down at the envelope in her hands.

PRISCILLA

I need to talk to you.

Kristen glances at Priscilla.

KRISTEN WESLEY

The Morrison's file, Priscilla. It's important. The trial has gained a date and I need to work on that.

PRISCILLA

I'm sorry, but my case is important too.

Priscilla stands still holding her eyes on Kristen.

KRISTEN WESLEY

(annoyed)

What is it?

Priscilla steps towards her and hands her the envelope. Kristen glances at it not understanding what it is.

PRISCILLA

My resignation letter.

Kristen's eyes widen as she glances from the envelope to Priscilla.

KRISTEN WESLEY

Your, what?

PRISCILLA

I'm sorry, Dr. Wesley, but I can't work here anymore.

KRISTEN WESLEY

Why? Don't I pay you enough?

PRISCILLA

You do, but ---

KRISTEN WESLEY

But what? Isn't that what you, secretaries, want? A good wage every month? I was kind to you when you came to ask me for a job. I could've found better.

At hearing that, Priscilla's face starts getting red.

KRISTEN WESLEY (CONT'D)

I gave you a chance and that's how you pay me?

Kristen is being nasty.

KRISTEN WESLEY (CONT'D)

Go back to your desk, Priscilla, and get me the Morrison's file. You've got 15 minutes.

Priscilla doesn't move.

KRISTEN WESLEY (CONT'D)

Now, Priscilla.

PRISCILLA

(serious)

No.

KRISTEN WESLEY

Excuse me?

PRISCILLA

What you heard, Dr. Wesley.

Priscilla has made up her mind.

PRISCILLA (CONT'D)

My decision is taken. I'm not fulfilled here. I'm sure I'll find something more challenging than just serving coffee or find files.

Kristen stands up.

PRISCILLA (CONT'D)

My resignation has an immediate effect. If you want the Morrison's file, go get it yourself. I'm out!

Priscilla throws the resignation letter on the desk, turns around, and leaves as Kristen has a shocked expression on her face.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON A PAN - it's on the stove and some sort of purple liquid is inside the pan. The liquid is boiling. Next to the pan are several ingredients such as Mandrake Root, Carrot Seeds, Cardamom, a pig's foot, among other things. The Book of Shadows is near.

Persephone stands staring at the liquid inside the pan. She then takes the Carrot Seeds and adds them to the pan.

PERSEPHONE

(mad)

Son of a ---

OFF TO PRISCILLA - She comes from the back door.

PRISCILLA

Bitch!

Persephone glances at her younger sister as Priscilla throws her handbag on the table. Priscilla turns to her.

PRISCILLA (CONT'D)

She's a bitch.

PERSEPHONE

I know my reasons, which are yours?

PRISCILLA

My ex-boss. Emphasis on the ex. She's a ---

PERSEPHONE

(cuts her off)

Got it.

Priscilla stares at the island.

PRISCILLA

Are you ---?

PERSEPHONE

Brewing a potion?

Priscilla nods.

PERSEPHONE (CONT'D)

Yes, I am. I don't even know if I'm doing it right.

Priscilla stares at her as Persephone takes the pig foot and throws it inside the pan. Then she heads towards the fridge and grabs a Tupperware. Priscilla stares at her.

PRISCILLA

Is that the demon's flesh?

PERSEPHONE

Yes.

PRISCILLA

So, what happened to you?

Persephone puts the Tupperware on the counter.

PERSEPHONE

My loan. It was rejected.

PRISCILLA

What? Why?

PERSEPHONE

They say I had to give this house and P3 as a guaranty.

PRISCILLA

Both?

Persephone nods.

PERSEPHONE

I said no, of course.

PRISCILLA

Now what?

PERSEPHONE

Now, I vanquish a demon.

Persephone takes the flesh from the Tupperware and throws it into the pan. As she does, it creates an explosion that throws her back. Priscilla jumps back.

PRISCILLA

What the hell!

Persephone stands up from behind the counter. Disheveled, she looks at her sister.

PERSEPHONE

If it explodes, then is good. Grams used to say that.

Both sisters stare at each other.

FADE TO:

EXT. ELITE MODELS - DAY

Pamela comes from inside the building. She's on the phone.

PAMELA

(on the phone)

I'm giving it a break, okay? I need that.

She walks towards the limo before the building. The driver opens the door for her to enter, but something calls for her attention.

OFF TO A WOMAN - She walks confused in the middle of the road. She screams nonsense and tries to stop some cars. BEAT. It is the same woman who Razgal kept prisoner.

SARAH

It is coming for me. It is coming. Please help me.

Pamela stares at the woman seriously.

PAMELA

Mum, I'll call you later, okay? --- Love you too.

Pamela hangs off the phone just in time to see as a car doesn't stop in time and ends up hitting the woman.

PAMELA (CONT'D)

Oh, my God.

Sarah falls on the floor. The driver stops and comes out of the vehicle. Pamela turns to her driver.

PAMELA (CONT'D)

Call 911.

Pamela runs fast towards the woman who falls unconscious on the floor.

FADE TO:

INT. RESTAURANT LE PETIT FRANÇOISE - DINING ROOM - DAY

It's lunchtime and the restaurant is full of people. Two of those people are Leo and Prue. They share a table. The waitress pours some red wine on their glasses. Leo and Prue glance at each other. The waitress turns to leave.

PRUE

French, huh?!

LEO

I'm not a fish and chips guy. I have a more exquisite taste.

They stare at each other. Prue has a sip of her wine.

LEO (CONT'D)

What did your friend say when you told him to meet my clients?

PRUE

He was radiant.

LEO

I'm glad.

PRUE

I didn't know you were a wrong side lawyer.

Leo shoots her a look.

LEO

I'm not ---

PRUE

(cuts him off)

Your clients want to demolish a building and put people on the streets. That woman and her son have nowhere else to go.

LEO

I know. I was the one who called the social services there.

PRUE

(surprised)

What?

LEO

I bought them time. The demolition was planned to happen days ago. I knew the woman had lost her job because of her illness and I tried to help in every way I could.

Prue lowers her glances.

PRUE

I'm sorry, I didn't know.

LEO

Because you don't care to stay and talk to me.

Prue glances at him.

PRUE

I was a mess the night we met the first time. Grams just died and I was a mess.

(forces a smile)

Besides, I told you I don't do ---

LEO

Relationships. I heard you. What about last night?

PRUE

I stayed the whole night, didn't I?

LEO

You left in the morning without talking to me.

PRUE

I still don't do relationships, Leo.

(pauses)

I'm too broken for that.

LEO

Do you think you are the only one with a shitty past? I've lost people too.

PRUE

I know we all did, but ---

LEO

You don't see me running away.

PRUE

I'm not. I'm just sparing you from my mess.

LEO

What if I don't want to be spared?

They hold each other's glances.

PRUE

I can't.

Leo runs his hand over the table and puts it on top of hers. Prue looks at it and then glances at him.

PRUE (CONT'D)

I can't.

Leo is about to say something, but he's interrupted.

OFF TO THE ENTRANCE - A young man comes in holding a gun and screaming at the people inside the restaurant. His name is TREVOR (17).

TREVOR

Put your hands on the air quickly.

He holds the gun pointing at them. Leo and Prue turn to the man. Then raise their hands.

TREVOR (CONT'D)

Everybody against the counter. Lower down.

People don't move.

TREVOR (CONT'D)

(out loud)

NOW!

ON TREVOR'S FACE - He is nervous, but is serious.

FADE TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over the town.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

CLOSE UP - Cell phone screen. The video recorded by the teenage boy is being shown.

Persephone is sitting on the couch holding the phone. Miranda, Priscilla, and Aiden are standing nearby.

MIRANDA

That's all over social media.

Persephone hands the cell phone to Miranda.

PERSEPHONE

How did you find that video?

MIRANDA

Like I said, all over social media.

PRISCILLA

Is that a demon?

PERSEPHONE

Sure it is.

MIRANDA

So, how do we find him?

AIDEN

That's a good question.

MIRANDA

The sound is good. The image is good as well. He mentions something about fear. Maybe fear has something to do. I say we head to the Book of Shadows and search for it.

PERSEPHONE

Yeah, we should do that. Maybe our ancestors found him before.

AIDEN

If they did, why wouldn't he be vanquished?

PERSEPHONE

Because not every demon was vanquished.

(sighs)

I wish we had Magic School. We could've learned a lot there.

PRISCILLA

Well, we don't have Magic School, but we have the Book of Shadows.

MIRANDA

Let's go.

Persephone stands and then heads out of the living room.

FADE TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

Persephone, Priscilla, Miranda, and Aiden come from the living room as the front door opens and Pamela comes in. She looks at them and they look back at her.

PAMELA

Oh, thanks, God, you guys are here.

AIDEN

What happened?

PAMELA

(shouts the door close)

I was leaving my model agency's branch when I saw a woman being hit by a car.

They are horrified.

PERSEPHONE

Poor woman.

PAMELA

I was with her while the ambulance was not arriving. She woke up abruptly and screamed nonsenses. Actually, she was screaming nonsenses before being hit.

PRISCILLA

What kind of nonsense?

PAMELA

The kind you pay attention to when you are a witch. She mentioned several times that it was her biggest fear.

Persephone, Priscilla, Miranda, and Aiden glance at one another. Then Persephone turns to Pamela.

PERSEPHONE

We were going to check on the Book of Shadows.

PAMELA

I'm in.

The five of them head upstairs.

FADE TO:

INT. RESTAURANT LE PETIT FRANÇOISE - DINNING ROOM - DAY

All the patrons and the restaurant employees are sitting on the floor next to the counter. Trevor paces the room as he points the gun at them.

Leo whispers something to Prue.

LEO

I know him.

Prue glances at Leo.

LEO (CONT'D)

He lives on that building. His mother is the ill woman.

Prue is open-eyed.

TREVOR

All the money you have ---

(turns to them)

--- give it to me.

MAN

The police will be here soon.

TREVOR

Shut up!

MAN

It's true. I was on the phone when you came in.

Trevor walks over to the man pointing the gun at his head.

TREVOR

Shut up, I said!

Leo stands up.

LEO

Hey, hey, hey, Trevor. Calm down.

Trevor turns to him.

TREVOR

How do you know my name?

LEO

(holds up his hands)

I know what you and your mother have been through.

Trevor stares at him, seriously. He is recognizing him.

TREVOR

You are their lawyer.

Trevor points the gun at Leo. Prue stands.

PRUE

Hey, kid, just calm down.

TREVOR

Shut up!

He points the gun at Prue and then again at Leo.

TREVOR (CONT'D)

You are the one who is trying to get us out of there.

LEO

No, listen to me. I want to help you.

TREVOR

Help me? My mother is ill and no one cares. They want us out of our home. We have nowhere to go.

LEO

The social services ---

TREVOR

They want to separate us.

LEO

We can find a solution.

TREVOR

Shut up and sit.

Prue grabs Leo's arm.

PRUE

Come.

Leo glances at Prue. They sit.

PRUE (CONT'D)

I guess you are not good at negotiating.

LEO

I heard Junior was part of the San Francisco P.D.

PRUE

It doesn't mean you are good at it.

Prue glances at Trevor as he keeps pacing the room. Leo glances at Prue.

FADE TO:

INT. ABANDONED WAREHOUSE - DAY

Jena and Xavier are tied up in chains. Their eyes seem lifeless.

Razgal walks between them. He glances at one and then at the other and smirks. He stops before Xavier and WAVES his hand before his face.

FLASHES TO:

INT. SMALL ROOM - UNKNOWN TIME OF THE DAY (FEAR WORLD)

Xavier is sitting on the floor and stares at the closed door. He is terrified.

XAVIER

No, please. Take me out of here. Please.

Xavier is having a panic attack.

FLASHES BACK TO:

INT. ABANDONED WAREHOUSE - DAY

Razgal smiles at Xander.

RAZGAL

Oh, the small and closed room never disappoints.

He then walks towards Jena and stands before her. As he did with Xander, he WAVES his hand before Jena's face.

FLASHES TO:

EXT. TOP OF A BUILDING - DAY

Jena stands at the edge of the parapet of the building. She cries hard as she looks down and the road below seems so close.

Razgal APPEARS beside her.

RAZGAL

Jump.

Jena cries hard.

JENA

No. I don't want to.

RAZGAL

You know you want to jump. The only way to overcome your fear is to face it. Jump.

JENA

(out loud)

NO.

RAZGAL

(out loud)

JUMP!

Jena screams out loud and gives up. She jumps. As she falls down she screams out loud. The screams only stop when she hits the ground.

ON RAZGAL - He smiles.

FLASHES BACK TO:

INT. ABANDONED WAREHOUSE - DAY

ON RAZGAL - He keeps the big smile on his face.

Jena's eyes close. She's dead. Razgal touches her face softly.

RAZGAL

Your fear has granted me life, dear.

Razgal opens his arms.

RAZGAL (CONT'D)

The new world is so wonderful. People here are weaker than before.

Razgal glances at the ground. His expression hardens.

RAZGAL (CONT'D)

Where is the other one?!

Razgal takes a deep breath.

RAZGAL (CONT'D)

She wasn't totally dead. But I'll find her.

Razgal SMOKES out.

FADES TO:

INT.HALLIWELL MANOR - ATTIC - DAY

ON BOOK OF SHADOWS - It is open on the pedestal. The page showed it's Belthazor's.

Persephone is before the book staring at the page. Priscilla, Pamela, Miranda, and Aiden are staring at her.

MIRANDA

So? Anything?

Persephone looks at them.

PERSEPHONE

What if it is him?

Pamela peeks on the book.

PAMELA

Haven't we agreed that Belthazor was vanquished?

PERSEPHONE

I mean, the one who attacked us?

AIDEN

That would make sense.

PAMELA

Well, I'm not an expert, but why would he attack random people?

MIRANDA

Do demons need a reason?

Priscilla walks over to the Book of Shadows. Persephone moves apart.

PRISCILLA

Maybe I can get a premonition from it.

Priscilla puts her hands on the book and closes her eyes. The others look at her. Nothing happens. They look at one another as Priscilla opens her eyes.

PRISCILLA (CONT'D)

I didn't see anything.

PAMELA

Maybe because you're doing it wrong.

Priscilla glances at Pamela.

PRISCILLA

Yeah? So how is it done?

PAMELA

How was it last time you had a vision?

PRISCILLA

I was in my room. I told you guys about it.

AIDEN

Yeah, but the vision was about yourself. Maybe you need to be next to the person or the thing you want to get a vision from.

MIRANDA

Yeah, like the woman Pamela encountered.

PERSEPHONE

That would make sense.

OFF TO THE ENTRANCE - Gabriel comes in carrying a teacher's bag.

GABRIEL

Hey, guys. I came as soon as I could.

They look at Gabriel.

GABRIEL (CONT'D)

What's going on?

PERSEPHONE

A demon maybe.

PAMELA

Persie will explain to you.

(to Priscilla)

We should go to pay a visit to that poor woman at the hospital.

PRISCILLA

Agree with that.

MIRANDA

I'll go with you.

PAMELA

Let's go.

Pamela walks out of the attic followed by Priscilla and Miranda. Gabriel looks at Persephone and Aiden.

GABRIEL

So? It is the same demon?

PERSEPHONE

We don't know. Priscilla will try to have a premonition from the woman that was sent to the hospital.

GABRIEL

Will she be able to? She doesn't control that power yet?

AIDEN

Does anyone of us?

Persephone and Gabriel look at each other.

AIDEN (CONT'D)

Anyway, I'm glad there's only the three of us here.

(smirks)

I have something juicy to tell you.

Persephone and Gabriel stare at Aiden with a curious look.

FADE TO:

INT. HALLIWELL / COOP - MANOR - WILLIAM'S BEDROOM - DAY

William comes in and closes the door behind him. Throws the laptop bag on the bed. Then he grabs his phone and dials a number. He waits for a few moments for someone to answer at the other end, but nothing. He rolls his eyes.

WILLIAM

(to himself)

Voicemail.

(leaves a voicemail)

Hey, it's me, --- Will. I know it's been a while, but I know you've checked the group conversation at Winkzy. You must know that Miranda is here.

(sighs)

She told me something that has got me thinking and I need to hear your version of it. --- Please, I need to talk to you, Uncle Damien.

(pauses)

Dad. Please.

William takes a deep long breath, then hangs off the phone.

SOUND - PHONE BEEPING.

William checks it quickly with hope that is probably Damien, but his expression saddens when he sees it's not.

WILLIAM

SOS?

(sighs)

The tenth text must be the charm. Let me see where's the fire.

William walks out of the bedroom.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. RESTAURANT LE PETIT FRANÇOISE - DINING ROOM - DAY

Prue and Leo as well as the other people are sitting on the floor while Trevor paces the room pointing the gun at them all. All of them seem tired, including Trevor.

SOUND - Police siren.

As he listens to the police cars arriving, Trevor gets even more nervous.

MAN

I told you they would come.

Trevor looks at the man and walks over to him pointing the gun. Leo stands immediately and stands between Trevor and the man. Prue stands immediately.

LEO

Hey, hey, hey, just calm down. It was the person he was on the phone with. Not his fault and you are not a murderer.

Trevor stares seriously at Leo.

TREVOR

Maybe that's what I'm supposed to become.

LEO

You're not.

PRUE

Look, kid ---

Trevor reacts madly at Prue and points the gun at her.

TREVOR

(madly)

I'm not a kid.

Not knowing how Trevor presses the trigger and the gun shoots.

SLOW MOTION - Prue watches as the bullet approaches her. She reaches out her hands as if it was supposed to prevent the bullet to hit her and the bullet seems to be slowing down. She's using TELEKINESIS to slow it down. Leonardo stares at it. Reacting fast, he jumps on Prue throwing both of them on the floor.

NORMAL MOTION NOW.

CLOSE UP - The bullet hits a wall.

Trevor looks at them still pointing the gun at where Prue just was.

Leo is on top of Prue on the floor. They stare at each other in the eyes.

PRUE

Thanks.

Leo nods.

TREVOR

(nervous)

I didn't want to do that.

Leo stands and helps Prue stand as well. The others seem not to realize that for a few seconds Prue hold the bullet from hitting her before Leo jumped on her and save her.

Leo looks at Trevor.

LEO

You need to calm down.

TREVOR

I didn't want to shoot.

LEO

I know. But you need to lower down that gun. We can work this out.

Trevor starts crying.

TREVOR

I just want to save my mum.

LEO

We will. I'll help you. I have money, I will help you.

TREVOR

(nervous)

You're lying.

LEO

No, I'm not. I give you my word.

Trevor's tear rush down his face.

PRUE

Please, Trevor. Trust him. He is saying the truth.

Leo glances at her and smiles. Then Leo turns to Trevor.

LEO

Please.

Trevor looks at Leo as he nods. Slowly, Leo walks over to Trevor and takes the gun off his hand. Then Leo breathes with relief. He hands Prue the gun and hugs Trevor who cries hard. One of the customers runs to the door and opens the door.

Soon, police officers head into the restaurant.

MAN

There he is. He almost killed someone.

The man points to Trevor. The officers rush immediately to Trevor and Leo. The police officers put a handcuff on Trevor.

LEO

Hey, take it easy, he's just a kid.

Other police officers help the others to walk out of the restaurant.

OFF TO AN DETECTIVE - NATALIE WEST (28) comes in as the officers walk out with some of the hostages. Natalie glances around.

Prue and Leo see how the officers start taking Trevor out. Natalie walks over to Trevor and looks at him.

NATALIE

Take him to the station.

Then Natalie looks at Prue and Leo.

NATALIE

(smiles)

This one was easy. Normally it ends after hours of negotiation. Are you two okay?

LEO

Yes.

(reaches out his hand)

Leo Matthews. This is my ---

Leo glances at Prue who glances back at him. Then he turns to Natalie.

LEO (CONT'D)

This is Prue Halliwell.

Natalie smiles at them. Then her eyes fix on Leo and it's only interrupted by Prue's voice.

PRUE

(hands her the gun)

This was his.

Natalie takes a napkin from one of the tables nearby and grabs the gun.

PRUE (CONT'D)

What's gonna happen to him?

NATALIE

He'll go to jail.

PRUE

He's just a kid.

NATALIE

He'll probably be judged as an adult.

PRUE

But he's just a kid.

Natalie and Prue stare at each other seriously.

LEO

Look, Detective ---

NATALIE

West. Natalie West.

LEO

Detective West, Trevor has some problems. He just did this because he needs money for his mother's medicine. Besides, he's about to lose his home.

NATALIE

Mr. Matthews ---

LEO

Leo, please.

NATALIE

Leo.

(pauses)

What he did was wrong. Someone could get hurt.

PRUE

But no one did and I can testify for him in court.

LEO

And I can be his lawyer.

Natalie glances from one to the other. Then she rolls her eyes.

NATALIE

I'm just doing my job. Sorry. We're gonna need you two to come to the station.

Leo nods. Natalie turns to leave.

PRUE

I don't like her.

Leo glances at Prue. She looks him back. Then he puts an arm over her shoulder and both walk out.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON PERSEPHONE AND GABRIEL'S FACE - They look serious.

Aiden is in front of them.

PERSEPHONE

(at Aiden)

Are you sure?

Aiden nods.

GABRIEL

Just nightgown?

AIDEN

A short one. Short. Short.

Persephone and Gabriel's eyes widen.

PERSEPHONE

Oh, my God. So, it's true.

AIDEN

Wait, you knew?

Persephone and Gabriel look at each other. Then they turn to Aiden.

GABRIEL

I was suspicious.

Aiden smiles.

AIDEN

You could have shared your suspicion.

GABRIEL

I wasn't sure.

AIDEN

And I wasn't waiting to find the two of them half-naked.

PERSEPHONE

Okay, guys, this isn't our business.

AIDEN

I think it is. I found them half ---

PERSEPHONE

(cuts him off)

Naked, yes, we know. But they are free to do whatever they want to do, right? I mean, they are both adults. That in case they are really sleeping together.

GABRIEL

True.

(at Persephone)

Any of them has said something?

Persephone nods.

PERSEPHONE

No.

AIDEN

Funny. Both of them are nowhere to be found.

PERSEPHONE

That means nothing. They are probably busy.

AIDEN

So we just keep it to us?

PERSEPHONE

We do. We don't mess with their lives.

GABRIEL

We don't mess with Prue's life, you mean.

PERSEPHONE

Exactly.

OFF TO THE ENTRANCE - William comes in.

WILLIAM

Ten texts? Seriously? What's going on?

Persephone, Gabriel, and Aiden turn to William.

GABRIEL

Family emergency.

WILLIAM

What happened to our normal lives?

PERSEPHONE

In case you haven't noticed, they won't get back to normal.

They all glance at one another.

FADE TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

STILL.

FADE TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - BEDROOM - DAY

Sarah is laying on the bed. She is asleep. The only sound in the room comes from the machines that measure her heartbeat.

OFF TO THE DOOR - Pamela comes in followed by Priscilla and Miranda.

PRISCILLA

(to Miranda)

How did you manage to convince them to let us him?

MIRANDA

I'm charming.

They close the door and stare at the woman on the bed.

PAMELA

That's her.

(to Priscilla)

Your turn.

PRISCILLA

I don't know if I can.

PAMELA

Of course, you can. Do be silly. You're a Charmed One.

PRISCILLA

With no future.

MIRANDA

We are going to stop that demon from hurting you. That's why you had that vision. And now you're gonna have another so we can find out who did this and vanquish it.

Priscilla glances at them. Pamela nods. Then Priscilla takes a deep breath. She walks over to the bed and stares at Sarah. She reaches out her hand and touches the woman's hand. Then, she is suddenly taken into a vision.

FLASHES TO:

INT. ABANDONED WAREHOUSE - UNKNOWN TIME OF THE DAY (INSIDE PREMONITION)

She sees Xavier and Jena hanging. Jena's eyes are open and lifeless.

END OF PREMONITION.

FLASHES BACK TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

ON PRISCILLA - She comes back from the vision.

Priscilla turns to Pamela and Miranda.

PAMELA

What did you see?

PRISCILLA

Two other victims. One of them seemed dead.

MIRANDA

My God.

PAMELA

And the demon?

PRISCILLA

I didn't see him around.

OFF TO RAZGAL - He SMOKES in behind Pamela and Miranda and glances at them.

Priscilla's eyes widen as he sees Razgal smoking in.

PRISCILLA (CONT'D)

But he's here.

Priscilla signs them to look back. Razgal WAVES his hands and throws them TELEKINETICALLY across the room. Priscilla lowers down as Pamela and Miranda hit the wall and fall on the couch. Priscilla stands and stares at Razgal as he walks over her. She swallows.

PRISCILLA (CONT'D)

Damn, power.

(to Razgal)

I'm a Charmed One.

Razgal smirks as he gets face to face with her. He WAVES his hand before her face.

RAZGAL

Powerless. You are afraid of the lack of powers.

PRISCILLA

You're wrong. I'm afraid of nothing.

RAZGAL

We'll see that.

Razgal puts a hand on Priscilla's shoulder and SMOKES out taking her.

Pamela and Miranda stare astonished at them as the disappear.

MIRANDA

Why didn't you do something?

Pamela looks at her.

PAMELA

Why didn't you?

MIRANDA

We need to tell the others.

They stand quickly and walk out of the room.

FADE TO:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

SEVERAL SHOOTS all over the town.

FADE TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Persephone is pacing the room. William is by the Book of Shadows, turning page after page. Gabriel and Aiden are there too. Gabriel is searching for things on the shelves while Aiden looks at them.

AIDEN

What are you doing?

GABRIEL

I don't know, I need to find something that can help us.

OFF TO THE ENTRANCE - Pamela and Miranda come in.

PAMELA

Sorry, sorry, sorry. We just froze.

Persephone glances at them.

PERSEPHONE

This shouldn't have happened. She doesn't even have active power.

MIRANDA

Where are Leo and Prue?

AIDEN

Unreachable. Their phones are off. We called P3 and the guys said Prue left because she had a shooting.

PAMELA

A shooting? What was she shooting?

MIRANDA

Prue is a freelance photographer.

AIDEN

Works for Bay Mirror and Mirror's Magazine.

PERSEPHONE

That's not important now. We need to find my sister.

WILLIAM

Guys?

William stares seriously at a page.

WILLIAM

(looks at them)

Barbas. The Demon of Fear.

Aiden walks over to William and stares at the book.

AIDEN

No. That's not the demon.

GABRIEL

And it cannot be. He was vanquished years ago.

PERSEPHONE

True. Grams and her sister did it. She said she doubted that he would ever come back after that vanquishing. At least no so soon.

AIDEN

Besides, the draw in the book doesn't look like the guy in the video.

PERSEPHONE

(out loud)

I wish we had a little help from above!

Suddenly, the pages of the book start turning alone. They all look at the book astonished. Then they stop.

William and Aiden look astonished at the book.

PERSEPHONE (CONT'D)

What was that?

William and Aiden shrug.

ON THE BOOK OF SHADOWS - Some words appear on a blank page. It reads:

Dangerous. Razgal, a demon of fear. Master your fear. Make him face his.

William reads from the book.

WILLIAM

(reading)

Dangerous. Razgal, a demon of fear. Master your fear. Make him face his.

MIRANDA

When it says fear, does it means what? Our phobias?

GABRIEL

That's why you two froze. And maybe that's how he controls the victims. Through their fears.

PERSEPHONE

So, we should master our fears. How hard is that?

MIRANDA

Very hard.

Pamela turns to Miranda.

PAMELA

What's your fear?

MIRANDA

Closed and small places.

Gabriel keeps looking for something.

PAMELA

Well, he probably won't control an army of bees.

AIDEN

What if we don't know our fears?

GABRIEL

Found him!

Gabriel shows them a map and a crystal.

MIRANDA

What's that?

GABRIEL

The ancient way of finding something or someone.

Gabriel smiles at them.

FADE TO:

EXT. SAN FRANCISCO POLICE STATION - NIGHT

STILL.

FADE TO:

INT. SAN FRANCISCO POLICE STATION - MAIN ROOM - DAY

The place is full of people. Prue and Leo are sitting on a desk. They seem tired.

PRUE

Is it gonna take longer?

Leo looks at her. She looks back at him.

PRUE (CONT'D)

I was here recently. It wasn't in my plans to be here so soon.

Leo's eyes widen.

PRUE (CONT'D)

It's not what you think. I saved a woman from a demon. She called the cops and I came along because I was a witness.

LEO

A demon?

PRUE

They didn't believe her. I was lucid and said it was a guy who ran away.

Leo smiles. Natalie walks over them.

NATALIE

Okay. We're done.

PRUE

Can we leave?

Prue and Leo stand.

NATALIE

Yes. And you can take Trevor.

PRUE

Oh, thanks, God.

OFF TO THE ENTRANCE - Trevor comes in. Two cops come along.

Prue walks immediately towards Trevor. Leo turns to Natalie.

LEO

Thank you, Inspector West.

NATALIE

It's Natalie.

Natalie smiles.

NATALIE (CONT'D)

Your girlfriend seems to worry about that kid.

They stare at Prue as she tries to make sure Trevor is okay. Leo smiles.

LEO

She's no my girlfriend.

Natalie tries to hide her amusement as she hears that. Leo and Natalie stare at each other.

PRUE

Leo?

Leo looks at Prue.

PRUE (CONT'D)

Coming?

Leo nods. He looks at Natalie.

LEO

Thank you, Natalie.

Natalie smiles. Leo walks away. Both Leo and Prue leave with Trevor as Natalie watches them. She smiles.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. ABANDONED WAREHOUSE - NIGHT

ON PRISCILLA'S FACE - Her eyes are closed.

Priscilla is hanging tied up by her wrists with steel chains that hang from the ceiling. Her body falls heavily on the ground. Xavier is hanging beside her.

Razgal walks over to her. He WAVES his hand before her face and breaths in as if he was breathing the sense of her fear.

RAZGAL

Run, little one, run.

Razgal smirks.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT (FEAR WORLD)

Priscilla comes into the attic in a rush. She closes the door behind her. She's afraid. She breathes fast as she walks back getting away from the door.

SOUND - LOUD KNOCKS ON THE DOOR.

PRISCILLA

No. Please, no.

The door is kicked down. Jitur is there standing at the doorway. Priscilla stares terrified at her. She WAVES her hands trying to use some kind of power on him, but nothing happens.

JITUR

Your power is not a match to mine.

Jitur walks towards her.

PRISCILLA

Please.

Priscilla is terrifying.

JITUR

I'm gonna kill you and then I'll go after your sisters.

PRISCILLA

No. Leave them alone.

Jitur reaches out his hands and is about to grabs her neck when ---

He banishes. Priscilla looks at where he just was.

PRISCILLA (CONT'D)

What happened?!

She glances around.

FLASHES BACK TO:

INT. ABANDONED WAREHOUSE - NIGHT

Razgal is THROWN against some shelves.

Gabriel is standing with his hands raised. It was him who use TELEKINESIS on Razgal. Persephone stands beside him.

PERSEPHONE

Well done.

Aiden and William run towards Xavier and Priscilla and try to unchain them.

Razgal gets up and looks at them. He smirks.

RAZGAL

Fear can't be defeated. It will always exist.

PERSEPHONE

True. But we can always kick it away.

Persephone looks at someone behind Razgal. He notices it and turns around. As he does, he sees Miranda LEVITATING and kicking him.

Persephone WAVES her hands and uses MOLECULAR IMMOBILIZATION on Razgal.

PERSEPHONE (CONT'D)

I don't know how long this is going to take, guys, so e quickly.

Gabriel rushes to Aiden and William.

AIDEN

How are we going to take out those chains?

GABRIEL

Let me try to unlock it.

Gabriel focuses on the lockers.

Persephone tries to keep Razgal frozen, but he starts moving.

PERSEPHONE

Guys?

(whispering)

Where are Prue and Leo when you need them?!

Razgal unfreezes. He looks at Persephone and smirks. He WAVES his hands.

RAZGAL

Oh, poor girl.

Persephone swallows.

RAZGAL (CONT'D)

You're afraid to lose someone.

Pamela approaches Persephone from behind.

PAMELA

Master your fear.

PERSEPHONE

The problem is I don't know how to do it.

Gabriel is able to unlock Xavier and Priscilla's lockers.

WILLIAM

Well done.

Aiden puts Xavier on the floor as William puts Priscilla on the floor. He tries to wake her up.

Razgal approaches Persephone and Pamela. Miranda walks towards him from behind. Razgal reaches out his hands. Miranda stops.

PAMELA

Master your fear.

Razgal looks at them.

RAZGAL

(looking at Pamela)

An army of bees.

Pamela swallows. Razgal looks at Miranda.

RAZGAL (CONT'D)

Closed and small places.

MIRANDA

Master your fears.

RAZGAL

That won't save you.

PERSEPHONE

I'm not afraid of losing someone.

(a tear runs down her face)

I've been there and I survived.

Razgal turns to her.

RAZGAL

You still have a lot to lose.

PERSEPHONE

But I won't.

Persephone reaches out her hand and FREEZES Razgal again.

William is able to wake up Priscilla.

WILLIAM

Hey, she's waking up.

Priscilla opens her eyes. She seems confused.

GABRIEL

Welcome back.

Razgal is stronger and he is starting to move again.

PERSEPHONE

Guys?

Pamela reaches out her hands and using MOLECULAR DECELERATION. Both girls try to hold him.

Gabriel and William help Priscilla to stand.

MIRANDA

What do we do?

AIDEN

What is his fear?

Priscilla looks seriously at Razgal. Then she walks towards him.

PERSEPHONE

Pris, what are you doing?

She gets face to face with Razgal. He moves his face as she puts her hands on his head.

RAZGAL

No!

PRISCILLA

Your turn!

Priscilla closes her eyes and Razgal screams in pain before he closes his eyes.

FLASHES TO:

INT. ABANDONED WAREHOUSE - UNKNOWN TIME OF THE DAY (FEAR WORLD)

Razgal screams in pain. He is alone there. He glances around.

RAZGAL

No.

Then suddenly, Persephone, Priscilla, Gabriel, William, Miranda, Pamela, and Aiden appear.

RAZGAL (CONT'D)

No.

The witches reach out their hands and blasts of energy come from them hitting Razgal.

FLASHES BACK TO:

INT. ABANDONED WAREHOUSE - NIGHT

Priscilla holds Razgal's head until he stops screaming. Then she lets go of him and steps back.

Then suddenly, Razgal BLOWS up. The ashes fall on the ground.

They all stare at it.

MIRANDA

That was a hell of a vanquishing.

PERSEPHONE

Pris?

Priscilla looks at Persephone.

PERSEPHONE (CONT'D)

That was amazing.

GABRIEL

How did you know what to do?

PRISCILLA

A feeling.

AIDEN

Great.

WILLIAM

Yeah. But now we need to take this guy to a hospital. He's still alive.

PAMELA

There's a girl in the back. She wasn't that lucky.

Priscilla looks at Razgal ashes. Something calls for her attention.

PRISCILLA

What is this?

Persephone, Gabriel, and Miranda approach Priscilla. They look down at the ground.

ON ASHES - In the middle of the ashes, a symbol can be seen.

Gabriel takes out his cell phone and takes a picture of the symbol

GABRIEL

Let's get out of here.

Priscilla stares at the symbol seriously as Gabriel, Persephone and Miranda walk away.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town.

FADE TO:

EXT. HALLIWELL MANOR - NIGHT

A car is pulled over. Then Leo and Prue come out of the car. Prue stares at the manor and sighs. Leo approaches her.

PRUE

Home sweet home.

Leo looks at her and smiles.

LEO

Thank you for helping me find a home for Trevor and his mother.

PRUE

(looks at him)

I had some contacts. The important thing is that his mother is being watched at the hospital and tomorrow a new loft will be available for them to move out.

Leo touches her face softly.

LEO

We make a great team.

Prue bites her lower lip. He approaches her and their faces get inches from each other.

PRUE

We can't.

Leo smiles sarcastically. He steps back.

PRUE (CONT'D)

Sorry.

They look at each other.

LEO

Anyway, from now on I'll be careful when picking my clients.

Prue smiles.

PRUE

Chose your battles.

(smiles.)

I didn't know you were rich.

LEO

What makes you think I am?

PRUE

You paid three months of rent in advance.

LEO

I did that to help Trevor and his mother. And I'm not rich. My mother is. I try to live with what I'm paid off.

PRUE

Well, good for you.

LUCAS (O.S.)

Prue?

They turn to see Lucas nearby.

PRUE

(surprised)

Lucas? What are you doing here?

LUCAS

(walks over her)

Oh, I just came to let you know how it was at P3. But I didn't want to interrupt.

PRUE

Oh, okay. You didn't have to. We could talk tomorrow.

Lucas looks at her and smiles. Prue smiles back at him.

LEO

Ahem.

Lucas looks at Leo. Prue glances from one to the other.

PRUE (CONT'D)

Oh, this is Leo, my ---

Prue looks at Leo who shoots her a look.

PRUE (CONT'D)

--- My friend.

Leo lowers down his gaze. Then he looks at Lucas.

PRUE (CONT'D)

Lucas is my assistant manager at P3.

Both men smile at each other.

LUCAS

Anyway, I should go.

PRUE

Yeah, we'll talk tomorrow.

Lucas smiles at her, then he walks away. Prue smiles as she watches him leave.

LEO

Assistant manager?

Prue turns to Leo.

PRUE

Don't look at me. It was Persephone's idea.

LEO

(sarcastic)

He can't wait to be your assistant manager.

PRUE

What do you mean?

LEO

Didn't you see the way he looked at you?

PRUE

(getting mad)

Oh, you want to talk about that? Did you see that Detective checking you out?

LEO

She didn't ---

PRUE

She did. Top to bottom.

LEO

Are you jealous?

Prue smiles sarcastically. She starts walking up the stairs. Leo follows.

LEO (CONT'D)

You are.

PRUE

No, I'm not. Why would I be jealous? We are not together.

LEO

Because you don't do relationships.

PRUE

Exactly.

They reach the door and get in.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

SOUND - DOOR CLOSES.

Soon, Prue and Leo come into the living room and stand still as some eyes set on them.

Persephone, Priscilla, Gabriel, William, Miranda, Pamela, and Aiden are there staring seriously at them.

PRUE

Eh, what's going on?

PERSEPHONE

Can you two please tell us where the hell were you all day?

GABRIEL

Yeah, we tried to reach you two, and nothing. Not a text, not a phone call.

Persephone and Gabriel sound mad. Actually, they all seem serious. Prue and Leo look at each other.

PRISCILLA

I almost got kill.

PRUE

What? Are you okay?

Priscilla nods.

WILLIAM

We dealt with a demon of fear.

PRUE

Barbas?

PAMELA

That one won't come back that soon apparently.

MIRANDA

This was a new one.

AIDEN

And your powers could have been very useful.

PERSEPHONE

So, again, where were you two?

Leo and Prue look at each other again.

LEO

We were made hostages.

All their face expression changes suddenly.

PERSEPHONE

What? How? Are you okay?

PRUE

We are fine. Everything came out well.

MIRANDA

Did anyone got hurt?

PRUE

The kid shot at me.

PRISCILLA

What?

PRUE

But I used my powers.

LEO

But it was me who took you out the bullets way.

PRUE

True.

Prue smiles at Leo. Persephone, Gabriel, and Aiden look at one another.

PERSEPHONE

You saved her again?!

PRUE

Yeah, it looks like he is always saving me.

PERSEPHONE

(smiles)

Your hero then.

Gabriel and Aiden hide a smile.

PRUE

I wouldn't call him that.

LEO

(smiles)

Oh, no, I like that.

Prue shoots him a look. Then she turns to the others.

PRUE

Can we go back to the demon thing?

PERSEPHONE

Tomorrow. It's late.

PRISCILLA

Yeah, I need to wake up early and search for a new job.

PRUE

A new job? What have I a miss?

PERSEPHONE

A lot. I need to find a way to get some money so I can open my restaurant.

PRUE

The loan?

PERSEPHONE

Didn't work out.

PAMELA

(to Persephone)

Hey, we can talk about that tomorrow. I think I can help.

Persephone nods.

GABRIEL

See you tomorrow, guys.

Gabriel, William, and Miranda walk out of the room. Aiden and Pamela wave goodbye.

AIDEN

Coming, Leo?

Leo and Prue look at each other.

LEO

Yeah.

Aiden, Pamela, and Leo leave.

Priscilla also walks out of the room. Persephone passes by Prue.

PERSEPHONE

Sleep tight, sis.

Persephone leaves. Prue shrugs and leaves as well.

FADE TO:

EXT. SAN FRANCISCO - STREET - NIGHT

A middle-aged man (HOLDEN) walks at pace carrying shopping bags. Not many people in the street.

Suddenly he stops as if he felt something. He turns around and ---

BEAT. Adrianne is there staring seriously at him.

HOLDEN

Darklighter.

Adrianne smirks.

ADRIANNE

Funny as you lost your powers but not your senses.

HOLDEN

I cannot forget the way your kind smells.

ADRIANNE

Neither we can forget your smell, Whitelighter.

HOLDEN

What do you want?

ADRIANNE

Your powers.

Holden smiles sarcastically.

HOLDEN

It's been almost twenty years. Ever since the Lost, we, Whitelighters who stayed down here, have lost our powers. As so other beings. Where have you been all this time?

Adrianne smirks.

ADRIANNE

The Warrens have got their powers back. I know you can feel it.

HOLDEN

Heavens are locked down.

ADRIANNE

I'm sure you know that there's one with powers down here. Where can I find that Whitelighter with powers?

Holden laughs.

HOLDEN

Even if I knew it, I wouldn't tell you.

Adrianne walks over to him. She SUMMONS a crossbow and points it at him. Holden glances at the crossbow and then at Adrianne.

HOLDEN (CONT'D)

The poison won't work.

ADRIANNE

Where?

Holden smiles. He won't say a thing. Adrianne gets ready to shoot.

ADRIANNE (CONT'D)

I'll find it anyway.

He presses the trigger and the arrow flies straight to Holden. He is hit in the chest. The shopping bags are drop on the ground. Adrianne watches as Holden falls down on his knees.

HOLDEN

The Warrens will stop you this time.

Adrianne kicks him pushing him back. He falls on the ground.

ADRIANNE

We'll see about that.

Adrianne DARK ORBS out.

CLOSE UP - Holden's face. He breathes one last time before dying.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION VIEW all over the city.

FADE TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

CLOSE UP - Fireplace. The flames are high.

Prue is sitting on the floor close to the fireplace. She stares at the flames as she has a cup of tea between her hands. She sips her tea.

OFF TO THE ENTRANCE - From the parlor, Persephone comes in.

PERSEPHONE

What are you doing here?

Prue looks up at her sister.

PRUE

Hey.

Persephone walks over and sits before Prue.

PRUE (CONT'D)

I was just having a cup of tea. Couldn't sleep.

PERSEPHONE

No, I mean, what are you doing here at home? You don't stay at home at night.

Prue forces a smile.

PRUE

We'll some things have changed. With great power, comes great responsibility, right?

Persephone smiles.

PERSEPHONE

True.

Prue looks at the fireplace while Persephone stares at her.

PERSEPHONE (CONT'D)

Why don't you talk to me, Prue?

Prue looks at her.

PERSEPHONE (CONT'D)

Like before. You used to. Remember, when we were teenagers. We used to tell everything to each other.

PRUE

We are not those girls, Persie.

PERSEPHONE

I wish we could be, you know? Why did you change? I mean, I know that not having mum around was hard, but we managed to remain close after that, until the day we were no more. What happened?

PRUE

Life happened. Reality stroke. We can't go back there, Persie. It's past.

PERSEPHONE

Then, let's start over. Be sisters again.

PRUE

I don't know if I can. I'm not the same.

PERSEPHONE

Neither am I. But we can do it.

(grabs Prue's hand)

The three of us. We are stronger than anything. And I don't mean that because of the Charmed Ones' status. I mean it because of who we grew up to be. Our bond is stronger than anything.

PRUE

Grams used to say that.

PERSEPHONE

And she was right. I know she was. Think about it.

Persephone smiles and Prue smiles back. Then Persephone gets up and is about to leave, but stops and looks at her sister.

PERSEPHONE (CONT'D)

Again, ---

Prue looks at Persephone.

PERSEPHONE (CONT'D)

--- what are you doing here, Prue? Isn't there someplace else you rather be?

Prue smiles.

PERSEPHONE (CONT'D)

Then, what are you doing here?

Persephone smiles and walks out of the living room. Prue looks at the flames and takes a deep breath. Then she stands, puts the cup of tea on the center table, and walks out of the living room.

FADE TO:

INT. HALLIWELL MANOR - FOYER / ENTRANCE - NIGHT

MUSIC PLAYS IN THE B.G. 'If You're Not the One' by Daniel Bedingfield.

The lights are off.

Prue comes from the living room and grabs something from the drawer of the entrance furniture, then she opens the door.

BEAT. Leo is there and by his body expression, it seems like he was about to knock on the door. He is wearing pajamas.

PRUE

(surprised)

Leo?

LEO

I didn't know how to get in without knocking. Don't have your tricks.

Prue smiles.

PRUE

(shows him a key)

I had a key.

LEO

(smiles)

Oh.

They stare at each other. He looks at her from top to bottom. She is wearing a short nightgown.

LEO (CONT'D)

Were you going out?

Prue nods.

PRUE

I was going to use this key again.

Leo smiles.

LEO

Good thing I came.

PRUE

I just need you to ---

LEO

(cuts her off)

Hold you?

Prue nods.

LEO (CONT'D)

We can do that. Canoodling?

PRUE

That sounds good.

Prue reaches out his hand for him to take it. He does. He walks in and closes the door behind him.

PRUE (CONT'D)

I won't run in the middle of the night. Or morning.

LEO

I leave before anyone sees me, Love.

Prue nods and smiles. He approaches her and holds her tightly against his chest.

FADE TO:

EXT. HALLIWELL MANOR - ACROSS THE STREET - NIGHT

Lucas is staring at the Halliwell manor. He has his hands on his pockets and stares seriously at the manor. Then, he ORBS out.

MUSIC FADES OFF.

FADE TO BLACK.

END OF THE EPISODE