1x19 - The L Word

[Prue Brianna Johnna Halliwell]

DESTINED

"THE L WORD"

TEASER

OVER BLACK.

FADE IN:

INT. UNDERWORLD - LEAH´S CAVE - NIGHT

LEAH is talking with a DARK PRIEST. She is wearing a beautiful long red dress and is sitting on her throne while the priest in standing in front of her.

DARK PRIEST

Everything is set up for tomorrow, Leah.

LEAH

Good. I don´t want any mistakes.

DARK PRIEST

Everything will be done carefully. Some demons were told to come and honor their future ruler.

LEAH

I don´t want anybody who could call into question the right I have to the Source´s throne.

DARK PRIEST

No one will. They all agreed with it.

LEAH

Even when I haven´t got what I wanted?

DARK PRIEST

Obviously, most of the Underworld would like to see those witches destroyed and would be an amazing thing if you could manage to do it. But you got closer a few times. And the fact that you destroyed Zola counted a lot.

LEAH

Well, they better support me or I´ll turn them into dust.

Leah smiles maleficent.

DARK PRIEST

About the human sacrifice...

LEAH

(cuts him off)

Don´t worry about that.

Leah points to a corner. The Dark Priest follows the direction of her finger. In a corner three girls are tied up with chains. They are dirty and are wearing torn clothes. They look like they have been under torture.

LEAH (CONT´D)

I would prefer the Destined Ones, but I can risk them blowing up my plans. These ordinary witches will be enough.

DARK PRIEST

What if they find out?

LEAH

They won´t. I intend to keep them busy.

DARK PRIEST

How?

Leah smiles maleficent again. She waves her hand. In front of her a little girl, who looks no more than 12, appears. The girl wears some kind of dirty and torn gown. The girl has a gray appearance. Leah and the priest look at her.

DARK PRIEST (CONT´D)

An Acheri?

LEAH

(smiles; to the Acheri)

I have a job for you.

Leah keeps the maleficent smiles on her face.

CUT TO:

INT. UP THERE - NIGHT

Chris and Charlotte are next to a pillar.

CHARLOTTE

I wonder what they would want with us. 

CHRIS

Well, it´s not weird to call me. I´m a whitelighter after all, but you... Your boss really told you to come here?

CHARLOTTE

That was the message I got. The Elders and He have a task for me and the Elders would tell me what it is.

CHRIS

What would it be?

CHARLOTTE

No idea. But it must be something big. I know our bosses work together sometimes, but getting us both here...

Chris and Charlotte exchange glances. They keep silent for a few seconds. Charlotte seems like she wants to ask something.

CHRIS

Shoot it.

Charlotte looks him surprised.

CHRIS (CONT´D)

I know you want to ask something. We grew up together, remember?

CHARLOTTE

(sighs)

You and Andrea, is it true that...?

CHRIS

(finishes it)

... That we broke up?

Charlotte nods.

CHRIS (CONT´D)

Yeah.

Charlotte hugs Chris.

CHARLOTTE

(not letting go of him)

Oh, Chris, I´m so sorry.

CHRIS

It´s OK.

They get apart.

CHRIS (CONT´D)

It had to be that way. Andrea and I weren´t meant to be.

CHARLOTTE

Even though, ending a relationship that has last for so long must be hard.

CHRIS

It is, but when it has to be, it has to be.

(pauses)

What about you? Are you seeing someone?

CHARLOTTE

(groans)

Oh, no. I think I was born to give love not to be loved.

CHRIS

It will come your turn. Don´t worry.

Chris and Charlotte exchange smiles. Fiona approaches them.

FIONA

Chris, Charlotte.

They look at Fiona.

CHRIS

Fiona, finally. We´ve been waiting for a while.

FIONA

Halliwell doesn´t rhyme with patient, I see.

Chris and Charlotte exchange glances.

FIONA (CONT´D)

The reason why we called you both here is simple.

Chris and Charlotte pay attention to Fiona.

FIONA (CONT´D)

These two people were born to be together, but some circumstances, that doesn´t matter right now, have brought them apart. But that´s not their destiny.

Chris and Charlotte seem lost.

FIONA (CONT´D)

What we want you to do is that you help these two people to realize that no matter what they do, their path is the same.

CHRIS

That would be a job for Charlotte, not me. She´s a cupid.

FIONA

Yes, Charlotte is a cupid indeed and knows what´s deep inside people´s heart. But you...

(to Chris)

You know these two more than they know themselves.

CHRIS

(rolls his eyes)

Oh boy!

Chris and Charlotte exchange glances.

CHRIS / CHARLOTTE

Wyatt and Prue?

They look at Fiona. She nods yes.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Mathews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Matt Bomer as Damon

Julie Benz as Leah

Guest Starring

Jensen Ackles as Eric

Cassidy Freeman as Fiona

Demi Lovato as Demetria

Jared Padalecki as Jackson (Flasback)

Claire Engler as Acheri

Eric Winter as Matthew Halliwell and Lancelot

Caleb Ruminer as 18 years old Wyatt

Bailee Madison as 14 years old Prue

Loren Schofield as Thomas

Barbara Feldon as Ruth

John as Dark Priest

Louis as King Alexander

Jordan Ashley as Witch #1

Alexa Albanese as Witch #2

Daneshia Drakeford as Witch #3

Uncredited Actresses as Ladies in Waiting

Uncredited baby as Baby Prue

Uncredited boy as Kid Wyatt

Uncredited actor as Radio Boy (Voice)

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

FADE IN:

EXT. SAN FRANCISCO - DAY

The song Bleeding Love by Leona Lewis plays. The camera shows some places all over the town: Golden Gate Bridge, Golden Gate Park... etc.

RADIO BOY (O.C)

Good morning San Francisco. A new sunny day has started. In a week from now will be Valentine´s day. So what´s better that listening to some romantic music?

The song continues as some other places are seen: Coit Tower, TransAmerica Pyramid, Alcatraz Island. People leaving homes and the Cable Cars full of people. Rushed people walking in China Town.

CUT TO:

EXT. HALLIWELL MANOR - PRESCOTT STREET - DAY

A paperboy rides along the road, a car honks and he waves. He throws the paper on the Halliwell's lawn.

AUDIO FADES OUT.

CUT TO:

INT. HALLIWELL MANOR - WYATT´S BEDROOM - DAY

CLOSE UP: WYATT puts some shoes on and walks towards the dresser´s mirror.

Wyatt looks at his image on the mirror. He´s wearing an elegant gray suit, no tie, light gray shirt. He looks very elegant. Wyatt fixes the wrists of the shirt while looking at her image reflected in the mirror. His mind seems off.

Someone knocks the door. Wyatt is called back to reality.

WYATT

Come in.

PIPER comes in. She has a smile on her face and brings a little black box on her hands.

PIPER

Am I the first?

WYATT

(smiles)

As every year.

Piper smiles. She approaches her son and hugs him.

PIPER

Happy Birthday, my baby.

WYATT

Mom, I´m not a baby.

PIPER

To me, you´ll always be.

Piper and Wyatt get apart. Both look one another for seconds. Then, Piper hands him the little box.

PIPER (CONT´D)

This is for you.

WYATT

(not taking it)

Mom, it wasn´t necessary.

Wyatt takes the box and opens it. Wyatt is surprised looking at what is inside. He looks at Piper.

WYATT (CONT´D)

A necklace?

Piper smiles.

WYATT (CONT´D)

With the name of a woman? Are you sure this is for me?

CLOSE UP: Necklace with the name "Prue" on it. It´s Prudence´s old necklace.

PIPER

It´s my present for you and yours for Prue.

WYATT

But...

PIPER

(cuts him off)

I knew you haven´t decided what to give her so...

Wyatt looks at the necklace.

PIPER (CONT´D)

She always wanted that necklace.

WYATT

I thought you were giving it to Mel.

PIPER

I had a chat with your Aunt Prue and she said the necklace was and heritage she left for me, Phoebe and Paige, and that was our decision.

(pauses)

Then, I talked to your sister and she said she´s Prudence, but not Prue.

Wyatt looks at his mother and then, at the necklace again.

PIPER (CONT´D)

She will love it.

Wyatt smiles and closes the box. They hug.

WYATT

Thanks, mom.

CUT TO:

INT. PRUE´S CONDO - BEDROOM - DAY

CLOSE UP: Prue´s feet. Walks towards the standing mirror in the bedroom. She´s wearing blue and pink high heels shoes.

Slowly the camera goes up till it shows Prue´s face and her image at the mirror. She is wearing a navy blue shirt and black trousers. She looks very elegant.

She looks at herself at the mirror. Through the mirror she sees something orbing on the bed.

CLOSE UP: Mirror refection of an object orbing on the bed.

Prue turns and sees the little box and an envelope on the bed. She approaches it and takes the envelope and the box. She opens the envelope.

CLOSE UP: Message inside: "Happy Birthday. Wyatt"

Prue smiles. She opens the box.

CLOSE UP: "Prue" necklace.

Prue looks at it, serious. She passes her fingers through the necklace and smiles. In that moment, Charlotte BEAMS in. Prue looks at her.

CHARLOTTE

I know you don´t like us to show up this way, but...

(hugs Prue)

... Happy Birthday!

PRUE

(smiling)

Thanks.

Both get apart. Charlotte looks at the box Prue´s holding.

CHARLOTTE

First present of the day?

Prue nods. Charlotte sees the necklace.

CHARLOTTE (CONT´D)

Is that...

PRUE

(nods)

Wyatt.

Prue gets thoughtful. Charlotte notices it.

CHARLOTTE

What is it? You didn´t like it?

Prue closes the box and puts it on the dresser.

PRUE

It´s not that.

(pauses; ashamed)

I just bought him a book.

CHARLOTTE

(angry)

Prue!

PRUE

I didn´t know he was offering me this necklace. And besides, the book is from his favorite author and I know he hasn´t brought it yet.

CHARLOTTE

But a book?

Prue shrugs. She takes her lipstick from the dresser and puts some in her lips.

CHARLOTTE (CONT´D)

Well, that doesn´t matter right now. We need to get going.

Prue looks at her sister.

PRUE

Going where? You guys are not preparing a surprise party at this hour, are you?

CHARLOTTE

I don´t know what surprise party you are talking about. You guys don´t deserve a party, so...

PRUE

Yeah, right!

(pauses)

So, where are we going then?

CHARLOTTE

(wordless)

Well, you know, I have some kind of charge and...

Prue puts her lipstick in her handbag.

PRUE

You´re coming here to ask me for help with a charge? Charlie, you´re best cupid than me.

CHARLOTTE

I´m not gonna argue about that, but no. I didn´t came to ask for help.

PRUE

(curious)

So?

CHARLOTTE

(shrugs)

You are my charge.

Prue is surprised.

PRUE

You´ve got to be kidding me. We can have charges in the family.

Prue takes her handbag and is about to leave the bedroom. Charlotte stops her.

CHARLOTTE

You know we are different from normal cupids. And that´s the orders I got. And Prue, you know you need it.

PRUE

(turns around)

I don´t need advices about my love life.

CHARLOTTE

Really?

(pauses)

Prue, you love Wyatt and something is stopping you from opening your eyes and get back to him.

PRUE

Well, I can tell you what it is. He didn´t trusted me.

CHARLOTTE

No, it´s not that. If it was, you would have solved it already. Something is blocking you and you need to know more about your own feelings.

PRUE

Charlotte...

Charlotte shoots her a begging look.

PRUE (CONT´D)

OK. Do whatever you have to do.

Charlotte approaches her sister and takes her handbag off. Charlotte puts the handbag on the bed. Then, Charlotte thrusts out her hands for Prue to hold them.

PRUE (CONT´D)

What is that you are supposed to do, anyway?

CHARLOTTE

A trip to your past.

PRUE

(rolls her eyes)

Seriously?

Charlotte nods. Prue sighs. She grabs Charlotte´s hands.

CUT TO:

INT. BAY MIRROR - WYATT´S OFFICE - DAY

Wyatt comes in followed by Chris. Chris is trying to make him do something.

WYATT

Chris, I have a lot of work to finish.

On the desk, there´s a package. Wyatt takes him and opens it.

CHRIS

You don´t understand.

(pauses)

I don´t care! I was asked to take you to some place and that´s what I´m going to do.

WYATT

What about my work?

Wyatt sees what´s inside the package.

CLOSE UP: a book: "The Wedding" by Nicholas Sparks.

Wyatt opens the book.

CHRIS

Wyatt, you´re the editor chief´s nephew and you have an assistant... You want me to draw it?

Wyatt read the dedication on the first page. Chris looks at the book.

CHRIS (CONT´D)

What is that?

Wyatt hands him the book. Chris reads the dedication.

CHRIS (CONT´D)

(reading)

"From the year you were born. Your favorite author. I know you haven´t read it. Love, Prue"

(looks serious at Wyatt)

A book?!

WYATT

I haven´t read it indeed and it´s my favorite author.

Chris rolls his eyes and hands the book back to Wyatt.

WYATT (CONT´D)

I love it.

Chris shoots him a look. Wyatt takes a deep breath.

WYATT (CONT´D)

Where do you want to take me exactly?

Wyatt puts the book on the desk.

CHRIS

(smiles)

To the heavens on the Mediterranean Sea.

Chris puts a hand on Wyatt´s shoulder and orbs out right away taking him.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - DAY

Tamora and Pandora come in. Tamora is carrying a painting and a painting easel. Pandora is carrying some bags.

PANDORA

(to her sister)

If they´ll think the same I do, they won´t get was is painting there.

Pandora puts the bags on the hall table.

TAMORA

Not everybody is like you when it comes to art.

Melinda comes in carrying some bags too. Tamora puts the painting on the painting easel.

MELINDA

Can you please stop arguing?

TAMORA

Mel, you get what is painting there, right?

Melinda puts the bags on the table too and looks for a few seconds to the painting.

CLOSE UP: Painting.

MELINDA

Two bodies, man and woman, kissing.

Tamora smiles. Pandora is surprised.

TAMORA

(to her sister)

See?

PANDORA

I can´t see any of it. It looks like a bunch of colors mixed together. No bodies, no kissing.

TAMORA

You don´t get anything about art.

DAMON (O.C)

Can you please come here and stop arguing.

Damon is heard from the conservatory room. The girls head there.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Junior and Damon are there trying to put some party decorations all over the room. Both are on some chairs.

JUNIOR

(to his sisters)

I can´t believe you guys are still arguing about the painting.

Junior and Damon finish to put a "Happy Birthday" lane. The girls look at the lane.

MELINDA

It´s crooked.

Junior and Damon exchange glances and roll their eyes.

DAMON

(to Melinda)

You´re kidding, right?

Melinda shrugs. Damon and Junior fix it.

TAMORA

Are we sure that neither Wyatt nor Prue will show up by surprise?

MELINDA

As far as I know, Chris and Charlotte are taking care of them.

Junior and Damon finish fixing the lane and come down the chairs.

JUNIOR

What now?

MELINDA

Better.

Melinda and Damon exchange accomplished glances.

PANDORA

Well, I gonna get to the food and beverages.

Pandora turns around and gets scared as she sees the ACHERI, in her child look, sent by Leah. Pandora screams as she sees it. They look at the demon while it changes its look from little girl to demon face. Then it disappears in a blur.

PANDORA (CONT´D)

You guys saw saw that, right?

They all exchange glances. An evil grin is heard.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. CUPID´S TEMPLE - CENTRAL SQUARE - MEDITERRANEAN COAST - DAY

Chris ORBS in bringing Wyatt. They are next to a golden fountain. Wyatt looks around.

WYATT

Cupid´s Temple?

Chris nods.

WYATT (CONT´D)

What are we doing here, Chris? How did we even get here?

CHRIS

I´m following orders from above.

Wyatt shoots Chris a serious look.

CHRIS (CONT´D)

The Elders and the owner of this place, who opened an exception for us, gave me orders.

(pauses)

Follow me.

Chris heads towards a room.

CUT TO:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

Chris comes in followed by Wyatt. The room has a round shape with white pillars all around the room. The walls are not ordinary walls, they show the clouds out there. In the center of the room, there´s a statue of Cupid with his bow and arrow. The floor is white. Wyatt and Chris look around.

WYATT

What now?

CHRIS

Do you know why you are here?

WYATT

(rolls his eyes)

A birthday present?

CHRIS

(smiles)

If that´s what you want to call it...

(approaches his brother)

The truth is that I brought you here because you need to see something.

WYATT

See what?

CHRIS

How everything started.

Wyatt looks serious.

CUT TO:

INT. CEMETERY - SAN FRANCISCO - DAY (1920´S)

Charlotte beams in bringing Prue, behind some bushes in the cemetery.

PRUE

Where are we?

They look around.

PRUE (CONT´D)

What are we doing in this place?

CHARLOTTE

You brought us here, sis.

Prue shoots her sister a look.

CHARLOTTE (CONT´D)

We are following your heart.

Prue sneaks from the bushes and next to a grave she can see a woman with long dark hair tied up and black clothes. The woman is on her knees crying. A man wearing a black suit is standing next to her. They are wearing clothes from the 20´s.

Prue is surprised. She looks at Charlotte.

CHARLOTTE (CONT´D)

What was it?

PRUE

We are in the twenties from last century.

CHARLOTTE

(surprised)

What?

Prue signs her to look at the people next to the grave. Charlotte does it and then gets back behind the bushes with Prue.

PRUE

I wasn´t born in last century. How and why we came here?

Charlotte shrugs. Prue sneaks again, carefully for not to be seen. Charlotte does the same.

PRUE (CONT´D)

Let´s try to hear what they´re saying.

Both remind silent and listen to the couple´s conversation.

ISABELLE DRUMMOND (20´s) cries. Her face is not shown.

ISABELLE

I don´t know what I´m going to do without you, William.

The man next to her, MATTHEW (30´s) gets down and hugs her. Matthew is an attractive man.

MATTHEW

Isabelle, you need to be strong.

ISABELLE

I don´t know what I´m going to do without him. He was my life.

MATTHEW

You have to move on.

Matthew helps Isabelle to stand. Isabelle´s face is still not shown.

MATTHEW (CONT´D)

Besides, you have me. I will never leave you. I made a promise to my brother and I´m going to keep it. You and the child you´re carrying have me. 

Prue and Charlotte exchange glances.

Isabelle looks at Matthew. Finally, her face is shown and... BEAT. It´s Prue´s face.

Charlotte´s eyes pop open as she looks at her sister who is surprised.

CHARLOTTE

Is that...?

PRUE

My past life. But I don´t understand.

They stay quiet again listening.

ISABELLE

(to Matthew)

If it´s a boy, I´ll call him Allen.

Matthew smiles.

MATTHEW

He would have love it. Allen Halliwell.

Isabelle smiles. She looks at William´s grave.

ISABELLE

(to the grave)

I´ll never stop loving you.

Matthew puts an arm over Isabelle´s shoulder and both walk away.

Prue and Charlotte look at them as they leave. Then, when they are far away, Prue approaches the grave.

CHARLOTTE

(calling her)

Prue...

Prue doesn´t stops. She stops in front of the grave. Charlotte approaches her.

CLOSE UP: Grave. A photo and an inscription:

"William Allen Halliwell. 

Beloved Husband and Brother. 

1897 - 1922"

Prue´s eyes pop open as she looks at the grave. Charlotte looks at it too.

CHARLOTTE (CONT´D)

Allen Halliwell? Is that our mother´s grandfather?

Prue kneels.

PRUE

I don´t think so. Look at the photo.

CLOSE UP: Photo in the grave.

BEAT. Wyatt´s face.

CHARLOTTE

Wyatt?

PRUE

Wyatt´s past life.

Prue stands and walks away. Charlotte follows her.

PRUE (CONT´D)

That´s why we came here? To see that not even in my past life I stay forever with him?

CHARLOTTE

No, Prue. On the contrary, dear.

(pauses)

You two were together. You heard what she said. She is going to... or had a child.

Prue looks at her sister with a desperate look.

CHARLOTTE (CONT´D)

We should better go.

Charlotte thrusts out her hands again. Prue thinks twice before holding her sister´s hand. Once she does, they beam out.

CUT TO:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

Wyatt and Chris are still there.

CHRIS

This is the Revelations´ room. It shows us what we need to know.

(pauses)

It´s normally used by new cupids, but they made an exception for us.

WYATT

And what´s that we need to know?

They are cut off by some voices that come from inside the room itself.

GUINEVERE (O.C)

Arthur!

Wyatt and Chris turn around and... BEAT. In the "walls" where there was clouds, it is shown a kind of a video. A woman, GUINEVERE (20´S) has Prue´s face. She´s wearing medieval clothes.

A man wearing armor comes closer and hugs her. BEAT. That man has Wyatt´s face. Arthur (30´s) approaches his wife.

Wyatt looks astonished at the images.

ARTHUR

Guinevere, my love.

WYATT

(astonished)

Is that...

CHRIS

One of your past lives and so Prue´s.

ARTHUR

(smiling)

We won the battle.

GUINEVERE

I was so afraid for you, Arthur.

WYATT

Wait. Arthur and Guinevere?

CHRIS

Well, I think we just found out why you happen to be the owner and master of Excalibur.

WYATT

The intention of this is to show me that Prue and I could live a romance, but we are not one another´s true love?

ARTHUR

(to Guinevere)

I´m here now.

LANCELOT (O.C)

My Lord, I´m sending the men to rest now.

Arthur turns to see his most loyal soldier, LANCELOT (30´s). BEAT. Lancelot it´s Matthew´s past life, brother of William Halliwell, Isabelle Drummond´s husband.

ARTHUR

You go rest as well, Lancelot.

Lancelot turns around and leaves. Arthur kisses Guinevere. The image pauses on the kiss.

CHRIS

(to Wyatt)

What do you mean?

WYATT

King Arthur wasn´t Guinevere´s true love.

CHRIS

Says who?

WYATT

Every Arthurian tales I´ve read. She had an affair with Lancelot.

Chris crosses his arms over his chest.

CHRIS

You don´t believe in every tale you read. Look at her.

Wyatt looks at the paused image.

CHRIS (CONT´D)

She seems happy and in love to me.

The image flashes to another images.

A young girl (REBEKAH, 20´S), another past life of Prue, comes walking down the meadow carrying two buckets with water. Her clothes seem from the tenth century. A man (MIKAEL, late 20´s), Wyatt´s past life, comes running towards her.

MIKAEL

Rebekah, what are you doing?

Mikael approaches her and takes the buckets himself.

WYATT

(to Chris)

Who are they?

CHRIS

A landowner and his wife.

REBEKAH

I can do heavy work, Mikael.

Mikael lands the buckets on the ground.

MIKAEL

When I made you my wife I promised that you wouldn´t ever care about heavy work.

REBEKAH

I can do it. I am the oldest of seven children, no father around, I had to do it.

MIKAEL

Don´t be stubborn. That time has passed.

WYATT

(to Chris)

Some things never change.

Chris smiles.

MIKAEL

You only get worried about taking care of the children and me. The heavy work is up to me.

Mikael approaches his wife and takes her face on his hands.

MIKAEL (CONT´D)

I love you.

Rebekah smiles. Mikael kisses her.

CUT TO:

INT. MAGIC SCHOOL - BIG HALL - DAY

CASSANDRA is looking for a book by a bookcase. DEMETRIA comes in and sees her.

DEMETRIA

Cassandra!

Cassandra looks at Demetria and smiles.

CASSANDRA

Demetria, long time no see. What are you doing here?

DEMETRIA

Well, I needed to put my head in the right place after all that happened.

CASSANDRA

Yeah, I imagine it wasn´t easy for you to embrace all the changes in your life. Demon father, evil powers...

DEMETRIA

(cuts her off)

Not everything was bad. But now I´ve decided to attend Magic School so I can learn to control my powers.

CASSANDRA

You do well. Welcome.

(pauses)

Look, later today I´ll be meeting my cousins. They´re working on a surprise party for Wyatt and Prue. Would you like to join us?

DEMETRIA

Party?

CASSANDRA

Birthday party.

DEMETRIA

Two birthdays in the same day?

CASSANDRA

First lesson in Magic School: Wyatt and Prue, a Twice Blessed Tale.

Cassandra smiles and signs Demetria to sit.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Melinda is flipping through the Book of Shadows. Damon is sitting next to her.

MELINDA

Just what we needed to blow this party up.

DAMON

We are gonna vanquish that demon.

Damon touches Melinda´s face softly. Junior and the twins comes in. Melinda and Damon disguise.

TAMORA

We found nothing.

PANDORA

I wonder where that thing is?!

JUNIOR

Thing? No. Demon.

MELINDA

We need to be open-eyed. I have no idea what was it, but it looked spooky and dangerous.

TAMORA

Did you find anything in the book?

MELINDA

Nothing yet.

The evil grin is heard again. All five look around, scared. Paige ORBS in bringing Piper and some trays with food. All five get scared by their arrival. Tamora screams. Piper and Paige look at them not understanding their reaction.

PANDORA

(to Piper and Paige)

You guys scared us.

PAIGE

Orbing is a normal thing in this house. Why did you get scared?

DAMON

A demon is around.

PIPER

What do you mean a demon is around?

MELINDA

It showed up and then disappeared.

PAIGE

How do you know the demon is still around?

JUNIOR

Because we can hear its evil grin.

PIPER

(sarcastic)

That´s exactly what we needed today.

Piper and Paige put the trays on the table.

TAMORA

What is that?

PIPER

Food for later. But with a demon around...

MELINDA

We´ll take care of that little girl before the party.

PAIGE

Little girl?

DAMON

Yeah, it looked like a little girl and then it change its appearance.

Piper and Paige exchange worried glances.

MELINDA

(to Piper and Paige)

Look, you can go back to the restaurant and we take care of this.

Piper and Paige exchange glances.

JUNIOR

We can.

TAMORA

We´ll find and vanquish that thing.

PAIGE

(to Piper)

We still have to make some shopping for later, Piper.

PIPER

And Phoebe will be on meetings all day.

Piper takes a deep breath.

PIPER (CONT´D)

I want everything perfect for tonight.

MELINDA

It will be more than perfect.

TAMORA

Destined Ones´ word.

Paige grabs Piper´s hand and orbs out.

PANDORA

You know, they could have helped us with that demoniac child.

MELINDA

They have stuff enough going on. We can do this.

The evil grin is heard again.

DAMON

Let´s look around one more time.

All five head out of the room.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - GARDEN - DAY (2007)

Prue and Charlotte beam in behind some flower pots.

PRUE

We are in the manor.

They hear a baby crying. Both look at where the crying comes from and see little Wyatt next to a crib where baby Prue is. Phoebe comes out from the manor and hold baby Prue in her arms.

PHOEBE

Oh c´mon, baby. What´s happening to you?!

Phoebe touches baby Prue´s forehead. Baby Prue looks less than a year old.

PHOEBE (CONT´D)

She´s burning up.

Phoebe puts baby Prue back on the crib and goes inside the house.

PRUE

(whispering to Charlotte)

That´s me. Little me.

Both look at little Wyatt as he passes his hands through the bars of the crib and puts them over baby Prue´s forehead. A shine yellow light comes out of his hands and then fades out.

LITTLE WYATT

(sweet)

You´re gonna be OK.

Prue and Charlotte exchange glances. Phoebe comes back to the garden with a thermometer. She is about to measure baby Prue´s temperature, but something has changed. She touches baby Prue´s forehead.

PHOEBE

(confused)

But how?! The fever has gone.

LITTLE WYATT

She´s OK now, Aunt Phoebe.

Phoebe looks at her little nephew. She lowers herself and looks at Wyatt.

PHOEBE

You healed her, Wyatt?

Little Wyatt nods. Prue and Charlotte exchange glances. Charlotte thrusts out her hands again. Prue grabs her sister´s hand and both beam out.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE´S TOP - NIGHT (2021)

Prue and Charlotte beam in hiding behind a separator in the top of the bridge. They heard some voices and sneak through the separator. On the other side, they see a teenager WYATT (18) and teenager PRUE (14).

TEEN PRUE

Why here?

TEEN WYATT

You said you wanted a private spot.

TEEN PRUE

I never imagine you could bring me here.

Prue looks astonished at the whole scene.

CHARLOTTE

(to Prue; whispering)

Why did you come here?

PRUE

(whispering)

I think we should jump this scene.

CHARLOTTE

(whispering)

Oh, now I´m curious.

Both keep looking at the teenagers.

TEEN WYATT

Are you sure you want to do this?

TEEN PRUE

I want to know how it is, Wyatt. And I want it to be with someone I trust. And you said that you would do it so don´t step back.

TEEN WYATT

OK, OK. Let´s do this, then.

Both teenagers get really nervous. Teenager Wyatt approaches teenager Prue slowly. Prue swallows as she sees the whole thing.

PRUE

(whispering)

Oh boy!

Charlotte is interested looking at it.

Teenager Wyatt approaches his face to teenager Prue´s face and kisses her.

Charlotte is open-mouthed.

CHARLOTTE

(whispering)

So, that´s why you never said anything about your fist kiss?

Prue nods yes, ashamed. Charlotte smiles.

Teenager Prue and teenager Wyatt get apart. Both look at one another. They seem surprised.

TEEN PRUE

That was...

TEEN WYATT

... Good.

Teenager Prue nods yes. Then, she steps back from Wyatt.

TEEN PRUE

No one can ever now, ever. Promise me, Wyatt. You won´t tell anybody. Promise me.

TEEN WYATT

OK, OK. I promise.

Both look one another.

PRUE

(ashamed)

Next, please.

CUT TO:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

Chris and Wyatt are still looking at the images.

Fifteen century. A young prince (GEORGE, middle 20s) in his castle is talking to his father, the King (ALEXANDER, 50s), in the coronation room. Once again, the Prince is Wyatt´s past life.

CHRIS

King, prince... Seriously?!

WYATT

Stop being jealous, Chris.

They look at the images.

PRINCE GEORGE

Father, I don´t want to marry an unknown woman.

KING ALEXANDER I

You will be King of Georgia someday. George the VIII will be your name. You need a queen by your side that can give you descendants and keep our family name.

CHRIS

Where the hell is that kingdom?

WYATT

No idea.

KING ALEXANDER I

Now, put yourself together.

The big doors of the room open. A beautiful young lady (Tamar, 20´s), Prue´s past life, comes in followed by her ladies in waiting.

KING ALEXANDER I (CONT´D)

(to George)

Here is your Queen.

CHRIS

I beg they´ll fall in love.

Chris smiles. Wyatt shoots him a look.

Prince George approaches Princess Tamar. She thrust out her hand and Prince George takes it hand kisses it without stop looking at her. The images flashes to another images.

Ancient Rome. A beautiful young lady, Camilla (20´s), Prue´s past life, is gathering flowers in the Temple´s garden. A young man, Marcus (20´s), Wyatt´s past life, comes closer and kisses her.

CAMILLA

(worried)

Marcus, if my father finds out...

MARCUS

(cuts her off)

He won´t. I love you, Camilla.

WYATT

(to Chris)

Forbidden love?

CHRIS

Apparently.

MARCUS

I have almost everything ready. We are going to run away and be happy.

CAMILLA

I wish we could be happy here.

MARCUS

Our families would never allow our union.

Marcus kisses Camilla again.

The images flashes to the clouds.

WYATT

(angry)

Hei, wait. I want to know what happened.

Chris smiles.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - DAY

Cassandra and Demetria come in from the front door.

CASSANDRA

I hope they have everything done so we can keep talking.

Demetria closes the door behind her. In front of the girls, the Acheri shows up with her girl face. Both girls scream. The Acheri changes to the demon face and her nails start turning into claws. Using high speed, the Acheri approaches to the girls. Junior and the twins come running down stairs.

JUNIOR

What is it?

Demetria creates a fireball and throws it against the Acheri. It hits the Acheri and it blurs out.

DEMETRIA

Did I kill it?

Melinda and Damon come down stairs and join the other in the front hall.

DAMON

I don´t think so.

MELINDA

Fireballs don´t work on that.

They hear the evil grin as an echo. They all look around.

CASSANDRA

What was that?

MELINDA

An Acheri.

TAMORA

How do you know?

MELINDA

Google!

DAMON

We were nowhere with the book so we search on the web.

MELINDA

I remember to hear of something like that and we search and voila.

PANDORA

Now the question is, how do we kill an Acheri?

Melinda and Damon exchange glances.

DAMON

That´s the tricky part.

TAMORA

Why?

DAMON

Iron and salt might hurt it, but we are not sure if it would kill it.

MELINDA

You´re forgetting the red ribbon around the neck.

TAMORA

(sarcastic)

What for? To look pretty?

MELINDA

Hei, blame Google. I´m the messenger. 

They exchange glances. That´s when they realize Demetria´s presence.

MELINDA (CONT´D)

(to Demetria)

Hei, I remember you. Demetria, right?

Demetria nods yes.

CASSANDRA

Yeah, I invited her for Prue and Wyatt´s party.

MELINDA

You´re welcome, of course. But I´m not sure if there´ll be a party.

TAMORA

(angry)

Oh, no! Of course there´ll be a party. I need to give them my painting.

DEMETRIA

(to Tamora)

Do you paint?

PANDORA

Abstract art!

Tamora shoots her sister a look. She points at the painting on the painting easel near the bookcase in the front hall. They look at the painting.

DEMETRIA

That is...

Demetria is wordless. She tilts her head to one side as she looks at the painting. Tamora realizes she doesn´t get what´s in there.

TAMORA

(angry)

Two people kissing!

CASSANDRA

Oh, so that´s what it is?!

DAMON

I can see what it is straight away.

MELINDA

Me too.

TAMORA

I knew there had to be smart people in this family!

The evil grin is heard again.

PANDORA

Any ideas on how are we going to vanquish that child?

They exchange glances.

JUNIOR

I might have an idea.

They all look to Junior.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY (2028)

Charlotte and Prue beam in the middle of the living room.

PRUE

The manor again?!

They hear the front door opening and go hide quickly behind the sofa. Moments later, a three years younger Prue comes in. She comes crying compulsively.

PRUE (CONT´D)

(to Charlotte; whispering)

I remember that day.

A three year’s younger Wyatt comes in from the parlor and is surprised to see his cousin there.

YOUNGER WYATT

Prue?

He realizes she´s crying.

YOUNGER WYATT (CONT´D)

Prue, what happened?

Young Prue runs to hug Wyatt.

YOUNGER PRUE

It´s over, Wyatt. Over.

Younger Prue doesn´t stop crying. Behind the sofa, Prue and Charlotte keep sneaking at them.

YOUNGER WYATT

What is over? Prue, you need to calm down and talk to me.

Younger Wyatt grabs Younger Prue´s hand and takes her to the sofa. Prue and Charlotte try not to be seen. Younger Wyatt tries to dry Younger Prue´s tears passing his hand through her face.

YOUNGER WYATT (CONT´D)

Now, tell me. What happened that put you crying like that?

Younger Prue is calmer.

YOUNGER PRUE

I´ve been thinking for a few days now to tell Eric the truth about me.

Behind the sofa, Charlotte looks at her sister who is paying attention to what her younger self is saying.

YOUNGER PRUE (CONT´D)

I wanted to tell him I was a witch with active powers.

YOUNGER WYATT

Prue!

YOUNGER PRUE

I know you don´t agree, but we were together for more than two years now. I had to come clear with him, Wyatt.

Younger Wyatt takes a deep breath.

YOUNGER WYATT

OK. You told him?

YOUNGER PRUE

(takes a deep breath)

I wanted, I went to his apartment and wanted to tell him everything...

Tears run down her face again. Younger Wyatt hugs her.

YOUNGER PRUE (CONT´D)

(crying)

He´s leaving.

They get apart. Younger Prue closes her eyes.

YOUNGER WYATT

What do you mean he´s leaving?

YOUNGER PRUE

He´s leaving. He was offered with a job offer in Germany and he´s moving there.

YOUNGER WYATT

Prue...

YOUNGER PRUE

I couldn´t tell him. I couldn´t blow up his joy.

YOUNGER WYATT

Blow up his joy?

YOUNGER PRUE

Yes.

(dries her tears)

Imagine that after knowing that he got that great offer he gets to know what I am.

YOUNGER WYATT

If he loves you, that wouldn´t make no differences.

(pauses)

What now?

Younger Prue looks at Younger Wyatt deeply in the eyes.

YOUNGER PRUE

I had to let him go.

YOUNGER WYATT

What do you mean?

YOUNGER PRUE

I broke up with him.

YOUNGER WYATT

But Prue, if you tell him who you are, you could keep seeing one another and...

YOUNGER PRUE

And I could go to Germany whenever I wanted because I have that power, I don´t need a plain to travel between countries.

YOUNGER WYATT

Yeah.

YOUNGER PRUE

No, Wyatt. It´s over. It wasn´t meant to be.

(pauses)

I just need you to hug me now.

Younger Wyatt hugs her quickly.

YOUNGER WYATT

Everything is gonna be fine. I promise.

Younger Wyatt stands up.

YOUNGER WYATT (CONT´D)

Come with me. Let´s take some fresh air and talk.

Younger Wyatt and Younger Prue leave the room. Prue and Charlotte rise up. Charlotte is astonished by what they heard.

CHARLOTTE

You broke up with Eric and the first person you came to talk to was Wyatt?

PRUE

Back then, he was the only person I wanted to be with.

CHARLOTTE

But he was also the only one who didn´t like Eric. He was against you two being together. Which actually, no one could understand back then.

PRUE

Yeah, I know. I actually found it weird that he didn´t say "I told you so".

CHARLOTTE

I think he loved you so much and was sad for you being sad.

(pauses)

Next?

Prue nods yes.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - KITCHEN - DAY

Melinda and the twins are next to the kitchen. Melinda puts some salt in a pot while the twins watch her.

TAMORA

I hope this really works because that thing is pissing me off.

Damon and Junior come in. Junior brings some silver knifes.

JUNIOR

(about the knifes)

Aunt Piper said we could use this old ones.

MELINDA

Good.

(pauses)

How the hell am I going to melt silver in this kitchen?

Cassandra and Demetria come in the kitchen.

DEMETRIA

I believe I can help with that.

MELINDA

Perfect. The others, make sure no one interrupts us while Demetria and I prepare the potion.

PANDORA

I´ll see if I find some red ribbons.

Pandora ORBS out. Damon approaches Melinda and whispers her something.

DAMON

(whispering)

I love to see you in charge.

Melinda smiles.

MELINDA

Go!

CUT TO:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

Wyatt stands still, looking at Cupid´s statue. Chris gets closer.

CHRIS

What´s on your mind?

WYATT

At lot and nothing at the same time, Chris.

CHRIS

You never thought about...

WYATT

(cuts him off)

... My past lives? No, I try to focus in the present.

CHRIS

Not about your past fives, but about the reason why Prue and you are destined.

Wyatt looks at his brother. He is serious.

WYATT

I thought it had to do with that Twice Blessed thing.

CHRIS

You never imagined there was something else?

WYATT

Soul mates? True love?

Chris nods.

WYATT (CONT´D)

I´m part whitelighter, Chris, not part Cupid.

The walls show again some new images. Both turn to watch it.

Seventeenth century. An old woman (RUTH, 86), is lying on her bed, sick. An old man (THOMAS, 90) approaches her bed with a glass of water and some pills.

THOMAS

My dear Ruth. Take this.

Thomas puts some pills in his wife´s hand. She takes them to her mouth. He helps her to drink water. Then, he puts the glass on the night table. He sits next to his wife.

RUTH

My lovely husband, always taking care of me.

THOMAS

You deserve it. Besides, I need you to get out of this bed fast. The children want their nanny to tell them her old and good tales.

Ruth coughs.

RUTH

I´m not leaving this bed, Thomas. My time has come.

THOMAS

(distressed)

No, don´t say that. You and I are going to be together for many, many years.

Ruth forces a smile.

RUTH

Not in this lifetime, my love.

Thomas kisses softly Ruth´s forehead.

RUTH (CONT´D)

The greatest gift I had in this long life was having you and our family. You´ve made me the happiest woman on Earth.

THOMAS

And you made me the happiest man.

RUTH

I tell stories about love, but I didn´t know what love was until I met you. I will never forget how happy we were together.

THOMAS

We are going to be happy for many years. Now rest, dear. You need to recover strength. 

RUTH

No. I need to tell you this before I go.

(pauses)

60 years ago, when I met you, I was a young girl with not dreams of marrying, because I wanted to be independent. Of course, against my father´s will.

THOMAS

You still like to be independent.

RUTH

With you by my side.

(pauses)

It was in that rainy winter night when you were introduced to me that I realized that nothing else could make sense if I hadn´t you with me.

Wyatt and Chris pay attention to the images. A tear runs down Wyatt´s face. Chris notices it.

RUTH (CONT´D)

Tonight, when I´m about to leave this life, I´m sure that marrying you was my faith.

THOMAS

Please, Ruth.

Thomas hugs his wife.

RUTH

I will find you again, my Thomas. It doesn´t matter how long it will take, I believe we´ll find each other again.

Thomas cries as he keeps hugging his wife.

RUTH (CONT´D)

I love you, my dear Thomas.

Ruth closes his eyes. Thomas cries compulsively.

THOMAS

I love you too, my dear Ruth. And I promise you, we will find each other again.

Tears run down Wyatt´s face.

CUT TO:

INT. P3 - STOREROOM - NIGHT (2029)

Charlotte and Prue beam in.

PRUE

P3?

They hear some voices coming from the dance floor. They sneak through the door. They see Wyatt and Prue a couple of years younger.

CUT TO:

INT. P3 - DANCE FLOOR - NIGHT (2029)

Prue and Wyatt talk without knowing they being watched.

WYATT

(glancing around)

This is perfect!

PRUE

(smiling)

I knew you´d like it.

WYATT

I do. Where´s everybody? I thought we were joining here.

PRUE

They´re coming. I just wanted you to be the first to see the club.

WYATT

Why?

PRUE

Oh, well, because you were always there for me. While everybody kept saying that it was too risky playing all my saves and requesting a loan, you didn´t. You always told me to go on.

WYATT

(smiles)

I´m all in favor of dreams coming true.

Prue smiles and hugs Wyatt.

PRUE

Thank you.

WYATT

No need to thank, little cousin. I love you.

They get apart.

PRUE

I love you too.

Both smile and look one another deeply. The scene is interrupted by the arrival of the rest of the family.

CUT TO:

INT. P3 - STOREROOM - NIGHT (2029)

Charlotte looks at Prue.

CHARLOTTE

Do you want to say something?

PRUE

(shrugs)

He had to be the first to come here.

Charlotte smiles.

CUT TO:

INT. HALLIWELL / COOP MANOR - FRONT HALL / STAIRS - NIGHT (2030)

Charlotte and Prue beam in in the top of the stairs with a nice view to what´s happening down in the front hall.

PRUE

(whispering)

This happened last year.

CHARLOTTE

When Cass made a demon fell in love.

Both smile. In the front hall are younger Prue, younger Wyatt and Jackson.

YOUNGER WYATT

Huh, I can help too.

Prue looks at Wyatt.

YOUNGER PRUE

I appreciate it, Wyatt, but it´s not necessary.

YOUNGER WYATT

But Prue...

YOUNGER PRUE

Thanks, Wyatt. For helping. Really.

Wyatt and Prue exchange a deep look. Then, Wyatt turns around and goes towards the front door. Prue looks to Wyatt´s back and seems surprised at something, but says nothing.

Prue looks at Charlotte.

PRUE

(whispering)

I realized it then.

CHARLOTTE

(whispering)

You realized what?

PRUE

(whispering)

Before, I had a vision of my future husband.

(pauses)

I only saw his back. When I saw Wyatt leaving and I looked at his back, I realized that man was Wyatt.

(pauses)

But I thought that was nonsense and shot that thought away.

CHARLOTTE

Why?

PRUE

I don´t know. I thought it was stupid. He is my cousin!

(takes a deep breath)

Enough. Let´s go.

CHARLOTTE

There´s one more thing you need to see.

Prue grabs Charlotte´s hands.

CUT TO:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

A new image is shown to Wyatt and Chris. A ten years older Prue is talking with past version of Wyatt, Prue and Chris in 2030.

FUTURE PRUE

... Me too. Was nice to see you two, guys. Bye dear...

Future Prue looks at Wyatt. She realizes her mistake.

FUTURE PRUE (CONT´D)

...Ies, dearies. You both are dearies.

Present Prue grabs Wyatt and Chris´ hands and closes her eyes.

PRESENT PRUE

My mom, Phoebe.

A little heart shapes and the three of them beam out. Future Prue looks at the place where they just left.

WYATT

(to Chris)

That was when we went to the future.

Chris smiles.

CHRIS

Where I saw your daughter orbing out.

Wyatt looks at Chris. They look back at the images and watch a future Wyatt approaching future Prue.

FUTURE WYATT

Who were you talking to?

FUTURE PRUE

Our past selves.

Future Prue kisses future Wyatt.

FUTURE WYATT

How was it?

FUTURE PRUE

I called you dear.

FUTURE WYATT

(surprised)

Did they realize it?

FUTURE PRUE

What do you think? We were blind back then.

FUTURE WYATT

Very.

FUTURE PRUE

Indeed.

FUTURE WYATT

We are not anymore.

FUTURE PRUE

Never again.

Both kiss again. The images flash out. The clouds appear again.

WYATT

(surprised)

Wow!

CHRIS

Yeah.

Wyatt walks around the room.

WYATT

Can we leave, now?

CHRIS

Sure.

Wyatt and Chris head towards the exit, but...

ISABELLE (O.C.)

Darling, I have something important to tell you.

Wyatt and Chris stop.

CUT TO:

INT. P3 - STOREROOM - NIGHT (MONTHS EARLIER)

Prue and Charlotte beam in again in P3.

PRUE

Here, again?

CHARLOTTE

A few months earlier, you didn´t know what you were feeling.

(pauses)

Look at that moment and see if your doubts are gone.

Charlotte signs to Prue to look through the door to the dance floor. Prue sees herself sad. A tear runs down her face. Eric comes closer.

ERIC

Prue!

Prue passes her hand over her face to dry the tear and turns around little by little. In front of her is Eric. Prue smiles.

YOUNGER PRUE

(smiling)

Eric!

Eric smiles. Prue gets close to him and they hug each other, strongly.

ERIC

So good to see you again.

Charlotte looks at that scene too. Charlotte lowers her gaze as she sees Eric and younger Prue hugging. Prue looks at her sister and finds her attitude weird, but says nothing. Prue looks again to the scene. She sees Wyatt coming downstairs and stop as he sees Prue and Eric hugging.

YOUNGER WYATT

(sarcastic)

I can´t see you´re not confused any longer.

Prue and Eric separate. They look up at Wyatt. Prue can´t hide the worried look on her face.

YOUNGER PRUE

Wyatt!

Wyatt leaves the club. Prue closes the storeroom´s door. She closes her eyes for a bit as Charlotte looks at her.

PRUE

(Opens her eyes)

He didn´t believe in us and I didn´t either.

CHARLOTTE

You were confused.

PRUE

Blind. I thought I still had feelings for Eric.

CHARLOTTE

I think we can go back home, now.

Prue forces a smiles. She and Charlotte grab hands and beam out.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. CUPID´S TEMPLE - REVELATIONS´ ROOM - DAY

Wyatt and Chris turn to see more images. This time it´s Isabelle, Prue´s past life, and William Halliwell, Wyatt´s past life. Isabelle hugs her husband who´s arriving from work.

ISABELLE

(smiling)

I have something important to tell you.

WILLIAM

Well, here I am.

William kisses his wife.

WYATT

(to Chris)

Last century´s 20´s?

Chris nods.

ISABELLE

(smiling)

I couldn´t be happier.

WILLIAM

(anxious)

Tell me, then.

Isabelle takes a deep breath,

ISABELLE

I´m pregnant.

William smiles.

WILLIAM

Really?

William hugs his wife.

WILLIAM (CONT´D)

(happy)

I can´t believe it.

ISABELLE

You better do because it´s the truth.

William touches Isabelle´s face.

WILLIAM

You have no idea how happy I am.

He kisses his wife. Matthew comes in. They look at him.

WYATT

(to Chris)

That´s Lancelot.

WILLIAM

(to Matthew)

Brother!

William hugs his brother.

WILLIAM (CONT´D)

I´m going to be a father.

Matthew is shocked for instants, but smiles right away.

MATTHEW

Really?

William and Matthew get apart. Both look at Isabelle.

MATTHEW (CONT´D)

Congratulations, to both.

Matthew hugs Isabelle. It´s a quick hug.

ISABELLE

I think I´m going to help the girl with the dinner so we three can celebrate.

Isabelle leaves the room.

MATTHEW

(to William)

I´m really happy for you, brother.

William gets serious and approaches Matthew.

WILLIAM

Brother, now that I going to be a father, I need to ask you something.

MATTHEW

Anything.

WILLIAM

(takes a deep breath)

I know you always loved Isabelle.

Matthew tries to speak, but William doesn´t let him. Wyatt and Chris exchange glances.

WILLIAM (CONT´D)

I know. I know that if I had never met her, she would have probably felt in love with you. You met her first after all.

MATTHEW

No, Will...

WILLIAM

(cuts him off)

Let me speak.

(pauses)

You are my big brother and the only family I have left. You, Isabelle and my unborn child.

(approaches Matthew)

Promise me that if something happens to me, you will take care of her and my child.

MATTHEW

What do you mean if something happens to you? Nothing will happen.

WILLIAM

Just promise me that. Promise me you won´t leave her alone.

(takes a deep breath)

That you´ll marry her and that you´ll be the father of my child.

MATTHEW

William...

WILLIAM

I wouldn´t trust anybody else with that task, Matthew.

Matthew takes a deep breath. Closes his eyes and opens them right away. He has taken a decision.

MATTHEW

Nothing will ever happen to you, but if something does, I promise I´ll do what you´re asking me to.

William smiles. Both brother hugs.

WILLIAM

Thank you, brother.

Isabelle comes in.

ISABELLE

Can I join you two?

Isabelle, William and Matthew smiles. The images flashes.

WYATT

(astonished)

What was that, Chris?

CHRIS

I have no idea?

WYATT

Did something happened to him, Chris? William?

CHRIS

I really don´t know, Wyatt.

(pauses)

Maybe the purpose of it was to show you your most recent past life.

Chris looks serious at Wyatt.

CHRIS

Wyatt, all this was to show you that you and Prue didn´t start last week but centuries ago. Maybe in the beginning of times.

Wyatt looks at his brother.

CHRIS (CONT´D)

You fought to be together and you always won. You lost some, but you were together. Centuries of history about you. This was to show you that no matter what by the end of the day you are hers and she´s yours.

WYATT

We are soul mates.

CHRIS

More than that. You are each other´s true love. Could you love others? Sure, but the way you love each other? No.

WYATT

I never thought about what true love was before.

CHRIS

Well, now you have something to think about.

(pauses)

Let´s head back home.

Chris leaves the room. Wyatt looks once again to Cupid´s statue.

WYATT

(to the statue)

Thanks.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Melinda, Damon, Junior, Cassandra, Demetria, Tamora and Pandora are there. Each one has a red ribbon around their neck and are holding potions.

DEMON

It is faster than us, but we are seven against one.

MELINDA

It can show up at any moment.

TAMORA

If we don´t vanquish that thing, there won´t be a party. Remember that.

MELINDA

Let´s not think about it. That thing will show up.

PANDORA

We won´t wait too long.

Pandora points to one of the entrances of the room and there´s the Acheri with its demon face and its claws ready to attack.

JUNIOR

It´s now or never.

The Acheri approaches in high speed and they all at the same time throw the potion. One of the bottle hit the demon. The Acheri is surrounded by a gray smoke and blows up.

CASSANDRA

We did it!

TAMORA

We´re having party.

PANDORA

(to her sister)

You´ll be able to give your amazing painting.

Tamora shoots her sister a look.

MELINDA

(claps her hands)

Let´s prepare everything before our mothers come home.

They all leave the room but Melinda and Damon.

DAMON

I really love to see you in charge.

Melinda smiles and kisses Damon.

MELINDA

Move!

Both leave the room.

CUT TO:

INT. UNDERWORLD - CORONATION´S CAVE - NIGHT

Some demons are gathered there. In the center of the cave there´s some kind of altar and on its way to it a red carpet. The Dark priest is next to the altar. The three witches are tied up in a corner.

DARK PRIEST

Kneel to your Source and Queen.

The Dark Priest signs to the entrance of the cabe. Leah, wearing a passion red dress, comes in. She walks all the way down to the altar while all demons kneel as she walks through.

LEAH

(to herself)

Oh, yes. Finally, I am the Queen of The Underworld.

Leah smiles maleficent.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Some places all around the city are shown while the music All of Me by John Legend is played.

CUT TO:

INT. PRUE´S CONDO - BEDROOM - NIGHT

MUSIC FADES OUT.

Charlotte is using her cupid´s powers on Prue to see if she is still blocked. A pink light comes out from Charlotte´s ring towards Prue´s heart.

CHARLOTTE

No, it looks like you´re OK now.

Prue smiles while the pink light fades out.

PRUE

I wonder what happened.

Charlotte doesn´t understand the question.

PRUE (CONT´D)

With my past life. She had the baby? She married again? I´m curious.

CHARLOTTE

Well, we are here so I guess the child was born.

PRUE

What do you mean?

CHARLOTTE

The child was supposed to be named Allen Halliwell. You heard that name before.

PRUE

(smiles)

He was born, grew up and married a Penny and here we are. That would make me great grandmother of myself. Weird!

CHARLOTTE

(smiles)

I think it´s time for me to go. I still have some things to do.

Charlotte is about to leave, but...

PRUE

Charlie...

Charlotte looks at Prue.

PRUE (CONT´D)

You know you can tell me anything, right?

CHARLOTTE

(forces a smile)

Sure, I know.

PRUE

(smiling)

Good.

Charlotte beams out. Prue looks at the little black box on the dresser and takes it.

PRUE (CONT´D)

(to herself)

I know what I have to do.

CUT TO:

EXT. HALLIWELL MANOR - ENTRANCE STAIRS / PORCH - NIGHT

Wyatt is taking the steps up to the front door of the Halliwell Manor. Prue pulls the car in front of the Halliwell Manor and climbs out of it.

PRUE

Wyatt!

Wyatt turns around and sees her.

WYATT

Prue?!

Prue takes the steps up to meet Wyatt.

PRUE

Hi!

WYATT

Hi!

Prue and Wyatt stare at one another.

WYATT (CONT´D)

Happy birthday.

PRUE

Right. Thanks. Happy birthday you too.

They smile.

WYATT / PRUE

(at the same time)

I need to talk to you.

Both smile.

WYATT

Let´s get in.

PRUE

Please.

Wyatt opens the door and signs to Prue to get in. She does. Wyatt follows her.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRS - NIGHT

All the lights are off. Prue comes in followed by Wyatt.

PRUE

It looks like there´s no one at home.

WYATT

Indeed.

PRUE

I think they are not going to do it this year.

WYATT

At least, that´s what they said.

Wyatt closes the door behind him and turns on the entrance sconce which light is enough for them to see one another. Both are nervous.

PRUE

So, how was your day?

WYATT

(smiling)

Weird.

PRUE

Mine too.

WYATT

Let me guess. A weird present from our bosses?

PRUE

You too, huh?

Wyatt nods.

PRUE (CONT´D)

(sarcastic)

Well, they know how to have fun.

Prue takes a deep breath.

PRUE (CONT´D)

(shy)

Wyatt -- I´m sorry.

WYATT

No, Prue...

PRUE

(cuts him off)

No, let me talk.

(pauses)

I´ve been so wrong lately.

Wyatt listens attentively.

PRUE (CONT´D)

I´ve done things I never thought in doing. I was so stupid.

WYATT

You were not.

PRUE

Yes, I was.

WYATT

Like you said, I didn´t trust us.

PRUE

I didn´t either.

(pauses)

I was so blind, so full of anger. I was only seeing my side and I forgot that there were two of us.

(approaches Wyatt)

I´m so sorry. I´m sorry I said I hate you. -- I´m sorry I didn't trust us. -- I´m sorry for being so blind that I didn´t realize that without you I´m nothing else but just a lost soul. 

Wyatt touches Prue´s face.

WYATT

I´m sorry too. -- I´m sorry I didn´t trust us. I´m sorry I hide something important from you. I´m sorry I didn´t fight for us.

PRUE

I love you, Wyatt. I do love you more than anything else on Earth.

Wyatt smiles.

WYATT

I do love you too. I always have and I always will love you.

Prue smiles. Both kiss passionately.

PRUE

(smiles)

Thanks for the necklace.

WYATT

Thanks for the book.

Prue smiles ashamed.

PRUE

Oh, my God! I gave you just a book.

WYATT

It´s my favorite author.

(pauses)

I loved it.

Prue smiles. They kiss again. Their kiss is interrupted by the lights turning on.

FAMILY

(aloud)

Surprise!

In front of them are all the family: Piper, Phoebe, Paige, Leo, Coop, Henry, Melinda, Damon, Charlotte, Cassandra, Chris, Junior, Tamora, Pandora and their friend Demetria.

PRUE

(to Wyatt)

They did again.

WYATT

They always do.

Both smile and turn to see their family. Piper and Phoebe approach them.

PHOEBE

Ladybug, Wyatt. Happy Birthday.

Phoebe hugs her daughter while Piper her son. Then, Piper hugs Prue and Phoebe hugs Wyatt. Coop and Leo approach them too and hug their kids.

PRUE

(to Piper and Phoebe)

Thanks for the necklace.

Prue shows her necklace hanging on her chest.

PIPER

That´s in its rightfully place.

TAMORA

(cutting them off)

Well, well, well. You all have to excuse me, but...

Tamora approaches to the painting.

PANDORA

(to Cassandra and Demetria)

Oh no. She is really giving them that.

Melinda hears Pandora.

MELINDA

(to Pandora)

It´s beautiful.

Pandora rolls her eyes.

TAMORA

(to Wyatt and Prue)

I didn´t know what to give you so well, you may not know, but it´s hard to pick a present for you guys.

Wyatt and Prue exchange glances.

TAMORA (CONT´D)

So, I decided to make your present myself. And I did something that reflects the way I see you both.

Tamora shows them the painting. Prue and Wyatt smile.

TAMORA (CONT´D)

You probably don´t know what´s in it.

WYATT

A man and a woman.

PRUE

Kissing.

Tamora smiles happy. Pandora´s eyes pop open, surprised.

PRUE (CONT´D)

We love it.

Tamora smiles and approaches her cousins. They hug her. The others approach too to congratulate Prue and Wyatt. Prue and Wyatt greet Demetria happy to see her there.

The camera moves away little by little. The image fades out.

CUT TO BLACK.

END OF EPISODE